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monscrow · 21 days

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intro post, i guess!!!

⚠️flash warning for blinkies at the bottom⚠️

free gaza, free palestine, stop genocide. you don't agree? block me.

i go by both mons and crow.

pfp by 00violens !!! tysm for drawing my child orion as party poison 😭🫶🫶🫶

my pronouns are they/them, he/him and any neos/xenos that you think would fit either comedically or off of vibes.

i'm a minor !!!

aroace, something like that; qprs are sick asf and all hail relationship anarchy.

super amazing pretty boyfriend !!!<3 🍎

audhdcd (asd + adhd + ocd 😻😋) and hEDS. i use tonetags.

bday is oct 7. 🎉🎉🎉

i'm mexican!! i speak both spanish and english.

timezone is cst/utc-6.

i say slurs i can reclaim (mainly the f and t queer ones) and swear a lot, though if that makes you uncomfortable please either block me or lmk so i can try to tone it down when around you.

i love interacting!! feel free to tag me in stuff, send some asks (be it on anon or not), or message me! moots can ask for my discord even if we've never actually talked before. though i suck at keeping consistent, nothing personal i promise</3 /gen

i tend to spam-reblog so do with that information what you will.

some tags you might see me use here and there:

#mons rambles ← just my thoughts, ideas, opinions, and whatever i feel like throwing into the tumblr void.

#ask a crow / #anon asks ← askbox replies.

#crow draws ← doodles and drawings, though i might make an art blog in the near future.

#save / #art save / #fav ← these are more for myself, but yeah they're pretty self-descriptive. just in case you get curious or anything.

#🍎 ← beloved.

hyperfixations/interests/things i'm passionate about !!! i guess, kinda

→ mcr (+ most of the members' solo projects)

→ killjoys (california + national anthem, but mainly calif and fanon)

→ demolition lovers lore (i have literally written like at least three different essays about it for school help me i'm so serious)

→ emo/alt/diy culture

→ will wood

→ bandom in general

→ graphic design, arts and crafts, illustration (that's right y'all graphic design IS my passion 😔)

→ fnaf

→ cosplay/costume-making

→ d&d

→ crows (no way, crow, really???)

→ australian shepherds

→ the umbrella academy (s4 isn't canon in my heart + currently reading the comics !!! )

→ gravity falls

→ neurodivergencies/psychology/disabilities (this one's pretty meta ngl)

→ lgbtqia+ identities (emphasis on the aroace-spec ones + relationship anarchy)

→ politics/activism

→ linguistics + conlangs

→ fantasy in general (high fantasy, magic, vampires, tieflings, you name it)

→ boardgames

→ uhhhh there's more but i don't remember rn, i'll keep adding as i see fit (probably... maybe..... perhaps....... quizás........ puede ser..........)

dni

terfs, transphobes, anti lgbtqia+, exclusionists, ableists, racists, you know the drill. this blog is run by a very neurodivergent, mentally ill, mexican, transmasc, aroace faggot, and any kind of hatred will not be tolerated.

proshippers/anti-antis, irl gore, pro-israel, pro-ai generated "content", pro-nft, non-critical media consumers, classists, ed blogs, sh blogs.

also, i'm aware that dnis tend to not be effective and i probably will still get shitty ppl in my inbox so i can and will block. though im p chill as long as you're chill so we vibin'

blinkies made with blinkies cafe !!!

pssst btw, before you go, if you read my intro post i'd heavily encourage you to like it, so i can at least know!!! :] (/nf though!)

last updated 25/september/2024

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steponmepinkjun · 3 years

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I NEVER FINISHED MY STORY OMG. ok so i left off at being too proud to tell my friend she was right and kpop fucked hard. the difference between u and me is that i’m too good of a liar. too good. i kept up the “i hate kpop it’s cringe” facade for ALMOST TWO WHOLE YEARS, I SHIT YOU NOT. why? bc my dumb ass, extra ass, dramatic ass self thought “ok if i’m gonna have to deal with the embarrassment of admitting i’m wrong, i better do it in such an extra ass way it’ll knock ur socks off so hard that YOULL be the one embarrassed not me.” the original plan was to learn the entire choreography to bts dope, bc it’s the song that she told me to listen to and inevitably the song that got me into them, but later switched to bts fire bc i saw too many of those “choreo matches w any song” videos, and then her birthday party came up. and here’s the real kicker. her birthday is April Motherfuckin Fools. so it would be So Perfect for me to reveal my kpopism as a birthday present And a april fools prank in one. so i was Set on the Reveal being on april 1st, but the day rolls around and god that choreo is so fucking hard and i am Not a dancer. never have been. so i abandon that and go ykno what… i’ll do it Next Year. BC MY BITCHASS WAS LIKE NO THE MOMENT IS TOO PERFECT TO DO IT ON A NORMAL ASS DAY ITS GONNA BE ON APRIL FOOLS ON HER GODDAMN BIRTHDAY OR NOT AT ALL. a year rolls by, i’ve told most of our friends except her and they’re all in on it, i’d made so many subtle kpop references to her without her realising they were fully intentional and had too many scares where she almost figured me out but i lied my way out of it, and i’d given up on showing off with choreography bc i couldn’t make that shit look good. i’m not a dancer. i am, however, a rapper, and a damn good one, so i inhaled the agust d mixtape and decided i’d just rap the eminem of kpop’s anthem at her face. in korean. and change the lyrics at the end (if u haven’t listened to agust d, the bridge repeats “i’m sorry” a lot) to “i’m sorry i kept this from u for so long” and “i’m sorry i actually ult got7 not bts” (this was like the april after skz debuted ok i was holding onto got7 for dear life knowing full well skz we’re going to convert me smh) and the best part? she never saw it coming. her official present was a cd with a bunch of kpop on it but she thought it was just a personalised mixtape for her so i told her to play the first song out loud and she knew the song Instantly. it has a long intro so she was like “i guess u did listen when i recommended u this song!! i knew you’d like it since u like rap so much!!” and then i started rapping and i shit u not. she started SCREAMING. like the initial reaction was her jaw dropping and then instinctively covering her mouth but when i kept going and she realised i wasn’t fucking around she just fucking screamed like a banshee. at the end during the sorry bit i threw off my jacket to reveal a got7 shirt on the inside and she fell off her chair and started rolling around on the floor. needless to say it was every bit as satisfying as i thought it’d be LMAOOOO afterwards her ass was like “I CANT BELIEVE U HID THIS FROM ME FOR OVER A YEAR” and when i tried to explain my ego couldn’t take the “i told u so” she was like “you know i wouldn’t have made fun of you for it right? i would just be glad you’re not hating on my boys anymore” so basically i’m a big dramatic fool and she was always too good for me.

don’t mind the weird spaces here my ipad is being all fucky wucky w me rn. damn sad to hear ur sideblog experience didn’t go so well, i’d have shown u the cool side of the fandom if i knew 😤😤 leading u thru the cursed halls of kpop stan tumblr like a sketchy tour guide that’s actually 3 small raccoons stacked on top of each other like a trench coat, like “over here we have the fanfic writers that honestly need to publish a book, over here we have the gif makers that are responsible for my entire camera roll, if we take a quick swerve past the death threat anons and the twt fanwar screenshots - mind ur feet bub the 14 year olds were tryna make a grab for ur ankles - ah here’s the holy grail of shitposts, you might be here for hours, to the right we have the weird aussie side of the fandom that projects our childhoods onto chanlix but also all the members as we decide what their life in australia would’ve been like, and down there is a secret trapdoor to the blogs w endless random headcanons that will make you laugh, cry or blush depending on if the author woke up and decided to choose violence today. enjoy your Stay!” but then again i’m not so active on tumblr anymore (ngl you’ve become the highlight of my tumblr experience these days, interaction wise,) so maybe all my Local Hotspots are inactive now. i know a bunch of them are, it’s sad. “i don’t fw stan twitter for the same reason i don’t hang out in meth dens” oop. guess i’m a meth addict. no but i get u i rly do, it’s a hellhole out there, but the fact that things get shared and spread a lot easier than on tumblr and how short most things have to be (therefor keeping up w my adhd attention span without having to resort to the mental torture that is tiktok, with the added bonus of not always needing headphones.) that i just. couldn’t leave if i tried. maybe i should try being active on tumblr again but it’s a dying site in comparison.

“their music doesn’t consistently hit for me as much as skz” i’m sorry we can’t be friends anymore. what. what. you don’t dramama ramama ramama hey? you don’t feel a little jealousyyyyyy, naega anin? you don’t shoot out, shoot out, shoot out, or aremdaeun love killa love killa? you can’t be your hero du du du du du du du du du dududu? u disappoint me. literally like everyone i know who likes skz music likes mx music like it’s a rite of Passage. they’re kindred spirits, monsta x music is like skz’s music’s cool but mildly heterosexual older brother. neither of them know what a bad song is it runs in the family. and both their music runs in my VEINS. whenever i describe my music taste they’re always the first two that come to mind, skz being my number 1 bc they are my best boys but mx bc of the Flavour. pls listen to the entire the code album then get back to me 😤🙌 ok but fr ur so right they are 7 of the finest men i ever seen (yes i say 7 bc i’m including wonho cause he deserved better and i’ll die on my ot7 bullshit.) like don’t get me started on them either LOL i LITERALLY downloaded that one insta video of changkyun working out his back n arm muscles w his tattoo showing bc i needed that shit saved for Science. they could do Anything w me like frfr. yes vixx is the bdsm contract group i’m telling ya they wildin. or at least they were. it’s been years since their last comeback idk what they’re doing anymore tbh. and yeah that makes sense, savouring the hyperfixation i feel it, but also i’m so attached to skz that i never let it die. like i hyperfixate on other things and other groups but i will Always go back to skz cause they’re my homeboys. hell, they’re my home. being a predebut stay i’ve spent more time w skz than most of my actual family members at this point. but that’s just me you do u boo xx just know that if ur anything like me ur never letting go once skz it’s been my longest lasting fixation cause they hit like Nothing Else Do. ik i’ve already said that but i cannot stress it enough. they’re really special. i’m gonna stop here before i get all sappy and emotional bc i really love those boys so fucking much and i don’t drop the L bomb often. SIDE NOTE I WOULD LIKE TO SEE UR LIST OF GROUPS RANKED BY THORSt. i need to judge ur Taste. and omg cat&dog is such a guilty pleasure song bc the lyrics make me cringe so much bc while pet play can be fun they be doing it in more of an “i’m an innocent soft dogboy uwu” kinda way that just Does Not Sit Right with me. it comes back to the objectifying of asians that asians themselves don’t help in industries like these and maybe i’m looking too far into it when rly it is just wholesome n cute or maybe they are into some pet play shit idk idc i will bop to the song regardless but i will not acknowledge the lyrics nope.

YOURE RIGHT THO SKZ’S OPENNESS IS IN FACT, A BIG DEAL, i’ll grab them for u if u want but i found these twt threads of skz supporting the lgbt community and i just felt a special kind of happiness man like sure the delusional part of me likes going “haha they’re gay” bc my brain likes to imagine them as my polycule of mlm boyfriends bc sometimes thats what gives me the serotonin to get me thru the day ok don’t judge but also bc it’s nice knowing that yes i’ll never know them personally, but at least i can support them knowing they’d respect my gender identity and my pronouns, they’d respect who i choose to love, and that’s already more than the general public can say so shit, it is special! it’s special that they don’t treat being cishet like the norm - they constantly remove gender from their songs and speech entirely, they don’t assume all stays are female anymore, we don’t talk abt the babygirls incident cause we got babystays in the end outta that ok, and it’s just. so refreshing and important to me bc i can’t get that anywhere else!! like my semi ults are the boyz and while i love them very much and there’s no way all 11 of them are straight i refuse, i do get just a little bit sad whenever they she/her their fandom by default and call them their girlfriends n shit even tho i do still identify as a girl, i’m also genderfluid/nonbinary/transmasc, and i have a very love/hate relationship w my womanhood and rarely use she/her pronouns, cause it’s like, do you not see me? see us? the ones who aren’t cishet women? i mean i know kevin does bc he congratulated a fan who came out as nb but it’s just not the same as the openness we get w skz. like how do i trust cishets i could be supporting them as a queer person when in reality they’d call me a slur. what would i know, behind the screen? so it’s so good that skz go the extra mile to make it a safe space for everyone. this is already long enough i will reply to the second half of that ask in another message… tomorrow cause it’s 1am and i’m tired gn -felix bi anon

I'mma have to start putting these under a readmore so that i don't absolutely make everything who is still following me for some reason go totally fucking insane 😂

NDJDHWJJAHFNAKBSJSBFBHHDBDNAJD YOU HAVE NO IDEA THE FACES I WAS MAKING READING THIS, I WAS FUCKING CACKLING AND GASPING EVERY OTHER SENTENCE SO HARD THAT I SCARED THE CATS NDJWHSHSB the fact that you went "oh you want me to get into kpop? Give me a hot minute, and I'll give you a whole ass private concert for free" biduehsjdbd biiiiiiiiiiitch you're a fucking ICON, I stg I could NEVER 😂 (and not just because I couldn't find a tune if you gave me a printed set of Google maps directions and that I embody the steriotype that white people can't dance, like my sister kept sensing me tiktoks of the whole "dance like a white girl" trend going lmfao look it's you and eventually I was like "sis please this trend has me feeling like being white is a disability and these mothafuckers are being ableist 😭 also I could NEVER be that on beat so yall ain't even doin it right 😭😭😭😭"). Tbh if I told one of my friends (lol what friends, i got jokes) to get into Skz and they showed up at my bday and performed the entirety of I Got It I would simply shower them in money and go "aight everyone else go home, you are no longer needed, you are being laid off, your position has been eliminated, we're downsizing, the company is moving up and you're moving out, you are not qualified for this role any longer, best of luck with future endeavors" 😊

I think part of the reason I can't deal w Twitter is the exact reason I refuse to leave tumblr, in that I've been on tumblr since 2006 and twt since 2008, and tumblr literally has not changed at all, not even a little, whereas going from the early days of twt where there were no corporate sponsorships or ads and you had to manually copy and paste someone's tweet and @ them to retweet it, to how it is now, like 90% ads and showing me shit from the timelines of people I don't even fuckin follow n whatnot, it's just not enjoyable. Idk how anyone finds anything on twt, it confuses and frustrates me because I am old and have not adapted well to technology changing 😂 But arguably, the skz fanbase doesn't want me on skztwt anyways so like it works for both of us lmfaooo. I am old and cringey, and also still think of twt as stream of consciousness whereas tumblr is your teenage bedroom where you can decorate the walls with anything that interests you. I do really love the nonsensical kpoptwt shitposts tho fhshsbdjjss like it is a very specific flavor of mental instability that I enjoy immensely 😂 OH and also I initially misread part of that and thought you were saying you actually irl do meth and I was like 😳 WHAT DO I SAY TO THAT. HOW DO I HANDLE THIS. Like how do I express like "I wasn't being judgy of people who use substances cause I've been there but I was just being insensitive 😳" And then went back and reread it and was like WHEW, IM JUST AN ILLITERATE FOOL 😂😂😂😂 ejeywhdhrhjwbfbdjshdhdhd I spent like an hour bwign like "IS THE REASON WE GET ALONG BECAUSE THEY'RE ON METH???? WHAT DO I DO WITH THIS INFORMATION??????" hrhehshe I am literally a fuckin idiot it's fine

It's not that I don't fw them, it's more like... Okay so like there is no situation in which I am going to skip a skz song if it comes on shuffle. You will not ever catch me NOT in the mood to listen to Sunshine, if God's Menu comes on we are THROWIN the meager amount of booty meat I got hither and thither, I could be in the happiest mood of my life but if Ex comes on I will stop to SOB. And I'm not like that with most music, so mx just falls into the category of "there is a time and place." Idk why but it just doesn't forcibly grab hold of my heart and ass the way skz always does. I really don't WANT my skz fixation to ever end, but I know that eventually it'll stop giving me dopamine bevause my brain is my worst fucking enemy 🙃 like my arcana fixation is to date the longest running hyperfixation I've ever had, going on almost three years, and I used to not be able to spend every single second of every day thinking about Asra, but now... I just feel nothing when I look at arcana stuff. As you can probz tell by the fact that I hardly post arcana anymore 😂 So I know that eventually all my happiness will end, it always does, I can never stay just as obsessed with something as I was for long. I CANT SHARE THE LIST BECAUSE I DONT *HAVE* TASTE YET 😭 I'm basically just compiling a list of any group someone tells me I should look into, ranked by how strong the kitty purred upon googling pics of them 😂 My mom read my ass to FILTH over txt lmfao she was like "they're not that adorable. Maybe your standard for adorableness has gone down with You Know Who still on hiatus 🤔" bfjwhdhd like MOMMAAAAA THE LIBRARY IS CLOSED 😂 she attacks me any time I even hint at stanning other groups, she is a skz purist and stans skz only, unofficial Momma Stay of All Stays keeping me in check lmfao.

I feel like skz really do follow thru on their promise that they're a safe space for stays, it's nice to see that they hold space for anyone and everyone in their fanbase and do it in a really simple and elegant way, I feel. Like they never make it seem like "okay here are the fans and here are the token weirdos that were only recognizing to make a buck off of them" the way a lot of artists make it feel like 😑 like they don't go out of their way to act like it's some revolutionary act to do the bare minimum of not shitting on certain parts of the fandom, if that makes sense. They feel very "yeah, of course we love all our stays, this is a welcoming space for literally anyone, that's how it should be, that should be normal," instead of like "Hi fans we love you 😊 and special shoutout to you ell gee bee tee folk, make sure to buy my rainbow merch after the show!!!" you know? Like, they're the friends who would never make you feel weird or different for some shit, the friends that take the attention off you if something they know ur sensitive about comes up, instead of weirdly snapping at whoever brought the unfomfy thing up which ruins the mood and makes you feel tiwce as bad, yk? They just give off this vibe that they, and the space they create with their music, is just a genuine and chill place to be and hang out and relax and bond. I feel like they'd be the friend group that is so goofy and sweet and silly and accepting and lovely and always makes you feel loved and excited to be alive 🥺 They are all good noodles 🥺🥺🥺

#felix-bi-anon #asksteppie

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fandomshatelgbtqpeople · 4 years

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mod a’s lgbt musicals

Hi there! I’m a big theatre kid so I thought for pride month I’d put together a list of LGBTQ musicals. Despite its association with queer people, musical theatre is not known for its amazing representation. I’ve put together a list here of musicals I know of with queer characters. I’ve tried to avoid those where the queer characters are incredibly minor roles or those where the representation is just not good enough to be salvageable (*side eyes Legally Blonde*) I know there are many musicals I will have missed out but these are the ones I am most aware of. Feel free to add more! So without further ado, here it is.

Fun Home

The big Tony winner of 2015! Based on Alison Bechdel, a butch lesbian cartoonist. At the age of 43, she looks for new material by trying to explore her past and her relationship with her closeted gay dad. Looks back at a version of herself when she was 10 and a “tomboy” and at 19 when she came out and got her first girlfriend. Has very cute lighthearted moments as well as very sad moments. Has a beautiful song where small Alison sees a butch deliverywoman. Problems in that since the original broadway cast, Alison’s costume has got less butch. Content warning for suicide.

Here’s their Tony performance: https://www.youtube.com/watch?v=pMAuesRJm1E

The Color Purple

Based on Alice Walker’s novel about black women in the 1930s. Follows Celie who has been abused by men her whole life who discovers she is a lesbian but also makes a journey of self discovery and learns to love herself. Her love interest is a bisexual woman. Won best revival at the Tonys in 2016. Content warning for discussion/implied sexual abuse.

Here’s their Tony performance: https://www.youtube.com/watch?v=3k2xzQyT2bk

Everybody’s Talking About Jamie

A teenage gay boy in Sheffield wants to be a drag queen and go to prom in a dress.Also a nice touch that is does not focus on him having a relationship (since he is sixteen) and him having to come out as he is already out. Focuses on his close relationship with his supportive mother. Has a diverse cast. Jamie is currently played by a black actor and his best friend wears a hijab and has a very diverse ensemble as well. Unfortunately has a part where Jamie responds to a homophobic bully by calling him a bunch of ableist and classist slurs.

Here’s a clip of the most popular song: https://www.youtube.com/watch?v=M7C3FuFWDdw

The Prom

Emma is a lesbian teenager in Indiana whose prom is cancelled by the PTA after she requests to bring her girlfriend to it. A group of Broadway actors come down to help her campaign to be allowed to attend prom, as well as styling her, helping her work on her confidence and educating the town’s people. What ensues is basically a two hour musical episode of Queer Eye. Cheesy and fun with so many musical theatre references crammed in. My one issue is that the show is rather harsh on people who are closeted since Emma has conflicted with her girlfriend Alyssa because she is not ready to come out.

Here’s a clip of their Tony performance: https://www.youtube.com/watch?v=lGcG_r5xv3E

Rent

Probably the most well known on this list. Artists in New York during the AIDS crisis. Two of the main couples featured are queer: Maureen is bisexual and in a relationship with Joanne who is a lesbian, and Angel is a transgender woman of color in a relationship with Collins, a presumably bisexual man. However, she tends to be played bi cis men and there are instances of her being misgendered by the main characters uncritically. In Rent Live (2019), all instances of her being misgendered were removed and her gender identity was confirmed. She was played in this by Valentina, an nb drag queen and has also been played by Pose’s MJ Rodriguez, a trans woman. Very diverse with Jewish characters and people of colour and in the live show, only 1 of the 8 main characters was white. Has been criticised over the years, mainly for its biphobic portrayal of Maureen who is promiscuous and implied to cheat, but in the 90s did a lot for the LGBTQ community and is more progressive than a lot of media even now.

Here’s a clip of Maureen and Joanne from Rent Live: https://www.youtube.com/watch?v=06oCfKYYPTY

And here’s some Angel and Collins: https://www.youtube.com/watch?v=_hl-M94o_x8

Falsettos

Marvin comes out as gay in the late 70s but decides to move his ex wife and son in with his boyfriend. Addresses AIDS crisis in Act 2. Has “lesbians from next door” in act 2. F Revived on Broadway in 2016. All of the characters are Jewish. Unfortunately, in revival casts, very few actors tend to be Jewish.

Here’s the trailer: https://www.youtube.com/watch?v=ZjnAHOdMQVk

Come From Away

In the aftermath of 9/11, 38 planes are diverted to a small town in Canada called Gander. Shows people of different races and nationalities bonding in a scary time. Addresses Islamophobia. Has one song called Prayer where prayers from different religions overlap. Has an interracial gay couple called Kevin and Kevin. They break up in the end but are very important characters. Won best direction of a musical in 2017. The Broadway production starred Jenn Colella who has referred to herself as ‘mostly gay’.

Here’s a clip of Jenn Colella singing a song from the musical: https://www.youtube.com/watch?v=Q8ukgH6U-d0

Head Over Heels

Honestly I don’t quite know what this musical is about, even by reading the plot summary and listening to the soundtrack. I know it’s set in a Tudor fantasy world and that there are wlw couples as well as an explicitly non binary character, played by Peppermint, a trans woman, and that there are interracial couples and plus sized actors. It is a jukebox musical using songs by the Go-Gos and yes the wlw anthem that is Heaven is a Place on Earth is one of them. The soundtrack is fantastic even if you can’t follow what is going on.

Here are some show clips: https://www.youtube.com/watch?v=Wx2qQ7QAPm0

Spring Awakening

German school kids in the 19th century discovering their sexuality. Two of the schoolboy supporting characters, Ernst and Hänschen, have a romance when they have a reprise of an earlier song in Act 2. A BIG content warning as it has graphic discussions of rape and songs about it and a sex scene with very dubious consent. However there was a very wonderful 2016 revival using deaf actors and sign language.

This is another one you can very easily find the full show of on YouTube which I won’t link. However here’s the Tony performance for the revival: https://www.youtube.com/watch?v=CSagsMcak4Q

If/Then

A woman named Elizabeth (originally played by Idina Menzel) moves to New York after a divorce and contemplated how different her life would be if she took two different paths. Four supporting queer characters. Her ex-boyfriend is bisexual and played by Anthony Rapp (who is bisexual in real life) and he gets a boyfriend in one timeline. Another of her friends is a lesbian called Kate who marries her girlfriend in the musical. Problems occur as in both timelines, cheating goes on in the lesbian relationship although they stay together in one. Elizabeth also says she doesn’t believe in bisexuals, a view no one ever challenges her on, however Lucas is very clearly bisexual which is some proof for the audience that she is wrong.

I’m not going to link it here but there are many very high quality bootlegs on it on YouTube if you want to watch,

Ghost Quartet

A bit of a weird one. This is more of a concept album. There are four performers who each play instruments and they tell the stories of many interconnected timelines. It is very hard to explain but there are souls travelling through time who keep being reincarnated as different people with different relationships to each other which usually end with one woman killing the other. In the song Soldier & Rose, the ghosts Rose and Pearl are lovers as Rose seduces the soldier for her honey. In the song Four Friends, for one chorus the men sing “I like to put my hand on a pretty girls’s knee” and the women sing “pretty boy’s knee” and then they switch for the next chorus so they’re all bisexual. In general, a lot of fun if you like weird musicals and I mean really weird.

The full show is online: https://www.youtube.com/watch?v=dJSaEJm8pCE

Mean Girls

Yes there’s a musical of it. I was not looking forward to it when it was announced but have actually grown to quite like it. It’s hardly lyrical genius but the songs are fun and a lot of the problematic aspects of the film have been fixed. Damian is more explicitly gay in the musical and sings about an ex boyfriend in one song. Janis is heavily implied to be a lesbian (confirmed by actress offstage) and she doesn’t end up with Kevin Gnapoor. She is played by a queer actress in the tour cast. Both queer characters are much bigger roles than in the movie and get several songs each. I’d consider the musical to be quite white feminist but it does address issues such as the sexualisation of teenage girls and the notion that to be ‘sexy’ is ‘empowering’.

Here’s a clip of one of Damian’s songs: https://www.youtube.com/watch?v=x-zM6QKkxEQ

& Juliet

An English jukebox musical about what might have happened to Juliet in Romeo and Juliet if she had not died at the end. I haven’t seen it but I’ve listened to the soundtrack and it is mainly comprised of 21st century songs by women. One of Juliet’s best friends is non binary although is played by a cis man as far as we know. Also I went to the same school as one of the actors which is a bonus for me. Very diverse cast.

Here’s a trailer: https://www.youtube.com/watch?v=Dm2k9nS3o20

In Transit

A capella musical about several people’s adventures on New York public transport. Two of the main characters in this ensemble cast are an interracial gay couple where both are pocs. They are engaged but one of them is having trouble coming out to his mother. I found it refreshing in that his fiance for the most part was not upset with him at his struggles in coming out and they were both able to live fulfilling lives despite this. I am always astonished by the talent of a cappella singers.

Here’s a trailer: https://www.youtube.com/watch?v=zhvik6qoass Another one where the bootleg can be found very easily on YouTube

Firebringer

Remember A Very Potter Musical? Well, the company that did that are still putting out new pieces of theatre on their YouTube channel. In 2016, they put out their ridiculous comedy musical Firebringer, about a group of bisexual cavewomen. I won’t spoil the ending but trust me, it’s great. You may know it from the viral clip of one of the main characters singing ‘I don’t really wanna do the work today.’

You can watch the full musical here: https://www.youtube.com/watch?v=ZmVuNlu0LCk

Special Mentions

Company

Musical by Stephen Sondheim about a man unable to commit to a relationship, surrounded by his friends who are all in couples. However, the award-winning 2018 West End revival chose to change the genders of some of the characters. The main character Robert became ‘Bobbie’ (although all of her love interests were gender-swapped as well). One of the originally M/F couples became an M/M couple. It opened on Broadway for about a week before the Covid outbreak so that will be one to look out for.

Trailer: https://www.youtube.com/watch?v=OtDK03y4gT0

In the Heights

A musical by Lin-Manuel Miranda about the Latin American community living in Washington Heights in New York. The original theatre production has no explicitly queer characters. However, in the upcoming movie version (that was meant to be released this summer but has been pushed back to next summer) it has been confirmed that the characters of Daniela and Carla (Daphne Rubin-Vega and Stephanie Beatriz) will be explicitly a couple.

I absolutely love this musical and the trailer for the movie looks beautiful check it out: https://www.youtube.com/watch?v=U0CL-ZSuCrQ

#mod a #musicals #theatre #lgbtq rep

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bipbopblogerino-blog · 7 years

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Hip-Hop to me is a culture of creative rebels who use poetic rhythms and heavy beats to portray their lives. Hip-Hop is shocking and provocative while simultaneously being beautiful and humble. This culture has been the voice of the unheard, the anthem of the misrepresented. The reason it is so attractive to misunderstood youth is how it allows one to provoke outsiders and sooth insiders of the culture.

The convergence of Hip-Hop and design seems to be quite natural. Hip-Hop is art, everything that goes into it is intentional. Design and Hip-Hop are both highly expressive in different niches. Where Hip-Hop is expressive of youth and counterculture, Design is somewhat more objective being concerned with its user or a client.

Commonly referred to as the spokesperson for African-American cinema, Spike Lee emerged in the 80’s as a radical cultural pioneer. Although his films empower the African-American communities, his aesthetic innovations are greatly underlooked. Having such a radical approach to visual style one would think Lee would be regarded along with other American directors such as Martin Scorsese and David Lynch but rather unfortunately his name is excluded. Considering the theme of Lee’s masterpiece “Do the Right Thing” is about racial tensions and features a script heavy with masculine men screaming racial slurs at each other, instead of allowing the drama to speak for itself Lee creates anxiety through the aesthetic of the film. A prime example of this is Radio Raheem, this character is larger than life in all aspects: his physical appearance, his huge boombox, and his blaring music. Whenever this character enters a scene he brings with him a blaring soundtrack that overpowers dialogue, something that if not done properly can be detrimental to the narrative. When shooting Raheem, Lee choses to use unconventionally low angles and tilts to subconsciously show the viewer that Raheem is a powerful force in the community. Directorial choices such as this are found throughout the film. One scene where Lee breaks away from his auteur style is the climax. Just before Radio Raheem and Buggin’ Out enter the pizzeria which in turn causes mayhem, Lee employs conventional coverage the actors already in the pizzeria in order to amplify the effect of his style when he returns to it.

Examples of Hip-Hop used in film soundtracks

Public enemy in Spike Lee’s “Do the Right Thing”

https://www.youtube.com/watch?v=U35MvblI4og

In Lee’s film the use of Public Enemy’s hit song “Fight the Power” is meant to not only set the tone of the film but also to give the film a voice. Audio is an important aspect of this film and is commonly overlooked. Lee masterfully layers sounds in his films to create beautiful soundscapes that craft the world of which his narratives exist. In “Do the Right Thing” many times it’s as if the film is shouting directly at the audience, this can be attributed to his use of Public Enemy’s song. Whenever the song is played it is at the forefront of the soundscape, it is the loudest thing the audience can hear. This gives the film a rebellious tone and really pushes the audience to reflect on the song’s conceptual meaning within the narrative.

A Tribe Called Quest in Larry Clarke’s “KIDS”

https://www.youtube.com/watch?v=-DGyZD6cPdg

Much different than Lee’s approach to soundtrack, Clarke uses Tribe Called Quest’s “Oh My God” to elaborate on the setting of the film. Employed in such a way where the audience is unsure of the soundtrack is diegetic or non-diegetic until the end when the song fades almost to silence then back to being the forefront of the soundmix. This method hooks the audience into the scene by smoothly opening into the scene and just as the dialogue become prevalent the soundtrack fades away almost unnoticed until the scene finishes.

Coolio in John Smith’s “Dangerous Minds”

https://www.youtube.com/watch?v=VbNJLymneZ8

This use of hip hop in a film is strictly for marketing to the youth consumer. By employing a celebrity voice and popular song, the film gains motion within popular culture of the time. The use of the song has nothing to do narratively with the film nor does it set the mood, it works to bring in a broader audience base in order to drive sales.

Black Ratchet Imagination lens is a perspective of persons that identify as black and/or queer within the community of Hip-Hop. Invented to create a definition for black and/or queer persons that advocates for their creativity. Through the use of this lens researchers can come closer to comprehending black queer youth cultural identities.

What I learned from this article is really what the term “Ratchet” really means within its introducing community. I grew up hearing that term thrown around with a very negative association and thus I have always thought of it negatively. I now understand its cultural relevance and the “messy fluidity” which is the definition of the term.

I believe that hop-hop can be extremely influential if employed in educational environments. In middle school, the administration would play classical music over the intercom system every morning and being 12 years old no students really listened. Playing music created by oppressive societies from history does little to nothing for young African American youth struggling with their identities. One day a local hip-hop artist came into the english classes, I can’t think of any one thing that got more students involved then that. It was the talk of the school for the months after. I believe that his involvement in hip-hop and willingness to talk in a school setting really opened young black youth’s eyes to a creative outlet that they needed to discover themselves.

Big Shaq - London, UK

Michael Dappaah, otherwise known as his fictional rapper name “Big Shaq”, is a British comedian best known for his hit song as Big Shaq “Man’s Not Hot”. The song tells the story of the “famous” rappers obsession with keeping his jacket on even when people ask him to take it off replying with “Man’s not hot”. In an interview with NME Big Shaq was quoted saying “I could be in the Sahara Desert but im still going to wear the jacket”. What I feel is important about Big Shaq’s overnight success is that it shows that hip-hop can still be fun/humorous and still popular. In today’s culture It is my own opinion that rappers or music makers in general have become much too serious about everything. This is not to say that the issues they speak about are irrelevant but in such a saturated environment it’s easy to get lost in the sea of songs that either about how much money you have or political drama. “Mans Not Hot” gives one a humorous breath of fresh air that is well produced and creative.

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viralhottopics · 8 years

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Why Beauty and the Beast isn’t the first Disney movie for LGBT audiences

The studio has promised fans its first exclusively gay moment in the live-action fairytale but that betrays a history of covert messages in its animated films

Its unprecedented for a major studio blockbuster, much less a family film, to pursue the LGBT audience. Gay viewers seeking mainstream self-identification in the cinema have usually had to settle for winking nuances and allusions, or at worst, the more oblivious homoeroticism of sundry Michael Bay-style brawnfests. No more, apparently: in an age when a film as overtly queer as Moonlight can win the establishment honour of a best picture Oscar, a corporation as large as Disney can also finally acknowledge the love that once dared not speak its name.

Well, sort of. A flurry of headlines ranging from the overly enthused to the overly outraged greeted Beauty and the Beast director Bill Condons announcement in Attitude magazine that the Mouse Houses live-action remake of their 1991 fairytale smash would boast the companys first exclusively gay moment. The more we heard about this supposedly startling breakthrough, however, the less encouraging it got. Historys first overtly gay Disney character, it turns out, is LeFou, unctuous manservant to preening, hyper-macho villain Gaston an underling who, in Condons words, on one day wants to be Gaston and on another day wants to kiss Gaston.

An obsequious servant who alternates between worshipping and hopelessly desiring his straight master? With a name that translates as madman and has also been used as a gay slur in French? In the reliably aggravating form of Josh Gad? Its not exactly the recognition that gay viewers have been waiting for, even if the finished film gives LeFou the most fleeting of hints at future romance with a kindred spirit.

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Condon, a gay film-maker known for such intelligent queer investigations as Gods and Monsters and Kinsey, must realise that this is no giant leap forward for on-screen representation, though credit him for stoking the off-screen conversation on the subject. This week has also seen him advancing the theory, allegedly founded by the 1991 films late lyricist Howard Ashman, that the Beasts story functions as a metaphor for Aids: He was cursed and this curse had brought sorrow on all those people who loved him and maybe there was a chance for a miracle and a way for the curse to be lifted, Condon explains. The phrasing is wince-inducing its fair to say most people with Aids would prefer not to think of themselves as cursed, or indeed as beasts but its a bolder way to queer the material than working a comic-relief subplot around a secondary characters sexuality.

Exclusively gay is a curious turn of phrase, not least when appealing to a community for whom inclusivity has always been a higher priority. One presumes Condons implication is that LeFous desires are unambiguously homosexual, not that theyre identifiable or relatable exclusively to gay viewers. For Disney animation has a long history of LGBT coding, intended and otherwise, that makes Beauty and the Beasts more official gay gestures look rather colourless.

Disney may not have granted a gay identity to any of its characters prior to LeFou, but audiences have been doing so for decades. A quick graze of the internet will provide fan theories to feed any hunches youve long felt about the happy-go-lucky companionship of Timon and Pumbaa, and their effective adoption of baby Simba, in The Lion King or indeed the foppish villainy of the same films Scar, an alpha lion who has never found a mate in the pride. Same goes for Baloo, the nurturing, carefree single bear of The Jungle Book, or the coy, eyelash-batting male skunk who introduces himself to young fawn Bambi with the immortal words, You can call me Flower if you want to. A few playful Disney animators have even teased us with queer allusions of their own: the character design of Ursula, the vampy, spectacularly tentacled sea witch of The Little Mermaid, was famously modelled on superstar drag queen Divine.

Speculating in this manner can be superficial, stereotype-dependent fun but doesnt really get to the essentially queer heart of so many classic Disney narratives, in which socially isolated outsiders yearn either for acceptance or transcendence. Pinocchios dream of being a real boy is a journey of self-actualisation that has prompted many a metaphorical comparison to the coming-out process; the same goes for sweet, sensitive Dumbo, whose chief point of difference from the rest those enormous ears at first makes him a figure of fun for bullying peers, before it enables him to soar.

Photograph: Allstar/Disney

Its not just the boys, of course. Pocahontas and Beauty and the Beasts Belle are marked early on as different from the other girls. Ditto the Little Mermaids Ariel, whose desire not just to change her circumstances but change her physical form has made her an unlikely object of identification among some younger members of the transgender community a girl who believes herself literally born in the wrong body. (Her ballad Part of Your World, meanwhile, is something of an all-purpose anthem for LGBT not-belongers.)

Fairytale convention may have locked these rebellious women into wholly heterosexual romantic ambitions, but Disney excitingly strayed from that rulebook in 2013 with Frozen, its record-busting rewrite of The Snow Queen. In Elsa, Frozen gave us a magically touched heroine who requires no male partner to complete her self-realisation. Fleeing the community while she independently comes to terms with her difference, she belts out Let It Go, a now-ubiquitous tune that not only became an instant Disney standard, but launched a million queer readings for its celebratory revelation of a once-hidden identity: Conceal, dont feel/ Dont let them know/ well now they know the fears that once controlled me cant get to me at all.

The film didnt give Elsa a girlfriend following her arguable coming-out, though fans are clamoring for one to be introduced in the upcoming Frozen 2. But down to its same-sex twist on the hoary old true loves kiss trope yes, theyre sisters, but its refreshing to see the supposedly all-healing properties of straight love taken down a notch its a film fully alive to its queerest subtextual possibilities. That may not make it Disneys first exclusively gay narrative, whatever that exactly means. But if were at a watershed moment regarding open LGBT representation in the multiplex, the absurd, conservative figure of LeFou hardly deserves all the credit for the changes that lie ahead.