#reminds me of those climate activists throwing I think it was tomato soup(?) at a painting to prove the point that people
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I've just about come to the conclusion that the reason a lot of analyses of Glass Onion are so desperate to invent a film where the painting that gets blown up in the final act is a fake is because they've internalised the idea that people who destroy art are Always Evil (No Exceptions), so their only options are a. to arrive at a reading of the film where Helen Brand is secretly the villain of the piece, or b. to construct a version of events where she never really destroys any art – and quite understandably, they opt for the second one!
Unfortunately, in constructing a scenario where Helen Brand never destroys any art, they're missing what the film is actually doing – namely, constructing a scenario in which it's morally justifiable to blow up the Mona Lisa.
#reminds me of those climate activists throwing I think it was tomato soup(?) at a painting to prove the point that people#care more about old pigment on old cloth than the way we're destroying our home planet#and everyone was like “omg. yes the planet is important but that doesn't excuse destroying art” meaning “it's OK to protest but do it#quietly and in a way that doesn't affect me" thus completely proving the activists point...#some things are more important than art
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