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Madeleine, résistante - Tome 2 - L'édredon rouge de RIFFAUD Madeleine et BERTAIL Dominique
Mes sincères remerciements aux éditions DUPUIS, aux auteurs et à l’illustrateur pour cette lecture offerte. Je ne pouvais passer à côté de la suite de cette histoire autobiographique. Cette Bande Dessinée est magnifique : quel superbe service de presse ! Merci à NetGalley ! J’ai découvert l’histoire de Madeleine RIFFAUD en même temps que j’ai apprivoisé ce genre littéraire, la BD. Je ne suis pas…
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#Bertail#Editions DUPUIS#Historiques#Madeleine résistante#Morvan#Riffaud#Romances société et les autres
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Cobweb
Directed by Samuel Bodin Cinematography by Philip Lozano Edited by Kevin Greutert & Richard Riffaud
#Cobweb#Movie#halloween#horror#horror movie#fairytale#dark fairytale#haunted house#demons#family#dark gothic#Samuel Bodin#Philip Lozano#Kevin Greutert#Richard Riffaud
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Cobweb, Samuel Bodin (2023)
#Samuel Bodin#Chris Thomas Devlin#Lizzy Caplan#Antony Starr#Cleopatra Coleman#Woody Norman#Luke Busey#Aleksandra Dragova#Philip Lozano#Drum & Lace#Kevin Greutert#Richard Riffaud#2023
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On this day, 23 July 1944, 19-year-old French communist resistance fighter Madeleine Riffaud saw a German military officer taking a walk over a bridge on the river Seine in Paris and got off her bicycle. As he looked at the Louvre, she took out her gun and shot him twice in the head, killing him. As she cycled away, she was pursued and knocked off her bike by French collaborators in a car. Riffaud tried to shoot herself to avoid torture but was captured and handed over to the Nazi SS. She was beaten repeatedly, escaped but was recaptured and deported to a concentration camp. There, she was released in a prisoner swap, and took part in the armed uprising which liberated the city in August. She later recounted to Agence France-Presse in an interview, “It was joyous… People were falling in love and kissing each other without knowing each other. After years of having to do everything in secret, we could fight in the open.” Riffaud survived the war and later became a journalist, supporting and reporting on anti-colonial rebellions in Algeria and Vietnam. If you value our work researching and promoting people's history like this, please consider supporting our work, and accessing exclusive content and benefits, at https://patreon.com/workingclasshistory https://www.facebook.com/photo.php?fbid=666345558871996&set=a.602588028581083&type=3
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Streetart: Madeleine Riffaud by C215 @ Fresnes, France
More info at: https://barbarapicci.com/2024/03/13/streetart-c215-fresnes-france-2/
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This article about 'Fight for America', a board game art installation placing players in the opposite sides of the January 6th insurrection, is a striking example of how games can be more than entertainment; they serve as interactive art, immersing players in roles they may not have otherwise considered.
Art installations and experimental games have long pushed the boundaries of tabletop design to create dialogue, challenge assumptions, and generate emotional responses.
'Train' by Brenda Romero has players unknowingly manage logistics for transporting people, only to discover they are organizing deportations to Nazi concentration camps. The moment of realization creates a profound emotional impact, sparking discussions on obedience, complicity, and morality. While not an art installation, 'The Grizzled', by Fabien Riffaud & Juan Rodriguez, is a commercially available cooperative game placing players in the roles of WWI soldiers trying to survive the psychological and physical tolls of war. Another commercially available game, ' Freedom: The Underground Railroad' by Brian Mayer engages players with history by making them abolitionists aiding enslaved people to freedom. The mechanics create tension, reinforcing the difficulty and danger of the real-life historical movement.
Games like these, especially when framed as art installations, turn players into participants of an unfolding narrative, making them confront difficult questions and emotions. When the game ends, the conversation begins.
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[Connaître le judaïsme] Philippe Haddad : le point de vue d'un rabbin sur Jésus (3/3) #connaitreLeJudaisme
https://podcastaddict.com/connaitre-le-judaisme/episode/188383467 via @PodcastAddict
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Madeleine, résistante : la rose dégoupillée
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#Bandes Dessinées#Bertail#Blossom Spring Challenge#Editions DUPUIS#Historiques#La rose dégoupillée#Madeleine résistante#Morvan#Riffaud#Romances société et les autres
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Madeleine Riffaud, ‘the Girl Who Saved Paris,’ Dies at 100
Humiliated by a Nazi officer at age 15, she joined the French Resistance. By the time she was 20, she had killed a German soldier, survived torture and captured a supply train. source https://www.nytimes.com/2024/11/23/world/europe/madeleine-riffaud-dead.html
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Madeleine Riffaud, ‘the Girl Who Saved Paris,’ Dies at 100
Humiliated by a Nazi officer at age 15, she joined the French Resistance. By the time she was 20, she had killed a German soldier, survived torture and captured a supply train. Source link
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A lutadora da resistência Madeleine Riffaud, jornalista e poetisa, morreu aos 100 anos #ÚltimasNotícias #França
Hot News Esta parteira profissional juntou-se à Resistência em 1942, no seio dos Francs-tireurs et partisans (FTP). Publicado em 11/06/2024 18h59 Atualizado em 11/06/2024 19h39 Tempo de leitura: 3min A lutadora da resistência Madeleine Riffaud em Paris, 16 de agosto de 2021. (CHRISTOPHE ARCHAMBAULT/AFP) A combatente da resistência Madeleine Riffaud morreu na quarta-feira, 6 de novembro, aos…
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La résistante Madeleine Riffaud, journaliste et poétesse, est morte à l'âge de 100 ans
Cette sage-femme de profession était entrée dans la Résistance en 1942 au sein des Francs-tireurs et partisans (FTP). — À lire sur www.francetvinfo.fr/societe/seconde-guerre-mondiale/la-resistante-madeleine-riffaud-journaliste-et-poetesse-est-morte-a-l-age-de-100-ans_6881606.html
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Madeleine Riffaud
Subscriber Content Add content here that will only be visible to your subscribers. Payment “Resistance is attacking those that are stronger than you. Terrorism is for the weak.”80 years ago, on July 23, 1944.“I had to shoot a German NCO on the Solférino bridge in Paris.Well, he went down like a sack of wheat. He uttered no cry. Maybe he was a good guy, maybe he was rotten to his core. I never…
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