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#portrayal of Mughal prints
traditionalproduct123 · 4 months
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TRADITIONAL PRODUCT
BEST TRADITIONAL PRODUCT IN KASARAGOD typically refers to an item or goods that are made using conventional methods, often with a focus on maintaining cultural practices or historical techniques. These products may have deep roots in a particular culture or region and are often valued for their authenticity, craftsmanship, and connection to tradition. Examples could include handcrafted pottery, artisanal cheeses, handmade textiles, or even traditional medicines derived from . The term "traditional" often implies a sense of heritage and continuity, as these products are often passed down through generations or produced in accordance with long-standing customs and practices.
Traditional silk typically refers to silk that is produced using traditional methods of sericulture (silk farming) and silk processing, which have been practiced for centuries in various regions around the world.
In many traditional silk-producing countries such as China, India, and Japan, the process involves raising silkworms on mulberry leaves, harvesting the cocoons, and then carefully unraveling the silk fibers from the cocoons. This delicate process requires skill and expertise to ensure the quality of the silk threads.
Traditional silk production often emphasizes sustainable and eco-friendly practices, such as organic farming methods and natural dyeing techniques. Additionally, traditional silk weaving methods may involve handloom weaving, where skilled artisans create intricate patterns and designs on hand-operated looms.
Overall, traditional silk represents a heritage craft that is deeply ingrained in the cultural and historical fabric of many societies, and it is valued for its quality, beauty, and connection to tradition.
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traditional paintings
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Renaissance Art: Originating in 14th-century Italy, Renaissance art is characterized by a focus on realism, perspective, and the portrayal of human emotion. Artists such as Leonardo da Vinci, Michelangelo, and Raphael created iconic works during this period, including masterpieces like the Mona Lisa and the Sistine Chapel ceiling.
Chinese Brush Painting: This traditional art form dates back thousands of years and emphasizes the use of ink, brushstrokes, and empty space to capture the essence of the subject. Chinese brush paintings often feature landscapes, flowers, birds, and other elements of nature, and they are valued for their simplicity, elegance, and spiritual depth.
Japanese Ukiyo-e: Ukiyo-e, which translates to "pictures of the floating world," is a genre of Japanese woodblock prints that flourished during the Edo period (17th-19th centuries). Artists like Hokusai and Hiroshige created iconic ukiyo-e prints depicting landscapes, kabuki actors, courtesans, and scenes of daily life in vibrant colors and intricate detail.
Indian Miniature Painting: Originating in the Mughal and Rajput courts of medieval India, Indian miniature painting is characterized by intricate detailing, vivid colors, and stylized compositions. These paintings often depict mythological themes, royal portraits, religious narratives, and scenes from Indian literature.
Folk Art: Folk art encompasses a diverse range of traditional painting styles from various cultures around the world. Examples includeBEST TRADITIONAL PRODUCT IN KASARAGOD naive and colorful depictions of everyday life, as well as Mexican folk art, known for its vibrant colors and intricate patterns inspired by indigenous traditions.
These are just a few examples of traditional painting styles, each with its own unique characteristics and cultural significance. Traditional paintings continue to inspire and captivate audiences around the world, preserving the rich artistic heritage of diverse cultures.
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traditional cosmetics
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Traditional cosmetics refer to beauty and skincare products that have been used for centuries, often based on natural ingredients and traditional knowledge passed down through generations. These products are deeply rooted in cultural practices and may vary widely depending on the region and historical period. Here are some examples of traditional cosmetics from different cultures:
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mavshack1205 · 4 months
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Lakme Fashion Week 2024: Unveiling the Latest Fashion Trends for Your Wardrobe Makeover
The Lakme Fashion Week is an infamous fashion event and serves as the starting point of various fashion trends. The fashion event of 2024 brings forth a bold portrayal of your personality with distinct hues. The exaggerated eyeshadow and eyeliner look with the novel butterfly-inspired eye makeup would be the limelight of the season with customized recreation. The blog aims to unravel the different fashion aspects of the event so you can shop for some trendy pieces from an affordable online shopping site in India.  Apart from the makeup and dresses, the innovative hairstyles with body wet hair and interesting shapes also left the audience in awe. This was coupled with a luminous highlighter, complementing the overall vibe. So, without any further delay, let’s dive into the details of the various looks.
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2024 Fashion Trends Inspired by Lakme Fashion Week
The fashion essence of the Lakme Fashion Week this year reflected a combination of vibrant solid hues inspired by the sea with sartorial prowess. The designs also contained soft embellishments with delicate tapestry. The models radiated electrifying energy with vibrant colors and intricate patterns, to symbolize boldness and innovation. Here are the three gorgeous looks inspired by Lakme Fashion Week 2024.
JJV. Kapurthala by JJ Valaya
The designer presented minimalistic designs with strategic accents and quirky embellishments. For the silhouettes, he chose kurta-inspired tunics with patch pockets. For dressier occasions, the house designed a sharp black bandhgala suit paired with a striped shirt to add a fun element.
Designs by Anamika Khanna
The designs were inspired by the Bonda community of Odisha. Being inspired by the tribal community the designs are a collection of beads in pop neon colours, shells, and indigenous neck rings in brass. The silhouettes showcased relaxed pants, flowcoats, kaftans and dresses. The collection also contained denim with lavish threadwork and embroidery splashed across pieces to match the tribal vibe. Anamika topped whites, pastels, reds, and pinks with pop-coloured accessories and gathered a huge fan base.
Nizam by Rajdeep Ranawat
Designer Rajdeep’s collection can be summarized as a ‘Celebration of Prints’. His designs generously incorporated a blend of European motifs and desi prints. The designs were inspired by the courtesans of the Awadhi courts of Lucknow. The silhouettes included lowing kurtas layered with printed jackets, paired with high trousers. Capes and trousers formed a major part of his collection that featured motifs from Rajasthan, Kashmir, and Lucknow along with Mughal elements.
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So, now that you are well-learned about the latest fashion trends, incorporate them into your wardrobe by visiting some of the best online shopping sites in India now. Mavshack liveshopping is the lowest-priced online shopping site in India. It offers women's fashion, men's fashion, and kids' essentials. It offers durable products at attractive discounts. So, do not wait and visit Mavshack liveshopping and refresh your wardrobe. 
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zumaira · 3 years
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Old World Charm Brings Back With Latest Collection Guzel By Shamaeel Ansari
Old World Charm Brings Back With Latest Collection Guzel By Shamaeel Ansari
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magazinepk · 3 years
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Old World Charm Brings Back With Latest Collection Guzel By Shamaeel Ansari
Old World Charm Brings Back With Latest Collection Guzel By Shamaeel Ansari
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Abu'l Hasan, Squirrels in a Plane Tree (detail), ca. 1605-1608, Mughal, gouache with gold, 36.2 x 22.5 cm, British Library. 
   “In the upper branches of a chenar tree a group of squirrels is gambolling, two of ten young ones looking out from a hole in the trunk to confront one of two adults. In the foreground a barefooted man, dressed in two shades of brown with a fur-lined cap, is striving to climb the base of the tree. The surrounding landscape with rocks is filled with animals and birds; four wild goats are in a glade on the right, and the outer branches of the tree shelter numerous species of birds. The five-pointed leaves are in many cases turning yellow and orange; the gold sky has a narrow strip of blue at the top.
   While this picture is generally accepted as one of the most delightful of all Mughal miniatures, the attribution to Jahangir’s most admired artist Abu’l Hasan Nadir al-Zaman is problematic. [...]
   The traditional interpretation of the subject as a hunter climbing a tree to catch squirrels is, prima facie, unlikely; the chances of a hunter being able to scale the trunk of such a tree, and if successful to catch a squirrel bare-handed, seem slim. [...] It is of unusually large size, which almost excludes the possibility of any intended inclusion in a contemporary manuscript. In view of this, and the fact that such extensive care has clearly been expended on the painting, the subject probably carried a significance beyond the face value of its subject.
   Consideration of the picture’s components reveals foreign origins. The chenar tree was to be found in India at the time, and its portrayal was not uncommon in the painting of sixteenth-century Persia and Mughal India. But squirrels are a more unusual subject. They are not normally hunted in India, for either food or captivity. In tracing the species it was noted that they are depicted with tufted ears, and no Indian squirrel of this brownish colour has this feature. The British Museum, Natural History, has confirmed that the species depicted is the common red squirrel (Scirus vulgaris), found in Europe and North Asia, but not in either Persia or India. Nor is there any reason to suppose that it was native to India even four centuries ago. Jahangir is well known for his interest in natural history, and caged specimens of foreign squirrels would not have been out of place in his time. But it is difficult to see how this great variety of creatures in natural poses could have been so convincingly worked up from caged specimens.
   The hunter himself is not an Indian figure, but would be quite at home in a sixteenth-century engraving by Pieter Brueghel the Elder, or a hunting scene by Philipp Galle after J. van der Straat. The most probable explanation is that the picture was built up from European sources which have not yet been identified. The large scale of the squirrels compared with the hunter indicate that a single European print or drawing may not have been used, but that more than one picture was followed in whole or part. When the tree and figure are accepted as European derivatives it becomes clear that the dwarfed landscape in the artist’s home style has been fitted around the central theme.”
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farooqposts · 4 years
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Culture of Punjab Pakistan
Punjabi Culture is one of the most established in world history, dating from old artifact to the cutting edge time. The degree, history, intricacy and thickness of the way of life are huge. A portion of the principle regions of the Punjabi culture include: Punjabi cooking, theory, verse, imaginativeness, music, design, customs and qualities and history. A few urban areas of Punjab have more significance for Sikh people group from India. The author of Sikh religion was brought into the world in Nankana Sahib, an area of Punjab so Sikh from various pieces of world come and visits Punjab. Jahngir burial chamber and Badshahi Masjid in Lahore are the significant spots of Pakistan. Information Sahib is extremely frightened spot in Punjab and the greater part of individuals come and visit Data sahib consistently.
Individuals
Punjabi individuals are kind and carefree. Punjabis are heterogeneous gathering involving various clans, factions, networks and are known to commend every single convention of their way of life. Individuals of Punjab have solid convictions on pir-faqeers, jogi, taweez, manat-ka-dhaga, holy person of notoriety, dark wizardry, and different notions, anyway as of late because of increment of proficiency, individuals have gotten to some degree judicious . Punjabis likewise trust in cast framework yet as now individuals are getting instructed, the distinctions are getting obscured. Some well known projects of Punjabi's are; Jats, Maliks, Mughals, Arains, Gujjars, Awans, Rajputs, Gakhars, Khokhars, Sheikhs, Aheers, Kambohs, Niazis, Legharis, Khosas, Dogars, Thaheem, Mirani, Qureshis, and Syeds.
In towns' kin generally live in little networks (biradaris), anyway they live in harmony and congruity with one another. They take dynamic part in the bliss/lament of one another and give a lot of regard to their way of life, standards and run their lives as per their set customs. Punjabi individuals are acclaimed for their cordial and cherishing nature.
Dialects
Punjabi is the common language of Punjab. It is communicated in as the principal language by larger part individuals in Punjab, even spoken and comprehended in regions past the limits of Punjab. Statistical data points show that Punjabi language is communicated in as first language by 44% of Pakistanis. Urdu language is likewise regularly spoken in this district. Key Punjabi dialects/tongues are:
Pothowari
Hindko
Jhangvi
Shahpuri
Pahari
Majhi
Saraiki
Dresses
Outfits of Punjab are a sign of the brilliant and dynamic culture and way of life of individuals.
The ensembles are a blend of tones, solace and excellence and Punjab is notable for the utilization of phulkari(embroidery) in its outfits. In the greater part of the towns of Punjab men wear Pagri(turban), dhoti/lacha, kurta, khusa. Ladies wear gharara, or choridar pajama or beautiful shalwar kameez, paranda, choli/duppata, khusa, kola puri chappal or tillay wali jutti. While in metropolitan zones of Punjab people follow most recent patterns and design, by and large they wear various styles of shalwar kameez.
Food
The broad food of Punjab can be vegan and non-veggie lover. One shared characteristic between all Punjabi dishes is the liberal use of ghee or explained margarine flavors and Punjabis are enamored with sweet-meats too. Most Punjabi food is eaten with one or the other rice or roti. There are a few dishes that are select to Punjab, for example, Mah Di Dal, Paratha, Makai ki rotti, Saron Da Saag, and in urban areas Choley, Haleem, Baryani and other fiery dishes are mainstream. In refreshments, tea is burned-through altogether seasons and as a custom the greater part of Punjabis serve tea to their visitors. Punjabis are additionally partial to Zarda, Gulab-Jamuns, Kheer, Jalaibi,Samosy, Pakorey and so forth During summers individuals drink lassi, doodh-pop, aloo bokharey ka sharbat, lemonade and so forth These cooking styles have become overall luxuries with enormous scope portrayal.
Sports
Punjabi individuals have over the top interest in games. Punjabi's are attached to kabaddi, and wrestling, which is likewise well known in different pieces of Pakistan and it's additionally played on public level. Different games being played in Punjab area incorporate Gilli-Danda, Khoo-Khoo, Yassu-Panju, Pitho-Garam, Ludo, Chuppan-Chupai, Baraf-Panni, Kanchy and some significant games incorporate cricket, boxing, horse-dashing, hockey and football. Public Horse and Cattle Show at Lahore is the greatest celebration where sports, presentations, and domesticated animals rivalries are held.
Social Festivals
There are various celebrations which are praised by Punjabi individuals including some strict celebrations, for example, Eid-Milad-Un-Nabi, Jumu'ah, Laylat-ul-Qadr and so on Urcs (reverential fairs),which are held at the shirnes of sufi holy people, Melas and Nomaish (exhibitions).The Provincial capital Lahore is broadly well known for its engaging occasions and exercises. Lahori's are popular everywhere on the country for their festivals especially for Basant celebration (kite flying) in the spring season. Different celebrations celebrated in Punjab district incorporate Baisakhi, Teej, Kanak Katai and so on
Dance and Music
Bhangra is most regularly known Punjabi music kind and dance style. Punjabis enthusiastically love society melodies/music, Qawali and Punjabi music is perceived all through the world. The Tabla, Dhol, Dholki, Chimta, Flute and Sitar are on the whole basic instruments of this great culture. Punjabi dance is based around joy, energy and enthusiasm.Different types of dance in Punjab are: Loddi, Dhamal, Sammi, Kikli, Gatka, Bhangra, Giddha and Dandiya. Punjabi moves have been embraced by the American culture and others the same and now they are perhaps the most appreciated artistic expressions.
Custums and Rituals
A portion of the traditions continued in Punjab have no establishment in Islam. Nonetheless, the Punjabi culture has embraced those functions and conventions from Hindu culture.
Birth Rituals
Punjabis praise birth of their kid with extraordinary eagerness. Granddad or grandma or some regarded senior part from the family puts nectar with their pointer in youngster's mouth called Ghutii. Desserts are conveyed among companions and family members and individuals bring presents for the kid and mother. For the most part on 7thday youngster's head is shaven and Aqiqa service is held, additionally sheep/goat is butchered.
Punjabi Weddings
Punjabi weddings depend on conventions and are directed with solid impression of the Punjabi culture followed by a few pre-wedding customs and ceremonies (dholki,mayun,ubtan etc.)Punjabi weddings are exceptionally boisterous, vigorous, brimming with music,colors, extravagant dresses, food and moving. Punjabi weddings have numerous traditions and functions that have advanced since conventional occasions. In urban communities the wedding are praised following a mix of current and customary traditions and the function for the most part goes on for 3days, Mehndi, Barat (Nikkah+Ruksati) and Walima, trailed by Chauti (taking the lady of the hour back to her folks' home the following day).
Burial service Rituals
At burial services after namaz-e-janaza it is standard to offer lunch to individuals who came for sympathy. On 3rdday of the memorial service, Qul is held and each after thursday the Quran is discussed (jumah-e-raat) trailed by petitions for perished and after 40days the chaliswaan is held. After which the memorial service is finished. A few families notice commemorations yearly (barsi).There is no proper clothing regulation for Punjabi memorial services anyway individuals generally wear shalwar kameez and easygoing attire is noticed. Memorial services of Shia families are more exceptional. The two people wear dark shalwar-kameez and thorough crying and shouting is a typical event at such memorial services.
Writing
Punjab is exceptionally rich with writing and Sufis adds more in its writing. Punjabi verse is famous for its amazingly profound importance, excellent and cheerful utilization of words. The enormous number of Punjabi verse is being made an interpretation of all through the world into numerous dialects. Some acclaimed writers of Punjabi are Sultan Bahu, Mia Mohammad Baksh, Baba Farid, Shah Hussain, Anwar Masood and so forth Waris Shah, whose commitment to Punjabi writing is most popular for his fundamental work in Heer Ranjha, known as Shakespeare of Punjabi language. Bulleh Shah was a Punjabi Sufi artist, a humanist and a logician. The stanza from Bulleh Shah basically utilized is known as the Kafi, a style of Punjabi. Some other well known classic stories of Punjab incorporate Sassi-Punnu, Sohni Mahiwal and so forth that are going through ages.
Expressions and Crafts
Punjab is the significant assembling industry in Pakistan's economy and here every workmanship appreciates a position. The fundamental specialties made in the high countries and other rustic territories of Punjab are basketry, earthenware, which are well known for their cutting edge and customary plans everywhere on the world and are remembered for the best developments of Punjabis. bone work, material, fabric woven on handlooms with staggering prints is weaved in the provincial territories and the weavers produce beautiful fabrics like cotton,silk and so forth weaving, weaving, rugs, stone art, adornments, metal work alongside truck workmanship and other wood works. The specialty of Punjab is its basic soul and its art make its substance.
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art-now-india · 4 years
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Warhol and the History of Art, durga Kainthola
PALETTE OF MY VISUAL THEATRE In Palette of my Visual Theatre, Durga Kainthola stages a stimulating, complex play between art, the symbolic and the immeasurable. The distinctiveness of these works lies in cohesion of images, simplicity of line and rendering of the pictorial. Throughout, concrete expression of her style flows as “extensions of my thoughts, day to day happening of things in life.” Portraiture dominates her oeuvre, in a signature expression of beings, of other artists. Confident and receptive, she relinquishes control and allows drama to unfold. How many minute attributes are transfixed, caught by the painter’s brush, the poet’s verse. An original and chimerical foresight, which celebrates work with a cosmopolitan flair and international cross-fertilizations. Kainthola’s palette boasts a vast vocabulary and rainbow realm of hue. At once lyrical, and poetic, wise and irreverent, witty and timeless, it illumines a global amphitheatre of her inquisitiveness. Metamorphosis connotes the infinite possibilities of transformation, concretisation of an ineffable truth – of change, within continuity Glimpsed in a library in 1982, an image of the Marilyn Monroe diptych by Warhol surfaces in her work in 2002…as magic of renewal, the crystal lacuna of past, present and future. Magnifying a spectral lexicon, to signify art as synergy, Palette of my Visual Theatre, stretches the imagination. Multifold personae from Indian mythology surrounded by flora and fauna encounter Warhol in Goddess Comes to New York, mounted within a light box. Throughout the History of Art series, a reverberation of the ‘combines’ of Robert Rauschenberg’s work can be seen, part-painting, part-drawing. An astute, surprising effort at blending vibrant allegories. Poised against black-and-white backdrops, Kainthola effects resonance between the energies of Picasso, Gaugin, Modigliani, Duchamp, Tyeb Mehta and Souza, often with magenta lotus borders and prominent AEIOU friezes of Hindi letters. In The Painter’s Studio, Kainthola’s own face serves as the canvas upon which Vermeer paints on his easel. Pages from My Visual Notebook (3 books) chronicle a movement from the abstract to concrete. Intricate tableaus unfold as if a narrative hand scroll, with a new language from when she first incorporated her own image and drew upon it with myriad tonalities of ink. A contemporary draughts woman’s autobiographical take on the quixotic portrait of the Mona Lisa. Day after day, she produced a visual entity (computer generated inkjet prints on paper and vinyl) and worked on its surface…these became her ‘diary’. On one single page, two twentieth century masters of different genres, V.S. Naipaul and Bhupen Khakar, materialise, as if to orchestrate a ‘ thinking out of the box’ dialogue of simile and narrative realism. A most adroit example of this fluidity is the triptych, Amrita SherGil, from the Notebook series. One panel portrays SherGil’s letter to her parents, the second art from Ajanta, and the third SherGil herself seated. Kainthola’s work honours the interconnectivity of art, stated in SherGil’s letter: “Modern art has led me to the comprehension + appreciation of Indian painting + sculpture.” A strong, original painter who in her own life and creativity bridged modernism between the East and West. Influences of Surrealism’s serious experimental attitude toward the subconscious characterise work such as The Kiss. One butterfly impasto emblazons Monroe’s lips like a mercurial censor and another in her hair like an Art Nouveau barrette. Throughout the Palette of my Visual Theatre, this embrace of the concrete and the fantastic share centre arena, to realise a tenuous unity of scale, subject and composition. Perhaps, Kainthola’s work, throughout its diverse phases and painterly endeavours, juggling contextual synapses and lenses, can be seen as ‘gestalt’ (Ger. configuration). On another dais, consider the elegance and fancifulness of the panoramic piece, The Three Graces. Small-scale drawings are intense and subtle in character, a precursor to the latest ambitious solo paintings, The Last Judgment, Modigliani and Nefertiti. Kainthola’s imagination is incessantly changing scenes, dangling scenarios across the picture plane. At any time, retracing and commingling spheres of memory and inspiration: observed prints in the sand on Bombay beaches appear as the footprints of Raza and Hussain on earlier canvases (again this trace quintessence of art), lines from T.S. Eliot’s poems, an ongoing aesthetic homage to fiercely gifted woman painters, in particular Frida Kahlo and Amrita SherGil (esteemed for their inventive worlds), as well as pop icons, classical deities, old masters and modern iconoclasts. Kainthola blends diverse figure-ground liaison and rich pigmentation from the vista of art history, from classical Western (think of Correggio and Da Vinci) and Indian court painting (Mughal and Rajput miniatures), to the most established and controversial of modernist procreation/invention. Transcribed with a novel spontaneity, her brush and pen act like a glass lantern, casting shadows, uncovering mental pictures. Furthermore, The Last Judgment (print on canvas with acrylic/mixed media) reconfigures classical references, juggling the meaning of portrayal. Dialectics of creativity mark a swirling, omnipresent meeting of the physical and metaphysical. “The creation of an icon is an art of the same order of the creation of the world.” From one composition to another, the Palette of my Visual Theatre, summons a continuum of abstract and representational, seemingly the blend of matter and reflection. And so does her wand paint its energetic wit and passion beyond our minds, casting an intuitive metamorphosis and vital fusion of colour and form. A moment not out of time, but in time, in what we call history: transecting, bisecting the world of time, a moment in time but not like a moment of time. -T.S. Eliot, chorus from The Rock, VII (1934) Elizabeth Rogers Artist Statement: For some time now, I have been exploring myriad levels of visual imagery, juxtaposing iconographic detail drawn from the ancient and modern art both Indian and from the west…. moved into the fluid realm of active, syncopated three-dimensional visualisation sequencing idiosyncratic language and perception. This journey into multi-media, moving imagery carries the broader dimensions of energy infused with contemporary metaphor. Mirrored in the highly polychrome written and painted signboards are modern enactments of miniatures, illuminated per neon lit sign, the quotidian transforms into the surreal… A spontaneous and dramatic re-interpretation of an artist ….
https://www.saatchiart.com/art/Painting-Warhol-and-the-History-of-Art/156938/156288/view
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Rajasthan paintings- The best wall décor ideas
Rajasthan is popular for its specialty, works of art, and society moves. Around the late sixteenth century, during the Mughal impact, Rajput canvases began to begin in Bundi. Rajasthani divider craft of the incredible lord Rao Ratan Singh (1607-1631) are genuine instances of the Bundi style of canvases. Prepared Artists made excellent artworks delineating the Hindu strict sagas, the Ramayana and Mahabharata. The specialists additionally made Mughals smaller than normal on their compositions, so the style primarily shows the Mughal designs. Each Rajputana realm had an unmistakable style, and the Havelis and the castles worked by Shekhawat Rajputs had numerous such canvases safeguarded. The photos fundamentally illuminated the individuals and supporters of the family. So what about we carry the imperial work of art to your home?
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READ BLOG :-  6 tips for choosing artworks for your home
Rajasthani Paintings
The focal meaning of the craftsmanship could be protecting memory, as these artistic creations portrayed family ancestry. Additionally, these specialists portrayed Nature very well in these wonderful Rajasthani artworks, and communicating Nature is the most ideal way a craftsman can draw out his specialty before people in general.
What are the Rajasthani painting types?
For your home stylistic theme, the most ideal decision of Rajasthan's art things are the extraordinary canvases of Rajputana time:
a. Pichwai painted sanctuary dangling from Udaipur
b. Phad Paintings from Bhilwara, Shahpur
c. Bhitti Chitra divider painting from Bikaner
d. Usta Gesso Painting from Bikaner
e. Dabu mud opposes painting from Pali and Jodhpur
f. A scaled down painting from Bikaner
g. Sanjhi Paper stencils from Alwar
What are the divider stylistic theme things from Rajasthan create?
Rajasthan's most famous specialty things for divider stylistic theme are:
a. Kawada versatile sanctuaries from Bassi, Chittorgarh
b. Koftgiri weaponry from Gangrar, Chittorgarh
c. Katputli manikins from Jaipur
Sorts of Rajasthan Paintings
Rajasthan artworks mix impeccably with any stylistic layout topic. Thus, on the off chance that you wish to add a conventional Indian touch to your home, purchase these artworks. They are wealthy in shading, plans and are accessible in various examples. Clearly, these artworks can make your insides look exquisite and extravagant. In any case, hello, don't really accept that me, investigate them yourself.
Divider stylistic theme canvases
Pichwai painting art
This art began in the seventeenth century and have their foundations in Nathdwara, Udaipur; Rajasthan. Pichwai portrays the accounts of Nathdwara's occupants, and a sign of Krishna. The most popular examples of this customary Rajasthan craftsmanship style are hanging behind the symbol at the Shrinathji sanctuary in Nathdwara, Udaipur.
Phad artworks
The incomparable Phad painting is a sort of parchment painting; certain individuals might call this canvas as people painting as well. This style consolidates fifteen to thirty feet in length bits of the material into one parchment painting. This huge material is known as phad, and thus the name is given as "phad painting".
Bhitti Chitra Kala
This is the portrayal of strict topics that were once polished by the Matheran people group; of the incomparable Mahatma people group. This art is ordinarily on the dividers of houses and sanctuaries. Various tones like Neel(blue); geru( brown), jahri dark, safed(white) are utilized to make the canvases, to get long-lasting waterproof shadings these tones are cooked with' tisi oil'.
Usta Gesso art
Nakashi craftsmanship or Usta Gesso painting is a superb decision to enhance the dividers. Conventional examples of these artistic creations are on the dividers, columns and roofs of Bikaner's Junagadh Fort and Anup Mahal. This craftsmanship turned out to be exceptionally famous during the British realm.
Dabu print
"Dabu" is a mud oppose printing done by utilizing woodblock. This square is plunged in shading, and afterward the patches are made to finish the composition.
Scaled down painting
This style is known for small materials with beginning from the sixteenth seventeenth century. Normally painted n copper, vellum, arranged card, or ivory with slim brushes.
Sanjhi plan
This forte art from Rajasthan is made utilizing stencils. These stencils are made with hands utilizing extraordinary scissors and paper. Be that as it may, in prior days even banana leaves were utilized.
Are you looking for Rajasthani Paintings online in India made by Indian Famous Artist Deepak Sharma at the best prices. Order Now.
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reshmadhere · 5 years
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INDO- DUTCH COLLABORATION OF ART
King Willem-Alexander and Queen Máxima supervise the painter’s creations at CSMVS, a primary Indo-Dutch collaboration of its kind. One of the foremost prolific names in liberal arts, Rembrandt created twenty-five drawings supported Mughal miniatures from Asian countries from 1656 to 1661, at the peak of his career. This can be in spite of the actual fact that the Dutch artist never set foot on Indian soil. The original design — portrayal of kings, princes, and courtiers — created its thanks to the artist because of the Dutch East India Company that controlled trade in Asia. Rembrandt bought drawings and prints of those paintings in the capital of The Netherlands. Supported by the diplomatic building General of Holland in Mumbai, the art on the show can feature a number of Rembrandt’s original works and different miniature paintings by artists from his era. “Rembrandt never left Holland, however, the voyages and mercantilism activities of the Dutch East India Company brought several treasures from Asia back to Holland,” “The personal belongings auctioned at the time of his bankruptcy enclosed a group of Mughal miniatures. It's believed that Rembrandt was impressed by these miniatures and created many drawings that are currently scattered everywhere [world] with 8 within the assortment of the Rijksmuseum, Amsterdam. Several of those miniatures featured Shahjahan United Nations agency was the ruler of Mughal Asian country throughout Rembrandt’s period of time. The actual fact that a master creative person like Rembrandt was impressed by Indian miniatures could be a nice tribute to the ability and attainment of our artists.”
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titoslondon-blog · 7 years
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New Post has been published on Titos London
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Padmavati costumes: Deepika Padukone’s royal lehenga looks in Ghoomar and Ek Dil Ek Jaan are breathtaking; see pics
By: Lifestyle Desk | New Delhi | Updated: November 11, 2017 9:36 pm Deepika Padukone in Padmavati. (Source: YouTube)
For designer duo Rimple and Harpreet Narula, the magnum opus Padmavati marks their foray into Bollywood. Director Sanjay Leela Bhansali, who’s known for his attention to detail and have worked with the likes of Anju Modi, Sabyasachi Mukherjee and Neeta Lulla in the past, collaborated with the Delhi-based designers for the periodic drama and as we can see, the result is mesmerising.
Even though they have designed costumes for all three lead stars in the film, it’s Padukone’s extravagant lehengas that have caught our attention. Her portrayal as Rani Padmini, the Rajput queen would have lost its charm without the beautiful traditional wears and heavy jewellery. A lot of gota patti work can be seen on the lehengas which weigh almost 30 kgs.
Padukone’s look in the song Ghoomar has got us drooling. The colourful lehenga in which she is seen moving around gracefully took months to create. It had a lot of layering with the innermost layer being made of special gota lafa and the brocade work created by master weavers. It gave Padukone a royal look coupled with the layered necklaces, the gold jhumkis and the nathni.
According to a Instagram post by the designer duo, the odhna had Kota cotton specially hand woven by master artisans. They got a leheriya print developed that came from a 16th century textile sample which they came across at the Victoria and Albert museum. The leheriya print on Kota cotton thus developed was further layered with Varq ka Kaam and embellished with Raato embroidery (couching of gold metal flat wire with a red silk floss thread).
In another post, they mentioned about the main motifs of the ghagra and how they were derived from old Pichwai textiles, various mural and frescoes, rendered in delicate hand crafted kasab embroidery, kachhi pati work and the traditional Rajasthani Mukke Ka Kaam. “The motifs that have been used – the lady with a parrot, the tree of life, the sun and the moon, the lion and the lotus have a deep historical symbolism that is entrenched in the ethos of the Rajput culture. The symbolic Tree of life has connotations of divinity as well as man’s connection to the cosmos, the lion stands for a warriors strength and resolve, the lotus is a symbol of eternal beauty while the cosmic symbols denote the traditional sun and moon worship that is still practiced by the Rajput clans. The innermost layer of the ghaghra has a special gotta lafa that we got artisans from Nyla near Jaipur to weave using the age old traditional techniques. The brocades that were used in the ensemble were specially commissioned to master weavers after a careful study of old samples from Aurangabad and Benaras that have been archived at the Calico and Jaipur museums.”
It took 2 months to create this look, as the designer had to do an intensive research on how the royal costumes during 13th century were by studying various traveller’s accounts, manuscripts and historical texts on the pre-Mughal period. They decided to give the Ghoomar ghaghra a multi-layered look and colour-blocked the layers in deep rich jewel tones.
We also got a glimpse of her outfits in the recently released song Ek Dil Ek Jaan. We love the beige and gold number, which too has authentic gota embroidery all over it with the ghagra and dupatta made of gota laffas. We think it looks spectacular styled with the gold matha patti and haathphool.
In the next scene of the song she is seen wearing a pista green lehenga with heavy gold embroidery on the hem. The half sleeve blouse has beautiful gold work on the neckline. The matching nathni, earrings, bangles and the heavy neckpiece add to the charm.
According to the Instagram post shared by the designer duo, for the gota embroidery in the lehenga, they specially sourced badla, flat beaten metal wires, that were given to weavers to create authentic gota which had a high percentage of copper that was further electroplated to achieve the gold finish and then oxidised to age them. They also procured old gota and zari from specialist vendors while the ghagra and odhna were lined and faced with wide gota laffas that was developed specially for the project. Artisans were also specially commissioned to create Gokru, which is the crickled gota used in the edgings of the odhnas.
Here are a few other outfits which we think are simply brilliant:
Padukone looks like a quintessential beauty in a gold embroidered pink blouse with a dark pink lehenga and a mutli-coloured dupatta in gold, wine, green and pink. The heavy maatha patti, oversized Rajasthani nathni and a pearl choker adds to her overall look.
Deepika Padukone in the song Ek dil ek jaan. (Source: YouTube)
She looks splendid in an ivory and gold blouse, and a matching lehenga with a wide red and gold border as well. The beautiful striped dupatta adds grace to the look.
Deepika Padukone wearing a ivory lehenga. (Source: YouTube)
A combination of red and gold lehengas have always been classy, no matter what. Padukone looks stunning in this lehenga made of vintage textiles.
This lehenga has orange and gold sleeves on one side and green sleeves on the other side. The actor is seen teaming it with a printed orange dupatta, and accessorising it with a huge green and gold necklace and matching earrings. Also, the braided hairstyle works wonders for her.
It’s all about the details and months of hardwork. The gold gotta laffas used to edge the royal odhnas were specially recreated by craftsmen in Nyla and Jaipur to maintain the authenticity of the period. The designers had also used traditional embroideries such as Mukke Ka Kaam, which is an example of very fine intricate embroidery done by couching gold and silver metal threads over the basefabric. Golden Mukke ka kaam used along with red thread edging is known as Raato while silver mukke ka kaam with blue thread edging is called Dhaulo. For the ornate court looks of the actor, they gave it a vintage aged effect by mixing both Raato and Dhaulo.
The garments including the Ghaghras, Kanchalis and Odhnas were aged and treated with various concoctions and materials such as natural dyes, indigo, pomegranate and rose to achieve the natural colours that were prevalent then. A lot of pieces underwent tea-staining to give them an earthy, muted and organic feel, posted the designer on their Instagram page.
“A lot of techniques have gone into creating the detailed looks that are reminiscent of the era and each look had numerous processes that were used to achieve the overall effect. Special prints were developed from Sanganer and Bagru for the textiles used. Some prints have up to 12 different colors in one motif.”
“The vintage textiles we sourced and the replicas were created after careful study, then ornamented with traditional embroideries including Mukke ka Kaam, Pakko Bharat, Salma and Sitara, Silk Floss thread work using traditional embroidery stitches in Jaipur and Lucknow and rendered onto the elaborate Odhnas and Ghaghras befitting the queen of Chittor. The odhnas were specially foil printed and then decorated with small floral buttis to achieve a rich ornate look. The draping of the odhnas was done in the traditional way after careful study of miniature paintings as well as murals and frescoes that are still found in various forts/havelis of Rajasthan’s Mewar region.”
We think the costumes are magnificent! What about you? Let us know in the comments below.
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