#realistically i don’t think they’d find this blog either way unless i gave it to them

[malusienki]

sorry for the url change. i got paranoid about someone finding this blog that i do not want to find this blog

[nsfsprince]

Hold Me Close (And Watch Me Coast)

As a Dragon Hybrid, Roman’s body is easily twice as big as the average human’s, let alone Logan’s. So, it’s really no surprise that sex between the two with their vast size difference is.. incredibly intense.

Fandom: Sanders Sides

Wordcount: 1.5k

A/N: Sooo.. This fic is like, incredibly self-indulgent? There’s unfortunately little to no plot, just steamy activities and a an expansion on this au’s take on Roman, Remus, and Patton’s Human/Dragon hybrid anatomy.(and a guilty acknowledgement that this au is, at its baseline, all about the size difference kink by default akdladklj) This is technically their first time together, not counting the numerus times they ended up grinding against each other till they came. (also i’m like extremely nervous/embarrassed posting this aight)

MINORS DNI

Warnings: Size Kink/Size Difference Kink, no like this is Very Intense Take on Size Kink(you’ve been warned), edging, vague descriptions of distinctly Not Human Genitalia(that may get drawn later but shh), gentle but intense penetrative sex, heavy descriptions reflective of deep penetration kink(?), Roman doesn’t directly check in like he should but he’s watching over Logan’s reactions like a hawk, plus Logan is completely on board the entire time, Overstimulation, lots of dirty talk and praise. A slight deviation on how human anatomy works to avoid actual realistic bodily repercussions and maintain a willing suspension of disbelief. If I missed anything please let me know!

Additionally, thank you all for your encouragement to post this(or anything to this blog for that matter), it’s genuinely  appreciated and has helped so much!!

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Logan couldn’t help but squirm, his bound hands fisting the soft sheets of Roman’s nest as said Dragon oh so slowly fingered him open. Filthy praise had been dripping from Roman’s lips with every maddingly slow press into his entrance, the pads of his large fingers just barely toying with Logan’s prostate to keep him squirming and gasping.

They’d been at this for what felt like hours, though truly Logan really couldn’t be sure how long they had been at this. Every time Logan would near a peak, Roman would withdraw his fingers and press infuriatingly slow and soothing kisses to his shoulders until the peak had drifted far enough to begin again. It was pleasurable torture and Logan was losing his goddamn mind.

“When you promised you’d prep me, I didn't think it would mean ‘edge me to tears,’” Logan had groaned during one of those long pauses, having nearly come from the fourth thick finger prodding into his hole before Roman had pulled away.

“Oh love, you've never taken a cock as big as mine before, and trust me when I say I’m adamant to have you orgasm the moment you’re seated completely on my cock. Then, once you’re finally fully lax and loose from that first mind-melting orgasm, I’ll get to give you a real Dragon Railing. I'll pull out every single orgasm left inside of you and then another,

“I'll come inside again and again and fill you up so full. I’ll pleasure you till your orgasms dry and even then still pull just a few more 'til I know you'll still be feeling my Claim in you for weeks after.” The Dragon purred.

Logan visibly shuttered at the statement, his cock twitching in interest at the promise.

"Of course, there's also the added benefit of my Magic. It'll keep your body healthy and stable as I practically rearrange your guts over, and over, and over," Roman continued, a large hand cupping over Logan's weeping cock and giving it a tight teasing squeeze.

Logan's thighs trembled as Roman's re-slicked fingers pressed back inside, scissoring him open just that extra bit more as he laved a sharp kiss just behind his whining sub's ear.

Logan could scarcely understand it, just how much he wanted what Roman was promising, his half-hard cock eagerly dripping precum onto the soft sheets below. 

He knows that Roman is big, he's seen it at rest through Roman's likely purposefully tight trousers time and time again. He knows that even when soft, he could still easily choke on just the head alone. 

 It wasn't exactly surprising though, considering Roman was himself a Dragon/Human Hybrid, and thus his entire body was at least twice as large as Logan, if not more. At a staggering 6'10", Roman's broad and muscular stature easily dwarfed Logan's stout 5'4" body, right down to the size of their cocks.

He also knows full well that it is going to ruin him mentally, knowing he'll never be satisfied with anything other than Roman. Maybe Logan just has a bit of a thing for his lover's size at this point, or maybe he doesn't. Maybe he just loves anything and everything that's Roman. He doesn't mind that fact either, seeing as Roman is the only one he's ever loved like this, and is the only one he plans to spend the rest of his life with anyway.

 And he was more sure than ever, laying there pinned and having been edged to hell and back for who knew how long, that he desperately wanted Roman to utterly ruin him with his monstrous cock.

For a moment his entire worldview narrowed down to those four large fingers thrusting back and forth into his hole, now unhesitatingly stimulating his prostate. He keened and cried out, unable to buck into it with Roman's free hand keeping his hips in an iron grasp.

Right as he felt the now familiar feeling of his peak readying to crash down around him once more, Roman pulled out and away all together.

He let out a confused whine at the complete loss of his lover's weight over him, unable to look or move to find him with his arms still bound under him.

"Shh, shh, I'm right here my little mouse. I haven't left you," the Dragon soothed softly, briefly resting a grounding hand on the dip between Logan’s shoulders as the sound of shuffling clothing and slick movements filled the air.

All at once, Roman's weight returned, and Logan found his knees pushed apart by Roman's own coming to press in between them. Roman's scaled bare chest pressed searingly hot against Logan's own similarly unclothed torso, his large muscled arms bracketing in Logan's chest and shoulders on either side. His head dropped, pressing a gentle soothing kiss to his favorite spot near the crook of Logan's neck.

Any words Logan had been planning to say were flushed out with the shuttering gasp that escaped him. His thoughts scrambling as the thick unusually tapered head of Roman's slick cock rubbed teasingly against his hole for a moment or two, before finally, finally starting to sink inside.

Logan could not be faulted for the absolutely embarrassing keen that escaped him when Roman's hips gradually bore down with all his weight to sink his cock inside. He could feel through where their back and chest met how Roman’s chest was rumbling with a deeply pleased, nearly subsonic growl.

"Relax, little mouse, you're still so tight inside love. How am I going to bounce you on my cock soon if you don't relax?" Roman purred, one arm curling around and pulling up Logan's hips to ease the other's strain, "Think about how good it'll feel once I'm fully inside. Good little mouse, that's it, relax."

The prince found himself whimpering helplessly, his trembling back arching and shaking knees trying to spread wider to accommodate for the Dragon's unyielding massive cock. Roman's four thick fingers had just barely opened him up enough to actually keep it from being truly painful, barely keeping it to just a deep pleasurable ache. 

It was all he could do to keep his trembling body lax, barely restraining himself from clenching down when inch after ribbed inch proved thicker than the last. Even wilder, he could still feel where the large tapered head was inside, spearing deeper than Logan had ever thought he was capable of experiencing- And the length still just kept coming.

 It felt like ages before Roman finally buried his cock as far as it would go without continuing any painful forcing. Logan's hard little cock was weeping precum steadily, the other's monster of a cock pressing relentlessly into every sweet spot he didn't even know existed.

Roman finally stills, lightly worrying a few hickies into the skin of Logan's shoulders and throat with his teeth, waiting for Logan to adjust.

The prince could barely tell how he felt. it was undeniably heady, at least, to feel his lover so deep that his stomach ached in protest. His upper torso alongside his jaw had gone lax in pure awe, eyes screwed shut as his trembling legs were now completely useless at keeping him up. If it weren't for Roman's strong arm holding his hips up, Logan probably would have collapsed completely to the floor by now. That is, unless the other's massive cock could have ended up also keeping his poor hips in place, if given the chance that it remained stuck inside. An experiment for another day, surely.

"How are you feeling, love?" Roman purred, his voice cautious and calculating.

"Hnng" Logan keened artfully in response, clenching around the others cock in retaliation. He wouldn't see Roman's pleased grin in response, too deep in subspace and blissed out to suspect his lover's next act of mischief.

"Good boy, being so good for me. Alright then, going up!" Roman purred deviously.

Suddenly Logan found his entire body shifting as Roman pinned him to his chest and pulled him upright onto his lap. The Dragon settled down to the floor just enough to still maintain their balance as he let gravity pull Logan back down onto his cock.

The momentum that carried him pulled him perfectly back down the inch and a half he'd lost on the way up, before pressing him even further down as his weight additionally settled into position over the others cock.

That deep protesting ache in his stomach returned twice as loud from the sharp prodding the head of Roman's cock gave. It made Logan want to squirm away for the sharp few overwhelming seconds that he was stuck feeling it before suddenly feeling Roman’s hands press down on his hips. His head jerked back with a strangled moan as the tip of Roman's cock testingly pressed even deeper at the action.

And then Logan finds his hips suddenly flush with Roman's and the last inch and a half of Roman's cock plunging completely inside him. The deep ache that had sharpened with the final push was suddenly overwhelming his senses, and was inexplicably starting to feel really fucking good now as the head of the others cock seemed to finally manage and get.. even deeper, somehow. 

Logan's hips instinctually jerk after a moment, purely overwhelmed with the cacophony of signals being sent to his brain, finally spiking that deep ache into a kaleidoscope of pure oversensitive pleasure. Before he can even really process the feeling it has him practically shouting Roman's name as he peaks harshly and comes all over his heaving chest and twitching hips.

Roman's hands pin their hips together, rutting slowly to continue carefully stimulating Logan's trembling body through his first orgasm. Eventually he paused to let Logan collapse against his chest, the prince obviously lost to his fucked-out bliss.

"We've only just gotten started, are you spent so soon, little Mouse?" Roman purred delightedly.

Logan just whimpered, dazedly shaking his head and spreading his legs once more even as it created a feedback loop with that terrible, wonderful, blissful ache.

"Good Boy."

[sage-nebula]

Game Review — Final Fantasy: Crystal Chronicles Remastered Edition

About seventeen years ago, I played a Gamecube game called Final Fantasy: Crystal Chronicles, and for the most part I really loved it. I got lost in every single dungeon all the time, and I really hated the annoying moogle I had to drag around, but other than that I loved the game. So it makes sense, then, why I would be excited when I heard it was getting a remastered release on Switch.

Overall Score: 6/10

While I was happy to get a chance to play this game again, I feel like Square-Enix whacked both of its kneecaps in two different ways. One, they did a remaster instead of a remake, meaning they just gave it a little polish instead of fixing existing issues; and two, they decided for some reason to port it to mobile phones, which I feel created some issues, though I admit I don’t have any proof of that. While I still enjoyed my time with the game for the most part, it definitely receives a lower score than I think I would have given the original in my youth. More details under the cut, best viewed on my blog for formatting.

The Pros:

This isn’t specific to the remaster, but rather more about the game itself, but one thing I think is notable about the setting is that it’s essentially a post-apocalyptic story, but it’s one where the people haven’t completely fallen into despair and ruin. I mean, some places have; there’s a village called Tida whose caravan never returned and so they all died slow deaths of miasma as their crystal’s protection ran out. But in other villages, including the player’s hometown, people are living their lives as best they can. Some people are even trying to find a way to get rid of the miasma altogether. While of course there is much to stress about and also people’s memories being taken from them, overall the world looks a bit brighter than in most post-apocalyptic stories. It’s always nice when post-apocalyptic stories recognize that even after the end, life still goes on.

I’ve also always rather enjoyed the way the way the game constantly reminds you that you’re not the only caravan out on this journey. You encounter caravans from other towns and villages pretty often, and their stories intersect with yours, growing as the in-game years pass. It’s another thing that makes the world feel alive, because you see again and again that there are other heroes out there, heroes of their own stories, that you’re just one of many in this world trying your best to get by and keep your village alive.

The soundtrack is also something that deserves praise, because it has a very . . . Celtic, I think? flair to it that really suits the setting, especially since the narrator has (what I believe is) an Irish accent. I can’t think of a single bad song in the entire game, and many of them are catchy and bouncy and fun to listen to.

After each little cutscene or dungeon, you get an entry added to the in-game journal, and I enjoy those as well. It helps keep track of the little side stories going on (since they span over years), and I like how some of them change depending on the choices you’re given in any given cutscene. That said, I do have a slight issue with them as well, but I’ll discuss that in a different section.

If you play single-player, the game assigns a moogle named Mog to carry the crystal chalice through the dungeons with you so you don’t suffocate due to the miasma. (In multiplayer, another player has to carry it.) This results in Mog getting tired, saying, “I’m tired, kupo, it’s your turn!” and making you carry it sometimes anyway, even if you’re being chased by monsters. When I played this game as a kid, it seemed like he was saying this EVERY FIVE SECONDS and it was THE MOST annoying thing. But it didn’t feel as frequent this time, and when I looked it up, I saw that the devs actually did extend the amount of time Mog could carry the chalice before he got tired. I appreciated this very much, even if Mog was still annoying.

The Neutrals:

From what I can tell, there wasn’t really a graphics overhaul done, except to increase the jiggle physics on female Selkies, which . . . I’m not a prude, I don’t really care that much (even though it can be distracting), but of all the things you chose to fix, it was this? Square-Enix, please.

While on the one hand I like that there’s no set order that you can encounter the random travel cutscenes in, that they can happen whenever, because it makes it feel like a more realistic journey . . . it also creates the problem that the events will still trigger even if you’re already finished the associated quest line. For example, to get the Unknown Element that lets you reach the final boss area, you have to complete a series of actions in Lynari Desert. You find out what you have to do through a series of travel cutscenes with a swindler named Gurdy, who gives you poem verses that strongly hint at what you need to do. I had a few of these before I reached the desert, but not all of them, so I just looked up a guide to get the remainder of the instructions. Despite this, I still later triggered the final Gurdy cutscene, and so it was like my character was standing there with the desert treasure while Gurdy told her about the desert treasure . . . it’s not a huge deal, but it does show how the idea of having random travel cutscenes is kind of flawed. (Additionally, you can beat the game without even finishing certain stories as a result, so it’s entirely possible you could get to Mio and not know who she’s talking about in the end. It’s not game breaking, but it is a bit of an issue too.)

The Cons:

The LOADING TIMES, OH MY GOD. This game has the longest loading times of any game I have ever played on the Switch, and I confirmed with someone who has played the original a billion times that these loading time issues were not present in the original game, meaning they are a direct result of development on the “remaster.” Literally, the game goes to a blank loading screen that lasts a good minute or two for almost everything. For every cutscene you have, any time you leave or enter a place, hell, even QUITTING THE GAME has a “Closing Software” box for FAR LONGER than any other Switch title, to the point where it made me afraid for a moment that my Switch, brand new though it is, was broken. I don’t know why the loading times are so bad, but I personally blame it on Square-Enix wanting to make the game multiplatform (multiplatform including fucking cell phones), thus not optimizing it for any one console. And on a similar note . . .

Online multiplayer is region-locked. Yes, you read that right. Two friends who I’d originally intended to caravan with live in Europe, and since I live in North America, we were unable to play together since Square-Enix decided to region-lock online multiplayer. It is honestly the most batshit stupid thing I have ever heard of. The only reasoning I can think of for why they did this is because of mobile phone support; it’s entirely possible that there is something within a phone’s SIM card that would make it not possible to play multiplayer across different continents, but honestly I have trouble believing even that since I believe that’s not a problem in other mobile games. Either way, the entire point of online play is to be able to play with anyone, no matter where they are, and the fact that in the year 2020 Square-Enix decided it was a good idea to region-lock online play is fucking ridiculous.

A minor complaint, but you can’t use the left joystick to scroll between items in menus. You have to use the little arrow buttons instead. This was also the case in the Switch port of Final Fantasy XII, so I think it’s a Square-Enix preference thing, but it annoyed me and I wish they’d at least give the option to change button configuration around.

There’s backtracking as the years go on that I personally found kind of annoying, especially when it made me go to dungeons I didn’t particularly like. The thing is, the gameplay in FFCC doesn’t have a lot of variance; you go to three dungeons, you fight three bosses, then the year ends and you repeat it the next year. The only real variety is in the dungeons themselves as you get to explore new ones. But in Year 5, you HAVE to repeat dungeons because you’re blocked off from going to new areas. And at a certain point there stops being new dungeons altogether, so you have to repeat dungeons if you want to get myrrh for the village. And yeah, the dungeons are a bit harder each time, but the layout is still the same, and so it made what was already a repetitive style of gameplay even more repetitive, which honestly made me eager to finish it as quickly as possible despite wanting to grind as long as possible when I first got the game because I wanted to avenge my childhood self, who never managed to beat the final boss.

The four different races to choose from all have different styles of gameplay, and you can make multiple characters in one file to fill out your caravan / open specialty shops all around town. The problem is, the only character in the caravan who gets stat boosts and experience from the dungeons is the one who goes through them, and the dungeons get tougher each time they’re completed. So unless you constantly rotate your characters, creating more characters to fill out the caravan and be able to use different play styles per different boss (such as using a Yuke when facing a boss like Dragon Zombie who can really only be affected by magic) is a pointless waste of time because your extra characters won’t be strong enough to face the boss you need them to face. I don’t know if this was an issue in the original, but it’s definitely a disappointing issue here.

While some of the journal entries change depending on your answer choices, I found it disappointing that the journal entries don’t change (or at least don’t always) change depending on what type of character you chose to play as. The specific example I have in mind is that I chose to play as a Selkie, and through the course of the journey I of course traveled to Leuda, which is home of the Selkies. If you choose to play as a Selkie, you can participate in a minigame there and no one will steal from you. Additionally, since you see in various dungeons that Selkies have had a very rough time of it and for the longest time couldn’t put a home base anywhere, I had it in my head that my Selkie character would feel like she returned home, in a sense, even though she personally didn’t grow up in Leuda. I mean, this is the land of her people, this is where Selkie history is richest, this is the reward they got for all the suffering they experienced. (And sort of still do, since the other races tend to be prejudiced against them, and one Selkie in Leuda even says that he thinks everyone else wants Selkies to just disappear.) But despite all of this, the journal entry for Leuda states that the main character had their wallet stolen and never wants to go back. That sort of entry makes sense if you’re playing as one of the other three races, but it doesn’t fit Selkies at all and was pretty disappointing. That’s just one example, but I’m sure there were others, and it would have been nice if a bit more thought was put into play here.

All in all, I still think that Final Fantasy: Crystal Chronicles is a game worth playing. I really like the worldbuilding, as well as the characters, and I did have fun with it. With that said, though, I think that Square-Enix should have given this game a proper remake instead of a remaster, and should have made it a Switch exclusive (just as the original was a Gamecube exclusive) so that they could optimize it for the hardware, instead of being greedy and putting out one that didn’t play very well just so they could make cross-platform money. But despite those issues, if you want a unique action-RPG, I don’t think that FFCC’s remaster would be a bad choice to try out.

[whydoyouthinkileft]

I think I wrote some headcanons here that I haven’t told to many people just yet too

PLEASE REPOST, DO NOT REBLOG!  Feel free to add to any of your answers!  The purpose is to tell your partners about the way you write!  For the multiple choice ones, BOLD all that apply and, if you want, italicize if it’s a conditional answer!

– B A S I C S –

NAME : Ele ARE YOU OVER 18?   Yes / No IS YOUR MUSE?   Yes / No

ARE YOU SELECTIVE ABOUT WHO YOU WRITE WITH? No (anyone) / Semi (most) / Yes / Highly / Private (mutuals only)

ARE YOU SELECTIVE ABOUT WHO YOU FOLLOW? No (anyone) / Semi / Yes / Highly / (I only follow people I want to roleplay with. Also sometimes blogs with muse-inspiration things)

IF YOURS IS A CANON MUSE, HOW MUCH DO YOU STICK TO IT? Not at all / A little / Some / Mostly / Strictly / (OC)  (I go au about some facts that I prefer to think didn’t happen, I give my own interpretation of some of her reactions and lines she says that might have no canon confirm, I love AU threads and when I start threads based on the episodes they go off canon eventually because otherwise nothing would happen, plus because I write a blog and not write a tvshow with lots of characters I can focus on all her issues and develop them. So the result is a different Jemma, I guess - though it is fun that some things I wrote during s2 came true in the last two seasons. I cursed her) 

WHAT POST LENGTHS DO YOU WRITE? One Liners / Single-Para / Multi-Para / Novella (often the longest it is, the more it tames for me to be able to reply, other times I can only find inspiration for the one novella thread. I just know I can’t keep things short for long, I don’t like one liners, and sometimes I need short threads but they end up getting longer the more Jemma feels/thinks/says) 

DO YOU USE ICONS AND/OR GIFS? No / Gifs / Icons / Gif icons (whatever the other person uses. Normally I post starters with icons)

DO YOU WRITE ON OTHER PLATFORMS? No / Yes

WHAT LEVEL OF PLOTS DO YOU WRITE? Un-plotted / Open-Ended Plots / Semi-Plotted / Fully Plotted (I can definitely write all of these BUT really, it’s so hard to predict actual reactions characters will have once we are writing and specific sentences are said, that in the end I just prefer having a general idea and then letting the thread develop... even if sometimes it means that the careful plotting part goes to hell because when we write the talk they have they take one word wrong or suddenly decide to say things I hadn't plotted for them to say, and it doesn't feel true if I don't follow what feels right for the character on the spot. So 'we have this fight and then they part ways for a while' can turn into 'oh look she said I love you and they are together now, because he had a sad face'. That's fun too. Though I definitely enjoy going to fangirl in private chats and write about 'hey imagine if this happens' and discussing facts that don't get to be written in long-term threads)

HOW QUICKLY DO YOU USUALLY RESPOND TO THREADS? Very Slow (< a month) / Slow (3–4 Weeks) / Average (1–2 Weeks) / Fast (>One Week) / Very Fast (>Three Days) (THERE IS NO IN BETWEEN. I have threads for MONTHS that I can’t reply to but I don’t want to drop because I know inspiration might strike, and that I don’t expect people to keep up once I reply. Or sometimes I just gotta reply instantly or the reply is gone forever.)

WHAT TYPES OF THEMES DO YOU LIKE? (Feel free to add!) Fluff / Angst / Smut / Action / Tragedy / Domestic / Family / Conversational / Hurt-Comfort / Crack / Adventure / Romance (Hurt comfort turning into romance is my thing. Same as ‘friends who are family’. When it comes to action, I get bored after a while if there is no time for characters to talk, the tvshow has already so much actions anyway, what I'm interested in is making characters talk, develop feelings, clear misunderstandings, be happy. Exactly because the tvshow doesn't do that as much. Also tragedy up to a certain level because otherwise there is just no more growing from there, so it's complicated, I can't write 50 replies with Jemma trying to keep someone from falling apart without getting tired and sad myself, given that I already had too many threads like that and that it's dangerously close to real life, and I can't write too much tragedy for Jemma or for people close to her without them realistically losing any hope and chance to make it, so there has to be a limit. And I need the happy ending. Though it's important to me to have a bit of everything in every thread: humor, fun, hurt-comfort, some angst, lots of talking, some action -sometimes bad stuff happening and them having to deal with it- as long as in the long run it's clear that it's building something nicer and happier with less pain coming. Like okay, now that the danger is over, let's be all cute and fluffy, then let's deal with this emotional issue from your past, then there is comforting, then there is more nice stuff, then facing some other problem together instead of fighting. And so on.)

WHAT GENRES DO YOU LIKE? (Feel free to add!) High Fantasy / Supernatural / Science Fiction / Historical / Horror / Comedy/ Romantic / Drama / Action / Adventure / Espionage / Everything (this seems a lot like the previous one?)

THEMES YOU’RE UNCOMFORTABLE WRITING? (not triggers) No / Yes (I don’t write threads with one of our characters abusing the other - unless through brainwashing and even then only in a physical or emotional way. And I prefer not to write too much about death, about torture while it’s happening unless I’m the one writing it so I can get away from it if necessary. I’m very okay with recovery from it, though. Oh, also, I’m not extra comfortable writing characters who cannot be comforted, or refuse help for too long/until the end because I get anxious about where the thread is going, and also writing about fussy kids, as weird as that can sound.)

DO YOU HAVE ANY TRIGGERS?  HOW SHOULD IT BE TAGGED? No / Yes (Though I appreciate people tagging content non suitable for work so it’s not right in my face, and other triggery things in general)

– S H I P P I N G –

WHAT TYPES OF RELATIONSHIPS ARE YOU OPEN TO? Romantic / Platonic / Familial / Physical / Sexual (I’m a fan of friends or frenemies with benefits turning into romance in the sappiest way tbh)

WHAT TYPES OF PRE-ESTABLISHED SHIPS ARE YOU OPEN TO? Romantic / Platonic / Familial / Physical / Sexual (depending on how much me and the other mun plotted before, or how much we wrote in the past, so I know they won’t assume stuff that is not true for my Jemma)

DO YOU HAVE OTPS? No / Chemistry only / Yes (a bit of both, chemistry made Jemma/Ward and Jemma/Hunter and Jemma/Mace happen in the past and they became OTP too because I get super-excited about my ships)

DO YOU HAVE NOTPS? No / Yes / I don’t know (I’m not writing Jemma/Will unless plotted as a past ship that ended after the planet whether he was saved or not and only in verses where she had no romantic attachment to Fitz nor any other character - like when I write her ending in the planet in au verses where she is dating Ward or Hunter? Nope. Also Jemma with Coulson, May, Daisy, Mack, Bobbi? Nope)

WHAT IS YOUR MUSE’S SEXUAL ORIENTATION? Heterosexual / Heteroflexible / Bisexual / Homoflexible / Homosexual / Pansexual / Demisexual / Sapiosexual / Asexual / Attracted to masculinity / Attracted to femininity / Attracted to androgyny / sex favorable / sex repulsed / (very, very attracted to men - it’s a particular form of attraction. While her eyes find aesthetically pleasing some muscular, symmetrical men, and she’s very open to sex especially no strings attached, she also gets particularly attracted to specific areas - for example, abs. Or arms. And her attraction is given by ‘looks + what she can do to that person or what the person can do to her’, like ‘oh he has such muscular arms he could pick me up so easily’. Which is why once she starts dating one person, other men are aesthetically pleasing but not attractive, because half of what causes her to be attracted - what they could do for her or viceversa - is missing and she has no interest in them. Someone's personality can also attract her, if they banter with her enough, and then she'll find their bodies attractive too, though. Enthusiastically so. But most of her life sex was just one way to either have fun or vent, so she just picked men she could tell would be 'entertaining' for one night, especially if they looked very masculine but gave her the impression that they'd let her lead.)

WHAT IS YOUR MUSE’S ROMANTIC ORIENTATION? Heteroromantic / Heteroflexible / Biromantic / Homoflexible / Homoromantic / Panromantic / Demiromantic / Sapioromantic / Aromantic / Polyamorous /romance favorable / romance repulsed (she didn't really understand love all that well, and when I write her either she has never been in love before Fitz, or if she's not with Fitz at all, she still doesn't get well how it works and will need time to understand how she feels, both because she's detached from her own feelings and because it's just so rare and unclear for her to feel, the 'symptoms' are nearly the same as her friendship ones given how strongly she feels about platonic friends. She’s close to aromantic.)

ARE YOU COMFORTABLE WRITING SMUT? No / Selectively / Yes

HOW EARLY IN A RELATIONSHIP DO YOU SHIP ROMANTICALLY Autoship / During Plotting / After A Couple IC Interactions / Several IC Interactions / Slow Burn / Depends on partner or muse (depends on the ship, and what me and the other mun feel, and a few interactions to check if there is a spark, something about both sass and being nice to each other)

ARE YOU OPEN TO TOXIC SHIPS? No / Selectively / Yes

ARE YOU OPEN TO PROBLEMATIC SHIPS? (canon history, age difference, complicated, etc.) No / Selectively / Yes (depends on the mun and the plotting we do)

ARE YOU OPEN TO POLYSHIPPING? No / Selectively / Yes

ARE YOU AN EXCLUSIVE SHIPPER? No / Sometimes / Yes

DOES CRACK SHIPPING EVER HAPPEN? No / Sometimes / Yes (but only because I don’t write crack, if crack here means interactions that are just written for a laugh, I can’t write Jemma outside of ‘my�� canon)

DOES CROSSOVER SHIPPING EVER HAPPEN? No / Yes / Depends (it sure as hell would if I wrote with characters from other fandoms)

tagged by @lovelornrocketscientist

@tagging @siinfvl @desecratedpatriot @whiskeyandtwoshotglasses @secondchaircellist @marvelcusmuses @melinda-q-may