#riccardo arena

[primepaginequotidiani]

PRIMA PAGINA La Stampa di Oggi mercoledì, 21 agosto 2024

[tonisemitoni]

Il Tempo e le Anime (A mio padre e a mia madre) - Parte diciottesima

Verso le Mura, oltre il canale di Reno ancora non tombato, innanzi alle solenni colonne del barocco Palazzo Tanari che aveva ospitato per una notte la regina Cristina di Svezia, Via Galliera molto si restringeva per cui il pieno sole dell’estate la illuminava perpendicolarmente solo per poche ore insinuandosi nell’angustio spazio tra i vecchi edifici che si opponevano; sotto i portici, la…

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

[sunshineandlyrics]

🇦🇺🎾 That's Matt V, Louis, Riccardo and Oli, Rod Laver Arena, Australian Open, 27 January 2024

[mp0625]

Race To The Net

Chapter one: scrimmage

Frederik Andersen x Reader x Daniel Riccardo

Taglist. Masterlist. Race To The Net Masterlist.

A/N: Sorry about it taking so long to get the first chapter out. I can’t wait to get the second chapter out, hopefully it will be out next week. Thank you to @swissboyhisch for being a sounding board for this whole thing! First and second chapter are supposed to take place Tuesday the week of the Vegas Grand Prix

Tw: None in this chapter

“Right this way drivers, the team is already on the ice warming up for the scrimmage” says the lady that met them outside the back of the rink when they got off the bus. The atmosphere of a brand new circuit in a new city feels electric.

The 20 drivers plus the gaggle of media Team members from every team followed the lady into the labyrinth below the arena. The tunnel pops out into the lower bowl completely decked out in gold and black, and they get their first view of the ice. It hit Dan like a crash into the barriers his soulmate was in the building. 

Down on the ice the team was practicing and shooting pucks at you, it hit you like a puck to the chest protector your final soulmate was in the building.

As you are walking off the ice to allow the ice team to zamboni the ice, you could hear William up ahead of you calling you, “Y/N, your phone is ringing!” 

“I’m coming.” You said, as you started shuffling faster as quickly as you can with all of your heavy pads on. Once you got into the dressing room you could see Willi with your phone talking to someone.

“Oh, she’s here. I will give you back to her.” William said with a smile.

“Hey, Freddie! Sorry I didn’t call last night, it was a long, hard game with lots of shots on goal.” You said with a sigh.

“You’re fine, my game was long too.” He said, sounding tired. 

“Hey, I have something to tell you.” You said, as you got up and walked into the hallway to give you and Freddie some privacy. “I found our third soulmate.” You said your voice barely above a whisper. 

“Say what now?” He said in shock. “Do you know any info about them?” 

“No, all I know is that I felt it when I was practicing before the scrimmage game.” You said with a sigh.

“Ahh, do you have any ideas who?” He asked.

“Maybe? But nothing concrete.” You said with a soft sigh.

“Hey Y/N, it’s time to go back on the ice.” William said coming out of the dressing room.

“Hey, Freddie?” “I gotta go, our game is about to start, love ya.” You say with a smile.

“Love you too, have a good game, bye!” He said hanging up. 

“Y/N, are you leading us out onto the ice?” William asked.

He was wearing the same color jersey as you, he would be on your team for the scrimmage.

“Hell yeah!” You said as you pull your mask onto the top of your head. As you walk down the tunnel onto the ice. As you stepped onto the ice you could hear talking, but you could also hear the pregame music that always plays and the announcer saying his pregame rituals, instead of introducing the away team and saying where they are from, he is introducing the other half of the team that is acting as the away team. While your half is the home team. As the National anthem played you pulled your mask fully on and got into the headspace for a game. 

As the puck dropped, the players were off down the ice towards the home goalie with the golden jersey. Up in the stands the drivers could hear the goalie in the gold jersey yell, “I swear to all things 9 if you hit me with that puck I’m going to tackle you!”

“Yeah right like you would do that,Y/N.” They hear him say back tauntingly.

“Don’t try me Eichel!” They hear get yelled back from the goalie they now know as Y/N. As they see the puck get slammed into the crossbar. As the minutes ticked down and the players went back and forth from either side with no one getting a goal. 

As the final four minutes tick by the home team just narrowly got the puck into the net! “Scored by number 71 William Karlsson.” The announcer rang out. As the buzzer went off two minutes later. Signaling the end of the game and the meaning that the home team won! Down on the ice the away team shuffled off and down the tunnel, while the home team celebrated with high fives and goalie hugs.

As the drivers watched the celebrations, the lady that led them to their seats earlier spoke up, “Are y’all ready to go down and get your pads on and learn a little bit before you play?��

Taglist: @studioreader @theforevermorereject @tpwkstiles @honethatty12 @slafgoalskybaby @topguncultleader @wondershells @cixrosie

[covercyano]

Riccardo Orsolini of Italy celebrates the win at the end of the International Friendly match against Ecuador at Red Bull Arena on March 24, 2024 in Harrison, New Jersey. (Photo by Claudio Villa/Getty Images)

[musispoedmacarsiv]

20 Haziran 2024 İspanya İtalya Maçı

*Almanya'nın Gelsenkirchen kentindeki Arena AufSchalke'de saat 22:00'de başlayacak olan UEFA Euro 2024 B Grubu ikinci maçı. Müsabakada hakemliği Slovenyalı Slavko Vincic üstlenecek.

*TRT 1'den naklen yayınlanacak olan maç.

*İlk yarısı 0-0 ile tamamlanmıştır.

*55. dakikada Riccardo Calafiori kendi ağlarını sarstı ve İspanya 1-0 öne geçti.

*İspanya 1-0 galip gelen taraf oldu ve 2'de 2 ile 6 puana ulaştı. İtalya ise 3 puanda kaldı.

[martinjost]

«Aida» in der Arena von Verona ist ein Erlebnis, aber man sollte schon wissen, worum es auf der Bühne geht

«Aida» in Verona spielt auf einer Bühne aus Glas, die zur Rampe hin abschüssig ist, so dass man die ganze Zeit befürchtet, die Sänger*innen müssten herunterrutschen. (Regie, Bühnenbild, Kostüme, Lichtdesign, Choreographie: Stefano Poda). Eine riesige mechanische Hand, Bruchstücke einer Maschine wie aus «Mad Max», echte Laser und Requisiten, die wie Laserschwerter aus «Star Wars» aussehen, verstärken das sterile, technische Design.

Ob es Generatoren oder Hydraulikpumpen oder Nebelmaschinen sind: Neben der unverstärkten Musik und der sportlichen Gesangsleistung der Sänger*innen hört man immer auch Nebengeräusche der Bühnentechnik, Brummen und Zischen. Das passt ganz gut als Soundeffekt zu der techno-futuristischen Bühne, die ihrerseits einen Kontrast zu der antiken römischen Arena bildet.

Die Regie gestaltet Tableaus aus Bühne, Choreografie und Licht, in denen man kaum ausmachen kann, wer gerade singt. Auf eine glasig-weiße Art schön sind diese Bilder, wenn auch nicht geeignet, um zu zeigen, was im Stück gerade passiert. Wenn Radamès (Gregory Kunde) verhindert, dass Amonasro (Amartuvshin Enkhbat) Amneris (Agnieszka Rehlis) ersticht und sich dann selbst der Palastwache ergibt, wird man das nicht am Bühnengeschehen erkennen, sondern ist auf den gesungenen Text angewiesen. Dafür gibt es auf LED-Leinwänden Übertitel in Italienisch und Englisch.

Wer mitliest, bekommt auch mit, dass Aida (Marta Torbidoni) und Radamès gemeinsam lebendig begraben werden. Zumindest für Aida ist das in Ordnung, sie hat eine romantische Ader. In Verona krabbeln sie dafür in eine kleine Pyramide aus Glas und über ihnen scheint der echte Mond.

«Aida» (Inszenierung 2023) Arena von Verona Festival · Vorstellung vom 20. Juni 2024 Regie, Bühnenbild, Kostüme, Lichtdesign, Choreographie: Stefano Poda; Orchester, Chor, Ballett und Staff der Fondazione Arena di Verona Musikalische Leitung: Marco Armiliato; Besetzung: Marta Torbidoni, Agnieszka Rehlis, Gregory Kunde, Riccardo Fassi, Rafał Siwek, Amartuvshin Enkhbat, Riccardo Rados, Francesca Maionchi. arena.it

[aki1975]

Treviso - Porta di San Tomaso - 1518

Dopo la sconfitta di Agnadello (1509) in cui Venezia fu sopraffatta dalla Lega di Cambrai (Francia, Sacro Romano Impero, Inghilterra, Giulio II), Treviso si dotò di mura di terrapieno. In questo modo superò indenne l’assedio del 1511. La guerra si concluse con la decisione di Giulio II di sciogliere la Lega di Cambrai e di formarne una, la Lega Santa, per ridurre l’influenza francese in Italia. Accanto al Papa si trovarono Venezia e l’Inghilterra di Enrico VIII, uno dei tanti casi di contatto fra il regno inglese e la città lagunare: anche per questa ragione l’Italia - non solamente Roma - è così presente nelle opere di Shakespeare (Giulietta e Romeo, La bisbetica domata a Padova, I gentiluomini di Verona, Il mercante di Venezia, Otello, Molto rumore per nulla a Messina).

Mentre l’Europa continentale si preparava alla Prima Crociata (1096), l’Inghilterra era stata conquistata dai Normanni con la Battaglia di Hastings (1066): Guglielmo il Conquistatore costruì la Torre di Londra e regnò fino al 1087 e, dopo di lui, i suoi discendenti fino al 1154.

Da quel momento furono i Plantageneti a regnare:

- Enrico II (1154 - 1189)

- Riccardo Cuor di Leone che partecipò alle Terza Crociata (1189) e che regnò fino al 1192

- il fratello Giovanni Senzaterra (1192 - 1216) che sostenne senza successo l’avversario di Federico II che divenne imperatore nel 1214: i debiti che ne derivarono lo portarono a firmare la Magna Charta (1215), costituzione del Regno. Fu protagonista di una tragedia di Shakespeare

- Enrico III (1216 - 1272) supportato, nei suoi primari anni, da Guglielmo il Maresciallo e dal legato di Innocenzo III, Guala Bicchieri

- Edoardo I (1272 - 1307), l’antagonista di Braveheart

- Edoardo II (1307 - 1327)

- Edoardo III (1327 - 1377) che iniziò la Guerra dei Cento Anni dalla quale sarebbero emersi, dal feudalesimo, gli eserciti nazionali e lo Stato moderno capitalista in Inghilterra e in Francia. Scoppiata per la rivendicazione del trono francese da parte del re inglese, vide inizialmente vittorie britanniche grazie alla superiorità dei reparti di arcieri inglesi (Crecy, 1346 e Poitiers 1356), ma i francesi presero il sopravvento nella seconda parte;

- Riccardo II (1377 - 1399) che dovette fronteggiare la rivolta dei contadini scoppiata a causa del perdurare della guerra dei Cento Anni (1381) e che fu deposto da Enrico Bolinbroke della casa di Lancaster. Fu protagonista di una tragedia di Shakespeare

I Lancaster regnarono con:

- Enrico IV (1399 - 1413), protagonista di una tragedia di Shakespeare in cui emerge il futuro Enrico V

- Enrico V (1413 - 1422) vittorioso ad Azincourt, consorte della figlia del re francese Carlo VI il Folle, Caterina di Valois, protagonista di una tragedia di Shakespeare.

[Prologo dell’Enrico V di Shakespeare

Oh, per una Musa di fuoco, capace di ascendere al risplendente empireo dell’Invenzione: un regno per palcoscenico, principi per attori, e monarchi, a spettatori di un dramma grandioso!

Allora sì che, da par suo, il battagliero Harry

sarebbe un Marte personificato, ed alle sue calcagna, tenuti a freno come dei segugi, Ferro, Fuoco e Fame s’acquatterebbero, cupidi d’azione. Ma perdonate, pubblico cortese, la scarsa, incerta ispirazione di chi ebbe l’ardire, su questa indegna impalcatura, di portare in scena sì epica vicenda. Può contenere, quest’angusta arena, gli sconfinati campi della Francia? Possiam stipare a forza in questo “O” di legno anche solo i cimieri che ad Agincourt fecer tremare il cielo? Ah, perdonateci! perché uno sgorbio da nulla può, nel suo piccolo, rappresentare un milione.

Lasciate dunque a noi, gli zeri di sì gran rendiconto, di fare appello alle forze dell’immaginazione.

Immaginate che entro la cinta di questi muri

sian confinati due possenti reami che si confrontan dall’alto dei loro orgogliosi confini, divisi solo da un periglioso braccio di mare.

Supplite voi, col vostro pensiero, alle nostre carenze: dividete ogni singolo uomo in mille unità, così creando armate immaginarie.

Pensate, se vi parliam di cavalli, di vederli voi stessi calcare i lor fieri zoccoli nella terra amica; è alla vostra mente che spetta ora equipaggiare i sovrani e condurli per ogni dove, bruciando i tempi e condensando gli eventi di molti anni in un voltar di clessidra: e proprio a questo fine fatemi fare in questa storia, vi prego, la parte del Coro; ed io, da prologo, vi chiederò umilmente di esser pazienti e giudicare cortesemente il nostro spettacolo con occhi indulgenti].

- Enrico VI (1422 - 1471): la sua vita, di sovrano di Francia e Inghilterra fin dalla giovanissima età per via del matrimonio del padre con una principessa francese, è raccontata nell’opera di Shakespeare che mostra una Giovanna d’Arco demoniaca ed ammaliatrice (battaglia di Orléans, 1429) e affronta come, nel periodo di instabilità iniziata con lo scoppio nel 1455 della Guerra delle Due Rose, ne esca vincente la casa di York mentre terminava la Guerra dei Cento Anni e i Turchi prendevano Costantinopoli (1453).

Gli York regnarono con:

- Edoardo IV (1471 - 1483)

- Edoardo V deposto da Riccardo III

- Riccardo III (1483 - 1485), protagonista di una grande tragedia di Shakespeare fino alla sconfitta di Bosworth Field.

Sconfitti in battaglia, i Plantageneti lasciarono il campo ai Tudor che regnarono con:

- Enrico VII (1485 - 1509) che pacifica il Regno sposando Elisabetta di York e che accentra il potere dello Stato contro alle istanze dei feudatari appoggiandosi alla gentry mentre la Spagna, con la Reconquista e la scoperta dell’America (1492) inizia il suo Secolo d’Oro

- Enrico VIII (1509 - 1547) coevo di protagonisti quali Carlo V (imperatore dal 1519 l) e Solimamo (Sultano dal 1520), protagonista di una tragedia di Shakespeare. Sposò Caterina d’Aragona, figlia di Isabella di Castiglia e Ferdinando d’Aragona, zia di Carlo V. Nel 1534 ha luogo lo Scisma anglicano: nonostante il parere contrario del suo cancelliere Tommaso Moro per questo giustiziato, Enrico VIII incamera i beni della Chiesa, depone Caterina d’Aragona per Anna Bolena, fonda una fede “istituzionale” che non potrà, di fronte alle istanze riformatrici, che dare luogo al puritanesimo successivo

- Edoardo VI (1547 - 1553)

- Maria la Sanguinaria (1553 - 1558), figlia di Caterina d’Aragona ed Enrico VIII

- Elisabetta I (1558 - 1603): diventata regina un anno dopo Filippo II, osservò l’Assedio di Malta (1565), partecipò alla Battaglia di Lepanto (1571) e sconfisse la Invincible Armada di Filippo II iniziando il domino inglese sui mari.

William Shakespeare visse fra il 1564 e il 1616: in lui confluiscono la tradizione narrativa inglese, epica e novellistica, e il teatro di Marlowe e nei suoi drammi storici è raccontata la storia inglese dei Plantageneti e dei Tudor. Come Tasso in quegli anni scriveva la Gerusalemme Liberata alludendo alla battaglia di Lepanto così Shakespeare scrisse drammi relativi al passato per rappresentare le preoccupazioni del presente.

Nei suoi personaggi abbraccia l’intera umanità innovando il teatro dato che solo in due drammi rispetta le unità aristoteliche. Ad esempio nella Commedia degli errori, fondata sul classico intreccio dello scambio di identità.

“In questo mondo io sono una goccia d’acqua che nell’oceano cerca l’altra goccia e, cadendovi, si disperde”

[arahb0la]

info main bola Rapor Pemain Italia Saat Susah Payah Bertahan Lawan Spanyol: Untung Ada Donnarumma, Kalau Gak …?

info main bola – Italia sangat beruntung memiliki kiper setangguh Gianluigi Donnarumma. Hanya karena penampilan tangguh Donnarumma, Italia bisa membatasi kebobolan satu gol saja ketika dibekuk Spanyol (0-1).

Kedua tim bertemu dalam duel matchday 2 Grup B Euro 2024, Jumat 21 Juni 2024 dini hari WIB. Big match pertama di fase grup Piala Eropa 2024 kali ini dimainkan di Arena AufSchalke. Kedua tim memburu tiga poin kedua. Pasalnya, tim yang memenangi laga ini dipastikan lolos ke babak 16 besar.

Italia boleh menang di pertandingan pertama lalu, tapi kali ini mereka harus mengakui kualitas Spanyol. Pasukan Luis de la Fuente memetik kemenangan tipis 1-0 lewat own goal Riccardo Calafiori (55′).

Kemenangan ini mendorong Spanyol ke puncak klasemen sementara Grup B dengan 6 poin dari dua laga. Italia di peringkat dua dengan 3 poin dari dua laga.

Italia benar-benar tidak bisa mengimbangi permainan Spanyol di laga ini. Mereka hanya fokus bertahan selama 90 menit. Lalu coba melawan dengan mengandalkan serangan balik.

Pertahanan Italia memang dikenal solid, mungkin salah satu yang terbaik di dunia. Apalagi, gawang mereka dikawal Gianluigi Donnarumma yang memang dikenal kiper level top.

Italia sangat beruntung memiliki Donnarumma di bawah mistar mereka. Betapa tidak, kiper 25 tahun ini bekerja ekstra keras untuk menjaga gawang timnya tidak kebobolan.

Donnarumma sendiri mencatatkan 8 penyelamatan, 5 di antaranya termasuk penyelamatan untuk peluang berbahaya lawan yang harusnya jadi gol.

Masalahnya, selain Donnarumma, pemain Italia lain tidak tampil begitu menonjol. Lini tengah Italia tidak bisa mengimbangi Spanyol, apalagi lini serang mereka yang bahkan tidak banyak terlihat selama pertandingan. Berikut rapor pemain Italia selengkapnya.

Susunan pemain SPANYOL (4-3-3): Simon; Cucurella, Laporte, Le Normand, Carvajal; Fabian (90+4′ Merino), Rodri, Pedri (71′ Baena); Nico Williams (78′ Ayoze), Yamal (71′ Ferran), Morata (78′ Oyarzabal)

Pelatih: Luis de la Fuente

ITALIA (4-3-3): Donnarumma; Dimarco, Calafiori, Bastoni, Di Lorenzo; Barella, Jorginho (46′ Cristante), Frattesi (46′ Cambiaso); Pellegrini (82′ Raspadori), Chiesa (64′ Zaccagni), Scamacca (64′ Retegui)

[delectablywaywardbeard-blog]

Riflettori a Capri sui giovani del cinema, da Markoff a Reggiani

A Capri, Hollywood la carica dei nuovi volti del cinema internazionale: dagli americani Mike Markoff e Annie Bezikian alla top model ucraina Liza Makhu, fino ai lanciatissimi italiani Renato Reggiani (Breakout Actor of The Year) e Luigi D’Oriano, Giuseppe Arena, Emanuele Palumbo, i ragazzi di ‘Mixed by Erry’ (Commedia dell’anno). Ma ci saranno anche Filippo Laganà, Riccardo Mandolini, la…

[princesssarisa]

Opera on YouTube

I've shared links to complete opera performances before, but I love to share them, so I thought I'd make a few masterposts.

These list are by no means the only complete filmed performances of these operas on YouTube, but I decided that ten links for each opera was enough for now.

By the way, some of the subtitles are just a part of the video, while others require you to click CC to see them.

Die Zauberflöte (The Magic Flute)

Hamburg Philharmonic State Opera, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; conducted by Horst Stein; English subtitles)

Ingmar Bergman film, 1975 (Josef Köstlinger, Irma Urrila, Håkan Hagegård, Birgit Nordin, Ulrik Cold; conducted by Eric Ericson; sung in Swedish; English subtitles)

Salzburg Festival, 1982 (Peter Schreier, Ileana Cotrubas, Christian Bösch, Edita Gruberova, Martti Talvela; conducted by James Levine; Japanese subtitles)

Bavarian State Opera, 1983 (Francisco Araiza, Lucia Popp, Wolfgang Brendel, Edita Gruberova, Kurt Moll; conducted by Wolfgang Sawallisch; English subtitles)

Metropolitan Opera, 1991 (Francisco Araiza, Kathleen Battle, Manfred Hemm, Luciana Serra, Kurt Moll; conducted by James Levine; English subtitles)

Paris Opera, 2001 (Piotr Beczala, Dorothea Röschmann, Detlef Roth, Desirée Rancatore, Matti Salminen; conducted by Ivan Fischer; no subtitles)

Royal Opera House, Covent Garden, 2003 (Will Hartman, Dorothea Röschmann, Simon Keenlyside, Diana Damrau, Franz Josef Selig; conducted by Colin Davis; no subtitles) – Act I, Act II

La Monnaie, Brussels, 2005 (Topi Lehtipuu, Sophie Karthäuser, Stephan Loger, Ana Camelia Stefanescu, Harry Peeters; conducted by René Jacobs; French subtitles)

Kenneth Branagh film, 2006 (Joseph Kaiser, Amy Carson, Benjamin Jay Davis, Lyubov Petrova, René Pape; conducted by James Conlon; sung in English)

San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklósa, Georg Zeppenfeld; conducted by Donald Runnicles; English subtitles)

La Traviata

Mario Lanfrachi studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; conducted by Giuseppe Patané; English subtitles)

Glyndebourne Festival Opera, 1987 (Marie McLaughlin, Walter MacNeil, Brent Ellis; conducted by Bernard Haitink; Italian and Portuguese subtitles)

Teatro alla Scala, 1992 (Tiziana Fabbricini, Roberto Alagna, Paolo Coni; conducted by Riccardo Muti; English subtitles)

Royal Opera House, Covent Garden, 1994 (Angela Gheorghiu, Frank Lopardo, Leo Nucci; conducted by Georg Solti; Spanish subtitles)

Teatro Giuseppe Verdi, 2003 (Stefania Bonfadelli, Scott Piper, Renato Bruson; conducted by Plácido Domingo; Spanish subtitles)

Salzburg Festival, 2005 (Anna Netrebko, Rolando Villazón, Thomas Hampson; conducted by Carlo Rizzi; no subtitles)

Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazón, Renato Bruson; conducted by James Conlon; English subtitles)

Opera Festival St. Margarethen, 2008 (Kristiane Kaiser, Jean-Francois Borras, Georg Tichy; conducted by Ernst Märzendorfer; English subtitles)

Teatro Real di Madrid, 2015 (Ermonela Jaho, Francesco Demuro, Juan Jesús Rodríguez; conducted by Renato Palumbo; English subtitles)

Teatro Massimo, 2023 (Nino Machiadze, Saimir Pirgu, Roberto Frontali; conducted by Carlo Goldstein; no subtitles)

Carmen

Herbert von Karajan studio film, 1967 (Grace Bumbry, Jon Vickers; conducted by Herbert von Karajan; English subtitles)

Vienna State Opera, 1978 (Elena Obraztsova, Plácido Domingo; conducted by Carlos Kleiber; English Subtitles)

Francisco Rosi film, 1982 (Julia Migenes, Plácido Domingo; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1987 (Agnes Baltsa, José Carreras; conducted by James Levine; English subtitles)

London Earls Court Arena, 1989 (Maria Ewing, Jacque Trussel; conducted by Jaques Delacote; English subtitles)

Royal Opera House, Covent Garden, 1991 (Maria Ewing, Luis Lima; conducted by Zubin Mehta; English subtitles) – Acts I and II, Acts III and IV

Arena di Verona, 2003 (Marina Domashenko, Marco Berti; conducted by Alain Lombard; Italian subtitles)

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann; conducted by Antonio Pappano; English subtitles) – Acts I and II, Acts III and IV

Metropolitan Opera, 2010 (Elina Garanca, Roberto Alagna; conducted by Yannick Nézet-Séguin; English subtitles) – Acts I and II, Acts III and IV

Opéra-Comique, 2023 (Gaëlle Arquez, Frédéric Antoun; conducted by Louis Langrée; English subtitles)

La Bohéme

Franco Zeffirelli studio film, 1965 (Mirella Freni, Gianni Raimondi; conducted by Herbert von Karajan; English subtitles)

Metropolitan Opera, 1977 (Renata Scotto, Luciano Pavarotti; conducted by James Levine; no subtitles)

Teatro alla Scala, 1979 (Ileana Cotrubas, Luciano Pavarotti; conducted by Carlos Kleiber; no subtitles)

Opera Australia, 1993 (Cheryl Barker, David Hobson; conducted by Julian Smith; Brazilian Portuguese subtitles)

Teatro Regio di Torino, 1996 (Mirella Freni, Luciano Pavarotti; conducted by Daniel Oren; Italian subtitles)

Teatro alla Scala, 2003 (Cristina Gallardo-Domâs, Marcelo Alvarez; conducted by Bruno Bartoletti; Spanish subtitles)

Zürich Opera House, 2005 (Cristina Gallardo-Domâs, Marcello Giordani; conducted by Franz Welser-Möst; no subtitles)

Robert Dornhelm film, 2009 (Anna Netrebko, Rolando Villazón; conducted by Bertrand de Billy; no subtitles)

Opera Australia, 2011 (Takesha Meshé Kizart, Ji-Min Park; Shao-Chia Lü; no subtitles)

Sigulda Opera Festival, 2022 (Maija Kovalevska, Mihail Mihaylov; conducted by Vladimir Kiradjiev; English subtitles)

[mirrorball-leclerc]

track 001. enchanted

─── ❝ my thoughts will echo your name, until i see you again ❞ ───

series masterlist // next

daphne jones had always been an enigma. she had people screaming her name in massive arenas and on the streets, but she also had people calling her a whore and other nasty words. daphne couldn’t help who she fell in love with or when she fell in love, at her core she had always been a hopeless romantic. so when her sister insisted she accompany her to the us grand prix, daphne figured why not? it’s not like she had anything to lose or gain by going.

mae had been absolutely enamored by the youngest redbull driver since they first met. daphne was sure they were dating but her little sister never confirmed or denied it. it was adorable to see her sister so in love for the first time ever. well, she had seen her in love before, but never like this, never so enamored she could talk about someone for hours. daphne had been in love before, but it never stuck, all she ever wanted was to find the person she would be with forever, but so far, no luck.

daphne was nervous about being at an f1 race when she had absolutely no clue about the sport, she didn’t want to make a fool of herself. but she wasn’t going to ruin this for her sister, mae had been bouncing up and down, figuratively, since she had agreed to go to the race with her. it was also going to be the first time daphne was meeting the boy who had stolen her sister’s heart, she needed to prepare to give him a shovel talk, like any good older sibling would do. she was not going to have her sister experience the same heartbreak she had, many times.

“i seriously think you’ll love him,” mae excitedly said, as she jumped into daphne’s car. daphne didn’t understand why she had agreed to drive them both to the circuit, but she would do anything for her sister. it wasn't hard to figure out mae jones had her older sister wrapped around her finger.

“is he good to you?” daphne questioned, mae quickly nodded, “then that’s all i need to know.”

“you know one of his coworkers is like a huge fan of you. i’ve heard him listen to your music more times than i can count. he particularly loves 1989. i think he has a crush on you.”

daphne laughed, before realization struck her, “mae, don’t.”

mae smiled innocently at her, “i’m not doing anything. i’m just stating what i’ve seen.”

liked by user77, user63, user81 and others

f1updates daphne jones seen arriving at the cota in austin, texas. her sister, mae jones, was seen arriving at her side with max verstappen. carlos sainz, daniil kvyat, and daniel riccardo arriving moments later. rumor has it the jones’ sisters are invited as guest of toro rosso’s max verstappen.

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user77 daniel’s going to freak out

user47 daniel’s going to seriously lose his shit when he sees her there. or when he sees this post

user98 danielricciardo you seeing this?

danielricciardo i’m sorry, who showed up where? and they’re guests of who?

user21 the jones sisters? at an f1 race? do they even know anything about the sport?

user60 clearly they know enough if they’re guests of max

daphne jones? you know daphne jones?

max?

hello?

answer the phone you cunt!!!

i don’t know her, personally speaking, i know of her.

i know her sister. i’m dating her sister.

i didn’t even know she’d be at the race today.

i’m shitting my pants over here riccardo

this is daphne jones max! arguably the most talented person of my generation! we share a birth year!

i feel like this is something you should've told me! now i have no time to mentally prepare myself so i don't make a fool of myself!

you always make a fool of yourself…

i hope you know this doesn’t help with my nerves daniel. i know how big of a star she is.

i'm supposed to help you?

daniel wasn’t nervous, it’s not like he was meeting his hero, he was only meeting his celebrity crush. the same celebrity crush that he’d had since he’d been in high school. if it were anyone else acting weird daniil would be concerned but it was daniel, he was used to it. it’s not like daniel was jumping around in anticipation or acting out of normal, but everyone around him knew something was off. he seemed, quieter than normal, well the australian chatterbox was always talking or laughing, so this was out of the normal.

christian had sent him a confused look but daniel waved him off, he was fine. okay, maybe he was nervous, but it was daphne jones! you couldn’t really blame him. he nearly jumped out of his seat when max sat next to him, he hadn’t even noticed his arrival, proving just how out of it he was.

“are you okay?” the dutch questioned.

“i’m fine,” daniel lied, “it’s not like i'm meeting my celebrity crush. oh wait, i am.”

“she’s nice,�� max said, “almost shit myself when mae introduced us. i think that is because she's my girlfriends sister and not because i have a crush on her.”

“please tell me she isn’t coming over here.”

max smirked, a smirk that only meant trouble and he followed max’s line of sight and his eyes widened. daniel quickly stood up and walked away from max and in the opposite direction of where the jones’ sisters were. mae made eye contact with max, wondering what was wrong with daniel, who was normally very chatty with her. even his own teammate, daniil seemed lost as to what was wrong with daniel. although, daniil was just simply lost as to what was happening, he was more focused on the upcoming race. which led him to wonder why the two toro rosso drivers were in the red bull garage, when they should be in their own getting ready for the race.

daphne looked down at her sister, “is he okay?”

“oh totally,” mae answered, “he just has a major crush on you. i told you this.”

“i didn’t think it would be that bad.”

“it's not,” carlos said, sneaking up on them, “he is just nervous. you make him nervous.”

mae put a hand to her chest, a sign that she had been scared by carlos, “give a girl a warning carlos.”

“perdón,” the spaniard apologized, “earlier max said daniel was nervous to meet your sister. he does not want to make a fool of himself.”

“that’s sweet,” daphne muttered. the conversation was dropped as the two toro rosso drivers were ordered to go back to their garage. they bid goodbye to daniil as max snickered at something on his phone, only showing mae who laughed. daphne smiled softly at the two, happy her sister had found someone who loved her.

daniel knew he could’ve had a better result, and it broke him a little that he just barely managed to end up in the points. at least he had done better than daniil who had dnf along with 7 other guys. it had also come as a relief that he had managed to keep fernando off of him long enough to get the checkered flag before him. the toro rosso drivers had done significantly better than them, getting both p4 and p7.

he sighed, sitting in his garage after his media duties had been done. he had already gotten rid of racing suit and was in much more comfortable clothes. he knew it was only a matter of time before he bumped into daphne jones but he hoped that would be pushed back, for the sake of his sanity. perhaps luck wasn’t on his side, years later he would say it was, when he felt someone sit next to him. daniel tensed thinking maybe a fan had gotten in but realized when he heard a soft hello come out of the person’s mouth, a fan would've freaked out. he turned his head to say hello but the words got stuck in his throat when he realized who was next to him. his eyes widened, like a deer caught in headlights.

he cleared his throat, “hello,” he replied, barley above a whisper. she smiled at him, and maybe it was his crush on her talking, but daniel thought she was the most beautiful girl daniel had ever seen.

“daphne,” she introduced, “daphne jones.”

“ricciardo- i mean daniel ricciardo, pleasure.”

"nice accent. australia?" she questioned. daphne knew the answer, she had done research on the drivers while she had been in the toro rosso garage. well, research was a bit much, all she had done was look up the name of the current drivers and their nationalities. but she would do anything to have one normal conversation with someone and daniel ricciardo seemed like the right person for that.

daniel nodded, "first race?"

"yes, it was interesting, to say the least," daphne answered. daniel nodded again, god he felt like an idiot, only nodding and keeping short questions, "you seem nervous."

"that obvious?" daniel asked, knowing what her answer would be. she laughed it off, "it's a little weird, i'll admit. everyone here says you're quite the charmer and an enchanting person overall."

before he could reply max and mae entered the red bull garage, carlos sainz following after them. mae looked stressed and deflated a bit when she noticed her sister at daniel's side, "there you are! i thought you had gotten lost."

"i did," daphne replied, "and this was the first place i recognized."

"i was promised food," max complained, "can we please get food?"

"i'm starving," daniel said, standing up. he offered a hand to daphne and she took it, standing up. she let go first and turned to face her sister, who was wildly wiggling her eyes rows at her. daphne huffed, rolling her eyes and began walking out of the garage before stopping, “i actually don’t know where i’m going.”

the five of them laughed together before letting daniel lead the way, he was the expert in all things texas.

liked by maejones, daphnejones, carlossainz55 and others

danielricciardo dinner with some old friends and one new friend. i'm still freaking out over meeting daphne jones people!

tagged maejones, daphnejones, maxverstappen33, carlossainz55

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maxverstappen33 of all the pictures you picked that one?

danielricciardo i think it's beautiful, captures who you are at your core. maxverstappen33 daniel ran away the first time he saw daphne... user93 not max calling daniel out

daphnejones it was a pleasure meeting you daniel and carlos!

carlossainz55 i believe the pleasure was all daniel’s user60 i love both toro rosso drivers

maejones don’t let it fool you, daniel completely freaked out and it took an entire grand prix + media duties + two hours for him to be able to have a conversation with my sister

user10 i think it’s sweet that daniel was completely star struck by her. it’s daphne jones!

danielricciardo see this person gets it! daphnejones i think it’s sweet too. enchanting even. maxverstappen33 he just let out the most horrible screech i’ve ever heard. user28 i am loving this weird crossover.

¡leclerc-s speaks! okay, so i’m not entirely sure if i want to go completely social media or add in a few bits of dialogue in between. let me know what you think of the dialogue. the writing may seem like shit, okay, it is shit, because i'm not used to writing about actual people and more so characters. that being said, this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet for me. enjoy!

[twinssebastiani]

LOGIMATIC OZZANO OTTIMO TEST IN CASA DI CENTO - 26.08.2023 - BALTUR ARENA, CENTO – Primo test pre campionato per la Logimatic Group Ozzano di coach Giuliani che - nonostante l'assenza di Riccardo Cortese per... 🏀 https://www.twinssebastiani.it/dettaglio.php?id=10252