#popular ya fantasy

[asha-mage]

I feel profoundly bad for every rpg yet to come out this year that now has to compete with Metaphor: reFantazio.

[wakingupnexttoyou]

[thetypedwriter]

Children of Anguish and Anarchy Book Review

Children of Anguish and Anarchy Book Review by Tomi Adeyemi

This book was so horrible. 

No one is more disappointed than me to say that. 

I’ve gone to two of Tomi Adeyemi’s book signings, including a recent one for Children of Anguish and Anarchy.

Tomi Adeyemi herself is absolutely wonderful. She’s so intelligent, hilarious, addictively charming, and can work a room like no other. The book signing was fantastic. Too bad the book couldn’t hold up to the event itself. 

Children of Anguish and Anarchy follows as the third and last installment of the Legacy of Orisha trilogy, but doesn’t read like that at all.

Other than having the same four main characters of Tzain, Zelie, Amari, and Inan, nothing about the book concludes any issue, plot story, or character development from the previous two novels. 

A completely new villain is introduced, someone we haven't heard about as a reader in the last two books whatsoever, and obliterates any of the conflict and tension that Adeyemi worked so hard to build in her previous stories. 

Gone is the tension and literally hundreds of years of in-fighting between the Maji and the monarchy, gone is the civil war and its repercussions on Orisha, gone is even one of the main characters from the last novel, Roen, who was a significant love interest for Zelie and who has been completely disappeared in this new book all together (like, what???). 

It was incredibly lazy writing to wipe away everything the first two books created in order to “unite” against this new enemy. The sentiment is nice, but it’s not the finale we wanted or needed. 

I desired answers to Amari and Zelie’s broken friendship, closure to the Inan and Roen love triangle, a verdict on how Orisha would rebuild and who would rule. 

We get none of that. 

Instead Zelie and the others spend half their time in the book on a ship with very strong slavery parallels, and the other half in the introduced land of New Gaia.

While I thought the descriptions of New Gaia were beautiful (albeit very similar to Avatar), I was dissatisfied because the whole series at this point has been focused on Orisha and Orisha’s problems, not New Gaia and not the Skulls. 

While the plot was bad and aggrieving, the characters were even worse. 

None of the characters were interesting. They were carbon copies of each other in which all they talked about was avenging their fallen Orishan people, killing the Skulls, and protecting loved ones.

Rinse and repeat. It was boring as hell to delve into four different characters’ minds only to find that they all sounded exactly the same. 

I often had to go back to the start of the chapter to tell whose internal thoughts I was reading because they were so interchangeable and self-righteous and dull.  It is never a good sign when you can’t automatically tell who’s POV you’re reading based on their internal dialogue and tone. 

Lastly, the pacing of the book was atrocious. Everything happened so goddamn fast that I felt like I never had the chance to properly digest or internalize anything.

Oh they’re on a ship? Moving on from that. Zelie got some sort of medallion shoved into her chest?? Moving on. Wait, Maji and Titans and the monarchy are all working together after two full books of them killing each other??? Five pages and it’s done with. 

It was outrageous and insulting. 

The pacing made everything feel shallow, unimportant, and unnecessary. More than most of the plot were action scenes, while difficult to write and interesting in their own right, in this book it was so repetitive that characters killing other characters 90% of the time became egregiously tedious. 

And speaking of the action, I also found it incredibly violent and graphic for a YA book. As someone who is not a fan of gore and blood, this book had so many explicit details for no reason other than being gratuitous.

For example, at one point Zelie shoves a chicken bone through someone’s cheek. I found it repulsive and it was also incessant. 

I know some people can handle brutality, but I can’t, and found it a huge turn off and made me dislike the book so much more, especially as this was a majority of the book to boot. 

Disappointment can’t even contain my full feelings for this story. For such a wonderful trilogy to succumb to such a terrible end is a tragedy. I wish the best for Tomi Adeyemi and success for her future, but I will not read another book by her again. 

Score: 2/10

Recommendation: Read Children of Blood and Bone, a magical story that will inspire and entertain you. Read Children of Virtue and Vengeance if you really need something else, but even this book I wouldn’t recommend picking up.

Do not, I repeat, do not read Children of Anguish and Anarchy. It will leave you feeling dismayed and disheartened beyond redemption.

Bonus: Here's me, my fiance, and Tomi Adeyemi at her book signing!

[shyfurby]

I miss my era of reading low commitment fantasy novels. I am unfortunately bad at keeping reading in my rotation of things but I think I'll make an effort again!

I was planning on going to the library tomorrow anyways.

So if anyone has any suggestions let me know! I haven't read all that many essentials either so really any recommendation is a good one.

[safirefire]

The Ash Princess Trilogy by Laura Sebastian is perfect for ya fantasy lovers who love a warrior princess trope and there’s really interesting world building in the later books. Every country has its own system of government, customs, technological advancements, and relationship to magic. The main character, Princess Theo, is a prisoner of the invaders who took over her land but she is patient, fiercely protective of her people, and stronger than she’s ever known. If you liked Aelin Galathynius but wished her story was less like it was told from the colonizer’s point of view, the Ash Princess trilogy is perfect for you. The main character goes through incredible character development and the series touches colonialism better than a lot of ya fantasy. Also the cover art is so gorgeous.

[mac-lilly]

I hate love triangles so, so much 😫

[murphysiblings]

i always forget that YA fantasy or dystopia is usually what ppl think of when i bring up YA fiction because i dont read either of those like at all . all the YA novels i read are just about suicidal high schoolers & teenage sexual trauma

[maddie-grove]

Honestly I’m not really familiar with booktok so I’m not prepared to say any one book popular in that milieu is bad. They just seem to be mostly contemporary romance, which isn’t usually my thing. And actually I think it’s good for books to depict explicit sex. Like it might not always be well-written or fit the work as a whole or be to an individual’s taste, but it’s a positive that there are books that are sexually frank.

[moxymaxing]

dead mom gang rise up

[scarlettfevor]

Looking back, the way Garroth was acting in the last episodes of season one of diaries was ridiculous. Like, you're a grown ass man WHY are you, as the head guard, sulking in your room all day just because you saw the girl you've liked for literally 2 months kiss another guy when your village is on the brink of war???

[tea-ink-pages]

i think about this post all the time but aligned with the virality and sales in YA fantasy through popular books like powerless. its baffling to me that the blandest worldbuilding, cookie cutter character archetypes and recycled 2010's plots with nothing new to say are seen as amazing YA. there's a lot of actually *good, well-written ya fantasy these days that regrettably isn't at this level of popularity and its aggravating

[thetypedwriter]

Dark Heir Book Review

Dark Heir by C.S. Pacat Book Review 

Warning: *Spoiler Warning for both Dark Rise and Dark Heir*

Dark Heir by C.S. Pacat has been my most anticipated read. Not of the year, not of the month, just in general. More than any other sequel coming out, I could not wait for Dark Heir.

In preparation, I even reread Dark Rise to ensure that I had a full and complete understanding of every sentence and nuance put forth in Dark Heir. 

I was so incredibly excited for this book, especially as I found Dark Heir to be titillating and maybe the last book I read that truly took me by surprise and made me gasp out loud. 

I wouldn’t say I’m disappointed, because I think Dark Heir is good, but I also don’t think it’s perfect and having the astronomical expectations that I did have certainly didn’t help. 

Dark Heir picks up immediately after Dark Rise ends. Similarly to the first book, the gang is trying to stop the dark king from reaching his full power and face off against Sinclair, Simon’s father, in various moments with an array of tension and methodologies, all interwoven with intrapersonal moments of romance, friendship, and self-actualization. 

The biggest weakness of the first book was its middle. The beginning of Dark Rise starts off intriguing, with Will on the loose and an action-packed fight scene onboard a ship.

The ending of Dark Rise hits you like a bomb. The realization that Will is actually the dark king will never not be one of the greatest plot twists of all time. 

Other than the middle slog, though, Dark Rise was excellent. 

My biggest frustrations with Dark Heir are the treatment of the villain and the multiple POV’s. In Dark Rise, Simon is the big baddie. He’s calculating, manipulative, powerful, and charismatic. In Dark Heir, however, C.S. Pacat tells you that you’ve got it all wrong. 

It’s not Simon that is characterized by all those traits, but his father, Sinclair. All the attributes given to Simon in the first book are essentially just handed over to Sinclair with the attitude of making you feel stupid for thinking Simon was the villain in the first place…even though that’s what we were told in book one and Sinclair hadn’t even been mentioned previously. 

I find it frustrating when authors diminish an antagonist from one book to make another villain seem worse and more powerful later on.

Let Simon and Sinclair stand on their own, separate and distinct. Don’t minimize what happened in book one so that Sinclair seems more evil and important in the sequel. 

It didn’t work for me, and the fact that we don’t even see Sinclair is also a poor choice. For the villain to never even show up (other than possessing others) reduces his threatening presence overall and the tension I get as a reader decreases every time another page passes without Sinclair ever showing his face (it worked in Harry Potter only because another villain was there to fill the void). 

My second frustration is the amount of POV’s. In the first book, there were three POV’s: Will, Violet, and Katherine. In book two, we get Will, Violet, Cyprian, Elizabeth, James, and Visander.

It’s too many. Three is already pushing it and by increasing it from three to six, the overall arc for each character gets less spotlight and therefore less development. 

That being said, I like all the characters and loved seeing their POV’s. However, because there were just so many of them, I felt like it was quantity over quality.

Whereas I would have preferred the quality of less POV’s than the breadth of more, especially as several of them were with each other, as in the case of James, Will, and Cyprian and then Visander and Elizabeth. 

Will’s agony of being the dark king and trying to fight against himself, meanwhile seeking understanding and acceptance, is nothing short of brilliant. Will’s chapters were by far my favorite because they were so conflicted, in the most interesting of ways.

After Will, my favorite POV is Elizabeth’s. Her childlike way of speaking and understanding the disturbing world around her was always intriguing and poignant (and often hilarious). I liked that her POV offered a different view of what was going on compared to Will and his gang. However, her POV makes Visander’s obsolete. 

Violet’s POV could have been good, but she is imprisoned the whole time. I actually think the only reason is C.S. Pacat did that was because having Violet around the gang would have influenced the plot too much, so she just needed Violet locked away—cue Mrs. Duval with her controlling powers (which was never explained???). 

Violet’s chapters were boring, which is a shame because I really adore Violet. I would have loved to have seen the tension in Will’s chapters by having Violet close by the whole book and to see her relationship with Cyprian blossom and grow.

But no. Instead she’s locked up for 90% of the book before escaping just in time for the climax, interacting with virtually no one except some old journals. 

Cyprian’s POV was fine, but useless, as he was with Will 90% of the time. 

James’ POV was interesting, but not needed. I actually think a part of James’ allure is his mystery. What is he planning? How is feeling? What are his intentions?

A big part of my initial curiosity about James stemmed from those questions. In Dark Heir all that disappears. Because we get James’ POV, gone is the mystery about what James is planning, his true motivations, and his feelings. 

Honestly, if the whole book had switched off between Will and Elizabeth that would have been perfect. If three was absolutely needed, then I would take Violet too, but otherwise? All the other POV’s were not needed and only took away from other storylines. 

I feel so strongly about this because I really like all the characters. I find them all complex, intriguing, highly motivated, and conflicted for a variety of reasons.

C.S. Pacat did such a great job creating them that I want to see their storylines through. What I don’t want are filler POV’s that don’t offer much in the way of plot. 

The last niggling frustration I’ll briefly mention before getting to the ending is the setting. In book one, we get huge (maybe too long) descriptions of the Hall of the Stewards and of London.

In book two, we get none of that. We get descriptions of the dark palace and some small villages in Italy and that's about it. For a huge epic fantasy, the world felt very small and very unimaginative. 

The highlights for the book were definitely the characters and their interactions. Those proved to be just as good as the first book, if not better.

The relationship between Will and James, between Will and Violet, Violet and Cyprian, Cyprian and James, Violet and Tom, Visander and Elizabeth—they are all chef’s kiss! 

Truly, each and every character has such intense and significant ties to all the other characters that it kept me devouring each page like a starved man. This is where C.S. Pacat really shines. 

The last thing I’ll mention to bring this review to a close is the ending. Did it have the bombshell explosive conclusion like Dark Rise?

No, no it did not. 

Was it still good?

Yes…for the most part. The culmination of all the characters meeting underneath the mountain in the dark palace was great. However, I wanted more. 

There were several moments where a huge revelation or climactic fight was about to happen when the castle just happened to shake, or an earthquake appeared, or chunks of rock fell from the ceiling.

It felt cheap and frustrating to get cut off from an important moment, especially as this happened not once, but several times near the end. 

Additionally, the twist of James wearing the collar in the final pages would have been so much more powerful and shocking if we hadn’t literally read in the chapter before that the collar clicked around his throat by Sloane/Sinclair. 

 It doesn’t make any sense. 

Why give away your biggest shock factor? I have no idea.

Even after writing this, I realize that James’ POV might have actively been a detriment to the book overall, but especially to the ending, which was nowhere near as crazy a plot twist as Dark Rise. 

In general, I still liked this book. I would consider it leagues better than other YA novels, especially in terms of characters and their relationships, but it’s not without its issues, even compared to its predecessor. 

Frustrations aside, I enjoyed Dark Heir. The plot was palatable enough—there’s a dark army slumbering beneath a mountain in a hidden away palace that cannot be woken up, but it’s the characters, their interactions, and their desires that I found truly appealing. 

Recommendation: Reread Dark Rise like I did to fully appreciate the brilliance of it, and then read Dark Heir. It won’t be as good, but that’s okay. You’ll still get the character moments you’ve been craving before it’ll leave you wanting more.

Let’s hope that the next book will fulfill any lingering needs we have and (dark) rise to the challenge. 

Score: 7/10

[wakingupnexttoyou]

4.5⭐

I fell in love with these boys. Especially Ronan. I would Kill for a book series about him!!!! (As I'm writing this I go back to see what other books she's written and find this is already a thing. Consider these added to my tbr right away!!)

I still have a lot of questions but I suppose that is the nature of books like this. I almost always feel like I've been in a fever dream when I finish them lol.

[harmonicaorange]

the ember quartet is now one of my favourite series of all time i’ve probably cried 3 times reading the final book and i cried twice in the third book. i haven’t done this in so long 😭 it’s books like this that remind me why i love reading

[angeltism]

NOOOO UGH I keep remembering one of my favorite games atm has literally one of the smallest fandoms I've ever seen. withers away dramatically....

[murphysiblings]

my beautiful wife young adult fiction keeps getting bullied