#plumbing career in philadelphia
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pttedu · 2 months ago
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Pipefitter Career Overview: Roles, Salary & Educational Path
A pipefitter career is a rewarding path with diverse roles. Read more to learn about different job roles, educational paths, and career outlook.
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drainageteam1001 · 11 months ago
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Revolutionizing Urban Lifestyle: The Power of Proper Drainage
Drainage is much more than water disappearing down a toilet or sink never to be seen again. It’s about preventing plumbing emergencies, keeping your home clean and sanitary, and helping you avoid costly repairs.
It also reduces contaminated runoff and sewage contamination in our waterways, which can affect our health.
Coliving
Urban living offers a variety of benefits, including access to the latest technology, vibrant culture, and plentiful career opportunities. However, it can also come with challenges like high costs of living and social isolation. Fortunately, coliving provides an affordable solution to these issues.
Coliving is a new housing model that combines the best of shared and independent living. It aims to bring together like-minded individuals in an inspiring and engaging environment that promotes healthy living. It also helps residents save money by allowing them to split expenses with their housemates.
It is the perfect solution for people who want to experience the cultural melting pot of a city, but are not ready to commit to a long-term lease. It is especially beneficial for digital nomads, professional globe trotters, and interns who want to explore different neighborhoods in a city before deciding where they want to settle down permanently.
Additionally, coliving provides a hassle-free way to rent a room in NYC. It eliminates the stress of paying for utilities and negotiating with roommates about payments, and it also removes the hassle of searching for subletters. Coliving spaces also offer a plug-and-play lifestyle, meaning that residents don’t have to worry about bringing their own furniture or appliances. June Homes provides a wide range of coliving options in some of the world’s most exciting cities, including the hustle and bustle of New York City, the historical charm of Boston, the political epicenter of Washington, D.C., and the diverse culture of Chicago.
Community
A key aspect of community that emerged in the discussion was the importance of shared values and priorities. This included environmental sustainability, as well as social equity and responsibility. Several of the clusters centered on stresses that affect community, with participants in San Francisco and Philadelphia mentioning drug use and criminality as negative elements that undermine community (Figure 1C >). Conversely, Durham participants cited AIDS as an element that brought people together through common struggle and increased sense of unity.
As cities around the world adapt to climate challenges, sustainable urban drainage systems are a critical component of resilient infrastructure. Combined with utility tunnels, SUDS can revolutionize how cities utilize their land and create a more livable environment for all.
Sustainability
As our society grows and develops, it’s important to keep in mind that sustainable urban living is more than just about saving the planet’s delicate ecologies. It’s also about ensuring the prosperity of cities and communities for generations to come.
The environmental aspect of sustainability encompasses the conservation and preservation of natural resources, such as air, water, flora, and fauna. This includes ensuring that natural ecosystems function properly, which can help mitigate climate change and other environmental issues. It also involves promoting and supporting environmentally friendly technology, such as solar energy, and encouraging people to consume more plant-based foods.
Likewise, economic sustainability encompasses the efficient use of resources. This includes reducing waste through mindful consumption and implementing a circular economy that uses one person’s trash as another’s resource. It can also involve fostering the growth of small businesses to increase employment opportunities and stimulate local economies.
Many cities around the world are taking steps to become more sustainable. For example, Edinburgh has adopted a car-free zone that encourages people to walk or cycle to work, which reduces air pollution and makes the city more pedestrian-friendly. Moreover, Manchester’s dedication to social sustainability is evident in its affordable housing and community centers that promote well-being. Similarly, Boston has established a green infrastructure program and building efficiency standards that allow the city to reduce its carbon emissions and energy costs.
Health
Proper drainage around your home is important to keep the space clean and hygienic. It prevents the accumulation of moisture that leads to mildew and mold, preventing diseases in your family. It also keeps the environment healthier by avoiding the accumulation of pollutants that can contaminate water supplies. The drainage system also keeps your home warm, reducing energy costs and making it more comfortable.
In addition to their function of draining excess water, sustainable urban drainage systems prioritize a more holistic and nature-based approach to stormwater management. Unlike traditional drainage systems that prioritize draining water as quickly as possible, SUDS techniques (such as green roofs and permeable pavements) allow stormwater to be absorbed and filtered by the soil, minimizing the amount of water that is discharged downstream.
In the community, drains are a reservoir for microorganisms and can be a source of infection in hospitals, where the same strains of bacteria can be found in both sinks and patients [3, 4]. For example, a SARS outbreak was likely caused by contaminated kitchen drains. Other studies have reported infections from faeces and other human excretions in sinks at community and healthcare facilities.
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pttiedu · 1 year ago
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Secrets Of Pipe Fitting: Insider Tips From Pipe Fitting Classes
Want to ace your career as a pipefitter? Join the pipefitting classes and learn professional tips to push your career forward in the pipefitting industry.
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wutbju · 2 years ago
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Gregory W. Patton, age 47, went to be with his Savior on July 18, 2022. A beloved husband, father, and friend, Greg lived in Pitman for the past 13 years and enjoyed being an active participant in his church and surrounding community. He received his Bachelor's degree from Bob Jones University and his Master's degree from Clemson University. Greg began his career as a CPA in South Carolina. He then worked for Wilmington Trust and Fox Rothschild and most recently worked for Ernst & Young in Philadelphia as a CPA. A devoted husband who was always there for reassurance, encouragement, and support, Greg's family was his world. His kids adored him and looked up to him as their hero. Greg loved to spend time with his kids- teaching them to ride bikes, taking them to play tennis, putting together wooden models, playing games, and assembling puzzles. Greg shared his enthusiasm for life with his children and took the time to teach them important skills- everything from mowing the lawn to fixing plumbing. Greg had an incredible sense of humor with which he could make everyone around him laugh. He was caring and compassionate, stepping in to help others whenever an opportunity arose. A volunteer with Samaritan's Purse, he was always ready to lend a hand to those in need. He loved sports including biking and ice hockey and was an avid Philadelphia Flyers fan. Greg was always ready for the next adventure, whether that was an evening around the firepit in the backyard or a weekend family getaway. He is survived by his wife Lani (Russell) Patton, children Elyse, Garrett, and Norah, parents Carolyn (Sickler) and Ned Patton, sisters Elizabeth (Bradley) Howe, Lori (Jeryl) Bier, and many nieces and nephews. Friends may greet the family from 9:00-10:30am on Tuesday, July 26th at Joy Fellowship Community Church, 309 Florence Ave, Pitman, NJ 08071. Funeral service will be at 11am, private interment to follow. Those desiring may make a monetary contribution to Samaritan's Purse at samaritanspurse.org.
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okay-victoria · 3 years ago
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Random Personal Rant
For anyone somehow here not from the original thread, this started off me getting asked what finishing school is and me getting shit off my chest that is only mildly relevant about how I could both be of the social class that gets sent to finishing school and grows up on welfare.
With an understanding that in many parts of the world it wouldn't qualify as so, as far as the US goes, my dad is from what counts as a very old money family from Baltimore & Philadelphia. Both his siblings went to college and one now owns a major hedge fund, and his sister is married to a C-level executive at a huge conglomerate. His parents went to college. His grandparents went to college. All eight of his great grandparents went to college. My dad...did not go to college. He was not about that life, and while I don't mean it as an insult, when I say his primary occupation until I was ~5 was a drummer in a mediocre band I mean that he opened for a lot of great acts, and if you lived in the Boston to Atlanta area in the 80s you may have heard him play, but he was never a huge national name. But he wasn't an amateur band playing for free at some random local gig either.
My mom grew up on a chicken farm in a Mennonite family in Pennsylvania but also completely rejected her heritage and became a model, sort of like my father, of mediocre status. Not Giselle Bundchen, but had national contracts and if you have a Graco ad/box from 1990-1993 you might see both me and her on it. They met because my mom's friends placed bets, one each, on who could sleep with a member of their favorite local band first and my mom picked my dad and...my mom was actually supposed to go be a model in Tokyo and found out she was pregnant with me and couldn't go 😂
So, after my parents had two kids back to back with a third on the way and determined they needed lifestyles more in line with having three children, they became much poorer than they originally were because my mom stopped working and my dad, with a barely-passed-high-school education but needing a true "day job" worked day labor in construction. My dad's father was too proud to give us money/help if my dad didn't beg for it; despite having eventually four young children my dad never did so we ended up on all the state assistance programs one could imagine. My grandma jokes that dinners at my parents house were BYOC - bring your own chair, because we didn't own any.
My mother and paternal grandmother had no such pride issues and I live in eternal gratitude that my welfare childhood was not as crappy as it should have been because my grandmother would have my mom accompany her on grocery runs and buy us food without my father or grandfather knowing, and every Christmas and birthday my grandparents/godparents could give us the one big ticket gift all the kids wanted that year. But, on the other side, I once got stung by a bee inside my mouth because my brother threw a hairbrush through a cracked window at me and broke it and we couldn't afford to fix it for about two years and a hornet got in one day and rested himself in my coke can (my parents were the very American type that fed me coca-cola in baby bottles at age 8 when I was jealous of my younger siblings lol).
It is hard not to believe in "toxic masculinity" when two men warring over dumbass pride issues would rather their children/grandchildren go without food than suck it up and decide 'help' isn't the worst word in the English language, and you know you've only been saved by two women who came from totally different backgrounds and entirely disapproved of each other but reached out the hand to shake when it came down to toddlers getting the short end of the don't-bend-the-knee stick. It wasn't that either of the men were bad people, I loved them both and got along great with both, but on a societal level I feel they were socialized in a very fucked up way if that was the end result, as both claimed "male pride" in these instances [my dad took multiple thousands of dollars I'd saved from working during college from me during the 2008-2010 financial crisis and didn't tell me and that was the reason I was given for why I hadn't been informed/asked, because it would be too emotionally difficult for an adult man to ask a young woman. My graduation present was them repaying me 1/3 of the money they'd taken from me without asking because I'd like, trusted them when it had been in a joint account that was a holdover from when I was <18 and couldn't have my own bank account].
While in some ways my parents on the surface achieved the American dream of going from nothing to a bunch of money, the real factor in play was that my dad's father was the bank. My parents had no credit and couldn't get real loans. My dad worked construction and during the two major periods that flipping houses was very lucrative, he never had to get an actual loan or pay actual interest, he just had to ask his father to pay out cash and then repay him at a flat 2% interest rate that didn't even accrue over time, just...whenever you are ready, repay the value of the loan + 2%. Because my father was doing something productive, in these instances, my grandfather was happy to pay, because it wasn't giving away money, it was loaning it. I had a very weird situation of mostly being poor but like also getting taken to the "big donors" events at the Kennedy Center and my grandparents regularly buying me a dress as a child worth more than my mom's wedding dress and also needing to pretend I fit in with these people.
And look. When I say "these people"...honestly, by and large, most wealthy people, whether inherited or not, are not the assholes you want to imagine. Most of them are extremely nice. Most of them are generous when it comes to the less fortunate who are in their personal sphere of being. Most of them are just really out of touch. The 100% kindest of all of them that I know once relayed to me that she thought people would be happier if once a year they did what she did...go to the airport with a purse packed full of absolute necessities, buy a one way ticket to the most appealing destination on the flight board, buy your clothes and book your accommodations after you'd arrived, and come back after you felt you'd 'centered' yourself. She didn't understand why there were so many unhappy people who weren't taking this very obvious route to being happier. I didn't quite know how to explain that saying "most" people couldn't afford to do that either financially or from a job/career angle didn't even cover it, as "most" sounds like 70% instead of 99.7%.
I was both my parents eldest son and eldest daughter in the worst combination possible. I was the eldest son because I was the most stereotypically male of all my siblings, in everything from desire to physically fight the battles I was given to dislike of shopping/fashion to lack of emotional connection to my relationships, so I can now fix your average household plumbing/drywall/electrical issue better than most "city" guys I interact with and remain less clingy to them in the process. I was also very much the oldest daughter from a responsibility perspective, I managed our household and from age 10 - 24 managed the finances of our family business, my mom almost died giving birth to my youngest brother after a ruptured uterus that should never have happened in the first place if we had adequate insurance to get her a non-emergency C-section (I was just past 9 years old at the time) and I was informally withdrawn from school for two years to take care of the family when she couldn't because there is no paid parental leave in the US and we got double-fucked by the medical industry because she got a bad "mesh" put in and then had to have a further surgery to repair that which we also had to pay for and didn't have the money to win a lawsuit over.
I don't know quite how to put this, but in the deepest fuck you of the universe, my rich-immigrant-ggggg grandfather's money led to him owning banks, insurance companies, etc, and the family cashed out in a big way when their ownership was bought by and merged with what is now Cigna, one of the biggest US healthcare insurers, and my nuclear family specifically got screwed by the American health insurance industry, but anyway, we were the people selected for that karmic comeuppance so if you want to feel schadenfreude at my expense, I'll allow it without begrudging the sentiment, my family might have fucked up your family’s life too, not just their own.
I got up twice a night to feed my brother because my dad had to sleep unmolested in my room to get to work and my mom was too weak to carry my brother or even hold him against her while she nursed so I had to hold him up to her. Adjusting to living in a city and hearing lots of random noises all the time was not easy when I'd had mom sound instincts from age 9.
I learned to drive the fall my youngest bro was born because my mom couldn't and I had to get my middle brother to preschool and go the grocery store on my own. While I hold absolutely no ill will towards my father or grandfather for this and given that about 1/3 of my paternal family either has an autism diagnosis or should, I fully feel the struggles they both went through to be communicated with, my father wouldn't ask for help, and my grandmother that lived 20 minutes away couldn't give enough help because my grandfather refused to do a single dish on his own as that was outside their "marriage contract" type agreement and she couldn't ever stay with us overnight when there wasn't a clearly-communicated need, so they let the burden fall on a 9 - 11 year old child and that really shaped a lot of my life in both good and bad ways. My youngest brother is 22, and we have only just climbed out of the medical debt his birth left us with between my dad's life insurance and my oldest brother and I paying for the extra cost of out-of-state college tuition.
The irony of all of this is that because my father died before his father, when my grandmother dies, my siblings and I will all inherit enough money (as a non-blood relative my mom, despite keeping her vows to part at death and not having remarried in eight years, is cut out entirely) to make this a non-issue, but my grandfather couldn't conscience spotting his unluckiest child some money in the end of days to pay for my youngest two brothers' education and take that worry off my father as he was dying. The day before he died I had to hold him down in bed to keep him from trying to climb in his truck to go to work because he was so anxious about trying to provide for us in spite of his father having fuck you money, because his father didn't think it was fair to the other siblings (who, at the time, still owned a major hedge fund and were married to a C-level executive of a huge conglomerate). A day and a half later I went back to my job because at the time I was then the sole provider for the family and didn't want to risk asking for the standard week's bereavement leave when I knew I was capable of showing up at work the next day and was fresh out of college so hadn't built up a reputation yet.
My father worked the day each of us was born, so I suppose it is only fair and he smiled at the choice. In spite of what it may seem, I gave a baller and very heartfelt speech at his funeral to all his rich friends that over and above everything, he'd taught us how to be happy with our own lives no matter what, and multiple of them emailed my mom in the aftermath to say they'd reassessed their relationship with their children in light of it, although...tbh I kind of doubt that lasted and they probably changed nothing 😅. The last good talk I had with him, two weeks before he died [his liver was going and it sent toxins to his brain that de-personed him after that and he no longer recognized me as his daughter, but as his sister], I reassured him that though we would all be sad he'd gone, we'd live on just fine without him because that's how he'd raised us, and according to my mom that was what gave him the final bit of peace he needed. Although honestly, I don't think I will ever see the strength in another human again that it took my grandmother to sit next to him and stroke his hand and tell him to close his eyes and imagine he was happy on a beach and die, for God's sake, because he was unaware and in pain and just prolonging it for our sake by then.
That type of obsession my grandfather had with assessing his children and grandchildren on the basis of economic productivity and a very black and white idea of "fair" is one you don't easily forget, I promise you. My hedge fund uncle is currently positioning himself to screw us out of our inheritance because of janky writing in the will and I'm doing my fuck all best to gain the wherewithal to go toe-to-toe with this cold motherfucker in court as the oldest and representative member of my happily much nicer and softer younger brothers who I want to remain that way not because I even care that much about the money, I know what bills affect your credit first and what you can put off paying and all of us have good enough career prospects to do our own thing, but just because I want to give the middle finger to a man that was a multi-millionaire and drew lines on his milk and orange juice bottles when I came over so he knew if I drank what my parents couldn't afford when I was approximately six. Anyway, ask me why I support major reforms in wealth taxation. I don't care who it goes to, just not that guy, you feel?
Having expendable income was very exciting for a bit after I started working but once I got to the hateable point of assessing my annual bonus and internally complaining that I'd spent the money I should have spent on a Sauternes cellar to drop five digits on bedset materials (to be fair they are drop dead gorgeous, very comfy and the factory pays a living wage for people to handmake the sheets/duvets/pillows to people in San Francisco, which is not cheap, so maybe I did more good than harm with that), I two seconds later nodded to myself and went "the government needs to confiscate more money from me". The narrative is always that the "undeserving" will use it for dumb things they don't need like iPhones or refrigerators...?...but like...I could also have gone to Bed Bath and Beyond and bought a very nice sheet/comforter set for at most a tenth of what I paid so am I really spending it responsibly either....?....who is going to get more joy out of this misspent money....?....not me, that is for sure, I probably would have had more fun going to BBB and laying on all the demo beds and buying something there.
My lifelong dream, which may become possible if/when I do have something of an inheritance, is to provide food security for one of the many towns in the US were most residents don't have it. It's the thing I remember the most distinctly over the years. I never could quite believe it when I got to the point that I could just...pay to eat at a restaurant. One of the most disappointed my mother has ever been in me is when I was twenty five and confessed I actually had no idea how much a gallon of milk cost in a city grocery store besides that it was probably between $1 and $5, because I didn't have to know. For now I make a weekly drop off of my excess produce to a mom group I met under somewhat weird circumstances but I was walking through the cut-through that went through the low-income housing back to my apartment at like 2 AM on a Saturday and these moms were out there partying and smoking weed with their kids all strapped in strollers around or the older ones watched by a rotating member of the group and I felt very safe and like these moms had a very good vibe of both living their own lives [seriously for mental health parents but in most cases specifically mothers need to be able to keep up relationships with people their age] but keeping their children safe and accounted for while doing so and trying their fuckin' best against all the odds to figure out how to make that happen when life had dealt them a shit hand.
...anyway, looping way back to the original question of what finishing school is, when I was almost done with middle school my dad had built a legit construction business that then very quickly took off because we lived in a commutable zip code to the now-rich-in-their-own-right people he went to high school with who trusted him to redo their homes. We eventually moved to that zip code but I stayed and commuted back to my old high school. But, i was a pretty wild kid which my father appreciated for a long while because I would follow him around on jobs and enjoy doing physical labor, but once I was mid-puberty and also he had to maybe show me to his high school friends that did not fly.
I snapped - not broke, snapped - my left thumb and my parents had to trap me like a wild animal to get me to go the hospital. Then I got a deep cut that partially injured a tendon in my leg and at eleven I tried to beat the shit out of my dad to prevent him from picking me up to strap me in the car and go to the hopsital. Next I got a deep splinter due to my eternal-barefoot tendencies and it wouldn't come out so got infected and I refused to go to the doctor [another weird back story but I was minorly sexually assaulted [[to be clear, not raped or anything big traumatic]] when I was eight and had to stay in hospital for a week and my parents couldn't be with me all the time so I have a permanent heebie-jeebie about going to the hospital, not true anxiety, I will go if I know I need to and I don't breathe heavy or anything, and I'm actually not permanently weirded out by sex or anything, just doctors in hospitals specifically I kind of unconsciously try to justify not needing to the extent I can rationalize it] and my dad was tired of my antics so he was like "fine if you don't go I will slice your foot in half with a Swiss Army knife to get it out" and I called his bluff and laid down on the floor, stuck my foot on his lap, and he didn't really know what to do when a barely fourteen year old girl called his bluff so my brothers watched in fascinated but horrified awe as I got my foot sliced open spectacularly so that the infection/splinter could come out and I didn't even make a sound out of spite despite it being quite painful to my recollection almost twenty years later.
They saw me cry from pain exactly one time when while trying to break up a fight between all three of them (it was over ice cream) I got pushed and my ankle got dislocated and what actually made me cry was snapping it back in place and they realized it was not a joke. These dumb assholes that I love have ragged on me for "skipping" chores the day after I was in the hospital because the day before that I had to spend 18 hours running Thanksgiving as a good sub-hostess like I didn't have a serious infection that needed treating and couldn't rest because none of them were up to any task beyond peeling potatoes.
After the Swiss Army knife incident, my dad's discussion of sending me to finishing school became real, which I knew when my mom made me take a walk with her and talked about it. Finishing school is like...etiquette school....? In ye olden day when finishing high school was not the norm for anyone, wealthy men finished high school and wealthy women often went to "finishing" school to have a combined education on being a proper lady but also being able to hold a decent conversation with your presumably-educated husband, so it wasn't entirely etiquette non-academic. It was more just like "what a rich man wants in a wife" school, which was sort of household management and knowing enough about cleaning/cooking to correct the staff if they fucked up, how to be a polite hostess, and how to not entirely bore him when you were alone together and had done your five minutes of sex or whatever so actually had to have a conversation. In modern times it has obviously expanded to be less bleak.
I said miss me with that, I can be a girl on my own, so I went full throttle into the girliest sport they offer in high school and ever since have gained the inestimable advantage of knowing how to also use femininity to my advantage, which I am very grateful to my parents for making me learn. It would be great if we lived in a world where that didn't count, but it did/still does, and they really set me up to operate in all the worlds.
It is weird for me to tell the story to Internet strangers because it's one of those things that makes your parents sound terrible and abusive in the general tone of the Internet nowadays, and while I support gender nonconforming children I don't remember my childhood or parents that way. But, I feel like the bits and pieces of my life I've given don't always make a ton of sense together without the context, so here it is, and in the end, I think a number of parts of it are areas where you can probably understand where it makes me have the opinions I do when I write.
Anyhoo, this makes my life sound far worse than it is, I actually have a great life and I am not unhappy with it at all and feel I was on the whole blessed with many more turns of luck than unluck, so, please, do not take this as a depressed artist rant, it is more like a rant of a very energetic person who rants about a lot of things all the time and didn’t need to come out but just did because the question was asked and the time was right with my life being in a bit of flux to think about how I got where I am and where I want to go and why.
Always remember no matter what problems it seems like I have, if I didn’t solve them on my 2 year round the world traveling hiatus I took from working, it’s my own fault, I definitely had the time and money to solve them and just chose not to.
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wetsteve3 · 3 years ago
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REG DEARDEN’S SUPERCHARGED VINCENT 1949 VINCENT BLACK LIGHTNING FRAME NO. RC4436 ENGINE NO. F10AB/1C/2536
Sold for £ 221,500 (US$ 304,687) inc. premium Following a glorious era throughout the 1920s period very few British motorcycles were mechanically capable of contesting the rarefied world of Record Breaking. Since WWII the most frequent choice of machine for the Blue Riband of Motorcycling has been Vincent’s 1000cc Black Lightning. Vincent is undoubtedly revered as Britain’s most cherished medium-volume manufacturer but, having begun in 1928, and started manufacture at Stevenage (Herts), regularly producing several hundred machines each year, it was to universal disappointment the firm ceased trading in 1955. However, when arguably at their peak during the late 1940s, the American rider Rollie Free – formidable former Indian racer, and renowned for his hatred of Harleys – gained the World Speed Record at Bonneville Salt Flats, Utah, USA, for Un-Streamlined Machines on Fuel. This was achieved in September 1947 on a much-modified version of the 50-degree ohv vee twin. The Vincent was owned by John Edgar and, by arrangement, had been especially prepared at the factory. Famously, those last few mph of the Record attempt had proven elusive until Free stripped down to his bathing trunks, whereupon, he thundered through the traps at the magic two-way average speed of 150.31 mph. This important Record saw Vincent’s contemporary advertising proclaim they made the World’s Fastest Standard Motorcycle. And, very soon there after, the firm were prompted to introduce the Black Lightning model, incorporating a similar engine specification to that of the Edgar/Free prototype. Priced in excess of £400 it was easily Britain’s most expensive motorcycle. Is it any surprise, perhaps, but barely 30 examples were ever produced and sold. Today, a Black Lightning is categorically acclaimed as the Holy Grail of post war motorcycles.
  By its very nature Record Breaking is traditionally the most demanding of arenas. The roll call of contestants with a realistic chance of success has never extended beyond the resourceful few. However in 1949 The Motor Cycle, Britain’s leading 2-wheel publication, offered a Trophy, plus a generous £500 prize [more than the price of a new ’Lightning] for the first successful all-British attempt on the absolute World Speed Record, for which full streamlining was clearly a necessary requirement. The Record had been held since 1937 by BMW at 173.54 mph. Inspired by the Blue Un’s offer Reg Dearden, a popular high profile m/c dealer at Chorlton-cum-Hardy [Manchester], purchased a Black Lightning direct from the factory, expressly for the purpose. There was a widely held belief in those days that the guarantee for reaching these targeted speeds was most easily achieved by the fitment of a supercharger. In early 1950, therefore, Reg returned the bike to Stevenage for the retro fitting of a purpose-built Shorrocks ’charger, together with the necessary but complex “plumbing” system, which was fed via an outsize S.U. carburetor and float chamber. Other mandatory tasks included an extension of the gearbox and engine main shafts, the making of a special clutch contained by specially cast alloy casings, fabrication of a dramatically re-shaped ex Grey Flash fuel tank and, in order to correctly install the supercharger within the chassis, the main frame, engine plates, and swinging arm were strengthened-and-lengthened” by about 6 inches. The work was undertaken under the personal supervision of Phil Vincent, MD, with advice and assistance from George Brown and various other luminaries constantly involved at the Stevenage factory. Press reports of the time quote Dearden’s subsequent claims to the effect that every individual part on the bike was virtually now “one-off”, simultaneously admitting in a rueful mode how the work had cost him several thousand pounds! The work in fact proved such a massive undertaking that it took the factory until mid-July to complete.
  Public appearances of the Vincent, thereafter, were infrequent, inasmuch the next reported sighting of the now supercharged Vincent was as part of a spectacular display in a branch of Kings of Oxford, whose 20-odd shops were owned by Stan Hailwood [Mike’s father], an old friend of Dearden. Reg himself, meanwhile, was enjoying a close relationship with Norton over an arrangement that entailed the entering and supporting of a posse of promising young riders to compete in the Isle of Man TT and elsewhere, riding the Bracebridge Street machines. At any one time Dearden had at least 20 Manx Norton competitors “on his books”, a program that continued for many seasons, undoubtedly consuming an immense amount of time and concentration on his part. It is probably this reason, along with the news in 1951 that NSU had now upped the Speed Record to 180.29 mph, which caused the modified Vincent to lay dormant until 1953, when it was briefly announced in the technical press that the intended rider for the Record attempt – presumably at Bonneville – would be Les Graham [father of Stuart]. Les was already 500cc World Champion, and had been assisted by Dearden in his early career. Sadly, he was fatally injured in the 1953 Senior TT, causing yet another delay and a possible reduction in enthusiasm for the Record Breaking project. Even so there are some recorded instances of the bike in use. It was timed at Pendine Sands at 150 mph, but ran its bottom end. Following this setback it was further modified at the Stevenage factory, whose tester briefly rode the machine, fitted with silencers, on the public highway. Reg, too, apparently tried a series of straight-line Burn Outs, using “slave” tyres. And, in a letter to Classic Bike dated April 1992, Ireland’s Vincent agent, Harry Lindsey confirms how he too once rode the bike on an undisclosed aerodrome strip, although his all too brief “blast” was swiftly curtailed due to engine shaft failure.
  The setting by NSU, in 1956, of a new Speed record at Bonneville, at 211.40 mph, seemed somehow to rekindle Dearden’s interest, for it was reported he would now fly the bike to the Salt Flats – although no rider was specified – in his own Cessna airplane, for one last serious attempt. Yet again it came to nought when the CAA refused to certify the aircraft concerned for this particular mode of transportation! The Vincent thus stayed unused and neglected at Dearden’s premises over the next decade, until it was eventually sold to Eric Biddle, a publican friend, in 1970. Biddle never used the machine, but sold it on to Michael Manning, a scientist, who lived in Pennsylvania, USA. In 1977 Manning took the Supercharged Vincent to a Vincent Owners Club Rally in Canada, where it was ridden over a short distance but, after returning to his home in Philadelphia, it again remained in storage until acquired in 1987 by the present owner, a passionate collector and user of Vincents, from Texas.
  The vendor’s association with the Stevenage product is a profound and lifelong relationship. As a true aficionado he knows instinctively if a Vincent needs restoring, or when sympathetic preservation is the better route. In the case of the Dearden Vincent he’s applied the latter philosophy. After his purchase, and following a gentle re-commission, he was struck by the machine’s obvious originality. Considered alongside its minimal Running Time, over a period of sixty years, this originality creates something that is utterly unrivalled. During the last 20 years the vendor confirms that the bike has been run on several occasions. The resultant racket emitted by those huge open pipes, he claims, resembles no other. In 1999 the well-known UK photojournalist Mick Duckworth sampled the Vincent on a remote Texas highway for a 7-page feature in Classic Bike. The generous terrain allowed Mick sufficient space, and enough time, for familiarization. After reaching a speed close to 100 mph in bottom he bravely engaged second gear…at which point he suddenly remembered exactly what a precious artefact he was astride. The test ride concluded happily, however, with the owner stating, “You’ve probably ridden this Vincent further than anyone in living memory!”
  The historic Black Lightning reposes in all its visual potential, slightly oily, yet with its original HT leads and the OE Avon tyres first fitted at Stevenage so long ago; even the rims’ black factory paint remains in place. Original low usage Black Lightnings are rare, supercharged ’Lightnings rarer still. This one is unique
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stevepotterwrites · 4 years ago
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A Review of David Lynch Biography/Memoir “Room to Dream”
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As one might well expect from a book about the life and work of the eccentric auteur David Lynch, Room to Dream is by turns hilarious, heartbreaking, and a little strange. Biography and memoir in one, each chapter contains two sections separated by three or four pages of black-and-white photos from the time period covered in the chapter. First, we get a well-researched and clearly-presented biographical take featuring input from Lynch’s friends, family members, and collaborators. Former L.A. Times journalist Kristine McKenna does a fine job of keeping the story of Lynch’s improbable rise moving along. She gets out of the way and lets her interviewees do the talking when that’s best and weaves their recollections effectively giving us glimpses of the different stages of Lynch’s life and career from multiple angles. In the second section of each chapter, Lynch takes over and revisits the past in his own words. He goes into greater detail, sometimes, focusing on an aspect of the story that wasn’t covered in as much depth in Ms. McKenna’s section sometimes building on what others said. On a few occasions, he remembers things differently and disagrees with what others have said. For example, Lynch believes that Anthony Hopkins tried to get him fired from directing The Elephant Man. Ms. McKenna’s conclusion, based on her research, is that Hopkins complained bitterly about Lynch but stopped short of demanding he be fired and replaced. Who can really say for sure which account is closer to the truth? Either way, Lynch had the last laugh. The Elephant Man was a critical success and received eight Oscar nominations including Best Director. His career was launched. As much as one may be put off by Hopkins’ snotty attitude and presumption, regardless of whether or not he actually pushed to remove and replace Lynch or merely complained about him, his concern about being directed by a complete unknown isn’t really too surprising. Lynch was an inexperienced young director whose only full-length film was a bizarre, unclassifiable, no-budget, black-and-white surrealistic nightmare starring a bunch of actors no one had ever heard of before and which had only been shown as the midnight movie at a handful of art house theaters in the States. Yes, it’s recognized as a classic now and, yes, Lynch has become a legend, but at the time he was a completely unknown young American directing a cast of highly-acclaimed British actors including stage legend John Gielgud. Incredible. Thankfully, producer Mel Brooks had great faith in Lynch and admirably threw his full support behind him despite the reservations Hopkins and, quite likely, though less vocally, others had.Lynch’s rise was an astonishingly steep career trajectory by any measure. He made the animated short loop Six Men Getting Sick in 1966 and the live-action short The Grandmother in 1968 while a student at Pennsylvania Academy of Fine Arts in Philadelphia. Those opened the door to the American Film Institute in California where over a five-year period, on a tiny budget, with a small dedicated crew, he made Eraserhead. That film, in turn, convinced Mel Brooks that Lynch was the guy he was looking for to direct The Elephant Man  starring his wife, Anne Bancroft, among many other fine performers. Then came hard lessons learned from the $40 million (estimate according to IMDb) big-budget disaster of Dune. Despite that not going so well, producer Dino De Laurentiis gave Lynch the go-ahead to direct Blue Velvet with full creative control. Lynch found his groove and went on to create the body of work he is best known for. What we see examples of repeatedly throughout Room to Dream that at least in part explains his success is how Lynch’s charisma, contagious enthusiasm for his projects, and dedication to his craft and vision engenders a sense of loyalty from his actors, crew and other collaborators. The section of the book which recounts Catherine Coulson’s final performance in her iconic role of Margaret Lanterman, AKA the Log Lady, may well have you weeping when you read it. Her scenes will take on a deeper poignancy when you watch Twin Peaks: The Return again. Ms. Coulson was a key member of the Eraserhead team who worked tirelessly to help get that film made even donating her waitressing tips to the cause. Many of those sharing stories in the book are world-famous — Isabella Rossellini, Kyle Maclachlan, Laura Dern, Sting, John Hurt, Sissy Spacek — but some of the most illuminating insights come from lesser-known behind-the-scenes talents. One of my favorites is handyman and jack-of-all-trades, Alfredo Ponce. Mr. Ponce was doing some landscaping work in Lynch’s neighbor’s yard in the mid-nineties. Lynch struck up a conversation with him and the two hit it off. Lynch hired him to do some cleaning. He has been working for Lynch ever since taking care of everything from landscaping to plumbing to electrical work to mechanical repairs to building a set for Inland Empire.  “People see me here cleaning or raking leaves and they think nothing — they don’t know how much I know,” Mr. Ponce says. “I can smell things from far away, and I can see immediately when someone comes up here who doesn’t have David’s best interest at heart. The negative energy — I can see that, and I’ve seen a lot of people come and go. David’s an easygoing, nice person and he can be taken advantage of, so I try to protect him. Anybody who works here has to be somebody I trust.” Ponce’s picture jibes with the overall depiction of Lynch in the book. While he’s had his fallings out, breakups, business deals gone wrong and so forth the general consensus seems to be that he’s a pretty nice guy. On a scale of Dale Cooper doppelgangers, he’d likely hew more toward the Dougie Jones side of the spectrum than the Evil Coop zone. No doubt the man can be cantankerous, cranky, foul-mouthed and ill-tempered when confronted with realities that get in his way, as demonstrated in this clip below from the making of Twin Peaks: The Return, but some Hollywood veterans who’ve worked with him describe the experience as among the nicest, most pleasant and least dysfunctional gigs they’ve had in their long careers. The man has manners. He’s considerate. He knows everybody on set by name and acknowledges their contributions far beyond the directorial norm. This may in part be due to his long commitment to the daily practice of Transcendental Meditation. We also see Lynch’s maniacal attention to detail. He’ll fuss over something on set that likely won’t even be visible on screen in the end. To get the feel of the scene just right, it is important for him that all of the details be just so, just right. And, of course, if one gets to the point of fussing over minor details that won’t ever show, it’s only because there’s nothing left to fuss with. Everything is just right and ready to go. He’s like the short story writer who knows he is done with a story when he finds himself putting commas back in that he’d previously cut. Yet coupled with that powerful desire to get the set to look just the way he envisioned it is the seemingly contradictory willingness to embrace chance and serendipity, to spontaneously incorporate a new element that presents itself into the work. Lynch’s best friend since high school, the production designer and artistic director Jack Fisk, who has worked with many of the finest directors in Hollywood including the Coen Brothers and Terrence Malick and is every bit as well-respected as Lynch in the movie industry (though far less famous to the general public) gives an example of this from when they were teenagers obsessed with painting. A large moth flew onto one of Lynch’s wet paintings, got trapped and flailed away trying to break loose. While another painter might have been upset and set to work to remove the moth and smooth over the disrupted section of paint, Lynch was thrilled and at once accepted the dying moth’s struggle and eventual death as a part of the painting. Many years later, in a now famous incident, set designer Frank Silva accidentally got himself trapped on the set of Laura Palmer’s bedroom when he blocked the exit door with a dresser. He hid behind the bed during the filming of a scene. Lynch was intrigued by the thought of an unseen character hiding in the room. In a later scene in the Palmers’ living room, Silva’s face was accidentally shown reflected in a mirror. Clearly, he was supposed to be in the show. Lynch incorporated Silva into the series as a central figure, the evil, interdimensional being BOB who possesses Leland Palmer and makes him do bad things. It is hard to imagine Twin Peaks without BOB but such a version might have been if Mr. Lynch was less open to influence, if he didn’t allow himself the room to dream. Room to Dream. What a perfect title. Mr. Lynch managed to find himself the room to dream and to bring those dreams alive on film, on record, and on canvas so the rest of us can dream along with him. He got past the most common destroyer of artistic ambition — concerned, well-meaning parents who don’t understand what you’re doing — and found collaborators who did get it. That this is a book Lynch fans will enjoy goes without saying, but it’s also a good choice more generally for anyone interested in how movies get made or those who simply enjoy a good memoir.
-- Steve Potter
https://bookfreak.us/2018/10/21/david-lynchs-room-to-dream/
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pttedu · 11 months ago
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Building Tomorrow: Empowering Through Skilled Trades in Philadelphia
In the heart of Philadelphia lies an opportunity to shape the future through skilled trades training. Our programs offer a gateway to hands-on learning, providing essential skills and expertise in carpentry, plumbing, electrical work, and more. Through mentorship and practical experience, we empower individuals to forge successful careers. Join us in sculpting a brighter tomorrow through the artistry and proficiency of skilled trades.
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pttiedu · 1 year ago
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Certification Types Available For Pipefitter Workers
Pipefitter workers have several certification types to enhance their skills and work experience. Dive in to learn about pipefitter certification programs!
plumber schools in north philadelphia east, best plumbing schools in Wynnfield Heights, plumbing certificate programs in north philadelphia east, become a plumber in philadelphia, plumber program in Wynnfield Heights, is plumbing a good career, plumbing school in wynnfield heights, best plumbing schools in Spring garden ,
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What Do you Need to Become a Plumbing Contractor in Broomall?
Planning to build a plumbing business is a profitable proposition. However, as a plumbing contractor in Broomall, to establish the business and achieve success, you need the right skills and training. What are they? Do you have it in you? Keep reading to learn more.
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Training
To succeed as a plumber, you need to enroll yourself for a good training program that involves a pre-apprenticeship program, followed by a 5-year apprenticeship. This will lay the foundation for a successful career as during the course of the same you will learn procedures that are integral to the job like installation, repair, maintenance of plumbing pipes, fixtures, lines, etc. You will also learn how to use different hand and power tools like augers, plungers, wrenches, snakes, power threaders, circular saws, cordless drills, and welding torches.
Technology
As a professional plumbing contractor in Broomall offering quality services, you need to be aware of the latest in technology and trends in the field. With the advent of digitally controlled plumbing fixtures and many customers wanting to follow environment-friendly trends, high-tech trends, you have to be well-equipped with the knowledge of the latest in products like hands-free faucets, programmable showers, systems like digital leak-monitoring systems, greywater recycling systems, etc.
Skills
Irrespective of the type of plumbing involved, there are certain skills that you need to have as a plumbing contractor. As you will be working with pipes, mostly in confined spaces, and you will need to hold and work with different kinds of fixtures that might be heavy, you need physical skills and adeptness to complete the tasks perfectly. A good vision is also a necessity. Secondly, you need to work safely. As a plumber you will be using varied tools, chemicals, etc. that might cause injury if not used properly, you have to know how to follow safety procedures at work to keep yourself, your colleagues, and your clients, safe. Finally, to achieve success as a plumbing contractor you should know basic math well, have commendable communication and problem-solving skills, and the ability to handle a situation calmly. The willingness to continue learning, and keep building new skills will help you achieve success in your career.As a plumbing contractor, you need a good plumbing supply store to source your materials for your projects. If you are a plumbing contractor in Broomall, you can head to the Weinstein Supply Bath and Kitchen Showroom in Broomall that offers solutions for plumbing and heating contractors. They make deliveries to plumbing contractors across the Delaware Valley including, Delaware, Chester, Montgomery, and Philadelphia counties as well as Delaware and New Jersey. You can place your orders online or over the phone and they will have the order ready to go. You can ship the order to your shop or even get materials directly to your job site. Call the showroom for more information.
About Weinstein Bath and Kitchen Showroom in Broomall:
Weinstein Bath & Kitchen Showroom and Weinstein Supply are to provide excellent products & customer service to consumers across the spectrum of bath & kitchen design, plumbing, and heating industries. The mottos “Love Your Bath & Kitchen” and “Progress in Action” show a commitment to ensuring customer satisfaction and a promise to continue improving. Visit https://www.weinsteinbath-kitchen.com/ to learn more about our products and services.
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airmanisr · 4 years ago
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V&T #22 meets.....V&T #22! by Kevin Madore Via Flickr: The Conductor on McKeen Motor Car #22 stands in the gangway as his "train" holds the main loop track, awaiting the passage of Locomotive #22 "Inyo" and her short passenger train. Both are priceless artifacts from the original Virginia & Truckee Railway, having been delivered new to the line some 35 years apart. Inyo was built in 1875 by the Baldwin Locomotive Works in Philadelphia, PA, and was the last of 5 V&T 4-4-0 engines that were built specifically for passenger service. Like many of her sisters, she was built as a woodburner, and converted to burn oil in the early 20th century. She remained at the V&T until 1937....a career of 62 years....before being sold to Paramount Studios, where she had a second career as a movie star. She was repatriated to Nevada and the State Railroad Museum in 1974. In an effort to cut costs and reduce the need for steam-powered passenger trains, the Virginia & Truckee purchased the 70 foot long McKeen Motor Car #22 in 1910. Looking more like an antique boat than a railcar, and powered by a 200 hp gasoline-burning engine, this machine could carry 54 passengers as well as some baggage. Although it was originally envisioned for use on the Virginia City line, one trip up the hill proved that she was unsuitable for the tight curves and close clearances on that branch. The McKeen was pressed into service on the on the 15-mile Minden Branch, where she then served for many years. When passenger service declined in the 1930s, she was rebuilt as a Railway Post Office and ran daily service from Reno all the way to Minden. She was finally retired in 1945 and the body was sold off to become a diner for many years in Carson City. It later saw service as the front office of a plumbing supply house. The body was donated to the Nevada State Railroad Museum in 1996 and later underwent a complete restoration, returning to service in 2010, literally 100 years after the car was acquired new.
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blackkudos · 6 years ago
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Ta-Nehisi Coates
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Ta-Nehisi Paul Coates ( TAH-nə-HAH-see KOHTS; born September 30, 1975) is an American author, journalist, comic book writer, and educator. Coates is a national correspondent for The Atlantic, where he writes about cultural, social and political issues, particularly as they regard African-Americans.
Coates has worked for The Village Voice, Washington City Paper, and Time. He has contributed to The New York Times Magazine, The Washington Post, The Washington Monthly, O, and other publications. In 2008 he published a memoir, The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood. His second book, Between the World and Me, was released in July 2015. It won the 2015 National Book Award for Nonfiction, and is a nominee for the Phi Beta Kappa 2016 Book Awards. He was the recipient of a "Genius Grant" from the John D. and Catherine T. MacArthur Foundation in 2015. He is the writer of the Black Panther series for Marvel Comics drawn by Brian Stelfreeze.
Early life
Coates was born in Baltimore, Maryland, to father William Paul "Paul" Coates, a Vietnam War veteran, former Black Panther, publisher and librarian, and mother Cheryl Waters, who was a teacher. Coates' father founded and ran Black Classic Press, a publisher specializing in African-American titles. The Press grew out of a grassroots organization, the George Jackson Prison Movement (GJPM). Initially the GJPM operated a Black book store called the Black Book. Later Black Classic Press was established with a table-top printing press in the basement of the Coates family home.
Coates' father had seven children, five boys and two girls, by four women. Coates' father's first wife had three children, Coates' mother had two boys, and the other two women each had a child. The children were raised together in a close-knit family; most lived with their mothers and at times lived with their father. Coates said he lived with his father the whole time. In Coates' family, he said that the important overarching focus was on rearing children with values based on family, respect for elders and being a contribution to your community. This approach to family was common in the community where he grew up. Coates grew up in the Mondawmin neighborhood of Baltimore during the crack epidemic.
Coates' interest in books was instilled at an early age when his mother, in response to bad behavior, would require him to write essays. His father's work with the Black Classic Press was a huge influence: Coates has said he read many of the books his father published.
Coates attended a number of Baltimore-area schools, including William H. Lemmel Middle School and Baltimore Polytechnic Institute, before graduating from Woodlawn High School. Coates' father got a job as a librarian at Howard University, which enabled some of his children to attend with tuition remission.
After high school, Coates attended Howard University. He left after five years to start a career in journalism. He is the only child in his family without a college degree. In mid-2014, Coates attended an intensive program in French at Middlebury College to prepare for a writing fellowship in Paris, France.
Career
Journalism
Coates' first journalism job was as a reporter at The Washington City Paper; his editor was David Carr.
From 2000 to 2007, Coates worked as a journalist at various publications, including Philadelphia Weekly, The Village Voice and Time. His first article for The Atlantic, "This Is How We Lost to the White Man", about Bill Cosby and conservatism, started a new, more successful and stable phase of his career. The article led to an appointment with a regular column for The Atlantic, a blog that was popular, influential, and had a high level of community engagement.
Coates became a senior editor at The Atlantic, for which he wrote feature articles as well as maintaining his blog. Topics covered by the blog included politics, history, race, culture as well as sports, and music. His writings on race, such as his September 2012 The Atlanticcover piece "Fear of a Black President" and his June 2014 feature "The Case for Reparations", have been especially praised, and have won his blog a place on the Best Blogs of 2011 list by Time magazine and the 2012 Hillman Prize for Opinion & Analysis Journalism from The Sidney Hillman Foundation. Coates' blog has also been praised for its engaging comments section, which Coates curates and moderates heavily so that "the jerks are invited to leave [and] the grown-ups to stay and chime in."
In discussing The Atlantic article on "The Case for Reparations", Coates said he had worked on it for almost two years. He had read Rutgers University professor Beryl Satter's book, Family Properties: Race, Real Estate, and the Exploitation of Black Urban America, a history of redlining that included a discussion of the grassroots organization, the Contract Buyers League, of which Clyde Ross was one of the leaders. The focus of the article was not so much on reparations for slavery, but was instead a focus on the institutional racism of housing discrimination.
Coates has worked as a guest columnist for The New York Times, having turned down an offer from them to become a regular columnist. He has also written for The Washington Post, the Washington Monthly and O magazine.
Coates is a national correspondent at The Atlantic.
Author
The Beautiful Struggle
In 2008, Coates published The Beautiful Struggle, a memoir about coming of age in West Baltimore and its effect on him. In the book, he discusses the influence of his father, a former Black Panther; the prevailing street crime of the era and its effects on his older brother; his own troubled experience attending Baltimore-area schools; and his eventual graduation and enrollment in Howard University.
Between the World and Me
Coates' second book, Between the World and Me, was published in July 2015. The title is drawn from a Richard Wright poem of the same name about a Black man discovering the site of a lynching and becoming incapacitated with fear, creating a barrier between himself and the world. Coates said that one of the origins of the book was the murder of a college friend, Prince Carmen Jones Jr., who was killed by police in a case of mistaken identity. In an ongoing discussion about reparation, continuing the work of his June 2014 Atlantic article on reparations, Coates cited the bill sponsored by Representative John Conyers "H.R.40 – Commission to Study Reparation Proposals for African-Americans Act" that has been introduced every year since 1989. One of the themes of the book was about what physically affected African-American lives, e.g. their bodies being enslaved, violence that came from slavery, and various forms of institutional racism. In a review for Politico magazine, conservative pundit Rich Lowry stated that while the book is lyrical and powerfully written, "For all his subtle plumbing of his own thoughts and feelings and his occasional invocations of the importance of the individuality of the person, Coates has to reduce people to categories and actors in a pantomime of racial plunder to support his worldview." In a review for Slate, Jack Hamilton wrote that the book "is a love letter written in a moral emergency, one that Coates exposes with the precision of an autopsy and the force of an exorcism".
Black Panther
Coates is the writer of the comic book series about the Black Panther for Marvel Comics drawn by Brian Stelfreeze. Issue #1 went on sale April 6, 2016, and sold an estimated 253,259 physical copies, the best-selling comic for the month of April 2016.
He also wrote a spinoff of Black Panther titled Black Panther and the Crew which ran for six issues before being cancelled.
We Were Eight Years in Power
Coates' collection of previously published essays on the Obama Era, entitled We Were Eight Years in Power: An American Tragedy has been announced by Random House, with a release date of October 3, 2017. The title is a quote from 19th-century African-American congressman Thomas E. Miller of South Carolina, who asked why white Southerners hated African Americans after all the good they had done during the Reconstruction Era. Coates sees parallels with the Obama presidency.
Teaching
Coates was the 2012–14 MLK visiting professor for writing at the Massachusetts Institute of Technology.
He joined the City University of New York as its journalist-in-residence in late 2014.
In 2017, Coates will join the faculty of New York University's Arthur L. Carter Journalism Institute as a Distinguished Writer in Residence.
Upcoming projects
Coates is currently working on several projects. These include America in the King Years which is a television project with David Simon, Taylor Branch, and James McBride about Martin Luther King Jr. and the Civil Rights Movement, based on one of the volumes of the books America in the King Years written by Taylor Branch, specifically At Canaan's Edge: America in the King Years, 1965–1968. The project will be produced by Oprah Winfrey and air on HBO. He is working on a novel about an African American from Chicago who moves to Paris.
Coates is also set to adapt Rachel Aviv's 2014 New Yorker article "Wrong Answer" into a full-length feature of the same title, starring Michael B. Jordan with direction by Ryan Coogler.
Personal life
Coates says that his first name, Ta-Nehisi, is an Egyptian name his father gave him that means Nubia, and in a loose translation is "land of the black". Nubia is a region along the Nile river located in present-day northern Sudan and southern Egypt. As a child, Coates enjoyed comic books and Dungeons & Dragons.
Coates lived in Paris for a residency. In 2009, he lived in Harlem with his wife, Kenyatta Matthews, and son, Samori Maceo-Paul Coates. His son is named after Samori Ture, a Mandé chief who fought French colonialism, after black Cuban revolutionary Antonio Maceo Grajales, and after Coates' father. Coates met his wife when they were both students at Howard University. He is an atheist and a feminist.
With his family, Coates moved to Prospect Lefferts Gardens, Brooklyn, New York, in 2001. He purchased a brownstone in Prospect Lefferts Gardens in 2016.
In 2016, he was made a member of Phi Beta Kappa at Oregon State University.
Awards
2012: Hillman Prize for Opinion and Analysis Journalism
2013: National Magazine Award for Essays and Criticism for "Fear of a Black President"
2014: George Polk Award for Commentary for "The Case for Reparations"
2015: Harriet Beecher Stowe Center Prize for Writing to Advance Social Justice for "The Case for Reparations"
2015: American Library in Paris Visiting Fellowship
2015: National Book Award for Nonfiction for Between the World and Me
2015: Fellow of the John D. and Catherine T. MacArthur Foundation
Bibliography
Monographs
Asphalt Sketches. Baltimore, Maryland: Sundiata Publications, 1990. OCLC 171149459 Book of poetry.
The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood. New York: Spiegel & Grau, 2008. ISBN 978-0-385-52684-5 OCLC 638193286
Between the World and Me: Notes on the First 150 Years in America. New York: Spiegel & Grau, 2015. ISBN 978-0-812-99354-7 OCLC 912045191
Comics
Black Panther (#1–) (2016–)
Black Panther: World of Wakanda (#1–6) (2016) (with Roxane Gay, Yona Harvey)
Black Panther and the Crew (#1–6) (2017) (with Yona Harvey)
A Nation Under Our Feet (collects issues #1–12)
A Nation Under Our Feet Book 1 (tpb, 144 pages, 2016, ISBN 1-3029-0053-6)
A Nation Under Our Feet Book 2 (tpb, 144 pages, 2017, ISBN 1-3029-0054-4)
A Nation Under Our Feet Book 3 (tpb, 144 pages, 2017, ISBN 1-3029-0191-5)
Vol. 1: Dawn of the Midnight Angels (tpb, 144 pages, 2017, ISBN 1-3029-0650-X)
Vol. 1 (tpb, 136 pages, 2017, ISBN 1-3029-0832-4)
Selected articles
"Promises of an Unwed Father". O: the Oprah Magazine. January 2006.
"American Girl". The Atlantic. January/February 2009. Profile on Michelle Obama.
"A Deeper Black". Early, Gerald Lyn, and Randall Kennedy. Best African American Essays, 2010. New York: One World, Ballantine Books, 2010. pp. 15–22. ISBN 978-0-553-80692-2 OCLC 320187212
"Why Do So Few Blacks Study the Civil War?" The Atlantic. The Civil War Issue. February 2012.
"Fear of a Black President". Bennet, James. The Best American Magazine Writing 2013. New York: Columbia University Press, 2013. pp. 3–32. ISBN 978-0-231-53706-3 OCLC 861785469
"How Learning a Foreign Language Reignited My Imagination: Pardon my French". The Atlantic. Vol. 311, Issue 5. June 2013. pp. 44–45
"The Case for Reparations". The Atlantic. June 2014.
"There Is No Post-Racial America". The Atlantic. July/August 2015.
"The Black Family in the Age of Mass Incarceration". The Atlantic. October 2015.
"My President Was Black". The Atlantic. December 2016.
"The First White President". The Atlantic. October 2017.
Multimedia
with Richard Harrington, Nelson George, and Kojo Nnamdi. Hip Hop. Washington, D.C.: WAMU, American University, 1999. OCLC 426123467 Audio conversation recorded January 29, 1999, at WAMU-FM, Washington, D.C.
with Stephen Colbert. "Ta-Nehisi Coates". The Colbert Report. June 16, 2014.
with Ezra Klein. Vox Conversations: Should America offer reparations for slavery?" Vox. July 18, 2014.
The Case for Reparations. Middlebury, Vt.: Middlebury College, 2015. OCLC 904962550 Video of lecture delivered at Middlebury College on March 4, 2015.
with Amy Goodman. "Between the World and Me: Ta-Nehisi Coates Extended Interview on Being Black in America". Democracy Now!. July 22, 2015.
with Jon Stewart. "Exclusive – Ta-Nehisi Coates Extended Interview" "Pt. 1" and "Pt. 2". The Daily Show with Jon Stewart. July 23, 2015.
https://goo.gl/HzyZFK
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pttedu · 2 years ago
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The pipe fitting industry is critical to the construction and maintenance of various infrastructures, including buildings, oil and gas pipelines, and water distribution systems. Despite the importance of the industry, many employers face a skills gap that makes it challenging to find qualified and skilled professionals
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pttiedu · 1 year ago
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Career Opportunities In Steamfitting: A Look At The Job Market
There are a lot of career opportunities in the steamfitting industry. Dive in to learn the job opportunities, industry trends and salary outlook in detail.
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bongaboi · 3 years ago
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Army: 2021 Armed Forces Bowl Champions
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FORT WORTH, Texas -- — Cole Talley kicked a 41-yard field goal as time expired and Army rallied to beat Missouri 24-22 in the Armed Forces Bowl on Wednesday night.
After the Tigers took a 22-21 lead on a touchdown with 1:11 to play, third-string quarterback Jabari Laws led Army (9-4) downfield to the Missouri 24-yard line, setting up Talley's game-winner.
Talley, who went to high school about 60 miles east of Fort Worth in Rockwall, Texas, said he was thinking about the brotherhood of Army football players when he went out for the final kick.
"I'd do anything for them, and they'd do anything for me," said Talley, who missed his only two previous attempts this season from beyond 40 yards — including a 43-yard try in the first quarter.
"We trust Cole," Army coach Jeff Monken said. "What a great way for the team to end the season and these seniors to end their careers."
One of those seniors was Laws, who was the Black Knights' starting quarterback in 2019 before a knee injury sidelined him. He didn't play at all last season following a second surgery.
"I feel like I'm in a movie right now," said Laws, who was 2-of-4 passing on the final drive.
Army backup quarterback Tyhier Tyler came on after starter Christian Anderson injured an ankle late in the third quarter and threw a 14-yard touchdown pass to Brandon Walters to give the Black Knights their first lead, 21-16. Anderson and JaKobi Buchanan scored on TD runs of 22 and 10 yards, respectively, for Army.
Redshirt freshman quarterback Brady Cook threw a 6-yard touchdown pass to Keke Chism with 71 seconds left to put the Tigers (6-7) ahead, but his two-point conversion pass sailed over the head of an open Dawson Downing in the end zone. Cook also ran for a 30-yard score in his first collegiate start.
"I did some good things," Cook said. "Missed the throw when it mattered most."
Missouri played without second-team All-America running back Tyler Badie, who was held out by coach Eliah Drinkwitz in advance of the NFL draft. Starting quarterback Connor Bazelak was sidelined because of a leg injury.
Cook completed 27 of 34 passes for 238 yards and ran for 53 more.
Buchanan led Army in rushing with 68 yards on 21 carries. Elijah Young was the Tigers' top rusher with 75 yards on 13 carries.
In the second half, Missouri was stopped on downs at the Army 43 and lost a fumble by Downing at Army's 48.
"Obviously in the second half the turnover was huge," Drinkwitz said. "Disappointed for our team, especially our seniors. Just a difficult way to lose the game."
THE TAKEAWAY
Missouri: The Tigers were hampered going in by a short-handed secondary that then lost multiple players in the first half. Army threw one pass in the first half, good for 42 yards, and was 5 for 8 in the second half for 53 yards. The Black Knights entered 128th out of 130 FBS teams, averaging 94.8 yards passing per game.
Army: The Black Knights snapped a seven-game losing streak to Power Five teams with their first win since 2017. There were some close calls during the streak, including to Oklahoma (28-21) and Michigan (24-21).
FIVE-TOOL PLAYER?
Army senior linebacker Arik Smith was selected the game's most valuable player with 12 tackles, 2½ for loss, and two sacks. Monken was impressed by Smith's maturity as a recruit, learning on a home visit that Smith finished the family basement.
"Plumbing. Electrical. Finish work. All of it," Monken recalled. "I mean, who does that?"
UP NEXT
Missouri: After the Tigers open at Middle Tennessee State next season, they'll host former conference rival Kansas State. The season finale against Arkansas will also be at Faurot Field.
Army: The Black Knights won't face any Power Five teams next season for the first time since 2004 (except for the reworked 2020 schedule). The first two games will be against Group of Five heavyweights Coastal Carolina and UTSA, and the Army-Navy game will return to Philadelphia.
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airmanisr · 4 years ago
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V&T #22 meets.....V&T #22! by Kevin Madore Via Flickr: The Conductor on McKeen Motor Car #22 stands in the gangway as his "train" holds the main loop track, awaiting the passage of Locomotive #22 "Inyo" and her short passenger train. Both are priceless artifacts from the original Virginia & Truckee Railway, having been delivered new to the line some 35 years apart. Inyo was built in 1875 by the Baldwin Locomotive Works in Philadelphia, PA, and was the last of 5 V&T 4-4-0 engines that were built specifically for passenger service. Like many of her sisters, she was built as a woodburner, and converted to burn oil in the early 20th century. She remained at the V&T until 1937....a career of 62 years....before being sold to Paramount Studios, where she had a second career as a movie star. She was repatriated to Nevada and the State Railroad Museum in 1974. In an effort to cut costs and reduce the need for steam-powered passenger trains, the Virginia & Truckee purchased the 70 foot long McKeen Motor Car #22 in 1910. Looking more like an antique boat than a railcar, and powered by a 200 hp gasoline-burning engine, this machine could carry 54 passengers as well as some baggage. Although it was originally envisioned for use on the Virginia City line, one trip up the hill proved that she was unsuitable for the tight curves and close clearances on that branch. The McKeen was pressed into service on the on the 15-mile Minden Branch, where she then served for many years. When passenger service declined in the 1930s, she was rebuilt as a Railway Post Office and ran daily service from Reno all the way to Minden. She was finally retired in 1945 and the body was sold off to become a diner for many years in Carson City. It later saw service as the front office of a plumbing supply house. The body was donated to the Nevada State Railroad Museum in 1996 and later underwent a complete restoration, returning to service in 2010, literally 100 years after the car was acquired new.
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