#probably the best cast character on the show

[mystybelle]

Adding on because I find it relevant-

Knowing which style of world building, or type of storytelling you're doing really, requires knowing what parts of your story are actually important for the purpose of communicating your story the best. Because Art, is communication through aesthetic. And in order to do communicate well, you have to understand what your message is AND what parts of your message are most important before you can decide how to convey them.

The Hard magic vs Soft magic spectrum is a measure of how important the utility of your magic is for solving problems that exist in the narrative. E.g. ATLA's magic is harder than Tolkien's or Lewis' because the characters in ATLA solve a majority of their problems with the power of kung fu magic, and their interpersonal struggles mostly help them learn how to either use martial arts magic better or new ways to employ it. But the fantastic foot-up-your-ass magic is the most important tool. Meanwhile Frodo is a weak hobbit, and his struggle is about whether or not he'll be able to maintain the emotional bandwith to make a horrific trek into the heart of darkness; the rest of the events we see in the book/movie are largely to impress upon us just how much is riding on the mental health of one little guy. Lewis' is slightly harder (barely) because Narnia is ultimately a very christian(colonial) fairy tale, and the wonder of the new and foreign world is the most important part of the story. Even the characters are pretty "soft" in Narnia, because the point is the vibe of the fairytale world, and you're not supposed to care about Snow White's intense psychological anguish at her step mom trying to have her killed because she can't handle being a milf. You're supposed to care about the vibe of the dwarves she's staying with and the overall plot.

Likewise with the worldbuilding-

Narnia gives you a middling amount of detail for it's fantasy world, but it paints in very broad strokes. Because the vibe of the world, the feeling of wonder and awe that unfamiliarity with it provides, is more than the details of Cameroon's culture or borders in contrast with Narnia's.

ATLA's setting is much harder by contrast, because you're explicitly not meant to be a gawking tourist to this world, the viewer is meant to see it through the cast's eyes. A deeply affected member of the world, who is trying to familiarize themselves with it's complexities. The kung fu magic is a part of the complexities of that world in a very fundamental way, so those two things get a lot of details. The show even beats you over the head with the idea by constantly telling you that the Avatar must be connected to the world, verbatim in a few episodes in fact.

LOTR sits somewhere between the two because it's world is... Frankly more fleshed out than it probably needed to be for the sake of it's story. Tolkien wrote his story to make you care about his world, not the other way around. So it's actually probably an awkward example here, but even still! Through the narrative, we're given information about the world within the context that the characters would experience them in order to impress upon us the complexity of the problems they're facing. The world itself provides the challenges, and the solutions come from the mettle of the characters. So we spend more time with the characters and learning about the routes they'll take, the challenges on them, and the sociopolitical structures of the various nations they pass through, than we do learning about the magic.

In order build stories like this, like OP said- you have to do it on purpose, and in order to do it on purpose, you have to know why you take each step that you do.

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[fairweathermyth]

JEONGNYEON: THE STAR IS BORN / 정년이 dir. Jung Ji-in, 2024 Episode Three

[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...

[zepskies]

And I'm SO happy you're back, my lovely Wayne!! Of course, you decide to spoil me with this review the minute you dip back into this hellsite. 😘

(yesss, and don't think I didn't see that chapter you dropped of Polaris! When I get back from my vacay I will be diving into that. I need to know what happens next with our favorite cowboy sheriff 🤠)

I'm very glad and grateful you made the time to start ESC! I had so much fun figuring out Russell Shaw and the Tracker cast -- especially with all them Deanisms. 😏

Diving into the rest of your awesome comments below!! 💕

First of, Professor Goldstein is a piece of work... 😒 I wouldn't blame her for spitting into his coffee every time he calls her sweetheart. But Russell, I see you. She's gonna be so annoyed with him 😂

Oh he's a piece of something, all right. 🙄 She could def pull a Rachel on his ass. And Russell...lmao, you already saw where he's heading with this. 😂

Ooooh, another professor character paired with some rugged Mountain Man 😏 I'm addicted to those couples. She's all business up front, and he's all party in the back (seat of his Chevelle) 🤪

LOLL the way it didn't even occur to me when I was writing this (at first) that I was writing another professor paired with a law enforcement (sort of, in Russell's case), man of action type, like in Take Me Home with Beau Arlen. 😝 I came at it with the thought of, "what if she was Dory's best friend, and they worked together at the university?" I must have a thing for writing nerds who get the rugged, sexy Mountain Man. Not at all fulfilling a personal fantasy.

UGH. The nerve!!!!! Massage therapist????? How about I step on your back with my high heels, bro... And then to go on about his trip and parasailing... Guess it's true. Ignorant people are happier 😂

Fuck YES, I'd be high-stepping up and down his spine fr. 🤣 Ignorance is bliss, I guess? 🤷🏽‍♀️

Or why are campuses so big in general? My university actually had several faculties strewn throughout the city. Sometimes it took an hour and several subway rides to get to your next lecture 😅

Oooh my God, now THAT's crazy! A whole subway ride(s)?? I've worked/gone to school on some big campuses, but that takes the cake. I guess you get your daily workout one way or another lol!

Please tell me Russell's in the room when she said that 😄🤞

Big YEP lmfaoo, and he likes her already because of it. 😂

Ooooh, right! I wonder how much she knows about the Shaws. Not something that comes casually up in the cafetaria I imagine 😅

No it would not, lmfao! But that is something that will be explored (how much she knows) in the chapters to come, for sure!

Love this whole exchange. You're making my dreams come true, babe 😘

Ahaha I had to do the little callback to sriracha fries (and figure out how tf to spell sriracha, first of all. 😂)

I keep thinking he probably has that look now because he was in the army for so long. Young Russell was pretty much young Dean Winchester in a uniform (hello there, soldier 😏)

Ooh that's SUCH a good point (and yumm). It's making me hope that we get a flashback of Russell in his military days someday in Tracker.

Well... It's a toss-up, I'd say 😆

Oh, very much a toss up/personal preference there lmao. I've loved Justin Hartley since his Smallville days as Green Arrow. 😆 But in this case, I felt like Russell would try to claim top billing there loll.

In. His. Car 🚩🚩🚩😂 If any strange man said that to you... 🚩🤣

Honestly, it's amazing how many red flags you ignore when someone's charming and handsome. 🤣🤣🤣

Well, at least, Colter has an Airstream 😅🤷‍♀️

Ha!! True, it's beating out Russell's crusty motel of the week by far, I'd say.

He is a professional flirt. Kind eyes...

Oh don't worry, we're getting to that callback. 😏

Dear God, he does not stop, does he? 😆 (On the show, I loved his persistence with Reenie too, even though it was mainly just to annoy Colter. But you captured him beautifully here with this sort of charm 🥰) PS: schmutz, schlep... I love the sprinkles of Yiddish in this 🤓

In fact, he does not! lmfao That was what I loved about it too -- like maybe half of him is serious, and the other half just wants to needle Colter. 🤣

Aw I'm glad you caught that! lol I'm not Jewish, but for some reason it just felt right for these characters. 💜

STOP IT! And he upgraded too!!! 🤣

He absolutely did!! And this time, it actually worked! 🤣🤣

I AM SO EXCITED FOR THIS! Gah, this was fabulous! I'm hooked! 😍👏 Are they gonna stay casual? Something about her brooding and reluctance tells me it's not usually her style? Which means, will he eventually settle? Get out of the dangerous hitman-nomad life?

Ooh my goodness, I'm so glad to hear that, friend! You're right. I don't think I full on state it, but "casual" is typically not her style. Also, Russell is Dory's brother, so she doesn't want there to be any weirdness or awkwardness between them if something happened or fell out between the reader and Russell.

She already knows his relationship with Dory is kind of fragile, in that they're still in that "reconnecting" phase. You'll see more of that dynamic and her thoughts in Part 2, but the rest of your questions will most definitely be explored throughout this little series. 😏

And then there's the stories about their respective families. We already know some about Russell's. How is she gonna react if she learns everything? And there's something odd about her private life as well. Can't wait to dive into that bombshell 😂

There's a lot to unpack there, right? There's a great deal that she already knows through Dory, and some things that are going to be revealed along the way...

Zep, my sweet genius Alex, you've outdone yourself once again. Bravo!!! 👏👏👏

You make me blush!! Thank you so much. 😭🥰 If you like this chapter, then I think you're going to enjoy the rest of the series. I hope it's as fun for you to read as it was for me to write!! 💕💕

A Line and a Half

Pairing: Russell Shaw x F. Reader

Summary: When Dory’s eldest brother comes to visit her at Wyoming University, you don’t know quite what to make of Russell Shaw. But he knows exactly what he wants to make of you.

AN: Okay, here’s my first toe-dip into the world of Tracker with Russell Shaw! 1x12 gave me too many ideas not to explore this intriguing character. This is set before episode 12, but I have a little series I want to sketch out that will continue after this one-shot, so think of this as a “Part 1,” if you will. 😉

Word Count: 3.2K

Tags/Warnings: A kind of “meet cute,” attempts at flirting, and hints of setup for more to come…

You watched, silently simmering, as Dr. Goldstein added yet another packet of internship applications from his graduate students onto your desk.

Applicants that he, as the History Department Chairman, was supposed to review himself. Instead, he’d been adding these hours quite literally onto your desk. 

“If you could review these for me as well, sweetheart. Thank you,” he said. “Get ‘em back to me by Thursday, okay?”

As a Professor of History with two doctorates in your name, you once again grated internally at sweetheart, but you tried to keep that cringe off your face as well.

Goldstein barely even met your eyes when he dropped off his burden, and then aimed to leave your office.

“Uh, Paul,” you called out, raising a finger. You stood from your desk as quickly as you could in your pencil skirt, but the man was already out the door. You followed him out, your heels clacking on the tile floor. 

Damn it. Knew I should’ve gone with pants, you said, continuing to hasten after your boss.

“Paul! Just a second,” you said. That finally managed to turn the man’s head off of his phone. He glanced at you while checking his watch.

“About the internship applications…and your midterm exam essays for that matter. Don’t you think—” you started to say, but the man spoke over you.

“I’m sorry, I’ve got to run. Meeting my massage therapist at noon,” he said, and rolled a seemingly stiff shoulder under his tailored blazer. “Something’s just not right here after my trip to Cali last weekend. I don’t know what I did, pulled muscle or something. But hey, they do say parasailing is a sport.”

You quirked a brow. “Do they?”

You weren’t sure that being strapped into a parachute for a nice air glide over the Pacific counted as a sport.

Goldstein shrugged at your question and he kept walking down the hall. Though he turned back to toss you a pointed finger.

“Need those by Thursday. Thanks, you’re the best,” he said.

You watched him go, as proverbial steam began to escape through your ears. Slowly you pivoted on your heels, and you went back to your office. You grimaced at the large stack of applications. You were pretty sure he padded them with an extra section of midterm exams.

Tapping your nails on your desk, you grabbed your phone next to your desktop and checked the time. 11:30 a.m.

Screw it. I’m going to lunch, you thought.

Dory had to be out of her Intro Physics class by now, which meant she’d be in her office, ready for you to drop in on her a little early. You took up your purse and almost made it out the door…but at the last moment, your anal brain made you turn back to grab a shoulder bag and the pile of applications. Maybe you could knock out a few during lunch.

Friggin’ doormat, as your brother would say. Laughing at you, probably.

You rolled your eyes and headed back out the door with your haul of papers, purse, work bag, and keys, locking your office behind you.

Why, oh why did the Sciences building have to be on the other side of campus?

It was damn near a mile walk from your Humanities building over to Dory’s office on the second floor. Your hands were laden with packets that couldn’t be contained by your heavy work bag, your purse was slipping off your shoulder, and these heels were killing your feet.

It was a miracle you and Dory had ever met on this campus. On your first day of teaching, you’d of course been hopelessly lost. Somehow you ended up at the tail-end of one of her classes in one of the science auditoriums.

She’d been gracious enough to help you, and even walked you all the way to the Humanities building so you could find your World History class before the students decided to just get up and leave. (And after fifteen minutes, they very well would.)

That day, she became your first real friend at Wyoming University. In the three years since, she’d become your best friend.

And now, her door was mercifully open halfway. You pushed it open and stumbled just a little from the transition of tile to carpet inside her office. Your papers nearly flew from your hands, so you struggled to right yourself and contain them all back into the semblance of neatness.

“Hey, girl. You better be ready for lunch because Jesus fucking Christ. Goldstein’s up my ass again and all I’ve had today is a crusty donut from the teacher’s lounge, which I’m pretty sure was stale,” you said, with your brows furrowed in frustration.

When you finally looked up from your struggles, you realized that Dory wasn’t alone. She smiled at you in amusement, sitting at her desk beside a man who made you pause. Your eyes widened.

He was leaning casually with an elbow propped up on her desk, dressed in jeans and a worn, pale green jacket—a good match for his eyes. He looked a little rugged for Dory’s tastes, but you couldn’t fault her, with the cut of that bearded jaw, and the smile raising the corners of his lips.

“Hey,” Dory laughed. “I see you’re having a good day.”

You bit your lip in embarrassment, probably smudging your lipstick.

“I’m so sorry. I should’ve knocked first,” you said, though you could see she seemed to be having an actual good day. Office picnic? Or maybe the handsome stranger was getting ready to take her out.

Dory just waved you in. She stood and set a hand on her companion’s shoulder, and he got up along with her.

“It’s okay. This is my brother, Russell,” she said, and she introduced you in kind.

“Well, hi there,” he said. He subtly took you in with his eyes as he held out his hand. Already you felt your face heating up with more than just embarrassment.

You were a bit shocked as well, to say the least. Dory had told you some…interesting things about her family, including the fact that she had two older brothers. You wondered which one this was, the middle child, or the eldest.

“Hi! Sorry. Again. Nice to meet you,” you said. You tried to hold your hand out to reach his, but a few papers began to spill out. You clutched at them on reflex, but Russell drew in quickly to help you.

“Got yourself a load there,” he said. You agreed with an awkward laugh and a shrug of your shoulders.

“My boss’s idea of extra credit,” you said wryly.

“You can set it down on that chair over there,” Dory said, pointing to one against the back wall, next to a tall filing cabinet.

You and Russell meandered over and managed to set down the stack without casualty. You were able to pull up the straps of your bag and your purse from falling off your shoulder and give him a grateful look.

“Thanks,” you said.

“No problem,” he said, giving you an easy smile back. “I actually crashed in unannounced, so if you two wanna to head to lunch, you go right ahead.”

“Uh, no. I haven’t seen you in months! You should come with us,” Dory said. She grabbed her purse to join you and Russell by the door.

You raised your hands in placation. “Oh, I wouldn’t want to intrude, especially if it’s been a while since you’ve seen each other. You guys should catch up.”

Dory shook her head and grabbed your hand.

“Uh, uh. I want to hear the latest on Paul’s bullshit, and why you’re carrying half your office across campus. Let’s go,” she said, and gestured at your work bag. “Leave that here. You’re gonna eat and talk to me. No working involved.”

You laughed, but you agreed to her cajoling. With another glance at her brother, and those green eyes that seemed to be dancing, you joined them for lunch.

The three of you ended up at a diner that you and Dory frequented at least once a week. The food was good, the service was quick, and it was close to campus. Wins all around. Russell seemed to be enjoying himself, as he hummed in delight after the very first bite of his Philly cheesesteak.

“Sriracha on fries, huh?” you remarked, gesturing at the man’s plate. Your brow was quirked, but he shot you a smile.

“I said avert your eyes,” he teased. “Don’t knock it ‘til you try it, sweetheart.”

Ugh. Another sweethearting man. You narrowed your own eyes at him a bit. He caught the look and raised a hand in defense (the one that wasn’t holding his cheesesteak).

“Uh oh. What’d I do?” he asked.

“You gave her some PTSD,” Dory said with a laugh. “Dr. Goldstein likes to sugar coat his demands with sexism.”

Russell noted your souring look with apology. You’d just finished recounting your morning for your friend, and recapping years of “sugar-coated demands” for Russell.

“Why don’t you just tell him to cram it up his…uh…” he paused. Seeing his little sister’s look of amusement, he amended. “Or you know, stuff it.”

A smile twitched at your lips. “Oh, believe me, I’d love to tell him to stuff it. But he’s technically my boss, and the department chair. Even though I’ve basically been doing his job for two years now.”

“Well, that sucks,” Russell said. “And I feel for ya. I’ve had my share of shitty bosses in my time.”

You sighed and accepted his commiseration with a nod.

It wasn’t fair, but Goldstein planned to retire early in a few years. Must be nice.

When he did, it would make you the most likely candidate to replace him as department chair. The way you saw it, this was giving you plenty of practice before you (hopefully) inherited the position.

Anyway, you shook your head. You didn’t want to talk about it anymore. You were more curious about one Russell Shaw. You now knew he was an army vet, and he carried himself like one. Calm, controlled, even though his smiles came easy. His tousled hair and beard, while well-trimmed and neat, still gave him a roguish quality.

“So let me guess. You’re…the eldest?” you asked. You blotted at your mouth with a napkin, having finished your chicken panini.

Russell treated you to another one of those smiles, though this one held a hint of more.

“Guilty. Though I’m the handsome one,” he said with a wink.

You found yourself smiling behind your napkin.

“I’m sure,” you replied.

Dory rolled her eyes. “Don’t mind him. Apparently my brother’s an incorrigible flirt.”

He chuckled and sipped at his beer, but then he grimaced.

“Ech. Friggin’ weak,” he said. “I brew better than this outta the trunk of my car.”

 You raised a brow at that. “You make your own beer?”

“Damn straight,” he said. His gaze turned a hint more playful. “Next time I’ll bring you some. You can tell me what you think.”

You shared a telling look with Dory.

“Next time, huh?” you asked.

“Sure,” he inclined his head. “I pop into town from time to time. Gotta check in and pester my little sister, the physics professor.” 

He laid a hand on Dory’s shoulder, squeezing warmly. You could see the pride in his eyes, and it warmed you as well.

She turned to him with a smile, reaching up to cover his hand with hers.

“You don’t pester me. I’d love it if I got to see you more often,” she said.

“Ah, I know, I’m sorry,” he said, releasing her. “My job’s got me all over the place. But I’ll be here for a week or so on this gig.”

That intrigued you. “What do you do for work?”

“Ah, well, you could say I'm a contractor. Private security mainly,” said Russell. His shoulders shifted as he became a little more guarded, you noticed. “My company connects me with the client for as long as the job lasts. Could be a few months, sometimes a few days, depending.”

“Oh, wow. Do you live here in Wyoming?” you asked. He paused, but tilted his head a little, back and forth as he considered your question.

“I kinda bounce around,” he said. “Just go from one job to the next. Sounds a bit unorthodox, I know, but it’s a living.”

“Interesting,” you nodded, but inside, you thought that sounded like a hard way to live.

Unstable…and lonely. 

“You know, it’s amazing how much you and Colter have in common,” Dory said. She folded her hands on the table and met her brother with a pointed look.

He huffed in response, though he glanced at you, then back at his sister. As if he was saying, You really want to do this now?

Dory had told you before that Colter was a “rewardist,” or some kind of bounty hunter. The nature of his work kept him busy, and seemingly too busy for his sister. But you also sensed there was an edgier history here.

For the first time, you felt like you were intruding in a moment between brother and sister that went beyond words.

After a moment, Russell shook his head.

“Look, I tried with him, all right? He won’t talk to me,” he said. He went back to eating, polishing off his fries. He offered you one that was half-smothered in sriracha.

“Come on. Live on the edge with me,” he teased.

You eyed the sauce-covered fry in distaste, but after glancing up at his more playful smile, you accepted his offer. You chewed in contemplation, and found that the tangy hint of kick wasn’t so bad. 

“Eh? Eeeh? Delicious, am I right?” he said, his hands going wide.

You rolled your eyes, but you nodded in agreement.

“It’s all right,” you replied.

“Yes!” Russell’s hands swept up higher, like he was celebrating a touchdown. "See, I told ya."

You couldn’t help but laugh. Dory shook her head fondly and gave him a clean napkin for the bit of schmutz she spotted at the corner of his mouth.

“Here, wipe your sriracha face.”

“You really don’t have to,” you said, as Russell helped you gather your stack of papers and slung your work bag over his shoulder.

“No, no. I’m a bonafide gentleman. Ain’t that right, D?” he asked his sister. She barely resisted the urge to roll her eyes again, but she did give you a knowing smile.

“Oh, his intentions are pure,” she said.

 And by that, you both understood her meaning. His intentions couldn’t be any clearer than a mallet over the head, but you kind of found it endearing.

This man really carried your stuff from the Sciences building across the entire campus to your office. All the while, he asked you about how you and Dory met, the kinds of things you two did together, and if you thought she was happy working here.

You had a feeling he was trying to learn more about his sister’s life. On one hand, it was rather sweet. On the other, it made you realize that there was distance in this family, both literal and figurative. You were glad to hear that Russell, at least, was trying to bridge that gap with his sister. Dory deserved to have more of that in her life.

As you explained to Russell while you led him down the hall to your office, your friendship with her had just…clicked. From the very beginning.

“Dory, you know. She’s more than kind,” you said. “She’s a real one. I can rely on her, even when I can’t rely on my own family.”

Russell hummed at that. “That sounds like a story.”

“Yeah,” you said, glancing away for a moment. You smiled and met his gaze once more. “Maybe one for another time.”

“So you’re on board with a ‘next time.’ Good to know,” Russell remarked. Your smile deepened.

It was good timing when you two finally reached your office. You unlocked it and let him inside, so he could set down your bag, and the god-forsaken stack of internship applications back onto your desk. You’d probably be stuck here working late on those.

“Well, thank you so much. You really didn’t have to schlep for me,” you said.

When you turned, Russell was a bit close. Not uncomfortably so, but enough to make a trill of something zip up your spine. You smelled more intensely his cologne, woodsy and warm. Looking up at him, you once again found his smile.

“It’s no problem,” he said, but his eyes met yours for a moment, as if he lost his train of thought.

“What?” you asked, a bit nervous.

“Anybody ever tell you, you got soulful eyes?” he asked.

It took your brain a second or two to compute, but when his words registered, you had to laugh. You held it behind your hand, while the other went to steady yourself on your desk.

 “Well, that’s a line if I’ve ever heard one,” you said, shading your “soulful” eyes with a hand.

You didn’t know it, but Russell’s face warmed in slight embarrassment. He recovered though, taking in your pretty laugh, and the shade of your hair, let loose around your shoulders, and yes, your eyes, when you let him see them again.

If he hadn’t known before, now he was convinced.

He wanted to see more of you before he left town.

“Hey, now that was 100% genuine,” Russell said, but his grin spoke volumes. When your mirth died down, he scratched the back of his head.

“Okay, cards on the table. Would you be interested in grabbing a drink with me sometime?” he asked.

You took in a breath at that. You actually did consider his offer, because homebrew and sriracha fries be damned, there was something more to him. It was lying in wait, behind those eyes that were drawing you in.

However, this was also a man whose job basically made him a nomad. It didn’t exactly scream relationship material.

Which only left the alternative: something…casual.

You just didn’t know if that alternative was such a good idea. Not with your best friend’s brother.

“Just a drink. No frills, no more grilling you about my sister,” Russell said, breaking you from your deliberation. He gestured a hand between the two of you. “Just this. You and me.”

Eventually, you sighed. Your lips raised into a more genuine smile.

“Sometime, huh?” you asked.

He smiled back. “Tonight?”

You hesitated, but despite your better judgment, you nodded before you could change your mind. You still weren’t sure what to make of this guy, but you were willing to find out.

“Sure,” you said. “Howley’s at eight?”

“Well, all right,” Russell said.

He surprised you by sweeping up your hand into his. You looked up at him, curious, but not wary. Anticipation tingled down your spine.

He pressed his lips to the back of your hand. Soft shock made your eyes widen as you blushed, feeling the subtle graze of his beard against your skin.

Who is this guy, Cary Grant? you thought.

But when he pulled away, you had to remind yourself to breathe. Again, you caught sight of his cheeky grin.   

“See you tonight,” he said.

AN: He is beauty he is grace, he is Mr. Sriracha Face. 😆

Let me know if you guys liked this! 💜 It's my first time writing a character based solely on one episode, but next up is a series that will continue this one-shot. It's called Every Second Counts.

Next Time in Part 1:

“Are you absolutely sure?” you asked, with your hands on your hips. 

You wanted no miscommunication here, no read-between-the-lines mishaps, no subtext or nuance to bite you in the ass later. So here you stood in the middle of your best friend’s office, still on the Wyoming University campus after your last class.

Dory had to laugh at you. She pushed away from her desk and threw her hands up.

“Yes, for the love of God, you can grab a drink with my brother,” she said.

▶️ Keep Reading: Part 1

Ko-Fi Me ☕

Russell Shaw Masterlist

Main Masterlist

Russell S. Tag List:

@kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms @foxyjwls007

@wincastifer @ades106 @iamsapphine @simpforbuckyb @roseblue373

@brianochka @branj19 @hazel-eye-coffee-shop-girl-blog @globetrotter28 @charmed-asylum

@waywardxwords @deanwinchestersgirl87 @this-is-me19 @rachiem4-blog @sweettimelady

@leigh70 @clinicallydepresso @xiphoidbones @skoveu @nyotamalfoy

@kmc1989 @jackles010378 @emily-winchester @waynes-multiverse @jessjad

@my-stories-vault @deans-spinster-witch @syrma-sensei @stellasfictionalworld @ultimatecin73

@jesllianaquilesrolonsworld @pieandmonsters @lhymer1995 @taehyungxjungkookistaekook @lovelystoriesaj

@nicksalchemy1 @spnwoman @onlyangel-444 @sexyvixen7 @illicithallways

@wolkenprinzessin007 @alwaystiredandconfused @carpenterswife @cheynovak @grilledcheeseandtomato

[feralnumberfive]

I let go of TUA S4 as quickly as a 5 year old at their birthday party lets go of their balloon to float into the troposphere

[beepbeepmfkr]

Once again sunk for the scrawny spitfuck with more charisma than skill Jack Rackham you have my heart 😭

[oveliagirlhaditright]

So, I don't know if I'm ever going to watch the 5th Wave movie based on reviews I've seen for it now (even though I also feel bad saying this--and think maybe I should--because I'm also someone who thinks you should judge things for yourself), but I have watched a few amvs for it... and just based on that (though I admit that that might not be a fair metric to base it on), I do agree with people who think that Evan Walker was miscast (it also might have been direction issues). He just seems too earnest to me? Too trustworthy? And that's sort of a problem, of course, because you needed to have so many moments in the film where you didn't know if you could trust the guy or not. And based on the scenes I've seen, he doesn't seem mysterious/sketchy enough. He also doesn't give off the vibes where Cassie was like, "I'm going to kill Evan Walker!" because he was pissing her off so much. IDK. -shrugs-

[the-cooler-harmonybot]

me after making a character (villain) that does so many bad things but as deliberate choices that conflict with their morals which is still bad regardless of guilt they may feel. and at the same time she's not "intrinsically evil," nor do they enjoy it in any way. and also they come across neurodivergent, and i don't want THOSE traits to be demonised. and they do still have lines they won't cross which is interesting compared to other characters but they are very very awful still and state this themself: hm i think. i think i did a little more nuance than i needed to here. i'm sure i won't mess that up and people will read things as intended and in good faith :)

[simplyreveries]

I ADORE YOUR WRITING!!

what about a reader who’s unknowingly flirting with the twst wonderland cast (specifically savanclaw, octanaville and diasomnia) because of culture differences and species differences?

e.g petting their ears, giving them gifts, smiling with teeth (bc for moray eels that’s how they mate 👀)

OR fem reader who has her period and some of the twst students can smell it I LITERALLY HAD A NIGHTMARE ABOUT THIS 😭😭😭😭

OMLL I APPRECIATE ITTT!!! sorry for the wait!!! i chose some from each dorm bc of my character limit btw!!

azul ashengrotto

despite how much azul continues to do his best to learn about life on land… relationships are certainly difficult for him to understand sometimes considering how long he has spent his life in the sea and though there are many similarities between merpeople… there are still some differences. once azul is rather close to you he does become unintentionally— clingy with you. (when you two officially get together that's another story) but he has a habit of wanting to lean close to you or have a hand on you in some way, like on the small of your back when showing you something in the mostro lounge.

so needless to say, he is in love with any sort of touch from you he takes that as some sort of hope and sign that you reciprocate how he feels haha. jade and floyd tease him ALL the time about it especially when he was struggling to keep his cool-headed composure after you once gave him a hug after he did something to help you once.

like I've said azul really doesn't think about it or even try to be this way around you he just does aljdfajdkhf. he’ll feel like a smitten fool as he sits in the vip lounge as he's doing papers and just think about how you playfully linked your arm around his to bring him somewhere. small things like that are actually quite big to him when it comes down to the differences.

jade leech

he's aware you probably don't know that you're unknowingly flirting with him, but he finds it amusing and plays along with you, nevertheless. he thinks it's cute that you don't know and all the more enticing, you’ll find him chuckling, trying to hide his grin with his gloved hand “oh my, I didn't know you liked me that much fufu” he’d say. you can't help but feel confused as to what he finds so interesting… like you literally just yawned.

it'll take him a while to actually tell you what it means since he finds the obliviousness to be quite cute. you only put two and two together when he tells floyd about what you did right in front of him and the two laugh about it. now you've got floyd teasing u about it..

like azul he is a little more affectionate just in a different more. in a less obvious fashion, though there definitely have been a few occasions where he likes to bring your hand to his lips and see your reaction, he finds it so amusing. he always has his teethy grin plastered on his face.

leona kingscholar

he hates the way he can always tell when you're wearing cologne or perfume and he hates that he likes it as well, he may or may not be a bit addicted to your scent. he literally can tell if you're near just because he knows the damn fragrance you use.

if you two are particuarly close... like him falling asleep around you and such. if you happen to pet his head and his ears, he immediately shoots you this look then mumbles something before being too tired to do anything about it or give you some retort. he just lets it happen... he does enjoy it anyway. slowly he kinda doesnt realize how clingy he can get with you because of it. he becomes a little needy and wanting more attention from you. he cant help it.... i mean you basically just showed him that you're fine with it anyways.

leona seems to be someone who can get pretty possessive, unintentionally too over you. kind of territorial, like if you're someone he has eyes for then he doesn't expect others to really get in the way of that.

malleus draonica

malleus is not only a fae but a pretty sheltered one too, I’d think he’d take almost anything from you as a sign of you being completely infatuated with him as he is with you. you could offer split your ice cream or invite him out somewhere, show any sort of interest in him as he talks about gargoyles as he’s doing single club activities. the one time you asked curiously and wanted to touch his horns, he’d be searching for the loveliest jewel to bestow you for your wedding day.

speaking of jewels… he gifts to you a lot especially after you give him anything first (it could be a cool rock you found) and he’d be so smitten and glad to reciprocate that by giving you earrings, rings, necklaces etc. and when you accept them even though you're not exactly fully understanding why he takes it even more as a sign of you accepting his advances.

after taking any of your little acts of being somewhat kind to him and he’s already so deeply into you, lilia would certainly be someone who hears just all about it. i think he would only feel happy for malleus, as it appears he must’ve found the right one. he is just supportive of malleus and is simply overjoyed to know he has some little human that makes him so happy.

lilia vanrouge

he has lived long enough and in different places to understands human courting's and more so than someone like malleus. he knows how different it is, trust me he is fully aware, but he thinks it's amusing. lilia pretends to take it the wrong way and watch you get all confused, when he's just being playful.

just cant help that he finds it so adorable when you unknowingly show him affections as a fae would in his culture. even just being slightly affectionate with him is enough to have him giggling and warning you to be careful to what fae you do that to. they do tend to take very kindly towards any affections and gifts!

lilia will straight up tell you though too, you could gift him and give him something neat you found or made, and he'd look up at you with a stupid grin like "kfufu... i accept your love, dear" NO???. he still holds onto anything from you with the utmost joy.

[spider-stark]

THE BRIDGE

Benjicot Blackwood x Bracken!Reader

Summary - Your wardship with House Blackwood was meant to bridge the chasm between your families. Years later, you return to Stone Hedge as the whispers of war spread—only for Lord Tully to call for a hunt.

Warnings - fem!reader, complicated sibling relationship, fighting, (probably excessive) mentions of blood, talks about hunting/killing wild animals, !angst!, adult language, reader def suffering from identity crisis, probably deviates from canon some, kieran burton fan cast for benji, all characters 18+

Word Count - 5.6k

!MINORS DNI!

// masterlist // send me your thoughts // comments & reblogs appreciated! //

When Grover Tully, the Lord Paramount of the Trident, sent word for each of his bannermen to send forth a handful of their finest House members to a most desolate area of the Whispering Woods, no one thought it wise to object. 

“Lord Grover is an ornery old crow,” your father, Humfrey Bracken huffed as you readied the horses. “But you would do well to earn his respect.” He clamped a hand on your brother’s shoulder, pride gleaming in his eyes as he said, “Whatever he’s planning, I want you to show him that House Bracken stands strong. Understood?” 

Keeping his chin held high, Amos hesitantly mutters, “If you wish to impress Lord Tully, you might think twice about sending her.” 

Even with your back turned, you could feel the weight of your brother’s stare, his eyes boring a hole into the back of your head. 

Your father shrugged, a disinterested gesture. “Grover said to send our best,” he said, “and when it comes to a bow and arrow, no one's a better shot than her.” 

For the next day-and-a-half, you rode at a distance from the group your father selected—your brother, Amos, and two of your male cousins. And while they laughed and jeered and yapped, you remained stuck in your own thoughts, playing your father’s words on a loop. 

It’s the only compliment he’s ever paid you. The closest he’s ever come to acknowledging you as Bracken. 

You hate him sometimes, you think. For agreeing to peace all those years ago—for sending his only daughter to ward with his rival of all people. He must have known it was futile. Must have known that one girl could never bridge such an ancient chasm. 

He must have known—and yet he sent you anyway, only to call you back years later, tearing you away from the only home you had ever known and leaving you to feel like a stranger in your House. 

Grover said to send our best. 

Are you a Bracken, then? Is blood all that determines a House? 

No one’s a better shot than her. 

But your skill is that of a Blackwood, born under their tutelage. 

Deep within the Woods, a steady mist of rain falls from the sky, leaving your skin uncomfortably damp. In the distance, a low hum of chattering voices signal that the four of you are drawing close to Lord Grover’s camp—and that the other House’s have already arrived. 

Your thoughts shift, wondering who Lord Samwell sent to represent House Blackwood—fearing that you might already know the answer. 

A strange tightness floods your chest, coiling around your lungs. 

It’s been months since you last saw the heir to Raventree Hall. Many, many months—and you can’t help but think any reunion might end in bloodshed with Amos by your side. 

As if he heard his name ring through your mind, your brother slows his horse to gentle trot beside yours, cocking a neatly groomed brow at you. “Tell me, sister—were you always this dour?” He asks, feigning intrigue. “Or did half-a-decade with the Blackwoods simply drain the joy from you?” 

You don’t pry your eyes from the path ahead, refusing to look him in the eye as he continues without waiting for an answer. 

“I wouldn’t be surprised—a mere day with those insipid cravens would have me wishing to swallow my own blade.” Removing a hand from the reins, he pantomimed the act—gripping an invisible hilt and shoving it towards his lips, letting a dramatic choke rip from his throat. 

Riding a bit ahead, your cousins chortle at his jest, shooting amused glances over their shoulders. 

“No need,” you answer without thinking, your tone impassive. “Aly would have an arrow in your eye before the day was up.” 

Your cousins fall silent. 

Amos stiffens, jaw clenched tight. “She could try.” 

You know Black Aly would try if given half the chance—and you have no doubt that she would succeed, too. She was the one who taught you how to string a bow and sharpen arrows, how to aim and never miss. 

When you don’t respond, Amos pulls his horse in closer—as close as he can get without spookings yours. “Look,” he utters, low enough that your cousins can’t overhear, “I don’t know how things were done at Raventree—but you’re home now, and you would do well to remember where your true loyalties lie.” 

Again, you don’t speak. Don’t think, either. 

Amos sighs. “Your blood runs gold, sister. You’re a Bracken, through-and-through. Take pride in that—and don’t bring shame upon our name. Understood?” 

Strange. 

You had seen your own blood before—more times than you can count, actually. Scars mottle your skin like stars in the sky, a reminder of the years spent training and the memories of nights spent with friends who were supposed to be enemies. 

Never once had it looked gold to you.

Only red. 

“I understand–” a pause, a breath, a heartbeat– “brother.” 

Nausea twists your stomach. The familial title curdles on your tongue even as Amos grins at you. There’s nothing affectionate about the gesture—how could there be? He doesn’t know you. Not really. 

Blood or no, you’re little more than strangers to each other—and yet, even so, you can see he’s trying. Trying to know you. 

Ahead, the camp comes into view. Banners hang above tents: white for the Mootons, blue for the Pipers, purple for the Mallisters. 

And red—for House Blackwood. 

Amos gives you one last glance, a pall mimicry of what you believe is meant to be love in his eyes. “You’re home now,” he reminds you again, as if you need to hear it,“be glad for it.” 

With the Tully’s guards now in earshot, Amos doesn’t bother with waiting for a response. He snaps the reins, urging his gelding back to the head of your group, already bellowing his greetings. You watch him go, transfixed on the yellow-gold of his tunic—identical to yours. 

Approaching the guards, you tell yourself that your brother is what home is supposed to look like. That if you were to slice your veins, gold would pour from your wrists. 

Not red. 

After checking in with the guards and tying your mare up in the makeshift paddock, there was no time left to freshen up before you were expected to join Amos and your cousins. With all the Houses now gathered, Lord Grover wasted no time in calling you all to the heart of the camp. 

Still, you try to make yourself presentable—using your fingers to comb through tangled, windswept hair and smoothing the wrinkles from your gold tunic, careful not to disturb the ornate brooch pinned above your heart. 

According to the guards, everyone was given one upon arrival. “All Houses are required to wear them,” they explained when Amos pressed them on it, “Lord Tully’s orders.” 

They were all different, it seemed. Yours was a delicate thing, fashioned from silver and pearls in the image of a blooming dahlia, while Amos’s was clunky and shaped like the sun. He’s still fumbling with it when you finally push through the small crowd, taking your place at his side. 

To your left, separated only by a group of five Frey men, you feel the wary glances being cast your way. You almost turn your head—almost glance back at them, if only to see what they might do. What he would do. 

Would he even acknowledge you? Or simply look away? 

The answer, thankfully, is one you don’t have time to learn. A servant garners attention, dragging a simple, plush chair to the group’s center. Following suit, another two servants assist the aged Lord Paramount from his tent, guiding him into his seat. On his right stands his eldest grandson—and your favorite Tully. Tall and dark-haired, Elmo looks more fearsome than he actually is, sparing you a quick, discreet wink when he spots you. 

“You may all be wondering,” Lord Grover wheezes, his lungs fighting for breath, “why I have called upon you all today—the many great Houses of our land.” 

As he speaks, old, gnarled hands punctuate his words, gesturing out to the many men gathered ‘round. His fingers shake with effort, his shoulders bowed beneath the weight of his many, many years. But his chin remains high, and his tone commanding—if a touch quavery. 

“I hear rumblings,” he continues, “from the South-East.” 

Lord Grover’s eyes, milky with cataracts, shift in the direction, staring blindly into the towering trees of the Whispering Woods. Beyond them, even. 

“Whispers of a great danger brewing in the Crownlands—within the King’s own court, if rumors are to be trusted.” 

Your spine turns to steel. 

Those rumors, you know, are as true as they come. Over the past several months, they had moved through the realm like a venomous serpent. Slithering from mouth to ear, hissing tales of the two factions that now divide King Viserys’s council. 

The Blacks and the Greens. 

The rightful heir and the first-born son. 

And the very reason your father had called you home. 

“War is coming,” a deep, foreboding warning, “and should it reach the Riverlands, I wish to know that we might stand united in its wrath. That we will not allow petty rivalries–” a pointed glance at your brother, and then to your left where, without looking, you know the Blackwood heir stands–“to tear us apart from within.” 

A heartbeat passes. Then another. 

The forest holds its breath. Cradles the Lord Paramount’s words in the air, weaving them around the many great Houses of the Riverlands. 

You wonder if this is what strength looks like. What it sounds like. 

You fear you already know which side of the war Lord Grover’s strength might fall—and you pray that you’re wrong. 

Placing a firm hand upon his grandfather’s shoulder, Elmo takes a step forward. “In an effort to promote civility between our Houses,” he announces in a tone that demands respect, “we have arranged for a hunt.” 

Your brow furrows. A hunt? 

“You will be divided into two person teams, working with an individual outside of your own House.” His gaze shifts to you, dark eyes gleaming with mischief. “Teams have already been decided. Upon your arrival, each of you was given a pin—your partner will bear a matching one. And while there will be no winners or losers, you should know that once you leave camp, you will not be permitted to return without a trophy of some kind.” 

Discontent spreads. Low murmurs fill the air. 

Amos voices his frustration louder than the rest.  “And when is this hunt to take place?” 

Elmo grins. “Now.” 

Instantly, murmurs grow to shouts. 

“You cannot be serious, my Lord!” 

“It is already sunset!” 

“Is this a jest?” 

Elmo’s grin never wavers, unphased by the protests—and Lord Grover appears content to let his grandson contend with everyone's bickering, exhausted from what little talking he had already done. 

“Might I suggest you move quickly,” Elmo speaks over the crowd. Glancing upwards, he squints at the black clouds rolling overhead, an amused lilt to his voice as he adds, “Lest you wish to be caught in the coming storm.” 

With no more than a curt nod to the crowd, Elmo turns on his heel, already veering off in the direction of his own tent as servants begin to help Lord Grover rise. 

“This is absurd,” your brother grumbles. 

You ignore him. Storming right past him, you make a beeline for the fleeing Lord. 

“A hunt?!” 

Fond as Elmo is of you, you know better than to shout at the future Lord Paramount of the Trident. Your voice remains no more than a harsh whisper, even as you shoot daggers into the back of his head. 

“At night, no less! In the middle of a gods-damned storm! Have you lost your mind?” 

“What? You think it’s a bad idea?” He chuckles, keeping a steady pace. “Of all people, I thought that you might appreciate the challenge of it all.” 

You stay on his heels. “Who is he?” 

“Who is who?” 

Further from the crowd now, you grow bold. You reach out and snag his arm, forcing him to stop and face you. “Ignorance isn’t a good look on you, Elm.” You grind out, “Swear that you didn’t pick him to be my partner.” 

A wrinkle forms between thick brows, feigning innocence. “What makes you think that I chose your partner?” 

“Because I know you. You’re always scheming—jutting your big nose into places it very well does not belong!” 

Elmo opens his mouth—hesitates—and then frowns. “Am I truly that transparent?” 

“You may as well be made of glass, Elm.” 

His pout deepens, still dancing around your question. “Well, let's say that I did choose your partner—theoretically, of course!” Your eyes roll. “I think you would find my choice to be quite suitable. If anything, you might even thank me-” 

“This isn’t a game, Elmo!” Desperate now, you can’t stop your voice from rising. “If you paired me with him, then Amos will–” 

“Kill him?” Elmo ventures. 

“Yes!’ 

Pursing his lips, Elmo’s gaze falls somewhere over your head. “Well,” he sucks in a breath, “it seems we may be past the point of stopping that from happening.” 

Your mind goes blank, your thoughts scattering like shards of glass. 

You spin on your heel, head whirling around in search of Amos in the throng. Less than a second and you spot him—not because your gaze was drawn to the familiar gold color of your own House, but because of the wall of stark scarlet standing before him. 

Blackwoods. Two of them on either side of the Raventree heir. 

And Benji—his hands pressed to your brother's chest, roughly shoving him back into one of your cousins. 

“Do me a favor,” Elmo's sigh cuts through your panicked haze. “Keep the two of them from plunging a sword in the others’ belly, would you?” 

Any other time and you might have told Elmo off, cursed him for putting you in this position—future Lord Paramount be damned. 

But not now. Not when centuries of rivalry serve as proof that nothing is more dangerous, more unpredictable than this—

A Blackwood and a Bracken—your brother and Benji—standing toe-to-toe. 

Mindless adrenaline is all that thrusts you into motion. Mud splatters up the legs of your trousers as you practically run in their direction, demanding as soon as you’re in ear shot, “What is this?!” 

Amos doesn’t acknowledge you. Neither does Benji. 

Chests-puffed, they remain locked in their foolish staring match, neither of them willing to be the first to back down. 

Finally, one of your cousins sneers, “Seems that Benji-boy here thinks we’re gonna let him take you out into the woods.” 

A sharp, nasty laugh rips from Amos’s throat. “As if I’d let that happen!” 

“We’re partnered for the hunt, you imbecile.” Benji’s tone is that of lethal calm, even as he glares down his nose at your brother. You look to his chest—spotting the silver dahlia pinned at his breast. “If you have a problem with it, take it up with Tully.” 

“You think I’m stupid, Blackwood?!” 

Benji’s brow lifts a fraction of an inch, as if silently proclaiming—I just said so, did I not? 

Scowling, Amos juts his finger against Benji’s chest. “I refuse to give a Blackwood an opportunity to defile my sister!” 

Benji’s answering grin is something wicked as he purrs, “Oh, if I wanted to defile your sister, Bracken, I could’ve done so a long time ago.” 

Your pulse pounds—caught somewhere between offense and desire as Benji’s words echo in your head. 

Both feelings fade to fear when Amos reaches for the hilt of his sword, wrenching it from the sheath at his hip. In a blink, more weapons are drawn—your cousins holding swords, the Blackwoods holding daggers. 

Not Benji, though. 

Benji doesn’t flinch, even with your brother's sword poised at his throat, ready to kill. Something flickers in his eyes—a shift that you know all too well, sending ice skittering across your bones. 

“I won’t have this,” Amos seethes. “You will find another partner—or I swear on my House that blood will be shed!” 

Benji leans closer. Let the tip of the blade dig into his flesh, a rivulet of blood rolling down his throat. 

Red. 

“Is that a threat, Bracken?” 

You can hear your brother swallow—feel his panic as if it were your own, as if it was his fear coursing through your veins. Still, his voice remains steady. “Consider it a promise, Blackwood.” 

A blink and steel was glinting before your eyes. A single breath and Amos was out-maneuvered and out-matched—the clash erupting and subsiding in one seamless heartbeat, ending with your brother's sword in Benji’s hand. 

A shuddering breath slips from your brother's lips as Benji presses the steel to his throat, a perfect mirror of the position they were in just moments ago. 

“What’s the matter, Bracken?” Benji croons sarcastically, head hilting. “Do I frighten you?” 

There’s a lull to his voice—an eerie stillness that sends a chill scuttering down your spine. 

Amos was ignorant—to pick a fight with Benji, to think he might actually win it. But he’s your brother, too—and you know that if he were to be slain right now—right here—an even larger chasm will take the place of the one you were once meant to bridge. 

“Stop.” 

The demand is no more than a breath. A soft, terrified sound. 

Yet still, it makes Benji’s focus waver. 

“Leave him.” You force yourself to speak louder. Stronger. “Now.” 

You take a step closer—a hand outstretched, reaching towards Benji. His attention shifts, settling on you. He blinks—his stormy eyes, dark with rage, finally starting to clear. 

Benji’s movements languid as he steps away from your brother. Your cousins rush to Amos’s side as he stumbles back, frantically checking the heir of Stone Hedge for any sign of injury. 

They found none. Not even a scratch upon his throat, where his own sword had just hovered. 

Benji passes you the sword—a silent conversation passing between the two of you. 

You could have killed him, you glare. 

I could have—Benji agrees with a small, self-satisfied smile—but I didn’t. 

One of your cousins, bold and stupid, steps forward. “Is that all it takes to keep you at heel, Blackwood?” He glances between the two of you, his lip curling into a sneer. “A dog and his bitch,” he taunts, “how sweet–” 

A cry rips from his throat, cutting his insult short. You expect it to be Benji, having noticed the way his fists had clenched from the moment your cousin so much as looked at you. And perhaps it would’ve been—if your brother hadn’t grabbed the fool by the scruff of his neck, yanking him backwards and shoving him to the muddy ground. 

“Say what you want of him,” Amos tells your cousin, his voice gruff, “but you will mind how you speak of her.” 

You don’t know what to make of that. Of Amos defending you. Of knowing that if he hadn’t, Benji would have. Or that, even after that, Amos doesn’t quite know how to look you in the eyes, looking to the grass and the sky and anything that isn’t you. 

You’re a Bracken, through-and-through. Take pride in that. 

But did he take pride in you? 

If you wish to impress Lord Tully, you might think twice about sending her. 

“What’s done is done.” With a pointed look towards Lord Grover’s tent off in the distance, you say, “Now is not the time nor the place. If you wish so badly to fight, save it for when the war begins.” 

On one side of you, Benji remains silent, watching you with a curious glint in his eye. On the other, Amos hesitates. 

“I don’t trust him,” he says. 

You wonder if he doesn’t know how to say: I’m worried about you. 

“You heard our father,” you tell him, chin high, “when it comes to a bow and arrow, no one’s a better shot.” 

Perhaps there are things you don’t know how to say, too. Like: But I do. I trust him with my life. Maybe even with yours, too. 

Begrudgingly, Benji meets your brother's gaze, fighting the urge to scowl at him. “For years, no harm befell your sister under my watch—and you have my word that none shall befall her now,” he vows. “I swear it upon the Old Gods.” 

“And the New?” 

You consider stomping on Amos’s foot. 

Ignorant. To continue pushing— 

“Fine.” Benji’s brusque answer takes you by surprise. “Upon your false Gods as well, then.” 

Amos, to his credit, argues no further, only echoing the Raventree heir. “Fine.” 

For a fleeting moment longer, they stand there, eyes locked. Amos is the first to turn—the roaring tension dissipating into a hushed hiss as him and your cousins storm off. Benji stays, even as his own men begin to back off, as if listening to a silent command to go find their own partners. 

You look at him. And he smiles—a shy, awkward thing. 

“I’ll wait for you,” he says, a barely perceptible pause in his speech. “At the edge of camp—you can find me whenever you’ve gathered your things.” 

You open your mouth to speak, to say something—but the words take root in your chest, leaving vines to crawl up your throat. If you speak, you worry about what might come out. Worry it won’t be as delicate as the dahlia pinned above your heart—above his, too. 

So you close your mouth. Say nothing. Nod—and turn, trying to keep your legs from shaking as you walk back to the makeshift paddock to get what you would need for the hunt. 

True to his word, you find the heir of Raventree at the edge of camp, leaning against a towering oak and using the tip of his dagger to idly pick dirt from his nails. 

You brought only what was necessary—your bow, strapped between your shoulders, and a dark-leather quiver slung over your shoulder, stocked with already-sharpened arrows. 

Light rain mists over your face, the sky groaning with a low rumble of thunder. The forest floor squelches beneath your feet as you trudge towards him. Forever on-guard, Benji wastes no time in pushing himself off the tree, adjusting the dagger in his palm so that it can be easily plunged into another's belly if necessary. 

But then he sees you, dressed in Bracken gold with damp hair sticking to your cheeks, and looses a breath. Relaxing at the sight of you—his rival, according to centuries of precedent. Your rival, too, you suppose. 

Benji doesn’t look like your rival, though. 

Sheathing his dagger at his hip, you see no trace of the lethal Lord who, mere moments ago, was willing to go head-to-head with the heir to Stone Hedge. This boy—stuffing his hands in his pockets, a light flush crawling up his throat—is not Benjicot Blackwood, the heir of Raventree Hall. 

He’s just Benji. 

“Ready to go?” He asks when you’re closer, his voice a familiar caress so unlike the eerie lull it held earlier. 

It takes everything in you to erect an icy wall around your heart, colder even than Northern winds. You shove past him, your shoulder knocking into his as you go and earning a perplexed stare. “Let’s get this over with,” you snap, plunging into the depths of the Woods and leaving him to follow behind. 

Ten minutes pass. Twenty. 

Dusk crept swiftly through the Riverlands, casting a pall shadow over the Whispering Woods. Overhead, dark clouds seem to grow thicker, obscuring what little light the moon has to offer. 

A fool’s errand. An impossible task. 

That is what Elmo Tully had arranged—not a hunt. 

With the sun hidden beyond the horizon and a near-constant rumble of thunder, any animal in these Woods would either be asleep or hiding by now, trying to escape the incoming storm. To find a trophy to bring back to camp—even something as simple as a hare—was unlikely. 

Still, knowing the guards won’t let you back in without one, you keep walking. Keep plunging further into the Woods, praying to the Gods that you might find something to take back to camp. 

Twigs snap a few paces behind you, wet foliage squelching beneath purposefully heavy steps. A low, careless whistle tests your patience. 

With your bow hanging from your hand, you grumble, “You’re being too loud.” 

Benji feigns innocence. “Am I?” 

“Yes,” you hiss through gritted teeth, never slowing your pace. “Be quiet—unless you wish to scare off any game and spend the night sleeping on wet soil.” 

He chuckles—loudly. “Have you looked up lately?” Benji asks. “The sky looks as if it’ll crack open any minute now! Any animal with sense is hiding right now, anyway.” 

True. 

“Then we find one without sense, then.” 

Benji snorts. “The only thing without sense in this forest is Amos Bracken.” 

Without warning, you stop dead in your tracks—leaving Benji to nearly stumble into you. You cast a glare over your shoulder, cold enough that a chill seeps right into his bones. “You’d do well to keep quiet, Benjicot.” 

His lip curls, revealing a flash of slightly crooked teeth. “And since when do you call me Benjicot?” He asks, a ribbon of disbelief lacing his own name. 

Your jaw tenses, a muscle feathering there. 

I don’t know, you think, a pang of uncertainty cracking the ice wall around your heart. 

You reinforce ice with steel—turning fully now so that you’re face-to-face, dropping your bow to the ground by your feet. “I won’t let you speak of him that way,” you say, ignoring his question. “My brother is the heir to Stone Hedge–” 

A bemused laugh cuts through your words. “Oh, he’s your brother now, is he?” 

You speak over him, voice rising. “To insult him is to insult the whole of House Bracken–” 

“Fuck House Bracken,” Benji growls. 

He takes a half-step closer, towering over you with no more than a foot between you. You don’t falter—don’t look away. 

“I am a Bracken."

His head tilts. “Are you? Last I checked, you were practically raised on Blackwood soil.” 

“Perhaps,” you admit. “But my wardship is over–” 

Benji cuts you off. “Tell me, where was your brother all these years, then? Your father?” He doesn’t let you answer. “No more than a brisk-fucking-walk separating you and yet neither one of them cared to visit with the forgotten daughter of Stone Hedge!” 

You’re a Bracken—

“You don’t know them,” you protest weakly, your resolve crumbling. 

—through-and-through. 

“And you do?” He challenges. Another step, his chest inches from yours. Warmth radiates from his body, seeping into yours and melting melting melting. “Why did your father call you home?” 

His words are no more than a breath fanning across your cheek. 

Vulnerability permeates your gaze, bearing an unspoken truth. Because war is coming, you convey with no more than a flicker of your lashes, and fate has already decided my role in it. 

Benji’s lips tighten to a thin line—and you would’ve thought him ashamed of you, if not for the pain glimmering in his stormy-eyes, lined with silver. “Your father,” he utters, “he will declare for Aegon Targaryen—won’t he?” 

You’re a Bracken—

You debate the merits of telling him the truth. Of betraying the plans of your house. 

—Take pride in that. 

“Aegon Targaryen is the King’s true-born son.” You speak, though you know the words are not your own. “To sit the Iron Throne is his birthright.” 

The birthright of a drunken craven. 

The betrayal of a beloved princess. 

Benji blinks. Shakes his head, his tongue darting along his lips. “He called you home to fight. Humfrey Bracken’s forgotten daughter—useful at long last.” 

Rage coils in his tone. Instinct makes your muscles tense. 

Nothing is more dangerous than this, your thoughts whisper, a Blackwood and a Bracken, toe-to-toe. 

There’s nothing dangerous about the way Benji’s looking at you, though. His gaze soft and tender, calloused hands clenched at his sides—holding himself back, you realize. Not from fighting, but from reaching out to touch something he’s not certain is his. 

“Will you do it?” Benji asks, hesitant. “Will you fight for the pretender?” 

I don’t want to, you think. 

It’s your brother's words that slip past your lips. “I have no choice. My blood runs gold, Benji—a Bracken, through-and-through.” 

His brow furrows. Then a hand shifts to the sheath at his hip, sliding his dagger free. “Give me your hand,” he orders, nodding to where they hang at your sides. 

You remember his vow to your brother—that he would let no harm befall you. Even without it, you would’ve trusted him. Wholly. Unconditionally. 

You lift your hand and, without hesitation, he grips it on his own, pinning the steel tip of his dagger against your palm. 

You hiss—hand stinging as the blade drags along your flesh, leaving a thin, shallow cut. 

“You’ve always had one foot on either side of the boundary,” Benji starts, his words rushed. Carelessly tossing the dagger to the ground, he grabs your wrist tightly, lifting your palm up towards your own face. “But your blood,” he tells you, his eyes desperate, “has always run red.” 

It drips down your wrist—a rivulet of crimson, spilling between his knuckles as he refuses to let go. Red as the color of his tunic—as the specks of blood dried on his own throat, drawn by your brother's sword. 

Gold on your back. Red in your veins. 

A Bracken by name, but… 

“It’s not too late,” Benji says, his words slow and cautious, still cradling your hand in his. “You can come back to Raventree.” Thunder rumbles. Storm-cloud eyes fall to your lips. “You can come home.” 

You think of Amos. Of your brother. You’re home now, he had said, a shadow of love in his eyes, Be glad for it. 

But home was ancient stone, crawling with moss. Home was the deep, muddy moat that you always threatened to push Benji into when he was getting on your nerves. Home was Black Aly’s voice, scolding you whenever your arms were still too weak to string a bow. 

Home was a dead weirwood tree and a boy with stormy eyes. 

But duty… 

That was something else entirely. 

Closing your hand around Benji’s, your chest fills with water as the last of the ice melts. Hard steel turns impossibly soft, your feet shuffling until your body is flush against his—still-entwined hands pinned between your chest, trapped between fabrics of gold and red. 

Benji leans down, his forehead pressing against yours. There’s nothing dangerous about him. Nothing unpredictable. 

You know him—from the crook in his nose to the scar above his lip. From the lull of his voice to the weight of his steps. His quick temper and his shy smiles. 

High above, the sky cries out. Thunder booms, lightning cracks. Misty rain turns to a violent downpour. 

And he leans in, oh-so carefully. A trembling breath against slick skin, chapped lips hovering over yours. 

“You can come home,” Benji whispers, repeating himself. You can’t think—can’t breathe, as he utters against your mouth, “Let me take you home.” 

And he kisses you. A tender, desperate kiss—the kind that drives your lips apart with the sheer force of it. He tugs his hand from yours, slips it out from between your bodies and brings it to rest on the back of your neck, tangling his fingers in damp, rain-soaked hair. 

Restraint is no more than a breath in the wind. Desire curls in your stomach. Your pulse pounds in your veins, rich with red red red. 

But then there’s your brother’s voice in your head: I don’t trust him. 

And you know what he meant was: You’re my sister—my blood, red or gold—and I’m worried about you. 

You pull away, breathless and broken, one half of your heart lying on either side of the boundary stones resting miles and miles from here. 

Lips still close enough to brush against yours, Benji pants. “Say yes.” The love in his eyes isn’t a shadow. It’s a bright, blinding light. A proud declaration and a howling plea. “Say you’ll come home.” 

You look down—to the sigil embroidered on your tunic, to the still-drying blood on your palm 

An estranged brother and a forbidden lover. 

And you. 

The bridge to a great chasm. 

The futile remedy to centuries of enmity. 

You take a step back—reaching inside of yourself, pulling shriveled vines up your throat, knowing that the words hammering in your chest will be anything but delicate. That they’ll taste of rot in your mouth. 

“I’m not sure I have a home, Benjicot.” Pain echoes across his face, each syllable a rusted dagger in his heart. Another step back, grabbing your bow from where it laid in the mud, abandoned what feels like a millennia ago. “Not anymore.” 

When you turn to leave, thunder crashing overhead and a sob caught in your throat, you go alone.

The heir to Raventree Hall doesn’t dare to follow. 

You walk in silence, your bow hanging at your side. Behind you, there are no snapping twigs and no low, careless whistling. There’s only rain and—

A branch creaks overhead, halting your steps. Your bow is drawn in a single breath, the cut on your palm stinging as you  slide an arrow from the quiver slung over your shoulder, readying to shoot. You look up, drops of rain splattering against your cheeks as you scan the trees. 

There. 

Perched on a wet, mossy limb was a pair of beady eyes staring down at you. A raven, letting out a low, curious croak. 

A single shot and you could go back to camp. 

A single shot, you tell yourself, and your blood might finally run gold. 

A breath—and then the bow string goes slack. 

You slip the arrow back into the quiver.

a/n - does any of this even make sense? idk, you tell me lmao. overall, just wanted to play around with capturing the confusion that might ensue for a reader who has no clue where their loyalties lie anymore, lost in who they are and who they think they're meant to be--anyways, hopefully the ending makes sense to you because it makes sense in my brain

anyways

benji tag list (so sorry if I missed you!) - @jacaerysgf @lenasvoid @valdezthg @xzydra11 @snixx2088 @lianna75 @kennafild @ghostinvenus @heystaystray @but-i-write-so-i-must-count @a-song-for-ages

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

[freebreadmoon]

is there anyway you can write a cute, fluffy little story for Walker Scobell?

YES OMG I HAVENT BEEN ACTIVE BC I HAVE MIDTERMS

warnings: fluff, reader plays annabeth (i love leah dont come for me), no use of y/n, reader and walker aren’t dating but are obvi crushing

requests are open!!

You and Walker were filming a buzzfeed puppy interview, sitting in the middle of the floor.

Walker sat with his legs crisscrossed, smiling wide at the brown spotted dog that nuzzled his leg. “Is it on? Oh, hi, I’m Walker Scobell, and I play Percy Jackson.”

“Hi,” you introduced yourself, “I play Annabeth Chase,” you picked up the fluffy fured black one that was by your foot, “and your watching buzzfeed!” You put a thumbs up at the camera, earning a laugh from the boy beside you.

“Wait I wanted to say it, I’m literally the main character—“

“But I’m the best character. Walker, you can say it at Vanity Fair.” He rolled his eyes at you, smiling slightly.

“Okay, moving on! um…what’s the question? What was your favorite scene to film…um…oh thats a hard one. I’m gonna say…either the fight with the Ares kids in capture the flag, or falling out of the arch. The harness thing was annoying to put on, but the other parts were fun.” Walker was only half paying attention, preoccupied by the dogs.

“I think the tunnel of love scene, or the one where Annabeth pushes Percy in the water, ‘cause I got to push Walker really hard.” You glanced at him, watching the smile curl onto his face.

“Yeah. We did like 15 takes of that because she kept laughing.” Walker laughed, shaking his head. “Actually, she laughed a lot. We had to retake lots of stuff ‘cause of her, especially the tunnel of love scene. The boat flipped and she wouldn’t stop laughing.” He shifted closer to you, messing with the puppy you’re holding.

“Oh! the next question…what’s your opinion on each other? Um…walker is the best blonde dude ever i think. like he’s literally my kid i swear, and he was honestly the best choice for percy. i think he’s the reason i even got to be annabeth, im really greatful for him. Aryan is super sweet and cool, he’s my best best friend, we do the stupidest things together, and I can’t imagine a world we aren’t honorary siblings.” You scratched behind a puppy’s ear, letting it lick you.

“Well I was just gonna say you’re awesome but…I guess I think we make a great team on-screen as well as off-screen. She’s a true friend. If it weren't for her, I don't know what I'd do, y'know? She’s like my very own real life Annabeth." He glanced up at you subtly, wanting to gauge your reaction, smiling in victory when he noticed the red tint to your cheeks.

“The…the next one says, how do you feel about fan support? is it overwhelming? Well, my answer is yes, sometimes. Especially with people who are really like into the book to the point where they hated the casting over looks.” You had started to speak a lot quieter as Walker drifted closer, trying to get the puppy off your lap.

“I don’t think much of it.” Walker shurgs. “Only really the edits that I see anyway, those are fun.” He smiles encouragingly at you , finally meeting your eyes.

“…Yeah. The edits.” You smile at him, referring to the ship edits. You’d talked about it in multiple interviews, and you had a favorites folder for them on Tiktok. You raised an eyebrow at Walker, who continued to move closer until his head was on your lap, giggling softly and starting pet his hair like you did the puppys fur.

“Okay, last question…have there been any memorable moments on set? Um…probably when i first met her. I just got the feeling she was gonna be Annabeth, she gave me this ‘what is he doing?’ Look, and it just clicked.” He stayed with his head on your lap, turning so his head is on your stomach when puppies come and attack him with licks.

“They think you’re one of them!” You push him off a little so the puppies can get to him. “And my answer…um…I think when Walker gave me the piece of banana that was in my hair in the show. He kinda just tied it in and left my set trailer, and it stuck. So if you guys wondered what the weird blue fabric in Annabeth’s hair was, it was not in fact a design choice, it was a Percy choice.” You turn so the camera can see the small braid in your hair with the bandanna piece at the end.

“And Percy’s got one too, if you look hard enough.” He lifts one of his feet, showing the vans he wore during filming, and the flimsy piece of bandanna tied through his top shoe hole. You shake your head, laughing at his insistence in staying with his head in your lap.

While you layed on his bed, you scrolled through your fyp, stopping when you see the familiar scene of you two in the buzzfeed room, with his head in your lap. Nodding your head to the song in the edit as you scrolled through the comments.

“IRL percabeth?” He questioned from beside you. You looked at him, not realizing he had started paying attention to you, jumping to get your phone from him.

“No, I’m commenting! And reposting!” He laughed, rolling away from you. You got off the bed behind him, giving up taking the phone and blinking when he simply commented ‘real’.

“Well, so much for ‘it’ll blow over’.” You rolled your eyes, knowing the dating allegations will only get worse after this. Walker smiled triumphantly, waiting for the responses to come in.

taglist: @persassyxo @diorlorenzo @ilovewalkerscobell @paytonthereader @platypusbearrr @kissatelier @riptidelor

[miraculouslbcnreactions]

The Best Friend Showdown

Season four had many, many flaws. One of the big ones was the Rena Rouge vs Chat Noir conflict where Ladybug starts relying on Alya more and more, basically using her to replace Master Fu. We get a sense that Chat Noir feels inferior to Rena Rouge because of this change, but it’s never directly addressed. The most we get is this conversation from Hack-San:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right. 

Which is actually a really weird bit of dialogue because - as far as I can tell - nothing in the episode revealed that Scarabella knew Ladybug's identity. She hands out miraculous all the time and no one knows who she really is. Why would this time be different? Ladybug could just show up in costume, explain what's up, and then hand off the earrings while using yet another miraculous.

Anyway, the Rena Rouge vs Chat Noir conflict is “resolved” by Rena Rouge being outed again (and I guess that matters this time), leading her to give up her miraculous so that Gabriel can’t steal it away, which of course leads Gabriel to steal it away and fully disempower Ladybug’s larger team, leaving Chat Noir her only teammate.

How satisfying! This is such good, character-driven story telling!

It’s not. This is plot contrivances to the max with no meaningful character beats, but we’re not here to talk about that. We’re here to do one of my favorite things: gush about a relevant Kim Possible episode! Today’s topic is episode 12 of season one: Pain King vs. Cleopatra, the episode that introduces Kim’s female BFF, Monique!

This was a bit of a shocker for me because I didn’t realize that Kim and Monique weren’t pre-series friends. Turns out that, much like Alya, Monique is a new girl, which isn’t a bad call. This was a nice way to delay Monique’s introduction for a few episodes so that the writers could focus on establishing Kim’s relationship with other key members of the cast like her partner, Ron. Spacing out your intros is the way to go whenever you can pull it off as it’s a kindness to your audience that keeps them from feeling overwhelmed, making it more likely that they’ll remember your cast.

The other, more important similarity between Alya and Monique is that, when Kim’s hero partner and life-long friend finds out about Monique, he is less than thrilled:

Kim: I barely got to see them. Right after I hooked up with Monique, the museum was robbed by some glowing-headed animal guy. Ron: Oh, that's nice. Ron: Wait a minute, who's Monique? Kim New friend, really great. Anyway, the thief stole an enchanted ancient talisman. Ron: Whoa, whoa, back up! How can I not know about a new friend? Kim: I met her at Club Banana, then again at the museum before I chased the glowing robber. Ron: So what's she like? Kim: The robber? Ron: The friend, Kim, the "new friend".

Throughout the episode, Kim and Monique continue to bond without Ron, leaving Ron feeling left out:

Ron: Seein' a pattern here, Rufus: Kim does her thing, I do my thing, and pretty soon - we're doing different things.

Which leads him to get a little territorial:

Kim Ron! What are you doing here? Ron: Can I dine with my best friend and her new friend? Kim: Uuh, Ron, Monique, and vice versa. Ron: Bearclaw? Monique: No, thanks, I'm vegetarian. Ron: Uhm, I'm pretty sure it's imitation bear? Kim: She's joking, Ron. Ron: Good one, hahaha, ha, good one. So, did Kim tell you that I'm her sidekick? Cause that role is definitely taken by me. Monique: Riiiight. Well, in... you know I better get to class. Later, Kim. Um, n-nice meeting you, Ron. Ron: Likewise, I'm sure! Kim: What is your problem? You're acting really weird. Ron: Well, let's see. You went to the museum with Monique, not me. Monique was with you this morning, not me. Hmm, pattern? Kim: Yeah. You. Weird. Ron: No, we're drifting apart because you're excluding me. Kim: I am not excluding you. It's just that you and Monique are... different.

Noticing some similarities to Miraculous here?

So how does Kim Possible resolve this conflict?

Well, the plot of this episode resolves around Kim Possible’s version of professional wrestling, the GWA. There’s a competition going on that Kim has no interest in watching (mood), but when Kim mentions the GWA to Monique:

Monique: Why didn't you bring [Ron] along? Kim: Unless someone put a waiter in a headlock, this is definitely not Ron's scene. Besides, he had a date with "Steel Toe". Monique: He scored tickets to Mayhem in Middleton? The GWA rocks! Kim: What?

It turns out that Monique and Ron have a shared interest! Multiple shared interests, in fact! Interests that Kim does not share:

Monique: You know, I still can't believe you met Pain King and Steel Toe. Ron: I can't believe you're into wrestling. Kim: I can't believe I know either one of you.

By the end of the episode, the conflict is resolved not with Kim having to pick a BFF or with Monique somehow being demoted, but by showing that this didn’t need to be a conflict at all. Kim can have multiple close friends that she shares different interests with without any of those friends being lesser. Those friends can, in turn, have their own friendships that don’t always involve her.

It’s a genuinely lovely resolution that makes me love this little friend group because it now has added complexity. Monique and Ron are friends in their own right! Kim is not the center of the universe in spite of her main character status!

I also love that Kim isn’t vilified for having other friends or portrayed as constantly leaving Ron out of things that he'd want to do in favor of Monique. Ron genuinely would not enjoy most of the things that the girls love to do together. At the same time, Ron’s feeling aren’t treated as totally irrational either and Kim even admits to ditching him. It’s a genuine, complex conflict that is super common when someone enters a new relationship be it platonic or romantic.

Obviously Kim Possible’s version of this conflict feels far less complex than Miraculous’ because Kim Possible understood that Ron should be Kim’s one-and-only partner, so his position was really never threatened. Monique does not want to be an action hero and is never given the sort narrative weight that elevates her to Ron’s level or higher, but that doesn't matter. The basic lesson here is still relevant and super important for the intended audience of both of these shows.

There did not need to be a Rena Rouge vs Chat Noir conflict that never got properly resolved. Miraculous could have made these two friends and no, Scarabella doesn't count because Chat Noir has no idea that Scarabella is Rena Rouge/Furtive. Their relationship ended at the end of Hack-San. He didn't even know that Rena Furtive was a thing until she was in the process of being benched and that's the problem.

Kim Possible is not a team show, Miraculous is, and yet Kim Possible has better team dynamics than Miraculous. Monique could have joined Kim's team at the end of Pain King vs. Cleopatra and it would have felt natural because both Kim and Ron had welcomed Monique and formed a genuine bond with her. This is a true friend group that Miraculous can only dream of even though they've been adding new superheroes since season two.

We're going into a season with a full, massive team and yet that team has no established dynamics on the hero side. It's not a functional team! None of these characters have meaningful relationships with each other as heroes save for Alya and Nino since they know each other’s secret identities. The only relationships Miraculous cares about are the various romances and everyone's relationship to Marinette and everyone suffers for it.

The show would not have been harmed by Rena Rouge, Chat Noir, and Ladybug being a team. It was the thing I kept think after watching the Kim Possible episode. Since the team is the end game, why aren't we seeing them? It would have been so nice to have Hack-San end with Ladybug introducing Chat Noir to Rena Furtive instead of a nonsense discussion about an issue the episode didn't even address.

[ghostfacd]

SHE WAS LIKE A SHOT OF EPRESSO

pairing. tom blyth x actress!fem!reader (mentions of other actors x fem!reader platonically)

summary. in which you are the epitome of sunshine and radiance within your co stars OR all the times your co stars have talked interviewers’ ears off about you

installment of this au | read for context!

Time 1: Tom Blyth

“How’s Y/N as a cast mate?”

That question shouldn’t make Tom Blyth smile that wide — but he does — because he’s so utterly and unconditionally inlove with you.

“Oh gosh, I wouldn’t even know where to start,” Tom begins. “As her boyfriend, I think I’m being pretty biased when I say this, but Y/N Avocot as a cast mate has honestly been the best experience of my life. There has not been a day where she doesn’t make me laugh so hard that my ribs start hurting, and there hasn’t been a day where she hasn’t made me smile.” He pauses for a moment, pondering the next words to say.

“Y/N’s just that type of person, you know? She’s like the warm sunlight that engulfs you every morning you open your curtains, she’s like that newly brewed coffee that helps hydrate and bring you back to life. She’s everything.” And he says this in such a loving manner that the interviewer practically awes, the cameraman zooming the camera to show Tom’s dilated pupil.

“Your pupils are dilated!” The interviewer mentions, laughing as she points towards his eyes.

“Oxytocin is a warm hormone that’s released when you talk about someone you love,” Tom shrugs. “All my friends say my pupils dilate when I’m near Y/N, that’s just the effect she has on people.”

“Well there it is folks! Tom Blyth is truly inlove with Y/N Avocot!”

Time 2: Sean Kaufman and Lola Tung

It was an interview discussing the new season of The Summer I Turned Pretty, and it consisted of Sean and Lola who’s schedules were the only ones that were open that day.

“Guys! We’re so happy to have you today,” the interviewer starts.

“Why thank you,” Lola smiles brightly into the camera, smoothing out her dress.

“So obviously, this season is very important to the plot, it contains so much new exciting storylines including Sean’s character, Steven Conklin, and Y/N’s character, Ella!”

“Yes,” Sean laughs, his eyes crinkling. “It was very fun filming the scenes with Y/N, she’s like that little rush of happiness that you just wanna keep inside a jar.”

“Actually!” Lola speaks up, crossing one leg over the other as she leans forward to the interviewer. “Now that Sean’s mentioning it, Y/N really is a rush of happiness. God, everyday on set, I always think ‘I’m gonna probably have to say my lines over a thousand times and be tired by the time I’m done’ but Y/N comes right in, and she’s always making funny faces behind the director which just fills my heart with joy and it’s those little moments that make acting really worth it you know? Like even though I’m dying re filming the same scene over and over again — I know that Y/N’s always going to cheer me up by the end of it.”

“Wow,” the interviewer laughs. “I haven’t even asked you guys about Y/N yet but she seems to be very loved by the crew.”

“Oh yeah,” Sean nods. “Everyone filming loves her. I mean, how could you not?”

And the interviewer thinks the same question, because after interviewing Tom Blyth, she really believes that you really cannot not love Y/N Avocot.

Time 3: Timothee Chalamet

“Timo!” The interviewer greets Timothee excitedly, moving the chair so he could sit.

“Jacob! My favorite interviewer,” and maybe Timothee’s lying, because he’s seen about a million interviewers by now, but it makes Jacob smile, not so much hating his job anymore.

“Your new movie, Miracles in Love, can you tell me more about that?”

“Yes,” Timothee takes a deep breath. “It’s about a boy and girl in their early twenties figuring out what they wanna be in life. My character, Louie Marcel, falls inlove with my co star — Y/N’s character — Maeve Jones after they bump into each other at the bar and talk about how depressing their lives are. It’s pretty funny, y’know. How easy it was to film with Y/N, in fact, it came all naturally.” Timothee pauses, a small smile playing on his lips.

“When you say naturally, what exactly do you mean by that?”

“Oh you know Jacob,” Timothee grins. “It’s easy to fall inlove with Y/N Avocot. She’s a remarkable actress, and everything that I filmed with her feels so real that it feels like I’m really Louie and I’m really falling inlove with a girl named Maeve at the local bar near my university.”

“Oh wow,” Jacob, the interviewer, can’t help but gush at Timothee’s endearing statement. “You must be very good friends.”

“Us? Of course!” He laughs as if it was one of the funniest statements on earth. “I’m really good friends with her boyfriend too, Tom. They’re honestly the sweetest couple, don’t know if I’m inlove with him or her. Maybe both,” he jokes.

bellyapologist oh to be yn avocot and be so loved by her cast mates that they’re smiling each time they talk about her

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user1 literally like how do you not cry when you’re being called a literal rush of happiness

user2 lola and sean being so excited to talk about her even though the interviewer didn’t start the interview yet 😭

user3 shows that yn is rly a good person

timotheesgf YN AVOCOT LET ME BE YOU PLEASEEEE LOOK AT HOW TIMOTHEE TALKS ABT HER GOD LIFE IS NOT FAIR

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user4 “it’s easy to fall inlove with yn avocot” FUCKKKKK

user5 “everything I filmed with her feels so real” oh tom and kylie are punching the air rn

user9 she must’ve saved a planet in her past life cause..

user10 same energy as “she was like a shot of espresso” 😭😭😭😔😔😔