#rebecca should have minored in film studies or queer theory

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The Inescapable (and Comforting!) Queer Lens of Moonlight Chicken and The Eighth Sense

I've watched quite a few BL series over the last few years, but something that's struck me (and others I've noticed from tumblr discourse!) is how two recent series Moonlight Chicken (Thai BL) and The Eighth Sense (Korean BL) both embody not only characters and a plot that centralize on real queer experiences, but also a distinctive lens that makes them so achingly and relatably queer that it would be a disservice to not dissect and analyze!

(Please bear with me as we tackle some foundational background info *cracks knuckles* so--) The lens is a really cool means to understand a piece of media because it's an artistic approach from the filmmakers to show us the world through a controlled perspective. The lens has a certain focus (also dubbed focalization). In Looking in: the art of viewing, narrative theorist Mieke Bal describes focalization as the relationship between point of view in a story alongside the vision/meaning that the observer consumes of said pov. So not only does the lens convey certain emotions, but it's the observers (aka audience watching the show) who add additional meaning to it.

This relationship gets really interesting to look at when you consider that traditionally a lot of BL has been created for straight women as a sort of fetishization of gay men (I'm generalizing here, but consider a lot of BL that feels like a straight couple dynamic).

But with these two recent series, the lens feels different. It feels like it's been filmed not only in a way that conveys queerness, but for a queer audience. This focalization creates a really special dynamic between the media and its relatability. It's one of those things where I feel like you just have to be gay to understand it, and that's probably why so many of us have found solace in these two series!

For these two works in particular, there's an undeniable focused aesthetic examination of how queer people see the world and interact with it. There's an artistic emphasis on how one's queerness is inescapable and omnipresent, and how it paints our character's world.

Let me stop rambling and try to show what I mean.

In Moonlight Chicken, this omnipresence is observable in the way the characters Wen and Jim meet in episode one. Wen gets drunk at Jim's restaurant, trying to stall on going home to his ex. The way the camera work plays out during this scene perfectly captures how queer people find and recognize one another without having to overtly express their queerness. Consider the first conversation they have after closing hours of the restaurant: the lens is focused on how subtly they are drawn to each other. There's the wide shot of both of them sitting and talking, something that may be dismissed as nothing more than a two-person shot, yet the way their bodies take up so much of the frame welcomes us to notice their body language and how open they are to one another. This, coupled with the alleyway shots later that cut to individual close ups of their faces, sometimes briefly scanning the other's, a mixture of hesitancy and recognition shaping their reactions, is so queer coded!!! Like!!!!! Hello??? I love how it all culminates to Jim saying "I don't have a wife yet...I'm sure you know my preference" like LMAOOO my dude.....it's been more than obvious but I'm glad you're saying it out loud.

I guess what I'm getting at here is that the way this has been filmed is so beautiful and comforting because it depicts how queerness is inextricably tied to how we process our world. It's in the way we instinctively tag others as being in or out of the community and find solace in that recognition, all while teetering the boundaries of our attractions and carefully assessing a situation to see whether the feelings are mutual, misinterpreted, or if it's safe to express who we are.

Moonlight Chicken manages to embody all of that in the most mind blowingly subtle ways across ALL OF ITS CHARACTERS!!!! I've never encountered any other show like it - it's simply stunning, and it's set the bar way too high now.

We also witness this comforting queer lens in The Eighth Sense. So far only two episodes are out, but the way this show has been filmed is already so much more mature, graceful, and emotionally relatable than most other BL shows I've seen. And again, I think this is because the filmmakers have utilized a lens that conveys how queer people see and interact with their world in a way that other BLs have failed to accomplish. The narrative focus is so strongly centered on our protagonists living in a straight world while they navigate and (in Jae Won's case) want to hide their queerness.

Here, the queer lens resides in the way the camerawork establishes a sense of evaluation and hesitancy. It's the way the camera lingers on how Ji Hyun shrinks a bit when the surf instructor lady jokes "you came here cause of the pretty girl on the poster didn't you?" or the way we get close up shots of Jae Won's annoyed face as he demands his friends stop asking why he broke up with his ex girlfriend. As a queer audience, these subtle clues are just so relatable. It's a reflection of our own lived experiences, of bottling up our inner selves and constantly having to monitor our reactions and behaviors in a straight landscape.

These shows aren't just giving us gay characters who Meet Cute and fall in Love and deal with some turmoil and live happily ever after - they are filmed in a way that forces us to see and be seen.

And I can't get enough.