#plus some of these eps double as other cliches

[namtanlovesfilm]

omg I saw your post about the jungle and I have to rant because I’m so conflicted! On the one hand it has some of my favs in it and so I want to adore it, but on the other hand the whole thing is just MESSY. And from what I’ve heard of the source material, they’ve stuck to it super closely including dedicating a chapter/episode to each character and I think it’s that (plus the really underwhelming production values) that’s bothering me the most. As far as I’m aware there’s no overarching storyline and so it comes across as a series of short stories set in the same place. I also do recognise though that the actor schedules were also apparently really difficult to work around, and that’s probably affected the series in regards to scenes with the full or most of the cast.

Having said all that, I’ve definitely seen A LOT worse from gmmtv even in recent years and I keep reminding myself that at least it’s messy in a fun, sexy way rather than completely bland (apart from leemook which broke my heart because I was looking forward to seeing them together again). For example if I go by series this year, UMG looked beautiful and was acted well but was horrifically boring, double savage almost tried to market itself as a pseudo bl with perth and ohm and was tedious to get through, I couldn’t get past the first episode of loneliness society and I wasn’t enamoured with 10yt except for view and off. And that’s not me even touching on some of the underwhelming bls.

Also I am trying to keep the faith and have hope because I feel there’s been a drastic improvement from episode 1 to episode 6 and that scene with the twins fighting each other in the parking lot in particular was so good and such an amazing performance from Nanon who apparently worked for 6 hours shooting it and I commend him going so hard for something as unserious as this

okay so first of all I agree with mostly everything you said in this post! I didn't even know the show was adapted from an original material, now the one episode per character makes much more sense! but yeah the lack of overarching material IS an issue, but on top of that the writing is so bad?? from the shows you've mentioned I've only seen 10yt & loneliness society, which I both liked enough & personally I think the writing for these shows is MILES better than for the jungle. I agree that ep 6 was the best episode so far, and it's down to nanon's AMAZING performance & also his great chemistry with mild, but all of that could not cover how SHIT the writing was this ep. nithan is DISAPPOINTED that naannam does a no show to her engagement ceremony EVEN THOUGH she now believes him to be a cheater and a MURDERER??? then he shows up & SHE'S HAPPY???? then the real naannam arrives & professes his love without clearing the air once & telling her the truth AND SHE STILL ACCEPTS TO BE WITH HIM?????? the twins make up OUT OF NOWHERE??? and say they love each other OUT OF NOWHERE???? in fact, I was so confused as to which twin was who until I watched this latest ep, and believe we shouldn't have known of naanfah existence at all until the reveal to punpun's character so WE'D BE SHOCKED TOO!!! yes that would've been a cliche plot twist, but at least there would have BEEN a plot twist! I just cannot, tbh. it's giving the three gentlebros level of writing but with even less screen time & I actually liked t3gb bc it was a silly surface level romcom whereas this does not want to be one but most absolutely is. the dichotomy is killing me I fucking hate it here 😭

xxx

[moonstone27ls]

Ducktales finale spoilers

You’ve been warneddddddddd

Warning

Warning you againnnn

Sooo Ducktales will be ending soon my thoughts? Not as sad as when compared to Rise of the TMNT, Venture Bros, Brooklyn 99 (though it had a good run considering), Drunk History, Dark Crystal Age of Resistance. Though there are rumors Darkwing Duck is gonna be rebooted.... uhh maybe excited? I'd say maybe becauseeeee again its on a streaming service... and no for anyone's future question don't have Disney+ and have no intention of getting it why? Cause I'm broke/on a budget and I can't buy every stupid streaming service for the sake of a few shows.

But I'm getting off topic the show in general... sorta sad but sorta not. I'll be honest some eps of Ducktales in the last season didn't fit well with me. Some felt uhh very cliche/or readable, some felt kid dumb (but its a kids show so you're gonna get a few of those more than once), some felt like they were uhh if I had to compare like when you'd watch Adventure Time and you'd be "WTF was that one for". I wouldn't say dark you're just "that one felt random". Sometimes thats not bad but heh depends on the taste.

There are a few things disappointed we didn't get to see one Donald & Della's ACTUAL parents interacting with their children, GRANDCHILDREN. Don't get me wrong their interactions with Scrooge was nice but we barely got one ep with family that WASN'T him. You'd think given what dangerous work they were involved with we'd see a flashback or actual talk of their parents talking to them. Especially with Della being a single mother oO. Kinda feel it slightly unrealistic that they'd just sit and do nothing (and no there's no sign they're dead so they should be around) when their daughter disappeared into space. I mean maybe it'd been nice to see a few eps of past Donald getting advice from his mother Hortense how to raise the triplets. Heck would have like to see Hortense & Matilda's relationship.

Second the triplets father would had been nice oO. Yes he does have a father. All these fan ships but no one actually wondering "hey who's the boys father?".

  Third would had been nice to see more of Violet's family life. I mean whats the point of giving her "dads" if they never have a role beyond background character. Heck would had been nice to see a day of Violet and Lena's life with their fathers. Yes probably to the viewers it probably would had been boring but whatever 8B.

Four uhh I dunno explore space more? Maybe actually see some of Moon's home. I'll be honest that episode of "Moonlander on Earth" ep always bugged me. While I could believe some of the moon aliens wanted to stay on earth. I'm not convinced an entire planet thought Earth was so amazing they'd just stay there forever. People are fickle things, I can believe some wanted to stay like a vacation. But I feel at some point some, like Penny wanted to just go home. And I always found it... disturbing that no one attempted to really listen (no I don't count Webby cause that was written more of an experience lesson than "oh I miss home"). I mean the McDucks have all the money in the world, thats how Scrooge spent almost all his fortune finding Della. I'm just not convinced Scrooge and them thought "Hey we got extra rockets if they wanna go home we'll let them". No it was "oh they'll never get home, lets not bothering asking or giving them those extra resources. I think the show MISSED a good opportunity to let Penny go home (as well as others). And since Fenton or Gyro are often considered so smart they couldn't make a special teleport device JUST for them or ways to keep communicating with the moon. Thus meaning they could have explored space. And while some might argue "yes we needed Penny for the finale" (minor spoiler). She didn't DO anything she and Goldie were mostly used for cameo purposes. Sooo wasted use there.

Hmm anything else....  would have LIKED to seen more eps with Gandra/Fenton but hey if that Darkwing Duck spinoff is a thing maybeeee Gizmoduck will make special appearances and Gandra/Fenton can double date with Morgana & Drake(yes I wanted her to make an appearance I liked her goth look). Uhhh I don't think we ever got a Selene & Della interaction. (So far no eps were really... well friendship stuff. I mean I got a small fraction (if that) with Gods on the Block ep but it was near the literal END)

Also wish we could had more from the old show cameos Kit/Molly, Rescue Rangers, Goofy... pft plus I'll be honest before the show ended would had loved an actual cameo of Goofy, Mickey & Donald just alll together. Pfttt omg I would had loved a Max & Roxanne cameo date/wedding (yes I shipped them).  Haha more interactions would had been fun. And while I enjoyed the Talespin sorta crossover... could had more (and yes sorta ship Kit/Della. heh sorta more of a crackship haha). And lets be honest that Molly cameo was wasted potential. I mean would had been cool to see Baloo & Becky. Though I understand to a degree why we didn't. At least with Baloo.  But ahh well what can you do.

  And same with Daisy and Donald buttttt gonna take some of the finale as something. I'm just gonna say it left enough for my imagination to think "they're having a happily ever after soon". Uhh another minor spoiler with Ludwig revealed not to be dead (which I'm glad)... just disappointed he wasn't in the credits or given more interactions with Scrooge. Yeah I know they weren't BEST friends or anything but I dunno I do associate them as friends.

Anything else... uhhh would had been nice to see more of Boyd and Doofus family moments too. I mean I dunno consideringgggg that life probably was better for Doofus' parents now that they had an ACTUAL loving child. Be nice to have seen more scenes. I mean heck that last ep with Doofus... uhh jumping? I assume it meant Doofus had closure and accepted his fate? So I dunno would had been good to see him and Boyd bond more. Heck I'd like to have seen his parents' telling Gyro in finale (yes minor spoiler) take care of "our" son.

Nowww onto the finale gonna put spoilers soo warning here.... as for the finale it was... good. I'm not gonna say "Oh it was the best everrrrrrrr". Nah it was pretty good given their budget or whatever. Yeah some felt rushed and all those cameos while I appreciate the thought felt wasted potential. I mean I get why budget/timing etc. Just saying you know could had some Goldie/Scrooge moments, more Lena & Violet, Webby friendship stuff. I mean heck when they were all "released" (and judging by that cube system) there was a lot we don't really see where they go or how the Ducktales group got everyone where they originally belonged.

What did I think of Webby's so called surprise... uhh mixed. Bigger picture wise kinda explained that need to be so clingy. To a degree I sorta agree with the split fans I like it and I don't like it. But I get it the writers NEEDED something for shock value cause lets face it they ran everything else. I say a part of me didn't like it cause I was kinda hoping this version would show us Webby's real parents. And I'm not fully convinced that photo was just a fake or some random relatives Beakley took to shut her up. 

I think she sounded genuine when she said "I missed a lot". I admit when the whole "oh she's made from FOWL" was becoming obvious. I thought Beakley was subtly hinting that her daughter made Webby. I dunno could see that happening seeing that this whole ep was hinting at adults who did NOT think of their actions effects (yeap Scrooge, Della's choice to go on that rocket, Bradford's granny traumatizing the dummy), I thought "Ohh sooo she felt neglect and rebelled or fell for the enemy". But anyways yeah I still think Beakley probably DID have a daughter. Where is she? I dunno, thats kinda the whole point. Either she died or like Donald did with Scrooge, broke away from her family. I really believe whatever the reason, her daughter's gone from her life and Beakley deeply regrets she wasn't a more attentive mother. She probably to a degree saw Webby as her second chance to do better by her.

Hmmm lets see anything else.... as dark as it was with what Bradford did... not really shocked. And while he was obviously a villain I think his background did prove a point. But I could be thinking of Dean Venture and Dr Venture's childhood. Not every kid is built or for that matter wants an adventure life. Bradford was a product of his well intentional but neglectful family. Had the triplets or Donald not wanted this life that could had been them. Thankfully it wasn't 8B.

I admit the part with the villians at the end was quiet surprising. Not because they turned him into a bird pft. But because technically they saved Scrooge but heh I get it, chalk it up to either "they don't like to be used" or "Bradford was so terrible he was beneath even their level". Just somewhat made me wish Magica could have found Poe or something (I liked his design and voice actor). 

 And super glad we didn't really lose a lot of villains. I dunno I wanted Phantom Blot & Pepper to escape, fight another day stuff. And I kinda think to a degree thats why we saw that dumbed-down clone of Bradford. He's gone but that clone could get "smarted" up to stir more trouble 8B. Maybe I dunno.

Heh but all in all I enjoyed this finale. Its was wayyyy better than Star and Tangled's finale, no flippin' drama :P. I mean I suppose you could call Donald & Daisy leaving drama? but no not really cause literally none of this bothered me. The credits kinda gave me that nostalgia of how this show got so much attention. So while it was rushed maybe and it had its flaws. All in all it kept up with the heart. Soo I enjoyed the credits a lot good way to say goodbye

(just putting that gif there cause I liked it 8B)

Anything else....KEITH FREAKING DAVID, another reason to give this finale a point best flipping part I’m just sad I have no gif to use XD

[go-ldy]

On the whole 'different schools not the kiss' idea, I think even if the distance is the ultimate issue the kiss will play a role... something along the lines of "we could survive this if we both went to Yale but long distance plus the lingering trust issues won't work for either of us" makes sense as a double-blow to Bughead. And as dumb and cliche as a cheating breakup is to me having Betty cheat, they get over that completely, but turn around and breakup for something else is just... odd...

Thanks for this interesting ask, my dear! <3

I could foresee a scenario where the kiss complicates a long-distance relationship for sure. But overall I thought RAS’ post finale interviews were interesting and he gave us a lot to chew over. Here is what I took away from them:

-He said that the BA kiss drove Betty back to Jughead, and that she felt good about recommitting to Jughead. And this seemed to play out in 4x19.

-In contrast, he described Archie as “confused” and he also implied that Archie is going to finish his song in the prom episode, and that the prom episode will be a “dramatic” episode for Varchie.

-He talked about Bughead having a “difficult conversation” ahead of them with respect to going to different schools.

-It sounds like Jughead and Veronica are going to find out about the kiss in 4x20 (now 5x01) but they find out in different ways. So our theory that it was going to come out via a voyeur videotape in the finale and scatter the Core 4 prior to the time jump seems shot. My guess is that Archie’s song plays into how Veronica finds out, and potentially the voyeur tapes play into how Jughead finds out given that Bughead are still going to be investigating that mystery in the coming eps. I know we would rather Betty told him about it, but it is plausible to me that her fear of losing him or hurting him leads her to keep it from him and results in him finding out some other way.

-It sounds like RAS is reconsidering the time jump because of the COVID situation. At this point, we have no idea when season 5 will start filming or how long it will be. It sounds like we can be fairly confident that episodes 4x20-4x22 will now be 5x01-5x03 but that is all we know. I suspect that season 5 could be a shortened season - maybe 10 to 12 episodes depending on when they start filming. If that is the case then it might make sense to hold the time skip for season 6.

-All that said, it seems that there will be some time after the kiss is revealed for there to be emotional fallout from it. The Core 4 is not going to scatter to the wind immediately, and maybe not scatter to the wind at all in season 5.

At the end of the day, we do not know how long this hiatus will last or how it will play into their plans for season 5. But RAS’ comments did make me feel more hopeful for Bughead than I did in the midst of the 4x17-4x18 debacle. A lot of us felt that the kiss would be a devastating blow for Jughead because he has always been insecure about Archie and BA and the kiss would confirm all of his worst fears and undermine his faith in Betty’s feelings for him and how do they recover from it etc. Something I think @imreallyloveleee pointed out is, do Jughead’s insecurities become less tangible if we have Archie who is suddenly pining for Betty with Betty actively choosing to be with Jughead? Thus far, that is something we have not seen in Riverdale yet. We had Betty pining for Archie, and Archie rejecting her in early season 1 pre-Bughead. We had the BA kiss in season 2 when everyone was broken up that went nowhere. Not that this will make the betrayal cut any less deep, but if we have Archie actively confused about “do I want Betty or Veronica” and Betty not at all confused about who she wants, does Jughead feel less insecure? I think probably.

Also something @imreallyloveleee pointed out, and is something I’ve been thinking about as well, is that Jughead has shown a tremendous capacity to forgive his parents for some pretty fucked up shit. Jughead is the type of person who seems to really only let a few people “in” at any given time, but once they are there, he is extremely loyal to the people he loves. Like - even Archie, as poorly as the Jughead & Archie friendship has been developed over the years, Jughead has forgiven Archie for quite a lot and stuck by him. And who does Jughead love more in this world than Betty? That love and trust he has in Betty will of course make the betrayal hurt more deeply, but if he can forgive his father for being a semi abusive alcoholic than I am pretty sure he can forgive Betty for this. 

Jughead was also tremendously understanding and mature about the season 2 BA kiss. When I watched season 2, long before I joined fandom, I remember seeing the BA kiss and thinking “oh okay here we go” and then was pleasantly surprised when everyone got back together, and Jughead’s main point of contention was not the kiss itself but the fact that Betty kept it from him. But he was even understanding about that. Jughead is a pretty cerebral person, and I think if he could work it out then and come to terms with it, he can probably do so again. And of course I am sure he will be hurt that she kept it from him, but I do think he would understand it was out of a fear of losing him.

I do think it would be interesting to see them work past this, er... bump in their relationship only for the distance and separation to present as a real problem. Like maybe going to separate universities prevents them from having the time to work it out. Or maybe it makes the trust aspect of a relationship in that kind of situation more complicated as you suggest. Overall, if we are headed for a Bughead break up (and I certainly think we are if the time jump is still on the agenda) then I think at least adding in the twist of going to different universities makes it a more compelling break up storyline than just the BA kiss.

[florrickandassociates]

TGF Thoughts: 4x01-- The Gang Deals with Alternate Reality

I had a lot to say about this one, guys. 

Welcome back! I see this season TGF has decided to be It’s Always Sunny in Philadelphia. Is this some sort of joke about how last season it was always raining? Is every title going to be like this? And where are the numbers!? There is no counting of any kind in this episode title! 

When you think about it, the central argument of this episode-- that 45’s election brought new life to resistance movements that would’ve otherwise laid dormant-- is also my central argument about why TGF is a good show instead of a passable one. Remember how in season one the point of the show was supposed to be a fake scandal about Maia? 

So it’s fitting that we begin season four by going back to the show’s pilot: Inauguration Day. Only this time, Diane is happily watching Hillary Clinton’s inauguration. Did I say happily? I meant ecstatically. 

As Diane pops champagne, the TV goes to static-- something’s off-- and the credits begin. Same credits as season 3 but with one key difference: things are coming together rather than exploding. I see what you did there. (The TVs still explode, though, and they still have the real 45 on them.)

Yeah I didn’t need to see the credits to know the Kings wrote this one. 

I think the notes the Kings left in the script for this episode for Brooke Kennedy just said, “Make Diane look like a glamorous badass.” I’m like one minute in and she’s already popped champagne and worn trendy sunglasses.

Brooke’s directing in this episode is so stylish and it might be my favorite ep she’s ever done? The showiness (and sometimes campy performances) REALLY work for the tone of this episode. 

Diane takes the elevator to work and looks quizzical. One may be tempted to ask how Diane knows to go to RBL if it’s the day after inauguration and she’s still at Lockhart Deckler whatever (one may then snark that RBL is in the LG space so she’d go there no matter what). The answer is: dream logic! 

(But really, little disorienting moments like that-- and yes, I know this was probably only disorienting for me and one other person-- help the episode work long before we know this isn’t a true alternate universe.)

Marissa is waiting at reception to inform Diane that HRC’s press secretary is in her office. Diane then asks Marissa who the president is, and Marissa asks Diane if she’s microdosing again. Ha! Also, that’s another clear clue that something’s up-- Diane wouldn’t have already microdosed right after inauguration. And why would Diane have microdosed in this AltVerse? Again-- dream logic. And I love it. In episodes like this, when things don’t add up, it’s wonderfully disorienting instead of frustrating. (Plus, this line is a knowing wink at fans about the absurdity of the microdosing storyline.)

Marissa confirms that it’s 2020 in show time. Diane has a flash of a selection of horrific images that have come out of these last few years, then says, ”God, have you ever had a dream that is so real that it takes you a long time to wake up?” I wish.

Diane wants to know how Hillary won, and Marissa says she won in a landslide-- 3 million votes. “Same as in my dream,” Diane says. Marissa thinks she means the other candidate had 3 million more votes, and wonders how he won if he had fewer votes. On one hand, Marissa totally knows about the electoral college. On the other hand, would “3 million votes” and hating the electoral college be cliched and top of mind enough to work as the joke in this scene if those votes had actually mattered? Probably not. I doubt many people would be talking about abolishing the electoral college, or that Marissa or even Diane would be SO quick to understand how one could win the popular vote and not the election, if we hadn’t all lived through the past three years. Also dream logic. It’s a great way of explaining things that are out of character.

“Whatever, it’s a dream, it doesn’t have to make sense,” says Marissa, making my point for me.

Oh hello there Lucca, your jacket is very bright. Lucca asks to sit in on Diane’s meeting with the press secretary. Lucca was up for a partnership in 3x10 but in this episode she’s very obviously an underling (and honestly seems a bit lower ranking and hesitant than usual-- I’ll need another episode or two to understand if this is how the writers are writing Lucca, how Diane views Lucca, or just what was easiest for the plot). 

The White House is now asking Diane to take on cases. Way to dream big, Diane!

And Diane will be arguing in front of the Supreme Court! 

In the alternate universe, Liz’s wonderful bathroom belongs to Diane.

Diane gets to do so many things she wouldn’t usually do in this ep, like furiously shake her head to prove to herself she’s not dreaming! 

Diane still has that Girl With Flower As Head painting and I do not believe she would have that painting if HRC were president because it’s too friggin weird. Also has it always had a US flag in the background?

In the alternate universe, Garland and Warren (as in Elizabeth) are both on the court. It’s a good laughline precisely because it’s so plausible. (Well, idk about the Warren part, but she’s a recognizable name.)

Diane looks so happy she could cry when she learns Warren is on the Supreme Court. 

There is a shot of Lucca that is so very clearly from Diane’s POV and I like it. I read a review of this episode that said it didn’t have enough character development. To that I say, one, this isn’t TGW-- this show has always been more about tone and theme, and two, there’s PLENTY here that’s about Diane’s POV and how she views others and thinks of herself. Because it’s dream logic I can’t make nearly as much out of it as I can make out of an episode like A Few Words, but there are little touches here and there. Even this shot of Lucca, where Lucca’s in the center of the frame shot from a high angle, grounds me in Diane’s POV. You could even make an argument about hierarchy based on the angle. 

“Who’s that?” Lucca whispers when Diane asks about Kavanaugh. Diane is elated at that response. 

Somehow we leave Diane’s POV (whatever, it’s a dream so I won’t be as brutal to this choice as I was to a similar but more subtle one in Don’t Fail) and follow Lucca into Adrian’s office. She immediately tells Liz and Adrian she’s concerned about Diane. That sounds like Lucca alright. 

Diane is DANCING in her office as she watches news coverage that isn’t a garbage fire.

I’m curious y’all-- are people in your area cheering at a certain time? Hearing cheers every night during this pandemic is one of the few things I like about this awful moment in time. (My recap writing was just interrupted by cheering, if you couldn’t guess the reason for this abrupt digression.) 

News stories in alternate reality: Cancer has been cured, there is polar bear overpopulation, the rainforest has been saved, 45 is REDUCING the amount of content he’s putting out into the world, and $35,000 is missing from some government agency. Ha. All that and people are hung up on $35,000? Sounds about right, actually.

Diane hugs Liz and Adrian because she feels like a weight has been lifted off of her. I appreciate that Diane acts without restraint or concern for what other people think in this episode. This is central to why I think this episode is actually a pretty good character study: this is who Diane imagines herself to be, more or less. Real Diane, no matter how bizarre things are, probably would handle herself more professionally in a work meeting and probably wouldn’t let feelings like this show. Dream Diane has no reason to double check herself. This is just how she thinks she’d react if there were absolutely no constraints. Not that she’s actively thinking- she’s just doing. 

Diane is very excited to be watching the news, and Adrian thinks she’s nuts-- there are scandals! Like the missing $35k and THE EMAILS. The GODDAMN EMAILS. Even a fictional joke about how they’d still be a scandal makes me mad. Twenty years from now it will still be too soon to remind me of the emails. (And to play Fight Song, that song is cancelled.)

A haircut is also a scandal because sexism.

I admire this show for calling attention to problems on both sides without ever screaming BOTH SIDES ARE EQUALLY BAD. This episode may call out some of the good things that have happened as a result of the 2016 election, but the whole premise of this joke rests on the fact that only one of the two potential administrations could run through a year’s worth of scandals in a day. 

Might circle back to this later on-- btw I write these after watching the whole episode, so I do know what’s going to happen next-- but I don’t think the show is trying to make the case that it’s good 45 was elected. I think they’re trying to ask questions about how the world has changed and cause and effect so we can understand the moment we’re in. Above, I said I liked hearing my neighbors cheer every night. And I could write a lot of words on how that collective activity inspires me, makes me feel connected even when I’ve been stuck inside for a month, etc, how I’ve gotten better about keeping in touch with old friends, whatever, and NONE of that would mean that a global pandemic is a good thing. It just means that like any huge societal phenomenon, its implications are complex. 

TGF and TGW have always, always, always been shows about understanding where we are in time. That’s what this episode does. And it makes sense to do a thought experiment like this now, at the start of season 4, in a season opener. We’ve had enough time living in this world that we can reflect on it.

Diane laughs, because what Diane dream sequence would be complete without a glorious laugh?

Adrian’s kinda suspicious of Hillary. Sure, cancer’s been cured, but it’s not public how or when! 

God it’s weird to hear some of the most absurd happenings of the last three years as punchlines. 

The line about the Obama’s overall deal at Netflix is fire. 

Diane laughs AGAIN. 

Oh right, Harriet Tubman was going to be on the $20 bill. (Is it obvious yet that I am the exact right target for this episode?)

Julius is VERY mad about Hillary’s $500 haircut. Heh. He’s also publicly supporting Trump which is interesting (and probably a dream logic thing; Diane knows he supported Trump therefore in her dream he isn’t ever hesitant to share that he voted for Trump.)

“Only Hillary could cure cancer and turn it into a scandal,” someone else adds. I’m loving all these jokes. He is mad cancer wasn’t cured earlier and that it’s been cured in an election year. This joke is funny because it’s exactly what would happen in this scenario.

I wonder if Julius would be more likely to speak up about his political affiliation if the stakes were lower. If 45 lost, then is supporting him as much of a thing to hide in a place like RBL? People would be mad but they probably would get over their moral opposition to his views a lot faster when it isn’t a real threat.

Diane’s brought in a huge client, which is news to her. And that client is none other than Harvey Weinstein, which… my God this is an interesting thought experiment. 

“I’m amazed you got him away from Lisa Bloom,” Adrian says. YIKES!!!! (If y’all haven’t read Catch and Kill yet, pick up a copy ASAP.)

No one’s heard of Weinstein’s sexual assault issues. I believe it. I mean, I think some women in power might have known before 2017-- I still vividly recall how many journalists reacted to the release of the story not with “Oh my God, how has this been going on for so long?” but with “Holy shit, someone managed to publish a story about this?!”-- but I’ll believe that the general consensus in elite liberal circles was to set the rumors aside and not share them widely.

I can’t watch this episode without thinking about VIP Treatment (2x05 of TGW). That episode, which raises the question of what happens when someone accuses a liberal legend of sexual assault, feels so ahead of its time. It aired in 2010. And I just, right this moment, learned that it was ripped from the headlines about accusations a masseuse made against Al Gore. Guys. I didn’t know there were allegations in 2010 about Al Gore. Is that because I was 16 in 2010 and just never heard of (or forgot about) the story? Is it because he had less power? Is it because of something specific about the reporting or the allegations? Or is it because we as a culture swept it under the rug since it was (allow me to be the millionth person to make this awful joke) an inconvenient truth? 

I don’t know the answers to the above. What I do know is that this episode is making me ask those questions.

In Marissa’s world (“you mean reality?”), 45 bragged about grabbing women by the pussy and then lost the election. And the story ended there. There was no women’s march, no #MeToo.

Sarah Steele gets to react to a lot of things in this episode and it is very delightful to see her say things like, “what are pussy hats?”

Diane looks so angry and stunned when she realizes that Weinstein is still “a thing” in the world. 

He won the Presidential Medal of Freedom because of course he did. 

His wikipedia page says his only controversies are about his managerial style. Yikes.

Marissa’s reaction to the phrase “masturbating into plants” is one of the best things about this episode. I love that she gets so hung up on it. 

Charlie Rose is the first name other than Weinstein that comes to mind for Diane when Marissa asks what other men were serial harassers. I’ve got to think that Rose gets the most attention here in no small part because he was part of the CBS family-- he was even on TGW. 

I’ve seen Annaleigh Ashford in so many things recently. 

Diane handles the meeting with Team Weinstein VERY poorly (she also does not care to handle it well), while Adrian covers with the “all options are open to us” gibberish that Diane absolutely would be able to convincingly deploy in a meeting she couldn’t follow. I point this out because it shows that 1) Diane isn’t behaving the way she would in reality and 2) Diane does not give a fuck. 

If this were reality, would Diane push so hard in this meeting? I don’t know. This situation is so far removed from reality it’s hard to tell. But my sense is that Diane would like to think of herself as someone who would never waver in her commitment to Doing The Right Thing, but she’d probably be a lot more diplomatic-- even in real 2020-- in initial meetings. It’s a bit dated at this point, but in VIP Treatment Diane was hesitant to believe the victim because the man accused of assault was a high profile liberal. To her credit, she does eventually choose the victim over her own politics. But I could totally see Diane-- with no knowledge of the real timeline-- behaving like her friend/HRC’s press secretary Zoe does in this episode.

All that to say: personally, I don’t think #MeToo would’ve caught on to the extent it did if women weren’t already angry. I believe there could have been a hashtag and some stories (maybe even the Weinstein story). But I also believe women felt an urgent need to speak out and organize. And I believe that more women were inclined to believe victims and get angry. And I believe that it was only because of the world in general that #MeToo spread outside of a few online circles. To put it another way, you know how there are sometimes cases of the week on this show where you might know the reference in detail, but if you ask a co-worker or friend about it they’ll know either nothing or only the very basics? I think all of #MeToo could’ve ended up like one of those cases if it hadn’t played out with 2017 in the background.

Dreams aren’t subtle: Weinstein’s publicity tour includes appearances with Charlie Rose and Matt Lauer. (This joke also serves as a reminder that sexual harassment is a systemic problem.)

Diane is SO confrontational in this meeting. Also, the woman they’re meeting with is SO FRIGGIN COMPLICIT. 

Weinstein’s team frames sexual assault allegations-- which are still floating around even in alt2020-- as a Republican conspiracy. I have no doubt they would have used this approach if given the chance. 

I’m on page six and fifteen minutes in, damn.

Adrian, or Diane’s version of Adrian, does not believe women and seems to hate Hillary Clinton a little bit too. An accurate portrayal of Adrian? Lines that betray Diane’s suspicion of where Adrian stands on women’s issues? Or just that Adrian is there to be the person pushing back and it could’ve been anyone? (I think it’s somewhere between the first two, personally. If this could’ve been anyone, why not Liz?) 

In this alternate universe NBC’s refusal to broadcast Ronan Farrow’s investigation is proof of Weinstein’s innocence, because in the alt universe we still apparently have faith in the corporate culture at NBC. (Perhaps the most surprising thing to me about Catch and Kill is that a LOT of it is dedicated to exposing the shit that went down within NBC. It’s fascinating and also makes it crystal clear how assault is a systemic problem and not just a few bad apples you should avoid being alone with.)

Adrian’s reaction when Diane mentions Reddick (Adrian knows nothing of the accusations in this universe) changes the tone of this scene in an instant and it’s breathtaking. This is the one moment in the episode where she knows she has to shut up. 

The one thing about this ep I am not sure I buy is that the firm is struggling because of the rise in corporate taxes. But I know so little about this issue I don’t care if it’s right or wrong. 

After Diane leaves Adrian’s office, Liz asks, “What about my dad?” meaning she somehow heard the conversation through the wall. (The door was definitely closed so either their office design is worse than I thought or it’s just dream logic.) Diane doesn’t share the rumor with Liz.

Lucca is for some reason on this case, and they are for some reason in court on the same day they learned about the case. And the best part is that I don’t have to worry about whether or not this is plausible BECAUSE IT’S ALL A DREAM

Another thing I’ll say about this ep-- it’s pace remarkably well. The opening previews what’s to come, there’s just enough happy liberal utopia with funny jokes at the start, the Weinstein twist comes at the right moment, and the shift to the more dark, character focused scenes that wrap up the episode come exactly when the writers have gotten as much mileage as they can out of this premise. I knew this episode would be fantastic the moment I saw it was only 41 minutes long.

The judge keeps saying the opposing counsel’s full name, Ann Howard. Is this supposed to be a familiar name to me? I am not getting the reference. 

The judge’s ruling is basically that no one would take the risk involved in assaulting someone at work these days so the case must be bogus. And then we see, immediately (because, dream) that the judge is totally corrupt and just wants to get his daughter an internship with Weinstein. 

“Justice is an equation. Justice equals the law times the zeitgeist. The law on its own doesn’t stand up. You need the mood of the times on your side,” Diane eloquently explains. That’s basically what this episode is saying. To put it more simply: Context matters and nothing happens in a vacuum. (TGF and TGW were always about the context-- you simply couldn’t do a show about a woman standing by her cheating politician husband and being REVERED for it in 2020. That’s not about the law, but the same principle applies.)

Lucca says they won, so the zeitgeist worked for them-- and how could it be against women when the president is a woman? Remember how the Kings used to say that TGF was going to be about Diane retiring because she thought the glass ceiling had been shattered? I always thought that sounded wrong, but this episode is helping me understand what they were thinking a little bit. 

Lucca calls out Diane, a bit abruptly, on how only the woman partners probably would get to say “no more” if there were to be a women’s movement because the associates can’t risk it. Lucca’s right and she’s wrong-- her words underestimate how mainstream and trendy it’s become to publicly talk about sexual harassment, but she’s 100% right that there are still underlying power dynamics.

Diane’s Lucca is V V V V V V V concerned with power dynamics and VERY much wants to be higher ranking. On the one hand, actual Lucca wants to rank higher too. On the other, is there a piece of Diane that sees Lucca as power hungry? 

Lucca’s asked to take documents to Weinstein, and she’s flattered. Diane, like every viewer, sees this as a car crash in slow motion. She knows exactly what will happen when Lucca gets to his hotel with the documents. But Lucca, who’s in the dark, only knows it’s a good opportunity to impress a huge client.

Diane tells Weinstein’s… whatever she is? That she is “Harvey’s pimp” and she is not wrong. Also since I don’t actually know this woman’s job title I’ll just refer to her that way moving forward.

(See what I mean about Diane just saying things that are totally unprofessional bc this is a dream Diane who does what she wants and not actual Diane making tough decisions?)

Lucca is REALLY bitter about how Diane is always taking opportunities away from her. They’re definitely trying to do something with Lucca in this episode but as I said earlier, I think I need to see what they have planned for the rest of the season before I can fully understand what they’re going for. 

Diane tells Lucca exactly what is going to happen when she goes to drop off the papers. Lucca won’t hear it, so Diane asks Marissa to keep an eye on her.

Another possibility for what they’re trying to do with Lucca (and Adrian): Maybe it’s supposed to be about how different Types would react-- the powerful man who benefits from not questioning things and has some latent sexism issues; the ambitious young woman who gets caught in a bad situation because she’s trying to move her career forward. The more I think about it, the more I think this is what they’re going for-- and the question I should be asking is what does it mean about Adrian and Lucca (in terms of how the writers see them, in terms of how Diane sees them) that they can take on these roles so easily?

(It may say nothing about Diane because… idk, do YOU do thoughtful character analysis in your sleep? Because I don’t!)

Marissa is still stuck on the plants and I love it.

Lucca catches Marissa right away, but all that accomplishes is that both of them clearly see that Diane is right. These scenes feel a little unnecessary (they’re also not in Diane’s POV, though surely dreams can have tangents) and I think they’re only here to illustrate how the system works. I can’t imagine this scene is teaching many people new information.

Also there’s… just not another scene with Lucca in this episode? And I don’t know if I feel like that’s a bad thing or like it’s part of dream logic? I think it’s probably just bad plotting that the unnecessary sequence ends abruptly and doesn’t return.

“With the presidency, women can do whatever they want,” says one of Diane’s liberal friends at a women’s event. I’m… not 100% sure anyone would say this. If this were true why would they even be having a gala for a women’s charity? But point taken. People love this type of statement.

So Diane’s extremely low cut dress like has a mesh thing covering her exposed chest??I can’t figure it out. 

Weinstein is also a hero to everyone at the feminist charity. When Diane hears this, she gives an interview to a reporter about having a long way to go, which I 100% believe would be the message no matter reality we’re in what because literally no one is going to say please donate to my cause we have no battles left to fight BUT I DIGRESS. Diane tries to ignite #MeToo (and even name checks Tarana Burke, so that’s awesome) and is quickly cut off.

Then, after giving the interview, she has Jay (hello!) set her up on Twitter. Dream Diane is revealing just how little she understands how social media works. She also wants to link to a “Me Too Site” which is… not how any of this works, Diane.

Diane sees herself on the news-- she’s mostly cut from the piece and her words are taken out of context. 

Adrian and Liz stare Diane down for calling Weinstein’s pimp a pimp and Diane defends herself. Liz doesn’t believe this either. Diane is asked to sign a VERY RIDICULOUS (like it sounds like 45 more than anything else) apology letter and laughs. 

Liz reminds her that they’re close to bankruptcy and that they’ve defended killers before (oh, and, most relevant-- the assholes to avoid case, I can’t believe I went to 205 to think about how Diane would react in a more nuanced present day situation when I had that example!), why would Diane draw the line here? “Everyone deserves a defense. Just not everyone deserves MY defense,” Diane says. You know it’s a dream when a character on this show actually says that. Do you know how many times (if you’re still reading this you probably do know) I have written something to the effect of “SAYING EVERYONE DESERVES REPRESENTATION IS NOT THE SAME AS REPRESENTING THEM YOURSELF, LIZ/DIANE/ADRIAN/WILL/ALICIA/CARY/LUCCA/WHOEVER”? It’s been a lot. 

(Here is something I wrote in a case in which Diane, at the height of #MeToo, defended some assholes for money: “‘I wouldn’t say hate. We’re obligated,’ Diane says. Ohhh yes this is a new pet peeve. Y’all are not obligated. You were not assigned this case. You chose to take it for the money.”)

Idk what my point is here, maybe that this feels like a dream because the characters are never this principled in reality.

Zoe, the press secretary, wants Diane to shut down #MeToo. Lucca’s there too, but she says nothing (despite the experience she may have just had, because dream). Zoe doesn’t want women to get angry about abuse because “that’s not the message that helps us in 2020.” Ooof. But I buy it. I am not sure if it’s ACCURATE that anger wouldn’t help but I can completely see campaign staffers being afraid it would hurt, especially given that Bill Clinton has… more than a few issues. 

This scene veers into Diane’s POV. The camera gets closer and closer to her as she feels boxed in, and Liz, Adrian, and the pimp stare accusingly at her. Suddenly she realizes she doesn’t know where Kurt is because she’s spent the last few days at work. I think the most dream-like thing about this is the way Kurt just suddenly pops into the dream and shifts the tone of the whole thing. 

She runs off. Liz and Adrian ask Diane to step back from the firm for Weinstein and she’s like, okay, I’m going home, “I don’t know how I changed my clothes, I went to that event last night and I have different clothes on now and I don’t know where Kurt is.” I LOVE watching this whole episode twist into something this weird.

When Diane gets home, there’s a man fixing her door. He’s watching Trump TV, which is currently airing Felix Staples singing “This Wall is Your Wall” and honestly this is the best use of Felix Staples in the show so far.

The man fixing Diane’s door also remembers reality. He doesn’t know why he’s fixing Diane’s door. It’s disorienting. 

Diane gets a beer with the man fixing her door and wonders about if she even likes this world where HRC is president (or if the problem is just that she doesn’t believe it). (I think she’d like it just fine if she experienced it linearly, tbh.)

Sexy gun lady from a previous episode is back, and Kurt’s guns are missing because he didn’t want them to be confiscated (I do not believe this would ever be a policy but this is a full on illogical dream right now) and now Diane is talking to the TV.

“I’m in the car, right?” Diane says while standing in her bedroom and pretending to grab a steering wheel. Heh. 

Diane drives to a cabin in the woods (the way this is shot is SO atmospheric) and finds Kurt, in shadow, in the woods. So THIS is what Robert King was going for in Mind’s Eye in the clumsily directed scene with fake Will in shadow. Gotta say, the whole “person you love and can’t quite picture” thing works a ton better when it is obvious it’s an intentional style choice.

This scene is so weird because suddenly politics doesn’t matter and Diane only cares about Kurt and also Kurt might be dead? I am not sure I understand what this is saying. And I’m pretty sure I spent the entirety of this scene the first time through alternating between thinking “ooh pretty”, “this is what 614 wanted to be,” and “please don’t kill Kurt!!”

Kurt pulls Diane to reality and gets her to recap where we left off. She wakes up on the floor of her bedroom. She and Kurt have both, thankfully, survived Book Club’s SWATting. 

HA the first thing Diane says when she wakes up is “What happened?” which… that HAS to be intentional right???? 

To check that Diane is of sound mind, one of the agents asks her how many fingers he’s holding up and who’s president. She laughs. 

This episode is UNDER 40 minutes if you exclude the credits and promo.

Guess we’re not doing recap songs.

Had a lot to say about this one. I’ve liked TGW’s mind-y episodes more, but that’s not really a fair comparison since the point of this wasn’t character study… it was tone setting.

What this episode does NOT give me is a sense of what season 4 will be about, other than the usual absurdity. 

[aabaker1]

Just finished Harvey Girls season 2

First spoiler-free Version. Season two of Harvey Street Kids or Harvey Girls Forever call it what you want, was...uneven. The season started and ended in good places, but there was a block of three episodes towards the middle that just fell flat. Good new characters, though only a few of them got developed. And I am really hesitant about the cliffhanger, it could easily go wrong in a lot of ways.

Okay time for the full rundown after the break.

Hoo boy this series had some highs and lows. I’ll break down by episode and then final thoughts.

Raiders of the Lost Park:

Okay does anyone else notice that the episode titles Netflix presents aren’t always the same as the ones on the title card? It’s not that big a deal, but come on, it’s Dreamworks and Netflix. A little consistency would be appreciated.

Nice way to start the series. This was a risky move, introducing brand new characters was one thing, but giving Audrey and Melvin, two established characters, brand new siblings? That was taking a risk. If I had to complain about something the tension and strife Dot caused in the season 1 finale was brushed aside way too quickly, but that’s a nit pick at most.

Dottie Rocket/Weekend at Audrey’s:

Good Dot episode, nice to see her obsessive compulsiveness get the better of her sometimes. But, Dot sill came back down to Earth in the end, even if it took a sugar-induced hallucination to do it.

Digital pets kicking the bucket, sigh, I can relate. But Audrey was just a bit out of character here. Not her recklessness, but her attempts at covering up. Audrey is not the type of person to hide mistakes, get frustrated by them, sure, but not hide them. Okay, she didn’t want to disappoint Lotta, but Audrey just doesn’t have that kind of deception in her.

Boy Story/ Puzzle, Puzzle, Toil and trouble.

And this is what I meant by character development. It’s nice to see that even the Bloogie Boys have limits, and legitimately like more than stereotypical boy hobbies. Also, nice touch remembering Dot and Pinkeye are friends.

Frufru, getting character development? Didn’t we already do this in season one? Okay, I know, people don’t just change overnight. But, for being so eager to be recognized for her brains, Frufru was a bit too quick to cheat. Though nice callback to Audrey Parkour. And I seriously don’t want to know why there’s an old well full of butter, that is just leads to several nasty implications.

Treasure of the Sierra Harvey/ Babies Day in:

And the character development continues, this time for TIny. Also not all old toys are dangerous. The treasure trove of old toys idea has been done before, but this wasn’t a bad example. Though I thought for sure Tiny was going to leave his action figure behind in the storm drain.

And a nice way to show that Lotta’s compassion can get out of hand some times. Also nice way to show that raccoons aren’t always jerks. Just gonna say it now, ninja pajamas, just ninja pajamas. Also, Dot, running bare-foot, outside, in the park? What kind of bizzaro world is this?

The Lice Storm/ Mission Impossibow:

This one kinda fell flat for me. Audrey over reacting is expected enough, but everyone going along with it, including Dot, that was a bit too far. But, the big letdown was the Harvey Avenue Kids. Okay we’ve seen them before in season one, but this was there chance to shine. And most of them came off as background filler, just like before. Penny was the only one who got any kind of development. But, she and bald Audrey did just enough to save this ep for me.

Decent episode and it shows Dot’s possible great weakness. She’s creative, but in a scientific, A, to B, to C kind of way. Imagining fantasy scenarios on the spot is just not in here wheelhouse, props to her stepping outside of her comfort zone.  Bow initiated the plot here, but didn’t get a lot of character development. But, I’m okay with that. The Bow doesn’t really need development. She’s the bow, the weird kid who does her own thing, sometimes you don’t need to add more to make something good. My only complaint is that there just wasn’t enough of her this season, but I guess there can be too much of a good thing. Did I mention Bow’s my favorite character? Could you tell?

Fandom Menace/Moby Dot:

This one was a meh for me. It didn’t do Lotta any favor. I know she’s the trusting type, but she’s not dumb and certainly not the type to willfully delude herself. I think this was a bit of a miss step. Thankfully they didn’t do the cliche of scamming Zoe out of the ticket she sold. Lotta’s online appeal did fit her character and kudos to Crush4you to being stand up guys and respecting their fans like that.

The Cheer Hunter: Dot’s entertainment:

And more character development in an unexpected direction. So far Zoe’s two appearances had her solidly in the antagonist role, but here we she she’s actually a person, not just a stereotype. Also Maria feeling generally dissed by Zoe fast-tracking Lotta felt genuine. It’s nice to see them do plots that don’t involve someone getting their comeuppance. And everybody coming together to cheer Lotta up was a perfect touch. Also, Dot and Stu being completely (whatever) to the whole situation was funny as hell.

And once again we have Dot at her Obsessive Compulsive best. She discovers a new side to herself and like Dot, naturally takes this to the extreme. Also, nice to get a glimpse of how Dot’s brain works.  Also, Fluffy’s still around, what? You do remember that was just a rat covered in garbage can fuzz, right?

I wanna Crush Your Hand:

And this is where the dip in the season started. I’m just going to say it now, I’m not the target demo for boy bands, not by a long shot. But, that wasn’t the problem I had with this episode. No the main problem was Lotta’s obsession taking up the whole spotlight. It felt like Audrey and Dot just got shoved into the background. Plus this episode just dragged. I’ve gotta say it, I think the two stories an ep format works best for this series. The double-length story just doesn’t fit, here.

Beyond Thunder Dot: Ten things I hate about Ew:

And this is where the season hit the valley for me. Seriously, you’re doing the “Let’s shove the environmental message down kids throats” Thing in 2019? I thought that went out of fashion in the 2010s. But, the most galling thing for me was all that character developing they were doing came to a complete halt. Frufru’s character development? Nah, let’s just turn her into a low rent Captain Planet villain. And since when did Dot get that preachy? I’m sorry but this got so painful for me I had to stop the ep and walk away. Ten things I hate about Ew might have been a decent episode, I don’t know. And I never will if I have to sit through this outdated, anvilicious garbage to get to it.

Something’s Glotta Give/Afernoon Contrite:

I think the main thing with this story is it made no sense to me. I thought Gerald and Lotta got together in season one, now Lucretia’s trying to hook them up, what?

This is where the season started to pick back up for me. It’s nice to see that even after the previous character development Melvin can still be Melvin. It’s nice to see that Lotta tries to fix things, even if she did it by accident, but naive Lotta is back and I just don’t know how I feel about that. Still seeing Melvin get a bit more character growth saved this one.

Can’t Hardly Wait/Bring it Prawn:

Ah that’s more like it. This touches my fanfic-writing heart. It’s nice to see Lucretia stretching her active imagination. It’s also nice to see the Audrey Girls and  Tiny encouraging her self confidence. Plus in short order we got return of Audrey the Destroyer, Sci-Fi Dot and Lotta Moon, what’s not to love?

Thank you! Thank you for showing that cartoon siblings can do more than just fight with each other. This almost makes up for the environmental debacle, almost. In one fell swoop we see Maria and Melvin get along and Zoe and Audrey put their differences aside and work together for a common cause. Bonus points seeing Zoe stick up for Audrey. Audrey may be an annoying twerp, but she’s Zoe’s annoying twerp, damn it! Also, anyone else imagine buff Zoe and Audrey when Dot kept saying aabs.

Hover, may I board with danger/free Gilly:

And here’s Stu’s character development. Stu always seemed the odd man out. While Zoe and Maria have Audrey and Melvin to play off of, Stu was just sort of there. Now we see his too cool for school attitude is really a front for him being sensitive and a little insecure, that’s a nice touch. Also Audrey gets to grow as a person. First she was just legit conning Stu for time on the hover board, which was really just a Segway without the handles, but then she genuinely gets into the contact juggling. And one of her plans actually works for once, what? Also, what is up with Bobby this season, last season he was the older kid who doled out sage advice and could be a little jerkish sometimes. Now this season the sage advice stuff is all but gone and we just get the jerk, everyone else gets character development, but Bobby actually backslides a bit, guess they had to cut corners somewhere. 

Finally a payoff to the running gag of Audrey’s goldfish issues. Nice to see that finally wrapped up. But, was it strictly necessary to give the animals voices? Okay, I admit it wasn’t so bad for Bobby the skunk, but every freaking animal? Yeesh, I mean there is such a thing as subtlety.

That thing you Dot!/Where the streets have no games:

You know, at first I thought I was going to hate bring Chevron back, didn’t she and Dot make peace back in season one? But, then I found that I really didn’t hate it. Dot used the wrong word. Chevron is not a frenemy, she’s a competitor and that may actually be a good thing. Dot and Chevron are very similar, they like to take hobbies to the absolute extreme and there’s nothing wrong with that. They two drive each other to succeed. In fact if they didn’t have each other they probably wouldn’t do half as much as they do. And Kudos bring Penny back and giving her a voice, she’s going to be the lead Harvey Avenue kid, I just feel it.

And here we are, okay, I’ll go through ep first before getting to the diamond-studded elephant in the room. Nice commentary on mobile games and how their designed to addict you. And yeah they really are just excuses to gather data. Also, nice touch Lotta and Audrey being the only ones who weren’t suckered in. Sadly Dot’s obsessive compulsive tendencies made her an easy target. But, then we go into that cliffhanger. Yeesh, that cliffhanger.

Finale Thoughts:

I’ll just say it. I know they were going to pull Richie in at some point. But to quote the Bow, not this way. The entire idea behind Richie Rich is that in spite of being the richest kid on Earth, Richie was a normal, average kid, who just wanted to make friends and have fun. He was never portrayed as being snobbish, sheltered or clueless.

Only now it’s clear Richie set up the mobile game and the contest to try to figure out how kids have fun. Not only is being clueless, he’s using money to try to solve his problems, which Richie never did.

And worse it’s predictable. I can tell where this story is going. The Harvey girls together maxed out the fun-o-meter, so Richie’s going to take them off to his estate to be his new friends and the Harvey Girls are going to bring him down to Earth.

But, they shouldn’t have to. Richie has always been portrayed as already being down to Earth. Now they’re going out of their way to portray Richie as a clueless rich kid who doesn’t understand how the real world works, and that is just wrong. That’s not Richie. Although nice touch with the Irona reference.

But, there’s something that worries me even more. Now that you’ve pulled the pin on Richie, where do you go with him from here, does he become a regular? I hate to say it, but I hope not. 

You have to remember, that by default, Richie is the biggest presence in the room. If you over use him he could quickly over shadow Audrey and the others, in fact, he already has once before.

I’m taking about Harvey Comics. For over ten years, Audrey, Lotta, Dot and their friends ruled Harvey comics. Then Richie, Wendy and Casper came along. And within a few short years Audrey and company were all but forgotten. I just hope to go they have enough sense not to try to make this the Richie Rich show. I think they do. I think they understand a way to use Richie right and they already done it in the same episode, with Chevron.

Chevron is a big personality, so they don’t overuse her. So far she’s shown up once a season and that’s just right for her. It’s all she needs. If she were on regularly she’d drown the others out too much. But, this way when she shows up it’s a big deal. I think that’s the perfect approach to take with Richie, less is more. Just don’t turn him into a clueless rich kids, please? 

[stranger-who-writes-fiction]

Hey hi hello is anyone else just a puddle of emotion after that episode? Yes? Well then! Let’s all be puddles of emotion TOGETHER by way of a poorly organized recap!

Spoilers, obvs.

Okay, OKAY, so like. I went in with...I’m not gonna say low expectations, because Season 3 has been delivering BUT. I did think it...improbable? That we were gonna get a solid forty plus minutes of just Kara and Alura dealing with the emotional fallout of this meeting (which was the dream lemme tell ya) so I decided, fairly early on, that I was gonna take what I could get, so to speak. 

WELL.

WHAT WE GOT WAS PRETTY GOOD? ALL THINGS CONSIDERED?

I mean. Just briefly:

Kara’s ongoing struggle with identity PLUS multiple references to status as an alien on Earth/immigrant

Cut back and forth between Kara’s Rousing Speech and Alex ‘You’re the Reason I Felt at Home on This Planet’ Danvers

Alex’s CAN I HAVE IT ALL??? struggle (spoilers, Alex: You can.)

Mon El finally, finally getting his Pet the Dog moment (more on that in a bit)

Uh, FORT ROZZ MENTION? ASTRA MENTION???

RUBY AND WINN BONDING OVER TERRIBLE PARENTS

SPACE DAD BEING HERE FOR HIS DISASTER HUMAN DAUGHTER

And again, that’s...just a brief outline of the plots.

Oh, right, Reign and Lena and James are there too. 

SEE. SO MUCH.

(This is where Supergirl’s overeager tendency to cram in EVERYTHING is kind of welcome.)

Right. Okay. Specifics:

I’m gonna go out of order because there were references that I really liked THE FIRST BEING:

Evil Holo-Woman is on the COUNCIL *gasp* and her name is SELENA! *double gasp* 

And that’s exciting because SELENA is the villain from Supergirl the 1984 film! 

There is a lot less scenery-chewing with this version though, I must say.

Also, smaller reference, but I liked that in the council room, the two sculptures flanking the door are reminiscent of the...okay if I try to describe it it’s gonna be weird so here’s a pic:

(The metal circle things, there.)

We learned about Zor’s fate. RIP Zor.

Also, Alex’s bike was blown up. RIP bike.

Nice callback to Midvale there, with Sheriff whatshisname.

(RIP Kenny.)

“I was hoping to get to know my daughter.” Just. Tears. Tears, and audible ‘awwwwws’ at the TV screen.

And the PLANT thing, I just. HnnGGNNNFFF

Also I like the Zor-El home, with it’s li’l marker out front with the crest. Does everyone have that? Is it like the futuristic Kryptonian equivalent of a mailbox?

“Daughter of the Great House of El, alive.” I’ve never liked the whole, ‘Kara is Kryptonian Royalty’ angle but I don’t mind ‘Kara is the Daughter of a Well-To-Do Upper Middle Class Family Known to Make Morally Questionable Decisions’

But it sounds like Zor earned some good press at the end there. Re-purposing his genocide tech. (That’s what I assume Alura was talking about, anyway.)

OKAY, so now it’s time to talk about our good friend Mon El.

I know some folks were upset that he tagged along. AND I know that some people are not overly fond of his ongoing presence in the show, period.

And I get this. I understand this. I was right there with them, last year, praying for his untimely demise.

But he was pretty unobtrusive in this ep? There was an entire scene dedicated to JUST Kara and Alura (which, I mean, is absolutely as it should be) but GIVEN some stuff that went down last year, it’s like. Kinda great. That it’s just Kara and Mom time. And overall, he was kinda...quietly supportive? And he was there to hold the rock, if need be?

BUT NOW. LET’S TALK ABOUT HIS PET-THE-DOG MOMENT.

So, real quick, in case that term is unfamiliar: It’s a thing that happens in stories...it’s common to the point of cliche, hence the term. ‘Pet the dog’ refers to a moment in a story wherein the protagonist does something kind for someone else, and we, as the audience, are thus inclined to root for them. Often, this takes the form of being nice to animals or kids. Think Aladdin giving the bread to the orphans.

(The opposite of this is a ‘kick the dog’ moment. Where the bad guy hurts an innocent, so that we KNOW they’re bad news.)  

One of my major gripes last year, regarding our good friend Mike, is that he had multiple opportunities for a ‘pet the dog’ moment. Where he could’ve behaved selflessly, but he did not. (I’m not talking the big ones that the fandom likes to yell about, like leaving the planet. I’m talking small moments of selfless heroism, that would’ve endeared him to us.)

We heard about how great he was, but so often, his scenes with Kara were just...yelling and then promising to be better, that there wasn’t really a ton of time to just be alone with him and see him being this ‘great guy.’

(Which is understandably a tricky line to walk because the show is called Supergirl so any amount of time you dedicate to just hanging out with the Boys is gonna take away time from your lead and gosh, I wish people would lighten up on the writers. It’s a thankless job.)

Which brings us to the gift that is Season Three.

Mon-El helping that kid is his pet the dog moment. Where he’s ON HIS OWN, separate from the women in his life, motivated to do good because it’s the right thing to do, not because he’s trying to earn affection or because someone else told him to.

And really, Season Three has been doing a good job of showing us this mature, heroic Mon El. I’m not saying that he’s been terrible up until now.

BUT AS SOMEONE WHO WANTED TO SEE THIS SPECIFICALLY ONE ENTIRE YEAR AGO...IT IS MASSIVELY SATISFYING.

It soothes my story artist heart.

Anyways.

I’ll say it because it annoys the fandom jerks: Lena and James have the healthiest romantic relationship on the show right now.

(I mean it helps that they’re the only couple really, but whatever, I’m salty.)

(At fandom.)

(To be clear.)

Loved the Kryptonian council. And the design of Krypton as a whole. (Or, I should say, Argo.)

Sketchy space rock is SKETCHY. And reminds me a bit of the omegahedron from Supergirl (1984 version) That thing mutated and merged with like...a dragon sculpture? And caused problems?

(It’s a weird film. Everyone should totally watch it.)

But yeah, I’m thinking that’ll be a Problem coming up.

I’m digging Ruby a whole lot more in this back half (not that I ever really disliked her? I was mostly just ‘eh.’) But she’s playing off of the other characters a lot better, I think.

OKAY, I think...I think that’s it? I think I covered everything? Maybe?

If I missed stuff I can always add it. *shrugs*

OH WAIT HOW ‘BOUT THAT PROMO, HUH?????

TO SAY NOTHING OF THE CLIFFHANGER.

WELL PLAYED, SHOW. WELL PLAYED.