#please tell me why you guys think i think he knows us a gaylor song are u guys stupid

[ileftherbackhome]

Sorry but do some of yall not know how to read?

[that-curly-haired-lesbian]

The Seven Husbands Of Evelyn Hugo + Taylor Swift: a master post - Part 5/6

Hi guys, welcome to part 5 of my masterpost regarding parallels between Taylor Swift and Evelyn Hugo, the fictional actress from the book The Seven Husbands Of Evelyn Hugo by author Taylor Jenkins Reid!

Before proceeding please be aware that there will be 

**MAJOR SPOILERS**

for the book ahead and please also read my disclaimer!

It’s very important that you read these in order so if you haven’t yet go ahead and check out the previous part right here, thank you and enjoy!

“And then she calmly, confidently took my hand. I bristled, unsure if we should be touching in public, scared of what people would do.  But the rest of the people on the street just kept on walking, kept on living their lives, almost entirely unaware or uninterested in the two famous women holding hands on the sidewalk.” (Pg. 234)

Admittedly not holding hands here, but this was actually the first thing that came into my head when I read the scene above…Here are some actual pictures of the girls holding hands in public though:

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  “We went out to dinner in public, the four of us looking like two pairs of     heterosexuals, without a heterosexual in the bunch.” (Pg. 234)

This is once again Evelyn talking about their foursome of beards during the New York years and I believe this is something akin to what Taylor and Karlie were hoping to have with Josh and Joe/Tom (or whoever Taylor was meant to beard with long-term) pre-election disaster, hence that retrospectively embarrassing pap walk of Josh with Austin as a way to try and integrate Josh into to Taylor’s social circle so that her, her beard and Karlie and Josh could become “America’s favorite double daters” (as Evelyn describes it)

Obviously with the election turning out as it did Team Swift quickly reworked the plan.

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Pages 234-238 is Evelyn talking of the Stonewall riots and how she remembers those days and there are specific parts of it that are interesting from a Gaylor/Kaylor point of view.

“Harry and I campaigned for Bobby Kennedy. Celia posed with Vietnam protesters on the cover of ‘Effect’. John was a vocal supporter of the civil rights movement and I had been a very public supporter of the work of Dr. Martin Luther King Jr.” (x) (x)

“This was our people. And here they were, revolting against the police, in the name of their right to be themselves. While I was sitting in a golden prison of my own making.”

Gold cage, hostage to my feelings (x)

Evelyn, Celia, Harry and John discuss going to participate in the Stonewall riots, wishing they could be a part of this, of fighting for their own people, but ultimately Harry explains why they can’t best when he says:

  “We go down there all we do is attract attention away from the cause and       towards us. The story becomes about whether we are homosexuals and not   about the rights of homosexuals.”

Still wanting to help make a difference the gang discuss how they best can help and come to the conclusion that their best contribution is funding.

Evelyn says about it all:

  “Because of who I was, because of the sacrifices I made to hide parts of     myself, I was able to give more money than most people ever see in their entire lifetime. I am proud of that. But it does not mean that I wasn’t conflicted. And of course, a lot of the time that ambivalence was even more personal than it was political. I knew it was imperative that I hide, and yet I did not believe I should have to. But accepting that something is true isn’t the same as thinking that it is just.”

Remember kids, closeted does not mean ashamed! Taylor accepting that she has to beard does not mean she likes it or even supports the practice. She uses her voice and her money to stand up for the LGBT+ community continuously and that in itself is a brave act for someone who is so deeply closeted!!

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On page 241 Evelyn refers to herself as “the sort of person who liked being extravagant and absurd.” Basically she’s saying she was extra af™ which just sort of reminded me of how we often comment on how extra™ Taylor is with her hints and teases and it also reminded me of that time Taylor sarcastically referred to herself as “a very subtle person” The two quotes have the same energy if you will!

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On Evelyn’s birthday the gang goes out to dinner and Celia makes a small “happy birthday, I love you”-type speech which was reminiscent of the birthday posts, sweet! (pg. 242)

(one of many of course)

    “’You love me?’ She said.   ‘Oh my God, what an understatement,’ I told her. ‘You love me so much you can’t see straight?’” (Pg. 245)

   Too in love to think straight……………

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Years after they last saw each other Evelyn meets back up with her abusive ex-husband, Don (one out of only two of her husbands who wasn’t a beard) when she’s put in a situation where the two of them have to do a movie together.

   “‘I know it doesn’t make up for what I did to you,’ he said.

   ‘Good,’ I said. ‘Because it really doesn’t.’

  ‘But I hope it might make you feel a little better,’ he said, ‘to know that I know I    was wrong, I know you deserved better, and I’m working every day to be a     better man.’

  ‘Well, it’s awfully late now,’ I said. ‘You being a better man does nothing for       me.’ (Pg. 256)

I wonder what we would’ve becomeeeee If you were a better mannnnn We might still be in loveeeee If you were a better mannnnn You would’ve been the onoooooe If you were a better mannnnnn

*The rest of Better Man plays softly in background*

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On page 164 Evelyn gives Celia a bouquet of lilies which happens to be Karlie’s favorite flowers, Celia calls the flowers Gorgeous

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When Celia finds out that Evelyn filmed a sex scene with her ex-husband without telling her she’s so upset she threatens to leave again, Evelyn’s reaction:

   “I sobbed.  And I pleaded. And I groveled, desperately, on my knees,           having long ago learned the lesson that you have to throw yourself at the     mercy of the things you truly want.” (Pg. 267)

    If you walked away I’d beg you on my knees to stay

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The scene on pages 267-268 where Evelyn begs Celia to take her back has major How You Get The Girl/Delicate/Don’t Blame Me vibes…It’s too long to quote, but I dare you to go read it and tell me I’m wrong!

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  “’I made people money. No one turns away money. They were all too happy to    get me in their movies and then talk about me behind my back.’” (Pg. 270)

Evelyn says this after discussing the rampant slut-shaming of her following her many marriages and her 1970’s film 3AM which people deemed both unbecoming of a lady and  unfeminist. She goes on to point out the duality of her image, while studios acknowledge that “sex sells” and therefore want Evelyn in their movies due to the audience pull she has they also slut shame her for her numerous marriages and choices in roles. When Monique points out that this eventually turned out fine as people these days praise Evelyn for her role in the film Evelyn points out:

  “’It’s all fine in hindsight,’ […] ‘Except that I spent years with a scarlet A on     my chest,’ […]” (Pg. 270)

Does the phrase “a scarlet A” sound familiar? Well, I bet ya:

  You were Romeo  I was a scarlet letter

and

  We show off our different scarlet letters

  Trust me, mine is better

Also sound familiar, right? In several of my queer analyses of Taylor’s songs I bring up the fact that ��scarlet letter” refers not only to the literal scarlet A on main character Hester’s clothes, but also to the concept of sin in Nathaniel Hawthorne’s 1850 novel The Scarlet Letter. (x) (x) (x)

I continue to point out that I think Taylor uses the concept of the scarlet letter as sin to refer to her (in the eyes of the entertainment industry) scandalous secret homosexuality, the “celebrity sin” she’s guilty of.

Evelyn uses the analogy here to refer to her own status as “a sex pot” (her words, pg. 269) in Hollywood. She says that she is a “sex pot” of Hollywood’s own creation not only by the increasingly sexually charged roles she took on during the 70’s but also because of the numerous husbands the industry forced her to take as to not be outed. By forcing bearding on her the industry opened the doors for the constant slut shaming directed at Evelyn and I feel the industry has done much the same to Taylor. The recent for the slut-shaming she’s had to endure is (like Evelyn) the numerous men she’s dated, but she only did that to hide the truth of her (far fewer) true (gay) relationships. Considering my previous points on Taylor and the scarlet-letter/sin-metaphor I thought Evelyn’s use of the analogy here interesting and noteworthy. It is of course interesting too, that the movie for which Evelyn received the most scrutiny and shaming happens to be called 3AM, we all know that Taylor mentions 2AM rather frequently in her songs about love, which are of course where she has received the most scrutiny, her songs and all the “numerous boys” they are supposedly about. I pointed out this similarity between Evelyn’s movie title and a frequent motif in Taylor’s music earlier in this analysis, but thought it was worth pointing out 3AM as a possible blanket-metaphor for Taylor’s music within the context of this book yet again.

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  “I broke Celia’s heart because I spent half my time loving her and the other     half hiding how much I loved her.” (Pg. 271)

  Sometimes when I look into your eyes   I pretend you’re mine all the damn time

                                //

  Your love is a secret I’m hoping, dreaming, dying to keep

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  “I loved Celia and I shared my truth only with Celia.” (pg. 271)

  Even in my worst light, you saw the truth in me

Just like Evelyn Taylor is saying that even when her public reputation is bad and also very far from the actual true narrative of her life Karlie is the one that actually knows the truth and the only one she can share the full extent of that truth with.  

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“I did a lot of things that hurt a lot of people and I’d do them all again if I had to.” (Pg. 172)

Those are Evelyn’s words and yet all I can hear are Taylor’s��

  Theeeeeey say I did something BAD                          […]   And I'd do it over and over and over again if I coUUUUld

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  “I had very little energy left to try to hide who we were. I had learned   all too        well that pain is sometimes stronger than the need to keep up     appearances.” (Pg. 274)

It would seem that in the Reputation era Taylor too has very little energy left to try and hide, she has previously learnt all too well what keeping up appearances can cost you.

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Thanks so much for reading, check out part 6, the finale!