#regardless laudna is the heart of that home. imogen makes sure of it

[caeslxys]

i'm sure people have already thought about it, but. if laudna's thoughts are musical to imogen...could they sound like a lullaby to their potential telepathic kid...with bonus implications if you've read what doesn't break!

I see your "laudna's mind acts as a lullaby to their telepathic baby" and raise you "imogen sings the melody she hears in laudna's mind as a lullaby to their non-telepathic baby"

[nellasbookplanet]

I think my favorite aspect of Imogen as a character is how she consistently chooses to empathize with and seeks to understand the outsider, even if - or perhaps even especially if - they are viewed as scary or dangerous. The most obvious example thereof is of course her relationship with Laudna. Not only did she choose to befriend and travel with someone who's strange, undead, scary, and the vessel of an evil necromancer, she chose to step up and defend Laudna against her home village despite never having met her before and knowing nothing about her, simply because she saw someone being targeted due to scared people making a snap judgement based on assumptions of the undead. It isn't that Imogen decided Laudna was harmless and innocent (again, she didn't know her at the time), but rather that she saw no one else would as much as slow down to give her a chance.

We see this aspect of her many times in the campaign. She lets the strange little mushroom people of Ruidus take her by the hand and lead her into their scary tunnels. She meets the all minds burn, a scary hive mind entity, not with fear or apprehension but with a willingness to understand. She's one of the strongest proponents in arguing that FCG, an automaton not viewed as a person by the general populace, has personhood and a soul. When facing Predathos, she does so with empathy, and when she releases it at the end she doesn't tell it to fuck off but kindly and even mournfully lets it know there's nothing left for it here. Part of her epilogue is working with emigrating Ruidians, who've lived under oppression and are viewed with suspicion by Exandrians, to help them find a home and belonging.

This aspect of her is also one of her greatest flaws. While it makes her empathetic toward the outsider, it often leaves her suspicious of or judgmental towards the "normal" and accepted, because for much of her life those who are normal never made an effort to reach out to or understand her due to their fear of something not under her control. She will reach out to the strange and scary, but will also turn around and say she isn't sure she wants to save the gods because they don't love her. She will extend understanding to Laudna to the point that Laudna runs straight into the arms of Delilah's temptations of power thinking Imogen will accept this regardless of the harm. She repeatedly questions if the Ruby Vanguard, which is seeking something which will drive an entire people extinct and put the entire world in jeopardy, is right, because many of them are misunderstood and mistreated outsiders like her.

In the end, she makes great strides in extending this empathy even to those who aren’t outsiders, who aren't like her. She's the one to suggest the gods go mortal in an attempt to save both them and the people of Exandria. She sees the gods' actions in Aeor yet views it with understanding. She reaches out to her father before the final battle, and tells her mother he deserves better. Imogen is a balancing act of snap judgements based on past harm and the choice of empathy, and it was at once heart-warming and terrifying to see her grapple with this.