#richard bernardin

[luegootravez]

Britt Bergmeister by © Richard Bernardin

[knittinganddrinkingtea]

Flavia Lucini by Richard Bernardin for Nacre Voyage Spring Summer 2017

[partial-boner]

Richard Bernardin for Dress To Kill Magazine

[lemondedelamode]

Valeria Lipovetsky by Richard Bernardin for Relevant Journal Feb’22

[luegootravez]

by Richard Bernardin

Masha Markina

[nudesnoises]

Richard Bernardin

[sillypenguinwitch]

isaac's books in heartstopper s2

episode 1:

Tillie Walden: I Love This Part

Faridah Àbíké-Íyímídé: Ace of Spades

episode 2:

Nina LaCour: We Are Okay

Oscar Wilde: The Importance of Being Earnest

episode 3:

Ocean Vuong: Night Sky with Exit Wounds (the one he is carrying under his arm, I'm assuming that's his and not for the display?)

has read: Ritch C. Savin-Williams: Bi: Bisexual, Pansexual, Fluid, and Nonbinary Youth

Emily Henry: Book Lovers

episode 4:

Victor Hugo: Les Misérables

Antoine De Saint-Exupéry: The Little Prince

Kate Chopin: The Awakening

Nina LaCour: We Are Okay (again)

episode 5:

Albert Camus: The Outsider

episode 6:

Martin Handford: Where's Wally? The Great Picture Hunt

Meredith Russo: Birthday

Jules Verne: Around the World in Eighty Days

Sara Pennypacker: Pax Anne Berest, Audrey Diwan, Caroline de Maigret, Sophie Mas: How to Be Parisian Wherever You Are ? ? ? Damian Dibben: The Color Storm Alice Oseman: Loveless Susan Stokes-Chapman: Pandora Katy Hessel: The Story of Art Without Men ? Evelyn Waugh: Rossetti Arthur Conan Doyle: The Hound of the Baskervilles A.O. Scott: Better Living Through Criticism ?: Then We Came to an End (?) Ruth Millington: Muse Dr. Jaqui Lewis: Fierce Love Charlotte Van Den Broek: Bold Ventures - Thirteen Tales of Architectural Tragedy ?

Richard Siken: Crush

episode 7:

Garrard Conley: Boy Erased

George Matthew Johnson: All Boys Aren't Blue

Samra Habib: We Have Always Been Here

episode 8:

Akemi Dawn Bowman: Summer Bird Blue

Angela Chen: Ace

bonus:

Truham school library pride display (seen in ep. 3 and 8):

top to bottom, left to right: Angela Chen: Ace Andrew Holleran: The Kingdom of Sand Mary Jean Chan and Andrew McMillan: 100 Queer Poems Scott Stuart: My Shadow Is Pink Lotte Jeffs: My Magic Family Tucker Shaw: When You Call My Name Ritch C. Savin-Williams: Bi - Pansexual, Fluid, Nonbinary and Fluid Youth Alok Vaid-Menon: Beyond the Gender Binary George M. Johnson: All Boys Aren’t Blue Mason Deaver: I Wish You All the Best Alex Gino: George Melissa

on top of shelves (left to right): Kevin Van Whye: Nate Plus One Xixi Tian: This Place is Still Beautiful Becky Albertalli: Leah on the Offbeat Mya-Rose Craig: Birdgirl Bernardine Evaristo: Girl, Woman, Other Connie Glynn: Princess Ever After Saundra Mitchell: The Prom

Charlie's choice at Shakespeare and Co (ep. 6): Allan Hollinghurst: The Swimming Pool Library

That's it for now.

Sorry about the ones i couldn't identify and sorry if i missed any! Might try and do some of the ones in Isaac's room later but that'll take a minute

[luegootravez]

Marlijn Hoek by © Richard Bernardin

[luegootravez]

by Richard Bernardin

Alejandra Guilmant

[modelsof-color]

Maria Borges by Richard Bernardin for Dress to Kill Magazine - Sept 2019

[knittinganddrinkingtea]

Flavia Lucini by Richard Bernardin for Nacre Voyage Spring Summer 2017

[unes23]

Ola Rudnicka by Richard Bernardin for Grazia Magazine

[lemondedelamode]

Valeria Lipovetsky by Richard Bernardin for Relevant Journal Feb’22

[taumont]

My list of books I wish to have read by the end of the year:

Quiet Days in Clichy -- Henry Miller

La petite vertu -- James Hadley Chase

Breakfast of Champions -- Kurt Vonnegut Jr.

Call at Corazon -- Paul Bowles

Solaris -- Stanislaw Lem

Slaughterhouse-Five -- Kurt Vonnegut Jr.

The Savage Detectives -- Roberto Bolano

La Boutique Obscure: 124 Dreams -- Georges Perec

Mon corps pour me guérir: décodage psychobiologique des maladies -- Christian Flèche

A Joseph Campbell Companion: Reflections on the Art of Living -- Joseph Campbell

Speak, Memory -- Vladimir Nabokov

Supreme Influence: Change Your Life with the Power of the Language You Use -- Niurka

The Journey and the Guide: A practical course in Enlightment -- Maitreyabandhu

Egon Schiele: Drawings and Water-colours -- Egon Schiele, Erwin Mitsch

Taking the Leap: Freeing Ourselves from Old Habits and Fears -- Pema Chodron

Rumi Revealed: Selected Poems from the Divan of Shams -- Rassouli

Confessions of an Art Addict -- Peggy Guggenheim

The Executioner's Song -- Norman Mailer

Drive Your Plow Over the Bones of the Dead -- Olga Tokarczuk

Flights -- Olga Tokarczuk

America -- Jean Baudrillard

Too Much and Not the Mood: Essays -- Durga Chew-Bose

I Had Nowhere to Go -- Jonas Mekas

Francesca Woodman -- Marco Pierini

Yves Klein -- Hannah Weitmeier

Dune (Dune #1) -- Frank Herbert

Oreillers d'herbes -- Natsume Soseki

Les Choses humaines -- Karine Tuil

The Energy of Slaves: Poems -- Leonard Cohen

Selected Writings - Antonin Artaud

The Sisters Brothers -- Patrick deWitt

Pastoralia -- George Saunders

Signs Preceding the End of the World -- Yuri Herrera

Last Train to Memphis: The Rise of Elvis Presley -- Peter Guralnick

Break, Blow, Burn -- Camille Paglia

Voyage au bout de la nuit -- Louis-Ferdinand Céline

Philip K. Dick: In His Own Words -- Philip K. Dick

Autobiography of a Yogi -- Paramahansa Yogananda

A Confederacy of Dunces -- John Kennedy Toole

Babel -- Patti Smith

Keith Haring Journals -- Keith Haring

Foam of the Daze -- Boris Vian

Inherent Vice -- Thomas Pynchon

The Black Power Mixtape 1967-1975 -- Goran Olsso

Le Diable au Corps -- Raymond Radiguet

Bluets -- Maggie Nelson

Girl, Woman, Other -- Bernardine Evaristo

Devenir un ange -- Francesca Woodman

Faithfull: An Autobiography -- Marianne Faithfull

The Master and Margarita -- Mikhail Bulgakov

Eve's Hollywood - Eve Babitz

In Watermelon Sugar -- Richard Brautigan

[andrasta14]

So the cover of my book journal has me feeling like uncultured swine again, because all the book titles on it are famous couples/duos in literature, tv shows and movies etc and at least half of them have me like: ?????

I'm enough of a nerd to want to know where they're all from, and it's been bugging me for years. But Googling them feels somehow unsporting to me. lol (Plus I think some of the spellings are French?)

So...see a pair you recognize? Let me know. 🙏

~ Couples Listed ~

Fanfan & Alexandre = ???

Lana & Clark = Superman

Paul & Joanne = ???

Andromacue & Hector = The Iliad/Greek Mythology

Leonard & Salaì = ???

Orpheus and Eurydice = Greek Mythology

Lisbeth & Miriam = ???

Mathilde & Manech = ???

Chimène & Rodrigue = ???

Emma & Dexter = ???

Yves & Pierre = Yves Saint-Laurent and Pierre Bergé

Arlequin & Columbine = ???

Julien & Mme de Rênal = The Scarlet and the Black

Edward & Vivian = ???

Edith and Marcel = ???

Marty & Jennifer = Back to the Future

Franck & Ava = ???

Jack & Rose = Titantic

Elisabeth & Richard = ???

Chouchou & Loulou = ??? (The hell kind of names are those? lol)

Roger & Jessica = ??? (Idk the first thing that jumped to mind was Roger & Jessica Rabbit lol)

Figaro & Rosine = The Marriage of Figaro

Christian & Anastasia = 50 Shades of Grey

Leeloo & Korhen = ???

Abelard & Héloïse = medieval historical romance, unsure of details

Valmont & Cecile = Dangerous Liaisons

Sam & Molly = ???

Gaston & Melle Jeanne = ???

Drazic & Anita = ???

Don Juan & Charlotte = Don Juan/Don Giovanni

Mike & Susan = Desperate Housewives

Helen & Paris = The Iliad/Greek Mythology

Quasimodo & Esmeralda = The Hunchback of Notre-Dame

Rachel & Ross = Friends

Marilyn & John = Marilyn Munroe and John F. Kennedy?

Satine & Christian = Moulin Rouge

Dorian & Henri = The Portrait of Dorian Gray

Tarzan & Jane = Tarzan

Edward & Bella = Twilight

Nino & Amélie = Amélie

Mulder & Scully = The X-Files

Arthur & Paul = Arthur Rimbaud and Paul Verlaine

Harry & Sally = When Harry Met Sally

Sandy & Danny = Grease

Benny & Joon = Benny & Joon

Toi & Moi = ???

Maverick & Charlie = Top Gun

Candy & Anthony = ???

Odysseus & Penelope = The Odyssey/The Iliad/Greek Mythology

Thelma & Louise = Thelma & Louise

Titus & Berenice = Titus and Berenice is a 1676 tragedy by Thomas Otway.

Ariane & Solal = ???

Paul & Virginie = Paul and Virginie by Jacques-Henri Bernardin de Saint-Pierre (1788).

Johnny & BB = ???

Cyrano & Roxane = Cyrano de Bergerac

Marius & Fanny = ???

Chloe & Colin = ???

Adam & Eve = The Bible

Tristan & Iseult = Tristan and Isolde

Bonnie & Clyde = the historical Bonnie & Clyde

Popeye & Olive = Popeye the Sailor Man

Simone & Yves = ???

Buffy & Angel = Buffy the Vampire Slayer

Lauren & Humphrey = Lauren Bacall and Humphrey Bogart?

Carrie and Mr Big = Sex in the City

Harry & Ginny = Harry Potter series

Clarence & Alabama = ???

Alceste & Célimène = ???

Lancelot & Guinevere = Arthurian legend

~*~

Edit:

From @theduchessofboredom

#arthur & paul could be art (arthur) garfunkel and paul simon #paul & virginie is the title of a famous 18th century novel #nino and amélie is definitely Amélie :) #yves & pierre are yves saint-laurent and pierre bergé

From @that-laj

Marty & Jennifer are from Back to the Future, if they’re the Marty and Jennifer I think they are.

@didoscity

Mike and susan are from desperate housewives (embarassed to know this). Also arthur and paul are definitely, to me, arthur rimbaud and paul verlaine. sorry for simon and garfunkel 😂

oh and titus and berenice is the name of a tragedy by corneille!

[psalm22-6]

Source: the San Bernardine Sun, 25 December 1978 Wild to learn about the reach of the March/Laughton film from ‘35. Also this article is so funny to me because they can no longer just say Cosette, Fantine,  or Marius and assume that the reader knows who they mean so they end up saying Valjean’s ward, Valjean’s ward’s mother, and Valjean’s ward’s lover and other round about things.  Also I read in a later article that the program “drew 38 percent of the national audience, according to the Neilsen ratings, and was the week's highest-rated special.” But overall it was ninth in the week for ratings, tied with a rerun of MASH.

HOLLYWOOD  — If Victor Hugo was alive today he'd be one of the most sought-after writers by television network presidents. His stories contain all the elements deemed necessary to make a film or series successful. Most notable example is Hugo's "Les Miserables," written in 1862. Inspired by the French people seeking freedom from oppression, he wrote the now-classic tale of an impoverished man, Jean Valjean, who steals a loaf of bread to feed his starving family, and that act of survival sets off a chain reaction that includes drama, adventure, jeopardy, love, hatred and, above all, the action of the chase. CBS has picked the middle of what is usually considered an "off-week," the period between Christmas and New Year's Day when people are too preoccupied with holiday festivities to watch TV, to show the latest version of "Les Miserables," the Norman Rosemont Production in association with ITC Entertainment which occupies all three hours of CBS' prime-time programming Wednesday. It's CBS' gift-wrapped treat amid the rubble of reruns. The family that takes time out to relax from Yuletide activities will thoroughly enjoy a class production filmed in France and England in authentic surroundings that look as though no stone has been dislodged from its place since Hugo described its locale in his drama. Richard Jordan portrays Valjean, whose life is to be dogged by his obsessed pursuer, Inspector Javert, played by Anthony Perkins. As with his other revivals of the classics, "The Count of Monte Cristo," "The Man in the Iron Mask" and "The Four Feathers," all produced for both TV and theatrical release, Norman Rosemont has populated the cast with distinguished veteran actors. In his last performance, Claude Dauphin, who died recently, is seen as the kindly bishop who befriends Valjean. Sir John Gielgud is an elderly aristocrat. Celia Johnson is Valjean's housekeeper. Flora Robson is the head of a convent. Cyril Cusak is the convent's groundskeeper who provides brief refuge for the prison-escaping Valjean. Ian Holm is a greedy innkeeper. Joyce Redman is the bishop's housekeeper. 

Two young British newcomers, Caroline Langrishe and Christopher Guard, were chosen to play Valjean's pretty ward and the grandson of Gielgud. And Angela Pleasance is the beggar woman who further impedes Valjean's escape by entrusting her daughter (Langrishe) to his care. 

Of the many films on Hugo's classic (Jean Gavin as Valjean in the 1952 French movie; Gino Cervi in a 1943 Italian feature; Michael Rennie in a 1952 TV kinescope), the 1952 Warner Bros, movie with Frederic March and Charles Laughton is best remembered. 

Who can forget Laughton's Javert, having finally cornered Valjean (March) in a Paris sewer after his three-decade pursuit, shouting "The law is the law!" although, he, like Valjean, is aged and weary of this senseless pursuit. Did the specter of Laughton's dominating performance lurk in the background of this 1978 version? "No, not really," replied Glenn Jordan, who directed the $3 million production. "I saw the Laughton version twice and found very little I could use. One of the few things I thought interesting and useful was that Laughton played an eccentric. So I had Tony play it eccentrically, but in an entirely different way.

"Laughton was always Laughton in the end, not the characters he portrayed. I felt it was important to be the character Hugo intended because, after all, a lot of people have never seen those other versions or ever read the book." 

[Glenn] Jordan, who won an Emmy for the Ben Franklin specials on TV, among other citations for notable TV and stage productions, says that [Richard] Jordan, who first gained attention in TV's "The Captains and the Kings," and Perkins are much closer to the characters Hugo described in his lengthy novel. "I remember March and Laughton as being too old for their roles. They didn't really age as much as people would in real life, especially people who went through what they did. We assume Hugo's characters were about the same age in the beginning. The imprisonment period is 20 years, then a jump of five years passes, then it's 10 years more. [Really? March is such a young Jean Valjean]  "That's why it was important to cast young men who could age (via make-up and character change), rather than start out with older actors in those roles." Redoing the classics has bothered some purists who prefer to let the original versions stand on their merits. But Glenn Jordan has valid reasons for remaking a classic such as this. "The social problems of poverty and justice vs. justice, these are things, I think that are self-explanatory," he said. "But the human problems, the relations between the people are the most interesting because, it seems to me, that when you redo a classic you have to make it vivid for today's audience. "When you see older versions of such stories they are very much versions of their time and reflect the thinking of their time, including the style in which they were done." By PAUL HENMGER Gannett News Service