#ri'chard lane

[iressails]

Andre Braugher (1962 - 2023)

[dianessunflower]

BTS of the finale of The Good Fight— aired 10 November 2022

🎶 the piano outro from the end credits scene

[orlaogden]

[postguiltypleasures]

My Peak TV Journey: *The Good Fight*

I watched all of The Good Wife on CBS as it aired from almost the beginning. I had mixed feelings about the series finale, so I was slow to get around to The Good Fight, its spin-off/sequel. Coincidentally, it was the decision to move Evil, from the same creators, Robert and Michelle King. The two shows became my reason for a part-of-the-year subscription to Paramount+.  Now that The Good Fight has wrapped up, I miss it. Months later I  think about that series finale and how it did not feel like a series finale. It never tried to make sense of its crazy world, or ours on which it was loosely based. There is another spin off scheduled for this fall. It will be starring Carrie Preston as Elsbeth Taccioni, a character who appeared on both series. But it will not follow up on all the various plots here, because that would not be worthwhile. (Also, according to recent news, it will be set in New York City, where all of these shows are filmed.)

Though the series was introducing major characters until the last season, so maybe they will revisit them. The final season brought in Andre Braugher as Ri’Chard Lane, a real showman of a lawyer. Every episode he wore different, often wild, glasses. His story for the season was about how he fit in the firm, but he is richly drawn enough. The character’s frequent and loud proclamations of faith were off putting to me. But there are plenty of details about his life that I would be happy to revisit and see more of. The penultimate season introduced the mysterious Carmen Moya and every time I saw her I wanted more of her. Marissa and her father, the Rahm Emmanuel inspired, Eli Gold are probably done. His last episode was shocking and appropriate as a send off. Each of the episodes in the season was titled “The End of…” and “The End of Eli Gold” felt like the most appropriate title. Marissa’s life could be check in on again, but it looks like it will become something completely different than what we’ve seen.

I definitely feel like I have seen enough of Diane Lockhart's journey. I still like the character, but choosing to stay with her husband Kurt McVeigh, despite the way their political differences meant he could never be trusted was choosing a stasis that I'm done with.

I'd be happy to check in on Liz Reddick and her complicate family again.

The final season involved non stop protests outside the law firm’s offices and regular threats of violence from mostly unknown sources. I spent a lot of my watching time wondering what it said about politics. Was it doing a “both sides” thing? How does it fit in with the mostly rightwing talking points of violence in Chicago? Months later, those worries have mostly melted away. It was more about capturing the feel of the moment than making a statement about it. 

Thought that does to bring up some of the ways that this series is going to age weirdly. Its plotting choice leaded into being a product of its time so even a couple of years after an episode originally aired a viewer finds themselves thinking things like “remember the pee tape”?  And really after a little time, it is so irrelevant to life it is better forgotten. But it is funny to look back at what a big deal we made of the whole thing.

[elyalovi]

Andre, el robotico corazón de Brooklyn Nine Nine 

Este año, para ponerme al día, vi la última temporada de “The Good Fight” con la grata sorpresa que Braugher se había unido al elenco. El nuevo personaje que el actor encarnaría sería el casi antónimo de lo que fue al capital Holt en cuanto a personalidad pero compartían el mismo ángel, mientras Holt era recatado, estricto y fiel a la ley, Ri'Chard Lane era un hombre extravagante, poderoso, colorido y con intereses propios. Ingresó como el nuevo socio de la firma de Liz y Diana, una especie de competencia y obstáculo para las mujeres en su lucha por no cambiar los objetivos del buffet, pero terminó siendo un aliado. En el sexto episodio de la última temporada, Ri’Chard revela que tenía planeado apoderarse de la firma y deshacerse de Diane y Liz, pero tras los eventos de ese episodio, en donde todo el equipo luchó contra el tiempo para salvarle la vida a su sobrino, había cambiado de opinión. La frase más destacable del capítulo es "Estoy inspirada y depresiva por el esfuerzo que toma seguir con vida" en alusión al periplo que se encaminó para mantener con vida a una persona enferma. Del episodio se desprendieron un montón de temas, desde el problema de las donaciones de órganos, la burocracia en las pruebas médicas, el racismo en la financiación de estudios y muchos, mucho más. Una lucha más a la que se enfrentaron Diane y compañía y en esos momentos difíciles, Ri'Chard se dio cuenta de la calidad de sus empleados. Sin dejar su extravagancia de lado, decide confiar en ellos y así logran salvar la vida de su familiar. Es uno de los episodios más memorables de la última temporada.

Antes de llegar a “Brooklyn Nine Nine”, donde compartió papeles con Andy Samberg, Terry Crews, Joe Lo Truglio, entre otros, Andre era un actor de teatro que no tenía experiencia en comedia y a pesar de estar acompañado por actores especializados, pudo, en muchos casos, opacarlos. Para destacar no solo que Andre decidió salir de su zona de confort para pasarse a la comedia, sino también que lo hizo para darle vida a un personaje negro, policía y homosexual, con una personalidad casi robotica que terminó siendo no solo el alma de la serie sino también como un icono de la comunidad LGTB. La escena que más me gusta de Brooklyn es cuando le agradece a Rosa por su valentía tras salir del closet con su familia. Ya es admirable esa habilidad para alternar entre momentos serios y cómicos, notable tanto en "Brooklyn Nine Nine" como en "The Good Fight", sino la capacidad de empatizar más allá de la pantalla de televisión. 

->Adiós al amigo y al capitán

[tuseriesdetv]

Noticias de series de la semana

Renovaciones

The CW ha renovado Superman & Lois por una segunda temporada

FOX ha renovado The Simpsons por una trigésimo tercera y trigésimo cuarta temporada

ITV ha renovado Finding Alice por una segunda temporada

Cancelaciones

La tercera temporada de Pose (FX) será la última

CBC ha cancelado Frankie Drake Mysteries tras su cuarta temporada

Noticias cortas

Chelsea Harris (Sykes) será regular en la tercera temporada de Snowpiercer.

Fichajes

Sissy Spacek (Castle Rock, Carrie) y Ed O'Neill (Modern Family, Married with Children) protagonizarán Lightyears. Serán Irene y Franklin, una profesora de inglés jubilada y un carpintero que llevan décadas ocultando un portal a un extraño planeta desierto en su patio trasero.

Mandy Patinkin (Homeland, The Princess Bride) se une como regular a la quinta temporada de The Good Fight. Será Hal Wackner, alguien que abre un juzgado en la parte de atrás de una copistería sin tener formación jurídica.

Edie Falco (The Sopranos, Nurse Jackie) será Hillary Clinton en Impeachment, la tercera temporada de American Crime Story.

Ray Liotta (Shades of Blue, Goodfellas) será Big Jim, el padre de Jimmy (Taron Egerton), en In With the Devil.

Indira Varma (Game of Thrones, Luther) se une a Obi-Wan Kenobi. Se desconocen detalles.

Constance Wu (Fresh Off the Boat, Hustlers), Riley Keough (The Girlfriend Experience, The House That Jack Built) y Jeanne Tripplehorn (Big Love, Criminal Minds) serán Katie Buranek, corresponsal de guerra; Lauren Reece, triatleta de élite y esposa de James (Chris Pratt); y Lorraine Hartley, la primera mujer secretaria de Defensa; en The Terminal List.

Dakota Fanning (The Alienist, I Am Sam) será Susan Ford, la hija de Betty Ford (Michelle Pfeiffer), en The First Lady.

Timothy Spall (Harry Potter, Sweeney Todd) protagonizará Magpie Murders junto a Lesley Manville. Será el detective Atticus Pünd.

Devon Sawa (Final Destination, Casper) se une como recurrente a Chucky, en la que Jennifer Tilly volverá a interpretar a Tiffany Valentine. Zackary Arthur (Transparent, Kidding), Teo Briones (Ratched, Pretty Little Liars), Alyvia Ayn Lind (Daybreak, Masters of Sex) y Björgvin Arnarson serán regulares en los papeles de Jake Webber, un adolescente solitario que busca su sitio tras la muerte de su madre; Junior Webber, el primo de Jake y opuesto a él; Lexy Taylor, la princesita del instituto, novia de Junior y principal acosadora de Jake; y Devon Lopez, el típico vecino fan de los true crime.

Geoff Stults (Enlisted, Little Fires Everywhere), Tiya Sircar (The Good Place), Alanna Ubach (Euphoria, Girlfriends' Guide to Divorce), Laurie Davidson (Will, Cats), Andre Hyland y Jules Latimer estarán en Guilty Party junto a Kate Beckinsale. Serán Marco, el marido de Beth (Beckinsale); Fiona, socia de Beth; Tessa, una presentadora de noticias; George, un traficante de armas; y Toni, una joven sentenciada a 92 años de prisión sin libertad condicional por asesinar a su marido.

Alec Mapa (Ugly Betty, Devious Maids) protagonizará junto a Kelsey Grammer y Alec Baldwin la comedia de ABC sobre tres antiguos compañeros de piso que vuelven a reunirse. Será Andre, un hombre gay muy empático que funcionaba como pacificador ante Channing (Baldwin) y London (Grammer) mientras busca el éxito romántico y profesional que hasta ahora no ha conseguido.

Eoin Macken (Merlin, The Night Shift) y Jack Martin protagonizarán La Brea junto a Natalie Zea y Zyra Gorecki sustituyendo a Michael Raymond-James y Caleb Ruminer. Formarán la familia Harris. También se unen a la serie Jon Seda (Chicago PD, Treme) y Veronica St. Clair, que ya participaron en el piloto, y Lily Santiago.

Mary Holland (Homecoming, Veep), Shelley Hennig (Teen Wolf, Dollface), Christina Anthony (Mixed-ish), Samsara Yett (The Flight Attendant), Cameron Britton (The Umbrella Academy, Mindhunter) y Benjamin Levy Aguilar (Filthy Rich) se unen a The Woman in the House. Serán Sloane, dueña de una galería de arte y amiga de Anna (Kristen Bell); Lisa, una chica dulce y sexy que puede esconder algo; la detective Lane; Emma, la adorable hija de nueve años de Neil (Tom Riley); Buell, el manitas de Anna; y Rex, alguien no muy brillante pero irresistible.

Dallas Roberts (Insatiable, The Good Wife), Clea Lewis (The Americans, Ellen) y Nicole Chanel Williams (Boomerang) serán recurrentes en American Rust como Jackson Berg, dueño de una farmacia preocupado por la proliferación de cadenas en tiempos de crisis; Jillian, una mujer baptista preocupada por qué pensará su marido de que ella y sus compañeras de la fábrica se quieran sindicar; y Jojo, una mujer que vive en la carretera y acoge a Isaac (David Alvarez).

Andrea Martin (Difficult People, Great News), Robert Ri'chard (One on One, Cousin Skeeter), Juani Feliz, Kate Rockwell y Sullivan Jones (The Looming Tower) se unen como recurrentes a Harlem.

Michael James Shaw (Blood & Treasure, Limitless) se une como regular a la undécima y última temporada de The Walking Dead. Será Mercer, que en los cómics es un marine que se relaciona románticamente con Juanita (Paola Lázaro).

Theo Rossi (Sons of Anarchy, Luke Cage) se une como regular a True Story. Será Gene, un fan muy entusiasta de The Kid (Kevin Hart).

Catherine Haena Kim (FBI, Ballers) y Craig Parker (Charmed, Reign) serán recurrentes en la tercera temporada de Good Trouble como Nicolette Baptiste, una abogada de la oficina del fiscal del distrito; y Yuri Elwin, un artista de perfil alto que necesita un becario.

Conrad Khan (The Huntsman: Winter's War, County Lines) se une a la sexta y última temporada de Peaky Blinders. Se desconocen detalles.

Sarah Niles (Catastrophe, I May Destroy You) se une como regular a la segunda temporada de Ted Lasso. Será Sharon, psicóloga deportiva que comienza a trabajar para el AFC Richmond.

Matthew Sato (Chicken Girls, Save Me) y Emma Meisel (American Horror Story) se unen como regulares a Doogie Kamealoha, M.D. Serán Kia y Steph, el hermano y la mejor amiga de Lahela (Peyton Elizabeth Lee). Ronny Chieng (The Daily Show, Crazy Rich Asians) será recurrente como un cirujano cardíaco.

Momo Rodríguez (La Chamba) se une como recurrente a la tercera temporada de Mayans MC. No se conocen más detalles.

Thom Scott II (American Soul) será recurrente en la quinta temporada de Saints & Sinners como el doctor Ross, un médico talentoso especializado en procedimientos experimentales pioneros para asegurar tratamientos exitosos por cualquier medio.

Jess Schine se une a Long Slow Exhale como regular. Será Eddie Hagen, ayudante de la entrenadora (Rose Rollins).

Pósters

    Nuevas series

Apple TV+ ha encargado ocho episodios de Roar, antología con historias independientes contadas desde un punto de vista femenino. Protagonizada por Nicole Kidman (Big Little Lies, The Hours), Cynthia Erivo (Harriet, Genius: Aretha), Merritt Wever (Nurse Jackie, Unbelievable) y Alison Brie (GLOW, Community). Basada en el libro de historias cortas de Cecelia Ahern (2018). Creada, escrita y producida por Liz Flahive (GLOW, Nurse Jackie) y Carly Mensch (GLOW, Weeds). Producen Kidman (Big Little Lies, The Undoing), Bruna Papandrea (Big Little Lies, The Undoing), Steve Hutensky (Queen America, Nine Perfect Strangers) y Allie Goss (The Crown, Daredevil).

Netflix adaptará The Talisman, la novela de Stephen King (1984), en la que un chico de 12 años comienza un viaje de costa a costa para encontrar un cristal que podría salvar a su madre moribunda. Escrita por Curtis Gwinn (Stranger Things, The Walking Dead) y producida por Steven Spielberg (The Goonies, Back to the Future) y los hermanos Duffer (Stranger Things).

Gugu Mbatha-Raw (The Morning Show, Miss Sloane) y David Oyelowo (Selma, Nightingale) protagonizarán The Girl Before en HBO Max y BBC One. Jane (Mbatha-Raw) tiene la oportunidad de vivir en una bonita casa minimalista diseñada por un enigmático arquitecto (Oyelowo) a cambio de seguir unas estrictas normas en toda la calle que no permiten los libros, las fotos o el desorden. Jane cree que la casa la está cambiando y descubre qué le ocurrió a la chica que vivió allí antes que ella. Creada, escrita y producida por J.P. Delaney y basada en su propia novela (2016) y dirigida por Lisa Brühlmann (Killing Eve, Servant). Cuatro episodios.

Netflix encarga diez episodios de una comedia multicámara centrada en Chelsea (Emily Osment; Young & Hungry, Hannah Montana), una altanera e ingeniosa intelectual sin habilidades sociales para vivir en el mundo real que se ve obligada a vivir con su despreocupada y jovial hermana y sus amigos, uno de ellos Grant (Gregg Sulkin; Runaways, Wizards of Waverly Place), un dulce y romántico entrenador personal. Creada, escrita y producida por Jack Dolgen (Crazy Ex-Girlfriend, Diary of a Future President) y Doug Mand (How I Met Your Mother, Crazy Ex-Girlfriend). Producida por Kourtney Kang (How I Met Your Mother, Fresh Off the Boat) y dirigida por Pamela Fryman (How I Met Your Mother, Frasier).

Shira Haas (Unorthodox, Shtisel) interpretará a Golda Meir, la primera y única primera ministra mujer de Israel, en el drama Lioness. Basada en el libro de Francine Klagsbrun (2017), escrita por Eric Tuchman (The Handmaid's Tale, Kyle XY), dirigida por Mimi Leder (The Morning Show, The Leftovers) y producida por Barbra Streisand (A Star Is Born), Nina Tassler y Denise Di Novi (Ed Wood, Edward Scissorhands).

Amazon encarga The Devil's Hour, thriller británico sobre una mujer que se despierta cada día a las 3:33 de la mañana. Su hijo de ocho años es retraído y falto de emociones, su madre habla con sillas vacías y su casa está encantada. Ahora su nombre está inexplicablemente conectado a una serie de brutales asesinatos en la zona. Escrita por Tom Moran (The Feed, White Rabbit), dirigida por Johnny Allan (The Irregulars) y producida  por Steven Moffat (Sherlock, Doctor Who).

Disney+ adaptará We Begin at the End, la novela de Chis Whitaker (2020) que sigue la relación entre Vincent King, un convicto que sale de prisión treinta años después de haber matado a una niña de siete años; Duchess Ray Radley, la sobrina de trece años de la víctima; y el jefe de policía de un pequeño pueblo de California cuyo testimonio envió a Vincent a prisión aunque era su mejor amigo. Producida por Thomas Kail (Hamilton) y Jennifer Todd (City on a Hill).

Netflix encarga una serie de animación de Asterix & Obelix basada en el libro 'Le combat des chefs'. Dirigida por Alain Chabat (Asterix & Obelix: Mission Cleopatra).

Apple TV+ encarga Dr. Brain, adaptación de acción real de la historieta digital coreana que sigue a un científico (Lee Sun-kyun, Parasite) obsesionado con encontrar nuevas tecnologías para acceder a la consciencia y los recuerdos cuya familia sufre un misterioso accidente. Utilizará sus habilidades para acceder a los recuerdos de su esposa para entender qué ocurrió y por qué. Escrita, dirigida y producida por Kim Jee-woon (Mil-jeong).

David Simon (The Wire, Treme) y George Pelecanos (The Wire, Treme) escribirán y producirán We Own This City, limited series de HBO que cuenta la historia real de la unidad de rastreo de armas de la policía de Baltimore. Basada en el libro del periodista Justin Fenton (2021).

Starz prepara un revival de Party Down con el regreso de actores y productores. Seis episodios.

IMDb TV encarga un spin-off de Bosch en el que Harry Bosch (Titus Welliver) se embarca en el siguiente capítulo de su carrera y trabaja junto a su antiguo enemigo Honey "Money" Chandler (Mimi Rogers) para encontrar justicia. Volverá también Madison Lintz en el papel de Maddie Bosch.

ITV ha encargado cuatro episodios de The Thief, His Wife and the Canoe, un drama true crime sobre John Darwin, el funcionario de prisiones que fingió su muerte en un accidente con una canoa en 2002 para estafar a compañías de seguros. Anne, su esposa, denunció su desaparición en la costa de Cleveland, Inglaterra, y mintió incluso a sus hijos. Basado en un manuscrito no publicado del periodista David Leigh, que encontró y entrevistó a Anne en Panamá. Escrita y producida por Chris Lang (Unforgotten, Dark Heart) y dirigida por Richard Laxton (Mrs. Wilson, Him & Her).

ABC Signature ha adquirido Sitting Pretty: The View from My Ordinary Resilient Disabled Body, las memorias de Rebekah Taussig (2020), para su adaptación televisiva. Trata sobre una chica paralítica que creció en los noventa sin referentes adecuados en la ficción que retratasen su discapacidad como algo complejo y ordinario, incómodo y bello, doloroso y enriquecedor, y que quiere reflejar las complicaciones de la amabilidad y la caridad, vivir de forma dependiente e independiente, experimentar intimidad y cómo la omnipresencia del capacitismo en los medios de comunicación y las redes sociales se traslada directamente a la vida diaria. Escrita y producida por Taussig y dirigida y producida por Randall Einhorn (The Office, Parks and Recreation).

Fechas

Calls se estrena en Apple TV+ el 19 de marzo

La 1ª parte de la sexta y última temporada de Supergirl se estrena en The CW el 30 de marzo

La 4ª temporada de No Activity, que será de animación, se estrena en Paramount+ el 8 de abril

La tercera y última temporada de Pose se estrena en FX el 2 de mayo

La 2ª parte de la primera temporada de Ghostwriter se estrena en Apple TV+ el 2 de mayo

La segunda temporada de Duncanville se estrena en FOX el 23 de mayo

Housebroken se estrena en FOX el 31 de mayo

Tráilers y promos

Made for Love

Queen of the South - Temporada 5

Animal Kingdom - Temporada 5

No Activity - Temporada 4

Lupin - Parte 2

[a-skateboarding-witch]

DijahSB x Joel Garden EP Review

This month the Toronto MC known as Dijah SB teamed up with a fellow native (who also claims Montreal cause yeah I do my research) Joel Garden and graced us with their self titled EP. I expected nothing less than dopeness based on the series of tweets Dijah fired off in the form of personal updates leading up to this long awaited project but also because of my own experience with her music. So here's the quick backstory okay. I first came across Dijah the day she received the honor of getting a response from the original big brother, Scott Mescudi. I'd be surprised at anyone who doesn't know what this man has meant to my life but just to be clear, Kid Cudi is one of my all time biggest inspirations in general. So moving on, Dijah basically tweeted in slight dismay about using a mistaken Cudi lyric as the title for her project at the time, "Manic Luxury" to which Scott reached out to assure her that she was actually correct. Moral of the story is don't trust Rap Genius over your instincts. Like many I came across the explosive tweet which led me to find her music. The track "Inhale Exhale" immediately impressed me and is still my favorite to this day. I complimented her song and she graciously replied with thanks. Since then I've kept an eye out for her music, listening to single releases here and there. One thing to note is that she has been pretty consistent as an artist, aiming to get better each time and that's completely respectable in a time when the easy way out is spoken like gospel. Similarly to my comments on Eric King, I really do dig the fact that she is willing to go against the grain if it means staying true to her craft. With that being said I can't say that I knew or didn't know what to expect for this project but it definitely made going into the music more clear and open.

The project in its entirety only clocks in at just under ten minutes (approximately nine minutes and fifty-six seconds) so I listened to it over and over to just simply let myself feel it. "Can't Live Without You" is a bouncy ode to prescribed medications and I'm glad that an upbeat instrumental was used to address this very topic. The juxtaposition of bright sounds and tonally dark/serious lyrics has always been something that interests me. So much so that I adopted it as a style within my own music when I started writing songs. Tamera Russell assists the track with her soulful vocals on the glitchy beat courtesy of Joel Garden before Dijah chimes in with painfully relatable words about the effects of mental illness and the act of treating it. I, myself have been prescribed various antidepressants since the age of thirteen and the emotions she speaks of could not ring more true. From the unmissable dependency on medications to the outright suspicion of them altogether, these are extremely genuine situations that anyone dealing with mental illness can attest to. It's literally a roller-coaster ride of thoughts and emotions as crooned by Tamera towards the end of the song. The conviction in Dijah's voice is unmistakable and I personally leave with an insight into her struggle with mental health.

With "Remember When?" I'm taken on a melancholy trip down memory lane over a smooth and jazzy instrumental. There's a certain quiet ambiance to this track that makes it perfect for staying in on a rainy day while reminiscing. Dijah supplies lyrics that feel like a heartfelt poem in the midst of complicated but passionate feelings. She's revisiting a past tumultuous relationship that was compromised by her own flaws, depression, and perhaps misplaced optimism as well as the subject's own lack of trust, unhappiness, and dare I say insincerity while also addressing her current state of mind. Anyone who has ever left a toxic relationship can surely relate to the feeling of worthlessness, followed by the adoption or self mechanism of stoicism. It's particularly even harder for those souls that have a huge capacity for love, the people that give the shirt of their back for the ones that they care about. A hardened heart is slow to trust. As Dijah examines the myriad of miscommunication she experienced with an ex flame, she truly resolves the things that are important to her going forward.

"November" is characterized by a very energetic persona from Dijah and a beautiful unorthodox boom bap beat from Joel. I absolutely love this instrumental, especially when the bass line comes in. It's insane yet so simple with it's sparkling keys. Dijah maintains a crazy flow like she's eating fire literally as she throws bar after bar seemingly without any effort. The way she's able to keep it witty and playful with lines while simultaneously taking on the uphill battle in her personal life is amazing. She goes from referencing Gabrielle Union to confident declarations of her talent with not only rhymes but with ladies before likening her stressful situation to chains on her back. She mulls over those that have wronged her in the past as well as non supporters all the while offering up one question to her audience. "Where will you be in the middle of November when it's raining and I can't calm down?"

I'm pleased with this new edition to Dijah SB's work and can't argue that she doesn't go deep within these three tracks. I can admire her brutally honest approach and willingness to share a very vulnerable experience. Her advocacy for mental health coupled with her bravery in leaving her own ongoing struggles on display is truly powerful. The very nature of this artist is rooted in an authenticity that's hard to fake if we're being honest. I can only dream of allowing myself to be as unashamedly open as Dijah for now. I can't highlight the success of this project without giving props to the man behind the scenes. It's apparent that we might not have gotten such an exploration of Dijah without the soulful backdrop of Joel Garden's beats. The more hungry side of her rapping prowess was  undoubtedly propelled by his creation, culminating in a pleasant conclusion to the project.  Joel's beats speak to the simple but emotive genre of minimalism. With its elements of glitch, electronic, and leftfield hip hop I'll definitely be checking out some more of his work. And I certainly wouldn't mind hearing another collaborative effort from these two artists in the near future.

By Dij Ri'chard

Check out DijahSB's music here: https://soundcloud.com/dijahsb/sets/dijah-sb-x-joel-garden

Hit her up on her Twitter: @DijahSB

Also check out Joel Garden's beats here: https://soundcloud.com/jl-grdn

Hit him up on Twitter/Instagram: @joel.grdn

Hit me up if you want me to review you: abrighteyedbandit.tumblr.com

Email: 94beatnik@gmail.com

[orlaogden]

[iressails]

Not enough Ri'Chard Lane in The Good Fight so far. His style and clothes are Frank though, if Frank came into money. I mean sure Frank looked amazing mid to late 90s, knife sharp, matching braces, tie, scarf, everything. Turned up to bloody crime scenes in white trench coats. Much more expensive on Ri'Chard, but it is twenty five years later so it tracks. I can imagine Frank turning to the law, and doing really well. How far is The box from court? Same theatrics. We never saw what he was teaching in Homicide: the movie. I'm betting on The Good Fight for my older Frank because Brooklyn Nine-nine never did it for me. Also he gave up policing and he wouldn't return. ever.

[alikaheroes]

RIP to a true pillar

Andre Braugher (1962 - 2023)

[rnettaunreeled]

He shall be missed.

Andre Braugher (1962 - 2023)

[djkerr]

TGF 06x10 The End of Everything

Masterful edit @dianessunflower! 🎞️🎶🎥🥰✨

BTS of the finale of The Good Fight— aired 10 November 2022

🎶 the piano outro from the end credits scene