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enkelimagnus · 7 months ago

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Don't Feed It (It Will Come Back)

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True Detective Season 1, Rust/Marty, Rated E

Summary: Follow-up to Something Stuck In Your Teeth

They've fucked. They've gone back to normal, or whatever poses as normal for these two. Except Rust's not one man you own and Marty's not gotten that memo. So when Rust sleeps with a friend of Maggie's, Marty gets possessive. And Rust doesn't like this at all.

Warnings: The usual warnings that come with Canon True Detective, Period-Typical Homophobia, Anal Sex, Slurs, Bad Crash Stuff, French-bashing (self-inflicted)

Full text below the cut

His thumb caresses the grip of his gun where it rests against his belt, runs his fingerprint all over the hard, cold polymer casing and he wonders when they’ll catch him out.

Quesada knows he’s not listening to a word he’s saying but he’s not snapping at him to get his head out of his ass and pay attention. His tolerance for Rust’s never-ending anti-authority attitude lowers every day they get closer to the weekend and today’s friday.

He’s letting Marty be the spokesman for the both of them, lets him deal with the politics of men like Quesada who only care as long as their superiors do, as long as it will shorten their afternoons lazing around a golf green pretending to play that limpdick excuse for a sport.

Quesada must have been a good cop once upon a time, or at least that’s what Marty’s desperate to believe. Rust only knows he must not have been that good, else he’d know the sort of creature sitting across from him now, and he would know he belongs somewhere the sun don’t ever shine. The least he would do was get that state-issued gun away from him and force him to fend for himself in the firearm department.

When they walk out of there, Rust is still a free man and Marty’s hand rests onto his shoulder, onto that very spot on his trapezius where, under the shirt, half covered by his undershirt is the crescent moon scar of Marty’s own teeth. He’s gotten the habit of it, of letting his hand fall onto that mark from time to time, a claim or a warning or a threat, or perhaps all three at once. He knows it’s there still, he saw it in the locker room, saw how it was scarring, a bit red still underneath the brown of the scab.

Others have seen it too, men he can’t help but see at work when they grab showers or take a leak by the lockers or grab something from the jacket of their civilian garb. A woman’s seen it too, a blonde little thing with a genuinely fantastic ass Maggie had introduced him to over sweet tea and some help with the plumbing of the house. One thing with being raised by a mad man in a cabin in the middle of Alaska, you learn how to take care of a home, and if Marty felt emasculated by it, Rust couldn’t care less. If he had decided to help out his woman, she wouldn’t be calling him up to help with her fucking pipes.

She calls him sometimes, in the evenings or on days he and Marty both have off and Rust can’t help but wonder if Marty knows that his wife is calling for no real reason but to talk, like he’s one of the girls from her book club. It’s nice though, he likes her like a little sister. She can see through enough of his shit to give a fuck but not enough to run away screaming, and Marty might be annoyed by it at the end of the day, but he’s the one who opened the door first, the one who let his wife feed Rust like a wild animal at their doorway, plying him with coffee and letting him think he could trust them. You don’t feed a stray unless you want it to come back.

That day though, it had only been a trap to get him in his wifebeater and a flannel over at the house while Suzie was there as well for entirely unrelated reason. He’d taken her on a date the next day, mostly because Maggie had been staring at him with eyes promising divine retribution if he didn’t make a move. She had a nice smile but Rust wasn’t a fan of blondes, and the entire evening, he’d kept seeing Dora Lange superimposed over her like a 1910s film’s archaic special effects. They’d still fucked though, at his place on his mattress in the living room and she hadn’t said anything about that. She’d asked about the bite mark. He’d kissed her to shut her up and it had worked. He had been thinking of Marty anyway.

The days after that perfect storm are empty of threats and insults; they’ve pierced the abscess and let the pus out and it’s going to need some time to build back up. They know it’ll build back up. The sort of festering wound they have doesn’t ever heal fully.

Rust’s got a lot of those. Most days he feels like a torn open carcass laying in a patch of sunlight, just awaiting to be shredded further in the claws of some great carrion bird. Vultures are essential to the health of an ecosystem, he knows as much, but he can feel the talons digging into his flesh, three points of pain on his left side, right where the bullets found their way.

The first one he’d seen, a great big thing, half majestic and half ungainly, was on a field trip his pop had not been able to pull him out of. The wildlife center had a wing – more like a spare room, but they’d been trying to get money out of the state to keep their operation flowing and “wing” had sounded like they deserved the aid more – for the sort of animals that were not supposed to be as far up north as the likes of Ennis.

They’d only managed to get at the vulture because it had, in its despair to feed and keep itself warm from the otherworldly cold of north Alaska, attempted to steal away some of their critters out of their goddamn dens.

The vulture had stared into his eyes then, and Crash had once told this story to Ginger, just filed off the specifics and replaced it with another man’s details, and added that the bird must have known what he’d become. Crash had felt like a big carrion bird, but that was before he’d met Louisiana CID Homicide detective Rustin Cohle. Nah, that fucker, the one whose skin he now wears, whose suits he puts on every morning, whose apartment he lives in, that fucker’s the vulture.

So they go back to work, he goes back to making his living off of dead bodies, and they don’t talk about what happened off Highway 10. They settle down into the routine of biting words and eye rolls, into the monotony of the cases that come across their desks. They fail to capture Rust’s attention for too long.

He knows that what happened with Dora Lange shouldn’t be replicated. He knows the obsession, the nights spent drinking coffee like water, staying awake through the sheer force of his will, staying on his feet going through files in the archives, he knows those are not healthy. He also knows that was the most alive he’d felt in a really, really long time.

Even before he opened that big red box, even before he got into that absolutely grandiose cocaine in the evidence locker, the thrill of the chase had lit him up from the inside and it had been what he’d been aching for since he’d joined Homicide. And he’s aching for it now, needs it like you need to scratch an itch, and that stolen stop in the heat of summer, damp and tense and electric in every way had scratched it and for a short, blessed moment, he’d been breathing free.

He’s always been obsessive, always stared at every tree for a bit too long, always spent nights laying in the middle of the woods staring at the stars and trying to remember what he’d learned from the physics and astronomy intro books he’d absolutely not accidentally forgotten to give back to the school library before spring break. He looked at the space between the stars and wondered if a black hole would ever come to swallow him whole. He’d stared at the constellations and felt ancient and so very new at the same time, a sight held by so many eyes and understood fully by none at all.

He remembers losing the night every year for two months, and how it felt like losing shelter, losing safety. How losing the day felt like he’d dug himself too deep into the earth to run from the world and he’d gotten stuck in a maze of caverns, every stalagmite the shadow of a person he knew, uncanny and unhinged. He remembers men like Riley Marshall whose words became more and more slurred with every minute of sunlight lost to the night, until he spent those two months barely understandable, only to spring back up with the sun, as if alcoholism was seasonal.

Louisiana is incredibly steady in comparison, comfortably warm even in the dead of winter, with that golden sun bearing down onto the bayou and the insects buzzing around your ears, steadfast companions.

So Rust finds other ways to feed the prowling beast in his mind. He reads and throws himself into work and spends his weekends sitting in his convent cell of a house with his head a smear of robitussin or a haze of quaaludes that still smell like the cheap perfume of the women he bought them from. There’s nothing like being high off your fucking rocker and hallucinating dead people staring at you with empty eye sockets and blood bubbling out of their mouths, staining the carpet from where they stand awkwardly in the corner, nothing like feeling the weight of a dead child in your arms and the stench of cocaine sweats on your skin, while you’re neck deep in Thus Spoke Zarathustra.

Death is a given of life, but it’s been feeling like death is a moth to whatever bayou bonfire Rust seems to be made of. He’s always known the smell of it, the color of it, the weight of it pulling at his feet like gravity, keeping him on the ground, keeping him in the world. He cannot remember knowing anyone who didn’t have a personal, intimate relationship with death. Claire had been an anomaly for four years, until she hadn’t.

There are a few places where Crash and Rust intersected, places that made it easier to blend himself and disappear into another man’s skin. They recommend it when you go undercover, to find a cover that has a few things in common, so that lying will be easier. Death had been the main one. Rust had shot a deer down by the time he’d gone into middle school and Crash had grown up listening to the rattling of rifles in the dark in a damp corner of a Texas ghetto.

Both of them had taken naturally to holding guns, both taken to killing like a duck to water, and the murkier the pond, the better. Dead moms and absentee dads and authority issues and the substantial skill of being able to recognize stronger than you, of being able to follow the rules of the strongest. More than all of that, all the seams shared between those two costumes, what had allowed him to disappear inside of the chitinous armor of that particular monster had been death. Without death, he wouldn’t have been quite as willing to shoot himself full of unspoken substances and spend four years in a haze of chemicals. It’s what made it so easy to throw away a sanity that hadn’t been precious to him in months.

He’s given up on recovering that. He’s given up on getting clean too. That ship sailed a really long time ago. He can do sober, though, most of the time, because the downers help and the work busies his mind enough that he’s not completely trying to drown himself in an ocean of liquor.

He locked the Jameson back into the red box with Crash’s jacket and his boots, and the personal dose of coke he’d grabbed out of that bag for himself, with the rifles and the fake IDs and the markers of Crash. He doubts he can ever go back now, cause Ginger was with him and now he’s locked up, but… it’s in there. It’s in a closet in his house, a skeleton of electricity and leather and whiskey. It stinks up that corner so he never goes there. He locked the door with a padlock so it would be hard to get into. His neighborhood is quiet, no record of home invasion, but there are closer demons than the nameless thieves in the night.

When he’s laying on his mattress with Suzie by his side, quiet now that they’ve fucked a second time, and he’s staring at the ceiling and the light fixture is bloodshot and blinking at him – The eye was in the tomb and was watching Cain. – he can feel Crash in the closet, banging at the door to get out, he can smell the stench of him, of gunpowder and bad trips and murder.

Marty wore that jacket with the full patch on the back and he must have known what it meant, he’d been in the force for too long not to know, even if bike clubs like the Iron Crusaders didn’t often make it up to him. Their murders were clear and motivated, rarely investigated the way they should, used as fodder to thicken the files that would take down men like Miles.

He accepted it, though. He didn’t speak on it, didn’t judge it. Marty Hart, the great cowboy of Louisiana Homicide, let that wretched creature run free and didn’t come down on it afterwards. He let Rust put the box back in the closet and he still touched him like he wasn’t afraid of him, still fucked him like he wasn’t in danger. He liked being handled like he wasn’t a bomb waiting to go off. Or perhaps he liked that Marty didn’t care in that moment, that he might go off and kill the both of them at once, splattering red over the beige tiles in grotesque perversions of the shapes of their bodies. His mind supplied the image readily enough.

Marty lets go of him, lets that hand fall from the back of his neck as they reach their desks. Rust’s is clean and tidy, not a single sheet of paper out of place, not a hint of an open case, because there isn’t any. They’ve just finished one, the trail has ended with cuffs dug into a man’s skin and the wide, terrified eyes of cattle before execution. A commonplace crime, a commonplace horror, once again nothing sophisticated. Rust didn’t believe that homicide would be particularly rife with the sort of crimes you read in sensationally-titled books, but he’d thought there would be… more. He can get more intellectually stimulating shit from those dish rags they call gossip magazines, brightly colored like birds trying to attract mates, when he goes to buy his cigarettes at the shop next door to the station.

Marty threw him a comment about getting him one of those 3000-piece puzzles, threw it like a ball at football practice, and Rust let it fall down to the side and watched Marty’s eyes roll and his face show that look of ‘what else should I expect’ that he’s come to favor around Rust.

There’s a piece of wood and a knot of twine left over from those devil traps resting in the upper right corner of his desk, next to a neat stack of some procedure manuals he’s supposed to pass onto the next newbie to come in. There’s been one already, three weeks ago, but when Rust had made it in that morning, the kid’d been halfway down his first coffee, surrounded on all sides by Geraci’s little band of bootlickers and Rust hadn't even bothered with introductions.

He can see him now, on his way out of the door with the brazen pep in his fucking step that comes with being fresh out the academy. He used to be that way too, before Paul and Ruddy had kicked some sense into him.

Rust sits down and reaches for the pack of camels, and Marty reaches for his forgotten cup of coffee. It’s most likely cold by now but Marty has the uncanny ability to swallow down coffee no matter how long it has been sitting or how burnt it has become and Rust might just respect that quality in him more than any other. That’s a feat of herculanean strength if he’s ever seen one.

They’ve got a rare empty workload, after months of back to back, open-simultaneously murders of jealous rage and covetous greed and insatiable lust, their own backwater Dante’s Inferno.

The afternoon’s almost over. If they were any other men, they would walk out now, enjoy the early night with a beer and a conversation, but Rust doesn’t do beer and company, or early calls, and he’s managed to silently shame Marty into giving some of those habits up as well. They’re now staring at each other wondering who will make the first move and ask for additional work.

There’s politics to this sort of act. You can’t just shame your fellow officers by asking if they got anything they should be working on, no, you gotta beg for it, gotta add mumbles about not wanting to get home to the wife. That line only Marty can carry. He’s been back in Maggie’s good graces for two months now.

Rust can beg. He can do it pretty too, can go with his hand outstretched like they’re giving him charity, like he’d owe them for it. Those are favors they’ll cash in when they need confessions and they see him idling in the station. They realized some time ago he’s good at those. He just enjoys the puzzles, and he enjoys watching human beings stripped down to their bare essential needs. He imagines he’d be entirely the same, pinned there and dissected, a rare butterfly in an entomologist's lab.

Suffice to say, he’d rather Marty do it. At least he doesn’t have to flay himself open for it.

So they stare at each other and have this silent conversation, until they’ve reached an impasse and Rust just decides to wait it out. His eyes fall on the wood and the twine. They feel grotesque in this setting so devoid of anything natural, like broken off fingers of some greater entity, stolen in the night.

They were called devil traps and Rust has been tangled up in them since he first saw them in that field on January 3rd. Did the one who made them know what it would mean to him? A child’s belief that evil could be warded off, left sarcastically to guard the corpse of a woman, of someone’s own child grown up to become disillusioned by the reality of life?

Sophia wasn’t blonde, she had dark hair like her mother, a crow’s nest on the days they rushed out of the door late to drop her off at daycare. Still she’d haunted him that day, haunted the scenes of those crimes, all until Ledoux’s… bunker. He’d been too strung out for too long to remember her, until they’d had to move those bodies. It had been her hands pushing Marty out of the way to get the little girl. It had been her weight in Rust’s arms on the way out.

Marty stands up with a long-suffering, exaggerated sigh, a smoke signal to all that he’s lost whatever silent battle he was fighting against his peculiar partner. That’s another way Marty can ask for work without shaming the others, by pretending Rust is pushing him to do unreasonable things. All Rust wants is for them to do their job, so he doesn’t have to go home early.

Rust stares at the back of Marty, the strong lines of shoulders and back, the way he stands with his feet apart, planted there like great oak trees to give himself balance. His hair is a little messy in the back, where he’s run his hand through it a number of times while they were talking to Quesada. He has one of his hands buried in one of his pockets, the other reaching forward, probably in the middle of asking for a file and it’s one hell of a picture, this all-American aged quarterback, begging for something under his breath.

He’s never liked seeing that kicked-puppy look on Marty, the one he had when looking at Lisa at the Longhorn, when he wasn’t seething with rage. It feels obscene on a man like Marty, trying to make himself look innocent and victimized, trying to look small so someone will pity him. Rust finds it deeply unattractive, more so than the jealousy and the anger and the possessiveness, and all those biting, growling, snarling emotions that make a man into a beast, that make a man something to be scared of.

Rust reaches up to grasp over the bitemark. He hides it with a roll of his right shoulder, like he’s working out a kink.

They end up getting saddled with half the station’s paperwork, or something that feels like it at least, and Rust would care more that Marty is glaring daggers at him if he wasn’t cursing himself the whole time. He should have just accepted defeat and let Marty go home, while he went and hid in the archives somewhere in a cobwebbed corner until it felt safe to come out. It never felt safe to come out, but someone did eventually kick him out if he couldn’t justify his presence.

“Maggie’s gonna kill me.”

“Just tell her you had to work late,” Rust mutters through his cigarette. Marty’s got one too, stolen from his pack as usual. It’s half burnt and he doesn’t seem to know what to do with it sometimes, it just hangs from his fingers uselessly. He could use a pen just as well and not waste the smokes.

“That ain’t gonna work. Used it too many times for her to believe me now.”

“Man who cried work,” Rust shrugs. He doesn’t pity him.

He tunes back into the file in his hands, reading through the confession scrawled with a pencil that needs sharpening like a drunk needs whiskey, handwriting like chicken scratches on a yellow block of paper.

“That does make me think…” Marty starts and trails off.

The confession, where he can read it, is from a man killing his wife, nothing new under the fucking sun and typing it up into a proper format is going to be hell. He guesses that’s what he deserves for asking for extra work.

Marty still hasn’t spoken again so Rust sighs and looks up from the slice of human stupidity and cupidity smeared in goose poop colors in front of him.

The man looks at him in a way that makes Rust believe he’s had whatever he’s going to say on his mind for much longer than that ‘that makes me think’ lets on. He’s staring him down in a way, with those blue eyes like at the first sky of spring.

Rust raises an eyebrow. They’re almost alone in the department now, everyone’s gone and left the kind of on time that feels early now that they’ve unloaded their paperwork on them. Whatever Marty wants to talk to him about now, pretending to be casual about it, as casual as a bullet to the gut can be, it’s something he doesn’t mind talking about here. But he does mind talking about it in the presence of the other detectives.

“Maggie’s been asking me if you had a good time with Suzie.”

Rust frowns. He’s been expecting Marty to talk about something all day. It’s been hanging around, curdling the air, moving around them and tangled in their legs. But he was not expecting Suzie.

“I…. Sure. She was a nice girl.”

He doesn’t do this sort of conversation. Especially with Marty, who doesn’t usually mind boasting about his conquests around the others. Rust would think it’s because of what happened off Highway 10, if he had been more talkative before.

“Hmm mmm.” Marty hums under his breath. “I told her we don’t talk like that, you and I. We don’t have that sort of a rapport.”

“Right.” Maggie would rather not know what kind of rapport Marty and him entertain.

Rust turns away, towards the typewriter, and he starts to type out that shitstain of a confession. It would make him angry if he wasn’t so used to it now. Men hurt women everyday, those are not news stories.

“So… Suzie?”

Rust looks back and Marty’s not moved, with that cigarette in his finger burning off almost unattended. That makes him roll his eyes more than the question, more than anything else. He should buy his own fucking smokes if he’s gonna waste them.

“Friend of Maggie’s. She called me up to fix a pipe problem ten days ago.” He watches Marty tense across their desks. “Her pipes were fine, of course. 'Twas some great elaborate scheme to get me in my civvies at your place while her friend was there.”

Marty’s still eyeing him suspiciously, like he can’t quite believe he wasn’t trying to make a move on his wife. It’s fucking ridiculous, this peacocking of his, this fucking… pissing on the fence to mark it as his. Rust has no intentions whatsoever towards Maggie Hart.

“So I show up. And Maggie’s busy but she says I should come in, and that the toolbox or whatever is in the kitchen. So I walk into the kitchen and sitting there with a glass of sweet tea half full, is this… Suzie.”

There’s nothing he dislikes more than this stupid sort of show and tell men do. But Marty’s got a look to him and he can’t tell exactly where it is going. He has no desire to get into a fight tonight.

“Blonde,” he provides. “Nice girl.” He stops for a moment. “Good ass.”

He can see a look of recognition in Marty’s eyes at that. Fucker. Of course that’s what makes it click.

“Susan Cornell,” Marty explains. “From church.”

Rust chuckles and shakes his head. He thinks of the crucifix nailed into the wall above his bed, above where Suzie and him fucked, twice. When he was looking at blinking eyes in ceiling fixtures, she must have been looking at her lord and savior.

“Well. We didn’t do that much talking, all things considered.”

“So. I guess you like yourself a blonde.”

It’s thrown at him for him to catch, and he can tell Marty’s mad underneath it all. He can’t really figure out why. Suzie was nice and they spent an enjoyable night and he drove her home in the morning because Claire force-fed him manners before their daughter was born. He can’t see where it could have gone wrong.

So he just shrugs and finishes his cigarette. “I actually don’t. Most of the time.”

Marty finally releases that cigarette from the throes of agony. He brings it to his lips and sucks in whatever pitiful amount remains, one deep drag that hollows his cheeks and makes him look angrier than before. Rust leans back against his chair and crosses his arms. Something’s coming, gathering over Marty like a cloud, wreathing his head in lightning and curses. It sparkles minty hot in between them and burns into Rust’s gums.

“Well,” Marty finally starts after a moment. “Color me surprised. Thought you didn’t like women all that much.”

This one Rust expected. After Highway 10, after that half-earnest conversation where they’d danced around the topic like angels on the head of a pin, he’d gathered Marty thought the insults and slurs were at least backed by lived experience. That was a truly black and white view of human sexuality that Rust had always encountered particularly in those smoke-filled, misery-reeking liminal spaces they called police departments and community churches.

He licks his lips. There’s a meal to be made of the discomfort Marty Hart will soon be squirming with.

“You do realize I was married,” Rust starts, slow and lazy like he’s not even trying to explain himself. “For three years. With a daughter.” The simplicity of that equation is plain to see. Even Bobby’s math skills could withstand that examination.

“Right. You wouldn’t be the first person to get married despite being unsuited to it.”

This one blooms unexpectedly in Rust’s skull bringing back with it the taste of overfilled forgotten garbage bins and Claire’s voice, too calm and too emotionless telling him she was leaving. The aftertaste is corrosive, burns like acid into the soft, empty crevice underneath his tongue and Ginger’s voice is in his ear, his hand is in his hair, muttering that he’s not normal, he’s not made for normal life, for kids and wives and 9 to 5s, and Crash in him agrees wholeheartedly and shifts ever so closer, hunting for clammy skin under leather.

“I may not be very suited for it these days,” he admits. There’s no use in arguing with the truth of that. “But it isn’t for lack of liking women, Marty. Not that that’s any of your business.”

A phone rings, shrill and demanding attention and one of the secretaries rushes to get to it from the break room, a new one Rust hasn’t managed to catch the name of, something like Annamarie or Annie or Jackie, with ‘a’s and ‘ie’s like twinkling lights over a ferris wheel.

Marty waits until she’s gone to reply. He feels orange again, tense and rough like barbed wire, waiting for him to explode is like walking through the pretend minefields his father set up around the cabin in late spring.

“Well, I’d reckon it is.”

Rust laughs at that, one sharp bark of laughter like a creaking door. From the look on Marty’s face, disbelief and anger at once, he wasn’t expecting that.

“Why? Wanna be my boyfriend?”

The face Marty makes at that word tells him all he needs to know. There’s disgust there, shame and fear so bright, ice cold as the sea up there, sharp as the wind in the dead of winter. Marty makes him think too often of Alaska.

“Thought so.”

He doesn’t love the concept either: boyfriend feels like too sweet chocolate cakes and baby pink shirts and old ladies looking at them with a mix of fascination and pity, like leopard patterns and strawberry lube and calling each other pet names that made people want to commit hate crimes.

That, the reminder of what people could think of him if they knew, how Geraci would have his balls cut and framed for all to see, that seems to quiet Marty down enough they can finish work.

By the time Rust makes it home that night, his saliva tastes like the yellow confession paper and he walks past Crash’s closet begging himself to give in and open the box and find the pocket sized Jameson intact in there. He doesn’t.

There’s no bravery, no glory to the act of refusing himself alcohol. He just does, because he knows a single sip becomes a bottle in the blink of an eye, a taste becomes a torrent he cannot fight against. If he gives in, he might as well be on the Titanic in 1912, might as well sink and drown in ice cold memories of death blurred away by cheap whiskey.

His house is damp with fall heat, with Louisiana mosquitoes and sweat and he finds himself falling into the beat up sofa chair he found himself a few days prior, tipped over on the side of the road by an empty house like a forgotten toy. It’s not too dirty, not clean either, but he couldn’t find bed bugs, just the beat-down of life. So he loaded it in the back of his pick up and brought it home.

Time passes like coffee in a slow drip. He kicks off his shoes and socks and takes off his shirt and tie, throws what’s in need of a wash in the lonesome basket in the laundry room and walks back, barefoot on the carpet into the main room. He was halfway through Camus’s The Stranger when he fell asleep last night and it sits face down, splayed open like a dead bird by the right side of the bed. He doesn’t mind the French when he can read them instead of having to hear them talk.

He picks the book up carefully and throws a glance at the page he’d been on. Four bullets shot into a dead body. Barely enough emotion to fill one of the espresso cups of those French cafés where you drank at the bar in the morning, throwing back a shot of coffee and a cigarette in the same smooth motion. The portrait of a man so detached from the world that nothing, neither the death of his mother nor a murder committed by his own hand, seemed to shake him too hard. Rust hadn’t fallen asleep because of the book. It had been the pills.

There is nothing to do here, no case to work, no mystery to uncover, nothing to sink his teeth into. He can’t go out fishing for it either, not if he doesn’t want to end up a fish hooked at the end of a line, mouth opening on nothing, drinking down alcohol instead of water but still trying to fucking breathe. There’s one thing left that’s not drinking. He’s gonna have to go on a run.

If the inside of his house is a damp armpit in the fall heat, the back of it, the little garden patch with the shed that leads back onto a thin strip of water running down the back of the lot like a piss streak on the end of a sidewalk in the morning, is a Southerner’s deranged rendition of those Alaskan saunas.

Rust starts jogging down there and feels immediately ridiculous, a puppet whose strings have been cut, left to flail around purposelessly. He knows that this is useful, that this keeps him fast and strong and allows him to handle himself better in the field, that it’s only because he kept up the fucking training that he made it out of that powderkeg with Ginger alive. The price of it is this, the sweat and the repeated motions that feel more awkward than anything else, that make him ache for a cigarette, that make him curse the day his father and mother fucked.

The worst part is of course that he’s doing it to himself.

It takes about fifteen minutes for his brain to start shutting up for the most part, no longer rattling on about punishments and self-flagellation but rather showing him perfect images of the terrible things that haunt his dreams, whenever he has them. Broken bodies on concrete and the crown of antlers he’s never, ever going to forget. Those devil traps that didn’t catch anything but Rust in their triangular cages.

Those he thinks about most. He has half a mind to make one himself and tie it up somewhere, not too far from the crucifix, so that he has something else to meditate about. God and the Devil, allowing your crucifixion and allowing children to believe you can be stopped, two sides of the same fucked up coin the Christian church has tossed over and over, landing in every corner of the known world like a never-ending sickness.

He can’t say that to Marty. He can’t say that to anyone. He does not actually want to die, though it would be one hell of a way to kill himself. If he can’t do it himself, might as well delegate.

It takes him an additional forty-five minutes to realize the sun has set and he should go back. He’s coughing and sweaty and hungry like a wolf in winter when he comes back to the nunnery cell he calls home, but there’s a heaviness to his limbs that promises a semblance of rest for the night. It’s not going to come for free, no, there will be a price, some vision of some kind – nightmare-ish, dead kids or dead women or dead somethings, or worse, a good one, of happiness and smiles and the sand of the beach they used to go to by Corpus Christi those first two summers. It’ll come though. Perhaps even unmedicated.

He opens the back door and walks in, guard all the way down, so of course he gets caught with his pants down like a fucking rookie. He didn’t lock the door when he left. He never does when he goes running, there is nothing worse in the world than the noise of jingling keys in his pocket, it’s loud and metallic and too round on the edges, and it’s not in the right rhythm, always a bit after his feet hit the ground.

So when Rust comes home and sees Marty there, sitting in his chair with his tie askew and his eyes gleaming with something viscous, something ugly, he’s aware it is entirely his fault. If he was less of a priss about fucking keys, a wild animal wouldn’t have found its way in.

“So what? You take her back to this dump? Fuck her on that stupid mattress you got like a fucking college student?”

Whiskey slurs his words and Rust rolls his eyes so hard he thinks he might actually strain something. It’s about Suzie, it’s about Rust fucking a woman and it’s about Marty being a big tough guy and getting jealous like a teenage girl with a crush on an upperclassman that maybe said hi to her twice. He’s met enough teenage girls to know they get as murderous as gangbangers on a good day.

“I thought we had thoroughly established I don’t kiss and tell, Marty.”

It’s half of a threat underneath his heavy breathing and the sweat rolling down his back like the first drops of a rainstorm, heavy and slow and predicting something else.

“It ain’t the same and you know it.”

It’s not. He’s right. Suzie’s a woman and Marty’s a man and in this world, in this job, in Louisiana, it’s very different. No matter the truth of it, that deep down it’s all skin and bones and blood and Suzie’s teeth wouldn’t have hurt him differently than Marty’s did, and his blood wouldn’t have tasted different in either of their mouths. One day, he’ll be done pretending otherwise. Life is easier to live for now if it’s not made into hell by the men that think they know better than him what right is.

The truth is, he hates them as much as they hate him.

“What do you want, Marty?”

He’s hoping that this can be done before the heaviness in his limbs disappears, before the exhaustion falls under the neverending assault of his fucked up brain’s neon lights of thoughts.

Marty growls under his breath as he stands up, an ugly sort of sound, wet with the alcohol and whatever anger he came in carrying and that sustained him sitting there in this chair for god knows how long. It’s not going to be done soon. It’s never going to fucking end.

“You planning on seeing her again?”

He’s stuck on Suzie, a skipping record on a turntable, one spiraling thought, that ugly green-eyed monster with teeth shaped like the scar on Rust’s shoulder. He should have known better than to think Marty would be done after that little interrogation at the station. He never is. He’s a rabid dog, foaming at the mouth with jealousy.

“What I’m planning to do or not, is none of your business.” He’ll repeat it over and over again, but he’s not going to be happy about it.

Rust reaches for the camels on the kitchen counter, slides one out of the packet one-handed and brings it to his lips. Marty is glaring with that rage-filled intensity that makes his jaw lock into a hard, rectangular shape. A shiver runs down Rust’s spine, sharp and sudden like a lick of a lover’s tongue.

“You gonna make her fuck you at one point? Tell her you like it like a queer?”

Rust lights his cigarette and he swears he sees the flash of the flame reflected in the glassiness of Marty’s eyes. Jesus fuck, he’s drunk.

“Are you gonna fucking stop with the childish insults and tell me what you mean or will I have to beat it out of you? I can treat you like a suspect, Marty, but you ain’t gonna like it.”

He didn’t mean to get angry but he can feel it rising, the annoyance coursing through his veins like wildfire. He’s good at keeping his cool, at keeping his control, years of living with the strangest present father in the coldest part of the world, years of being someone else’s bitch to survive to the next day, of swallowing down his own vomit when seeing a man’s face without skin, choking to death and thinking this should be him, this will be him. He’s so fucking good at keeping his emotions buried deep inside that half the time he forgets they’re there. Marty’s somehow, within days of meeting him, managed to find the trigger to release them and he won’t fucking stop playing with it.

Marty snarls now, raising his arms like he’s gearing for a fight because for all that fucking bravado and that attitude and the growling and snarling and acting like a big predator, he won’t talk about his fucking feelings.

“That’s what I fucking thought,” Rust huffs and pulls on his cigarette, hard and long. He feels the smoke fill the empty cavity inside of his body, fill the space there and the space not there, the void where his heart beats hard and strong. It’s gray and red like blood, harsh as chemicals and natural as a forest fire. Marty’s staring at his mouth like he can’t believe it and Rust just sucks longer, until he runs out of oxygen and has to fucking let go.

The smoke released rises like it’s signaling his position to someone, like it’s trying to warn others he’s in here. There’s no one to call. All there is is Marty there, that Rust can see through the screen of smoke he’s just created, big and strong and angry and almost ridiculous with it. He doesn’t know what to fucking do with himself.

“I ain’t planning to see her again. I’m not tryna find a girlfriend, Marty. I just humor your wife ‘cause she doesn’t treat me like a lunatic half the time.”

“Don’t fucking bring her up,” Marty points at him with his big hands, shaking almost from the anger and the tension and Rust shifts. There’s something different here than the game they’ve been playing.

“We fucked, twice, on this mattress, and then she slept over and I drove her home. I’m a good little choir boy, Marty, I got manners.” Tame.

He’s giving into Marty’s questioning because he doesn’t know what it is about anymore. Earlier he thought this was the game. But Marty’s actually mad, actually red with it, with the anger and the jealousy and the shaking need to grab at him and take him and get revenge for him… straying? Oh absolutely the fuck not.

“If anything, if we’re going purely by numbers, she’s got more of a claim on me than you do, and you don’t see her parading around here acting like a kid whose favorite toy got stolen, now, do you?”

There’s a flash of something on Marty’s face, something that Rust can’t recognize. Marty looks, briefly, like he’s been punched in the guts, but without the rage that comes with it, just the soft-tissue hurt of bones and organs getting unnaturally close. It’s gone within a blink.

Sweat is drying on him now, a sticky and humid shell around his skin that makes the slowly gathering night outside feel almost cool. It’s a trick, he knows it. You can never trust sweat, it means too many things at once, it’s a pretty lie the body tells so you don’t believe you’re dying. He licks his lips and his tongue tastes salt. Tears or sweat, it all tastes the same. Another lie.

“You son of a bitch,” Marty spits out. “You fucking emotionless robot fuck,” he hisses at him, pointing a finger like an Old Testament God. “Fuck a woman, doesn’t give a fuck. Fuck a man, doesn’t give a fuck. Fuck me, no wonder your wife left you if you’re that big of a fucking…. Black hole of decency.”

Rust puts down his cigarette, shoves it down into the ashtray in one smooth, hard motion. It’s getting out of hand. Marty’s ranting, and the things he’s saying… Claire’s staring at him in the corner with blood on her hands calling him a psychopath. How can you not care? Did you even love her?

“They should lock you up, you know? Holes in the brain, shouldn’t get to go around with a gun. Shouldn’t get to go around with shit. Can’t act like a normal person for a fucking second, man.”

He means it too, at this moment, Rust can tell. He means it, and he’s fucking right on every fucking count.

“Marty, you should go,” he says with every bit of restraint he can pull out of his own scarred bone bag he calls a body. He might puke. He might bash his head in. There’s red and metal behind his tongue, blooming with every beat of his heart. “Before you say something you might regret.”

“Right, cause none of this fucking touches you. Psychopathic fa–”

Rust’s on him before he can finish the sentence, grabbing his tie and pulling hard. Psycho.

Marty chokes out some aborted noise of surprise and pain and tries to fight back but he’s stupidly drunk and Rust’s sober and hot and filled with so much fucking blood right now. It’s inside of him, bubbling and boiling, getting darker by the second. Next time Marty bites him, it’ll come out black and thick as tar. Marty can’t bite shit right now.

He’s got his face slammed against the counter and his arm twisted behind his back and Rust’s full weight, with the years of training and knowing and skill, bearing down on him, hurting him.

“Let GO of me, Rust!” Marty sputters, but it sounds scared, squeaking in Rust’s mind like a rat caught in a trap and it’s one of the most jubilatory feelings he's felt in a while. He’s not a violent man by nature. He just has an appreciation for violence.

Claire’s voice rings in his head. Psycho. Basket case. Why can’t you cry? Why can’t you be as sad as me? She doesn’t get it. She doesn’t get the empty hole where his heart used to be, and how that’s taking in all the water. He has a waterfall inside, nothing can escape.

“Listen to me very carefully now, Marty,” Rust hisses down into his ear, slow and threatening and with every part of him bubbling up with unshakeable anger. How fucking dare he call him that? Walking into his fucking house drunk and out of his mind because Rust dared to fuck someone else? “You’re gonna need to stop this shit.”

Marty bucks against him like a bronco, tries to shove him off but this time Rust isn’t moving. His whole weight is bearing down on him, his arm twisting Marty’s behind him so he can hear the menacing creak of the shoulder like music to his ears, like nails on a chalkboard equally. He can see Marty’s red face pressed into the white of the counter, can feel his body under his, a mass of muscle and fat and nerves and animalistic fear. He has one leg between Marty’s. A plume of smoke still rises from the ashtray.

“Don’t fucking believe for a single second that this?” He grinds his hips into Marty’s ass, slow and dirty and hard and the noise that escapes his partner is a shameful mix of emotions that bloom maroon into his mind and taste like sour candies. “Means you get a say in what the fuck I do with my life. I will let you bitch about my behavior at work but anything regarding the personal sphere is none of your fucking business.”

He wishes he could bite him now, sink his teeth into his neck and tear at the flesh with his own mouth but it would leave a mark. They can’t afford marks that cannot be covered by fabric.

“I know this is your usual little…. Pathetic trumped up drama you do with the girls you fuck,” he continues and he does let his teeth graze the lobe of Marty’s right ear where he’s speaking, a threat and a promise. “I’m not one of your girls, Marty. You don’t own me. What happened off of Highway 10? I let happen cause I wanted a good time, and don’t you ever fucking forget that I let you fuck me.”

It’s the ‘let’ that makes Marty freeze in his tracks. Rust can almost hear his mind going, the gears shifting as he tries to make sense of what has just been said. Was he still deluded in thinking he made Rust do something he wasn’t entirely interested in? Had he still been living in the fantasy that the little exercise in domination was one Rust wasn’t entirely consenting to, that his folding had been coerced?

Rust immediately lets go of him, the ugliness of that feeling burning under his hands. The ugliness and the ridiculousness. He takes a step back and watches Marty squirm his way back to being upright, raise his arms to cover his face, something wild and unbalanced in his eyes.

He can’t help but drag his hands down against his undershirt, feel the sweat getting caught there and the feeling of Marty’s skin, hot and damp and desperate, hopefully letting it smear on the fabric.

Marty stares at him, in utter disbelief. Even in the depths of Crash, Rust didn’t touch him like that. Oh, he wanted to, he wanted to to the point of getting hard at the very thought, but he didn’t. He had better things to do, Ginger to deal with, the memories and the cocaine to eat through.

Laughter bubbles out of Rust’s chest, tar-like, weighed down by cigarettes and the absolute ridicule of this, of them, watching each other like they’re about to pounce, two large predators stuck in one small room, except Rust’s not playing submission anymore and neither of them really knows what to do with that.

So he laughs, laughs without smiling, with the jerks of it shaking his body, shaking his shoulders and the reminder of what Marty did that time, the healed scar that will never fucking go away. His laughter echoes in this white, empty room, bounces against the wall and comes back like a punch into their ears and he can’t stop himself, even as he sees Marty brace himself to be enraged again.

“What’s funny?” Marty spits out but a lot of the bite is gone. He can’t recognize where they stand either. He just stands there, rumpled and a bit less drunk now that adrenaline has burnt through his veins with every rabbit-scared beat of his big beefy Southern heart. He’s getting hard in his pants too and there’s acid red victory in the back of Rust’s molars and in the depths of his guts.

“You think…” Rust chuckles and shakes his head like it’s the best job he’s heard all year. It might be. “I was gonna fold for you?” The idea is sending zaps of hysterical joy through his confused brain and he can swear the smoke of the ashtray is shaped like a great big bird in flight. A vulture maybe, or Jesus Christ, or Superman, or Dora Lange. A Rorschach test, homemade and addict-approved.

“You… you came here. And you thought… What?” He continues, and he can feel his mouth pulling into a smile, or what would have been a smile on anyone but him. On him, it’s a clown’s forced rictus, it’s the pull of lip over fang, it’s ugly and vicious and cold as the tools a dentist shoves into your mouth and to replace everything where it’s supposed to be. It tastes like metal and bleach. “I was gonna be a good bitch and not say shit when you treat me like you got ownership papers?”

Marty’s eyes are saucer-wide. He’s never seen him smile, he realizes. He’s never seen him do more than a vague smirk and an eyebrow raise and that’s for the better because smiling feels wrong. His cheeks hurt with the ache of unused muscle. There is no happiness there.

“Bitch,” he calls out, and Marty gets angry again, because that’s not a word you use on a man like him, no. “I didn’t fold for the fucking bike guys I was sucking off with a gun to the head for years, you think Imma fold for your over-inflated rat ego?”

He hasn’t said it to anyone before: not the shrinks, not the doctors, not his handlers. It’s not in any file, redacted or not, it’s not in the notes the shrinks took in Northshore, or in rehab, it’s nowhere but in his mind. And in Marty’s now.

Regret hits him like a tsunami and he buckles underneath the weight of it, he can see it in Marty’s eyes, the widening, the realization of what it all means, the painful context he’s just imposed onto their relationship and onto what happened off of Highway 10. He wants to recall it immediately, to take it back, but he can’t.

A fly has been trapped since he came in, flying around the room in a frenzy to get out. He wonders, briefly and senselessly, if it knows the swamp of tension it just flew into and is now regretting ever heading in behind him.

There’s too much Crash in him. The vocabulary and the admission, that’s Crash’s addled brain and his need to prove his toughness, it’s the anger at being thought of as weak. Rust’s not much better than him in that department but Crash is a mess of vulnerability sometimes: he was designed that way. That soft underbelly gets a bike guy like Ginger all hot and bothered, they can smell the bitch they can make out of him and that means an in. And once you have an in, you toughen up, learn to hide the soft behind armor, and show you can play as tough as everyone else, but the guy that got you in, like Ginger for Crash, knows the soft is there. It’s power and hierarchies and jungle law.

Marty has no way of knowing all this shit. All he sees is Rust laughing like a maniac and throwing him a truth shaped like one of the bones that he must have imagined this whole time and buried deep with the rest of the queer shit he feels and sees in his dreams. A predator realizing his prey is rabid.

“Jesus Christ, Rust.”

Rust flinches. It’s a whole body thing, a pulse of electricity shot through him. The crucifix on the wall stares at them with unseeing undead eyes. It’s the same sort of ‘jesus christ’ that Marty says in front of a gored up body, in front of a godless crime, where he feels compelled to bring in his higher power of choice as back up. That’s how he’s reacting to Rust telling him he gave head at gunpoint.

It’s an entirely appropriate reaction. Rust wants to wash his mouth of the taste of his pity; burned building and overripe cranberries.

He’s on Marty like wildfire, sudden and unforeseen and he can taste whiskey now, a cheap one too, and beer as well, and cigarettes, terrible ones, not Camels. Marty smokes Camels because he steals them from Rust. The new smell on his clothes and taste in his mouth is disgusting. It’s still better than cranberries.

Marty takes forever to kiss back, as if he doesn’t know what to do now that he’s not the one on the offensive, as if he wasn’t expecting this at all. He probably wasn’t. Two minutes ago, his cheek was hard against the counter and he was trying to get away from the wave of violence coming his way. Three minutes ago, he was shouting slurs at him.

He grabs onto Marty’s head with both hands, a tight grip to keep him there but Marty’s not fighting him right now. He’s still reeling from the shock of it. Which shock? He’s not gonna ask, it’s not worth the taste. So he bites him. Hard, hard enough to bleed and there’s a beauty there, in the taste of iron and death that fills his mouth, a mirror to the beige-tiled memories.

“The fuck!” Marty tries to exclaim, to project the word like a weapon but he’s got Rust’s lips against his and the offense dies there, muffled.

There’s scratchy hair grown in uneven spots around Marty’s mouth, thin lips stained with the whiskey, the blood pearling over the torn skin, Rust half loses his mind over the textures of it all, the zings of electricity the whiskers send up into his brain with every brush. He’s not a great kisser, he’s been told, he uses too much teeth and is either too intense or too soft with it. He kisses like speaking a foreign tongue, mouth clumsy with positions it is not used to taking.

Marty doesn’t get to complain. Like Rust didn’t get to complain about sitting in strange positions for a day or two. You can’t complain about things that don't happen.

When he pulls back, Marty is staring at him with the blood on his lips and the liquor in his eyes and he seems utterly gobsmacked by it all. This is the sort of moment in time where Rust could step back and choose something else. His mind is clear after all, the pills have been out of his system for hours, he’s sober and as clean as he’ll let himself be, he’s just fresh from a run, he’s as close to the picture of fucking health that he can get. He can choose not to thread the needle deeper in.

They’re partners. They’re coworkers. They’re men who cannot afford to be found out. Marty’s drunk and hard and angry, Rust knows exactly what to do with it. All that misplaced, desperate masculinity has a home, and he can fix it, for just a moment, he can take it into himself and eat it up, and use it to fuel his own dumpster fire body. Whatever that ends up doing to Marty, sending him into the sort of tailspin a man like him doesn’t recover from, that’s fine. That will keep him from staring too hard at Rust’s mouth and imagining things.

Rust is an addict. He’s always been, in some way, with an addictive personality and chasms where reserves of feelings should have been built by his parents. He drank early, smoked earlier, got hooked on adrenaline bow hunting caribou, then stealing bikes, then stealing books. He’s an addict. And Marty’s bright like cocaine, green like absinthe, hard and needy and alive and kicking like a bull in his hands right now. He’s gotta feed the habit.

His hands drop from face to belt, start undoing it in frantic motions, but they’re steady. These are Rust’s hands, not Crash’s. This is Marty, this isn’t Ginger. It’s barely night, he’s home. He knows who he is, what today is, he knows who the president is. Clinton, September 15th ‘95, Rustin Spencer Cohle.

Marty’s fingers are on his arm, tracing the edges of the old black bird with some kind of junkie’s fascination. From where Rust is, he can taste the questions on the other man’s tongue. When did you get this? Why? What does it mean? The truth is ugly and Rust will have to do much more than fuck Marty to get him to forget those answers, so he doesn’t leave him time to ask.

He shoves his hand down the front of Marty’s pants and grabs his cock. Marty’s breath stutters and he makes a noise that only makes Rust tighten his grip. He watches pleasure and pain and everclear need bloom over Marty’s features, his head tilting back until he’s stuck against a wall and breathing out with the feelings of it. He can see it like a cloud exhaled from that open mouth. It’s incredibly vulnerable. Is this what the women get to see? Anyone but Maggie?

There’s nothing like watching a man get high from his touch, even as small as this. Soon, with more touching, with more skin touching and sweat dripping, he’ll see the heart of him, chest splayed open, ripe for the taking. He cannot wait.

“What are we doing?” Marty asks, breathless, needy, confused to his very core. Rust pulls out his hand for a second, just to spit on it, and pushes it back into the open fault of his slacks.

“I’m jerking you off,” Rust replies without missing a beat, and he sees Marty’s mouth open, sees the questions pressing there, the feelings he has about it, and decides to shut it down. “Stop talking.”

And though it bothers him, though Rust can see the anger rising into him like a dark cloud of storm over the prairie, he does shut the fuck up. There’s a second where all there is is the uncomfortable noise of almost dry skin rubbing together and a slightly labored breath. They’re so close now, there’s nowhere to look but Marty’s face, or the wall. And he’d stare at Marty for hours if he could, probably, if only it meant Marty wasn’t looking back at him more and more disturbed.

So the wall works. It’s white and from here he can see the texture of the paint. He can feel his eyes darting towards Marty, pulled by some sort of magnetic field to the wet saliva on his open lips, to the half glazed eyes. He watches, from the corner of his eye, the expanding and contracting of the barrel of his chest, ragged and almost forced in between the little groans of pleasure. This is a position Rust’s familiar with, a hand down someone’s pants and the wall as horizon, as anchor. His head isn’t swimming in substances, but he feels a little unsteady all the same, deep down. Like his core ain’t working right anymore, something’s got shaken loose and he’s teetering at the edge of passing out.

He leans closer, lets his weight rest against Marty’s shoulder, let his face tuck into the crook of his neck and mouths there, teeth grazing sweaty red skin, hand moving in lazy, dry motions. He can’t help but take it slow now.

If they were other men, Rust might be on his knees right now, with his mouth full of the hot, heavy cock that Marty’s thrusting into his hand. But that’s not a position he’s willing to take today. Not with Marty. Not when sober. There are limits to how much he’ll debase himself with a man who can’t look him in the eyes when he’s giving him a handjob but doesn’t mind breaking into his house to berate him for fucking a random woman.

For a moment there, it’s almost nice. It’s a little slow, a little sweet, Rust’s mouth is sucking marks in Marty’s skin that might threaten the fragile state of his marriage, but Marty says nothing, just moans, just bucks into his hand with primal, needy focus.

It’s not what he wants. He cannot, under any circumstance, do sweet. And neither can Marty. He might not know it but sweet would shatter the thin veneer of straight masculinity he still coats over every interaction they have, the one so many men before him have used before, Rust shamelessly standing in that particular line up. He’ll admit to himself it would be harder to deal with Marty if he was the one that made him queer. It’s mostly for his own personal convenience that he goes through the roster of insults and taunts his mind readily provides.

He doesn’t have to settle on one of those venomous, taunting spikes, Marty’s hand is on his, uncomfortable, firm, moist, holding his hand that’s holding his dick, nails digging in, hard. He’s maybe just realized this too; that he needs the harshness as the shield for his comfort, and there’s a relief there, Rust finds, in not having the responsibility of Marty’s sense of self rest entirely on his shoulders.

The angle is worse suddenly, pulling at Rust’s shoulder unnaturally, but it’s easier psychologically. The motions of his hand are harsh, stunted, mechanical now, no longer sweet and languorous, no longer about pleasure. It’s power, again. It’s impersonal, like they’re not the men they are anymore, but still holding too hard onto their roles to let themselves do the exact things they’d like to do. Archetypal.

Is it part of that pantomime when Marty shoves him back and Rust lets him, back towards the mattress on the ground and its white sheets, clean and fresh because he didn’t want to sleep in fucked-in sheets? Is it part of the play, the sharp sliver of a whine, an injury all the same, when Rust’s hand slips from Marty’s pants as he lets himself settle horizontally?

He can read the spine of a book on his left, at the corner of his vision, ‘Sex Crimes’ written in obscene bright letters on black background, chemical, loud. It’s a title that screams at you, that demands fascination and horror, that tastes like bile from vomiting on an empty stomach, that feels like that too, eyes bulging, chest heaving, desperate to expel something unnatural and threatening.

Rust looks up at Marty towering over him, at the open pans and the ruffled shirt and the alcohol glaze over it all. He runs his tongue over his teeth, seeks out the sweet sweet taste of the pleasure, of the blood, of the whiskey. Marty stands there long enough for Rust to think of ancient Greeks and circular, traditional violence again, of heroin in his veins and Jameson in his mouth, of relief, of caramel.

Marty hesitates but he can’t stop watching him, eyes like highway beams over him, staring at the sprawl of his form, the bulge in his sweatpants, the parting of his lips. He can’t look away and that terrifies him, that disgusts him, and Rust is about to pounce and pull him down himself when he finally moves.

Whatever choice he made there, behind blue eyes where alcohol decreases and fear rises to take its place, that’s gonna come back to bite Rust in the ass one of these days, but he can’t bring himself to fucking care. Adrenaline, need, hunger thin out his blood and his heart is pumping hard, fast, down into his dick. He hasn’t felt this good in a while. He hasn’t felt this hot in a while either.

In this moment, in this choice posited behind normalcy and sin, he’s a succubi for Marty Hart, and there is a delicious irony to it. Marty Hart and his girlfriends and pieces of ass, standing at the door to Hell staring at a fully clothed but hard as rock carcass of a man.

Marty takes off his clothes like he’s being processed at Avoyelles. Rust kicks off his trainers and the sweat-soaked, uncomfortable warmth of his sweats and there is relief at being naked.

The bed is too narrow for the both of them, two grown men and the width of Marty, a problem Rust didn’t have with Suzie. Marty runs a hand up Rust’s leg, there’s almost a naive confusion to the way he feels him up, catching nails in hair, lean muscle where fat usually is. Rust doesn’t think he’ll ever be soft, age will dry him up, hollow him out, before it ever happens for him.

Rust lets him do it, touch and prod and grab what he wants. He reaches for lube and condoms by the pile of books to his right (next to Truman Capote's In Cold Blood), pops open the cap and slicks his fingers and there’s a look and a sigh of relief from Marty. Rust huffs, rolls his eyes, gets to work.

He’s fast and he’s thorough and doesn’t care for comfort as much as he should. There's a wince of pain, a sharp tang of acidity behind his teeth and he’s not even trying to make it part of the event for him. It has never really been about that. Foreplay is a luxury for women like Susan Cornell from church.

The speed is to accommodate his own racing need, the heartbeat in his veins, the heat in his belly, the aching hardness of his cock, but it’s also to keep Marty from running away before they can both get something out of this, to keep him from achieving clarity of thought and running away like he probably should.

Three fingers in, tight, barely wet enough, electricity zinging up his spine with every shift of his hips, a spasm there but he’s almost done. Marty’s staring at his fingers with barely contained fascination, like he’s never fucked someone up the ass before, like he’s never fucked Rust up the ass before.

Done, finally. Marty reaches for him when he finally finds himself ready, reaching for his hip and starting to pull at him, to get him into whatever position he seems to want him in. There’s another hand reaching for a pillow so Rust guesses he’d rather he be on his front, eyes looking away. Easier, more anonymous, less of a torturous memory, less shameful to put in his spank bank for later.

Rust’s hand wraps around Marty’s wrist and tightens, hard, over the tendons on the sides, forcing him to let go of his grip. Marty’s cursing and calling out Jesus, telling him to let go but he doesn’t, not until he’s shoved him on his back, sprawled there in all his fucking glory.

“What are you-”

Words die in his mouth. Rust sinks down on his cock with a hiss. Too hasty with the prep, but it’s fine, there will be no damage from this, just the blankness washing over his mind in the path of the hurt.

Marty’s eyes are wide. Blue, like a summer sky. Red with lust, intense with pleasure and hunger. Church windows. Bells ringing. Rust can feel him inside, hard and thick and perfect, just fucking perfect. He’s wrenched control away and the truth is Marty’s in heaven right now from it, he doesn’t know what to do with himself, hands fluttering uselessly to the side. He wants to touch him, Rust can tell that much. He doesn’t know how to.

Power.

Rust starts moving. It’s a slow, heavy drag at first, in those first seconds where he gains his footing. His thighs start aching within seconds. He’s not ridden anyone in years, and definitely not on this mattress, in this apartment. His body’s not used to this anymore but muscle memory is a long lived creature, and there is nothing it known how to do better than fucking.

“Ain’t gonna do all the work, Marty,” he warns when his thighs start complaining and somehow; that does it.

Marty’s hands snap to his hips to hold, fingers wrapped around the hard ridge of bone under the skin, hard, tight. It’s like he’s remembered he knows how to fuck someone like this, that he’s done this before. It’s so much better then onwards.

Rust grinds his teeth and doesn’t say a fucking word, just moves, and takes and fucks himself on Marty’s dick and lets the crashing waves of feeling: pleasure, pain, sweat rolling down his back, nails digging in his hips, ache in his thighs, take him away. It’s so fucking easy, it comes naturally, like breathing air, like dancing to music, like running away.

He keeps his moans to himself, keeps his words behind lock and key, stares at the fucking ceiling now. He can’t see it, not really, he’s just chasing it, the pleasure running down the notches his spine, the heat that burns through him, and it’s not as good as heroin, it can never be, but for half a second, he pretends he’s not falling back into a habit.

Marty’s hand sneaks from hip to stomach, to the three points of scar tissue on his chest. There’s a fascination under the groans, under the words he says that Rust is absolutely not listening to. He’s chasing something he’s not finding, desperate for the high of it, wishing they were against a wall, wishing for blood, for hurt, for electricity and leather. He misses Crash for half a second, Crash and the recklessness with which he fucked. Mindless, animal, painful.

And then, and then. Marty’s hand wraps around his dick, tight, sudden, and Rust wasn’t looking where that second hand went, he wasn’t paying attention and he groans, high and surprised and ripped out of his throat with tooth and nail. Marty’s bitten the bullet, must have decided that if he was fucking him, he might as well fucking touch him too, right? He’s staring at his dick in his hand like he’s never seen a penis before and it’s hilarious, and sad at the same time.

Retaliation for taking him off guard. Rust shifts his weight back, leans a bit differently and suddenly the angle is just right and he feels pleasure, white hot and blinding, rushing through his bones, through his veins. He stops there for a second, grinds, slow and hard and dirty, muscles tightening around Marty.

“Rust, goddamn it,” Marty hisses, choking with pleasure, grip around his dick not letting up, which is starting to hurt, which is perfect.

Fuel, fire. Marty says his name like a curse, like something dirty and wrong and wretched. Rust bites his own lip until he tastes blood, hot, red, violent and metallic. A crowbar in the legs, a bullet ripped through his chest, broken bones, cocaine, a kiss from an ugly, dirty mouth, yellowed teeth and animalistic greed.

Marty comes first. He barely has time to warn, barely has time to say a thing, he’s wrecked when Rust looks down at him finally from the haze of blood and pleasure. There’s sweat shining on him, redness everywhere, strain in the muscles of his chest, of his groin. He’s desperate. He needs an orgasm like a junkie needs a fix. Rust recognizes it. And he’s always been generous when it came to bringing people down with him.

Fingers tighten around him, stopping to jerk him off, grabbing at his hip to keep him down, keep him from moving away from long enough to fill the condom. He can feel the force there, feel how Marty wouldn’t stand him to wrench himself away so he doesn’t move, gives him at least that.

The noise Marty makes when Rust starts moving again, squeezing around him to finish getting himself off: wrecked, small, wounded. That’s what makes him come. He wants to laugh with it, but all he does, once the white, blinding light is gone, once the rubber band has snapped, once pleasure has washed through him, cleansing fire, salt in wounds, all he does is smile.

They’re panting. Both of them. Loud, bovine breathing in the silence. Rust lets himself get off that ride, lets himself fall, boneless, exhausted, high for a moment. He stretches himself out on the part of the mattress Marty isn’t occupying, watching from the corner of his eyes the rising and falling of Marty’s chest. His eyes are wide open, staring at the wall, at the crucifix. At Jesus Christ, lord and savior, and witness, sole witness of the blood pearling on Rust’s lips, of the splash of white semen on Marty’s stomach.

The laugh is wrenched from Rust’s chest without him having time to stop it. It’s maniacal, rusted, with those edges of contempt and pity. Pity for whom? Marty, who keeps straying further and further away from propriety, from normalcy, from sanity? Himself, who just fucked his partner, the one and only person who can stand to be in the same room as him for longer than five minutes, to satisfy the burning itch of addiction?

Rust finds cigarettes and a lighter to his right, takes out two. His lip hurts, sharp and bright and tangy when it stretches as he puts one in his mouth. He lights it first, takes one long inhale of it. He holds it out to Marty, with his blood on it, and that’s unhygienic at best, dangerous at worst, and disgusting no matter what, but Marty – father of two, cowboy of Louisiana State – Hart takes it and starts smoking.

He lights the second and keeps it. His body is loose, relaxed for the first time in forever, sated. Pain and pleasure as self actualisation.

He glances over at Marty, at the frown on his brow: deep in thought, hardness in his eyes, cogs turning in the background, so hard Rust can basically hear them. It’s even hotter than the blind pleasure and death of shame he just witnessed.

“He ain’t gonna come to life cause you keep staring at him, you know? Jesus is dead.”

Marty’s eyes dart to him, sharp and furious for a second and familiar. Rust’s teeth ache with it, with the knowledge he has of this look. He’s missed knowing people, he has to admit. He’s missed reading the shifts in body posture, the licking of lips, the popping of veins on foreheads, the darkening or lightening of eyes. Knowing Marty like this, even outside of the biblical nature of what they’ve just done, it’s good.

“Don’t. Don’t bring this up right now.”

It’s a warning, there’s a bite under it, and that’s surprising. Rust knows Marty’s as loose and tired as he is, probably even more with the alcohol he had before, and the anger burning energy. He still wants to fight him though. Doesn’t go soft and gentle on him. Good. Easier this way. Much more comfortable.

Silence falls again, just the sounds of cigarette smoke, the weight of it like swamp water in the room. Sweat cools, his lip stops bleeding. He doesn’t know how long time passes.

“You should go. Maggie’s gonna wonder where you are.”

Marty moves. He shifts over, on his knees, cigarette in his mouth, hand landing on Rust’s throat and gripping. It’s violent and it’s sudden and there’s ash falling down barely an inch from his fucking face and the anger…. Oh the anger. Marty is glaring down at him but he’s not pressing down, he’s not hurting him. It’s a threat. It’s incredible.

“I just fucked you and you’re gonna say her fucking name? You’re a disturbed motherfucker.”

Rust blinks at him, lazy, slow, unimpressed. They’ve just fucked, and he’s just come but this… It’s a treat. Ice cream after dessert. Indulgent. Minty.

“World doesn’t stop turning just cause you came, Marty. Your stolen pleasures never actually belonged to anyone but you, it’s your time you’re using. No one else’s. You still got a wife.”

And oh, he hates it right now, he hates that Rust isn’t afraid and flinching away. That he’s got his hand on his throat and the weight of a former quarterback and current cop thrown over him, ready to crush, and he’s not fighting back. He keeps hoping Rust will forget he’s been threatened by scarier men before. He keeps hoping he’ll be the tougher one this time.

“Get off of me, Marty,” Rust continues, calm. That Crash tire fire from earlier is gone, quieted down by an orgasm and a release. He’s taken control back and so the leather and the baseball bat and the barbed wire has been put away for a second. Get off of me, Marty, or I will break your arm getting you off myself.

Marty doesn’t lean back. He leans forward. He kisses him.

Rust has to admit, this one was unexpected. This one doesn’t make sense in the framework he’s been working with, where Marty hates himself and is too much of a coward to touch a man in any way that isn’t violent. This one takes half of his breath away, coupled with the hand on his throat that finally does press in just a bit, it steals one terrible sound of yearning and pleasure from Rust.

And the second that sound resounds around them, he’s pushing back. Puts his cigarette into the ashtray he could reach with his eyes gouged out, and grabs Marty’s hair. Blonde, and soft and sweaty from sex. He pulls hard, ugly, and Marty hisses in pain and bites his lip before he’s wrenched away.

Blood, and pain again. Rust pulls him away from him, tearing him off, and only lets go when he’s back on his knees too, no longer slow and lazy and warm.

“Bitch,” Marty spits out, but it’s foreign to his mouth and he doesn’t mean it, not really.

Rust reaches for the still burning cigarette and shoves it back into his mouth and winces, properly winces. He didn’t fucking miss him with those teeth. It’s gonna be worse this time than the last, he’s gonna have to explain the split.

“I’m not your bitch, Marty,” he replies. “Never gonna be. I ain’t scared of you.”

He watches it ripple over Marty’s face, the knowledge, the realization, curtains of delusion and denial parting. They’re afraid of him, the women he calls bitch, the women he gets jealous over. He uses his badge and his dick like weapons. Unfortunately for him, Rust also has both of those.

Marty stumbles to his feet and Rust watches him put on his clothes again, using Rust’s discarded shirt to clean himself off of the fluids splashed over his stomach. Hiding away all the evidence. It’s not the triumphant relaxation of last time. It’s ugly and mean between them now. Unpleasant, and a little worrying.

Camaraderie might be gone forever now. Marty broke the treaty first, he attacked first, came into Rust’s house guns blazing but he’s never going to see it that way. He never does. He’s always betrayed, forever Abel, never throwing the first stone.

He runs from Rust’s house, from the evidence of it. Rust lays back on his bed, lazy and tired. Deep down, somewhere, he’s hoping the fragile partnership they have hasn’t broken irreparably. It would be a shame.

The eye was in the tomb and watching him.

---------

*"The eye was in the tomb and was watching Cain" is the last line from La Conscience/The Counsciousness by Victor Hugo, one of my favorite poems of all time.

Throughtout the whole poem, Cain attempts to run away from the eye of God that won't stop staring at him after he's killed Abel. He runs to other countries, his children build cities where people cannot enter without forsaking God, but nothing works. So he asks them to build him an underground chamber, a sepulchre where he will be alone. They do. He goes sit down in that dark chamber, they close the door and he stays alone in the dark. And in the darkness of the walls. The eye was in the tomb and was watching Cain.

#true detective #rustmarty #rust cohle #marty hart #true detective season 1

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