#redemption Ruin asks

[redemption-ruin-au]

heyyyy ruinnn

Little question, what is the worse thing nexus has ever done to you that perhaps wasn't shown on screen ??

[gummysunnybear]

Hey just wanted to say I LOVE you're Ruin redemption story! It's so good!!!♥️♥️♥️

I can't stop reading it!

Aw thanks!!!! I'm so glad you like it! :]

@astrofairy06 was the inspiration for it and we share the au!

@moony-buckets is a helper with the au!

[kathegoose]

what are you hoping for Mimicboi to do in future games?

mimicking....... mimicking... and maybe a happy end to him. please don't kill this little man he never did anything wrong!!! go actually resurrect afton if you want to kill off something again, lousy metal sheep company!

[godkilller]

◎ are we friends? 🥺 👉 👈

Send a ◎ and a question and my muse must answer, even if it’s a secret.

❝ Realistically, probably not. I ain't got much in common with a human girl that I technically aided in th' kidnappin' of -- it'd be weird to be so audacious as to take advantage of your forgivin' nature 'n consider myself your friend. At th' very least I reckon it's best I letcha take the lead there ---- if y'call me a friend, then I'll be friendly. I can pretend, I can try 'n act like how I think two friends would act... but I don't think it'd really count as real, I don't think any sorta connection with me's fully genuine. Part of me wants it to be, but th' other part thinks you oughtta get as far 'way from me as humanly possible 'cause you ain't got any business hangin' around somebody that has considered killin' you. ❞

[jyoongim]

Can I request and Alastor x reader where she was his wife when they were alive but she ends up in heaven while in her early 20’s due to being murdered on her way home from his radio station one night. She never knew about Alastor’s crimes but she finds out about the extermination at the meeting Charlie has with heaven and sneaks down during the next extermination not knowing if Alastor is still alive or not? Maybe some magic like reader singing No Good Deed from Wicked trying to prevent Alastor from being harmed or killed? Once they find each other I can’t imagine Alastor ever letting her leave again, not even to heaven. Can I request a bit of fluff and maybe NSFW to make up for the time spent apart? Thank you!

Title: Ruined Redemption 

Warnings: 18+! NSFW, angel!wife Reader, fem!reader, reader & Alastor married, mention of past life, mention of death, demon!alastor, fluff, creampie, rough sex, French, Heaven & Hell, am i missing something????

”You sure you dont want me to walk you home cher? I can wrap up right now” Alastor said as you pressed your soft lips to his cheek. You reassured him you would be fine. That you were perfectly capable of getting home without him escorting you.  “No no ill be fine promise. Just dont stay too late hmm? I would love to have my husband in our bed for once when the sun ain’t risin’” you said, glaring at him playfully. 

He chuckled, nodding ”Be careful on your way home cher, it ain’t safe for a doll like yourself to be roamin’ the streets at this time of night” Alastor said as you waved goodbye.

“I love you”

The stars twinkled in the sky as you stared up at them.

You blinked, raising a weak hand up to them.

 Blood.

You were bleeding. 

You had took a shortcut to get home and a man had grabbed you into a dark alleyway.

He tried to take advantage of you but you resisted, angry that you wouldn’t be a easy target he slit your throat so you wouldn’t cry out, leaving you to bleed out onto the cold concrete.

Your wedding ring shined at you. You let out a gurgle,

Alastor…

You use to think that people were lyin’ when they said your life flashed when times of death, but tears welled in your eyes as every memory of you and Alastor came to your mind.

The night you met Alastor was the last one you saw as you heaved your last breath.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

”Did you forget Hell is forever?”

You sat at the council meeting as the princess of Hell tried to reason with Sera. You were saddened that the Angels went down and executed the soul of the damned.

You thought the idea of rehabilitating souls was a good idea. 

You had waited years to see Alastor, but you quickly became concerned when each year he didn’t pass through those pearly gates.

Alastor was in Hell. At least you had hoped. 

You heard that the next extermination was soon and you plotted to descend to Hell to find your lost lover.

Alastor please be okay 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hell wasn’t as bad as you thought. 

You quickly found the hotel the princess hosted and knocked on the door.

”Oh why hello- wait you’re-” Charlie stuttered.

You gave her a smile. You must have looked ridiculous, an Angel at her door and with the extermination approaching.

”D-Do you know Alastor?” You asked, almost pleading that you hoped your lover was at her hotel.

She blinked and nodded, letting you inside.

”I thought your idea was bees knees by the way”you said as she ushered you to sit on a couch.

”W-Why thank you! But…how do you know Alastor?” She asked.

You fiddled with your ring. “Well you see I’m his-”

”Darlin’? ” a voice interrupted you.

You almost broke your neck turning around. You let out a gasp “A-Alastor?”

A tall red demon stood in the archway.

He was dressed in all red, save for the few black accents.

His face dawned shocked, though his smile never faltered. But you saw it was tense.

You stood up and approached him.

Theres no way this was your Alastor…

You subconsciously reached a hand to his face “A-Alastor…is it really you?”

He leaned into your touch, grasping your wrist softly

”Mon cher…”

Your eyes welled with tears and you launched yourself at him, wrapping your arms around him as you buried your face in his chest.

Still in shock, Alastor wrapped his lanky arms around you.

Whiskey and sandalwood. That was the scent that flooded your nose, same scent that always clung to him.

”I t-thought i would never see you again” you cried.

”what are you doing here?” You asked

He smiled “I should be askin you the same thing. A pretty thing like you shouldn’t be down here”

You didn’t even realize that an audience had gathered.

”what’s white wings doing down here?”

You eased your grip on him, actually taking him in.

He looked nothing like your Alastor, but you knew it was him.

”Oh baby what could you have done to land yourself in hell?” You asked.

The tall spider gave a laugh “Freaky face there is one of hell’s most powerful Overlords toots”

Alastor glared at him before looking down at you “Its a rather unpleasant story my dear, but I guess I should tell you now”

And tell you he did.

You wouldn’t have thought that your Alastor was the one who had once terrorized your city.

Your husband was…You had married a killer.

”regret marrying me doll?”he asked at your shocked face.

You shook your head “Never” you gave him a smile “But you’re at a hotel that promotes soul redemption?”

He laughed “Just a little investment of mine to pass the time. I have no notion to redeem my soul”

This caused you to panic “B-but the extermination!”

He caressed your cheek “Don’t worry about that, I wont let anything happen”

You huffed, deciding to trust him “Well aren’t you gonna introduce me?” You asked turning to give your full attention to the bunch.

”Why of course! Everyone this pretty doll is my darling wife” he beamed

”WIFE!?”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Alastor took you on a tour of the hotel. You walked, arms interlocked as he showed you around.

You laughed when he brought you to his radio tower “Just couldn’t let it go huh?” You had said, earning a laugh.

He led you to his bedroom. You marveled at how it suited him. There was a swamp that split up the room.

A true southern man you sighed.

You sat on his bed, taking it all in.

Alastor couldn’t believe that you were here.

He thought that he would never see you again.

He had figured that you were in Heaven after a few decades.

You were his sweet little wife. You were the only good thing in his life.

He absolutely lost his mind when he was told you were killed on your way home.

He should have walked you home.

Your death weighed on him for decades. Even in death.

But here you were.

You hadn’t changed a day. Well the wings and halo were new.

”Mon cher…” He approached you, voice dropping the static and kneeled before you. 

You were real and you were here.

His arms wrapped around your waist as he laid his head on your lap.

Your hands found his hair, massaging his scalp. You tickled at his ears and giggled when they twitched.

”je suis désolé mon amour. je suis tellement désolé que tu aies connu un sort aussi cruel. si j'étais juste rentré à la maison avec toi... je suis vraiment désolé” his heart was pounding as he nuzzled into your stomach.

You smiled at his words. You cupped his cheeks, lifting his face to yours “it wasn’t your fault Al. Things happen. All that matters is that we are together again. ‘Ill defy death itself to be with you," were our vows remember?”

Alastor moved quickly. He gently pushed you onto your back as he climbed over you.

”tell me…tell me our vows again”

He tugged at his bow tie and stripped off his jacket, you retracted your wings as you watched him

”A-Al?” You whispered, suddenly breathless.

”please…tell me our wedding vows”

”From the moment our paths crossed, it was always you.

It was the moment we met that I saw everything. 

Our future.” 

He unbuttoned his dress shirt.

“You were everything i ever dreamed of and became so much more. 

I love you.”

He leaned down to kiss you

“Heaven and Earth cannot compare to how much I love you. 

Through the good and bad, Ill always love you.

 I give my heart and soul to you to cherish for an eternity ”

You wrapped your arms around his neck as he peppered wet kisses along your neck

”Ill reap the Earth to and tear the Heavens apart to remain bound to you”

You gasped as he nipped your shoulder

”This love I give can never die. For Ill defy death itself to forever be with you.”

he buttoned your shirt, brushing a thumb over your nipples. A shiver ran through you.

”For death itself could never part us. 

I am yours forever and always and ill raise Hell if death tried to part us ”

You moaned softly as he took a nipple into his mouth.

“Alastor…”

The rest of your clothing was quickly removed.

You almost wanted to cover yourself.

When was the last time you were intimate with Alastor?

You felt like you were on your wedding night all over again.

”You’re as beautiful as when you were alive my dear”. He whispered, spreading your thighs.

You jumped feeling his hand skim your exposed clit.

You were embarrassed with how wet you were.

he still had that effect on you, even in the afterlife.

Your breath hitched as he dipped a finger inside you

Alastor groaned, you felt just as you did before.

You pulled him to your face, your face flushed and eyes lidded. Your soft lips met his as he worked your cunt.

”Alastor please” you whined against his lips.

You were always such an impatient thing.

But he would never deny you.

He growled ”If I fuck you Ill never let you go. You’ll never see those pearly gates again if you let me have you. So tell me you don’t want this, you don’t want me and Ill stop” he shimmied out of his pant, freeing his cock.

Alastor was lying. Even if you told him to stop and you didn’t want this he would never let you go back to Heaven.

Not when he just got you back.

Your lips met his again, the kiss was filled with longing and passion.

”I never want to be without you again”

He slammed his lips on yours again as he slid his cock into you, swallowing your squeal as you took him.

Fuuuuuuuuuucccccckkkkk

He gave a few soft thrusts to make sure you adjusted well to him.

You panted into the crook of his neck. Nails clawing into his back as he rocked into you.

A cry ripped from your throat as he gained momentum.

”Aahh!”

This was different. So different from when you were alive.

Alastor was always passionate in bed with you, but this…this was so…you couldn’t even describe it.

a word popped into your head.

Divine

The way he fucked you told of how much he had missed you. 

Decades of being apart melting away as he pounded into you.

You locked your ankles behind his waist.

”You always take me so good cher. So so so good” He moaned into your ear.

The sound of skin hitting skin and your soft moans filled the air.

His cock hit that soft sweet spot inside you making you wetter.

”Ill ruin you. Fuck you til you’re drenched in me. Until your very scent is covered in me.” a harsh thrust brought him to be buried to the hilt.

Alastor smirked as your cunt fluttered

”You want that doll? To be ruined? To never see Heaven again? Hmmm you’ll throw away your salivation to be fucked by a demon like me?”

The telltale squelch of your cunt was his answer.

He would be damned if he ever let you out of his sight again.

His pace turned rough, he could feel himself changing.

”Alastor?” You felt him get bigger. His body morphed and when you looked at him, he expected fear.

But you looked in awe as he turned into his demon form.

Antlers big as willow branches, eyes black and glowing red like dials. He was disheveled.

He looked like a wild beast.

And he was fucking you like one.

All you could do was hang onto him. Letting him take you like you would disappear.

”ooh fuck aaahh please please” you cried as he fucked you, rutting into you with so much force you swear the bed was knocking against the wall.

You  felt your thighs tremble from taking his brute thrusts. That familiar tingle forming in your stomach.

were you gonna cum? Could you cum?

guess you’ll find out

Your demon husband was fucking you and you were gonna cum.

on his demon cock…oh heavens…

”Tu vas jouir, chérie ? Tu vas laisser un démon t'arracher ta libération ? Vous voulez que? hmmm? Tu veux jouir sur la bite de ton démon ? laisse-moi l'avoir chérie”

He purred, fucking into you so hard that a slight bulge was present.

He was going to break you. Ruin you.

He unhooked your legs, pushing one to your chest to get a better angle. Hitting those spots that had you seeing stars.

”A-Al! Oooh fu-fuuuck! I-I’m cumming oh my g-”

A large claw hand covered your lips

He snarled “There’s no God here sweetheart. Now. Cum”

Your body seized, feeling like a fire had set off as your organ ripped through you.

Alastor slapped his mouth over yours to eat your cries.

He thrusted into feverishly, seeking to paint your heavenly walls white with his cum as he fucked you through your orgasm.

”that’s a good girl, milking me dry”

He gently cradled your limp head, nipping at your swollen lips “where you want me cher? Cause i got half a mind to soak you in my cum”

You whined “i-inside…please cum inside me Alastor…baby please!”

He grinned “As you wish”

His pace quickened and with a low growl he emptied his cum into your cunt, sighing as he filled you til it spilled around him.

You let out a soft whine as he pulled out, wincing at the emptiness that he left behind, feeling his cum drip down your ass.

Alastor purred like an engine as he took you into his arms, basking in the afterglow as you cuddled into his side.

This is where you belonged.

By his side.

He’ll tear Heaven apart if they tried to take you back.

You were the Radio Demon’s.

Forever and always

@jellibean2018 @thewinchestah @markster666 @3verlark @alastor-simp @alastorsaries @alastwhore666 @horrorartsworld @gojosaturos-wife @ioniiaa @alstorloml @polytheatrix @catherine69420 @catmunist @lbcreations-blog @night-owl-2000

@dennsfz @strawberrypimp666 @stawberrypimpsimp @imgonnadielaughing-blog @eviebuggg @scaramoochiie @siiv3r

@sugerrush69 @wedream-wecreate @jazzmasternot @k1y0yo @prosciuttosblog @yourdoorisunlocked

Comment if you want to be tagged!!!

[callmerainman]

Alastor in a relationship with a pure hearted s/o

a/n. the relationship can be interpreted as queerplatonic or even romantic if you wish, but not sexual in any nature. hope Alastor is not ooc!

tw! canon typical violence

"cuddled up with a heart condemned, I should love you and I swear I do"

it's true that Alastor is touch averse, but this doesn't apply if it's you we're talking about.

also, we saw that Alastor dislikes physical touch only when it's someone else getting handsy with him. he can be pretty touchy if he wants to and likes to be close to you.

sneaking an arm around your waist, putting his hands on your shoulders, pecking your forehead. also, arms intertwined while walking around the city.

hand holding is more occasional, but not excluded at all.

he likes the sound of your laugh, and has a soft spot for your smile. he thinks that it suits you so well like a perfect-chosen accessory.

veeery protective. he knows you can be naïve and that Hell loves to take advantage of more innocent inhabitants.

he prefers to go with you when you have to leave the Hotel and strikes deathly smiles to anyone who dares to look at you with any kind of intention.

you're the only person who can see him drop his smile sometimes. he doesn't have to use it as a tool when you're around so there's no reason for him to always keep it. he doesn't feel vulnerable around your presence.

sometimes he comes back to the Hotel covered in blood. you don't approve his ways, and he knows, but he's just like this.

you shrug your shoulders, sigh, and then take some towels to clean him up.

"you'll end up ruining your coat and your pretty face like this"

loooves to dance with you. swing dancing specifically. maybe to the rhythm of an upbeat jazz tune in your room.

you were completely wack at dancing the Charleston, but he taught you well since he's an absolute beast at it.

you occasionally slow dance, it's a really intimate moment for you and Alastor and makes you both feel closer to each other. your favourite spot to slow dance is the forest in his room, especially at night under a clear and starry sky.

you like to drink together, he's a classy type of drunk and you make the best conversations while sharing a glass together.

sometimes, he'll start ruminating about the possibility of you redeeming yourself and leaving the Hotel.

he doesn't like ruminating, it makes him feel weird because he doesn't believe in redemption in the first place. so case closed...right?

he says to himself that even if you were to be, he would find a way to let you stay.

but he immediately tells himself that he doesn't want to force you. but he also starts to get concerned because it's not like him to contain himself and his cold heart. more ruminating, more concerned Alastor.

he's aware that he cares about you, and that you're special to him and that he feels a deep rooted love. but he never thought it would affect his evilness and now he's confused.

you like to cook for him, since you're aware that he's a huge foodie. and he loves to do the same for you! he likes to share his mom's recipes.

loves to call you "my darling"

you like to hang out at his radio tower, just listening to him intently while he hosts a program.

sometimes even asks you to join in to talk about jazz!

very occasionally sleeping together, just holding your hands with fingers intertwined.

honestly Alastor doesn't even know what love is, but he just knows that he feels it for you.

[freakyfrye]

ᝰ. 𝔟𝔯𝔦𝔡𝔤𝔢𝔰

requested ( @cartoonykat ) : alastor, angel dust, husk, lucifer, charlie & vaggie, vox, adam, sir pentious x gn! reader (separately), they’re having a moment (or romantic date) but it’s interrupted/ruined by someone or something

type: scenarios

content: domestic, fluff, slight crack, bunch of smitten sinners, swears, angle dust bad ass reader s/o, val mentioned thrice cause he’s annoying ash (but he will be added to the blog soon), vox’s kind of a whiny baby but it’s hot (?¿), brief luci vs alastor bit

note: this took a while. ngl because, honestly, alastor and luci had me stumped — also some may be longer than others, what can I say? give inspiration where it’s due

꒰ა❤︎໒꒱ 𝕬𝔩𝔞𝔰𝔱𝔬𝔯

It's rare to see Al anywhere but the heir Morningstar Hotel, whispering over her shoulder like the villain you know him to be. Yet, even he needs a break from the chaos. Strangely enough, for someone who loathes any form of physical touch, he always shows up on your doorstep like clockwork by the end of the week.

Your mornings are routinely filled with melodic tones that stir you awake. The air is thick with the scent of powdered sugar beignets, which only he can make, and the aroma of the finest coffee beans you worked hard to procure because you knew how much he enjoyed them.

He's busy working on something when you creep up behind him, hearing him hum along to his favorite jazz song. Always the jolly fellow with the wickedest mind, he seems at peace for once, even when you audaciously wrap your arms around his waist from behind.

In the past, he would have tensed up and demanded an explanation through clenched teeth. Instead, he now leans into your touch as you lay your head on his back. “Mornin’ Al.” you’d greet muffled, breathing in his scent.

He hums softly, wiping his hands on a cloth before turning towards you, his grin devilishly relaxed. "Well, well, good morning, mon cher. Hope I didn't stir you with all my shufflin'."

You open your mouth to assure him that wasn't the case when, within the next second, there's a loud boom from your far wall and debris flying around your kitchen. When the dust clears, you both stare blankly at a large hole in your wall. You're lost to what's happening when a figure steps through, glaring at Alastor with intense hatred.

"What—Who?" you ask, looking from him to Al, whose smile is tense. "Is this one of your enemies?" you deduce, realizing he must be, since he wasn't here for you.

Alastor blinks before turning towards you, smiling proudly. "Who could tell?,” he jokes, “It's a difficult task to keep track when you're the most hated demon in hell."

“You gonna handle that?” you ask, staring up at him, a frown on your face.

You didn't have to ask twice; he was already pulling away from you, though he didn't appear as cheerful as one might expect when heading off to handle his business.

“And fix my wall when you’re done, Alastor.”

꒰ა❤︎໒꒱ 𝕬𝔫𝔤𝔢𝔩 𝕯𝔲𝔰𝔱

It was clear that Angel hadn’t been himself lately. Whether it was the strain from Valentino’s demands or dealing with Charlie and her redemption shenanigans, the reasons were irrelevant. It did bother you and concerned you that he wasn’t confiding in you about whatever was troubling him, though.

But you weren’t going to press him, adding to his burdens. Instead, you decided to show your support: tidying up your place, setting the table, adjusting the lighting, and spending the entire day preparing his favorite Italian dishes. They weren't quite as perfect as his mama's, but you knew no one could match her cooking.

As evening arrived, you finally invited him over, knowing he wouldn’t be free until this hour, dealing with Val’s big head. Greeting him at the door with a kiss, you noticed his tired gaze soften as he returned the gesture. Leading him inside, he gradually perked up, taking in the atmosphere you had carefully set.

By the time he sits at the table, he's lively, smiling like a kid in a candy store as he pours both of you a glass of Roscato wine. “Wow, baby, all this for me?” he asks with a bashful charm, his eyes slightly hooded as he swirls the wine in his glass, chin resting on the back of his hand.

“No,” you begin joking, “this is for the guy after you—don’t eat it all, alright? Leave some for him.”

Angel chuckles, setting down his glass to pick up his fork. He scoops up some fettuccine, then leans forward and offers it towards your mouth. "I think ya runnin’ that pretty mouth a lil too much, sweet cheeks. We both know there ain’t no competition."

Before you can bite back something naughty, his hellphone chimes repeatedly in his pocket. A weighty silence falls over both of you as he reluctantly sets down his fork and retrieves it, his brow furrowing deeply at the messages displayed on his screen. He looks to you from his phone before sighing and rising from his seat.

You raise your hand, stopping him in his tracks. "Wait. Hold on! Where do you think you're off to?" you demand, scrutinizing him suspiciously.

He sighs, his shoulders slumping as he gestures with his hands while explaining, "I'm sorry, sugar. It's Val. He needs me. I gotta go—"

"Sit your ass down," you bark, your mood souring. Angel does a double-take, and you continue, "I planned this day perfectly—slaved away to cook these loving dishes for you—and that man-child was not part of the picture. If he wants my man, he better come and pry me away from you."

Angel quickly considers his options. Ignoring Val usually ends in trouble, but ignoring you feels worse than anything Val could inflict—especially since you're somehow scarier and hotter than him. Plus, he knows you can handle yourself, a skill you demonstrated long before you two got together. He makes his choice and sits back down. To hell with Val; dealing with him can wait.

꒰ა❤︎໒꒱ 𝕳𝔲𝔰𝔨

By the end of the day, exhausted from working tirelessly, all you wanted was to faceplant into your bed. But Husk was coaxing you to spend the night with him, mentioning relaxation and the allure of Hennessy. Honestly, if he had just said he wanted to see you, you’d be right over. No coaxing needed, but who’s gonna tell him?

As you stand outside his room door, it dawns on you that Husk may not even know what it means to relax. Sure, he's somewhat chill after a few drinks, but you've never seen him truly unwind since you've known him. You wonder what you’re in for when you knock on his door, waiting for him to answer.

A gravelly voice answers through the door, "Come in," then falls silent. You purse your lips in confusion and twist open the door, cautiously stepping inside. The room is dimly lit by candles, making it a bit challenging to see at first, but as your eyes adjust, you find him seated on a loveseat, staring at you intently.

"Yeah, not creepy at all," you mumble halfheartedly, dropping your bag on his bed before walking over to him. Your comment earns a tsk from him and a grumble under his breath, but nothing more. Yeah, this was definitely weird. “Who are you and what did you do with gumpelherekitty kitty?”

"Shut the hell up and come here before there's no liquor left," he bites, taking the bait with a small smile on his face as he watches you flop down beside him. An array of pillows behind you looks like clouds waiting to be drooled on, but instead of relaxing just yet, you lean in for a kiss.

A glass of Hennessy is placed in your hands as you pull away, the dark liquid resembling brown sugar but far from sweet. You judge the small amount and down it in one gulp, tilting your head back and letting out a hiss at the burn. It was well worth it, though.

Husk must have agreed because he took the glass from your hand to pour another. "Rough day, huh?" Instead of passing it back to you, he drinks it himself and then gently guides you back onto the pillows, placing your legs across his lap.

You groan, "You have no idea!" before pausing, recalling his own stressful situation. You send him a sympathetic smile, "Then again, you might." You watch as he shrugs, carefully removing your shoes one by one and placing them aside.

"Tell me about it," he says, grabbing one of your feet and starting to massage it, aiming to ease the soreness. "Your day, I mean. Or not." Despite his half-hearted objection, he looks at you expectantly, knowing you'll likely indulge him anyway. And you do—you recount how everything that could go wrong today did, venting about nasty customers and expressing relief to end the day with him.

That confession didn’t escape him; instead, he purrs softly at your words, his eyes grows hooded as his hand moves from your feet to your calf, rubbing gently. He starts to reply when his door bursts open, capturing both of your attention.

He stands up, your legs sliding off his lap as he reaches for his cards, but pauses at the sound of Nifty's sinister giggling and the frantic scraping on the floor. You both watch as she chases a large roach in circles for a few seconds too long before finally following it out the door.

"You people are strange," you comment after a long pause.

Husk sighs heavily through his nose, flopping back into his earlier spot and pouring himself and you a drink. "Tell me something I don't know, sweetheart.”

꒰ა❤︎໒꒱ 𝕷𝔲𝔠𝔦𝔣𝔢𝔯

You've been in the hotel long before he showed up. You were already making progress on your redemption arc to heaven. That was always the goal, but you never anticipated to fall for him. This complicated your plans, and he knew it. You wonder if that’s where his doting and overbearing behavior stems from; abandonment and guilt—the risk of both losing you and stopping you from enlightenment.

He often sweeps you off your feet and plans spontaneous outings, desperate to keep you close for as long as possible. It was romantic and considerate of him, just so him, but he didn't have anything to worry about. You wish you could tell him, when you realized it, that even in heaven, you'd fall just to be with him. But the relationship was still fresh so you opt in matching his energy.

The dopey smile he gave you after you guided him to the candlelit table adorned with handmade meals was worth it. You could visibly see his shoulders relax, as if a weight had been lifted. Ever the gentleman, he helps you sit before himself. The evening is filled with sweet nothings, laughter, and smitten glances.

Lucifer reaches across the table, taking your hand and bringing it to his lips, planting a loving kiss on your knuckles. "Thank you," he expresses his gratitude as dinner comes to an end. But you had more planned for this night.

"I should be the one thanking you," you confess, causing him to raise a curious brow. You playfully reach over and nudge it back into place, eliciting a pout but no protest. Instead he chooses to lean more into your touch. "I haven't had this much fun since arriving in hell in years."

His devilish grin returns, his posture straightening as he half-heartedly feigns humility, failing halfway because how could he not when you're hyping him up? "Well, y’know, I try. How about we take a trip to Lulu world tomorrow? It's a blast—fully comp, of course, you’re dating the boss," he winks mischievously.

“Don’t you mean “loo loo land”?”

Lucifer shakes his head, waving his hands dismissively. "No—no no no, heavens no. That dreadful place shouldn’t exist in any of the 7 rings,” he sneers with disdain.

You nod, though not fully understanding, and rise from your seat. Lucifer, following your lead like a lost puppy, closes the distance between you. With a smile, you guide him by the sleeve to the center of the ballroom, wrapping your arms around his neck. "The night's far from over. Care to dance with me?" On cue, soft music gently fills the background.

He certainly does. He wraps his arms around your waist, pulling you close, swaying gently. His expression softens to one of peace. You playfully plant a kiss on his nose before resting your head on his shoulder, closing your eyes in contentment. They open not even a minute later when the music abruptly stops, gaining both your attention.

You know where the music box is, assuming it malfunctioned but you're surprised to see Alastor standing there, observing you both. Once your attentions on him, he casually addresses everyone in the room, "Oh, my sincerest apologies. Am I interrupting something?" his smile widens at the growl that rumbles from Lucifer chest.

"You’re still here?" Lucifer grumbles, holding you closer, clearly annoyed by the interruption, especially because of who it was.

This earns a deep chuckle from Alastor, “Well, of course. Charlie’s had her fill of parental figures abandoning her, wouldn’t you say, sir?”

“What did he say?!” Lucifer turns towards you for confirmation.

"Anywho, I came to inform you both that a hotel meeting has been called. You know where," Alastor adds, then starts up the music again before disappearing into the shadows.

꒰ა❤︎໒꒱ 𝖁𝔞𝔤𝔤𝔦𝔢 & 𝕮𝔥𝔞𝔯𝔩𝔦𝔢

Redemption this, redemption that. That's all Charlie ever talks about, with Vaggie always backing her up. Sure, you support her too, but it gets annoying when it consumes all their time, leaving very little for the three of you to nurture your relationship. It was seriously irritating the heck out of you. Having two girlfriends but neither showing you affection like the good old days.

They probably caught on to the problem after enduring your snappy, sarcastic comments and watching you bail on redemption exercises for the nth time this week. With enough silent glances exchanged between them, they realized they had to do something. The following week, they lead you to a romantic picnic in the hotel's garden. You didn't even know the garden existed.

It was surprisingly sweet, especially for a setting in Hell—maybe even slightly cheesy. A white lace blanket was spread across the ground, with a silver tray of desserts of all kinds adorned with rainbow flag toothpicks. Beside it was a black heart-shaped picnic basket and a bouquet of flowers.

There was champagne with smiley faces on the bottle and plates with quirky little sandwiches that you were sure Charlie had tried to make. A gothic black umbrella stuck out from the ground, purpose of shielding you all from the hot sun.

Before you could say anything—not that there was much to say, as you were frankly speechless—Charlie and Vaggie pulled you to sit with them. Vaggie wore a soft smile, while Charlie beamed with eagerness.

"We’ve noticed you’ve been a little snippy lately,” Charlie starts, her expression shifting to one of guilt and sympathy. She tightens her hold on you, pulling you closer to her side. “I’m so, so sorry, sweetie. I’ve been so focused on the guest that I’ve neglected both you and Vaggie.”

“I carry some of the blame too,” Vaggie chimes in. “I was so caught up in making sure the hotel ran smoothly and keeping everyone safe that I forgot about the people who matter most to me.”

Charlie’s hands travel down your arms to hold yours in hers. “Can you forgive us? We really didn’t mean it.”

“Of course we didn’t,” Vaggie adds, placing her hands on top of Charlie’s. “We love you so much.”

You bite your lip, glancing between their faces as guilt starts to eat at you because of their words and romantic gestures. “Fuck…” you groan, pouting and closing your eyes. “I’m such an asshole.”

Charlie shakes her head. “No, you’re sweet for wanting time with us,” she says, batting her lashes. “We want time with you too.” She leans in, placing a soft kiss on your lips. Vaggie leans in for a kiss, but just then, someone stumbles into the garden, interrupting the moment.

“Charlie!” Lucifer exclaims, zeroing in on her before finally noticing the surroundings, including Vaggie and you. “Oh—uh, haha,” he chuckles nervously, “I’m interrupting something, aren’t I?” He slowly starts to back away. “I’ll just find you later, sweetie! Enjoy your date.”

Just as quickly as he stumbled in, he’s gone. Charlie gives you both an apologetic smile before you all resume your date.

꒰ა❤︎໒꒱ 𝖁𝔬𝔵

Opportunity didn’t always come knocking, but you must have one hell of a lucky streak to go from being Vox’s assistant by day to his lover by night. As his assistant, you saw how swimmingly put together Vox always was—after all, the cameras were always rolling if you were one of the Vees.

There was never a moment he wasn’t on top of things, keeping everything in check and everyone in line. Of course, the best times were when Alastor wasn’t involved. But now Alastor is back, and he’s even more of a pain in his side than Vox remembered. Just when Vox was on top of the world, now he’s glitching out at the very thought of that vermin.

Surprisingly, he kept it together in front of almost everyone. But when the clock strikes midnight, he clocks out and heads to his fancy penthouse where you're currently curled up on the couch, waiting for him. His expression instantly shifts to a tired smile as he walks over to you, and you open your arms for him.

He flops all his weight onto you, burying his face in your chest with a low groan. You purse your lips, wrapping your arms around his upper back and kissing his head. Cooing, almost babying him, you ask, “Had a rough day, sugar?” You wouldn’t know since your shift ended hours before his. He grumbles inaudible into your chest.

Tsking, you shake your head. “I can’t understand you when you do that.”

After a moment, he reluctantly pulls away just enough to glance up at you. “That smiling freak… fuuuck…” he mutters before snuggling back into your chest.

There was only one freak who smiled like he had carved it into his cheeks. Why are you not surprised? Sighing, you ask the million-dollar question, “What did he do now?”forcing him to look up at you fully. Perhaps the better question is what doesn’t he do? He can so much as breathe in Vox’s direction and it pisses him off.

“That shitty fuck is tanking my ratings,” Vox begins ranting. “Yesterday, they were down 2 percent. Today, they’re down 7 percent. 7 PERCENT!”

Tilting your head, you frown. “How do you know it’s him? Alastor doesn’t like electronics.”

Vox narrows his eyes down at you as he rises from on top of you, sparks flying from his hands. “Are you seriously defending that asshole right now?!” he asks, his voice strained with disbelief.

“Of course not! What the hell, Vox? I was just stating the obvious.” Here he was, getting insecure again. Seriously, why even mention Alastor around him?

"Fuck your obvi-" Vox is cut off by the ringing of his phone. Velvet's name and photo pop up on his screen. Blinking, you wait to see if he's going to answer, but he declines the call. "—ous bullshit. You’re riding his dick more than mine."

Hunky hunky hunky.

She calls again, and this time Vox answers, zapping the call to the main screen in the living room. “What is it, Velvette? I’m in the middle of—” his screen glitches, his voice turning to static, “—something.”

"What the fuck do you think? He’s at it again, throwing a fucking tantrum over that spider whore," Velvette barks through the screen, her accent heavy with annoyance. "Handle it. I’m busy," she adds, then hangs up.

After the call, silence fills the room before he turns to you, his charming grin returning. “This conversation isn’t over,” he says, his words carrying a double meaning. Still, he leans over to give you a kiss on the lips before he leaves.

꒰ა❤︎໒꒱ 𝕬𝔡𝔞𝔪

Lately, he's been acting strange. You weren’t sure what it was, but each time he comes down to visit you from heaven, he becomes more and more affectionate. At first, you thought he was teasing you, giving you just enough to keep you yearning and then pull back; let you sweat in want—but that never happened. It didn't click in your head until today, after he grudgingly confessed because—

“What the fuck??” you blink owlishly at your bathroom door. But the door isn’t the issue; it’s the noise coming from outside it. Lowering your thriller book, you place it on the toilet seat before rising from the bathtub, wrapping a towel around yourself, and exiting the bathroom.

You're glad to know you weren’t losing your mind, and were in fact hearing correctly. There was indeed a noise, more defined now—an instrumental tune growing louder towards your bedroom. Except, it wasn’t coming from inside your bedroom come to find out but outside your window.

Opening it, you peek over the sill, and your mouth drops. Standing there, looking up at you with an acoustic guitar in his hand, is Adam, with a bouquet of red roses lying at his feet.

“Adam…?” you stutter out, eyebrows furrowed in confusion. “What the hell are you doing?”

His fingers pause on the guitar strings, and he grins. "Fucking finally, babe, I've been standing out here for 10 minutes," he says as he slides the guitar onto his back. He then bends down to pick up the roses and waves them at you. "I brought you flowers."

"…for what?" you bluntly ask, narrowing your eyes in suspicion. Adam doesn’t do kind gestures—none that you know of—and he certainly doesn’t play acoustic guitars. He claims they're for pussy-whipped douchebags.

He scoffs, lowering it to his side with a shrug, “There has to be a reason?”

You chuckle, raising a brow. "That's how it works, dummy… why did you stay out there for 10 minutes? Just use the front door." Shaking your head, you duck back inside the window to close it and start getting dressed. You're halfway through putting on your pants when Adam barges into your room, tossing the guitar onto the bed.

He walks over to you, checking you out with a sultry smirk. "Are you struggling to fit into your pants?" he asks, before shaking his head as if to focus, adding and shoving the flowers at you, "I heard mortal bitches love this shit."

You finish buttoning your pants while juggling the roses, then sigh loudly and close the distance, pecking him on the lips. "What? Flowers being shoved at them and terrible music. Stick to electric guitars, Adam. It’ll get you laid more." you say sarcastically, pulling away and chuckling. “Acoustics are for pussy-whipped douchebags, remember?”

“Well, yeah, obviously!” Adam follows after you, scratching his head. “I’m talking about me serenading you and giving you flowers… It’s a romantic gesture or whatever… right?” He sounds unsure himself.

You whirl around to face him, pursing your lips as you try to figure out how to word what you’re going to say next without sounding too harsh. "Okay… what the actual fuck is going on with you? You haven’t been yourself the last few weeks, and this is starting to really weird me out."

Adam draws back, his lips forming a tight line before he utters, "Uhhh…" and averts his eyes. "I don’t know what the fuck you’re talking about." Then, within seconds, he's back to his upbeat self, pulling you towards him by your hips. "You’re fucking hot. Who wouldn’t wanna get in your pants?"

You shake your head, removing his hands and crossing your arms as you stare pointedly at him. It's a silent staring contest for three minutes before he caves in with an annoyed groan. His shoulders tense up as he grumbles, "Fine, fuck. You can be so annoying when you want to be…"

When he doesn't get a reaction from you, he spills the beans, pacing around the room. "Some losers up in Heaven said I wasn't romantic. Me. I'm like, No fucking way, I'm the first dick. Nobody knows how to make bitches fall harder on it!" He scoffs, slouching in place. "Those little fuckers laughed in my face."

You sigh, walking over to him and wrapping your arms around his shoulders. "So you came here to prove a point?" He nods, and you continue, "For the first man, you can be pretty stupid. I’m in Hell, who’s going to know? And secondly, I don’t need all this—it’s cute, but you can be sweet in your own Adam way, not this poser crap."

"Well, shit, fuck. Wish I knew that before wasting my break on this instead of fucking the breath outta you," he grins, wrapping his arms around your waist. "I guess I'll just have to make up for it next time."

“Well you better hurry up. The faster you finish your work, the sooner you come back to me.”

꒰ა❤︎໒꒱ 𝕾𝔦𝔯 𝕻𝔢𝔫𝔱𝔦𝔬𝔲𝔰

When you were alive, your dating life was less than healthy and filled with constant disappointment. Your friends called it toxic, but you’d always reply that you only live once. So what if your typical lover was the stereotypical bad boy? Red flags never looked better on anyone. Besides, red was your favorite color.

Ending up in Hell with the life you led was no surprise. You thought you’d keep up the same lifestyle—getting plastered and starting fights with assholes—but somehow you wound up in a crappy hotel after the princess of Hell saw "potential" in you. But what left you even more baffled than potentially spending the rest of your stay in hell there was falling for a simp of a man.

A true gentleman from a different era than yours has you questioning where someone like him was hiding out in your past life. And if you had come across someone like him back then, would you have even given him the time of day if you weren’t being cooped up in a raggedy hotel? Highly unlikely but you’re glad you found him now, while on the road of redemption together.

You may have become sappy enough to tell him that whenever you both had alone time to breathe each other in, much like now. Watching as a heavy blush dusts across his face, his eyes glossing over with devotion, his tail swishing behind him, and his hands fidgeting. Man, he gets more adorable day by day.

“I—” he pauses to gather himself before continuing, “Well, I feel the sssame way, dear!" Sir Pentious always exclaims, suddenly grabbing your hands in his and adding, "In fact, I have sssomething for you. To sshow how much I value our time together…" His voice trails off bashfully.

Biting your lip with a grin, you coo at him, “You made something for me, baby? What is it?” You start making guesses, “Is it a little gadget that protects me? That’s sweet, but I don’t need that. I’m plenty strong on my own.”

“Oh, I know what you’re capable of, my beloved!” he bellows proudly. “Thisss is different. SSsomthing personal, for me and for you… I hope you’ll like it.” He turns away, digging into a bag you only just noticed. When he turns back around, in his hand is something you didn’t expect but also makes sense: an egg.

You eye it curiously, “Pen. Are you gifting me an egg?”

“Yesss... but not just any egg. Our egg,” he says, his hood flattening and eyes growing doe-eyed.

“Wait, what?” you tilt your head, now confused. Last time you checked, you didn't go egg hunting with him and—your eyes bulge out when realization sets in. “Heavens sake, Pen, did you-did you lay an egg?” You thought sinners couldn’t have children…

He shakes his head erratically. “Sssatan’s no. I created this one for us to—" He pauses to take a deep breath, closing his eyes. “To raise together,” he finishes, opening his eyes enough to peek at your reaction. He opens them fully after seeing you smiling.

“That’s the sweetest fucking gift anyone has ever gave me.” you open your arms for him, “Come here, baby.”

Delighted at your reaction, and never one to turn down physical invitations from you, he slithers over towards you. But in the moment of excitement, as he opens his arms to reciprocate, the egg slips through his hands and splats to the floor.

“Oh my God, Pen!” you shout horrified as he drops to the floor, mouth open in utter disbelief.

[edenianprincess]

INTRO !!      ❤︎ ׄ                                              Dialogues Intros .ᐟ

Dialogues intros about characters’ relationships with a gender neutral!reader. Characters chosen are Johnny, Bi-Han, Kenshi and Kitana. Content warning: very slight suggestive theme in 2 dialogues. There’s a small bonus angst part for Bi-han but the rest of his dialogues is taking place in a world where he didn’t betray his brothers. Please, respond to the poll at the end!

Johnny ! Mirror Dialogues

You: Two of us? There can only be one. You: Yeah, if Johnny see this he’ll go nuts.

You: Jo-Johnny?! But how?! You: Hollywood makeup, darling.

Johnny: Let’s be real, Y/n would totally prefer me. Johnny: You got balls to say this as a copycat.

Johnny ! At each other

You: Are you ready to show me off your skills in kombat? Johnny: Real question is, are YOU ready to be impressed by my skills?

You: Just because I’m your partner doesn’t mean I have to watch every of your movies. Johnny: Who said the only thing we were going to do is watch?

You: The model who talked to you, she wanted what? Johnny: Who cares, is someone jealous?

Johnny: Win this, Doll, and I’ll show my biiiig surprise for you. You: Let’s not waste time then, and just show me it now.

Johnny: I’ve got to say, I never went on a date as odd as this one. You: Could you please focus, Johnny.

Johnny: I may be the outlaw, darling. But you're the one stealing my heart. You: From which movie did you steal the line this time?

Johnny ! With other characters

Mileena: How can you have a partner with your pride is beyond me. Johnny: You know how many people wish to be at their place?

You: Why do you want to train with me that much? It has been a week now. Smoke: I just need to work on my technique, and you’re the best fighting partner!

Smoke: I don’t think I can hold on much longer, they’re starting to doubt something. Johnny: Please Smoke, my man, I just need a bit more time.

You: How is working with Johnny? Kenshi: Even the Yakuza didn’t make me work that much.

Johnny: Will you accept to be my best man for the wedding if Y/n says yes? Kenshi: It would be an honor.

Scorpion: The Shirai Ryu are in need of members. You: I can advise you Johnny’s paparazzis, they sneak into your privacy without your knowing.

Liu Kang: I’m glad to see your heart has open again. Johnny: I’m thankful for what Cris taught me but Y/n is without a doubt my soulmate.

Kung Lao: How is it like to live in a big celebrity’s house? You: Depends which house are we talking about.

Bi-Han ! Mirror Dialogues

You: There’s still a chance of redemption for your Bi-Han. You: Wait, what happened to yours?

You: Bi-Han wouldn’t be able to handle two of us. You: That’s why there should only be one left.

Sub-Zero: Y/n made you soft. Sub-Zero: We’ll see who is soft when your face meets my cold fist.

Bi-Han ! At each other

You: I don’t ask you to abandon your duties, just show that you care for me. Sub-Zero: Everything I do is for the Lin Kuei and you.

You: Do we really need to fight? I wouldn’t want to ruin that handso- Sub-Zero: Not in front of the new recruits.

You: Do I really need to train that much? Sub-Zero: I won’t gamble on your life to know the answer.

Sub-Zero: You’re spending too much time with the actor. You: You know he isn’t cooler than you.

Sub-Zero: You’re not my Y/n. You: I’m here to stop you before the shadows take over you.

Sub-Zero: How dare you call me with your foolish names in front of the champions?! You: *laughs* Let it go, Bi-Han.

Bi-Han ! With other characters

Kung Lao: Should I go easy on Babi Han? Sub-Zero: I’ll put your head on an ice stake!

Johnny: Seriously, him?! What does he has that I don’t? You: It’s more about what you have that he doesn’t.

Raiden: You… having a partner. That’s quite the amazement. Sub-Zero: And what is that supposed to mean?

Smoke: He didn’t even yell this time, how did you pacify him? You: A magician never reveals their secret.

Kitana: I see that this cold heart has finally melt. Sub-Zero: Don’t think this made me weak.

Liu Kang: You kept Bi-Han away to deflect towards the wrong path. You: I’m always looking out for him.

Scorpion: I’m really happy for you to have found your one, brother. Sub-Zero: With them by my side, the Lin Kuei can only flourish.

You: I am concerned for Bi-Han, do you think he’ll stay stable? Geras: This will depend on your actions.

Bi-Han ! Angst part

You: How could I feel a part of the Lin Kuei, when you reject your own brother? Sub-Zero: Tomas won’t be the one to insure the clan’s future.

You: You put more trust in this sorcerer than in me. Sub-Zero: It’s not about trust, it’s about glory.

Sub-Zero: We could have ruled together. You: Indeed, and you ruined everything.

Scorpion: You were lucky to have found someone like them, and you had to crush their feelings. Sub-Zero: They were lucky I deemed them as worthy.

You: I'm sorry for his words, I'm trying to resonate with him. Smoke: I've stopped caring about what he says a long time ago.

Kenshi ! Mirror Dialogues

You: Do you think if we switch places he’ll notice? You: We have to try that!

You: Your Kenshi has lost his sight too? You: This man really should try to protect his eyes better.

Kenshi: My Y/n died in my timeline. Kenshi: And you think I’ll let you this one?

Kenshi ! At each other

You: You may have lost the tournament but you’re the champion of my heart. Kenshi: *laughs* Since when did you become that cheesy?

You: Here comes the man in black. Kenshi: I know you love it when I wear that suit.

You: I wish I could have been here to protect you. Kenshi: You already do a lot for me, and I can’t be more grateful.

Kenshi: Wait, it’s not Johnny who told everyone I’m the best swordsman in Earthrealm? You: I’m simply sharing my honest opinion.

Kenshi: Don’t go easy on me. You: So, just like last night?

Kenshi: I feel like my past with the Yakuza is haunting me again. You: This time, we will fight together against them, mentally or physically.

Kenshi ! With other characters

Johnny: Have you seen the new hottie? Totally would sm- Kenshi: You don’t want to finish that sentence.

Kung Lao: So, I conclude it wasn’t love at first sight with Kenshi, eh? You: Very funny, Kung Lao.

Johnny: I swear, I didn’t know they were your spouse. Kenshi: Hmp.. as if you care for that.

You: Are you sure you’re up to fight? I wouldn’t want to match my husband. Mileena: Why, wouldn’t that be adorable?

Reiko: Should I steal your magic sword to see how quick you’d die? Kenshi: An angry spouse is deadlier than Sento and believe me, you don’t want that.

You: You’ll pay for what you did. Shang Tsung: I wasn’t the one to blind your lover.

Ashrah: I can only sense sincerity in your lover’s heart. Kenshi: They have helped me in many ways.

General Shao: Once I find your partner, he’ll lose more than his sight. You: Too bad you’ll have to pass over my dead body first.

Kitana ! Mirror Dialogues

You: Do you really think Kitana would fall for your tricks, Shang Tsung? You: I just need to make sure I’m the only one remaining, first.

You: I don’t think I want to share Kitana even with another me. You: How strange, I was thinking the same thing.

Kitana: Y/n doesn’t exist my timeline. Kitana: I wouldn’t be able to imagine a life without them.

Kitana ! At each other

You: How about we go at Madam Bo’s after this fight? Kitana: It will be a pleasure to go with you. I’ve heard only great things.

You: Your fighting is just as graceful as your look. Kitana: Flattery will get you nowhere, beloved.

You: How about a double date with Mileena and Tanya after this fight? Kitana: Are you suggesting that I should date my sister and her lover..?

Kitana: I have lost sight of you in the fight against the titans. You: Don’t worry, we can’t get rid of me that easily.

Kitana: Leading the army can sometime become overwhelming. You: Rest is important even for someone as competent as you.

Kitana: *laughs* Do not fret, my sister does not bite. You: Yes, she does.

Kitana ! With other characters

Mileena: While I respect you if I learn that you’re toying with my sister, I’ll- You: Rip my face apart?

Kitana: Sister, please, trust my judgment on Y/n. Mileena: I’m just making sure of that.

You: Your daughter is truly a wonder. Sindel: She takes a lot from her mother.

Sindel: Is this lover of yours worthy to be by your side? Kitana: I deem them as so, mother.

Raiden: I’m really happy for you and the Princess. You: Is that so? Why do I hear disappointment in your voice.

General Shao: I’ll exploit you and your partner’s weaknesses that is you both. Kitana: You cannot be more wrong, General. We are each other’s strength.

You: Sorry, Cage. Kitana is off limits. Johnny: Not even a small place for a third person?

Kitana: Should I thank you for putting me with Y/n in this timeline? Liu Kang: I did nothing, it was you both who found each other.

‘𝓣𝐇𝐄 𝓔𝐍𝐃  Please don’t copy/translate and don’t reblog if you’re a yand3r3 blog/reblog account, or you’ll be blocked. Besides that, likes/reblogs/comments are appreciated. 

[baddestboy]

You love your boyfriend Katsuki's scars.

You’ve always found them compelling and held them to a certain degree of reverence. They're symbols of his growth and history on his body, making it a map you’d want to explore.

Bakugo, at first, was hesitant to show them to you. "They're really nothin' special, sweetheart."

("I'd love you to continue to be protected from the harsh and life-threatening circumstances of my job." is what he wanted to say.)

However, you insisted. "They’re a part of you. I want to see the marks you got on your journey in achieving your dreams."

He didn't put up much of a fight after that, making himself comfortable in the middle of the bed beside you and taking off his shirt, allowing you to delicately trail your hands over his scarred body, allowing himself to be completely vulnerable to you.

You asked him to tell you stories on how he got some of his scars, and some stories were really stupid to keep the mood light ("I tried to get a fuckin' cat off a tree and it fuckin' jumped down and scratched me. Didn’t even get a fucking thank you.") and some stories still hurt to this day – he asked not to talk about a few, and omitted a lot of details in the ones that he did tell to keep you from worrying about what happened to him in the past. 

Bakugo noticed that your expression never changed: you just earnestly listened to him, wanting to know more about him while the look of pity he was expecting from you never came.

He realizes that he likes you more than he should just because you see him for who he is.

That night, he finds his dreams are not haunted by his usual demons and instead, feels the warm touch of an angel on the scar barely above his shoulder.

Redemption.

Even for just a split second, he recognizes that touch to be yours.

Bonus: “If you wanted to see me shirtless, you should’ve just asked, sweetheart.” “Shut the fuck up, Katsuki! I’m trying to be serious here!” “You’re so hot when you’re trying to be mad.” “You’re ruining the moment!”

[redemption-ruin-au]

[YIPPPPEEEEEEEE]

"...A beanbag is a boneless couch :0"

@ask-ghost-eclipse

[gummysunnybear]

Soooooo if he has cat claws do you think he could just casually climb walls? Then dazzle and him bond over climbing random walls:3

Oooo they probably could actually climb the walls together bond over it and then get scolded because one of them fell or they knocked something off the wall :3

[starsofang]

Change of Heart

hitman!simon x f!reader / part 6

previous part

tw: gore, violence, blood, ghost makes a return ooo, please be warned! <3

When life has completely and utterly failed you, you hire a hitman to take you out, too afraid to do it yourself. Instead of killing you like you had planned, he strikes up a deal with you, and you're too stubborn to bail out.

Simon had never felt such a boiling rage to the point his blood was bubbling, ready to explode out of his body and paint the walls of your apartment a crimson red that would stain the chipped-away white with messy splatters. It simmered hotly beneath his scarred skin, sifting through his veins like wildfire and egging him into dangerous territory.

He was no saint. He killed people for a living. He took the money of pathetic, lowly people who had the coldness in their heart to request his favor in killing somebody they didn’t like. Lawyers, CEOs, big name people who ate with the silver spoon embedded in their teeth and tainted their smiles with a greedy unnerve.

So no, Simon was no saint.

But he’d certainly ruin any chances of redemption when he got his hands on the coward who’d brought you harm.

Simon didn’t need payment to seek him out. He didn’t need a stack of cash waved in his face, or a bank transfer notified on his phone.

All he needed was to see the pretty girl in tears and blood, lying broken on the floor like a toy, used and tossed aside – worthless, undeserving. His pretty girl.

You were enough to tear down the concrete walls he’d encased around himself, built with his own bare hands. You were enough to wake the flame in his soul, to remind him just what he was capable of.

Simon was tired of killing those who did nothing to him. Sure, many deserved it, but they hadn’t done anything to him. He was a mediator. A spectator. He was a part of a story as a side character, only rising from the shadows to cut that story short and end it with bloodshed and a transaction. Their pages were quipped, torn from the spine of the book with no prospect of a completed ending.

Now, the plotline had changed.

He had the upper hand in this story. He was able to rewrite it without the complications of another’s orders. And he’d be damned if he didn’t tear the man who hurt you right out of the pages.

Simon didn’t want to leave you. He knew how disoriented you were from the fists that had put you through torment – torment he wasn’t there to protect you from. You were dazed and lost, hanging on by the thin of a wire that Simon was the one desperately clinging to.

When he had patched you up and put you to bed, he waited until you succumbed to the exhaustion and fell asleep for him to strike.

He was a man on a mission. A dog off its leash. His nose flared from under his mask as if he was a damn K-9 tracking down his suspect.

He searched through the entirety of your apartment, tearing it to bits in order to find a hint, a clue. All he needed was one quick search of your phone through your blocked numbers to find what he needed.

There was no contact name. No indication of who this man could be.

But a phone number was enough, and when he texted it to Gaz with the demand of finding it out for him, it wouldn’t be long until your ex-boyfriend would be another name on a crumbling gravestone.

Gaz was quick to find him the information. No questions asked, and that’s why Simon loved working with him. He minded his own, and trusted him to complete a job alone. He was good at tracking information for Simon, good at all that he did, and he was sure as hell good at picking up on the signs that Simon was involved in something, or someone that made him bend the fabrics of reality for them.

The name left a bitter taste in Simon’s mouth.

Phillip Graves. American. Bastard with a sharp tongue and a cockiness that’ll get him killed.

Ghost could make that happen.

The man walking down the streets, prowling with a threatening cloud of smoke around him wasn’t Simon.

Simon was the one who tucked you into bed, who wiped off every dot of blood that tainted your pretty skin. He was the one who watched over you in the corners of the night, making sure you got home safe, making sure you were keeping up your end of the deal.

He was the one who you baked pastries for, and didn’t have the heart to tell you he didn’t have a sweet tooth. He stuffed his mouth full of every single crumb despite the fact, just to see you smile.

He was the one who thought you were beautiful at first glance, and didn’t have the capacity to take your money and rid the world of a human being carved like a piece of art in a mausoleum. He was selfish, and he wanted you.

The man in the reflection of every store window as he strode by was Simon no more. Simon was gone, tucked away in the back corner and replaced by the brute of a man he’d been before you.

You were Simon’s religion, his reason for salvation. He’d bow at every altar, pray to every God with his blood stained hands clasped in a plea, just to worship you – but Ghost wasn’t a religious man, and he garnered no peace from anyone. Not even you.

Simon was the one who would protect you. Ghost was the one who would kill for you.

All Ghost had on the screen of his phone besides a name, was an address. It was a temporary one, judging from how recent your ex had moved into it, and the thought of it caused his teeth to grit in annoyance.

The fucker was staying close to you, with intentions so sick it could only make Ghost’s fire burn into grueling embers. He was stalking you, tracking you down, plotting.

Ghost knew exactly what he needed to do to ensure your safety. He made a promise to you, a promise that he hadn’t vocalized but rather slipped in when he made that deal with you. It was written in small lettering, so small so you’d gloss over it and he’d be able to hide away the watchful eye he had on you.

Finding Graves’ apartment was an easy feat. He nearly laughed at how effortless it was to stalk his way up to the apartment building that was somehow even more rundown than yours. But it made sense – Graves wasn’t planning on staying for long, and he was going to flee after latching his grimy hands on you once and for all. He didn’t need a fancy apartment to stalk his claim.

On normal jobs, Ghost was discreet. He’d figure out an alternative for breaking into one’s apartment or home, one that required no curious eyes or witnesses to see. He was quiet, like a shadow moving across the walls in dark anticipation.

This time around, he found himself stomping right up the musty stairwell, boots clattering along every step that creaked beneath his weight. He was an incoming storm the way he clouded over the hallway with impending doom, rain clouds hovering over him with lightning prepared to strike at any given moment.

He didn’t knock. He didn’t wait or stall.

He kicked at the door with the heavy soles on his feet, wallowing in every crack and snap the door made under its sudden force. It withered, flying off of the hinges and slamming up against the wall as it smacked open.

The apartment was a shithole. Messy, cluttered, and uninhabited. Dust collected on every surface, furniture bare from every room, and all that was used was an old mattress with blankets to keep Graves warm from the chill of every night.

Graves stood in the aging kitchen, cooking up something that made Ghost’s nose flare. The bastard didn’t deserve to have an appetite after what he had done to you. He didn’t deserve to use his tongue, didn’t deserve to keep his teeth.

Stood like a deer in headlights, Graves quickly regained his composure, sneering at him with a mock threat made Ghost snort.

“What the fuck?” Graves shouted in a fit of anger, stumbling in the kitchen as he caught himself from the sudden surprise. His narrowed eyes stared Ghost down, taking in every inch of him.

A looming mass with a skull painted mask with eyes that could kill. Graves would be a dead heap on the floor if that was so.

“You,” Ghost spat. He walked slow and dangerous, darkened glare focused on Graves without a single intent of leaving. It was cold, piercing, full of millions of daggers that he wished could mutilate Graves in front of him. “You should’ve gotten a more secure place.”

“The fuck are you talking about? Who are you?”

Graves was tougher than he thought, Ghost had to give him that. He didn’t cower in fear, nor did he try to run like most people did. Ghost was a force to be reckoned with, and looking at him was like looking the Devil himself in the eye.

Ghost continued stalking towards, like a predator to prey, every step calculated. His boots were like hell’s bells ringing as they hefted with every step, stomping clouds of musty dust around his ankles. It was enough to have Graves leaning back, the action so small Ghost would’ve missed it if not for his keen eye and trained skill.

“You touched her,” he stated. His tone was so calm it caused unease to smother the room, suffocating the two of them in a thick cloud. “You hurt her.”

It took a second for Graves to understand, and when he did, he scowled, perfectly aligned teeth just begging to be knocked in. “You’re Simon.”

“Ghost,” he was quick to correct. “Not Simon to you.”

Graves laughed mockingly, the sound more like a scoff as it escaped his thin lips. “Oh, right. She calls you Simon. Little whore, that one is. 

Ghost stopped when he was in front of Graves. He peered down at him with a thirst for blood glimmering in his eyes, locked in on Graves’ own and burning the retinas with the flames that danced around his pupils.

“You hurt her,” Ghost repeated. “I don’t like men who hurt women. Don’t like men like you.”

Graves’ expression soured and he stared up at Ghost with a mix of confusion and offense. He was trying to read Ghost from under the mask, see what was burning in those embers of his, but he only saw rage. A calm, brewing rage that held no remorse and no sympathy for a man like Graves.

“I’m going to rip the flesh off your fucking bones and pluck every single one of those teeth out with my bare hands,” Ghost threatened, and it was only then that Graves showed a single sign of fear. His lips twitched, hands flinching at his sides as if debating on whether or not he could throw a punch at Ghost and scurry his sorry ass away.

Back to his town, far away from this shitty apartment, and far away from you.

He didn’t know Ghost never left a job unfinished. Not until he was left a bloodied, gory mess on the floor of his kitchen, face unrecognizable, tiles stained with the red he had colored your own bathroom the night before when he laid his hands on you like the weak link he was. Graves’ eyes were glossed over, lifeless, staring blankly into the pit of Ghost’s as he took each and every brutal impalement from the kitchen knife Ghost had snatched from the counter.

Ghost didn’t falter, nor did he stop until the fire in him slowed to a stop, leaving behind nothing but ash and debris. He stared down at the man who had hurt you, watched the way his blood seeped into the grout of the tiles like a sponge absorbing water.

It was a picture Ghost never wanted you to see. A side he never wanted you to take a glimpse of in fear of you running.

Ghost wasn’t religious. He didn’t worship you like Simon did. Wouldn’t get on his knees for you and beg for forgiveness for his sins.

Ghost was hungry. Starved. He’d shed the whole town’s blood for you. He’d bury every fucking soul six feet deep if it meant none of them would have a chance to hurt you.

When you woke up from the deep slumber you found yourself in, everything ached. Your body was crying for help as it twisted and stiffened when you sat up in bed.

The apartment was quiet. Cold. Simon was nowhere to be found, nor did he leave you a note when you got up to look for it. The kitchen was void of his presence, void of the banter you two had shared just nights ago when you baked for him and he sat with an admiring gaze.

Last night began to resurface, and your mind flashed you the ghostly images of Graves’ face as he stood over you, lips pulled into a menacing sneer, bitter laughter leaving his lips as he kicked and slashed every part of your body. He didn’t leave a single bit unscathed from the torment, and you felt the weight of it with the way your skin hissed when it tugged or how your nose gasped for air beneath the swelling and ache.

Bile filled your lungs as you replayed the painful memory and recalled every hit and strike he laid upon you. Recalled Simon not answering the phone, not showing up until the damage was done.

Your legs moved before your mind did, and they took you back to that very bathroom where you were nearly left for dead. The contents in your stomach were minimal, and when you emptied them out into the toilet, you were left dry heaving and begging for air. Pangs of grueling pain fluttered in your stomach, and the butterflies that once flew freely had turned into overbearing moths that were desperate to get out.

You didn’t know tears began to flow down your cheeks until they caused your open cuts and wounds to sting. They cascaded in waterfalls, bathing you in a cold, sticky sheen of despair.

Your mind was angry at Simon, but your heart longed for him. The loneliness of the bathroom as the tiles dug into your bruised knees was just an aching emphasis that he wasn’t there to fill that void, to help pick you back up like he’d been doing ever since the two of you met.

Anger you could get over. The hurt of knowing he didn’t answer your call, you could get over.

But the yearning in your heart was something that no amount of anguish could get rid of, for it filled you up like an overflowing glass, pouring and pouring over the rim until you couldn’t take it.

So you waited. And waited. You laid curled up in the same bathroom he found you in the night before, all the way up until he showed – because even if it was late, it was always.

Simon was a mucked up mess when he came ducking into your apartment the same way he left. His hands, covered in dried, cracking red, and his shoulders pulled taut with unfurling tension were the first thing you saw when he entered. His eyes had immediately searched for you, and just like before, willed himself to you like a moth to a flame when he saw you in the bathroom once again.

“Hey, sweetheart,” he greeted softly. His voice sent warmth through your bloodstream, lighting you up from the inside and out. “What’re you doin’ in here?”

Simon crouched to your level, lifting a hand to grace it across your features before it froze up and dropped away when the sight of red reminded him of the sins etched into his skin. The sins performed by Ghost, with Simon seeking redemption.

“You weren’t here when I woke up,” you sniffled, a pathetic sound leaving your mouth, almost like a hiccup. It shattered Simon’s heart and buried a knife through the arteries.

“M’sorry sweetheart. M’here now, I promise. I’m not goin’ anywhere,” he promised, and blood be damned, he wanted to touch you, to reach out to you and cradle him in his loving light.

So he did.

You didn’t flinch away when he shoved aside his worries and placed calloused hands on each side of your face. You stilled, melting into him like a child would its mother, sinking yourself into the tranquil solace of his touch. It chased your demons away, filling you with angelic purpose.

When you allowed yourself the brief slice of heaven in the form of a man, you worried your gaze on the blood that soaked from his hands and up his tattooed arms, lacing him with a layer of damnation. Your eyes trailed up, slow and unsteady, before reaching his eyes, which were softened and filled with apologies.

“What did you do, Simon?” you asked in a whisper, and for the first time, he flinched as if you burned him.

“I took care of it,” he assured. “I handled it.”

The it being him. The him being Graves.

Simon didn’t go into the details, but he didn’t have to. Given his track record and the reason as to why the two of you met in the first place, you could assume the worst – but really, it was far from it. It was a taste of freedom.

You would no longer have to walk on eggshells, or peek around every corner. You wouldn’t have to remain bound to shackles that were never meant to be chained to you in the first place.

Simon freed you from the demon you were indebted to, and he did so without a single ounce of hesitation or regret. He’d do it all over again if it meant releasing you from hell and showing you a glimpse of heaven. He broke the contract you signed when vulnerable, and freed you from a lifetime of purgatory.

“Why did you do that?” you asked, and he smiled under his mask. You could see the faint imprint of his lips curling up on the edges, and the crows feet that wrinkled the corners of his eyes.

“Nobody hurts my pretty girl. They’ll be sorry if they do.”

My pretty girl. His pretty girl. It was a claim, one that didn’t feel like a trap that will lure you in and sink its teeth into you, but it was also a declaration of his devotion for you. It posed the option to back out, leaving you no longer bound like you were with Graves. A choice.

Your hand moved on its own accord, and it sauntered its way up Simon’s arm. Fingertips brushed along coated and marred skin, until they rested on the bottom of his mask. You heard him inhale a sharp breath, but made no move to stop you, so you continued.

Grasping on the hem of the mask that laid upon his throat, you lightly tugged it up, and up, until blond hair fell in short tufts along his forehead. The mask fell to the floor of the bathroom where you both resided, but that wasn’t what you focused on, no.

You were seeing his face for the first time, all of it. Not just his mouth where he’d nurse a cigarette, or would stuff your crummy pastries. You saw every blemish, every scar, every bit of stubble that poked from his skin. His cheekbones, high on his face, and his eyebrows, thick and unkempt yet soft and lax without a hint of daunt or upset.

The fingers that had taken off his mask with such care slowly traced along his features, grazing the plush of his lips, to the prickle along his jaw that scratched your fingertips in a way that had you smiling.

Simon was unsure why you smiled, but he offered a pleased one back, his shoulders releasing the tension that had stiffened them before.

“You’re pretty, Simon,” you complimented, and your eyes watched his lips as they parted into a laugh. Teeth, aligned and pretty, making him light up the entire room in a luminescent glow.

“Yeah?” he asked. “Thought you were the pretty girl, sweetheart.”

Your smile grew, nearly cracking the cuts littering the skin of your lips.

“Your pretty girl,” you reminded, and he gazed at you in a mix of adoration and amusement.

“My pretty girl,” he repeated.

The way he said it, so sweet and treacly, caused your mind to fuzz over with unrelenting homeliness. This was what it felt like to be loved, to be cherished, to be at home.

“Can you say it again?”

Simon beamed. “My pretty girl.”

You sucked in a breath. “Again.”

He leaned closer, his own fingers cradling the plains of your bruised face and layering the black and blue with tender touches and glimpses of a world where your skin would never feel the tortures of pain again, but rather longing and care.

“My pretty girl,” he repeated one more time, and by the last syllable, his breath was fanning across your face, warming you and nuzzling you with unfathomable fondness. “I really want to kiss you. You know that?”

Your eyes fluttered as you stared at him, feeling those moths transform back into butterflies from the simple weight of his words, swarming you with a never ending fervent.

“Would you do it if I said yes?” you managed to murmur through your newfound shyness.

“I’d be an idiot to ever deny you, sweetheart,” he muttered sweetly, and with no more words needing to be said, he pressed his chapped lips to yours, taking you with such gentle care it left you dizzy.

Home was where Simon went, and to Simon, he’d go with you to the ends of the Earth if it meant you’d follow him.

With close to three days left of your deal, he had high hopes you'd pull through.

posting this and running away (also thank u to my bbg abby for the BAR of a line about you being simons religion I LOVE U)

[godkilller]

🛑 + ( izuwu kiwwing a mwan fwo taichwo uwu )

send 🛑 to clean blood off of my muse after they protected yours. add + to reverse so receiver is the one cleaning blood off sender. reversed: Gin cleans blood off of Izuru after Izuru protects him.

THEY TRIED TO KILL GIN IN HIS SLEEP WHILE HE WAS STILL KEPT TO BEDREST. But it was no simple matter -- Gin wasn't comatose anymore and his (ex?) Lieutenant was often found idly standing guard. Nevertheless, they seemed to have analyzed Izuru's patterns of getting food and rest and proceeded to take advantage of the time he left Gin's doorway unoccupied. Nurses were making their rounds throughout the Fourth Division's hospital halls... but Gin was not urgently on their list. His wounds were taking longer than anticipated to fully mend shut, leading to the reliance of rest and stitchwork to do most of the heavy lifting in the healing process. A slow and sickly crawl out of death's grasp meant Gin was rather... tired. Battling against the seething density of Aizen's festering reiatsu within his wounds made matters draining relatively fast. He slept hard lately yet it wasn't a restful sleep.

They moved quietly. On a good day, in a good state, Gin could've sensed them coming from a mile away and woke with Shinso already readied to skewer the intruders. The sheer intent they radiated could've drawn him out from sleep easily... were he not so weakened. The slumbering Shinigami awoke to the sudden grasp of hands at his throat, squeezing. Choking. Two men -- he could barely see them, their faces bleary in the way Gin's vision couldn't quite focus fully as he lifted his remaining hand up and clasped messily at the forearm of his assailant. He dug his nails in, strained attempts to gasp for air sputtering out into the otherwise deathly quiet room. His reiatsu flickered in an attempt to press down, to seethe, to spark into life a Raikoho ---- but it faded, drained, barely producing more than a glint of light at his fingertips that raised the hairs along the arm of his attacker. The other kept glancing back toward the door in an attempt to keep watch. Something whispered amongst the two, something about hurrying up.

A grunt and gasp from the threshold and the man keeping watch was downed in a spray of blood, causing the one holding down pressure onto Gin's neck to glance over his shoulder to see what the noise was. Gin's vision began blacking out at the edges and his hand flopped limp back onto the bed.

Perhaps out of courtesy of not wanting to sully Gin's bandages with the man's blood did Izuru promptly blast his assailant back, away from the cot. The crumpling impact against the hospital room's wall was deep and enough to collapse him forward onto his stomach, but not without having his neck caught into the uniquely shaped Zanpakuto's waiting grasp. In the midst of the chaos, Gin let out a few hoarse coughs, sucking in air in a few messy heaves ---- finally able to breathe and terribly lightheaded from it all.

If Izuru spoke at that moment, Gin didn't catch whatever parting words his lieutenant gave his attempted-murderer. The angled edge of Wabisuke hooked around the front of the Shinigami's throat, leading him to sputter and cough out his own rain of blood when the sharp blade pulled into his neck. A ruthless near-beheading act, one that had the body arching up with the killing blow -- blood sprayed mostly onto the floor, though a good splatter landed outwards and onto Izuru, joining the mix with the other's bloody death, too.

Gin took in a few more breaths before shakily pushing himself upright, glancing over toward the blonde, a rapid pounding of his heart filling his ears. ❝ — Izuru. ❞ Was that shock, gratitude, confusion? He wasn't accustomed to getting successfully ambushed, nor was he accustomed to being rescued from said ambush -- and most of all, most importantly... he hadn't ever expected Izuru to still... -- to do that, to save him. After everything.

❝ Y'didn't haveta do th— ...fuck, Izuru. You're a mess, c'mere -- ❞ A still-hoarse beckon that, once heeded, Gin tugged at the white blanket half-covering his legs, swinging them off the edge of the bed whilst bringing the material up to begin wiping off the excess crimson. The spray had primarily landed onto Izuru's hakama via the height at which the man's head had been, so close to the floor -- but the first kill was swiftly performed with an arching slash, deeply hooking into the man's shoulder and diagonally gutting him to the opposing hip. Wabisuke was as gruesome as a fishhook getting dragged through a body when used as a pure weapon and not utilizing its Shikai ability. Gin could've been proud in this moment had he not become achingly aware of the consequences his lieutenant could face for killing two comrades in the effort of protecting a criminal. He dabbed the red-stained sheet against Izuru's hands, then ruffled with the fabric to regrab it at a less-tainted angle to reach up from his seated position to gently wipe at the stray specks that blotted Izuru's face.

He wasn't trying to erase the blood entirely -- that was futile at this rate. Gin just wanted to make it less obvious that Izuru did the killing blows.

❝ ... y'could get in trouble for this, y'know? More than y'already are bein' associated with me ---- I can say I did it, I grabbed your Zanpakuto ---- you can say y'couldn't stop me in time -- ❞ Gin was in damage control mode, little to no hesitation in wanting to twist the narrative to avoid a harsh punishment befalling his subordinate. Anything to alleviate the pain he caused, the pain that was still fresh as a tight wound across his chest. How jarring this was ---- to be shown devotion when he didn't deserve it.

[deadghosy]

Hazbin Hotel x Jeff the killer or BEN drowned reader.

Please?

SURE! I’ll do Jeff the killer as someone had requested I do BEN drowned! 🦆💗💗

HAZBIN HOTEL X JEFF THE KILLER! READER

prompt: after fighting with BEN drowned, Ben decided to send you into a show….

You were asleep snoring as Ben snickered holding up a tv that was playing a title card saying “HAZBIN HOTEL” and with that. He smacked you having you go inside the tv with a devilish smirk. You hit the ground as your body did a whole fucking Peter griffen pose 😭

*metal sound* DAYUM!

You were screaming curses under your breath at Ben who just smirks at the tv and leaves whistling like a damn cartoon character. You dusted yourself off looking around this place.

“The fuck is this?….” You said with a scowl looking around…there’s a bunch of ruined buildings and fire everywhere. You walked around confused as some demons whistle at you. Literally catcalling you as one tried to grab you, when they tried to grab you. You stabbed their fucking hand smiling with that extended smile to your cheek.

“Fuck you think you trying to do huh?” You said with a crazed smile as they fall holding their hand to see you aren’t really a “girl” “YOU’RE A GUY??!” You rolled your eyes wanting to be sarcastic “No. Ima killer..Now. Go. To. Sleep.” You said lastly stabbing the demon in its head. You kept walking as the bystanders move out of your way.

AND YEES WE ARE GOING WITH FANON LOOK INSTEAD OF THE CANNON LOOK😨 CANNON JEFF IS SO…..

Let’s just skip ahead, so you went to the hotel as you seen an advertisement about redeeming….tbh you didn’t give a fuck about redemption, you only needed a room.

Vaggie was definitely judging you by your looks as you had shaggy [idk if I wanna give you black hair or just your own color hair but you can imagine yourself as Jeff or nahh] hair and blood stained clothes. But soon later you turned out to be a chill person who helps their peers but also jokes around.

Alastor and you just stare at each other “smiling” at each other just waiting for the other to talk.

“…..so like..are you always this ugly or were you born that way…” “my smiley fellow, I was born for radio…” “no you were born to be ugly-”

Alastor immediately hates you after that but your boldness is entertaining. He might just take you as a guest for his broadcast.

Angel would love to play with your hair and braid it…as you relax at the touch of Angel’s hands in your hair. It reminded you of how Sally braided your hair when she was bored.

Angel had put pink bows in your hair saying “this is so coquette💗” and you just stood there looking at the hand mirror he gave you. “Angel wtf. >:/”

You woke up to get your laundry to see your white jacket IN FUCKIN PINK?!

“ANGELLLL! IMA CHOP OFF YOUR DI-” yeah angel hid in the bathroom as your anger was no match for any demon….

Lucifer will feel concern about your face as you don’t look…normal I suppose. He’ll be probably have a clear weirded out face

I feel like you and Lucifer would have a weird friend dynamic as you just roll with his hyperactive activities.

“How in the hell do you eat?” He says poking your open slit by your mouth. “I just eat. Simple as that.” You said at the king of hell.

Yeah I imagine Lucifer had put duck stickers on your jacket one time.

I imagine husk and JTK! Reader doing a drinking competition….you owed husk 20 hellbucks. 🥲

Husk will actually tolerate JTK! Reader as they don’t whine and don’t complain much until something actually bothers him.

Sir Pentious would be scared of you…I mean if a normal person saw you. They would be horrified.

You give off a depressed Starbucks worker vibes who don’t get paid for shit…..literally a sinner would test you as Charlie or someone will have to hold you back as you swing your knife. “LET ME AT THEM YOU LIL SHI-”

The crew had always noticed you seemed to look more like a human other than a sinner or hell born. But they never really asked. I mean shit Alastor wanted to ask but Charlie had to tell him to stop it.

The egg boiz were scared of you until you saved Frank from cracking as he tried to reach the damn cookie jar.

You used your body to soften his fall as you hit your head on the ground. “GAH DAMN-” *crash* and then minutes later it was found out sir Pentious was watching over your knocked out body as Frank was telling how cool you saved him.

You sometimes try to call Ben to pick you up and this is how it goes: “Ben…YOU SHORT STACK MOTHERFUCKA! YOU BETTA GET ME OUT OF HERE OR I WILL CUT YOUR LINK LOOKIN ASS-” he had you on voice mail as Ben was just chilling playing video games.

I headcannon you having to wear a fucking smiley mask to not scare off residents😭

“Hi welcome to the hazbin hotel….” You said in a dead tone flat. The sinner looked at you confused asking questions. “ Why are you wearing a mask? Is your nose too big? Do you have bad breath? Are you sick? Are you ugly under the mask?”

You had enough as your eye twitched grabbing the sinner by their collar. “How about I shove my foot up your-” “OKAYYY!” Charlie says seeing you about to give the sinner a piece of your mind as she grabs the sinner from your grasp. “How about we show you around the hotel…”

Yeah you don’t do the greeter job no more….

At least you get to give out food as husk serves drinks. That was at least a cool job as husk helped you serve out small little portions of the trays you used.

I headcannon niffty to make you a bug “flower” crown to show how she admires you.

I imagine Charlie would get you a metal shirt and you would be like. “oh thanks.” You smiled and took it.

You had a knife stash just incase you had to defend yourself. You love collecting knives when bored….

Keyword was HAD. Charlie found your knives and hid them from yourself as you had a sad puppy face at seeing your stash gone.

Imagine you just standin there and a Charlie had put stickers on your jacket saying, “good job for not killing!”

You’re such a good kid😄

[signedkoko]

(separate) lucifer and striker with an s/o who fell from the heavens headcanons!! the more closer they get, the more they realize their s/o was one of the angels on the council but didn’t condone the extermination — of which, they were casted down to hell.

Lucifer | Striker X Reader [Romantic]

In which they know you are a fallen angel, but not the extent to which you protected hell. Reader is genderneutral.

Lucifer could sense your presence quite fast

But only because you weren't an exterminator—no, you were something far stronger

It pained him to see a new angel cast down, the first since he was, bloodied and caught in the fiery pit you'd have to call home

He understood you must have been an angel that came along after him, though, because he didn't recognize you

Either way, Lucifer offered you a place to stay and let you adjust to life in hell through his lens—a safe house where demons couldn't bother you as much

Of course, he also wanted to make sure the news of your existence didn't get out

He could only imagine the kinds of people who might want to get their hands on a fresh angel

Even though he was cast down himself, Lucifer is very flattered that you know him and that you speak so highly of him

You quickly worm your way into his heart, and he loves talking to you a lot about his past and all the things he kept buried within him

Even down here, you still seemed happy, although a tad uneasy

He won't pressure you for your backstory too much, but with his knowledge of heaven he is able to gather that you were at least a mid-ranking angel on the council

Your position exactly, he wasn't sure

He only found out after he spoke about his daughter's plan with the hotel

" Thats a wonderful idea! They may cast me down for demanding an end to extermination, but I won't let them ruin your daughters redemption plans. "

You dropped it so casually that he almost missed it, swooning at how supportive of Charlie you were

Actually chokes

Please give him a moment to catch his breath because, wait, really?

That explains a lot, at least

Of course, heaven would cast down the most beautiful of angels just for being kind to even the most damned beings

That same anger within him roars back to life, both for you being shut down and for how he, too, was treated in heaven

He'd make sure your life was far better here, no matter what it took

Being a fallen angel is already an extremely worrisome background for Striker, especially following his hate for royalty

Not that a fallen angel is royalty, but the power dynamic is hard for him to get over, as guilty as he feels now for holding it against you

When you first met, he saved you from another bounty hunter

Saved is the wrong word

He stole you so he could get a prize himself

But it all backfired when you were just so kind and curious, and offering you up to some terrible people didn't feel like the right move

Striker told himself he'd hold onto you until he knew the true value of an angel, but that may have just been him stalling for time

Either way, your charm worked wonders, and now he was stuck with the most attention-grabbing partner in all of hell

Oh well, he knew he could protect you

While he was curious about your life in heaven, Striker was extremely used to not asking questions about others past

But the more he knew, the more he wanted to know

Every few months, you'd tell a story that revealed a new interesting piece of information, things that made him wonder what you had to have done to be so harshly cast down

It all made sense when he puzzled it together one afternoon, when you were particularly fond of your past memories

" I hope Em isn't in trouble too. "

" Why so? "

" Well, she also thought killing demons was pretty bad... "

" Of course, hun. "

As usual he nods along with you before he freezes and jumps out of his chair

" Hol on now, what? "

Striker is able to puzzle things together fast, and he's not sure if he's more pissed at the angels above you or if he's surprised you felt that way

He'd always assumed no angels thought good of demons, but this changed things

Next extermination, he wants to have a hand at capturing one of those winged fuckers and seeing if he can force some more out of them

Author's Note - DEVIL FINALLY I GOT TO UR REQ!!! More Striker content, love to see it- and ofc Lucifer, who I know is about to be eaten up by every person in this god forsaken community. Thank you for requesting 🖤

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.