#repeatedly (Routledge in particular became a familiar collaborator and was an intrinsic part of what made Talking Heads so successful)
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Six Plays by Alan Bennett: Doris and Doreen (1.2, LWT, 1978)
"I still wonder about Mrs. Henstridge. She did have a daughter, doesn't she? She was in an accident. Or did she get married? I know the hat came round."
"They wouldn't send the hat round for a daughter, her daughter never worked here."
"They send the hat round for famine victims, and they don't work here."
"They send the hat round for all sorts these days. I hope they send the hat round for me when my time comes. If it isn't a wedding, it's a famine. Earthquakes practically twice a week these days. Never stops. Ethiopia, what have we got to do with Ethiopia?"
"I just have this feeling I chipped in for a spread."
#doris and doreen#six plays by alan bennett#alan bennett#single play#1978#lwt#classic tv#stephen frears#prunella scales#patricia routledge#pete postlethwaite#joan sanderson#george fenton#tony wharmby#this second play in the series is much more traditionally theatrical than the first; essentially a two hander confined to a single studio#set‚ the action concerns the titular characters played by Scales and Routledge‚ mid level filing clerks in an unspecified national company‚#who spend their days reading newspapers and making passive aggressive digs at one another rather than work on the forms they so abhor#it's a character piece‚ with sparkling dialogue brought beautifully to life by two actors that Bennett would work with on stage and screen#repeatedly (Routledge in particular became a familiar collaborator and was an intrinsic part of what made Talking Heads so successful)#Doris is a vaguely bitter single woman who cares for an ailing mother while Doreen is a comic grotesque‚ a vapid married woman who chatters#incessantly about forced rhubarb and the lives and loves of colleagues she barely knows; for all that‚ the two are very similar in some#aspects of disposition‚ particularly in their middle class snobbery and their disinterested attitude to their work. the looming spectre of#a potential interloper in the form of a new boss (part of dreaded staff shake ups) is treated with near gothic levels of horror and#paranoia (with the film really leaning into those visuals for the rather hysteria tinged ending). it's a note of elevated style that's both#clever and quite witty but i still think this works best when it's quietly deconstructing these two frustrated characters as inflated#clerks with delusions of importance. endlessly tripping off long monologues about particular paperwork or obsolete filing systems#or sniping among themselves about best practices and working to rule; underneath the breezy comedy there's very little sympathy or#compassion in Bennett's piece (even the late Pete Postlethwaite's union minded ancillary worker is depicted as a crude bore and a hypocrite#undeniably a funny play and as sharply written as any of the playwrights works‚ but it lacks the heart that furnishes his best scripts#also the score is weirdly obtrusive whenever it kicks in‚ often playing over lines of dialogue as tho poorly mixed in
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