#pop off queen youngji
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small girl — lee youngji ft. d.o.
#lee youngji#youngji#exo#kyungsoo#collab of the century !!!#the mv is everything#they're so SO CUTE SLKFDSLJDF#as a fellow tall girlie#i so relate to this song#pop off queen youngji#gifs
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2023 SECOND GEN K-POP GG SONG ROUNDUP
The year is almost over, so I believe this is the perfect time for a song recap!
The girlies have been pretty busy this year as we have songs in Korean, English, Japanese and Mandarin Chinese!
•Hur Young Ji's "L.O.V.E.", from her digital single album, "Toi Toi Toi"
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I still haven't figured out why DSP thinks that's how her family name is spelled in English, but Youngji's (third) solo debut was by far my favourite re-release of TAEYEON's "Weekend" this year! I love the colours, I love her hair, the looks and I even like her Bora-esque talk-rap segment after the first chorus!
•SUNMI's "STRANGER", from her digital single album of the same name
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Sunmi has mastered the art of delivering gorgeous MVs and visuals, that's for sure, but I'd be lying if I didn't admit I was a bit disappointed. I like the instrumental she used for the chorus, and since it was the segment playing in the teasers as well, I thought she was gonna give us "Tim Burton movie OST realness", and she did... But then she went and mixed in a completely different instrumental for her verses and bridge and another one for the pre-chorus. Girl why 😭
•TAEYEON's "To. X", from her mini-album of the same name
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Taeyeon is continuing her reign as the queen of second gen with her moody breakup songs and I wouldn't expect anything less from her. Not her strongest effort yet, but still fun to listen to.
•HYOLYN's digital single, "This Love" (feat. Random Guy No. 8)
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Hyolyn is the queen of cunt, but it's still a nice change of pace when she releases cutesier / less sexy songs. The guy being a dog in the MV was a hilarious twist too!
•Sandara Park's "Festival", from her self-titled digital mini album
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Dara finally released the mini she has been teasing for a while now and had her solo comeback after FOURTEEN years! I hope this isn't a one time thing and she actually releases more music. She may not be the strongest vocalist, but Dara was always an idol's idol like, she would do the 2NE1 choreos while looking gorgeous and serving face and smiles so solo projects like this re-release of TAEYEON's "Weekend" are the perfect chance to showcase more "stereotypical", if you will, K-pop visuals and concepts that we wouldn't really get out of 2NE1. And she even got Uhm Jung-hwa, one of her own idols, to cameo on the MV, sampled her song for this comeback, and got to guest at her concert! Way to go Dara!
•HYO's digital single, "Picture"
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A solid release from our resident DJ, although I still think her early works and the unhinged "DESSERT" haven't been topped yet. At least it wasn't "Second", I HATED Second.
•SoYou's "ALOHA" (feat. Bora), from her mini-album, "Summer Recipe"
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Soyou giving us "Queen of summer"! YES! This is definitely among my favourite releases this year. It's catchy, it's summery, it's dancey and she's SANGING as usual. The fact that she even got Bora to do the most unhinged 3 second rap of her career for this is iconic! A bit disappointed she's not in the video but I guess maybe appearing for just 3scs wasn't worth it... Still curious how Hyolyn convinced her to do just that for the upcoming SISTAR19 comeback. Maybe she promised her she'll sing as much as Dasom did for "Summer or Summer"?
Also, you know what I was thinking?
This is probably delusions of a senile homosexual, but having a SISTAR19 comeback in the middle of winter is weird. I know Hyolyn did previously release a summer-themed Christmas song but... What if this is a prelude for a SISTAR full group comeback..? Think about it!
•Park Bom's digital single, "I" (feat. A Victorian Era Ghost)
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Yes Bommie! This was BEAUTIFUL 😍❤️! I love that she seems to have regained control of her voice in her recent releases? In the years after her comeback with Dara her singing sounded a little... Off? But since last year she seems to be back on track! She even actually got to appear in her own MV this time, I'm so happy!
•Jessica's "BEEP BEEP", from her mini-album of the same name
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Okay, this is definitely my favourite song of hers so far like... Yeah, this was the third version of "Weekend" for the year but I don't even care, she nailed it. It's fun, it's cute and she SINGS her ass off. Yass cunt!
Now PLEASE release something more dancey and edgy, bitch..! I'm still not over that one performance of "How Deep Is Your Love" where she was serving c word all those years ago but then NEVER released anything remotely close to that like... what gives girl??
•SoYou's "Digital Single That Doesn't feature Bora"
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Soyou had another release this year before her summer comeback that didn't get as much publicity. It's a much more mellow song and not cunty but she gets to showcase her voice and it's a nice song to listen to.
•Nicole's digital single, "Mysterious"
Okay, this I think might be my favourite song overall this year! Nicole picked up on the "YOU.F.O." and, of course, "MOVE AGAIN" momentum from last year and she definitely delivered! She is so mother in this it's insane. Gotta love that bass!
•Nicole's physical single, "Selfish"
And she continued with a Japanese comeback this time! It even charted decently in Japan, like top 20, I think? So girl SLAYED! Glad to see they still got it with Japan. Amazing.
•Amber Liu's digital single, "No More Sad Songs"
A good song from miss Amber. I think her Chinese fans must have liked it too because she also released a Mandarin version. Definitely her best out of the ones she released this year although, if I'm 100% honest, Amber's music is kind of middle of the road for me? It's not bad, it's not amazing, it's just okay. Good for her that she's still at it and doing her thing though.
•Raina's digital single, "The Way We Were"
Raina is back girlies! Glad to see she's still representing the After School girlies in the music scene as she's the only one still releasing music here and then. Luckily, this time she didn't have to resort to collabing with Trash E for this song!
•Amber Liu's digital single, "hatemyself"
Okay, this one is the darkest of her songs yet and, for real, I know everyone has been dragging Amber through filth ever since that stupid pro-cops comment she made, and she definitely deserved the backlash for that, but it did get pretty ridiculous after that like, I can't help but feel for her. She wasn't my favourite f(x) member, her solo music is not my favourite either but I do genuinely hope she is okay?
•NARSHA's digital single, "BLUSH"
Okay so, at first I was like "Is this bitch really making her first solo release in thirteen years a ballad?" But then she released "GAME" so the balance of nature was restored, but other than that this song genuinely did grow on me. It's a nice song and it really fits her voice and breathy singing style.
•Meng Jia's "KNOCKOUT", from her mini-album, "JIALAND"
So, Jia seemingly decided to release the most UNHINGED song of hers yet this year. The production is messy but in a "so messy it's good" type of way. The red hair was a serve and this was a very fun song. Except that weird change at the very end, what the fuck was that for? Someone deserves to get fired for that, she should change producers.
•NARSHA's digital single, "GAME"
I want to once again publicly apologize for ever doubting mother. This was a song for the ladies and the gays only and I know and love that she 100% knows it herself and owns this fact. BEG are among the cuntresses in the K-pop industry that actively and openly acknowledge their LGBT fanbase and regularly release songs about female empowerment and feminism in a non-performative and genuine way, so this was definitely a gift for us and I love her for that.
If you will indulge my delusions for a second time, I'd like to think that, like SISTAR, those OG hags are cooking up some new group music and Narsha's very unexpected comeback is a prelude to the group's.
•Nicole's "Gravity", from her single album of the same name
This is definitely not as strong as the other two releases this year but it doesn't matter because we shouldn't be greedy and it's still a fun song so it's all well. Bold move to release a summer song way out of season again too.
•Jea's digital single, "Congratulations to You"
This is a very sweet song honestly. JeA said she wrote this all the way back in 2010, I think, as a means to cheer up herself for all the things she had already accomplished and her future self if she was ever feeling like she wasn't doing enough. I think she also said she had been singing it live regularly whenever she was performing, she did have a solo concert either late last year or very early this year, if I'm not mistaken, and she decided it was time to release it properly.
My only minor complaint is that the "be happy day to you" part kind of takes me out of the sentimental moment 😅😭 I know nonsensical English is the bread and butter of K-pop, and I will forever be grateful for lyrics like "I'm so bad girl I'm so cool girl I'm so sexy sexy sexy girl" or "fire in the hole when you touch me down there I'm not feeling very well so hot in down there" or "kiss me baby I'll must be stay here day by day" but for such a personal and sentimental song she maybe should have had someone double check it, just this once 🤣
•Wang Fei-fei's digital single, "Distance"
Fei seemingly decided that she should give the others a chance and not serve cunt, not mother, but take it slower and chiller instead this year. A good effort, but I had come to expect a bit more from her if I'm being honest.
Below you can find the full Spotify playlist. Enjoy!
Some honourable mentions:
~Whatever that short snippet that HyunA released is supposed to be, it's amazing! She also did it for the gays and the girls and I genuinely hope she revamps it into a full song and releases it because it's currently not available to stream anywhere, other than the performance video on YouTube of course.
~Various project and cover songs: Taeyeon and Naul's "Nights Into Days", Bom's cover of a 90s song, "Holding On to the End of This Night", Hyolyn's cover of a Chinese TikTok song, "Fizzled", and JeA's "Rainy Day" for the Yaoki Project.
~Some b-sides from Taeyeon's mini worth checking out: "All For Nothing", "Fabulous" and "Nightmare"
~Jessica's collab with Amber, "Get It? Got It? Good"
~Hyolyn remembering to fulfill her cunty quota for the year and releasing a performance video for "BODY TALK", one of the b-sides from last year's mini.
~Although she said "No More Sad Songs", Amber went and immediately released three more. "hatemyself" was the better of the three, but she also did "Can't Go Yet" and "ILY".
~Jia's "GOOD GOOD LOVE" from her "JIALAND" EP and another song she silent-dropped a few days ago, "Starlight".
No T-ara reps at all this year as they were all real busy playing golf... I HATE THEM 🤬😭
#KARA#Wonder Girls#Girls' Generation#SISTAR#2NE1#f(x)#After School#Brown Eyed Girls#miss A#SNSD#Hur Young Ji#SUNMI#TAEYEON#HYOLYN#Sandara Park#HYO#SoYou#Bora#Park Bom#Jessica#Nicole#Amber Liu#Raina#NARSHA#Meng Jia#Jea#Wang Fei-fei#Youngji#K-pop#Girl Groups
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Windy by JEON SOYEON: A Review
So last July 5 Soyeon released her first mini album as a solo act, 'Windy' which takes its name from her alter-ego. It is written, composed, and arranged by Jeon Soyeon with the help of a few professionals in the industry.
This is my review of the album.
#1 BEAM BEAM
The title track 'BEAM BEAM ' is an absolute summer bop. This is a story about Windy in her 20s. It's pop mixed with a little bit of rock. The addition of the electric guitar riffs is perfect in my opinion, it adds to the addictive feel of the song.
It's been a while since I've been so red with love I'm twenty-four, what I realized now is that, love is fucked Even if my eyes are sometimes cloudy
Even though at first it doesn't sound like it would be deep lyrics-wise, I still think Soyeon did a good job with this one. Of course, I don't speak Korean so I wouldn't know how her lyrics would sound to native speakers. I still definitely feel the poetic vibe of the lyrics when translated in English. I especially like the part where she says something along the lines of, "I have to start saving, but it takes so long to gain and it's so easy to lose," which I think describes how I feel about my own adult life in general (especially with K-Pop as an obsession, am I right? 😉).
The music video for the title track is well done. It's colorful and I liked the choreography as well. This is a solid 9/10 for me.
#2 Weather
This second track, 'Weather', has actually been spoiled before by Soyeon on a variety show. It was supposed to be the 'DUMDi DUMDi' of 2020. Now that it has been released, I definitely see the qualities of 'Weather' that would make it fit for a girl group, but 'DUMDi DUMDi' was still ultimately the better decision in my opinion.
'Weather' gives me nostalgic vibes. It doesn't even sound old, or have an old type of beat or style, but it gives off upbeat cottagecore. If anyone reading this would like to listen to 'Weather', I suggest listening with headphones because there are some really pretty background vocals in here that is very (G)I-DLE (come to think of it, 'DUMDi DUMDi' had interesting background vocals as well).
My favorite lyrics from this song:
How was your sky today? How was your day today?
I just thought it was a really interesting way to ask somebody how they're doing or how they're feeling.
Soyeon's vocals in this song is great. I see parts where she's sorta maybe kinda channeling a (G)I-DLE member, maybe she visualized a line or two to be sung by another member.
This is an 8.5/10 for me.
#3 Quit
When I heard the audio snippet for Windy, 'Quit' was one of the songs I was super excited to listen to. There's a satisfying drop for the chorus that I just really, really, really like. And I was not disappointed. Even now as I'm writing this and listening to the song I have to stop from time to time just to savor the song. Yes, it's that song for me.
This is sort of at a faster pace compared to 'Weather', with Soyeon almost rap-singing the whole time. It reminds me of her earlier songs 'Smile' and 'Day of a kid' from Unpretty Rapstar. It has some guitar in the background that is really nice as well.
There are some beautiful vocals in this song too. I had heard the live version of this song when Soyeon sang it during Miyeon's radio show on Naver called 'Gossip IDLE' and it was amazing to listen to. Soyeon is such a strong and stable vocalist that I think it would honestly surprise new fans that she isn't a lead or main vocalist.
The build up towards the chorus is signature Soyeon in my opinion, and it works every time. I like it, I like it a lot.
Don't even get me started with the lyrics. In my opinion, out of the whole album, 'Quit' has the most interesting lyrics. Soyeon had mentioned in an interview that this song is what she imagines someone else would sing to her or about her after a breakup. After reading these lyrics it makes total sense:
Thank you for crying, even if it's the end Now write songs for me, whatever This breakup must hurt you too
Implying that Soyeon would be the one writing songs for the person after the breakup. I just think it's brilliant.
The bridge after the last chorus is just *chefs kiss*. She changed up the beat a little and removed some of the instruments, which will make you feel like it's a different song completely, but after a few listens I came to absolutely love that last bridge. I love this song. 10/10.
#4 Psycho
Before the release of Windy, Soyeon described 'Psycho' as a sound she hasn't shown Neverland before, a different (new) side of her. That's exactly how I would describe this song too. It's haunting and dark. It almost has a Billie Eilish-esque quality to it, but spicier.
Did you get what kind of bitch I am? I like things that are harder than what I can have Whether it’s money or love, in front of me I make it kneel before me and I get excited about it
I think this song shows a little of what Soyeon is like when she's feeling a little mischievous and competitive. I already know as a fan that she likes to push boundaries, likes to make music that's better than what she's done previously, and isn't afraid to call people out for what she thinks are injustices. In her 'Lion' rap verse, she basically tells us as much:
I'll bite off your useless courtesy We tear down your suffocating prejudice Who would dare to stop me Careful with my sharp claws I create a new path no one has attempted before All those condescending people will click their tongues But the applause I receive after breaking that prejudice is thrilling I've had a taste, now I can't deny it I'm a queen
Which is why I love Soyeon so much. I think 'Psycho' is just the tip of the iceberg. I hope 'Psycho' is just the tip of the iceberg. I would really like to listen to more of this type of music from Soyeon.
Soyeon also achieves a new personal record with 'Psycho', with her rap verse becoming her 2nd fastest rap in her career (barring the 8-second constant).
Overall this song was interesting and enjoyable. 9/10.
#5 Is this bad b****** number? (feat. BIBI and Lee Young Ji)
This is the collaboration of the century. Lee Young Ji is one of my favorite rappers outside of K-Pop, so I was really excited to see her feature in one of Soyeon's songs (she was also in 'BEAM BEAM' music video). I've heard of BIBI before, but I hadn't listened to her songs prior to this. She's pretty famous in the K-Music scene as well.
ITBBN has an addicting dial tone sample to it and a bass-heavy beat that just tells you it's about to go down. K-Rap fans love this track, and for good reason. Lee Young Ji is amazing as usual, and BIBI with her signature laid-back rap-singing, and of course Soyeon. It was actually surprising, because Soyeon changes up the beat completely for her rap verse. It reminds me of 'Giants' by True Damage, where she also rapped as the League of Legends character Akali.
Soyeon of course breaks another personal record in this song, with her rap verse becoming her fastest rap in her career thus far (barring the 8-second constant). And her rap verse says it all:
Oh, why did I make a phone call elsewhere when I'm here? This crazy good song and an ocean of money Burning on stage, beauty is a bonus Everyone knows, in this new generation Who the leading idol rapper is, if it's king or queen or whoever it is That's not breezy, she's so Windy Oh my God, she just lights a fire and wipes it off Oh no, ew, push-off From outdated junk To ancient filth: fuck it Ring ding bring No entry except for invited Bibi and Youngji Generation Z's bad bish You probably hate us more and more But you can't help but just want to be a part of it Even by using money Right?
This is a 9/10 for me.
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O K-Pop já não é o mesmo, você vê vários grupos fazendo comeback e daí bate aquela saudade daquele grupo foda que você amava mais lembra que deu disband, abaixo vai estar listado alguns grupos de K-Pop que deixou muitas saudades e boas lembranças.
Kara
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Esse grupo feminino se destacou muito e contribuiu dentro do cenário do K-Pop, o KARA debutou em 2007 com MV “Break It”, e uma grande pressão sobre si por conta de serem sucessoras do extremamente bem-sucedido Fin.K.L. Já no primeiro ano, a integrante Kim Sung-Hee, anunciou que deixaria o grupo devido à pressão familiar e a conciliação de sua vida pessoal com suas atividades dentro do grupo. Na sequência, foi revelado que Kara retornaria como um quinteto, após a adição das integrantes Goo Hara e Jiyoung. Através dos anos, o grupo foi responsável por uma série de hits que fizeram a alegria de milhares de fãs não apenas do grupo, mas do K-Pop em geral, como “Lupin”, “Step” e o smash hit “Mr.”, cuja coreografia se tornou uma enorme febre e uma das marcas dos grupos femininos. Em 2014, Kara passou por sua segunda mudança no lineup: Nicole e, na sequência, Jiyoung, anunciaram que deixariam o grupo. No mesmo ano, surgiu o reality “Kara Project” que tinha como objetivo escolher uma nova integrante para o grupo dentre as trainees presentes na DSP. Heo YoungJi foi a escolhida e com “Mamma Mia”, elas retornaram em agosto. Depois de uma série de promoções na Coreia e no Japão, a DSP informou em janeiro deste ano que Gyuri, Seungyeon e Goo Hara deixariam a agência após o fim do contrato, sem mencionar um disband diretamente. É possível que, assim como ocorreu com Fin.K.L, a DSP não lançará nota oficial mencionando um disband para o Kara.
Debut: Break It (2007)
Último comeback: Cupid (2015)
LC9
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LC9 debutou na mesma época que o BTS, e despertou muito interesse com uma música cativante e uma coreografia animadora em 2013 com “Mama Beat”. O único problema é que depois disso algo parece ter dado errado e o grupo passou por um hiatus grande demais até mesmo para os fãs esperarem. Enquanto a fanbase continuava a se perguntar o que poderia ter acontecido e porque o grupo não fazia novos lançamentos. Depois de alguns momentos de dificuldade, anúncios graduais de saída de membros e lançamento de uma trilha sonora, a agência anunciou que nenhum dos membros restantes do grupo resolveu renovar o seu contrato no final do último ano, levando ao fim do grupo este ano.
Debut: Mama Beat (2013)
“The Ugly Man Cries”, não foi um comeback, apenas um OST para o drama ‘Can We Love’
LedApple (LedT)
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Esse com certeza deixou muita saudade.
Fez seu debut oficial sob o nome de LedApple, o LedT surgiu em 2010 com uma proposta parecida com a de bandas conhecidas como CNBLUE e FT ISLAND. O grupo debutou originalmente com os membros Jun, Kwangyeon, Sunghyun, Minyong e I-OH. Assim como o Rainbow, o grupo passou por uma série de mudanças em sua formação e também não teve vendas tão expressivas quanto o esperado inicialmente, apesar de ter promovido uma série de turnês para a sua fanbase, tanto dentro quanto fora da Coreia. Em 2016 o grupo, que já contava com apenas três integrantes e não lançou nenhuma canção com a formação até então, anunciou seu fim através de postagens dos membros em suas contas pessoais no Instagram.
Debut: Dash (2010)
Último comeback: Who Are You (2014)
SPEED
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O SPEED foi um grupo da MBK Entertainment que surgiu como resultado do fim do grupo misto, CO-ED School. O grupo fez seu debut com uma remake do hit “Lovey Dovey”, das companheiras de agência T-ara, chamado “Lovey Dovey Plus”. Após algumas mudanças no lineup, o grupo continuou a promover com atividades solo dos membros, aparições em MVs de outros artistas, um concerto e até mesmo reality shows próprios. Apesar de todas as atividades, muitos perceberam que já no final de 2015, em novembro, o grupo já não estava mais listado no site como um grupo pertencente à empresa, o que começou a levantar algumas suspeitas sobre o fim definitivo do grupo masculino. No início deste ano, vários membros anunciaram o fim de sua conexão com o grupo, tão quanto com a própria MBK, se dividindo entre não renovação de contratos, foco em atividades relacionadas à vida pessoal e busca de novas agências. A última vez que o grupo trabalhou junto como SPEED foi na primeira metade de 2015 com a música “What U”, do seu segundo mini-álbum, “SPEED ON”.
Debut: Lovey Dovey Plus (2012)
Último comeback: What U (2015)
MIXX
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MIXX era um grupo feminino formado pela agencia Chiko Bros Entertainment. Elas tiveram seu debut no dia 3 de maio de 2016 com single “Oh Ma Mind”. No dia 16 de março de 2017 foi anunciado o disband do grupo.
Debut: Oh Ma Mind(2016)
Último comeback: Love is a Sudden(2017)
Wonder Girls
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Bons momentos com esse maravilho grupo, que deixou seu legado e vários fãs órfãos.
Antes do debut oficial do Wonder Girls, o Park Jin-young revelou o nome de seu primeiro grupo feminino em maio de 2006, as Wonder Girls foram introduzidas através de um reality show intitulado MTV Wonder Girls. Os primeiros quatro episódios mostraram as características e perfis de cada membro e também a agenda de cada uma para o dia. Pouco tempo depois de selecionarem Yeeun como o quinto membro, as Wonder Girls tiveram o seu primeiro showcase nos estúdios da MTV Korea. Elas apresentaram uma versão cover de “Don’t Cha” do grupo feminino Pussycat Dolls, assim como suas próprias músicas, incluindo “Irony” e “미안한 마음” (“It’s Not Love”). Sunye cantou sua própria versão de “Stand Up for Love” do Destiny’s Child, enquanto Hyuna mostrou suas habilidades na dança. Os outros três membros -Yeeun, Sunmi e Sohee- fizeram um cover de “Together Again” da Janet Jackson.
Wonder Girls estrearam oficialmente em fevereiro de 2007 no ‘Show! Music Core’ com “Irony”, o single no estilo hip-hop do seu álbum, ‘The Wonder Year’s. O álbum se tornou um grande hit, vendendo mais de 11.454 cópias físicas em 2007. Pouco depois o fanclub do grupo foi denominado como “Wonderfuls” e o grupo teve vários showcases na China após receberem aulas de chinês. Porém em meados de 2007, as Wonder Girls foram prejudicadas por vários problemas de saúde e acidentes. Em 25 de junho, Sohee foi afastada por um mês por ter rompido o ligamento do joelho depois de cair de uma motocicleta nas filmagens do filme I Like It Hot. As quatro integrantes restantes continuaram realizando apresentações até julho, quando Hyuna foi removida do grupo pela preocupação de seus pais sobre sua saúde, com seus problemas com gastroenterite crônica e desmaios, que a manteve hospitalizada entre março e abril do mesmo ano.
Depois de algum tempo o grupo encerrou suas atividades em 26 de janeiro de 2017, e lançou a canção de despedida “Draw Me”.
Debut: Irony(2007)
Último comeback: Draw Me(2017)
HISTORY
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HISTORY foi um grupo masculino formado pela LOEN Entertainmemt. Eles fizeram seu debut em 26 de abril de 2013 com o single “Dreamer”, logo após lançou o mini álbum “HIM” em 11 de abril de 2016. Eles se promoveram com a faixa-título “Queen”.
O anuncio oficial do disband do grupo foi anunciada em 12 de maio de 2017, os membros restantes continuam na agencia mais focado em atividades individuais.
Debut: Dreamer (2013)
Último comeback: Queen(2016)
M.I.B
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Mais antes do seu debut oficial o quarteto realizou uma showcase com estilo spin-off, cada membro lançou um MV para cada canção solo. Começando com “Beautiful Day” de 5zic em 6 de outubro e terminando com “Say My Name” de Kang Nam em 17 de outubro. Antes da sua performance de debut em M! Countdown, eles se apresentaram no Muse Live no Music Hall para mostrar seu álbum.
M.I.B é um quarteto de hip-hop que fez seu debut oficial sob a Jungle Entertainment em 2011 com mini álbum “Most Incredible Busters”.
Em 2014 eles vieram para o Brasil para o Music Bank realizado no Rio de Janeiro em 7 de junho, no HSBC Arena.
Em 4 de janeiro de 2017, a Signal Entertainment anunciou o disband do grupo.
Debut: G.D.M(2011)
Último comeback: BOUNCE(2014)
SISTAR
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Foi um grupo feminino formado pela Starship Entertainment. Ele foi constituído por quatro integrantes: Hyorin, Bora, Soyou e Dasom. Em 3 de junho de 2010, lançaram o primeiro single “Push Push” e fizeram sua estreia no programa Music Bank da emissora KBS. Em 25 de agosto.
Após anos promovendo ativante, o grupo anunciou o seu disband em 23 de maio de 2017, tendo seu último comeback com “Lonely” no final do mês de maio.
Debut: Push Push(2010)
Último comeback: Lonely(2017)
The SeeYa
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The SeeYa fez seu debut como uma reformulação do SeeYa, agenciado pela MBK Entertaiment. Elas debutaram com “Be With You” e desde então o grupo apenas lançou singles, sem nunca ter lançado um mini-álbum ou full álbum. Assim como ocorreu com os companheiros de agência SPEED, The SeeYa também deixou de ser listado enquanto grupo no site da MBK, o que levou aos rumores de disband. Após alguns meses, uma das antigas integrantes, Yoojin, confirmou em um programa transmitido pela SBS na primeira metade deste ano que o grupo havia realmente acabado e que ela seguiria uma carreira de atleta.
Debut: Be With You (2012)
Último comeback: Wedding March
2NE1
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Uma perda gigantesca para o K-Pop. Conhecido pelos fãs de kpop como um dos grandes percussores do crescimento do gênero, o 2NE1 fez seu debut com força total em 2009, e desde então esta força permaneceu com boa parte daqueles que as conheceram enquanto grupo. Apesar das dificuldades, como por exemplo o escândalo relacionado à integrante Park Bom, o grupo permaneceu forte e junto, sempre demonstrando sua força como grupo através de seus lançamentos. Mas após um hiatus, os fãs aguardavam um novo comeback quando a YG Entertaiment anunciou que Minzy deixaria o grupo para se dedicar às suas atividades pessoais.
Após o corrido, também foi anunciado que o grupo continuaria enquanto trio e que fariam comeback no verão seguinte, plano que não se confirmou, sendo que em novembro de 2016, o anúncio oficial do disband de 2NE1 chegou. Em nota, YG confirmou que o contrato do 2NE1 como grupo terminou e não foi renovado, sendo que apenas as integrantes CL e Dara continuariam na agência com seus contratos solo. A última aparição de destaque do grupo como um todo foi no final de 2015, em uma performance surpresa no Mnet Asian Music Awards (MAMA). A última atividade promocional do grupo foi em 2014, para promover o álbum “Crush” com a faixa título “Come Back Home”.
Debut: Fire (2009)
Último comeback: Come Back Home (2014)
4MINUTE
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Após algumas complicações relacionadas às ações da Cube e às influências das tomadas de decisão dentro da agencia, as integrantes Jihyun, Gayoon, Jiyoon e Sohyun acabaram por não renovar o contrato e, em junho deste ano, o 4Minute anunciou oficialmente o seu disband, sendo que apenas Hyuna renovou o seu contrato solo com a Cube Ent. 4Minute fez seu debut em 2009 e durante 7 anos o grupo nos trouxe alegria e conciliou o seu trabalho em promoções de álbuns, sub units e projetos solo. A última atividade das garotas enquanto grupo foi com o seu sétimo mini álbum “Act 7”, promovendo a música “Hate”. O grupo inclusive esteve no Brasil para um show, juntamente a outros artistas da Cube como Beast e G.NA em 2011. Sentiremos saudade!
Debut: Hot Issue (2009)
Último comeback: Hate (2016)
Rainbow
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No ano de 2009, a DSP Media apresentava ao público um grupo com sete talentosas garotas e, assim como as cores do arco-íris, Rainbow que fez seu debut com “Gossipgirl”, e nos trouxe uma série de cores de si mesmas como grupo. Apesar de ter começado bem, o grupo passou por uma série de problemas com as vendas do grupo, que começaram a cair gradualmente e, em outubro, a DSP anunciou que nenhuma das integrantes iria renovar o contrato, fazendo assim com o que o grupo chegasse oficialmente a um fim. A última vez que o grupo esteve em conjunto foi para as atividades relacionadas ao mini-álbum “Prism”, que tinha como faixa-título a música “Whoo”.
Debut: Gossip Girl (2009)
Último comeback: Whoo (2016)
O K-Pop está ficando cada vez mais fácil perdendo boa parte dos grupos que deixaram esse gênero famoso pelo mundo a fora, de muito amor aos grupos que ainda promove ativamente, os considerados flop.
Assim eles vão continuar por muito mais tempo nos deliciando com suas belas canções.
Gostou da matéria? Deixe nos comentários sua opinião e se faltou algum grupo.
Grupos que deixaram saudades O K-Pop já não é o mesmo, você vê vários grupos fazendo comeback e daí bate aquela saudade daquele grupo foda que você amava mais lembra que deu disband, abaixo vai estar listado alguns grupos de K-Pop que deixou muitas saudades e boas lembranças.
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