#real it happened to Amelia she’s my girlie
Explore tagged Tumblr posts
Text
magical girl transformation after drinking the old blood
14 notes
·
View notes
Note
(transmasc-rose) Tell me more about transmasc!amy 👀
i know i must have made posts about this before but i cant find them so ill just lay out some of the major points i remember off the top of my head:
1. just gonna start with. well. amy. as in, her name. specifically, the change from amelia to amy. amy, to me, reads as more masculine within a constrained framework of what she’s socially allowed to do with her name, right? amelia is girly, whimsical. amy’s a sharp, short sound, and there’s something about her choosing that that hits for me.
2. there’s a line during. god, it was probably let’s kill hitler, hate that, but at least it gave us a moment where amy goes ‘obviously rory isn’t interested in any girls, i would have noticed’ which you can read as amy being oblivious to his feelings OR. you can read it how i do. that amy knows, but she doesn’t consider herself to be a girl on some level that exempts her from being ‘a girl rory has a crush on’.
3. that and amy’s entire energy is of someone who always considered themselves ‘one of the boys’ growing up until probably puberty forcibly made it so she couldn’t be as easily. amy’s gender (which is obviously intertwined with her sexuality) is performative in an defensive way, almost. like it has to be something she can control, can use, or else it’ll be used against her.
4. which works well into talking about her s6 plot and the way her gender and body are. literally. used against her. in the most horrifying way possible. amy’s pregnancy horror resonated strongly with me as a trans dude because that’s. god, that’s the scariest fucking thing in the world right there. and amy has never expressed a desire to have children before she gets pregnant, repeatedly expresses that she dislikes the idea of being pregnant in amy’s choice. and still, because she was born a girl, this is forced upon her, she’s made a vessel for having a child and then doesn’t get a say in anything that happens after. it’s why i privately believe that whether or not amy could have kids after, the real problem she and rory weren’t addressing during the divorce arc™️ was that she wouldn’t, that she knew she wouldn’t even if she could, and that was where she felt selfish.
there’s just another layer of horror to that if you choose to interpret it with transmasc amy in mind, because now, there’s all of that, on top of the horror of this body having never felt like his own and now it really doesn’t, now it can’t, because it’s been made to do this without his consent. it’s awful, but it’s painfully real.
uhhhhhh no downer endings here. reason number five: rory would love to have a husband to make out with.
8 notes
·
View notes
Text
I'll never be able to acutely explain how lovely and disappointing it was that I figured out who the fuck killed Luke with in the 1st few episode chapter thing anyways me screaming about who dun did it in read more thing a ma bob so like
SPOLIERS for the book
Murder in the family
IVE SEEN TO MANY CRIME SHOWS AND HAVE ZERO FAITH IN KIDS LIKE HOLY FUCK NO ONE THOUGHT TO LOOK INTO THE KIDS A BIT MORE AT THE TIME LIKE CMON YOU WANT ME TO BELIEVE THAT GUY HEARD NOTHING WHEN HIS STEP FATHER WAS KILLED MR I WAS 10!!!!
Anyway it was repeated so fucking much guy was only 10 guy was the only one at home like c'mon baby please hear me out kids can be fucked up
But like so disappointing cause I got reced this book offa tiktok and like the ppl who read it said they didn't see it coming and I was so fucking excited for that I was ready to take fucking notes my dude I did I took notes for all of 3 chapters and they did nothing for me because of one simple line that cemented that one of those fucking kids did it
Guy "then you called 999"
Maura HESITATES then nods
Like okay why you hesitating baby why your obvs disturbed bout something it's a very known thing that family usually protects family I doubt you'd be doing this for ur mama
But like I understand her I would probably not cover for my sibling but I understand also low-key love how Maura covered for Amelia and Amelia covered for Guy those fucking kids are nutters
POOR FUCKING AMELIA BTW she legit saw guy do it and proceeded to shut the fuck up about it and then 20 YEARS LATER that mother fuckin boy is bout to air the shit like damn also I saw her I saw her little why don't we air his shit text like girl ffs you would have ended that show so fast if you did
And on a different note in one of the reddit bits this chemical thing gets brought up that can make it look like you've had a heart attack I for sure thought they would tie that shit in with Andrew later on like damn you had my ass but also could've tied it in with guy cause u know the last bit
And maybe a tiny bit it was maybe lazy to do that final meeting like c'mon
I also hope Mitch goes to prison which probs he didn't cause time limits and such which actually I'm not sure if London has that like america does and also on the fact that it was statutory so whooo knows but I know I wanted to smack a bitch like how dare how dare you say oh she was sophisticated motherfucker girlie pop was 15 I don't care if she was born with a silver spoon in her mouth she was 15 and you sir were 21 stop referring to yourself as a kid stop it please
ALSO I LOWKEY HATE HOW BILL KNEW A BUNCH OF SHIT B4HAND it kinda ruined the fun for me but the twisty bit of Luke being Eric and Eric being Jonah was neat I'll give them that
Also fuck Nick just fuck him
A film genius though like damn I actually wanted to see the show and had to remind myself it didn't exist
Imagine how fucking insane it would be if it did it would be so fucking huge (if there is a show like this that's real not like fiction I would eat that shit up) but also I have issues with how true crime media is most of the time cause some of it is a bit dick sucking towards the bad dude which in turn has mentally ill women/girls be also very very dick sucking towards the fucking murderer but also some of it is just fucking gross towards to victims
ANYWAYS IM CONFUSED ON HOW TO FEEL ABOUT GUY AND THAT FUCKING SUCKS BECAUSE LALIA EXPLAINED HOW IN THEORY IT HAPPENED BUT LIKE FFS HE WAS A KID AT THE TIME BUT THEN AGAIN HE BASHED THE SHIT OUTTA LUKE
Also for any of the mentally ill bitchs like moi that's watched criminal minds a million and one times my faith in kids was killed off in the ian Gallagher episode and I refuse to ever watch it again it makes my skin crawl
#murder in the family#booklr#reading#dont mind me ima go search the author and see what else she can make me scream about
4 notes
·
View notes
Text
Californian Dream (Pt. 02 of 11)
Pairing: Billy Hargrove X Reader
Word count: 2.9 K
Summary: Being part of one of the richest families of California doesn't mean you're happy. Your life is boring, and you're surrounded by meaningless people and their meaningless talk. Even during Summer, with the break you have from college, there's nothing good going on. Nothing but the new pool guy, Billy, the most handsome man you ever saw. You were successfully avoiding him, not wanting to act like an idiot in front of the guy until Billy accepts to be your date for a fancy gala you're forced to attend. The night was going well, even better when he sneaked you out to go to the beach. But a gang of criminals breaks into the party, kidnapping the heirs to the wealthiest families, which includes you. So, for your safety, your parents want you to stay with Billy, living in his apartment until the criminals are caught. And that could take weeks, maybe even months.
Warnings: Light violence
<- Previous part (01)
Next part (03) ->
{Stranger Things Masterlist}
{Dacre Montgomery Masterlist}
×
Open Book
You're checking your hair for the third time on the huge mirror in the main hall. The lilac dress fits you perfectly, of course, since your mother wouldn't allow you to buy anything that didn't look marvelous. Your hair, Amelia's doing, it pinned up on a high bun, a few strands allowed to be free, only to frame your face. But you can't wait to let it all down, to strip out of the dress and put on some normal clothes. The night would be doomed if it wasn't for Billy. Since the almost drowning incident, your father is very thankful, and he's even giving Billy generous tips. And you've been going out of your way to talk to him, offering help, even though he always refuses. And Michael is only allowed here on formal occasions when your father and his have business to discuss, so it means you haven't seen him in the last couple of days.
The bell ring drags you out of your thoughts, and you immediately get nervous. Taking a look at the clock, you notice he's right on time. Rushing to the front door, as fast as your high heels allow, you gesture for the butler to leave it to you, and he nods and walks away. Taking a deep breath, you pull the door open, and a smile comes to your lips straight away. Billy looks amazing, and in this suit, people will be talking for a very different reason. He'll get many stares, you're sure of it. He won't look misplaced, he'll be the center of all attentions.
“You... Clean up real nice.” As you stutter, you notice as he quickly runs his eyes through your body, making you blush.
“You too.” He says with a smile, before tilting his head towards the car. “Should we get going? I'm sure you'd hate to be late.”
“Oh, no. God forbid.” You say, sarcastically, making your way to his car. And what a car. A dark bluish Camaro, if you're not mistaken, which you think suits him perfectly. “Hey, what a machine, huh?” You exclaim as you get into the passenger seat. Billy walks around the car before settling down beside you.
“I'm sure it's nothing compared to what you may drive.” Giving you a glance and a small smile, he speeds away, through the rocky path that leads to the gates.
“Well, my pink Cadillac is not as badass as this baby here.”
“A pink Cadillac? That's girly.”
“I'm a girl if you haven't noticed.” He slows down at the gates, and you kindly waves at the security guard as you move to hit the street.
“I noticed, don't worry.” His Camaro makes a wild noise when he speeds up, flying through the road, so you decide to buckle up.
“Good.” Why does it makes you happy you know he noticed you're a girl? “So, what's her name?” You ask, gesturing at the car when Billy gives you a confused glance.
“She doesn't have one.” Chuckling, he turns his attention back at the road ahead. “But you're right, she should have a name.”
“What are the chances you'll let me chose it?” Moving on your seat a little to turn your body towards him, you bite your lip to see his smile.
“Only if you come up with something really good.”
“Lily.” You burst out.
“Absolutely not.”
“But is my favorite flower and it's beautiful.” Defending yourself, you can't keep the smile from your face.
Billy furrows his eyebrows, shaking his head lightly. “Nope. No way. You're not naming my car Lily.”
Since he seems very focused on the road, you get the chance to look at him. Your eyes run through his face, his cheeks, jawline, lips. His eyes, that you concluded, are the same color as the ocean. You wish you had a good excuse to look at them, just for a while. “Not even if I say please?”
“Not even if you make puppy eyes.”
With a dramatic eye roll, you decide to give up on the matter, for now at least. Half an hour later, you finally get to the hotel where the gala will happen. You advise Billy to park his car three blocks away since it'll be a lot easier to leave after the party is over. Then, you leave the car and walk the rest of the way. The hotel entrance is already crowded, and you know at least half of all these people, but so far, you haven't spotted any of your friends.
“Can I hold your arm? Just because that's how the dates walk around in these things.” Shyly, you ask as you climb up the stairs to the main hall.
“Sure.”
“Thanks.” Muttering, you take his arm, now already at the entrance. The two men by the door give you a nod, gesturing for you to get inside. People know you, there's no need to ask for an invitation. The hotel's hall is beautifully decorated, with tiny white and yellowish lights scattered through the walls, and then hanging, coming all together on the chandelier. You can't deny it looks amazing, but still, you'd rather be somewhere else. “So... That's how it happens.” You start, walking around with Billy. “We find our table, and on the way, we make sure to spot and greet some people. The goal is to make your presence known. Then, since it's a beneficial gala, I'll have to make a donation.” Shrugging your shoulders, you wave at one of your mother's friends. “Then we go to our table and endure the rest.”
“No dancing?” He asks, after a small pause you make to greet Mr. and Mrs. Whayland, and thankfully, not James.
“I don't dance on these things, but...” Letting go of his arm for a moment, you turn around until you facing him, slowly walking backwards. “I will if you let me name your car Lily.”
“No dancing then.” He simply says with a smirk. “Quit it. You won't–” Billy suddenly grabs your arms, pulling you to the side. When you look behind you, you notice you almost hit one of the waiters, his tray full of vol-au-vents. “Careful.”
“Oh, my gosh. Sorry.” Giggling and a little embarrassed, you give the young man an apologetic look. “Let me get these.” Reaching out your hand, you take two pieces, handing one over to Billy. “Try this.”
“What is that?”
“Vol-au-vents. Some French thing. It's a pastry with some kind of sauce. It's good.” Carefully not to drop any sauce on your dress, you give the small thing a bite, gesturing for Billy to do the same, eyes focused on his face as he eats. “So?”
“I like pizza better.” He concludes and you nod.
“You're definitely the best date I could find.” Taking his arm again, you pull him to the table where most of the food is placed. There are waiters here too, making sure it's always be full. “Now, chose something.”
You take a quick glance at his face as he thinks. You're happy he doesn't seem so out of place here, or at least he doesn't let it show. “Shrimp cocktails.” He says. “Are they as good as they look or will I be disappointed?”
“I wouldn't know. I'm allergic to shrimp so if you're planning to kill me, that's the fastest way to do it.” Halfway through your sentence, Billy stops on his tracks, his hand now just hovering over the shrimps. “But you can eat them. Just... For real, don't touch me with that hand.”
“Let's not risk it then.”
“Alright.” Blushing, you clear your throat. You did hear some stories about Billy, mostly from your friends, trying to talk you out of coming with him. Billy has a way with women, never really going out with the same more than a couple of times. He's up late partying, punching people in the face when they get on his nerves, stuff like that. But he's being very nice with you today and was kind enough to make this hell of a huge favor. You don't care what he does in his free time, he's a nice guy. “This over here.”
“Brandy snaps.” You say, taking one for yourself. “I love this.” Some of the chocolate gets on your thumb as you eat, so you suck it clean, a gesture that makes some people around give you a disapproving stare. Flustered, you turn back at the table.
“Everything alright?”
“Yup. Come, I want to make a donation and sit down.” The incident makes you a little upset. These rules, as stupid as they may be, are meant to be followed, mostly on an event like this. Not even silly accidents as getting some chocolate cream on your thumb are acceptable. When you get to the table, you ignore the line of people behind it, taking one of the paychecks and a pen, you start writing down. “Last time, I donated fifty cents. As a joke, you know. People only do this to show off how much money they can afford to give away.” You tell Billy as you sign down your name. “My mother gave me a hell of a lecture.”
“So how much will you donate now?” He asks, coming a little closer to read what you're writing.
“Twenty.”
“Twenty dollars?”
“Twenty thousand.” You say as you put down the value, sliding it into the rectangular glass box. When you move to take Billy's arm again, he has his eyebrows raised. “What?”
“Nothing. It's just a lot of money.”
Not really, but you won't tell him that. “At least it'll buy something someone needs. Our table is by the windows, thank God.” You exclaim once you finally read your name on a piece of paper attached to the centerpiece of the table. Pulling Billy with you, you take a seat, your eyes immediately finding the beach, just across the street. “We can see the beach from here. A total win.”
“(Y/N)?” Your father calls, and you abandon the ocean for a while, finding him standing beside your mother.
“Hi, dad. Mom. How's the organization of–”
“Is he your companion for the gala?” He cuts you off, exchanging a glance with Billy. You knew they'd be mad, but something just clicks inside you. Through the corner of your eyes, you see Billy immediately looks away, at the beach.
“Yes, father.”
“Didn't you had other guys to–” He's interrupted by an announcement, his and your mother's being called alongside several other people. “We'll discuss this later.” And he leaves, your mother only giving you a hard stare.
“I bet it won't be pretty when you get home,” Billy speaks, still looking through the window. “They might even ask for someone else to attend to your pool.”
“Well, if it wasn't you working that day, I could've drowned so... I'll make sure to remind them of that.” Then, everybody stands up. You, taking the chance, walk closer to the window, arms crossed, forcing your eyes to find where the horizon is, now mixed with the dark sky. Soon, Billy joins you, eyes on the landscape. “Sorry about that. I swear I don't understand why is such a big deal.” You do get it's because he's just the pool guy, an employee, but still, it's stupid. Why can't he be your date? Would your father rather Michael, who almost got you killed, came with you? “I... I'm having a good time with you. This would suck a lot more if I were with some of those idiots.”
“Don't worry about me. I'm used to it.”
“You shouldn't be.” Turning around, you rest your back against the glass, gesturing at the party in general. “Do you know why people make such exaggerated donations? Because the five highest paychecks will be announced, so everyone will know. And you think people will find that selfless and generous? No. They'll start counting, calculating how much those people actually have on the bank to afford to spend so much.” There's a mocking tone on your voice, and you struggle to keep it down. “This isn't about helping those in need, is about social status.”
“Do you wanna get out of here?” Billy suddenly says, and the idea is so absurd it makes you chuckle, looking at him.
“What?” Looking around, you shake your head. “I can't... I can't just leave.”
“Why not?” He shrugs his shoulders. “You donated, your parents already know you came, and some woman gave you a death stare just because you sucked some chocolate off your thumb. You achieved all your goals for the night.”
Tilting your head to the side and looking at the floor, you consider it. The night is far from over, and the thought of having to sit here for hours is horrible. And the possibility of leaving thos place makes your heart beat faster. “Where?”
“There.” When you look up at him again, he's gesturing at the beach.
Slowly, a smile comes to your lips. Quickly scanning through the people, you notice they're quite focused on the host, who's still speaking. “Alright, let's go. But we gotta be careful.”
“We will. C'mon.” Billy grabs your hand, moving through the tables, but remaining near the wall. As you keep his pace, you're on high alert, checking if anyone is looking your way. It feels like it takes forever for you to reach the entrance, only half open, but when you do, you're relieved to notice those two men aren't here.
“We're out!” You burst out, quite loudly, bringing a hand to cover your mouth. Quickly, you rush downstairs, walking around the huge fountain and right into the sidewalk. You make a small pause, waiting for some cars to pass by before crossing. You can't stop smiling when you reach the other side. That's when you notice you're still holding his hand, so you let go, looking away. “I can't believe we're doing this.”
“It's not a bid deal.”
“It is for me.” Using his shoulder to balance yourself, you take your high heels off before stepping on the sand. “I never did anything like this.” Feeling the sand under your feet is amazing. This night just got so much better. “You're the best date I could ever find and that's final.” Turning on your heels, you find Billy coming your way, also barefoot.
“A lot of people would disagree.”
“I don't see anyone else here, so their opinion doesn't matter.” Reaching out to your bun, you pull all the pins, letting your hair down and dramatically shaking your head, until the strands fall all over your face. “This feels like freedom.” You giggle, taking a deep breath, aware of how stupid it may sound.
“I don't understand you.” He says, and you open your eyes again, looking at him. Billy walks by, and you quickly move to follow his pacenalong the beach.
“What don't you understand?”
“I met a lot of chicks like you. Rich, wearing rings more expansive than my car, with easy access to anything money can buy and they're happy.” Putting a strand of hair behind your ear, you glance at Billy. His shirt is half unbuttoned under the suit, giving you a glimpse of his chest, and that makes you blush and look ahead again. “But you don't sound happy.”
Shrugging your shoulders, you breathe out, not sure how to answer to that. “I know you probably think I'm just some spoiled rich kid with rich kid's problems who has everything yet wants more–”
“I know people who are just like that.” Billy makes a pause, and you give some more steps before turning around to look at him. “You're not one of them.”
“Are you sure?”
“You're the only boss I ever had who offers help.” As he speaks, a small ripple reaches your feet, and you jump a little before giggling and walking into the water until it reaches your calves, soaking your skirt. “You'll ruin your dress.”
“Mother won't let me wear it again since everyone already saw it so...”
“So... You always do what's expected of you.”
“I'm an open book to you, am I not?” Furrowing your eyebrows, you wonder how did he got there so fast. People don't notice it. You're always in perfect disguise.
“I just know where to look, I guess.”
“Well, I do what's expected of me, yes.” Walking out of the water, you feel the skirts of the dress getting attached to your legs, but you don't mind. “I gave up trying to argue with my parents a long time ago so I just... Follow the rules. One day after the other.” This is sad, you know it. Just mentioning it sucks. Being part of the high society is a privilege, or so they say. But you? You don't have a choice. “The good part is that it's Summer and there's no college. The bad part is that there are some stupid events to attend to, like that gala.”
“I know some people who would kill to be invited for something like that.” Billy tilts his head to where the hotel is.
“If you were somehow enjoying that we can go back.” By the look he gives you, it's quite obvious he wasn't, so you smile, walking closer to him, and pretending to pin your hair up again. “I can just fix this and we can go.”
“That's not my kind of party, don't bother.” He takes both your hands, pulling them away from your hair, causing it to cascade down again.
“And what's your kind of party?”
“You wouldn't like it.”
“Try me. You will never know if you don't take me to one.” The moment you say it, you understand what you meant, and the smile fades from your lips as you both resume your walking. Billy wouldn't take you anywhere else, not somewhere where his friends would see him with you, some wealthy, stupid girl. And your parents would never approve you going somewhere... Different. Somewhere not filled with millionaires. “Nevermind.” You're quick to add. “I throw my own parties. Just blasting music in my bedroom and dancing with myself.”
“So that's where that music comes from.” He chuckles, and you playfully elbow him. “Maybe someday. If your father doesn't kick me out of your property, we might see a little of each other every once in a while.”
“Yeah. You could let me rake some leaves at least, I'm sure I can–” A loud, deafening explosion cuts you short, and you cover both your ears out of instinct. When the impact is over, you turn around, easily finding where the dark smoke and flames are coming from. The hotel. “What the hell.” You're still speaking when a dozen black vans come into your sight, all heading to the hotel. Seconds later, the shootings begin.
×
@multific @dontxfearxthereaper @nope-thanks @nikkixostan @shinydixon @alwaysadreamingoptimist
#imagine billy hargrove#billy hargrove x reader#billy hargrove fanfiction#billy hargrove x y/n#billy hargrove imagine#billy hargrove#billy stranger things#stranger things imagine#stranger things x you#imagine stranger things#stranger things
74 notes
·
View notes
Text
So today two of my worlds collided in the best way: Ryan and Shane were guests on one of my favorite podcasts. I was totally blindsided by this since there was no promo for it whatsoever (who knows why, maybe they forgot when the release date was, maybe they’ve been taken captive by skeletons, maybe they’re just terrible at promoting themselves), and it killed me that I couldn't listen to the whole thing until after work. It's over two hours long and podcasts aren't everyone's cup of tea, so I'm capturing the ghoul boy highlights here for anyone who wants them.
Wine and Crime is a weekly podcast hosted by three ladies who are feminist as fuck and pair a different crime with a different wine each episode. This time, the theme was Pandora's Box crimes, aka "crimes that were only supposed to be minimal but ended up being a shitshow." Inevitably, they paired it with boxed wine.
Enter the ghoul boys.
Ryan, on Franzia: I do enjoy slappin' a bag Shane: I've seen Ryan slap some bags in my day. [...] Ryan: Shane has to tell me to stop slapping the bag sometimes Ryan: I used to do this thing in college called Tour de Franzia. It was like a drinking game, but it was an obstacle course, and at every checkpoint you had to slap the bag. [beat] I made great decisions in college.
Ryan: You say "nice stream" to the sound of liquid being poured into something, it maybe is not the best...it may not communicate well over audio. Shane: Hey, nice stream Ryan: Nice stream. That's what I say every time I go up to a urinal. To any guy. Tap him on the shoulder. Shane: Men in public bathrooms, we all compliment each other's streams. Ryan: Yeah. It's best if you whisper it. At close proximity. I get really close so he can smell the Popeye's on my breath that I just got at the terminal and I whisper "nice stream."
Ryan: We're drinking the 14% Four Lokos seltzer over here [borderline unintelligible banter about playing Edward Four Lokos hands]
Ryan, on the description of himself on a "which BFU guy are you" quiz: That sounds like the description of a golden retriever.
Shane: I know there's one quiz that was popular where the description [of me] was entirely wrong.
Ryan, increasingly high pitched: A fan sent you all these goat parts?
[What is your favorite wine varietal?] Ryan: Hmmmmmm... [Do you know what a varietal is?] Shane, with gusto: No!
Ryan: Wine to me is just wine at this point. I'm not that far on my wine journey. I was a beer guy that's transitioning over into wine. Shane: Well, it sounds like you're not doing a very good job. Ryan: You know what, I said I am LEARNING, Shane. So why don't you get off your high horse and tell them what kind of wine you like? Shane: I don't even know! Ryan: Mr. "I don't know what a wine varietal is" Shane: Yeah. But I don't call myself a wine guy Ryan: I never said I was a wine guy! I said I was-- Shane: You were like, "Oh, have you see that Netflix documentary, Sommelier?" Ryan: First off, I didn't say it like Elmo from Sesame Street, but I also said I was transitioning!
Shane: I like some red wines and some white wines Ryan, imitating him: I like the stuff with the alcohol in it...and sometimes it has bubbles and makes my tummy feel good and uhhhh, yeah Shane: Yeah, I don't really know... Ryan: Sick answer Shane: There's a kind my girlfriend always gets that's really good but I don't...I can't remember the name of it Ryan: That's a long name. That's actually a good name for a wine! The Kind My Girlfriend Gets, ever had it? They sell it at Trader Joe's. Shane: I'm not even trying to do like a...*weird cowboy voice* "I'm a man, so I don't drink wine. Only my girlfriend does." I like wine, I've just...I've never been good at wine. And wine makes me real sleepy, so I almost never have it. Ryan: That's why I don't drink red wine...and it also makes me look like I've been chewing on mud clots or something.
[What is one "unsolved" case that you're pretty sure you've solved?] Ryan: What was that one where I was like, I think I've pretty much solved this one? The Black Dahlia I'm pretty sure was George Hodel. I'm almost positive of it. Shane: Wasn't there like a missing child one that we thought we had sorta gotten? Bobby Dunbar Ryan: Bobby Dunbar. I think we had solved that one. Uh... Shane: We can never concretely say that we've solved it. Ryan: No, we can't legally, but I'm pretty sure D.B. Cooper's bones are an ornament in some pine tree out there in the Pacific Northwest [...] Shane: The case is pretty closed on Amelia Earhart, too. Ryan: I don't think so. Shane: Yeah, she got eaten by crabs. Ryan: I think it's closed in your mind. That's what you'd like to have happened. Shane: That's what happened. Ryan: Giant, man-eating crabs. It's amazing that those exist. I saw one dragging a coconut. Not hard to imagine that coconut being a head. Shane: Yeah. Of an aviatrix. Ryan: Of an aviatrix, yeah. The most famous aviatrix of all time!
Ryan: Fun fact, shaking my bones is what I call dancing.
Shane: I'll say that Ryan is 100% that bitch. Ryan: I'd say 0% actually. Shane: See, that's what makes you that bitch. Ryan, cracking up: What about you, Shane? Shane: Mm. 45.
Ryan: I don't know if people would like me walking into a room trumpeting "I'm 100% that bitch!" every time I walk in a room. I think there's nuance to it. You can't always be 100% that bitch. [...] Or if I'm trying to make an omelet and I can't make the flip...not 100% that bitch in that moment. I'll tell you, it's the bane of my existence Shane: You can't make an omelet? Ryan: It's impossible! Shane: It's not. Ryan: It's really hard! I don't think I have the proper pan. Shane: It sounds like you don't. Do you have a good spatula? Ryan: Maybe, I dunno... Shane: WHAT DO YOU MEAN MAYBE? DO YOU HAVE A GOOD SPATULA OR NOT? It’s a yes or no question! Ryan: I think it might be, I don't know! I have no idea where it came from, I got it from my mom. Maybe she bought it from Sur la Table? Shane: I was gonna say, go to *French accent* Sur la Table, get a little free espresso... [degenerates into arguing about French pronunciation]
Shane on working at Abercrombie: I was in the stock room, they didn't let me up front. Not my beat. [...] Me and my friends...would just hang out in the back and listen to music and eat cookie dough. And they'd be like "we need you to fold this box of girly shirts" and we'd be like "ah, okay!" and then we'd just take the box and be like "this is too many shirts." And we'd just throw it...this was the area like a loft area where you couldn't see anything. We'd just throw the boxes so we wouldn't have to fold the shirts. They're probably still there. Ryan: Sounds like you were a great employee.
Shane: I started as Buzzfeed as an intern. Ryan had started a month or two before me. So we came up in the same intern class together.
Ryan: I did grip and electric work for two years, which is basically like lifting heavy gear essentially on set and I realized I didn't want to do that for ten years before I even had the chance to sniff a camera.
Ryan: I filmed powerpoints for doctors...I did feel like a prisoner at times when I was there, listening to a doctor from USC's Keck medical school talk about irritable bowel syndrome for two straight hours...I was a couple days away from joining the union...That was concurrent with the irritable bowel syndrome filmings.
Ryan: I chose the internship at Buzzfeed not knowing what it was, met the Shaniac over here, and then, um...we went through that program, which was kind of like the Hunger Games. We saw all of our fellow interns die. [...] We worked our way up, I eventually made Unsolved.I made unsolved actually with a different host, Brent Bennett. He left the show because he didn't like...I believe the quote was "I don't like these stories anymore." Shane: *dies laughing* Ryan: And I turned to my right and was like, "hey Shane, wanna do this instead?" and he was like "sure" and that's that. And from then on I guess we never looked back.
[Shane, how do you feel about being the second choice?] Shane: I'm fine with it. Really, there was so little fanfare to him asking me. Ryan: No ceremony at all. Shane: 'Cause we were just making stuff left and right at that point and series were not really an established thing at Buzzfeed [...] Even when Ryan had asked me "hey, would you like to be in this?" uh...I was like "yeah, lemme..." Ryan says I checked my calendar. Ryan: Yeah, Shane looked over at his google calendar, saw that next week was open, and was like "yeah, looks like I've got some time" and I was like "sweet, lock it in" and he was like "cool." And then we both put our headphones back on 'cause we sat next to each other at a desk and worked on other things and that was that.
[What is some of the silliest feedback you've gotten about your show?] Ryan: Luckily the fan base is pretty nice. There's plenty of fun, positive comments out there, however, this is one that tickled me the most. A guy somehow found my personal email address and emailed me to let me know. He's like "hey man, love the videos, excellent content to get stoned to. Keep it up, cheers!" I don't know who this man was.
Shane: I do have some hope that Bigfoot is real. A little unlikely. The other one I always root for is Champ in Lake Champlain. Ryan: I don't know why you have such an obsession with Champ. [...] Shane: Champ...there seems to be something fishy going on there. There's something going on in that lake. Ryan: Good pun Shane: Not even. There's something going on there and I've seen that lake and I've looked out at that lake and I've felt something inside me just looking out at it. Ryan: You sure it wasn't just IBS? Shane: We've established that you're the one with IBS Ryan: I'm not the one with IBS! Shane: You joined the union! Ryan: You were the one who almost pooed your pants on an investigation Shane: That's a different story! Ryan: You ate two hot dogs that were served at the baggage claim in Philadelphia Shane: We. Were. Hungry.
Ryan on Dyatlov Pass: I'm gonna double down here. I think it was a yeti. Or, not a yeti. I think it was an abdominal snowman. Shane: Abominable.
[borderline unintelligible banter about an incredibly ripped yeti doing crunches]
Shane: I'm very content with the mysteries of the universe never being uncovered. It's fine. Ryan: It's frustrating. Shane: You're gonna go to the grave not knowing so many things, so you might as well just give up on them. Ryan: Such a nihilistic way to look at everything.
Shane: If you know anyone who's traveling and they're your enemy, you just call the FBI and say "oh, they're up to no good up there." Ryan: If Shane was flying somewhere I could just say "yeah, I think he's dangerous. I know him. He's the guy who couldn't fit a hat on his big head."
[interlude where they decide to name an anonymous suspect Shane Ryanson]
Shane: It would be funny if this was like the highest escalation of a prank war between two friends Ryan: That'd be a hilarious prank, getting someone thrown into federal prison. Super funny. Gotcha!
Shane: If you're the kind of person who is likely to call in a threat to the FBI solely as a way to get a dig in at your friend, that probably stays with you for life. That's pretty hard-coded into who you are. Ryan: That's true. Especially when you look like an out of work Batman villain [...] If this dude walked into a 7-11, I would drop my Slurpee immediately and run to my car. He's a scary man. I'm out. Slurpee's on the floor.
Shane: I'll tell you this in defense of dolphins, they do have funny little smiles.
Shane, on breaking into Sea World: That seems like an extremely Australian thing to do.
Shane, googling fairy penguins: Yes, it's a wonderful little penguin! He's so small! Ryan: This is great, this is like a dark gritty reboot of Mr. Popper's Penguins.
Shane: Just...to meet someone, get along so well that you each drink a half a liter of vodka together and then go swimming with dolphins and blast some sharks with a fire extinguisher Ryan: ...and then decide, let's top off the night by bringing home a fuzzy little friend Shane: I mean, by that point you've got a winning streak going. You're like, "yeah, we didn't get eaten by sharks! we did swim with the dolphins! Of course we'll steal a penguin!”
Ryan: I bet the penguin actually helped the hangover, to be fair. If I was hungover, I normally just see my blinds shuttered in my room, my shoes are somewhere in the house, but if I found a penguin I'd be like "okay, maybe this isn't so bad." Shane: A rehabilitation penguin. He just hopes on your bed in the morning. Ryan: Just starts smacking me in the face with his little fins. It's great, I love it.
Shane: I think she shouldn't have killed her husband. Have a little faith in his worm farm.
224 notes
·
View notes
Text
Barbie: Princess and the Popstar REVIEW:
Hello everybody, my name is JoyofCrimeArt and I hate myself. Barbie.
The Direct-to-DVD Barbie movies aren't something that I, and I assume many of you reading this, ever really thought about to much. They we're always that movie that you would see in the Wal-mart "five dollar" DVD racks. Or maybe you'd see a snip-it of one airing on Nickelodeon at like, twelve o'clock on a Sunday afternoon. Compared to, say, the direct-to-DVD Scooby-Doo movies the Barbie movies seem to be a lot less attention. Which is why it came to such a shock to me that there are SO MANY! Thirty-six. As of the time of me writing this review there are thirty-six direct-to-DVD Barbie movies. And not only that, but they are divided into several different continuities and "seasons" as Wikipedia list it. The Barbie movies are a massive franchise! I just can't wait until their next film. Barbie: Infinity War. That one will make all the money! So in order to honor such a long lasting franchise, I figured it was about time somebody gave Barbie the respect she deserves. The movie we're going to be talking about today, Barbie: Princess and the Popstar is the twenty-third entry in what I have titled the Barbie: Cinematic Universe. I had actually seen this one a couple of years ago on Nickelodeon. And it is, as of the writing of this review, the only Barbie movie that I have seen. Why did I choose to watch this movie oh so many years ago do you ask? Well, it was because of the title. Princess and the Popstar. Most Barbie movies have kinda dumb overly girly titles, but this one takes the cake. Princess and the Popstar! Somebody was PAID to come up with this! And you wanna know the really crazy thing? This isn't even the first Barbie movie to be an adaptation of Mark Twain's "The Prince and the Pauper." There was another, I'm assuming more straight forward, adaptation in 2004. But I guess marketing decided that Mark Twain's classic novel just...didn't have enough pop stars to meet "Girls between the ages of 2-7" demographic. But hey, maybe the film won't be so bad. I mean the film is directed by Zeke Norton, who directed both Scary Godmother films. And those films...exist. Anyway, no more stalling. Let's dive head first to Barbie: Princess and the Popstar.
The movie begins with a pop concert. And honestly, I can't imagine it starting any other way. Famous pop star Keira (voiced by Ashleigh Ball.) is preforming a music tour in the fictional kingdom of Meribella, in celebration of the 500th anniversary of the countries founding. We see her preform her set. We then cut away the kingdoms princess, Princess Tori (voiced by Kelly Sheridan.) standing outside her castle's balcony, listening to the event from a distance. And if those voice actresses names sound at all familiar to you that's because our two heroines are voiced by Applejack and Starlight Shimmer, respectively, from My Little Pony.
UGH! As if I didn't already have enough reason to hate Starlight Shimmer! ... Starlight Shimmer is the one that everybody hates, right? Princess Tori wants to go down to the concert, but she is stopped by her Aunt, Dutchess Amelia. And I want you to guess, purely from her design, what her personality is.
If you said, stuffy old authority figure who's too focused on tradition and doesn't get the joke, than congratulations! You can predict a Barbie movie! Princess Tori wants to go to the concert, but her Aunt forbids it because Tori has to write and preform a speech for the kingdoms five hundredth anniversary event. And she hasn't even started writing it yet. But Princess Tori isn't one for all this "traditional, princess stuff." She's goofy, mischievous, and a bit of a prankster. She's just too much of a rebellious free spirit for all this noise. Like all princesses in animation she dreams of something more. She dreams of being able to live her own life, free from all the rules and restrictions that being royalty presents. But, y'know, she still wants all the riches and glamour. Cause hey, that shit is sweet! Meanwhile, Keira is busy dealing with all of her pop star duties. She's headstrong, and a bit of a workaholic. She runs every part of her tour, from lighting, costumes, to TV broadcast all herself. She doesn't even let her manager, Seymour Crider, do any of the work and ignores all of his advice. Keira is under pressure from her record label to write a new album. She says she's working on it, but with all the workload of running the music tour she just isn't feeling very inspired. And Crider is the one who has to deal with all the heat from the higher ups. Keira is just tired of all the pressure from the studio, and wishes she could not have all the responsibility of being a pop star. But, y'know, she still wants all the riches and glamour. Because, as we previously stated, that shit is sweet! I can relate with Keira. The constant stress of deadlines and work on other projects can make ANYBODY feel uninspired. Sometimes people will become so desperate that they'll be willing to do any half-ass project in order to to stay ahead of deadlines. Like doing a lazy Q&A, or reviewing a Barbie movie. ... Wait.... So as you may have noticed by now, none of the characters in this movie are named Barbie! So already, this movie is clickbait. As it turns out, a lot of these Barbie movies don't actually star Barbie. Rather they star "characters portrayed by Barbie" which is all sorts of confusing. But hey, it could be worse I guess. They could be portrayed by Amy Schumer. But luckily we still got a few years before that happens. Oh, by the way, magic exist in this world. Yeah, I know I bring that up pretty suddenly, but so does the film. Princess Tori has a magic hairbrush that changes her hair, and Keira has a magical microphone that changes her outfit. And nothing is really brought up about this. Like the characters in the film say that it's magic, but nothing else is really elaborated upon. Because outside of the magic, the world the film presents seems to more or less be the same as our world. It's not like it's some fairy tale kingdom or anything, it's set in contemporary times. It's never brought up where the magic comes from, it's just there. And it's even weirder because all they use there magic for is for changing there hair and outfit. Y'know, THINGS YOU CAN DO WITHOUT MAGIC!
Either that dress has a very large pocket, or this scene about to get a lot more uncomfortable. Anyway, the studio blames Keira's manager Crider for not having the album done already. Because like in the real world, pop stars don't have to suffer any responsibility for there actions. Crider is by far the best character in this movie. He is the most over the top, foppish gay man you've ever did see. We learn a bit about his backstory, as he was once a child star himself on this universes version of Alvin and the Chipmunks. But when puberty hit he fell from the lime light faster than Macaulay Culkin. So naturally he is not only bitter at Keira for having to be blamed for all her actions, but also because he is jealous of her fame. He's a great villain not just because of how over the top flamboyant he is, but also because he gives a refreshing breath of cynicism and bitterness that the movie is otherwise lacking. Also he's voiced by Rolf from Ed Edd'n Eddy. He doesn't sound like Rolf, like at all. But simply knowing that makes the whole film a lot more enjoyable. He tells his bumbling sidekick Rupert (Because why wouldn't he have a bumbling sidekick? I mean have you seen the type of movie this is?) that he plans on meeting Princess Tori's Aunt Amelia during a PR event, wooing her, and then inheriting all her money when she eventually passes away.
Crider, Rupert, and Keira arrive at the castle the next day and Crider begins his plot to woo the duchess. Meanwhile, Princess Tori and Keira and immediately hit it off. They are both huge fans of the other, and become fast friends. Tori offers to give Keira a tour of the castle. They begin talking about the problems that they are both going through. This is where they hatch the idea to switch places, and do so using there magic hairbrush and microphone, in order to make themselves look exactly like the other. Oh, and they also each have a dog. Because hey, little girls like dogs. There are some brief scenes we see between the dogs where they talk to each other in "animal language." but overall they don't contribute much to the plot, other than added marketability. Interesting side note, in the 2004 Barbie: Princess and the Pauper film they both had cats instead. Again, I guess dogs were just deemed more marketable. Keira and Tori, now disguised as each other, continue there tour of the castle. This is when Tori decides to show Keira, the person she literally just met, the castles most valuable secret. A secret that only members of the royal family are permitted to know about. And this is where the movies gets WEIRD! Okay, so they activates a secret passage and find a tree. And this tree, which only blooms once every five years, is a magic tree. That is guarded and cared for by a group of magically fairies. And the tree grows diamonds, which Tori says royal family uses the money from these diamonds to help the people! Though the fairies still give a diamond each to our protagonist. Again, it's weird because the world they create in this films universe SEEMS fairly real to our own. But then they just add random magical elements to it with no explanation. They could of at least included some backstory on where this tree came from. It feels like there just trying to check stuff off there "pandering to little girls" bingo sheet.
AH! BINGO! I GOT BINGO!
Unfortunately for our heroines, Tori FORGOT TO CLOSE THE SECRET DOOR PANEL BEHIND HER and Aunt Amelia ends up finding the two snooping around the secret garden. AND SHE DOESN'T CLOSE THE DOOR EITHER! How the heck has this secret been kept for five hundred years? She get's mad at Keira (Who's still disguised as Tori) and the three leave the chamber. But unbeknownst to them, since Aunt Ameila DIDN'T CLOSE THE FRICKIN' SECRET PASSAGEWAY Crider finds out about the diamond tree. And now he decides to change his plan from marrying into money, to just stealing all the diamonds for himself. But that conflict can wait, because we have pop songs to preform.
This movie has a lot of pop songs. Like, about a third of the movie is pop songs. And I have to say...there actually really good. If you're into that kinda pop punk type of music that is. The voice actresses each have a separate singing voice in the form of Jennifer Waris (Tori) and Tiffany Giardina (Keira) and both singers really knock it out of the part. Not only that but there is also some really well done choreography. Not only that, but the film also really takes advantage of the CG medium, with some impressive camera angles and panning shots. I mean it's not the greatest thing ever or anything, but for a direct-to-DVD Barbie movie, I was pleasantly surprised. I feel like this is where the passion was when it came to making this movie. Like the story was second to the music.
However, I would be lying if I said that the music didn't drag on a bit. Just due to how much is in the special. Not only that but several songs are used more than once, which isn't that bad because they sound really good, but it does make it feel a bit repetitive. That said though, I was suppressed by how good this aspect of the film was.
So Tori and Keira both begin trying to fulfill the role of the others. However, the both seem to have a bit of trouble living up to the expectations of there new roles. Typical stuff you would expect from a
"Prince and the Pauper"
adaptation. Tori, now being disguised as a low class...world famous pop star....decided to take this opportunity to explore her kingdom beyond her castle without escorts.
(Because, yeah, a pop star TOTALLY wouldn't have escorts with her when she's walking through the slums of a foreign nation.)
And Tori ends up coming across something she's never seen before. Poor people!
More specifically two poor little girls, who are taken a back by "Keira's" presence. We learn that, despite how glamorous the castle life is for the royal family, the kingdom itself is actually suffering. A major drought had occurred in the kingdom the year prior, and while the wealthy nobility we're not effected much the poor people are still suffering, and Princess Tori was completely oblivious to what was going on the entire time.
So now that Princess Tori has finally
Checked
HER
CIS
WHITE
PRIVILEGE!!!
-she decides to try to do right for the people by holding a free concert for all the underprivileged children. (Since the kids she met weren't able to afford to go to the concert at the beginning of the movie.) Not only that, but the whole royal family would be in attendance, and the concert would be broadcast live on TV to help raise awareness for the issue. Though Tori and Keira agree that they need to make sure they swap back before the concert starts.
Keira (disguised as Tori) begins to finally be able to relax without all of her pop star-ly duties. She begins to play and have fun with Tori's two little sisters, (who quickly figures out who she is.) And as it turns out, this break from all the stress of preforming and recording is what Keira needs in order to get re-inspired.
The day of the concert arrives, and Keira tries to meet up with Tori to swap places before the show begins. But rut-row, Aunt Amelia shows up and finds that "Tori" never ended up writing her speech. And because of this, Amelia refuses to let "Tori" go to the concert and locks her in her room. I do like that Keira actually does try to tell Amelia about the body swap ploy, in order to get her to let her out of the room. But Aunt Amelia doesn't believe her, and heads out for the concert.
As this is all happening, Crider and Rupert begin there plan to steal the diamond tree. They walk back into the castle claiming that the duchess sent them, and because plot the guards just let them in unsupervised.
Meanwhile at the concert, the crowd begins to get restless, and Tori is forced to go on stage and preform as Keira. She get's onstage, and is nervous. She begins to preform, badly. But then, with the power of "doing it her way"...whatever the hell that's suppose to mean, she is able to give a performance good enough that nobody is able to tell who she is in a pop song performance that last a total of five minutes straight in this seventy minute film!
The concert is a success. But wait, Crider and Rupert have successfully broken into the castles secret garden and have to face off against the fairies. Hey look, it's fairy vs fairy!
...
Am I allowed to make that joke?
Also Rupert brought bug spray to kill the fairies, which is pretty horrific for the villains bumbling side kick. Especially when you realize that this would be a Barbie movie that would have one of the villains using chemical weapons on his opponents. Granted, this doesn't happen, because Rupert accidentally bough hair spray instead, but still. It was his INTENT to use bug spray! Also, of course the villains of a Barbie movies use hair spray as a weapon.
Crider cuts the roots of the diamond tree all of the trees in the surrounding area begin to die. To which I have to ask....why? Is it like a redwood thing, where all the trees are actually just a part of this one organism? If that's the case than why don't all the tree's grow diamonds? Or is this a magic thing? Prior to this scene the tree was never implied to have any magical abilities besides growing diamonds. Was a jewel heist just not deemed an exciting enough climax, so they felt the need to raise the stakes here?
Keira, with the help of Tori's dog, are able to find a secret passage way out of the room and she and Tori both notice the dying trees and run to stop Crider from escaping with the tree. They also switch back into there real identity, and I just now realize as I'm writing this that Crider does not question this very much. HE DIDN'T KNOW ABOUT THE WHOLE IDENTITY SWAPPING THING.
Also, let me talk about something that bothers me. There was this character earlier named Prince Liam who's "potrayed by Ken." He had a few scenes early on with Keira (who was disguised as Tori at the time.) I didn't bring him up because he honestly didn't really do anything that was important to the plot. But then, suddenly in the climax, he shows up like he was a main character or something. And he's annoying. He feels really tacked on, like the producers realized that there wasn't a romance element to this film and decided at the hour mark that there needed to be one. Except that doesn't even work because he doesn't even end up with either girls. With I admit was a pleasant surprise, that neither girls in the movie end up with a love interest. But it makes Liam's existence even more worthless. Also he's kinda misogynistic, talking about saving the "damsels in distress." even though they save themselves. All Liam does is take down Crider's sidekick.
Crider runs to his limo, but is blocked by the dogs. Cause y'know, a pug and a King Charles spaniel just COMPLETELY BLOCK THE ENTIRE PATH! So he ends up be stealing a horse drawn carriage in order to make his escape. Tori get's into Crider's limo and we get a kinda fun car/horse drawn carriage chase striped right out of the end of Ouran High School Host Club. How is it that I've reviewed two things with that very weird and specific climax? Anyway, they cut off Crider's carriage, but he has an ace up his sleeve. Turns out his leopard print tuxedo is also a GLIDE SUIT and he jumps off a cliff to make his dramatic escape! And that's why Crider the best character in this movie. But then Keira just zaps him with her magic microphone and turns his suit into a dress. And Tori zaps his hair to make it look more feminine. The villain is defeated, but the tree is still dead. But Tori has an idea. They suspect that maybe the diamonds that grew off the tree could act as the trees seeds. They go back to the garden and take the diamonds that the fairies gave them earlier and plant them into the ground. The fairies use there magic and at first it doesn't look like it'll work. But then, the tree begin to regrow and all the life returns to all the other trees all over the castle. This is actually a clever twist, except for the fact that the tree still has diamonds on it, even though they specifically say that it takes five years for the diamond to bloom. BUT WHO CARES ABOUT THAT, WE HAVE A CONCERT TO FINISH! Yeah, Tori kinda just bailed in the middle of that. Tori and Keira both show up on stage, and preform together. Tori writes her speech and and talks about making changes to the kingdom's irrigation and social serves system to help the people harmed by the drought. Tori learns about responsibility and Keira kinda learns to relax...I guess? And the movie ends on a pop song. Y'know, a good book end.
Puffy Ami Yumi?... So that was Barbie: Princess and the Popstar! Overall what do I think of it? Well, to be honest, I'd be lying if I said I wasn't kinda checking the time while watching it. Heck, I'd be lying if I said I wasn't even a little bit tired of thinking about it while writing this review. The main problem is the basic premises. Princess and the pop star. The whole point of "The Prince and the Pauper." is that it's a rich person with a lot of responsibility and a poor person with no responsibility changing places. But here, it's a rich person with some responsibility swapping roles with....another rich person with some responsibility. There's no real contrast, and because of that we only get the bare basics of character development or an actual moral. The overall animation is...okay. You can see there's ambition, but the lack of budget really makes it look like a Sims 3 machinima. The main villain is fun, but the rest of the characters are pretty basic. And the pop songs, while being extremely catchy and well choreographed take up somewhere between a third and a half of the film. And I feel like if the film used more of that time on more important things than maybe it would of been better. If you want a movie with some so bad it's good elements (some actual good elements worked in) you MIGHT enjoy this film. But you have to have the patience to get through some of the more tedious bits. Also I feel like a REALLY little girl might like this. I know people say "Kids deserve good things too." and there not wrong. But it's important to remember that kids have different taste than we do. When I was a kid I loved the Pokemon and Yu-Gi-Oh! anime, so that should be evidence of that. But if you want a GOOD girl power type of show or movie....there's plenty better out there. Steven Universe, My Little Pony, Star vs, Hanizuki, the list goes on and on. Those shows are girly AND can be legitimately enjoyed by anybody, young or old. This really can't. That was my review of Barbie: Princess and the Popstar. If you've seen the movie by some...odd chance...tell me what you think of it in the comments down bellow. I would love to start a conversation. Anyway, see you next time for hopefully something better. Have a great day. (I do not own any of the images or videos in this review all credit goes to there original owners.)
https://www.deviantart.com/joyofcrimeart/journal/Barbie-Princess-and-the-Popstar-REVIEW-744926224 DA Link
2 notes
·
View notes
Link
Planning a TV wedding is a lot like planning a real wedding — you work with venues, florists, dress designers, and tailors. Only you have no more than three weeks (typically just one or two) to get the whole thing done. Can you imagine?
"I'm not a wedding planner, but we always joke that I could be after how many weddings we’ve done," says Nicole Cramer, set decorator for Grey's Anatomy since the show's fifth season. (She worked as a shopper on Cristina Yang's season-three wedding to Preston Burke, under then-set decorator Karen Bruck.)
It helps that Cramer is one of a team of people, from the production designer to the props master, working with TV money. (The set budget for April Kepner's wedding, which didn't have a reception, was about $20,000; the set budget for Miranda Bailey's, which did have a reception, was roughly double that.) Still: three weeks, max, to pull together a wedding. That's impressive.
Also under extreme deadline is Mimi Melgaard, the show's costumer designer since its third season. "Everyone’s always shocked when they find out we've put a wedding together in 10 days," she says. "We’re kind of used to it."
Here, Cramer and Melgaard tell the stories behind eight Grey's Anatomy weddings, all of which began with a vision from show creator Shonda Rhimes. (Think of her as the bride.)
April Kepner and Matthew Taylor: "Get Up, Stand Up" (Season 10, Episode 12)
The location: Windy Hill Ranch at El Campeon Farms. "We knew it was going to be a barn wedding to reflect on April’s past," Cramer says. "We got that note right off the bat." (April was raised on a farm in Ohio.) "Of all the weddings, this one was probably the least stressful because the venue was pretty already. Of course, what you’re seeing out the barn doors, the mountain and the lake, are a green screen."
The details: "We plan the wedding around the character. So April has little signs made — 'Happily ever after starts here.' We were like, 'April would do this, for sure.'"
"[Same with] the butterflies, which were scripted. And I think the 'Mint to Be' favors were also scripted. Somebody must have seen that on a wedding planning blog."
The flowers: "We got the fabrics from the bridesmaids' dresses [in advance] and that helped us choose the flowers. With the orange, we kind of went off April’s red hair.'" As with most of the Grey's weddings, the flowers were fresh-cut (Cramer often sends cast and crew home with arrangements); in this case, she worked with a local florist called AOO Floral. "Everyone thinks flowers are so expensive, but they really do make the wedding beautiful, they bring in the color — that’s where you don’t want to cut corners."
The lighting: "We always do a lot of twinkle lights, they make everything look magical," Cramer says. "We also made a couple of Xs and Os out of twinkle lights, and we did a heart shape out of them. I don’t think we saw that [on the show]. Sometimes things that we want to make it into the shots don’t make it in. We were nervous that the chandeliers weren’t going to get in, because Shonda had requested big, beautiful chandeliers, and we really loved them.” Thankfully, they made the cut.
The dress: "Once I heard Shonda describing the barn feeling, I knew exactly what I wanted, so I was going to have it made," Melgaard says. "But when I was getting some pictures for inspiration, to get the dress approved before I had it made, I found the exact dress that I saw in my mind online, with this designer Peter Langnerout of Rome. They sent me a sample overnight that didn’t fit [Sarah Drew, who plays April], but we at least saw it in person. We sent Sarah's measurements and Peter made it with very few changes [to the original]. The process is usually four or five months for real brides, and he did it lickety-split. He was amazing and his workmanship is amazing."
Miranda Bailey and Ben Warren: "Things We Said Today" (Season 9, Episode 10)
The location: Calamigos Ranch. “I think this wedding was my favorite because it was the hardest," Cramer says. "A huge labor of love. Just picture that room completely empty. We only had one week, two at most, to get that wedding together, and so much detail went into it. We tried to make it very sparkly and romantic and beautiful.
The details: "I loved the table settings. We had fresh lavender in the napkin rings. We worked really closely with the florist, Sandy Rose — we have a wonderful relationship with them and they help us execute our vision beautifully by adding little touches, like glitter to the pine cones. And then we had twinkle lights in mercury vases; we bought all the mercury glass they had downtown."
The dress: "Bailey is that perfect mix of a soft, feminine person who has a strong job," Melgaard says. "That’s why she always wears shirts that have something like a floral pattern — I think in her mind, she’s more of a feminine person. But she’s the boss. Like all successful women, she has to change gears and be focused. So I wanted a really feminine dress for her. We started with a dress and altered it a lot — I added the bling around the sweetheart neckline. I added the belt."
"On TV, I can buy a very expensive, custom-made dress from Italy or a dress from downtown Los Angeles, and it doesn’t matter as long as it works on the body. Chandra [Wilson, who plays Bailey] looks so good in things that hug her figure, which is amazing, that I just went for it."
The surprise dress: "That was an interesting episode because it went into Richard dancing with his wife, Adele, who’d just died. We had to get a dress for her too. We tried to get something that felt vintage-y since their wedding was supposed to be decades ago."
Callie Torres and Arizona Robbins: "White Wedding" (Season 7, Episode 20)
The location: Descanso Gardens. "There’s a round stage with a big ring that’s already built into it at the top," Cramer says, “so we just attached the pink-and-white plastic streamers to the top of that and draped them over the stage. And then we did a pink carpet. We called it the pink wedding. Very girly and sweet. Those were the notes that we got."
The cake: "We found somebody local in Los Angeles to make the little cake topper to match Callie and Arizona and their dresses. Shonda actually has that cake topper in her office now."
"Shonda also wanted a candy bar. We bought the jars at a Muscatels and then picked all the pink and white candies that looked good at a candy shop. We made such a great candy bar but you never see it!”
The dresses: "[We wanted] to make the girls look different so it doesn’t look like two big, white dresses," Melgaard says. "I knew I wanted to do a more traditional one on Callie because she’s from a more traditional family, her family’s Catholic. That’s why I put the veil on her. I altered her dress quite a bit. I changed the neckline, but I still felt like it was missing something, so I had some custom sparkly sleeves made.
"Arizona’s dress was really pretty, with all these torn pieces of chiffon. We tried on a whole bunch of dresses to find the right one. We knew we didn’t want it to be white because Callie was in white, and that color with Jessica’s skin just worked perfectly. It wasn’t too full but it was romantic."
Izzie Stevens and Alex Karev: "What a Difference a Day Makes" (Season 5, Episode 22)
The location: "We looked at so many churches,” Cramer remembers. "I think this one was the grandest and most beautiful. It had the stained glass and the mezzanine on the top, so we were able to drape flowers from the mezzanine."
The theme: "Her wedding was the fairytale wedding — over the top, with candles, romantic. That was Shonda’s notes: that Izzie was living vicariously through Meredith by planning the best, most beautiful wedding she could. And there was a note [to use] lots of candles and flowers and tulle and twinkle lights."
The dress: "That one was interesting because it was supposed to be Meredith’s dress for her wedding to Derek, and then Izzie gets sick," Melgaard says. "So we knew all along it had to be something that looks good on Izzie — it’s definitely an Izzie dress. It's Kenneth Pool for Amsale and they did some alterations for us, like lowered the waistline and changed her neckline a bit. Shonda and I wanted her to feel like a princess — you know, it’s a princess wedding, she could be dying. So it’s a big, beautiful dress with sparkles."
Amelia Shepherd and Owen Hunt: "Family Affair" (Season 12, Episode 24)
The theme: "Amelia’s is definitely more eccentric," Cramer says. "We used fresh wild flowers — Shonda wanted the wedding to be intimate and romantic, with candles, wild flowers, and a harp musician."
The dress: "I had to have three dresses for this one," Melgaard says. "[Caterina Scorsone, who plays Amelia] was secretly pregnant, so I had to choose a loose silhouette, because nobody [from the show] knew she was pregnant besides Shonda and me."
"Then there was the dress that got rained on. And then we came back three months later and continued shooting, so I had to have a third in a much bigger size as well. Amelia is so strong, but she has broken parts, so we tried on a lot of dresses to find something that wasn’t too girly, wasn’t too precious, but that was also beautiful and honored the day for her."
Cristina Yang and Preston Burke: "Didn’t We Almost Have It All" (Season 3 finale)
The theme: "The instruction I got was ‘Shonda’s dream wedding," says Karen Bruck, the set decorator on this wedding. "That kinda freaked me out. I said, 'Oh my god, how am I going to live up to that?'" So they gave me the color scheme that she loved, which was the green and the dark brown — see, it affected me, that I remember so many years later. And lots of flowers. We had to make it a little over the top so it was definitely not Cristina’s personality. Nothing about it was her personality."
The dress: "That dress was so over the top for Cristina, with the bling and the necklace," Melgaard says. "Everything about it was so not her, and she was so trying to be that person for Burke. On paper, if you saw a picture of her, you’d be like, 'Oh, she looks so beautiful, it’s so perfect for her.' And then you cut back and it’s like, 'But that’s not her at all.' And I’m sure that there are brides who can relate to that in real life — being dressed up and propped up and having to walk through and have a wedding with 200 people, and you only want to talk to four."
The rip: "There was a stunt dress we used for Meredith to cut. We took the zipper out and inserted a piece of silk fabric that was attached by Velcro and she cut into that, and that piece of silk was easily replaceable for each take we needed to shoot. We still have both dresses — we save everything in storage. We have a bridal room with all of the bridal dresses and bridesmaids."
Cristina Yang and Owen Hunt: "With You I’m Born Again" (Season 7, Episode 1)
This was "a home wedding, sweet and sophisticated," Cramer says, so the décor was simple and the dress was vintage. "She already had a wedding that was so unlike her, so I wanted this one to feel like her," Melgaard says. "Shonda and Sandra Oh [who played Cristina Yang] both loved it."
Richard Webber and Catherine Avery: "You’re My Home" (Season 11 finale)
The location: "The reception took place at Meredith and Derek's house, which we called the 'The Dream House,'" Cramer says. "It was the last time we ever filmed on that set."
The dress: "That one I made," Melgaard says. "I wanted that color, so I just made it here in-house. I have a wonderful full-time seamstress. I brought her the drawing, and all of a sudden, she made it, including the jacket. We did a fitting with Debbie [Allen, who plays Catherine] and it was perfect."
The (missing cake): "We had a real, three-tier wedding cake by Cake and Art in Los Angeles, and we cut into it as if they had already cut the cake," Cramer says. "I can't remember if we see that in the episode. I'm pretty sure the crew enjoyed it at the end of the night."
#Grey's Anatomy#callie torres#arizona robbins#april kepner#Izzie Stevens#alex karev#miranda bailey#ben warren#Cristina Yang#Owen Hunt#Matthew Taylor#nicole cramer#mimi melgaard#BTS weddings#wedding#cosmopolitan
120 notes
·
View notes
Text
70 Cute Quotes for all Areas of Life
Our latest collection of cute quotes on Everyday Power Blog. Enjoy!
Reading inspirational quotes can boost your motivation and help you lead a happier and more fulfilling life. Cute quotes are a great way to improve your mood and brighten your day.
If you’re looking for the best quotes to cheer up your day or to share with the people you love…look no further. We’ve collected these beautiful quotes just for you.
These cute quotes cover many different aspects of life, including love, happiness, time, beauty, and much more. They are positive, witty, poetic, beautiful and inspiring.
Cute quotes for all areas of life
1.) “Whatever you are, be a good one.” – Abraham Lincoln
2.) “Cute is when a person’s personality shines through their looks.” – Natalie Portman
3.) “Man may have discovered fire, but women discovered how to play with it.”— Candace Bushnell
4.) “Wherever you go, go with all your heart.” – Confucius
5.) “Always wear cute pajamas to bed, you’ll never know who u will meet in your dreams.” – Joel Madden
6.) “As hard as I try to sound tough and dark, I still sound cute.”- Jenny Lewis
7.) “Life must be lived as play.” – Plato
8.) “I believe in a lively disrespect for most forms of authority.” – Rita Mae Brown
9.) “Just give me a comfortable couch, a dog, a good book, and a woman. Then if you can get the dog to go somewhere and read the book, I might have a little fun.”— Groucho Marx
10.) “I’ve never been that cute kid that was forgiven for being naughty.” – Richard C. Armitage
Cute quotes about love
11.) “Love is the answer, but while you’re waiting for the answer, sex raises some pretty interesting questions.”— Woody Allen
12.) “It wasn’t love at first sight. It took a full five minutes.”— Lucille Ball
13.) “We were together. I forget the rest.” – Walt Whitman
14.) “Love thy neighbor — and if he happens to be tall, debonair, and devastating, it will be that much easier.”— Mae West
15.) “I have a crush on your mind. I fell for your personality. Your looks are just a bonus.”— The Notebook
16.) “Love is like Pi: natural, irrational, and very important.”— Lisa Hoffman
17.) “Love is like an hourglass, with the heart filling up as the brain empties.”— Jules Renard
18.) “All you need is love. But a little chocolate now and then doesn’t hurt.”— Charles Schulz
19.) “The being in love is better than the falling in love.”— Simply Irresistible
20.) “True love stories never have endings.” – Richard Bach
Cute quotes about life
21.) “Everything looks cute when it’s small.” – Cynthia Rawley
22.) “I think people should look cute all the time.” – Rachel Zoe
23.) “Life is a succession of lessons which must be lived to be understood.” – Helen Keller
24.) “That’s the secret to life… replace one worry with another…” – Charlie Brown
25.) “Character develops itself in the stream of life.” – Wolfgang Von Johann Goethe
26.) “The chief danger in life is that you may take too many precautions.” – Alfred Adler
27.) “If life is a bowl of cherries, then what am I doing in the pits?” – Erma Bomback
28.) “Those people who think they know everything are a great annoyance to those of us who do.” – Isaac Asimov
29.) “The obvious is that which is never seen until someone expresses it simply.” ~ Khalil Gibran
30.) “Half our life is spent trying to find something to do with the time we have rushed through life trying to save.” ~ Will Smith
Cute quotes for girls
31.) “A real girl isn’t perfect and a perfect girl isn’t real.” – Harry Styles
32.) “I am good, but not an angel. I do sin, but I am not the devil. I am just a small girl in a big world trying to find someone to love.”— Marilyn Monroe
33.) “My style is simple, kinda girly, but with a bit of an edge.” – Erin Heatherton
34.) “Cinderella is proof that a new pair of shoes can change your life.”
35.) “A wise girl knows her limits, a smart girl knows that she has none.” – Marilyn Monroe
36.) “We girls, we’re tough, darling. Soft on the outside but, deep down, we’re tough.” – Kristen Ashley
37.) “Some girls are just born with glitter in their veins.” – Paris Hilton
38.) “I love dressing up. It’s the best part of being a girl, I think.” – Emma Roberts
39.) “A girl should be two things: classy and fabulous.” – Coco Chanel
40.) “Every girl should use what Mother Nature gave her before Father Time takes it away.” – Laurence J. Peter
Cute quotes for him
41.) “Come live in my heart and pay no rent.” – Samuel Lover
42.) “I am in love with you and this reality is far better than my dreams.”
43.) I love you not only for who you are, but for who I am when I am with you!~ Roy Croft
44.) “Everyday I fall in love with you more and more. Except yesterday, yesterday you were pretty annoying.”
45.) “If I know what love is, it is because of you.”~ Hermann Hesse
46.) “I love you from my head tomatoes.”
47.) “Sometimes I wonder how you put up with me. Then I remember, oh I put up with you. So we’re even.”
48.) “My night has become a sunny dawn because of you.”~ Ibn Abbad
49.) “You make me smile for no reason whatsoever, You make me laugh at the unfunniest things, But most of all, you make me love you.”- Anonymous
50.) “Forever isn’t long at all when I’m with you.”~ Winnie the Pooh
Cute quotes for her
51.) “You don’t love someone for their looks, or their clothes or for their fancy car, but because they sing a song only you can hear.” – Oscar Wilde
52.) “The power of your smile should never be underestimated. It melts my heart and touches my soul.”
53.) “Love is like the wind, you can’t see it but you can feel it.” – Nicholas Sparks
54.) “No one else matters when I look into your eyes.”
55.) “You’ve a place in my heart no one else could have.” – F. Scott Fitzgerald
56.) “I’ve fallen in love many times… but always with you.”
57.) “I love you the way a drowning man loves air. And it would destroy me to have you just a little.”- Rae Carson
58.) “I am absolutely, definitely, positively, unquestionably, beyond any doubt, in love with you.”
59.) “Romance is the glamour which turns the dust of everyday life into a golden haze.” – Elinor Glyn
60.) “You`re not only my love… you`re my air, and I cannot live without you.”
Other cute quotes
61.) “I don’t think you can define love.” ― Harry Styles
62.) “I always knew looking back on my tears would bring me laughter, but I never knew looking back on my laughter would make me cry.”― Cat Stevens
63.) “The purpose of life is a life of purpose.”― Robert Byrne
64.) “Life is a great big canvas, and you should throw all the paint you can on it.” ~ Danny Kaye
65.) “I like girls who eat Carrots. ~ Louis Tomlinson” ― One Direction
66.) “Life is the game that must be played.” ~ Edwin Arlington Robinson
67.) “Because I have loved life, I shall have no sorrow to die.”― Amelia Burr
68.) “Maybe I’ll just give up on boys. Okay, maybe not. I mean they’re just so cute!” ― Jillian Dodd
69.) “Life is like a beautiful melody, only the lyrics are messed up.”― Hans Christian Andersen
70.) “Life is like an onion: You peel it off one layer at a time, and sometimes you weep.”― Carl Sandburg
Which are your favorite cute quotes?
Reading inspirational quotes is a great way to enhance our mindsets and improve our lives. Hopefully, these cute quotes have uplifted your mood and brightened your day.
Did you enjoy these quotes? Which of these cute quotes was your favorite? Tell us in the comment section below. We would love to hear all about it. Also, don’t forget to like and share with your friends and fans.
The post 70 Cute Quotes for all Areas of Life appeared first on Everyday Power Blog.
0 notes