#revolution band logo

[fantazulio]

it's the owl house's fourth anniversary today, so I thought I'd dump a bunch of logoswaps I made over the past month or so

[fagdykebassboy]

my drummer fucking bought me a rise against vinyl im 😭😭😭

[chasingcomets222]

I got bored and decided to decipher Rodrick Heffley's music taste to close this years-long debate once and for all.

This post will be on the lengthier side, but a TLDR is attached at the end of the post if you want the basic cliff-notes.

Disclaimer: this is a dissection of the film adaptation of Rodrick rather than his source material counterpart. Comparisons to the books are welcome but irrelevant to this analysis.

Soundtrack

During the roller-rink scene in the opening of Rodrick Rules, Rodrick and Bill take over the DJ table to sabotage Greg's moves on Holly. The song they play is "Cut Throat" by the all-female heavy metal band, Kittie. Aside from Löded Diper's music, this is the only song in the series explicitly used to establish Rodrick's music taste.

However, there's many songs off of the Rodrick Rules soundtrack alone that can be reasonably assumed to fit his music profile as well — for example, those used during the party sequence.

I wouldn't doubt if one or two tracks were intended solely as crowd pleasers, but let's not rule out the entire playlist.

In order of appearance, Rodrick's party mix includes: "Heart Heart Heartbreak" by Boys Like Girls, "Electric (feat. Miss Amani)" by The DNC, "Wait Up (Boots of Danger)" by Tokyo Police Club, "Shake" by Bikini Machine, "Move Like This" by Hammerwax, and "Jump In The Line" by Karl Zéro & The Wailers.

There's additionally three other, albeit more subtle, uses of background music to nod toward Rodrick's preferences.

The first instance is during the scene in Rodrick Rules in which Greg confides in Rodrick about his embarrassment from his failed "100 Years Ago" assignment. It's so quiet that it's easy to miss without a keen ear, but "Light Love" by Free Energy plays in the background, mixed to fit in with the ambience of Rodrick's bedroom.

The second is directly before the Löded Diper band rehearsal scene (somebody farted btw), in which Frank pulls into the Heffleys' driveway. "Rock and Roll Slob" by The Boneless Ones can be heard from the garage, once again mixed as part of the ambience.

The third again utilizes The Boneless Ones' discography, and is inserted during the opening sequence of Dog Days at the municipal pool. Rodrick explains it's "time to sell some CDs" for Löded Diper, and turns on his boombox (more on this later), blaring "Miss Fresno."

With the last two points in mind, one can assume the film universe is some twisted version where Löded Diper originally wrote and performed The Boneless Ones' discography (or something closely resembling it).

Band Tees

Rodrick mostly wears seemingly thrifted or upcycled shirts and graphic tees with witty/edgy prints, but there are outliers at times. For example, there's not one, not two, but potentially so much as five moments in Dog Days that he's seen wearing merch from Dead Kennedys, The Who, and Ramones.

While most of his band tees simply include the band's logo or iconography, the latter design takes it a step further by being specific to a particular song title: "Rock 'n' Roll High School" by Ramones.

There's another moment which this may be the case, but it's purely speculative on my end. The Ramones also have a song named "I Don't Care," which is a phrase featured on one of Rodrick's shirts. It's not an explicit reference, but likely a reference nonetheless.

Room Posters

Guns N' Roses, Brutal Truth (Evolution Through Revolution), Stars (The Five Ghosts), Buried Inside (Spoils of Failure), and Decibel are the most notable.

I assume Decibel is in relation to the 70's/80's Italian punk rock band, although I can't find any association between them and this particular artwork. If not connected to them, there's a possibility it may be to the metal magazine of the same name, but I have my doubts.

In this image giving an alternate perspective to Rodrick's room, just off-screen is a Metallica poster, based on the stylization of the ending A. Beside it is a Hanson Brothers poster, which was later replaced in Rodrick Rules with a duplicate of the Stars poster for some reason.

Among his collage of Löded Diper flyers, there's Danny Echo posters as well as Denounce and Billy Talent stickers receiving the Hidden Mickey treatment (also a cameo from the iconic cheeseburger phone on the table).

Of course, there are many other pieces of memorabilia scattered across Rodrick's room, but several of them are blurry from the camera's depth of field or are seen at angles which make them difficult to read or for reverse image sites to identify. So for now, this is the best possible analysis of Rodrick's room in regards to music.

Miscellaneous

An easy-to-miss detail lies in the infamous Löded Diper van. Within the final few moments of Rodrick Rules as Rodrick drops Greg off at school (01:31:52), there's a semi-clear shot of the van's dashboard. On it are a set of stickers, including one referencing Huevos Rancheros, an instrumental rock-and-roll group from Canada.

In Dog Days, Rodrick brings a personal boombox with him to the municipal pool. Along the top is a large sticker for Street Machine, a Czech hardcore/metal band.

Cut Content

In the second studio draft of Diary of a Wimpy Kid, on page 23, scene 43, more of Rodrick's favorite artists are revealed.

The nature of this may be written off as not canon, as it was added into the script while it was still a work in progress and the posters themselves didn't make it into the final product.

What sells it to me as remaining "silent" canon though is that TOOL and Slipknot are often lumped together with Kittie (previously mentioned) as they share an overlapping fanbase. This was more prevalent during the early 2000's within the mall goth subculture, but it's remained fairly consistent for other variants of metalheads over the years too.

TLDR

To recap, the various genres across all of the bands Rodrick is canonically into include indie rock, pop rock, punk rock, hardcore punk, hard rock, industrial, thrash metal, heavy metal, nu metal, death metal, sludge metal, and grindcore.

His musical preferences are punk, rock, and metal-centric but quite broad and inclusive of countries of origin and lesser-known underground artists (some don't break even 100 monthly listeners on Spotify). This leaves the door open for endless possibilities in terms of headcanons.

He's not emo despite popular fan belief, but I still think there's a chance some of his musical leanings could cross over with bands considered emo adjacent for their presence in the community. August Burns Red and The Devil Wears Prada come to mind with his music taste accounted for, but that's just my headcanon.

EDIT: 9/9/24

I've since made two Spotify playlists from my findings: one being what I imagine would be Rodrick's regular rotation, and the other being an extension of his party mix. I feel I've channeled him well, since a lot of his music taste is basically mine circa 2008/2009.

If you've read this far, thank you so much for your patience, and I appreciate any and all interactions left on this post. Happy listening!! <333

[yourlegacysnotyourstosee]

Part 2 of my Green Day themed patch vest!

Ok here we go

Warning- just the warning logo (or the actual Warning sign for potential electrocution) screen printed and sewed on with green thread.

Nimrod- The Ultimate Nimrod design screen printed onto black fabric and coated in Modge Podge so it doesn’t peel. I don’t have many blatantly political patches like this, so I’m open to suggestions for Green Day themed political patches.

American Idiot- Saint Jimmys cross painted onto black fabric.

21st Century Breakdown- once again, Mass Hysteria is my favorite song. I used bleach on a black fabric, and then splattered some more bleach around the letters. Making the letters squiggly was my way of making it different from just another patch with a song name on it, and encapsulating the panicked energy of the song. I understand than one might not be able to read it right away, but I also think that’s a cool aspect

¡Uno!, ¡Dos!, and ¡Tre!- I tried to make this patch smaller, as these albums are not my favorite. On white fabric, I made 3 roughly even sections of diagonal stripes in the colors of each albums background. To separate each section, I used a pink color that is used on the “x”s over the band members eyes in the actual album covers. The color of each album title is based off of the color Green Days name appears on each album. I’ve used white thread for most other patches, but I specifically chose white for this patch because the album titles are in white on the the actual covers.

Revolution Radio- “Legalize the truth” in all capital white letters on a black fabric. While Revolution Radio is not my favorite song from this album, “Legalize the truth” is my all time favorite Green Day lyric.

Father of All, Motherfuckers- I don’t like this album, and therefore didn’t want to go through the effort if thinking up a cool patch idea. Screen print that fuckass unicorn and iron it onto a black fabric.

Saviors- Bobby Sox is my favorite song and a song I hold dear to my heart for many reasons that I probably won’t get into, but it basically really helped with me accepting my own sexuality. So of course this was the song I chose to represent the album. It is “Bobby Sox” in all capital letters colored in the bisexual flag colors on black fabric.

Part 3

[burlveneer-music]

HUUUM - s/t LP - Iranian-Austrian experimental folk trio (voice, reeds, electronics)

HUUUM's debut embodies the essence of Folk Futurism. Identifying as a band that reinterprets folklore in the present and envisions its role in the future, HUUUM recognizes folklore as a potent source of a community’s emotions—rage, desire, and sorrow. The band sees various dialects, dances, and tunes as a form of revolution, preserving elements that may one day be lost. Folklore music, shaped by times of war, oppression, uprising, and rebirth, continues to resonate. The region known as Iran today is a mosaic of diverse cultures and languages. HUUUM's members express curiosity about delving into the music of this region, exploring its evolution through time, landscapes, history, and experimentalism. This debut album marks the beginning of HUUUM's musical journey. Produced by: Rojin Sharafi Composed by: Omid Darvish Lyrics by: Omid Darvish HUUUUM: Omid Darvish: Vocals Rojin Sharafi: Electronics Astrid Wiesinger: Reeds Guest Musicians: Sarvin Hazin: Violin Mahan Mirarab: Fretless Guitar, Bass Recording by: Lukas Froschauer, Maz Vafaei Mixed by: Patrick Pulsinger Mastered by: Rupert Clervaux Artwork: Hosna Darvishi, Ciaran Birch Logo Design: Sahar Haghgoo 

[c-40]

A-T-3 130 Beastie Boys - Cooky Puss

Cooky Puss is an odd record but, what is even odder is, it fits quite comfortably with no wave bands, the output of labels like 99 Records, or an act like an ESG. The record was played by DJs downtown and uptown. Beastie Boys at the time were Adam Yauch, Michael Diamond, Adam Horovitz, and Kate Schellenbach, they are clearly in their late teens and it doesn't take too much imagination to see how the Manhattan new wave scene and its celebration of youthful creativity would embrace a rough and ready act like theirs

The Cooky Puss EP was Beastie Boys second record, as well as getting play, it is important for a few other reasons

Something that hardly ever gets mentioned is Cey Adams did the Beastie Boys logo on the sleeve. Adams began as a graffiti writer, he appeared in Style Wars, and would become the founding creative director for Def Jam Records. He was dubbed the 'unofficial 4th Beastie Boy' due to the friendship he had with the band. Cey Adams is responsible for some of the most iconic logos in hip hop. The graf logo would have helped Cooky Puss get play uptown I would have thought. It's interesting reading about releases from this era there's a lot of talk of disguising the ethnicity of the artist, Madonna for instance, Sire tried to keep her appearance ambiguous for the first couple of releases. Beastie Boys would have been trying to show their love for graf and the culture rather than trying to appear black, I'm sure of it

Something that is better reported is a segment from Beastie Revolution off the Cookie Puss EP was used on a British Airways advert without the band's permission. The Beastie Boys are all firmly middle-class, the sons of architects, playwrights, art dealers, and lawyered up. They won $40,000 from the court case which helped pay for a rehearsal space and instruments. The music was chosen for the British Airways ad by, future house DJ, Jeremy Healy of Haysi Fantayzee. Beastie Revolution is them having a crack at dub reggae, it's awful but, as being part of the hardcore punk scene they had supported Bad Brains who could switch between hardcore and reggae

The group wanted to put Cooky Puss into their live show which led them to being introduced to Rick Rubin, who they hired as their DJ. Rubin was founder of rock band Hose who had two releases on 99 Records (with pre-Russell Simmons DefJam labels) in 1982 and 83. Bringing Rick Rubin in leads to firing Kate from the band. Mike D and Ad Rock say they, along with Yauch, were in Danceteria with Rubin the night he meets Russell Simmonds to talk about It's Yours (which features Ad Rock's drum machine, thank you Jeremy Healy). It's Yours would become the first official Def Jam record (with the help of Partytime/Streetwize)

Across the The Beastie Boys various biographies (including the Spike Jonze produced product launch/keynote presentation for Apple) Run DMC's Sucker MC's is singled out as a turning point for them. Beastie Boys would become friends with Run DMC and tour with them. Darryl McDaniels wears a Beastie Boys tee on the grammy's hip hop 50 tribute. Beastie Boys didn't always fit with the narrative of hip hop history and they are often erased, but if you want to talk about hip hop on wax, Def Jam, and hip hop spreading around the world you have to talk about Beastie Boys

Beastie Boys live at The Kitchen arts space in 1983. The hip hop set starts 28 minutes

Bonus Batter version of Cookie Puss

[proudalleyfashion]

Guns N’ Roses Limited Edition Nike Air Force 1

Product link:https://proudalley.com/product/guns-n-roses-limited-edition-nike-air-force-1/ Store link: http://proudalley.com/

Guns N’ Roses Limited Edition Nike Air Force 1

The Guns N’ Roses Limited Edition Nike Air Force 1 is a bold tribute to the legendary rock band, merging the timeless appeal of the Air Force 1 silhouette with the rebellious spirit of rock and roll. Featuring a rich burgundy and black color palette accented by vibrant yellow and white details, the shoe reflects the band’s edgy yet iconic aesthetic. The Guns N’ Roses logo, along with detailed illustrations of roses, skulls, and guitars, makes these sneakers a wearable homage to the band’s legacy. Each design element captures the raw energy and charisma that define Guns N’ Roses, making this pair a must-have for fans and collectors.

This design celebrates the intersection of music and fashion, offering a unique canvas for self-expression. The high-quality materials and intricate graphics ensure the sneaker stands out both on the streets and in any collection. The metallic accents and rock-inspired imagery, including nods to the band’s classic album covers, evoke a sense of nostalgia while adding a modern edge. The red Swoosh logo and bold typography complete the look, encapsulating the rebellious attitude synonymous with the band.

From a stylistic perspective, these sneakers are ideal for anyone who embraces an edgy, rock-inspired aesthetic. Pair them with distressed denim, a leather jacket, or a vintage band tee for an effortlessly cool ensemble. Whether worn to a concert or as part of a statement streetwear look, the Guns N’ Roses Nike Air Force 1 delivers a powerful message of individuality and passion for rock culture. It’s more than a sneaker—it’s a tribute to a musical revolution.

Style & Design of Guns N’ Roses Limited Edition Nike Air Force 1

The Guns N’ Roses Limited Edition Nike Air Force 1 is a rock-inspired masterpiece that blends the rebellious spirit of the legendary band with the timeless silhouette of the Air Force 1. The burgundy, black, and yellow color scheme reflects the band’s iconic imagery, with subtle hints of nostalgia and modern flair. The shoe is adorned with intricate graphics, including skulls, roses, and guitars, perfectly encapsulating the band’s essence. The red Swoosh serves as a bold statement, while the classic Guns N’ Roses logo and album-inspired designs highlight its deep-rooted connection to music culture. Every detail, from the premium materials to the vibrant imagery, embodies the raw energy and charisma that define both the band and this sneaker.

As a stylist, these sneakers are perfect for creating a bold, rock-chic aesthetic. Pair them with distressed skinny jeans, a band tee, and a leather biker jacket for a look that exudes edge and attitude. To elevate the style, incorporate accessories like silver jewelry or a studded belt, emphasizing the rebellious energy of the shoe. The versatile color palette makes it easy to integrate into everyday outfits, while the rock-inspired graphics add personality. Whether dressing for a music festival or creating a standout casual look, these sneakers act as the centerpiece of any outfit, offering both style and storytelling.

The Guns N’ Roses Nike Air Force 1 is more than just footwear—it’s a statement piece for anyone who celebrates individuality and loves incorporating music-inspired fashion into their wardrobe. These sneakers are ideal for pushing boundaries and exploring creativity, whether styled with minimalistic pieces to let the design shine or paired with layered rock-inspired clothing for a bolder impact. This shoe bridges the gap between music nostalgia and modern streetwear, making it an essential addition to the wardrobe of any fan who appreciates fashion as a form of self-expression.

[jsrcreations]

Trendy Printed T-Shirts for Men & Women: A Style Revolution

In the ever-evolving world of fashion, printed t-shirts have emerged as a versatile staple for both men and women. Whether you’re aiming for a casual day out, a laid-back weekend, or simply want to make a statement, trendy printed tees offer endless possibilities. From bold graphics to subtle designs, these shirts cater to every taste and occasion.

For men, printed t-shirts can range from edgy graphics and vintage logos to minimalistic prints that exude understated coolness. They pair effortlessly with jeans or shorts, making them ideal for everyday wear or a night out. Women, on the other hand, can embrace an array of styles—from chic, artistic designs to playful, whimsical prints. These tees can be dressed up with skirts or dressed down with leggings, offering flexibility and flair.

What makes printed t-shirts so appealing is their ability to reflect personality and mood. They serve as a canvas for self-expression, showcasing everything from favorite bands and inspirational quotes to abstract art and witty graphics. This versatility means you can effortlessly switch up your look to match your current vibe.

Conclusion

At JSR Creations, we understand the power of a well-designed graphic tee. Our collection of trendy printed t-shirts for men and women merges creativity with comfort, ensuring you not only look great but feel great too. Embrace the style revolution and let your t-shirt do the talking. Explore our latest designs and discover your new favorite tee today!

Visit this website for complete details...

JSR Creations

[realfeel1]

Elevate Your Brand with Custom Promotional Pens and Printed Bottles

In business promotion and brand visibility, the significance of practical marketing tools cannot be overstated. Enter the world of custom promotional pens and printed bottles – two dynamic products that blend functionality with brand exposure effortlessly. Amidst this branding revolution, it emerged as a versatile platform, offering various custom merchandise solutions tailored to businesses and individuals.

The Write Way to Promote

The sword is mightier than the pen, says a proverb. this holds even in contemporary marketing. Custom promotional pens exemplify the power of subtlety. These pens are more than mere writing instruments; they become brand ambassadors. With your logo, message, or contact information elegantly imprinted, every pen stroke becomes an opportunity to leave a lasting impression. From trade shows to corporate events, these pens constantly remind you of your brand's presence.

Quenching Thirst for Brand Recognition

In a world where sustainability and functionality are paramount, printed bottles are a brilliant solution. These bottles combine utility with branding, providing a versatile canvas for your logo or design. Whether it's a reusable water bottle, a sleek thermos, or a stylish sports bottle, the possibilities are limitless. Every sip from a printed bottle reinforces your brand's identity, making it an effective tool for promotion and environmental consciousness.

Crafting Brand Identity

At the heart of effective branding lies a platform dedicated to crafting custom merchandise that resonates with businesses and individuals alike. The platform's journey began with a focus on outdoor printed marquees and flags designed to withstand New Zealand's challenging outdoor environments. Over 15 years, the platform's commitment to quality printing under the harshest UV conditions has remained steadfast.

Today, real-feel has blossomed into a hub for custom merchandise, offering over a thousand in-house products. From T-shirts for bands to stickers for artists and banners for events to many other items, the platform understands the diverse needs of branding across various avenues. It's a testament to the platform's evolution, and The pen is mightier than the sword is a proverb. 

Conclusion

Custom promotional pens and printed bottles epitomize the fusion of functionality and branding. They enable businesses to extend their reach in a subtle yet impactful manner. Amid this branding journey, real-feel.co.nz serves as a guiding light, offering various custom merchandise solutions. By staying rooted in quality and adapting to the evolving branding landscape, the platform showcases the power of customized products in amplifying brand identity across a myriad of contexts.

For more info:- 

company merchandise

branded promotional pens

cooling towel nz

promotional pens auckland

promotional material nz

Source Url:- https://sites.google.com/view/realfeelcom1/home

[ciyapaofficial]

Back Print Oversized T-Shirts for Men: The Bold Fashion Statement You Need | Ciyapa

In the realm of men's fashion, back print oversized t-shirts have carved out a distinctive niche that's turning heads and setting trends. These baggy tees for men are not just garments; they're bold fashion statements that scream individuality and creativity.

Amped-Up Style: Back print oversized t-shirts are the embodiment of style with an edge. Unlike traditional tees, these garments put the focus squarely on the back, allowing you to make a bold statement with eye-catching graphics, intricate designs, or even personalized messages. It's a canvas for your creativity.

Streetwear Revolution: This trend owes much of its popularity to the streetwear movement, where oversized and baggy clothing is a defining characteristic. Streetwear fashion has transcended urban landscapes to become a global phenomenon, and back print oversized tees are at its core. They exude an effortless coolness that's hard to ignore.

Comfort Beyond Measure: While they're undeniably stylish, baggy t-shirts are also incredibly comfortable. The relaxed fit offers unparalleled freedom of movement, making them perfect for everyday wear. Whether you're skateboarding, hanging out with friends, or simply lounging at home, these tees ensure you stay comfortable without compromising on style.

Unisex Appeal: Back print oversized t-shirts are a prime example of fashion breaking free from gender norms. They're not limited to any gender and are embraced by people of all identities. This inclusivity adds to their allure, allowing everyone to enjoy the trend.

Versatile Wardrobe Addition: These tees are versatile in their ability to adapt to various style preferences. You can rock them with ripped jeans and sneakers for a rugged streetwear look, or pair them with tailored trousers and boots for a high-fashion twist. The juxtaposition of baggy comfort with sharp style is a unique fashion statement.

Statement-Making Graphics: The back print is where the magic happens. From artistic motifs and band logos to iconic movie quotes and pop culture references, the graphics on these tees can convey your interests and passions. They spark conversations and invite intrigue.

Effortless Confidence: Sporting a back print oversized t-shirt isn't just about following a trend; it's about exuding confidence. The relaxed fit allows you to embrace your body and movement, fostering self-assuredness that can be felt in how you carry yourself.

[eddystshirts]

Check out this listing I just added to my Poshmark closet: 2017 Green Day Revolution Radio Tour T Shirt Vintage Rock Band Graphic Tee.

[creativeimagescreenprintingsblog]

The Influence of Tee Shirt Screen Printing on Fashion and Pop Culture

What comes to your mind when you hear about t-shirt printing in Auckland? If printed t-shirts with brand logos worn by employees in café or corporate merchandise t-shirts come to your mind, it’s high time you extend your creative horizons. For decades, tee shirt screen printing has left an indelible mark on the realms of fashion and pop culture. From its humble origins as a practical fashion garment to its status as a canvas for creative expression, t-shirt screen printing has evolved into an iconic cultural phenomenon. Wondering what are the different pop culture references that find their place on t-shirts? Here we go!

 But first, let’s see the revolution of tee shirts in fashion

The 1950s witnessed a surge in screen-printed tee shirts as iconic figures like Marlon Brando and James Dean sported them in blockbuster films, solidifying the tee shirt's status as a symbol of youthful rebellion. The 1960s brought about a cultural revolution, and tee shirts became a medium for conveying political statements and countercultural ideologies. Bands like The Rolling Stones and The Beatles embraced screen printing to create merchandise, fueling a demand for brand tees that persists to this day.

The Artistic Expression of Screen Printing

The 1970s saw an explosion of artistic experimentation in screen printing. Artists like Andy Warhol embraced the medium, blurring the lines between fine art and commercial design. T-shirts created with screen printing in NZ became wearable epitome for artistic expression, with bold colors and intricate designs becoming synonymous with individuality and self-expression.

Pop Culture Phenomenon

In the 1980s and 1990s, tee shirt screen printing transcended the boundaries of fashion and firmly established itself in pop culture. Iconic logos, slogans, and images from movies, television shows, and video games adorned tee shirts, turning them into collectible memorabilia. The rise of music videos and celebrity endorsements further fueled the trend, as fans sought to emulate their favorite stars by donning screen-printed tees. Shows like F.R.I.E.N.D.S, Star Trek, The Simpsons, etc. found their place on t-shirts with creative references starting from quotes to images. 

The intersection of fashion and streetwear

Tee shirt screen printing has also played a pivotal role in the evolution of streetwear culture. Streetwear emerged from the urban communities of the 1980s and has since infiltrated high-end fashion. Streetwear brands often use screen printing to create limited-edition drops, collaborating with artists and designers to produce exclusive, and sought-after pieces. This fusion of streetwear and high fashion has blurred the lines between casual and luxury clothing, redefining contemporary fashion trends.

Conclusion

The current stance on t-shirts created by screen printers in Auckland hasn’t changed a bit. People are still fascinated by print media, and simple fashion statements like t-shirts mean a lot in causing a ripple effect. Wearing a screen-printed tee has become a way for individuals to align themselves with causes close to their hearts, amplifying their voices in a visually striking manner. Whether you want to wear your opinion, convey a message or want something powerful printed for your brand, t-shirts can always serve the purpose.

[sdpmerch]

SDP Merch | Offizieller Merchandise Store | Online Shop

SDP Merch

Bleib warm, aber halte dich in diesem Premium Pullover Hoodie kühl. Dieses Hemd verfügt über das SDP -Logo und besteht aus einem weichen und langlebigen Stoff, der sich auf Ihrer Haut gut anfühlt. Der Hoodie hat auch eine große Tasche vorderen Beutel und eine linde Kordelkordelhaube. Es ist in mehreren Größen erhältlich, sodass Sie die auswählen können, die am besten zu Ihrem Körper passt.

SDP T-Shirt SDP Hoodies SDP Fischerhut SDP Sweatshirt SDP Hawaiihemd SDP Fischerhut SDP Boxer SDP Socken

Dieses SDP-Band-T-Shirt ist mehr als nur ein Kleidungsstück; Es ist ein Symbol der Revolution, die sie in der Musikszene ausgelöst haben. Es feiert die Fusion von Soul, Tanz und Pop, die sie von anderen Bands unterscheidet. Das Tragen ist wie eine Gemeinschaft von Gleichgesinnten, die eine Leidenschaft für ihre ansteckenden Rhythmen und seelenvollen Melodien teilen.

SDP -Hemden werden mit den meistwerten Materialien hergestellt. Sie eignen sich perfekt für eine Vielzahl von Anlässen, von der Entspannung zu Hause bis zum Ausgehen in der Stadt. Kombinieren Sie das Hemd mit Jeans für einen lässigen Look oder kleiden Sie es mit einer Lederjacke und Stiefeln für eine kantige und rebellische Atmosphäre. Dieses SDP-T-Shirt wird mit Sicherheit die Köpfe drehen, egal wohin Sie gehen. Bestellen Sie noch heute Ihre!

[yourlegacysnotyourstosee]

Part 3 of my Green Day themed vest that I’m going to wear to The Saviors Tour! (Part 2 here)

I finished the album themed patches in my last post, so this is everything else!

Money Money 2020- Popular song by a band called The Network that’s totally definitely not a side project of Green Day. I had another patch with the logo on it, but I’m waiting to put in on since 2 patches for the Network on a Green Day themed vest might be excessive. 2020 is written vertically in yellow on the right side of the patch, on the left side of the patch, 2 dollar signs are painted in green, each one lining up with one of the “20”s. On black fabric.

Foxboro Hottubs- Another side project of Green Day’s. Recommended to make this patch by @pinterestbbg. Call me lazy, but this ones also screen printed onto black fabric. When I took these photos, I hadn’t sewn this patch or the Father of All patch yet.

No Trump, no KKK, no fascist USA- Something Green Day chanted during the 2016 AMAs. It’s a reference to MDC’s song “Born to Die” (the original lyric was “no war, no kkk no fascist usa”). The line was adopted by a lot of protesters in 2016 and later changed to “no Trump”.

Compilation?- I made this patch before Saviors came out, for the Hella Mega Tour. It’s meant to look like fragments of each Green Day album that fit together like a puzzle. I do not consider myself an artist, and especially not a painter, so it doesn’t look realistic to each album, but I’m still pretty proud of it, even if I made it 3 years ago or so.

If you made it this far, congratulations! You get to vote on the next patch I add to this vest!

[handmadeliehobo]

Cap oder here 👇

https://www.redbubble.com/i/hat/I-qeencard-by-handmadeliehobo/145734361.XAK6W?asc=u

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A-T-4 156 So Def So Def So Def...

It's a Def Jam. It's 40-years since the first hip hop records from one of the genre's definitive labels Def Jam came out. The first two albums I bought as a kid were on Def Jam so the label holds a special place for me

Def Jam Recordings actually debuted as a label two years earlier. Before the hip hop records the label, which was being run out of Rick Rubin's NYU dorm, had released two punk rock records. The iconic hip hop track It's Yours was produced and put out by Rick Rubin before he meets manager and promoter Russell Simmons and they become business partners

Rick Rubin's friend Ed Bahlman encouraged him to out his own records independently and Bahlman's label 99 Records handled the distribution of the first two Def Jam releases. The first two Def Jam Recordings records are records by Rick Rubin's punk rock band Hose. The inaugural release carries the Def Jam Recordings logo that is still used today on the record label and its sleeve. The logo was designed by Rick Rubin who was studying art at NYU at the time. Because of Def Jam's significance to hip hop these releases are nearly always written out of the label's history but they have Def Jam catalogue numbers and a Def Jam Recordings postal address (Rick Rubin's dorm)

As well as being the year Rick Rubin released the first Def Jam record 1982 was the year the Beastie Boys put out their debut the "Polly Wog Stew EP". Like Rick Rubin's band Hose the Beastie Boys were punk rock. Adam Horovitz wasn't a Beastie Boy yet he was in another punk rock band The Young and the Useless. Both bands played the New York hardcore circuit sometimes opening for each other and they shared the same manager, Nick Cooper

Why is the early history of the Beastie Boys important to the Def Jam story?

In 1983 guitarist John Berry leaves the Beastie Boys. Horovitz, who was still a member of The Young and the Useless,  takes his place. DJ Anita Sarko is described by the NYT as a 'crucial bridge between the city's punk and disco scenes', this is certainly true for the Beastie Boys who would dance to the records she spun at Manhattan club Danceteria. One record was "Buffalo Gals" by Malcolm McLaren and the World's Famous Supreme Team which the Beastie Boys loved so much they decided to make a parody of sorts. This became the group's next release "Cooky Puss" and amazingly it became an underground club favorite

Why am I still on about the Beastie Boys?

Having a club hit meant playing that track at club appearances. "Cooky Puss" is unlike their earlier punk rock material to perform it the band decided they needed a DJ, like RUN DMC had. The Beastie Boys manager Nick Cooper contracted Rick Rubin to be the Beastie Boys' DJ who used the name DJ Double R

A television commercial made for British Airways uses a segment of "Cooky Puss" b-side "Beastie Revolution" without permission and the Beastie Boys and their manager, being the middle class children of art gallery owners, art dealers and collectors, and playwrights, sue British Airways for copyright infringement. The case is settled the out of court for $40,000. This gives them the financial freedom to concentrate on their music. With his share of the payout Adam Horovitz buys a Roland TR-808 drum machine

Adam Horovitz, Adam Yauch, and Michael Diamond begin spending a lot of time with Rick Rubin in his dorm. They share an appreciation of hip hop. Adam Horovitz is bringing round his 808. It's the beats Rick Rubin makes on Horovitz's 808 that convinces Russell Simmons to go into a partnership with him and provides the beats for many Def Jam Recording releases, including all of those featured on this page. With the success of "Cooky Puss" Rick Rubin convinces Horovitz, Yauch, and Diamond to ditch their drummer Kate Schellenbach and punk rock in favour of becoming three MC's and one DJ

The last thing I want to say about "Cooky Puss" is the Beastie Boys logo on the sleeve is made by Cey Adams who will become Def Jam's first art director

Boom Bap

Rick Rubin is deejaying for the Beastie Boys and creating beats on Adam Horovitz's TR 808 and he wants to make a credible hip hop record. This record would be "It's Yours"

"First I met Kool Moe Dee from the Treacherous Three, who were my favorite group. And I said, “Let’s make a record together. Let’s make a Treacherous Three record.” And he said, “We can’t really do that. We’re signed to Sugar Hill, but talk to Special K, another guy in the group, because he has a brother who can rap, and maybe he’d be good for you to do this with.” I didn’t know that there were contracts, I didn’t know anything. I had no experience whatsoever. I was just a fan. So I met with Special K, and Special K introduced me to his brother T La Rock, and he wrote the words." - Rick Rubin interview for Vulture in 2014

"It's Yours" isn't by T La Rock alone, it's T La Rock and legendary DJ, member of the member of Soulsonic Force, Jazzy Jay. But Jazzy Jay wasn't the first DJ considered for "It's Yours". T La Rock had a DJ named Louie Lou (who would co-produce later tracks like "Breakin Bells" with T La Rock.) According to his brother Special K and Louie had a falling out over the demo recording and Louie was out. Luckily Rick Rubin had a connect with Jazzy Jay and the rest is history

Jazzy Jay tells a different story he's pretty bitter about the record and Def Jam Recordings in general. He doesn't think he gets enough credit for his contribution or royalties. Jay Quan asks Jazzy Jay about making "It's Yours"

"[Jay Quan] Whose idea was it to use the Uncle Louie break in the [intro]? That “Da-na Da-na Na--?”

"[Jazzy Jay] It was mine. Every bit of scratching was done live--no takes or punch-ins or whatever. Everything other than the beat and the rap, I put in it. There’s so many tracks… The scratching on that is meticulous.

"Louie Lou had done a draft on a cassette… Rick gave him the beat and he did some scratches, but it wasn’t full orchestration like the way I did it, where you had scratches coming in and I’m complementing everything. He just had a couple of scratches going in and out and that was about it." - check out Jay Quan's interview with Jazzy Jay here

The beat on "It's Yours" was made by Rick Rubin on the aforementioned 808. Jazzy Jay claims it was him who taught Rubin to program the 808 and that he also did additional work on the beat for "It's Yours." On the record label Jazzy Jay gets a co-production credit just like Special K gets credit for writing the lyrics

Something there's no disagreement on is that the Beastie Boys were in the studio when the track was being recorded and were conscripted into providing the atmospheric crowd response on the chorus and on the Scratch Party Death Mix version

As I've said Rick Rubin didn't know Russell Simmons at this time. The record label Rick Rubin had used to distribute his first two Def Jam releases, 99 Records, was in a legal dispute with Sugar Hill Records in 1984 and struggling financially. So Rick Rubin approaches Streetwise to see if they will distribute the record. Streetwise is run by Arthur Baker who produced "Planet Rock" and "Looking For The Perfect Beat", Jazzy Jay was also involved with those records as a member of The Soulsonic Force. Streetwise like "It's Yours" so much they offer to release it on their subsidiary Partytime. "It's Yours" becomes a massive hit and gets a 2nd pressing, the difference between this and the first press is that this one has the Def Jam Recordings logo underneath the Partytime logo on the label. All subsequent 1984 represses also include the Def Jam logo. The picture sleeve for "It's Yours" features Rick Rubin's now legendary Def Jam tone arm (according to Stacy Gueraseva, the tone arm was created by "a girlfriend of Hose’s lead singer, Mike Espindle," working under Rick’s direction), there is a Def Jam catalogue number on it's spine, the Def Jam logo on the back and most importantly a postal address (still Rick Rubin's dorm)

When did T La Rock realise he's made a hit? He was working in a pharmacy and heard it on the radio

"There was a DJ named Tony Humphries who played it around noon when they’d do a master mix hour. So Humphries mixed in my song and it was so unexpected that I damn near lost it. Back then, you might hear Kurtis Blow or Run DMC occasionally on the radio but that was it. After the song was over, they said that it was the most requested song of the day!" - T La Rock interview with David Ma 

T La Rock & Jazzy Jay - It's Yours

T La Rock & Jazzy Jay - It's Yours (Scratch Party Death Mix)