#realised most people were only seeing the wip so here’s a separate post 4 the finished version

[mychemicalasexual]

[scamanderishredmayniac]

Ten First Lines

I was tagged by @uefb thanks for the tag. I just realised I don’t really have many fics posted online, most of them are WIP and still in my drafts. Some will probably never see the light of day, and nearly all of them or at maybe just most of them are written for my own amusement or entertainment. Even with those in my drafts etc I still probably have less than 10. I’ll probably add a few Harry Potter fanfic as well as Fantastic beasts stuff just to make up numbers. I’ve also noticed while going through half the fics for this post, that I don’t even know where half the stories are going, most of them are just ideas my head throws at me, so they’re just a bunch of idea with unknown destinations. Just because the ideas seem good when they pop into my head. Lol! Anyway here goes.

Rules: Share the first lines of ten of your fanfics and tag ten people. If you’ve written fewer than 10 fics, don’t be shy and share anyway. If you’re an artist or meta-writer, feel free to find a way to participate if you’d like. :) (notice I took out the word recent, because if I just post ten lines of recent work only, then I’d have even less to share).

1. Fantastic Beats and Where to find them: Of Beasts and Monsters

Newt rubbed his face as he looked out over Paris from the rooftops of the crypt.

I have one chapter posted on ao3, and trying to write chapter 2, I’ve started it, but it’s not going well. Lol! Newt is keeping secrets from Tina, one she shouldn’t know about and could land him into trouble and cost him their relationship.

2. The Magizoologist And The Human Mini-beasts

Newt stood transfixed at the scene before him with regret.

I posted this one somewhere on tumblr, but can’t find it through the tags system. It was part of the fantastic beasts week event from 2020 I think. The prompt for that day was to do a Fantastic beasts crossover with something else. This was a one shot, crossover with Kindergarten cop. If anyone has seen that movie, you’ll recognise the scene straight away. This one was a fun write. I may make it into a full story instead of just a one shot in the future. We’ll see. Tina is poorly and Newt is made to take on one her cases, but Newt’s not sure he wants to, and questioning what he’s doing there.

3. Letters From Home

Tina woke to the sun streaming in through the window, the light dazzling her eyes as she fought to open them.

This one was for day 3 of the Fantastic beasts week 2020 challenge. While it is posted as a one shot, and can be read as a separate thing, it will eventually be a part of Fantastic beasts: of beasts and monsters. (I guess I’m cheating. Look it still counts ok). Tina gets a letter from Toliver after the Paris incident, Newt and Jacob try to comfort her.

4. Creatures

Newt and Leta were sitting in their usual place in the little room, where Newt had kept his creatures hidden from prying eyes.

This one was day 1 of my Newty November challenge, the word prompt had been creatures so I did a one shot here on tumblr. It should be somewhere floating around. I think I could find this one, so might share link to it some point. We’ll see. Its just a short little ficlet thing, where Newt and Leta are tending to a new creature they’ve just found.

5. Of magical creatures

Newt stood watching the group of people who would be his students for the next few weeks, perhaps a month or even a year.

This one lives in my drafts and still unsure weather I will actually post this one anywhere at the moment. I wrote this as a sort of fun bit of writing, more for myself than anything. I wanted to explore and AU where Newt is asked to teach and train a few adults on magizoology, as a career path at Hogwarts. Dumbledore is headmaster of the school and thinks there should be more magizoologists in the world, helping Newt’s cause, and suggests Newt uses the school to teach a selection of adult students.

6. Fantastic Beasts and where to find them: The Newt and The Salamander

The Scamander twins had been very close and had a strong bond growing up, but as of late things had changed.

This is one that will probably never see the light of day, and will probably stay in my drafts as a hidden story, just for my eyes only I think. I wrote this one for my own entertainment. As you can see another AU. It starts off with the incident with the jarvey and Newt’s expulsion from Hogwarts, as the catalyst for the twin’s fall out. But after the events of Paris Newt needs to stop running, and avoiding his sister and enlist her help to bring down Grindelwald. Bonds have been broken, but must be reforged in order to work together. Newt is guilt ridden, his sister is angry. They must put grudges and mistakes of the past behind them and work together.

7. The Ring

Newt tried hard to stand still as Theseus straightened his bow for the umpteenth time. He was starting to regret the whole thing.

This one is going to be a two part one shot, which is a work in progress that I’m half way through. It’s part of a February word prompt challenge I took up, but never really managed to finish on time. I was so busy with doing the challenge I was hosting, that I only managed to do this in dribs and drabs alongside the picture for part two and parts of the fic for part two.

8. The Dinner Date

Newt and Tina made their way to a table near the back of the restaurant, a waiter taking their coats and pulling out Tina’s chair for her as she made to sit down.

This is part two of The Ring, again from the same word prompt challenge. The story beginning above being the word prompt ring, and this one the word prompt being Dinner date. As I say I’m working on a fan art to go with this one. I thought i’d finished it, but realised there were mistakes to the artwork and need to fix it. And also realised I’d forgotten to add things to it, so I have to go back and fix the picture. Started the story to this one, but realised I need to fix a few things because I don’t know much about dating etiquettes, and now realised I’m going to have to change the plot a little. I actually started the ring one after realising I needed to change parts of this story. I needed to make this one interesting somehow, so the ring was my way of fixing the mistake on this one. The mistake to this story was supposed to help make things a bit more interesting, but after asking a friend’s advice, I realised it wouldn’t work. So the ring had to be a part of it to make it a bit more I don’t know. Give it back story I guess.

9. Halloween At Hogwarts

With it being the first of October, the weather was changing, and autumn was now in full bloom.

This is or was a spin off to another story I’m working on. Things are not going well at Hogwarts and it’s up to Harry and his friends to stop whatever is haunting the school. What starts of as a fun Halloween game, becomes a Halloween nightmare for the staff and students at Hogwarts. This is the first long fanfic I actually managed to finish. I’m really bad at finishing long stuff.

10. The Scrooge Of Hogwarts

The students had gone home for the holidays, which meant it would be peaceful and quiet at Hogwarts.

A one shot story in which Snape is visited by three spirits. A HP and Scrooge crossover, I wrote for Christmas. This was a fun one to write, some of my friends and colleagues thought it was a fun read too.

Wow ok I actually didn’t do too badly, I managed to at least find 8 Fantastic beasts related stuff to post first lines of. Not bad. I thought it would be less. From doing this little exercise, I have learned that just writing the first line of your story doesn’t promote it well. Especially if they’re short one liners. Eek! That’s why I added a little description after each one, to make them sound a little more interesting. Lol! Ouch!

Ok to tag 10 people, I’m not sure who to tag and don’t know if I know 10 people to tag. I’ll just tag one or two and then anyone else who wants to do it can do. I tag, @newt-and-salamander @afrenchaugurey @snapeysister (I don’t know if you do writing or not, but you can post pictures and fan art to stories you read if you like for the challenge). @themysteriousphoenix And that’s it, I can’t remember anyone else who writes. Sorry if I’ve missed anyone out. Even if I’ve not mentioned you, and you want to take part, then please do.

[inevitably-johnlocked]

Hi! Can you recommend some Final Problem Johnlock fics?

Hi Nonny!

Ahhh, okay so I haven’t really read very many fics dealing specifically with TFP, but the ones I do know of are fics on my MFL list or consider TFP as “canon”. So here’s what I have for you; please lovelies, if you know of any of your own, let us know!

THE FINAL PROBLEM is CANON

See also:

Post S4 / S4 Fix Its

Post S4 / S4 Fix Its Pt. 2

S3 / TAB / S4 [FIX IT] Fics (March 2019)

Post S4 Fics Masterpost

There’s Always Three of Us by Itsallfine (T, 1,765 w., 1 Ch. || S4 Fix It Fic/Post TFP, Parentlock / Rosie, Angelo’s, First Kiss, January 29, Love Declarations) – Sherlock takes John and Rosie out to Angelo’s and gets a chance to correct the biggest mistake of his life.

The In-Between by blueink3 (M, 10,679 w., 1 Ch. || Fluff and Angst, H/C, Parentlock, Fix-It Fic, Canon Compliantish) – Beginning in a Chinese restaurant and ending at the bottom of a well, what about the moments we didn’t see?

Dropping the Act by jadztone (T, 27,258 w., 10 Ch. || Parentlock, Fake Relationship, Mary’s Family, Post-S4, Cuddling & Snuggling, Bed Sharing, Pining, Christmas) – Sherlock and John are quite happy living together with Rosie in Baker St. They might be even happier if they didn’t act towards each other like their love is only platonic. Mycroft brings troubling news in the form of Mary’s parents wanting to know just what their grandchild’s home life is like. The boys decide to spend Christmas pretending like they are in love in order to seem more like a “normal” family. It’s easy enough to pretend when all you’re doing is dropping the act.

Another Auld Lang Syne by DiscordantWords (M, 30,234 w., 31 Ch. || Post S4, Mutual Pining, Alternating POV, Introspection, Parentlock, Christmas, New Year’s, First Kiss, Past Drug Use, Angst with Happy Ending, Drinking, Sherlock Whump) – There had been years of missed chances.

(Never) Turn Your Back to the Sea by DiscordantWords (M, 39,968 w., 7 Ch. || Post S4 Fix It || Grief / Mourning, Victor Trevor, Friendship, Sherlock is Not Okay, Nightmares/Flashbacks/Panic Attacks, Parentlock, Pining Sherlock, Angst with Happy Ending, John Comes Home) – Baker Street is very much the same. Only different. And Sherlock is just trying not to drown.

The Pieces That Fall to Earth by Itsallfine (M, 49,513 w., 84 Ch. || S4 Fix-It, Epistolary, Love Confessions, Slow Burn, Parentlock, Past Abuse, Coming Out, Internalized Homophobia, Questioning Sexuality, Mental Health Issues / Therapy, Angst, Happy Ending) – John and Sherlock have hit rock bottom, but with all their armor stripped away, they can finally speak honestly, seek healing, and find the truths that matter most. An epistolary post-s4 fix-it fic. Now complete.(This fic is rated T except for one very clearly marked and easily skippable chapter, which is rated M.) Part 1 of The Pieces that Fall to Earth

The Book of Silence by SilentAuror (E, 60,056 w., 2 Ch. || S4 Fix It / Post S4, Virgin Sherlock, Rosie / Parentlock, Domesticity, Fluff, Praise Kink, Sex Toys, First Person POV) – As spring blooms in London, John and Sherlock begin to take new cases and cautiously negotiate this new phase of life with John living at Baker Street again. Despite how well it’s all going, John struggles to forgive himself for the way he treated Sherlock following Mary’s death as well as trying to figure out how to finally put his long-time feelings for Sherlock into words. Part 1 of The Book of Silence/Rosa Felicia

The Bells of King’s College by SilentAuror (E, 64,019 w., 5 Ch. || Post-S4, Missed Opportunities, Angst with Happy Ending, Fake Relationship, Case Fic, John POV, Jealous John, John in Denial, Travelling / Holidays, Virgin Sherlock, Wedding Proposals) – It’s only been two weeks since Eurus Holmes disrupted their lives when Mycroft sends John and Sherlock to Cambridge to pose as an engaged couple at a wedding show in the hopes of solving six unsolved deaths…

MARKED FOR LATER

Evermore by SosoHolmesWatson (G, 2,068 w., 1 Ch. || Post-S4, Parentlock, Beauty and the Beast, Love Confessions, Disney Songs, Oblivious John, First Kiss, Friends to Lovers, Pining Sherlock) – For the past years, John and Sherlock have lived at Baker Street again, raising Rosie together–as friends and nothing more. Ever since the little girl has watched her first Disney movie, she is obsessed with princesses. When John comes home one day, he finds his friend and his daughter in the middle of a reenactment of her current favourite. Part 1 of the Made of Music series

A One-Track Life by JennLynn77 (E, 13,526 w., 7 Ch. || Post S4/TFP, Parentlock, Est. Rel., Medical Procedures, Anal, Cuddling/Snuggling, Bed Sharing, Surgery, Physical Therapy, Retirement, Sherlock Whump, Caring John, Bottomlock, Endearments, Drug Addiction, Triggers) – A medical situation threatens to derail the plans Sherlock had for his life with John and Rosie.

Easier With You by addicted2hugh, FinAmour (E, 13,865 w., 2 Ch. || Post S4, Est. Rel., Parentlock, Insecure Sherlock, Fluff and Smut, Bottomlock, Vulnerable Sherlock, Sherlock’s Past, Porn with Feelings, Pillow Fights, Idiots in Love, Caring John, Light Angst, Frottage, POV Third Person John, Blow Jobs, Purple Shirt of Sex) – Sherlock smiles slightly, his forehead coming to rest on John’s, and he lets out a tiny sigh. “It’s not myself I worry about, John.” “I know,” John says, his nose brushing against Sherlock’s. “And I will support any decision you make. But Rosie is going to be happy with you no matter what. You truly are her hero, you know that?” Sherlock exhales a small laugh. “Am I?” “That’s not even a question that needs answered, Sherlock. She’s amazed by you.”

Kintsugi by distantstarlight (E, 14,772 w., 1 Ch. || Post S4, Emotional Hurt / Comfort, Regret / Remorse, Loneliness, Separation, Drug Use, Healing, Protective John, Sad Sherlock, Dev. Rel., Complicated Relationships, Love, Angst) – Sherlock Holmes becomes estranged from the man he had once considered his best friend after John lets him down horribly in public. It seems that the world’s only consulting detective will be on his own once again…or will he?

fulfilling for other people Series by missselene (E, 19,140 w. across 4 works || Post S4, Pining Sherlock, Virgin Sherlock, Oblivious John, Unrequited Love, UST/RST, Bath Sex, Internalized Homophobia, First Kiss/Time, Making Love, Tender Sex, Vocal Sherlock, Caring John, Angst and Fluff) – When Sherlock decides to act on John’s advice regarding romantic entanglements, the results are far from what John expected.

WHISPER TO ME by chrysanthemumsies (T, 20,598 w., 3 Ch. || Post S4, Fluff, Parentlock, Mutual Pining, Music, Sherlock Plays Guitar, Love Confessions, Light Angst, Romance, First Kiss) - Following the events of S4, Sherlock and John try and fit back into their old life as carefully as they can, all while their feelings threaten to bubble to the surface. Or: Sherlock picks up playing the guitar. John falls more and more in love with every passing day.

Home Is by glenien (E, 21,786 w., 2 Ch. || S4 Fix-It / Post S4, Eventual Happy Ending, Parentlock, Emotional Baggage, First Kiss, Domesticity, Fluff) – While 221B is still under construction, Sherlock stays with Rosie and John.

Here Comes The Sun by JennLynn77 (E, 32,126 w., 15 Ch. || Post S4/TFP, John Whump, Caring Sherlock, Emotional Hurt/Comfort, Friends to Lovers, Emotional Sex, First Time, Virgin Sherlock, Switchlock, Cuddling/Snuggling, Surgery/Injury Recovery, Endearments, Anal, Hand Jobs, Porn with Feels) – John suffers an injury and needs surgery. Sherlock, and those around him, help John recover. Along the way, John and Sherlock realise what they mean to each other, and what they’ve had together all this time.

A Change of Heart by SosoHolmesWatson (E, 65,436 w., 20 Ch. || Post-S4 / Canon Compliant, Jealous Sherlock, Past Abuse, Parentlock, Dev. Rel., Idiots in Love, Suicidal Sherlock, Implied / Referenced Drug Use, Mollstrade, Coming Out, Love Confessions, Big Brother Mycroft, John’s Childhood, POV Alternating, First Kiss/Time, Virgin Sherlock, Hand Jobs) – After all they have been through, after all the heartbreak and desolation, John and Sherlock want to make their way back to each other, still convinced that friendship is all that can exist between them. Will there be a change of heart? Part 1 of the The Pains of Growing series

Kintsukuroi by sussexbound (E, 91,823 w., 20 Ch. || S4 Compliant / Post-TLD, Grief / Mourning, PTSD, Internalized Homophobia, Therapy, Past Abuse, Alcohol Abuse, Nightmares, Emotional Hurt/Comfort, Depression, Anxiety, Bed Sharing, Love Confessions, Cuddling, Suicidal Ideation, Masturbation, Minor Character Death, Sexting, Frottage, Inexperienced Sherlock, Rimming / Anal / BJ’s) – “I love you.” Sherlock sees the words hit John with almost physical force. He reels back a little, jaw twitching and eyes filling. “I love you,” he repeats, a little softer, a little more gentle, as earnest as he possibly can. Because they’ve been teetering on the brink of this thing for years, and it had become painfully obvious over the last few months that they were at a tipping point. This had to happen. Now it has. Now they can see where they end up. The tears in John’s eyes spill over, and he wipes at them angrily. “Do you even know what that means?”  

The Lost Special: Family Matters (As Do Relationships) by ShirleyCarlton   (M, 115,279+ w., 33/38 Ch. || WiP || S4 Fix It Fic, Unreliable Narrator, John’s Mind Bungalow, Friends to Lovers, Happy Ending) – WORK IN PROGRESS – Sherrinford is not really the name of some high security prison. That was just a figment of John’s frantic coma dream. And Eurus is not actually Sherlock’s sister. That’s just something random she said to John before shooting him. Sherlock and John were never actually estranged. That was just their act to cover up what really happened to Mary – or Rosamund Moran, as her real name has turned out to be. Sherlock does have a secret sibling, though, and his name is Sherrinford. After finally eliminating Moran – though in a rather dramatically different way than they had envisioned – and exposing the truth about Eurus, John encourages Sherlock to delve into his past and to find out whether the reasons to keep Sherrinford away from Sherlock were the right ones, and to discover what really happened in 1981. Along the way, Sherlock and John gradually, finally, stop keeping each other at a distance, and eventually become a proper family of their own.

Radioactive Trees In A Red Forest by Maribor_Petrichor (E, 280,251 w., 73 Ch. || PODFIC AVAILABLE || Post-S4, Suicidal Ideations, Alcohol / Rx Drug Abuse, Coming Out / Bisexual John, Seizures, Past/Referenced/Implied Child Abuse, Hallucinations, Rehab, Celibacy, Sobriety / Relapse, Slow Burn, Friends to Lovers, Grief/Mourning, Psychological Trauma, Nice /Not Anti-Mary, John’s POV, Parentlock, First Time, Angst, Switchlock, Angst with Happy Ending) – John Watson is what happens when a man can no longer see a reason to go on. John Watson is what happens when a man starts to let go. “It is what it is.” John Watson is what happens when what “it is” becomes too much to bear. This is a story of the life, death, and resurrection of John Hamish Watson.

[letswritefuriously]

Episode 1x1 of My Nameless WIP

Part one

(I still need a name for this WIP btw if anybody has some ideas.) Now, I know that this post is gonna be long, but don’t be daunted! Please just check it out, see what you think! There’s gonna be three parts to this episode, so if you wanna keep reading, ask to be tagged/follow me! (Preferably both). Remember to give me feedback!

Scene 1

It’s late at night; probably about 10pm. It’s a full moon, so the night is bright and the sky is full of stars. An old, abandoned house sits under the milky way, two stories high with faded white paint, one of those triangular pointed roof above a window thingies. The leaves of a low hanging tree blow in the wind, brushing a tall, spiky fence.

Running very fast, two people vault over the fence, making it rattle, and then continue to run towards the house.

Scene 2

There is a shot from the inside of the two people entering the house. They flick torches on, and reveal themselves to be ALICIA (African America, 19, short, stylish) and ETHAN (African American, 19, tall, nerdy but sill cool TM). ALICIA pulls out a phone and begins to record.

A shot from the camera’s point of view; it focuses on Ethan, who waves. The expression on his face is almost condescending; as if he is playing with a small child.

ALICIA (turning the camera to selfie mode): Haunted house number 8.

ETHAN (off screen): I’m really beginning to think this is a waste of a gap year.

ALICIA (smacking him): Shut up. (Turns back to the camera). Up the stairs?

ETHAN (off screen): This isn’t a freaking vidchat!

ALICIA (ignoring him): Up the stairs! (She wags a finger at the camera). If I fall through some floorboards, you’re paying for my not-so-free healthcare.

ETHAN (Muttering from some distance away): She got no money.

ALICIA flips the bird at him, and then flips the camera back around so that we can see him walking up the stairs, which creak ominously. He is clearly oblivious of the profanity.

Scene 3

ALICIA is receiving a boost from ETHAN up through the pointy window thingy (oh god someone tell me what they’re called please). She clambers onto the roof, and then offers her hand to ETHAN, who ignores it and pulls himself up.

ALICIA: I can do that. Just so you know. I’m just smart, and didn’t want to fall.

ETHAN (snorting): Sure you could.

ALICIA: Just because I don’t have to go around displaying my fragile masculinity-

ETHAN: You must have VERY fragile masculinity, as it’s not there at all.

ALICIA shoves him, and he nearly falls off the roof.

ETHAN (after he has recovered): If I fell, you wouldn’t be able to blame it on Tahlia, and you’d be the one paying.

ALICIA: Yeah, ye- Oh! Tahlia! She pulls her phone back out, and hits record. (To ETHAN). Scooch, you gotta be in the picture. (She turns to the camera). Hey Tahlia! We’re back!

ETHAN: ‘Sup.

ALICIA: It’s confirmed! She opens her mouth, and then looks at ETHAN expectantly.

ETHAN: Do we have to do this is every time?

ALICIA: Yes!

TOGETHER: Not haunted!

ETHAN: Just go to sleep, trash monkey. If this wreck ain’t haunted, I’m sure your bedroom isn’t either.

ALICIA: What he said. Love ya! I miss you so much!

ETHAN (half-heartedly): Bye!

ALICIA finishes the recording.

ALICIA: I’ll send it in the morning, she’ll be asleep by now.

ETHAN: For God’s sake, she’s 10, if she’s NOT awake she’s a freaking wimp.

ALICIA: Hey, you know how strict Mom’s rules are.

ETHAN mutters something that sounds suspiciously like ‘sleep before you see her drunk and sobbing’. If ALICIA hears him, she pretends not to.

ALICIA (sighing): I do wish I could see her again.

ETHAN: You could just say sorry, you know.

ALICIA: I meant Tahlia, not Mom.

ETHAN: My point still stands.

ALICIA (as if she hadn’t even heard him): I don’t even remember what we were fighting about now.

ETHAN: ‘Course ya don’t.

ALICIA: I’m not gonna be the first to apologise, though.

There’s a long pause. After a few moments, ALICIA leans her head on ETHAN’s shoulder.

ALICIA (yawning): It’s only like eight years until she graduates, anyway... Her eyes drift shut.

There is a very, very long pause.

ETHAN: Yeah. Only eight years.

And we cut to black.

Scene 4

Title card.

Scene 5

The screen is suddenly split open by bright rays of bold sunlight. The camera catches on what appears to be a military base; multiple chain-link fences, a big lot of khaki jeeps and black SUVs, plane hangars and large, threatening buildings.

It seems to be abandoned; empty plane hangars, no patrols, the cars are covered in layers of dust.

The camera refocuses on a small figure, lying on a hill about two-hundred metres back. The figure is wearing dust-coloured clothing over what appears to be a black wetsuit.

Looking closer at their face, we can see that it is ARI (androgyne, 19, badass). His eyes are completely focused on the facility ahead of him. At his waist hang two boomerangs, unadorned and wooden. He raises a pair of binoculars and scans the facility.

ARI (speaking into a UHF radio): Agent queer, reporting nothing at 1400. Over.

VOICE (crackling over the UHF): Ari, cut the s***. What’s up?

ARI: What I said; literally nothing. There is literally nothing going on here. Over.

VOICE: Quit it with the overs. Please tell me you haven’t been staring at the bloody clouds for eight hours.

ARI looks over at a half-empty pack of marshmallows and a lighter next to him.

ARI: Uh... not exactly.

VOICE: Goddammit Ari, this is exactly why you lost you squad.

ARI (innocently): I thought I lost my squad because I was ‘a danger to everyone around me.’

VOICE: Same difference.

There is a pause.

ARI (bringing the UHF very close to his face): You gotta say f***ing over, man. How else am I supposed to know if you’re done?

VOICE: You just wait until I f***ing pause. Like I did just then; you didn’t say over.

ARI: Well, s***.

VOICE: Moooooood. You can hear somebody yelling at the VOICE from the other end of the UHF. Once it’s over, VOICE begins to giggle a bit, but manages to hold most of it back. So your point is there’s nothing.

ARI: Yep.

VOICE: Great, that’s you done for today. The next shift’ll be there in about half-an-hour-

ARI: About that.

VOICE: Oh goddammit, here we go.

ARI: It’s empty. I’m going in.

VOICE: S***. Indistinctly, you can hear him calling for his superiors. Ari, you know what happened last time-

ARI: Yup. And I literally see no downside-

VOICE: You got demoted-

ARI: Aaaand now I don’t have to work with anyone else. He begins to take off his khaki shirt.

VOICE: Look, you little s***, we’ve got another team on the way-

ARI: That other team isn’t going to get here for an hour. There is literally nothing you can do to stop me, so, you might as well just not tell anyone at your end.

Indistinctly you can hear VOICE talking to people on the other end.

ARI: I hate you. He is now wearing only the black wetsuit. He chucks the UHF into the dirt next to him. He grabs one last marshmallow, stuffing it in his mouth, and then army rolls forward. Almost immediately, his body begins to shake, and then shrink. Before he has completed the first complete roll, he is a desert mouse. He quickly scampers down the hill.

The camera comes to focus on the abandoned UHF.

VOICE: Ari? Ari!

Scene 6

The wind blow dust through the deserted military base as ARI hops through the chain link in the form of a mouse. He rests for a moment, and then continues to hop along.

There is a shot of an empty hangar, which ARI hops through. He comes to a door. With a nervous glance around, he becomes himself again, and then jiggles the handle. It’s locked.

ARI reaches into his-

ARI: S***. No pockets.

He drops his hands and turns to slowly look around the hangar. The camera catches on a toolbox on the other side.

There’s a pause.

Scene 7

ARI is now holding a piece of wire and a small metal tool. He picks the lock. A second later, he jiggles the handle again. The door opens this time, and he slips inside. The door closes behind him, and for a few seconds, all you can hear is the wind, as the camera gets further and further away.

Scene 8

A perfectly sterile, completely white hallway stretches away from the camera, until it intersects with another corridor.  The corridor is lined with doors, and the top half is separated from the bottom half by a long silver line across the wall. There is complete and utter silence, for a very long moment.

A fly buzzes across the corridor.

Silence.

It buzzes back. The moment it reaches the other side, there is a sound similar to that of an electric fence zapping you, and ARI tumbles onto the floor. As he stand up, he shakes himself and shudders. Apparently being a fly is not too pleasant.

He looks around and then raises a hand to sliver line on the wall. With a stifled yelp, he withdraws it; a close-up on his knuckles shows them to be an angry red.

ARI: Daaaaammn. They thought this out. He closes his eyes and concentrates, but nothing happens. Kill me now.

He walks down the corridor, making no attempt to sneak; with the black of his wetsuit like clothing jarring against the white walls, he’d be spotted immediately, and nobody is here anyway.

He tries the first door he comes across. It’s unlocked, and he steps inside.

Scene 9

Inside is a white room just like the last, except for the fact that in the centre, it has a table filled with people. They all look up at ARI.

ARI (immediately adopting a serious face): Oh! Sorry I didn’t realise a meeting was in session, I’ve got an urgent message for the-

Twenty guns aim at his face.

ARI: Oh... He laughs nervously. ...I wasn’t aware that you were in the business of killing your employEES-

His voice rises to a yell as twenty safeties click off and manages to shut the door just as bullets slam into it.

Scene 10

ARI sprints down the hallway, and all the EXECUTIVES pour into the corridor and take aim. ARI turns down a corridor to the sound of reports.

ARI: Come on, shift dammit!

He does not shift. The camera cuts to a tracking shot of the EXECUTIVES running after him, trying unsuccessfully to shoot and run. One speaks rapidly into their phone.

EXECUTIVE 1: We got a security threat, Building 3, Sector 5-

Cut back to mid shot of ARI bursting through a door.

Scene 11

ARI bursts into the sunlight of the Hangar he came into originally, only now, it’s filled with at least fifty SOLDIERS. They haven’t looked in his direction yet though, and mid-leap, he shifts into a fly again.

The EXECUTIVES burst through the door he came through a few seconds ago, EXECUTIVE 1 still babbling on the phone. All the SOLDIERS guns train on them, and they put their hands up.

EXECUTIVE 2: Don’t shoot! Our spy is here somewhere.

EXECUTIVE 1 (still on the phone): ...orders to kill on sight...

EXECUTIVE 2 (to EXECUTIVE 1): This is a suspected C-O-N, give the lockdown code.

As EXECUTIVE 1 begins to rattle off numbers, the camera cuts to a close up of ARI as a fly, listening avidly.

EXECUTIVE 1: Two-three-oh, six-five-two-

ARI’s fly-face contorts in horror as he realises what is happening, and he buzzes off-

EXECUTIVE 1: Six-three-one, two-seven-five.

A fine, glittering silver and grey powder sprays explosively from the ceiling, and there is another zapping sound, as, with a yelp, ARI sprawls onto the tarmac near the opening of the hangar.

ARI (squeaking): Hi! Bullets begin to fly and he ducks around the corner. As he runs, he curses. Oh-crap-I’m-screwed-ohnoohno-I’mgonnadie- The camera cuts to the chain-link fence rapidly approaching. OH S***! He squeezes his eyes shut and jumps-

And slow motion, bird’s eye, low angle, mid shot, high angle, extreme close-up on his foot-

Right as it shifts into a jaguar’s paw.

The shot speeds back up to normal motion as ARI’s paws leave the ground, propelling him into the air and over the fence in one, graceful leap, the SOLDIERS slowing down before they run into the fence. EXECUTIVE 2 presses his face to the chain-link, curling his hands around the wires with a feral snarl, baring some very inhuman teeth. His face, inexplicably, is covered in fresh blisters.

Scene 12

SOLDIERS from a different section of the base stream through the gates, but the jaguar that is ARI is already at the crest of the hill where he was staking out the base earlier. He grabs his cloths and backpack in his teeth, and, with one last, longing look at the pack of marshmallows, continues his sprint.

A fleet of jeeps peels out of the base’s front gates, their trailers filled with SOLDIERS.

ARI stops running and shifts back to human form, looking desperately over his shoulder at the rapidly approaching jeeps. He slings his bag over his shoulders and reaches down, pulling the camouflage cover off a motorbike.

The fleet of jeeps appear, roaring, over the top of the hill, churning up dust.

ARI kicks the bike to life, shoots one last look over his shoulder, and guns the engine, speeding off.

The SOLDIERS aim the sights of their guns around the side of the jeeps and take aim, but he has too much of head-start. He speeds out of sight down the side of hill, and he’s away.

There’s a close-up of ARI’s face; he’s smiling.

ARI (under his breath): Ha, suckers. Then, no longer under his breath; Ha! Suckers! HE grins and pumps a fist in the air-

Scene 13

ARI flops onto tiny bed in a cruddy motel room.

ARI: Stupid, stupid, stupid! He balls his fists over his eyes and then tears them through his hair. This is why nobody likes you. Tears begin to stream from his eyes, but he doesn’t make any sound. You’re so – I’m so stupid.

He pulls a pillow over his eyes and shakes with silent tears. The camera slowly zooms out.

And we cut to black.

ARI (VO): I’ll find a way to fix this.

Scene 14

ALICIA is sitting on her laptop at the kitchen table in a log cabin, completely motionless, except for her fingers, deftly moving over the trackpad.

An extreme close-up on her face show that she’s frowning, chewing her lip with urgency. Her eyes look like they’re about to flood with tears, but she sniffs violently and blinks several times, tilting her head back. She sits like that for a moment, but is interrupted by her phone chiming.

She starts and immediately picks it up, her whole face lighting up with joy. It’s only a new alert though, and her shoulders slump. She chucks it back down on the table, and then flinches at the thump it makes, quickly picking it back up to make sure the screen isn’t cracked.

She sighs and looks back at her screen, slouching back in her chair.

ALICIA (barely audible): Come on, you know this.

ETHAN walks into the room, leaning over her shoulder. She swats him away and tilts the screen so he can’t see.

ALICIA (sort of playfully, but not really): Hey! Don’t look over my shoulder!

ETHAN: You’re literally just doing your mojo stuff, what’s the big-

ALICIA (irritably): It’s psychology, not mojo.

ETHAN (holding his hands up): Okay, okay. I thought you said you were going out...?

ALICIA: I AM, okay? Just get off my back, I gotta finish this.

ETHAN (backing off): I’m not on your back. Calm down, you’re already a few days ahead of the course.

ALICIA: I just need to-

ETHAN reaches over her shoulder and closes the laptop.

ALICIA (practically apoplectic): Hey! No, no no, you can’t do that, it hasn’t saved my progress-

ETHAN: You were on question one.

ALICIA: I had work to do! I NEEDED to-

ETHAN: Hey, calm down. No you didn’t. Go relax or something.

ALICIA (eyes practically popping out with rage): What, be like YOU?! Just never do anything and never get anywhere? ETHAN flinches, and ALICIA’s face falls as she realises what she’s said. I didn’t mean it-

ETHAN (eyes on the ground, muttering): It’s okay. It is clearly not okay. Just... He hands her his wallet. ...Go nightclubbing or something. Take a break.

ALICIA smiles nervously.

ALICIA: I’m really sorry, I’ll just-

ETHAN: It’s fine.

ALICIA: I feel really bad though... You know I didn’t mean it, right? How can I make it up?

ETHAN: Just go and have some fun. He folds her fingers around his wallet.

ALICIA: Um... ETHAN shoots her a glare. Fine. Let’s make a deal. If I ‘have some fun’, you finish up your college applications.

ETHAN: You drive a hard bargain. He thinks. Fine. (Playfully) Just get out.

ALICIA (walking to the door): Going, going!

ETHAN: And don’t drink!

ALICIA: You told me to have some fun!

ETHAN: Non-drug-involved fun!

ALICIA shuts the door behind her, and the smile on ETHAN’s face immediately falls. He collapses onto the chair that ALICIA was sitting in, and stays there for a long moment.

A second later, he reaches over the table and grabs himself a bag of chips. He shakes his head and grimaces, opening the laptop again.

Scene 15

ARI walks into a shop, with a sign above it dubbing it ‘face the rainbow’. Once inside, it is clear that it is a gay bar – people sitting in couples, fairly dark, with a drag queen singing in the back.

ARI immediately takes a seat at the bar.

ARI: Cheapest thing you sell, thanks.

THE BARTENDER nods at him, and turns around to get it. STRANGER, clearly drunk, flops down on a seat next to ARI.

STRANGER: Hey, handsome. My buddies bet me I wouldn’t be able to make conversation with the finest guy in the bar. Wanna buy some drinks with their money?

ARI: Great, I’ve been running off cheap beer for a month. (To THE BARTENDER) Make that the most expensive thing, thanks! (Back to STRANGER) So you know, though, I’ve only agreed to conversation. Don’t get any ideas.

STRANGER (putting his hand on ARI’s thigh): So what... what are your plans for tonight?

ARI: Nothing, although I might commit a felony if you don’t remove your hand from my leg right now.

STRANGER: Come on... don’t be like that... Tonight’ll be better if you re-

ARI: I’m not into that. Move your hand.

STRANGER: Come on, why would you be at a bar if you didn’t want to?

ARI: To have a freaking drink. This is your last chance, mate; Move. Your. Goddamn. Hand.

STRANGER: I’m sure you’ll want me once I-

Quick as a flash, ARI grabs his middle finger, jerking it back suddenly to the sound of a large crack. STRANGER yelps. THE BARTENDER looks up suddenly.

ARI: What? He wouldn’t move his hand.

STRANGER staggers off. THE BARTENDER continues to look back and forth between them.

ARI: Can I please just have a drink?

THE BARTENDER shrugs and continues to make the cocktail.

ARI: Oh, he even left his wallet here. How nice. (To THE BARTENDER) Make that two of those, thanks!

Scene 16

ALICIA is riding her bike out of the camping ground where the log cabin they were renting was. It’s twilight, and she’s going to have to ride fast if she wants to get to her destination before dark.

The bike’s wheels squeak on the road; it’s the only sound that cuts through the evening air. A bird gives a single warning, and everything is quiet. And then-

There is a crash from a little way into the woods, nearly making ALICIA fall off her bike. She puts her foot down to steady herself, and there’s another crash. Then silence.

ALICIA: ...H-Hello? The silence continues. Hello? A strange music comes from the woods, halfway between moaning and screaming, causing her to yelp and drop her bike, crashing, to the ground. The music stops. ALICIA takes a step forward. Who’s there?!

She takes another step off the side of the road, but then pauses.

ALICIA (berating herself): You’re not a white kid, Alicia. She picks up her bike, and shoots a longing glance at the woods-

A deer comes springing out of woods and misses her by a few metres. ALICIA shrieks, and then stops, looking around to make sure nobody heard. The silence presses in once again.

ALICIA (under her breath): If an abandoned house isn’t haunted, then a... She looks around. ...Deserted, creepy-ass road isn’t haunted. She gets back on her bike and continues to ride.

With her back turned to the woods, ALICIA doesn’t notice that the trees have been lit up a strange, eerie green.

Scene 17

ALICIA padlocks her bike to the bike-rack, humming ‘We will rock you’ by Queen, and occasionally singing a lyric or two under her breath.

ALICIA (half-humming, half-singing): Buddy... big noise... blood on your face... big disgrace...

She walks along the street for about enters the bar; a different drag queen is singing, and she waves hello. She walks up to the bar.

FEMALE BARTENDER (the shift has changed it’s been two hours do you really expect the BARTENDER to stay there that long?!) (Flirtatiously btw): Aren’t you a little young to be in here?

ALICIA (also flirtatiously): Who’s checking? She leans in. Who says I’m here to drink, anyway?

FEMALE BARTENDER wags a finger.

FEMALE BARTENDER: Don’t pretend you have any clue how to flirt. But she’s already getting her a drink. Just sit over there – she motions to the back – so that nobody... important sees you.

ALICIA: I think the most important person already has seen me.

FEMALE BARTENDER: I mean cops, you jackass. Sit your ass down.

ALICIA winks and walks away with her drink.

Scene 18

Camera cuts to ARI, who is practically asleep on the bar top. He arrived at ‘Face the Rainbow’ at 6pm for the tail end of the happy hour. It’s now 8pm, and THE STRANGER had a fair amount of money in his wallet.

To say the least; ARI is as drunk as a skunk.

He’s getting some pretty strange looks from onlookers. There are about three empty glasses next to him; clearly, FEMALE BARTENDER stopped bothering a little while ago.

FEMALE BARTENDER (coming over): Are you meeting someone, or are you just depressed?

ARI (raising his head): Ugh... He blinks multiple times... I think I might be meeting... someone?

FEMALE BARTENDER: Dude... I stopped giving you drinks like an half-an-hour ago, why the f*** are you still here? She thinks for a moment, and then becomes concerned. Do you have a way to get home?

ARI doesn’t move from where he put his head back on the counter, except to raise his thumb. FEMALE BARTENDER sighs.

FEMALE BARTENDER: So... you ARE meeting someone... have you even looked to see if they’re here?

ARI raises his head to give her a look with the most sarcasm it is possible to fit onto a human’s facial features. After a moment, he realises he hasn’t, and then looks around the room slowly, like a turtle.

ARI: ...Nope... They said they’d be here at... He taps his fingers on the bar top. Six hours? He frowns. What time is it now?

FEMALE BARTENDER (chuckling): It’s 8. Go home.

ARI nods slowly, and looks around the bar again. He’s just about to stand up, when he whips around again, nearly falling over. The camera catches on ALICIA, sitting the corner.

Thanks for reading! Follow me and ask to be tagged for more content! All feedback is appreciated!

[akaanonymouth]

Things I’m Working On...

List all the things you’re currently working on in as much or little detail as you’d like, then tag some friends to see what they’re working on. This can be writing, art, vids, gifsets, whatever…

I’ve not been tagged, but I was making a list of things I’m writing because I’m driving myself insane opening 43 docs and forgetting what idea/ story/ whatever goes where and then spending more time reading and cutting things than actually writing so…. what better place to make a note! (It may be a loooong note! I mean, like, I’m talking through my ideas here because nothing’s actually finished, so feel free to wither jump in and provide input, or just keep scrolling now!) Berena

Berena and the Fletchlings: As you may know, one little “Berena dancing in the kitchen” idea escalated into a 7,000odd word fluff fest involving the Fletchlings, then Berena took them all swimming, and now my brain seems to insist on inserting some Fletchling interaction at almost every opportunity, so I named it a series, and since I named it a series, I haven’t managed to finish a single idea, haha!  But, here’s what I got in the pipeline: (Actually I will put this under a cut to save people’s dashes, because I have a lot of ideas to work through and I’ve apparently lost a verbal filter alongside gaining a mental health issue, who knew! Sorry! Anyhoo:

-Evie’s Birthday:  She wants to attend a festival. Fletch is dead set against it, Evie’s obviously having a meltdown, so is Fletch, Serena steps in. Decides to throw a mini fest in her house/ garden, and gets most Holby staff involved. Bernie convinces Charlotte to come, because Charlotte can play guitar and sing, and Elinor is also persuaded, because she can sing and play piano and Serena’s set up a gazebo like a stage, but there’s also a piano in the living room, and it turns out Bernie can also play the piano because have you seen her hands?! Anyway, they have mad fun all day, Ric and Sacha do an ‘oldie’ set, etc etc. I’ll stop there with all the details otherwise no one will want to read it when it finally gets done properly! But it’ll include Bernie and Serena dancing, to new and old songs, and Ellie is all like “eww” but Evie’s all moon-eyes and explains what she sees to Ellie, and Charlotte is persuaded by Cam to play an acoustic version of his favourite song and…. basically a lot of Bernie and Serena  eye sex, slow dancing in bubbles they create for themselves, and Evie just being crazy about her OTP. I haven’t decided yet if Berena are established, or whether it should be another sort of “intervention/ dawning realisation” type thing, so if anyone wants to add their thoughts, or message me for more details, PLEASE feel free to! 

- Bra shopping: I was going to keep the “fletchlings” series relatively angst-free, but this one, canon-compliant with Elinor’s death, is bugging me. Serena promises to take Evie bra shopping; does take Evie bra shopping on the following Saturday. Bernie goes with them. It’s Mother’s Day the next day, and they see shops full of Mother’s Day paraphernalia etc. They have a lovely time shopping but towards the end, melancholy/ anger/ grief sets in, so Bernie does little things to keep them in the here and now, not really knowing what else to do. When they’re heading home, they detour through the park, and come across Mikey in an altercation with a few other older boys. They’re picking on him, and Bernie steps in (BMAM!) and they start to take the piss, but she sends them off, then Mikey turns his anger onto her, and she encourages him (a bit like the speech she gave Serena in the toilets) and he fights her; breaks down; they head back to Serena’s. There’s silent cuddles, angst, but loving. Etc and all that. 

- The as-yet-wholly-unformed-idea whereupon Evie still wants to move in with Serena, is in love with Berena, as in, the actual ship, as well as them as individuals, and loves spending time with them. She’s made aware that maybe she is intruding, so she tries not to encroach so much, but Bernie messages her asking if she wants to go to the cinema one night, and she just… Yeah, The One Where Evie is the Berena Fandom Incarnate (and gets to bask in their presence for weekends at a time). May tie this in with the drabble I wrote about Evie giving Serena a friendship bracelet after Elinor died, with green for Bernie weaved through it, then she does the same for Bernie.

If anyone has any Berena + Fletchlings ideas they’d like to see written, pop me a line, and I’ll try my best :)

Untitled WIP:

1) Comedy of sorts. Half the hospital staff are sick to the back teeth of Serena and Bernie tiptoeing around each other, because please, as much as they both liked to preach from their pedestals that they were only being professional and didn’t want the hospital, the trauma unit, AAU, the patients, the bloody agency nurse who turned up now and again to suffer, suffer they were. Especially those that kept stumbling into the middle of serious eye fucking sessions and half-finished sentences. It had to stop.  In which Zosia’s taken it upon herself to be Bernie’s fairy godmother (and if she gets a good few snogs out of Jac along the way, all the better), and the staff come up with, frankly, ludicrous ways to get B&S together, even employing Mrs. B as a seductress. Why no one just talked to Jason, I don’t know…

2) If Holby writers can steal Doctors on The Roof from ER, then I can steal Stinky the dog from it, and give him a storyline with Serena and Bernie. (Or, The One where Serena gains a dog and a Wolfe). Kerry Weaver ended up taking home a dog called Stinky from a tramp that died, and I’ve apparently based a whole story on that idea. Also I love Kerry Weaver.)

3) In which Serena loses the point of Texas Hold ‘Em because she’s too busy wondering what Texas holds, exactly? Bernie tells her to add it to her Google list….. And I’ve lost the plot a bit with this one, but Im sure it’ll come back (or it is already here, trapped in the wrong document!)

3) Smut fic. Pure smut. There is nothing but smut. I mean, at a push, it could be described as character exploration through sexual situations, character development via sex…. basically I’m just writing a multi-chap fic about Serena and Bernie having sex in the here-and-now, and harking back to various ‘first-time’s’ as it comes up in their conversation.  (Can I work “fight on your feet or die on your knees” into this? I think I can. I can see Serena saying this.) 4) Smut fic. Yes, like the above. But, I found I was thinking about their lives post-Elinor death, and what impacts that would have. This is a bit darker. Not harrowing, and with as happy ending as anyone could have with a dead child, but still, dark enough to warrant being a separate story.

5) The obligatory stuck-in-a-lift-fic that I have never written for any of my OTPs before, so feel it’s beyond time that I give it a go. Mingling it with the “sweaty, vigorous passion” episode, substituting Raf for Bernie :) 

6) Angst. In which Bernie uses Jason to determine Serena’s mental state, because whatever is happening, Serena does not lie to Jason.  Wrote the idea for this when Elinor first died, so I don’t know if I’ll finish. Just a one-shot, to try to explain to myself where their relationship was, where Bernie’s level of concern was at, at the time.

7) After a whole day of being majorly, ridiculously excited about the post, I am writing a perfume-based story haha!

8) I’m not technically working on this one, because I don’t watch Dr Who religiously, and I’m not a massive, massive fan, but I couldn’t get rid of this thought: Serena is all bitter and sad, and Kate Stewart turns up like “Somewhere in your memory is a woman called Bernie Wolfe….” In order to be happy and save herself (and Holby or the world, if that’s your bag) Serena must remember Bernie, must remember her timeline for her actual reality to realign again, because Bernie is Serena’s soulmate, but not only that, Bernie and Serena’s relationship has a direct impact on Kate’s lineage (or something, it’s all about the timey-wimey shit that I haven’t figured out) and so Serena absolutely has to remember that Bernie was wiped from her memory, because it’s the only thing that’ll bring her back.  I’m probably never going to even attempt to start this one, but I would read the shit out of it if anyone could do it?!

9) I nearly forgot about this one!  Actresses AU. Whereupon Serena and Bernie, and the rest of the cast, are the actors in a medical drama. Serena and Bernie’s story remains theirs, but there are eerie similarities between them and their character storylines. Bernie remains married for much longer, her character is written out of the show they play in for an indefinite amount of time because she does a moonlight flit, etc. Angst, slow burn. Not entirely sure how this will play out; it’s one I think I’d like to finish completely before posting.

Aaaand I’ll end there. Maybe I’ll do a separate post for the HP, DWP and ER fics that I’ve either temporarily (does 7 years count as temporary?!) abandoned,  completely lost, or thought so much about that I think they already exist and am horrifically surprised when they do not (hello, me Voyager fics, too, haha!)

Not tagging anyone, but I’m always grateful to read what other people are up to! God bless anyone that’s made it this far!