#ramone haye

[flexscene]

Rome Ivey via Tik Tok

[gatutor]

Ramon Novarro-Helen Hayes "The son daughter" 1932, de Clarence Brown.

[badmovieihave]

Bad movie I have Cadence 1990

[disturbingstar]

Victims in order

Terrifier

1. Steve Decapitated, head turned into a jack-o'-lantern.

2. Ramone Fingers sliced off, stabbed multiple times in a face.

3. Dawn Sliced her body in half while chained upside down.

4. Tara Heyes Shot seven times then presumably mauled her face as her body was seen in a chair.

5. Cat lady Breasts cut off and head scalped.

6. Will Head stabbed and cut off by two knives.

7. Mike Stomped on his head, then squashed.

Terrifier 2

1. Seth Bolton Even though he was not killed from the choke in the first film, Art brutally smashes his face multiple times with a dual head then ripped his brain out.

2. Unnamed man in the waiting room Stabbed in the head with the mop stick.

3. Fourteen clown cafe patrons Shot with a Tommy gun.

4. Clown Cafe Singer Set on fire.

5. Cereal Kid Shot in the neck with a Tommy gun.

6. Opossum Organs ripped out from the body along with The Little Pale Girl. However, it was already dead.

7. Ricky Stabbed in the eye with a bottle then sliced his head with a hatchet and later was using it as a Halloween decoration, but eventually threw it away.

8. Allie Stabbed brutally by ripping out all of her corpse as the most gruesome death.

9. Allie's Mother Art decapitated her off-screen and was using it as a Halloween trick or treat candy bucket.

10. Barbara Shaw Head shot off.

11. Jeff Presumably bled out after got stabbed in the crotch and got his penis cut off.

12. Brooke Face melt by acid, knee broken, beaten with a stick and sharp objects on it to dead. Heart ripped out and eaten.

Terrifier 3

1. Timmy Thomas Dismembered by Art the Clown with an axe off-camera.

2. Mark Thomas Hit with an axe in bed multiple times.

3. Jennifer Thomas Hit in the back and stomach with an axe. Arm cut off and hit in the skull.

4. Juliet Thomas Killed by Art the Clown with an axe off-screen (Debatable)

5. Officer Evans Decapitated off-screen.

6. Unnamed Nurse Face bitten by Art the Clown's head off-screen, body shown.

7. Adam Burke Lower jaw ripped off by Victoria Hayes and scalp partially ripped off by Art the Clown's body.

8. Unnamed Art the Clown Cosplayer Killed by Art the Clown and/or Victoria off-screen, clothes shown.

9. Dennis Stabbed in the hand with a large nail, fingers eaten, scalp cut in half with a box cutter and head's skin ripped in half by Art the Clown.

10. Rat Smashed apart against a table after being frozen by Art the Clown with liquid nitrogen.

11. Smokey Shot in the head by Art the Clown with a handgun off-camera, blood splatter shown.

12. Eddie Bled out after being shot in the neck by Art the Clown with a handgun.

13. Charles Johnson Kneecap, hand, and half of his face bashed repeatedly by Art the Clown with a hammer after freezing them with liquid nitrogen.

14. Corey Killed in an explosion made by Art the Clown with an explosive present.

15. Unnamed mother Head blown apart in an explosion caused by Art the Clown with an explosive present.

16. Three Unknown people Died in the explosion.

17. Mia Carpenter Breasts, hip, and arms sliced off, face cut open partially in half at the cheek, and sawed in half through the waist by Art the Clown with a chainsaw.

18. Cole Deveraux Hand and fingers sliced off, leg partially severed and ripped off, rectum sliced in half, arm sawed off, head sliced in half, and cut partially vertically in half through the groin by Art the Clown.

19. Greg Shaw Decapitated by either Art the Clown or Victoria Hayes off-screen, stomach sliced open, body shown.

20. Jonathan Shaw Presumably killed by either Art the Clown or Victoria Hayes off-screen, skull shown.

21. Jessica Shaw Plastic tube rammed down her throat with a hammer, rats were put in it and forced to go down, later her throat sliced open by Art the Clown and Victoria Hayes with a kitchen knife. Shared kill.

[dustedmagazine]

Dust Volume 10, Number 5

Arab Strap

It’s lovely out. The lilacs are in bloom. The weather is warm enough to make a sweater/sweatshirt/coat redundant, and the bugs are swarming happily all over the garden. And yet, here we are, inside, ear buds in place, music on high, because however nice the weather, what if we missed something? What if, you, our readers missed something? Well, fear not, because we’re back with another set of short, impassioned reviews. Scottish lifers obsessed with their phones, South African jazzmen nearly forgotten, mumbling rappers, untethered improvisers—it’s all here for you. What, you were going out? Too nice to stay inside? Well, okay, it’ll be here when you get back.

Contributors include Ian Mathers, Justin Cober-Lake, Ray Garraty, Bill Meyer, Bryon Hayes, Jonathan Shaw, Andrew Forell, Christian Carey, Alex Johnson and Jennifer Kelly.

Arab Strap — I'm totally fine with it 👍 don't give a fuck anymore 👍 (Rock Action)

Even more surprising than this Scottish duo’s perversely triumphant return a few years ago is that in 2024 Aidan Moffat is writing more about the internet than about cheating and booze. (He’s still writing about those things too though, don’t worry.) Less shocking is that his laceratingly keen eye is no less effective when turned on his own relationship with his phone, or the way women are treated by the “fathers, husbands, sons and brothers” around them as soon as the deniability of a screen is in place, or the psychology of someone who turns to QAnon. And not just technology; with songs addressing those who’ve never recovered from the early-pandemic hit to their ability to go outside and those capitalism leaves to die in solitude, this might be the least relationship-y Arab Strap LP to date. Malcolm Middleton roughs up their sound again to match the bruised, heartfelt brutality of Moffat’s subject matter and the result is one of the most simultaneously empathetic and unsettling records from a band who’ve never been short on either quality.

Ian Mathers

Bad Nerves — Still Nervous (Suburban)

For their second album Still Nervous, punk rockers Bad Nerves take their ready-made formula and just amp everything up. Everything's loud and fast; the band clearly descends from the Ramones, but they've gone more manic. They secretly mix in flourishes of power pop. Underneath all the ruckus, they have a knack for catchy melodies, guitar solos and even vocal harmonies. Then Bad Nerves rough up the pop elements to make sure their disaffection comes through with enough spite to keep everything properly punk. The record does little to vary mood or tempo, but it doesn't need to. The band does one thing, but they excel at it. The Strokes comparisons the band's received mostly work, but the lo-fi production keeps everything sounding as if it's in an actual garage. “Plastic Rebel” offers a youthful rampage, bubble gummy enough to touch on Cheap Trick, but continually plowing forward. The Essex quintet closes the album with “The Kids Will Never Have Their Say,” an evergreen sentiment for the young and irritable. The point doesn't break new ground, but it's beside the point. Bad Nerves tap into something long running and rush the tradition on with plenty of verve and a hint of bile.

Justin Cober-Lake

Conway the Machine — Slant Face Killah (Drumwork \ EMPIRE)

If it wasn’t for Conway’s name on the copy to the album you’d think this was a long solo producer tapes with 40 guests on it, each mumbling about something nobody’s interested in except for the mumbler himself. It is not an exaggeration: it really lasts more than an hour, has close to 20 guests (depends on how you count) and even though Slant Face Killah is produced by a dozen of people the beats all sound the same. If it already sounds awful even for the diehard Conway fans, grip for the worst part of it. It ain’t even worth the trouble to skip all the tiring guest verses for the Conway verses because they are not good anyway. A total failure.

Ray Garraty

Alex Cunningham — Rivaled (Storm Cellar)

Remember October 2020? The time of still-subdued traffic, no shows and a looming election? Rivaled is an artifact of that moment. Nowadays, Alex Cunningham is an intensely active improviser, based in St. Louis but active all around the middle of the USA. Back then he was stuck at home and moved to make some noise. “Faith” and “Void” offer two paths to obliteration. The former is pretty plugged in, with electronic effects and appropriated radio noise turning Cunningham’s violin into a full-on electrical storm. The latter is unreliant upon electricity, but maybe even more dogged and savage. Originally released as an edition of 20 cassette, Rivaled is now a CD with a bonus remix that mashes both tracks together, both vertically and temporally, like a piggybacked highlights reel. Of noise relaxes you, you’ll want this close at hand when the next election rolls around.

Bill Meyer

Dun-Dun Band — Pita Parka Pt. 1: Xam Egdub (Ansible Editions)

Dun-Dun Band is an all-star cast of characters comprising some of Toronto’s most creative musicians and led by musical polymath Craig Dunsmuir. Dunsmuir is a shape shifter, trading guises and styles for decades: a guitar loop conjuror known as Guitarkestra, a purveyor of mutant disco vibes alongside Sandro Perri in Glissandro 70, a welder of minimalism, dub, and avant-garde weirdness as Kanada 70. His Dun-Dun Band collects members of Eucalyptus and Badge Époque Ensemble along with stalwarts Colin Fisher, Karen Ng, Josh Cole and Ted Crosby. Pita Parka is the group’s debut on vinyl and features three extended cosmic jazz jams that fuse multi-horn interplay to African-inspired polyrhythm. The music slyly winks at 1970s fusion but is more akin to that of modern ensembles such as Natural Information Society. The extended nature of the pieces allows the reedists to stretch their lungs and roam around, and for the rest of the ensemble to engage in creative interplay. Pita Parka is a stellar offering from some of Toronto’s finest players and one of the city’s most inquisitive and inventive minds.

Bryon Hayes

Roby Glod / Christian Ramond / Klaus Kugel—No ToXic (Nemu)

The three participants in this session are all veterans of middle European jazz that’s free in spirit, if not always in form. Bassist Christian Ramond and Klaus Kugel are from Germany, and soprano/alto saxophonist Roby Glod is from Luxembourg; their collective cv includes work with Kenny Wheeler, Ken Vandermark and Michael Formanek. Online evidence suggests that they’ve played together as a trio since 2015, which explains their easy rapport and nuanced interaction, but this is their first CD. Freedom for these folks means having the latitude to linger over a tune or to settle into nuanced timbral exchanges, but if you carded them, they’d all have jazz driver’s licenses. This music swings, often at speed, which is a very important aspect of their shared aesthetic; the excitement often comes from hearing Glod invent intricate, evolving lines that are lifted off by fast walking bass lines and kept in the air with light but insistent cymbal play. While the album is named No ToXic, the sheer pleasure of hearing these guys lock in could truthfully be labeled counter-toxic.

Bill Meyer

Göden — Veil of the Fallen (Svart)

Longtime listeners of death doom will recognize the name Stephen Flam, guitarist and co-founder of storied band Winter whose Into Darkness (1990) concretized the subgenre in the US; the record was great, and still is. For his recent work with Göden, Flam has dubbed himself “Spacewinds,” and his bandmates follow suit, with stage names that are equal parts risible and ridiculously gravid: vocalist Vas Kallas performs as “Nyxta (Goddess of Night)” (those parens seem to be her idea…) and keyboardist Tony Pinnisi appears as “The Prophet of Göden.” Okay. This reviewer’s inexhaustible appetite for Winter’s slim output disposes him to think kindly of Flam, and there’s nothing especially terrible about Veil of the Fallen — but that’s only because there’s nothing all that special about the record. The sound of the title track is appealingly austere, and the NyQuil-chugging riffs of “Death Magus” are sort of fun. But any listeners hoping for flashes of the inimitable, awesome awfulness of Winter would be well advised to recall the meaning of inimitable. Not even Flam, it seems, can provide a convincing replica of those energies and textures.

Jonathan Shaw

Mick Harvey — Five Ways to Say Goodbye (Mute)

Former Birthday Party and Bad Seeds member Mick Harvey looks back at his life on his autumnal new album “Five Ways to Say Goodbye.” Although he contributes only four original songs, his skill as an arranger and interpreter reaches its zenith. Harvey imbues his own and others’ songs with intense emotion that never tips into melodrama or histrionics. Augmenting his acoustic guitar with evocative string arrangements which provide counterpoint and color to his lyrics “When We Were Young and Beautiful” may be the finest song he has written; poetic in structure, elegiac in feeling, Harvey faces his past with dispassionate empathy for lost friends and acceptance of where he is now. His version of David McComb’s “Setting You Free” locates a Faustian menace in the song, using the strings to carry the dynamic thrust and emphasize the turbulent ambivalence of the original. “Like A Hurricane” becomes an intimate, piano ballad. By changing the tense from present to past and stripping the song of its rock roots, Harvey creates an emotional impact missing from Neil Young’s original. On “Demolition” Harvey replaces Ed Kuepper’s funereal drums with an off-kilter drum machine that clatters like an old projector to evokes the disconnections inherent in the lyrics. Harvey’s treatment of songs from The Saints, Lee Hazelwood, Lo Carmen and Marlene Dietrich are beautifully rendered. A wonderful summation of Harvey’s often underrated talent and an album that deserves a wider audience.

Andrew Forell

I Like To Sleep — Bedmonster’s Groove (All Good Clean Records)

This combo from Trondheim, Norway started out bridging the sound worlds of Gary Burton and Sleep. That’s a canny move if you’re looking for relatively untrodden ground, and as it turns out, a successful one. On Bedmonster’s Groove, which is album number four, the trio has dialed back the heaviness; you won’t hear a power chord until the beginning of side two. Instead, they have taken a turn towards experimentation. The microscopic applications of filters and effects give confer a variable glitter to Amund Storløkken Åse’s vibraphone, squeezable padding to Nicolas Leirtrø’s six-string bass, and some texturable variety to Øyvind Leite’s drums, which are all shown to good effect by some lean grooves and uncluttered melodies. Åse has also added some instrumentation; synths flicker and swirl in the empty spaces, and a mellotron heads a deliberate charge towards prog territory.

Bill Meyer

Kriegshög—Love & Revenge (La Vida Es un Mus)

Throughout the long existence of Kriegshög, it’s been customary to identify the band as a d-beat act. Love & Revenge is Kriegshög’s first release since 2019 and only its second LP in their (at least) 16 years of playing in and around Tokyo. Prolific, they ain’t, but the music is always worth waiting for. On this new record, the band rolls back the pace a bit and amps up the crusty, metal textures. Less squall and rampant chaos, more muscle and riffs that roll up in well-worn biker leathers — but all those qualifiers are relative. There’s still a raw edge to the production (if that’s the term we want…); the bass is laced with so much fat crackle that you’ll want to fry it and eat it. Sort of fun that one of the most volatile tunes on Love & Revenge is titled “Serenity.” Make of that what you will, but don’t spend too much time thinking about it. You’ll miss the next couple songs.

Jonathan Shaw

Niels Lyhne Løkkegaard and Quatuor Bozzini — Colliding Bubbles: Surface Tension and Release (Important)

Niels Lyhne Løkkegaard is a composer based in Copenhagen. On his latest EP he joins forces with the premiere Canadian string quartet for new music, Quatuor Bozzini, to create a piece that deals with the perception of bubbles replicating the human experience. In addition to the harmonics played by the strings, the players are required to play harmonicas at the same time. At first blush, this might sound like a gimmick, but the conception of the piece as instability and friction emerging from continuous sound, like bubbles colliding in space and, concurrently, the often tense unpredictability of the human experience, makes these choices instead seem organic and well-considered. As the piece unfolds, the register of the pitch material makes a slow decline from the stratosphere to the ground floor with a simultaneous long decrescendo. The quartet are masterful musicians, unfazed by the challenge of playing long bowings and long-breathed harmonica chords simultaneously. The resulting sound world is shimmering, liquescent, and, surprising in its occasional metaphoric bubbles popping.

Christian Carey

The Ophelias — Ribbon EP (self-released)

Ribbon is stormy, scathing and often quite beautiful. “Soft and Tame,” the EP’s emotional center, is all three. It begins wistfully: easy acoustic guitar strums and Andrea Gutmann Fuentes’ layered violin, nostalgic and close to sweet. Vocalist Spencer Peppet also starts slow, talking us through the aimless sensory motions of missing someone – “the sun on my cheek/as I walk around/I pick up a pear/I put it down/the radio plays a song we loved.” It doesn’t take long, however, for the skies to darken and the scene to become bleaker. By the line “the hollow sound/my jugular makes as it rolls around,” Mic Adams’s foreboding drums and a percussive creep of electric guitar have stalked in. And by the time Peppet has shown us “an overturned bus on the highway,” heard a“tornado warning” and told her subject to “stay the fuck away” for the second time, the band has built to a blown-out, climactic frenzy, the violin finding operatic heights over mammoth cymbal crashes.

In her review of The Ophelias’ last album, Crocus, Jennifer Kelly described Peppet as sounding “like she’s tilting her chin up and squaring her shoulders.” Likewise on Ribbon, where the band seems resigned to but also quite prepared for a fight. If “Soft and Tame” is aimed to knock “love in southern Ohio” down for good, then “Rind,” the final song, may tell us why they’re in the ring at all. At a brief break in the dynamic, flowering arrangement — it could be a particularly bucolic Magnetic Fields instrumental, especially in Gutmann Fuentes’ spry riffs — Peppet bursts out, “There you go!/On tour with my hometown friends/fucking score/they must have all forgotten!/Look back at what I tolerated.” There’s more to the story, but Peppet pulls back from the fray, settling things ominously: “to name it/makes your life/a little complicated.” Whatever “it” is, The Ophelias seem to have landed their punch. I don’t think I’ve heard more cutting, triumphant “Oohs” than those that end the song and Ribbon’s multifaceted fury with it.

Alex Johnson

Paperniks — Oxygen Tank Flipper 7-inch (Market Square)

Jason Henn is a master of catchy psychedelic punk. Honey Radar, his highest profile outfit, has unfurled a constant stream of hook-laden gems for well over a decade. Paperniks is his newest guise, a solo home recording project that amplifies the Guided by Voices meets Syd Barrett vibe of Honey Radar and doses it with nuggets of guitar noise. This tiny slab of wax is the sophomore Paperniks outing, following a single-sided lathe cut that strayed toward the clamorous edge of the octopus’s garden. On display are a pair of tunes that bear a striking resemblance to Honey Radar. “Oxygen Tank Flipper” is a groovy dose of psych replete with a catchy riff and a roller coaster bassline. Handclaps up the catchiness factor, as does Henn’s honey sweet sigh. “Essex Poem Dial” is a punky, garage-inspired tune. Henn’s reverb-soaked vocal hides inside the propulsive guitar chime. A noise interlude leads to a mellow vignette that slowly fades away. Paperniks showcases Henn’s boisterous side, and the music is certainly engaging, so hopefully there are more songs on the way soon.

Bryon Hayes

Ribbon Stage — Hit with the Most (Perennial/K)

Ribbon Stages hits the giddy sweet spot between punk and pop, their raucous guitar-drums-bass racket pounding on sweet, wistful little songs. The mixture varies with some cuts veering into the snaggle-toothed dream pop of, say, the Jeanines, while others rage harder and more dissonantly. “Stone Heart Blue,” the single, pulls the drums way up in the mix and lets distorted guitars and murmured vocals do battle attention behind them. The result is an uncanny balance of urgency, angst and solace, which is exactly what you want from pop-leaning punk. “Hearst” pushes slashing tangling guitar racket up to the foreground, letting a billowing squall spill over crisp drums and shout-sung vocals, while “Sulfate” lets a sighing romantic croon loose over boiling lavas of rock mayhem. Nice.

Jennifer Kelly

Rio Da Yung OG — Rio Circa 2020 (Boyz Ent)

This is exactly what the title says: a compilation of Rio songs stashed on the label’s HDD, no more, no less. No filler but no hits either. The tape has a “Circa 2020” feel to it, reminding us of when Rio did what he wanted with no shades of doom hanging over the songs. It’s unlike the music he wrote after the trial when he knew he had to do some time. There’s a little bit of everything in here: three songs with RMC Mike, two tracks featuring Louie Ray, a song on a Sav beat, a song on an Enrgy beat and a song on a Primo beat. Yet it’s hardly enough to last us until Rio is free.

Ray Garraty

Spirits Rejoice—S-T (Fredriksberg)

Spirits Rejoice! by Spirits Rejoice

A remastered reissue of a 1978 recording, Spirits Rejoice captures boundary-crossing South African jazz scene, which touches on fusion, rock, funk, soul, disco Latin and African sounds. The ensemble includes some of that time and place’s pre-eminent jazz musicians, Sipho Gumede of the fluid, loping bass lines, breezy, insouciant reeds-man Robbie Jansen, South African pioneering percussionist Gilbert Matthews, keyboardist Mervyn Africa and a very young Paul Peterson on electric guitar. The music is ebullient and clearly tilted towards pop accessibility, and the gleaming sheen of 1970s often dilutes its heat and fury. This is especially true on “Happy and in Love” which could double as a lost Earth Wind and Fire cut. Elsewhere, though, as in “Woza Uzo Kudanisa Nathi,” fervid polyrhythms, tight squalls of sax and an exhilarating call and response light up the groove, fusing African chants with a swaggering samba rhythm. And “Papa’s Funk,” is just what it sounds like—a slithery, stuttery, visceral bass-led swagger that bubbles and smolders and twitches in a universal funk.

Jennifer Kelly

Various Artists — GmBH: An Anthology of Music for Fashion Shows 2016 – 2023, Volume 1 (Studio LABOUR)

GmbH: An Anthology of Music for Fashion Shows 2016-2023 Vol. 1 by Various Artists

LABOUR is a multimedia project of Iranian musician Farahnaz Hatam and American percussionist/composer Colin Hacklander. Based in Berlin, the duo has collaborated widely and eclectically to produce soundtracks for sustainable, underground fashion house GmBH. This compilation collates 12 examples and showcases a variety of work from an international roster of artists including Iraqi-British oud player Khyam Allami, Turkish born DJ Nene H, Kuwaiti musician Fatimi Al Qadiri, American performance artist MJ Harper and Indonesian noise duo Gabber Modus Operandi. The thread that runs through all this is cross pollinations between genre, geography, and chronology. Allami’s oud plays against LABOUR’s electronic washes and synthetic percussion with each element emphasizing and interrogating differences in modality and structure. On “White Noise” LABOUR contrast a 16th century harpsichord piece with static and effects dissolving into a robotic club beat which ends up evoking a cyborg Hooked on Classics. Their collaboration with Harper on the spoken word “ablution” is a reflection on love, religion, and abnegation with elements of gospel, eastern and creeping doom ambience. The Anthology has much of interest but is essential for Belgian composer Billy Bultheel’s “YLEM” featuring German countertenor Steve Katona who soars incandescent from a backdrop of industrial grind. The contrast between earthly weight of the music and radiant purity of the voice is breathtaking.

Andrew Forell

Vertonen — taif’ shel (Oxidation)

taif' shel by Vertonen

Give the Oxidation label credit for radical truthfulness. One of the bummers of our time is the frequency with which folks on BandCamp and elsewhere will call a short-run, blue or green-faced disc a CD when they are selling you a CD-R. Oxidation, on the other hand, is named after the process that will eventually render its products unplayable. On to the sounds. Vertonen is Blake Edwards, who has been working around the edges of sound for over 30 years. On taif’ shel, he displays absolute mastery over the combination of collected, electronically generated and carefully edited sounds. His skill rests on three qualities; knowing where to place sounds, knowing how long to let them carry on and having some pretty good ideas about which ones to use in the first place. He can make a drone of infinite (but never unnecessary) complexity, or punctuate flipping film-ends with a precisely situated, never repeated sequence of chops and splices, to name just two examples found on this impermanent but thoroughly rewarding disc.

Bill Meyer

Villagers — That Golden Time (Domino)

That Golden Time is Villagers’ sixth album. The Conor O’Brien led project presents its most eclectic outing to date. A number of the songs are afforded pop treatment, consisting of memorable tunes and gentle, polished arrangements. The double-tracked vocals on “First Responder” is a case in point, about a relationship fragmenting while the singing coalesces, an interesting tension. “No Drama,” initially pared down to piano and O’Brien’s laconic vocals, eventually adds a coterie of Irish traditional instruments. “Keepsake” veers closer to mid-tempo electronica, with overlaid synth repetitions and treated vocals. The title track employs sustained violin lines, played by Peter Broderick, and an intricate form with supple harmonic shifts. “Brother Hen,” on the other hand, recalls the folk influences present from Villagers’ beginning. The diversity is diverting, even though That Golden Time feels like a collection of singles instead of an album statement.

Christian Carey

[hellameyers]

No Skip Albums: Tag Game ✨️

I was tagged by the lovely @oldefashioned 💕

I love music, it's in my blood 🎶

Rules: Share the albums you can listen to non-stop. Those lightning in a bottle albums that scratch your brain just right. Every single track an absolute banger. You couldn't skip one if you tried. No notes, stunning, show-stopping, immaculate. Your no skip albums!

I'm only upset that it's limited to ten because I could go on. And there are a ton of artists that absolutely transport me but there are some songs that aren't for me. I shall pick my 10 and endure!

1. The Strokes - Is This It

I love all Strokes albums, and can listen to all of them song for song, but this one is extra special to me since it completely rocked my world when it was released. It changed me forever.

2. The Libertines - Up the Bracket

Again, I love everything the Libertines do. But this one specifically I can listen to all the way through and then over again immediately afterwards.

3. No Doubt -Tragic Kingdom

This has a special place in my heart because it's the first album I bought on my own. And it didn't disappoint because love all the songs. There was a time when I couldn't listen to Don't Speak because it was so overplayed on the radio. Thankfully I don't listen to the radio much anymore and nobody really plays that song much either.

4. Darren Hayes - The Tension and the Spark

I love all Darren's work, especially including Savage Garden. Their first album transformed me, but there one song on there I can't always bring myself to listen to. But this album, pure genius, a bit dark, but perfect.

5. Operation Ivy -Energy

This album is everything to me! It never gets old. I can pop it on anytime, and it's always exactly what I need.

6. The Hives - Tyrannosaurus Hives

It was definitely a toss up between this album and Barely Legal. But oddly enough, I'm not always in the mood for bratty punk. Weird. This is always a good time.

7. Rufus Wainwright - Poses

Poetic excellence, sometimes snarky, but always necessary. Again, I love everything Rufus does, but this album is just the most special for me.

8. X-Ray Spex - Germ-Free Adolescents

Pop this on when you really want to jam and stick it to the man! It doesn't hurt to yell this at the top of my lungs right along with her.

9. Ryan Adams - Heartbreaker

The man speaks to my soul. He sings his trauma, and it heals me somehow.

10. The Streets - Original Pirate Material

Another banger that has a special place in my heart. It's one that I can pop on in the car with my bestie, he and I can sing every line together. 💕

Thank you @oldefashioned for tagging me, girl. This was fun. I had White Stripes on my list too, but I couldn't fit everything I wanted on here. Like Arctic Monkeys, and Tame Impala, and the Ramones Rocket to Russia. That one hurt, but I had to make executive decisions.

No pressure tags: @thelostpurple @loganwritesprobably @renmackree and anyone else who feels like playing along!

[theonlyblackcanary]

The official WWE 2k23 roster!!!! @atiny-angel @swifteforeverandalways @sargentbarxes @imswitchbabemox @the-iridescent-phoenix @ozzypawsbone-princeofbarkness @askauradonprep @retro-rezz-the-est @nonbinarylovaticesposito @ava-valerie @mrragersrevenge96

AJ Styles

Akira Tozawa

Alba Fyre

Alexa Bliss

Aliyah

André the Giant

Angel Garza

Angelo Dawkins

Apollo Crews

Asuka

Austin Theory

Axiom

Batista

Bayley

Becky Lynch

Beth Phoenix

Bianca Belair

Big Boss Man

Big E

Bobby Lashley

Boogeyman

Booker T

Braun Strowman

Bret "The Hit Man" Hart

Brie Bella

British Bulldog

Brock Lesnar

Bron Breakker

Bruno Sammartino

Brutus Creed

Butch

Cactus Jack

Cameron Grimes

Carmella

Carmelo Hayes

Cedric Alexander

Chad Gable

Charlotte Flair

Chyna

Cody Rhodes

Commander Azeez

Cora Jade

Cruz Del Toro

Dakota Kai

Damian Priest

Dana Brooke

Dexter Lumis

Diesel

DOINK

Dolph Ziggler

Dominik Mysterio

Doudrop

Drew Gulak

Drew McIntyre

Eddie Guerrero

Edge

Elias

Eric Bischoff

Erik

Ezekiel

Faarooq

Giovanni Vinci

Finn Bálor

Gigi Dolin

Goldberg

Grayson Waller

Happy Corbin

Hollywood Hogan

Hulk Hogan

Humberto Carillo

The Hurricane

Ilja Dragunov

Indi Hartwell

IYO SKY

Ivar

Jacy Jayne

Jake “The Snake” Roberts

JD McDonagh

Jerry "The King" Lawler

Jey Uso

Jim "The Anvil" Neidhart

Jimmy Uso

Jinder Mahal

Joaquin Wilde

JBL

John Cena

Julius Creed

Kane

Karrion Kross

Katana Chance

Kayden Carter

Kevin Nash

Kevin Owens

Kofi Kingston

Kurt Angle

LA Knight

Lacey Evans

Liv Morgan

Lita

Logan Paul

Ludwig Kaiser

MACE

“Macho Man” Randy Savage

Madcap Moss

Mansoor

Matt Riddle

Maryse

Molly Holly

Montez Ford

Mr. McMahon

Mustafa Ali

MVP

Natalya

Nikki A.S.H.

Nikki Bella

Nikkita Lyons

Noam Dar

Omos

Otis

Queen Zelina

Randy Orton

Raquel Rodriguez

Razor Ramon

Reggie

Rey Mysterio

Rhea Ripley

Rick Boogs

Ricochet

Ridge Holland

Rikishi

Rob Van Dam

Robert Roode

Roman Reigns

Ronda Rousey

Rowdy Roddy Piper

Roxanne Perez

R-Truth

Sami Zayn

Santos Escobar

Scarlett

Scott Hall

Seth Rollins

Shane McMahon

Shanky

Shawn Michaels

Shayna Bazler

Sheamus

Shelton Benjamin

Shinsuke Nakamura

Shotzi

Solo Sikoa

Sonya Deville

Stacy Keibler

“Stone Cold” Steve Austin

Stephanie McMahon

Syxx

Tamina

T-BAR

Ted DiBiase

The Miz

The Rock

Titus O’Neil

Tommaso Ciampa

Triple H

Trish Stratus

Tyler Bate

Ultimate Warrior

Umaga

Undertaker

Vader

Veer Mahaan

GUNTHER

Wes Lee

Xavier Woods

Xia Li

X-Pac

Yokozuna

Zoey Stark

Johnny Gargano has been confirmed but was not on the roster reveal for some reason

Bad Bunny will be the pre order bonus and later his pack will be available for DLC for those who did not pre order

Bray Wyatt, Tegan Nox, Candice LeRae, Hit Row and many other are rumored for future DLC

[coffee-n-bagels-comic-universe]

Self-Indulgent Series December: Granite Hills

It's December, and that means I get to be self-indulgent and give myself gifts, mainly the gift of looking at actors I like.

I give you my series of self-indulgence, Granite Hills (1990):

~~💀💀~~

Set in 1980 in the fictional town of Mudslide, Wisconsin, mainly at the Granite Hills university. This cast will be a mix of actors who would and wouldn't be available at the time.

The Show's Cast Includes:

Alfred Molina as Angel Ramon Vega [Age: 24]

Anjelica Huston as Sandy Cherry Lawson [Age: 26]

Billy Connolly as Professor Darwin Derryl Rigby [Age: 40]

Billy Crystal as Jethro Mephisto Butcher [Age: 25]

Brendan Fraser as Dallas Nathaniel Gray [Age: 23]

Carrie Fisher as Veronica Beverly Chambers [Age: 21]

Cary Elwes as Easton Markos White [Age: 27]

Chris Barrie as Douglass Wilfred Bernard [Age: 20]

Christina Applegate as Storm Hekla Jóhannsson [Age: 18]

Christopher Walken as Professor Karl Cai Lowell [Age: 40]

Craig Charles as Chuck Vance Sheppard [Age: 21]

Dan Aykroyd as Cesar Clay Leon [Age: 23]

Danny John-Jules as Quentin Kingston Hollister [Age: 21]

Daryl Hannah as Bernadette Daphne Jordan [Age: 24]

Diane Lane as Saffron Elouise Mason [Age: 19]

Fran Drescher as Monique Joanne Curtis [Age: 22]

Geena Davis as Erin Kermit Cantrell [Age: 28]

Gunnar Hansen as Thor Hjörtur Jóhannsson [Age: 48]

Harold Ramis as Edmund Morgan Blackburn [Age: 29]

Jack Black as Odin Hrafn Jóhannsson [Age: 21]

Jeff Bridges as Professor Kennedy Troy Gill [Age: 40]

Joe Pesci as Professor Jeremiah Emmit Jekyll [Age: 40]

John Belushi as Julian Noel Hood [Age: 25]

John Candy as Dale Randall Newman [Age: 26]

John Cusack as Andrew Simon Garfield [Age: 23]

John Goodman as Cyrus Lars Nielsen [Age: 27]

John Leguizamo as Alijah Mrlon Cross [Age: 29}

Judd Nelson as Colton Kenelm Coy [Age: 19]

Katey Sagal as Ramona Adrienne Dunn [Age: 25]

Kevin Bacon as Brad Nathan Hardy [Age: 25]

Kiefer Sutherland as Trenton Homer Abbey [Age: 21]

Luis Guzmán as Jaxxon Garrett Flores [Age: 29]

Mandy Patinkin as Elishua Saul Zebedaios [Age: 28]

Matt Dillon as Dennis Waylon Marley [Age: 20]

Matthew Lillard as Alexander Buddy Jones [Age: 19]

Oliver Platt as Ruben Manuel Valdez [Age: 22]

O'Shea Jackson (Sr.) as Tyrese Jordan Maxwell [Age: 18]

Philip Seymour Hoffman as Parris Hayes Grant [Age: 19]

Raul Julia as Professor Marcel Gomez Agua [Age: 40]

Ray Winstone as Holden Montgomery Lynn [Age: 27]

River Phoenix as Kent Horace Woodward [Age: 18]

Robin Williams as Jaycee Aramis Ellis [Age: 26]

Sean Young as Maxine Jade Upton [Age: 26]

Stanley Tucci as Luke Robin Flynn [Age: 22]

Steve Buscemi as Hugh Chester Sweeney [Age: 25]

Tom Hanks as Mark Everett Shaw [Age: 20]

Tony Shalhoub as Orlando Jaime Guerrero [Age: 25]

Val Kilmer as Earl Blue Dior [Age: 29]

Wayne Knight as Osborne Finnegan Jarvis [Age: 28]

William Baldwin as Theodore Joshua Ball [Age: 20]

Willem Dafoe as Terry Roosevelt Jepson [Age: 27]

[ometochtli2rabbit]

13.0.12.1.11

oxlajun[13] CHUWEN/B'AATZ[monkey] kanlajun[14] CEH

galactic tone: ascension/ universal movement

sun sign: MONKEY/black/west

begin anything new in life - MAYA

mahtlactli-onei[13] - OZOMAHTLI [monkey]

Citlalicue | Xochipili

toznene [parrot]

lord of the night: Xiuhtecuhtli

trecena[13]: Tlaloc

x: chicuei[8] - tlacaxipehualiztli - NAHUA

today we're going songs about INDIANS and COWBOYS, many might think they are adversaries, but there was a lot of cross-over. the first cowboys (vaqueros) were in Mexico and many in the Old West US were people of color. There were even a few women. So,let's get into some songs about INDIANS/COWBOYS

Tall Paul Hip Hop ft. Twin City Tone, Darren Sipity & Sten Joddi: Oorang NDNZ

The Rolling Stones: Indian Girl

The Hollies: Indian Girl

John Denver: Cowboy's Delight

Johnny Cash: The Ballad of Ira Hayes

Steve Miller Band: Space Cowboy

Velvet Underground: Lonesome Cowboy Bill

Hall & Oates: Perkiomen

Slipknot: Custer

Bee Gees: Indian Gin & Whisky Dry

Ramones: Indian Giver

Bellamy Brothers: Get Into Reggae Cowboy

Boys Don't Cry: I Wanna Be A Cowboy

Irving Berlin/ Ethel Mermanste: I'm An Indian, Too

Garth Brooks: That Girl is a Cowboy

Hank Williams: Kaw-Liga

Orville Peck & Willie Nelson: Cowboys Are Frequently Secretly Fond of Each Other

Merle Haggard: The Life of a Rodeo Cowboy

America: Indian Summer

R.E.M.: Indian Summer

The Doors: Indian Summer

Ella Fitzgerald: Indian Summer

Elvis Presley: Lonesome Cowboy

Bon Jovi: Wanted Dead or Alive

The Cult: Indian Woman

Quincy Jones: Cherokee {Fade Out]

Link Wray: Apache

Ween: Blackjack

Snotty Nose Rez Kids ft. Wellspoke: Redskin Cowboys

Waylon Jennings & Willie Nelson: Mamas Don't Let Your Babies Grow Up To Be Cowboys

[lunastryinc]

{ WARNINGS } - 4+ days inactivity

Andrei Svechnikov @puckdaddy

Aspen Makar @magimakarp

Brady Skjei @skjeimeless

Calum Hood @cswizzlex

Connor Dewar @betterdew

Esa Lindell @thickthighfinn

Frank Iero @gothpartydad

Jani Hakanpää @knifefootedgoblin

Jenna Ortega @crayoladiet

Joel Kiviranta @kivirantaa

Kimber Luna @femininecronomicon

Kinsey Tkachuk @weedingthroughthegarden

Mason Marchment @marchmentpaper

Patrick Stump @cityinagardvn

Ramone Valerio @bassprcshop

Ross Colton @coltsy45

Shawn Mendes @friskymix

{ UPCOMING EXPIRING HIATUSES }

Brian Butcher @nothingtolcse

Camila Flores @limprizzkit

Elliot Hayes @urcxffinormine

Juniper Wilde @hocuspxcus

[mediamonarchy]

https://mediamonarchy.com/wp-content/uploads/2024/08/20240830_MorningMonarchy.mp3 Download MP3 Retracted trailers, predicted reunions and gaining traction + this day in history w/cigarettes are 13 dollars a pack and our song of the day by Prezence on your #MorningMonarchy for August 30, 2024. Notes/Links: James Evan Pilato has a mega phone that’s 100% listener funded for over 20 years. The dude never waivered, flinched, folded, cucked on any of his principles. Awesome resource and does New World Next Week with Corbett. Steam roll the MSM genocide propaganda machine. https://x.com/RahnC7/status/1828771191685014008 Francis Ford Coppola says “Megalopolis” isn’t ‘woke’, features actors ‘who were canceled’ https://www.msn.com/en-us/entertainment/news/francis-ford-coppola-says-megalopolis-isn-t-woke-features-actors-who-were-canceled/ar-AA1pu4yD Video: Francis Ford Coppola says Megalopolis isn’t ‘woke,’ features actors ‘who were canceled’ (Audio) https://www.youtube.com/watch?v=1TwjfQVmPWM INXS – “Just Keep Walking” (Vinyl // Audio) https://www.discogs.com/release/902080-INXS-INXS // https://en.wikipedia.org/wiki/Just_Keep_Walking // https://www.youtube.com/watch?v=YOn2f_vdVww Ramones Legal War: Joey’s Brother Sues Johnny’s Widow, Claims She’s Exploiting Band’s Legacy; Mickey Leigh says Linda Cummings-Ramone is a former “groupie” who’s using the misleading name “Linda Ramone” and infringing the band’s IP. https://archive.is/mIbx6 Isaac Hayes Estate Granted Emergency Hearing Over Trump’s Unauthorized Song Use; “Donald Trump, the RNC, Trump, Trump for President Inc. 2024, Turning Point and The NRA are required to appear in court September 3rd, 2024,” singer’s son says https://www.rollingstone.com/music/music-news/isaac-hayes-estate-granted-hearing-trump-unauthorized-song-use-1235087714/ Shaboozey’s “Bar” Fight // HOLD UP // ANTI-HERO? // DAME’S UNPAID TAXES // DIDDY CASE UPDATE // SNEAKER SETTLEMENT // OUTKAST TRADEMARK CASE // SHKRELI SEIZURE https://archive.is/TgvUb A Beatles Historian Found a One-of-a-Kind 1965 Concert Recording. Now He’s Looking to Sell.; Piers Hemmingsen owns two high-quality audio tapes of one of the Fab Four’s Toronto concerts. So who will buy, for how much — and will the public ever get to hear it? https://archive.is/m6uH6 Gallagher brothers tease Oasis reunion https://www.bbc.com/news/articles/ce80nm88kjpo Oasis ticket prices and extra dates – everything you need to know about reunion https://www.bbc.com/news/articles/ckg1ljn80geo Video: British rock band Oasis announce 2025 reunion tour | REUTERS (Audio) https://www.youtube.com/watch?v=FvpgYz2k6bM Oasis – “Supersonic” (Audio) https://en.wikipedia.org/wiki/Supersonic_(Oasis_song) // https://www.youtube.com/watch?v=BJKpUH2kJQg 10 Artists Whose Debut Singles Were Covers: Nirvana, Rush, And More https://www.musictimes.com/articles/25520/20150121/10-artists-debut-singles-covers-nirvana-rush.htm 120minutes.org search: oasis https://120minutes.org/search/oasis @rabbishmuley: Excited to see my two close friends @tulsigabbard and @robertfkennedyjr lead the @realdonaldtrump transition team https://www.ddinstagram.com/p/C_NFc_kuYDx/ Post Malone’s ‘F-1 Trillion’ Revs In at No. 1 on Billboard 200 Chart; The singer’s third No. 1 also becomes his first leader on the Top Country Albums chart. https://www.billboard.com/music/chart-beat/post-malone-f1-trillion-debuts-number-one-billboard-200-chart-1235760603/ Swifties for Kamala Harris Aren’t Waiting Around for Taylor Swift’s Endorsement to Take Action; Some of the pop star’s fans are mobilizing their community to support the Democratic nominee. https://www.billboard.com/culture/politics/taylor-swift-fans-kamala-harris-not-waiting-singer-endorsement-1235761235/ Video: Swifties for Kamala group holds kickoff call https://www.youtube.com/watch?v=BYkmU6JoG0U Video: Harris and Walz campaign in Georgia as ‘Swifties for Kamala’ movement gains traction (Audio) https://www.youtube.com/watch?v=nrLqilbK9A8 T...

[my-chaos-radio]

Release: November 10, 2023

Lyrics:

I lost my way, somewhere in another galaxy ('xy)

Too much to take, these memories, end in tragedy ('gy)

And all of these places, all of these faces

I didn't wanna let you down (down)

And all these mistakes of mine, I can't replace it

I gotta move on somehow

Healing energy on me

Baby, all I really need's one thing

Healing energy on me

Baby, can you make a wish for me?

Healing energy on me

When it's 11:11, I need it

Healing energy on me

Baby, can you make a wish for me?

11:11, oh

11:11

When it's 11:11, I need it

Anxiety

Don't let the pressure get to your head

You know we play for keeps

Don't let it go over your head

Heavy stepper, I got too much weight on this

You can see the diamonds, don't complain on this (me)

We was hustling, you n- got no say on this (no)

I'm just being honest

I'm moving steady (shoot)

You can't buy success, ain't got no sale on it

You know that God did, he never gon' fail on us

Too much paper, got me thinking I'ma save all this

I know the opps want it, they love this

Two-tone, got the bussdown like woah (woah)

The streets crazy, they don't love me no more (oh)

Not one for pressure, but I'll bang for my bros (bros)

Walking in Giuseppe, I be ten on my toes

Welcome all the smoke (smoke, smoke, smoke, ski)

Mama, pray for me, so I won't fold (fold)

Walking ten toes

I be paranoid, but nobody knows (woah)

Anxiety

Don't let the pressure get to your head (head)

You know we play for keeps (for keeps)

Don't let it go over your head

Steady, moving onto greater (ghetto, ghetto)

Never thought that I'd be ready (ready)

She let me, I let her keep her things (keep)

She told me, "Why didn't you just fight for it?"

All these baddies, had too many (many)

I promised that I would have died for it

You just had to f- let me (let me)

Now I'm married to the game, I'm in that

No more chains, I'ma buy me some gold (woah)

Three babies, tryna make room for some more (ooh)

Life learning lessons 'cause you reap what you sow (grow)

Walking in Giuseppe, I be ten on my toes

You know I welcome all the smoke (smoke, smoke, smoke, ski)

Mama, pray for me, so I won't fold (fold)

Walking ten toes (ten toes)

I be stressing out, but nobody knows (yeah, yeah)

Anxiety (anxiety)

Don't let the pressure get to your head (don't let it get to your head)

You know we play for keeps (we play, we play, we play)

Don't let it go over your head (know welcome all the smoke)

Welcome all the smoke (welcome all the smoke, ooh)

Mama, pray for me, so I won't fold (fold)

Walking ten toes (ten toes)

I be paranoid, but nobody knows (yeah)

Anxiety (anxiety, yeah, oh)

Don't let the pressure get to your head (don't let it get to your head, don't let it)

You know we play for keeps (we play, we play, we play, play for keeps)

Don't let it go over your head

Songwriter:

Steady (ooh)

Oh-woah

Just fight for it

Christopher Maurice Brown / Brian Mitchell / Jamal Gaines / Ebenezer Marango / Juan Ramon Luis Melian / Ethan Mitchell Hayes / Lance Hunter

SongFacts:

"Angel Numbers / Ten Toes" is a song by American singer Chris Brown. It serves as the opening track to Brown's eleventh studio album, 11:11, released on November 10, 2023. Although it was not released as a single, the track became the album's highest-charting song in various countries, including the United Kingdom, Germany, Netherlands, Ireland, France and Switzerland.

“Angel Numbers / Ten Toes” is an R&B track that consists of two different parts. The first half of the song was described by Kayla Sandiford of Renommed for Sound as an "emotional, dreamlike acoustic introduction" in which Brown sought "healing through a desire for refuge from the pressures of mental health." Medium's Edward Bowser said that "the first half has an acoustic, almost intergalactic feel", with Brown taking up the 11:11 theme, while "Ten Toes" "ramps up the intensity" towards a more hip-hop influenced sound , while the pop singer “speaks openly about battling anxiety.” According to Billboard, the track's lyrics are about battling anxiety and depression.

[parkerbombshell]

The Menace's Attic #807

The Menace’s Attic Mon-Sat 5pm EST bombshellradio.com on ​Bombshell Radio Sunday’s 8pm EST New Shows Wednesday’s 1pm-2pm EST 10am-11am PDT 6pm-7pm BST bombshellradio.com Repeats Friday 5pm EST #classics #pop #rock #classicrock #themenacesattic #BombshellRadio This Week – Episode #807 (08/26/2017)   "It All Started At The Lorde Concert When Jack Guest Starred And Totally Jelled When Matthew Was In Concert Last Friday Night. I Knew I Had A Relatively Solid Concept And Now We'll Put It To The Test!"   Opening Song  Girlfriend - Matthew Sweet (Zoo Entertainment) Set #1 This Set Is Kinda Like What Happens When A Boy Sneaks Into The Girls Room And Is Caught Red Handed, So To Speak! Girlfriend In A Coma - The Smiths (Sire) Girlfriend Is Better - Talking Heads (Sire) My Boyfriend's Back - The Angels (Smash) Set #2 O.K. Now I'm Going To 'Fess Up. I Had Too Many Boyfriend Songs And That's Why We Had To Play One The Last Time Around. Now The Question Is, Who Exactly Ever Says, "'Fess Up?" Maybe A Wanna Be Boyfriend? Shelly's Boyfriend - Bonnie Hayes & The Wild Combo (Slash) I Wanna Be Your Boyfriend - The Ramones (Sire) I Wanna Be Your Boyfriend - The Rubinoos (Beserkely) Who's Your Boyfriend - Piper (A&M) Set #3 Well, We're Plumb Outta Boyfriend/Girlfriend Songs, So We're Moving On To Other Relatively Obvious Pairings! Uncle Albert/Admiral Halsey - Paul and Linda McCartney (Apple) Your Auntie Grizelda - The Monkees (Colgems) Weird Sister - Gigolo Aunts (Nectar Masters) Brother Loves Traveling Salvation Show - Neil Diamond (UNI) Set #4 If You Were Thinking For More Than One Second I Was Going To Play We Are Family, I Have To Tell You Sister, You're Out Of Your Tree! Family Of Man - Three Dog Night (Dunhill) Stand - Sly & The Family Stone (Epic) Closing Song  Me And Julio Down By The Schoolyard - Paul Simon (Columbia) Read the full article

[oftatteredwings]

⸻  JUSTICE SMITH. HE/THEY / have you ever heard of I DON’T WANNA GROW UP by the ramones, well, it describes RONNIE HAYES to a tee! the 26 year old, and TEACHING ASSISTANT was spotted browsing through the stalls at portobello road market last sunday, do you know them? would you say  HE/THEY are more superstitious or more CONFIDENT instead? anyway, they remind me of drawings brought home from school, books ordered by colour, untied shoelaces and warm smiles, maybe you’ll bump into them soon! 

time in notting hill ; 3 years

ABOUT.

Name: Ronnie Hayes Age: Twenty-six DoB: 15th January 1997 Occupation: Teaching Assistant Romantic/sexual orientation: Homoromantic/asexual Birthplace: Hammersmith, London, UK Current Location: Notting Hill, London, UK Time in Notting Hill: 3 years

tw: 

coming soon...

WANTED CONNECTIONS.

- half-sister. - more coming soon...

[nottinghillhq]

welcome to notting hill, heather, annie and kat we’re super excited to have you here, you’ve got twenty-four hours to send in your accounts!

JUSTICE SMITH. HE/THEY / have you ever heard of I DON’T WANNA GROW UP by the ramones, well, it describes RONNIE HAYES to a tee! the 26 year old, and TEACHING ASSISTANT was spotted browsing through the stalls at portobello road market last sunday, do you know them? would you say  HE/THEY are more superstitious or more CONFIDENT instead? anyway, they remind me of drawings brought home from school, books ordered by colour, untied shoelaces and warm smiles, maybe you’ll bump into them soon! [ HEATHER ] 

AARON TVEIT. HE/HIM / have you ever heard of LOSE YOURSELF by eminem, well, it describes NIALL KELLEY to a tee! the 37 year old, and TENNIS COACH/EX PRO was spotted browsing through the stalls at portobello road market last sunday, do you know them? would you say  HE is more bitter or more RESOURCEFUL instead? anyway, they remind me of pristine white trainers, early morning runs, an abundance of empty energy drinks cans on the counter, backwards baseball caps and shorts in the middle of winter,  maybe you’ll bump into them soon! [ HEATHER ]  + taking on one of imogen’s siblings.

PAUL WESLEY. HE/HIM / have you ever heard of IF I HAD A HEART by fever ray, well, it describes NOAH KELLEY to a tee! the fourty year old, and OWNS CLOUD NINE was spotted browsing through the stalls at portobello road market last sunday, do you know them? would you say HE is more manipulative or more ambitious instead? anyway, they remind me of craving the best things in life, winning is everything, beauty is in the eye of whoever is looking at him, crocodile tears and silver tongue, empathy? don't know her maybe you’ll bump into them soon! [ ANNIE / SHE+HER / 29 / GMT ] 

SARAH BOLGER. SHE/HER / have you ever heard of UNFORGETTABLE by nat king cole, well, it describes AMELIA BENNETT to a tee! the thirty-one year old, and NURSE was spotted browsing through the stalls at portobello road market last sunday, do you know her? would you say SHE is more insecure or more CARING instead? anyway, she reminds me of jazz on a rainy day, tiredly drinking coffee at 3am, a new bouquet of flowers in a glass vase and walking into a home filled with the smell of freshly baked goods, maybe you’ll bump into her soon! [ KAT / SHE/HER / 26 / GMT +2 ]  Filling the WC for Addison Bailey's Vegas wife/ex-best friend

[iron-idols]

Ramone Haye