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s0dium · 5 months ago

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Needier

A/n: Thanks for all the support. It is not necessary to read pt.1 to read this <3

Word Count: 3.6k

Pt.1

Warnings: Pervert Yuuta, panty sniffing, pining, male masturbation, pre mature ejaculation, edging, pussy eating, thigh humping, mentions of breeding, slight dubcon, multiple orgasms, pussy drunk

Yuuta Okkatsu would like to say that he is a patient man.

In fact he would even pride himself on this quality, that no matter how thin his restrain was stretched, no matter how much he was tested, out in the open, Yuuta Okkatsu remained composed

Of course, you wouldn’t know that. No, you certainly have no idea what a patient man Yuuta has been. Been for you. You have no idea that since that day, simply being near you is the ultimate test of his restraint. That every accidental touch sent a surge of electricity through his veins, coursing hot blood straight to his dick, and a swarm of most unholy thoughts on what he'd fucking do to you. You certainly haven't the faintest clue that beneath his calm smile, dark tired eyes, and casual conversation, his mind explores your body, fucks you until your creaming all over him, and makes you swallow every last drop of cum he'd fuck into your cute mouth.

There are times when he treads a line though. Subtly, almost imperceptibly, Yuuta finds excuses to be near you, to catch the faint scent of your shampoo or the unique fragrance that seems to encapsulate your essence. One time, he found himself in the dorm's laundry room, where your belongings were left slightly askew, a common sight among the hustle of Jujutsu student life. Among the disarray, a piece of your laundry accidentally catches his eye—pink underwear and a beige bra. His heart races with a mix of guilt and absolute longing as picks up the fabric and he buries his nose into the cloth, desperately breathing in your smell.

"F-fuck" Yuuta groans upon breathing your scent. How could you smell so fucking sweet? Damn it, his dick is already getting hard. But almost as quickly as he picked it up he puts your underwear down, chastising himself for the lewdness of his actions, the vulgarity.

Yes, Yuuta has resolved to bide his time. He will wait for the perfect moment, a serene pause in the rush of daily life, it is then when he will confess his feelings to you. It is then he won't have to be patient anymore.

His restraint always wavered at nightfall though. This night was no exception. Throughout the day, glimpses of you in your gym shorts and tank top haunted him, aroused him, etching a vivid image that refused to fade with the setting sun.

As he retreated to his room, the weight of the day's impressions bore down on him. The moment the door clicked shut, a sigh escaped his lips as he pulled out his dick and languidly fisted his length. Pre-cum was already dribbled on his pretty pink tip but he used the milky liquid to guide his hand up and down in fast fluid motions.

"Please, f-fuck please y/n" He whined, stumbling over to his bed where he could pull out the polaroid you took of him and yourself together. What would you think if you knew he had fucked himself almost every night to this seemingly wholesome selfie you took? Through heavy eyelids he gazes upon your face, the motion of his hand speeding up as the thoughts of you intensified. He wants to feel you so bad, be inside you, feel your walls squeeze around him struggling to take him in. How would your moans sound? How would your boobs feel like in his large palms, would you let him eat you out? Oh what a dream that would be, Yuuta doesn't think he'd stop licking your cunt if he ever got your chance. Yes, he'd make you feel so good, you'd make him feel so good, so much better than his fist, he's so close to cummin-

*ping*

Amidst the pleasure, Yuuta feels the vibration of his phone on his bed. He doesn't want to look not now, not now when he's so close, but his eyes accidentally wander to the screen, widening when they see the message is from you.

Blinking back the pleasure, Yuuta stops his ministrations, wipes his dominant hand on a piece of tissue, and grabs his phone. The screen lights up, and a jolt of surprise sends his heart plummeting when he sees your name. The message is simple,

"Wanna come over for a movie night in ten?"

His response is almost immediate.

"Yeah sure."

Yuuta's fingers tremble as he sends the message. Is this it? Is this the chance he has been waiting for? Hastily, he cleans his hands with a towel, discarding his current attire for something more casual. Stifling a soft groan, he tucks his half-hard dick into his sweatpants under his boxer's waistband. Then he replaces his white uniform coat with a graphic t-shirt, a more relaxed and inviting look

Checking his appearance in the mirror, he runs a hand through his black hair. He's always wondered how you perceived him. Did you find him as attractive like he did to you? Finally, unable to wait any longer, he exits his room. The short walk to your door feels like an eternity, each step heavy with a mix of nerves and excitement. He arrives, takes a deep breath to steady himself, and knocks softly.

Yuuta's breath almost catches in his throat when you open the door and his eyes fall upon your body and what you are wearing. You stand behind the door, bathed in the dim soft light of your bedroom, wearing a simple white tank top that Yuuta thinks is almost ethereal against your skin. One strap hangs loosely, teasingly off your shoulder, revealing the gentle curve of your collarbone and the subtle hint of your breast's outline. The fabric, light and airy, falls just short enough to offer a glimpse of your cute stomach and your black shorts that cling to your curves, sculpting the fat of your ass and the contours of your hips.

Is this what an angel look like Yuuta wonders?

"Yuu, hello Yuu, are you listening?" you wave your hand gently in front of his dazed eyes, trying to snap him back to the present.

"Oh yeah," Yuuta chuckles softly, "sorry just a little tired."

"Well you dont have to stand there come in!" you say through a smile, opening the door and stepping aside so Yuuta can come into your room.

As Yuuta steps over the threshold, a wave of your room's scent envelops him—the subtle blend of lavender and vanilla that he's caught hints of whenever you've been close, but never this intense. The scent sits on his tongue making Yuuta's head grow fuzzy. It's inviting, sweet, and intimate, filling the space with a warmth that makes the room seem cozier than its plain decor suggests.

Your room is tidy, with a soft pink rug adding a splash of color against the otherwise neutral tones. Your laptop is open on the bed, surrounded by a few scattered notes and pens. You sit down on the edge of the mattress, the bed shifting slightly under your weight, and pat the spot next to you, a silent invitation for him to join.

He takes a moment, thickly swallowing before moving towards you and taking the offered seat. The bed dips under his weight, bringing him slightly closer.

"So," you start, your voice a soft murmur in the quiet of the room, "wanna watch the new haikyuu movie? Ive been dying to see it'"

"S-sure" Yuuta manages to nod, his voice catching on the single syllable as he tries to focus on what you're saying rather than how close you are. He doesn't think he's ever been this close to you, your bodies are practically touching. He can see your facial expressions up close, and catch things he's never noticed before; like the twitch of your eyebrow or how you lick your lips when you focus on something

The movie begins with its vibrant opening scenes, characters leaping across the screen in intense volleyball matches, but you couldn't even ask Yuuta the names of the characters. It seems to be about some guys getting their panties in a twist over volleyball ball. He doesn’t know and frankly, he doesn’t care. He's too acutely aware of your presence just inches away, the warmth of your shoulder brushing against his every so often. How if he really tried, he could lean in and see down your shirt.

He takes a deep breath, trying to steady his racing thoughts, and steals a glance at you. God you are beautiful. He wants to say something, to make some comment about the movie to show he's paying attention, but words fail him. Instead, he just shifts slightly, moving a fraction of an inch closer to you under the pretense of getting a better view of the screen.

Something important must've happened because suddenly, you grab his thigh in reaction to a particularly intense scene in the movie. The sudden touch sends an electric jolt through him, and his dick jumps with excitement. Yuuta has to bite his lip to stifle a groan just from your touch. His face flushes a deep red, and he turns to look at you, catching your excited expression as you watch the screen. Of course you have no idea what you are doing to him.

Yuuta tries to refocus on the movie, but it's a futile effort. The warmth of your hand seeps through his clothing, igniting a fire that makes his dick strain against his waistband. His mind races with thoughts of turning to you, of closing the distance between you with a kiss that he's been fantasizing about. Is this it? Is this the moment he has been waiting for? Yuuta swallows hard, his mouth dry, his thoughts swirling with the possibilities of what could happen if he just leaned in and fucking kissed you.

Now, now now.

Yes, Yuuta is a patient man, until he isn't.

Without another moment's hesitation, Yuuta acts on the impulse that has been building within him. His hand, shaky with anticipation and nerves, reaches out to gently grasp your chin, turning your face towards him. The sudden contact startles you, pulling your attention away from the screen to his intense, longing gaze.

"Yuu- what?" You say softly but he doesn't respond. Instead, as if driven by a force beyond his control, Yuuta leans in and his lips meet yours in a kiss that is both tentative and desperate. It's, needy, messy, and hungry, his lips devouring yours with all the pent-up yearning and silent adorations he's harbored, a kiss that speaks to how god damn patient he's been.

Your initial shock gives way to the unfolding reality of the moment. The warmth of his lips against yours sends a surge of emotion through you, mingling surprise with an escalating thrill. He didn't know it, but you have been patient too.

Yuuta's heart races as he senses your hesitation melting away. This can't be real, you are actually kissing him back. Your lips are so soft against his, Yuuta is damn near having an out-of-body experience from how sweet you taste. His fingers slide into your hair, deepening the kiss with a gentle assertiveness, as if afraid you might pull away. But you don't. Instead, you lean into him, parting your lips to let his tongue slide in and entangle with yours. Your own hands find their way to his broad shoulders, gripping them for balance and perhaps, in a way, for anchorage amidst his desperation.

As your lips part, you both are left breathless, a string of saliva connecting your panting mouths. You feel warmth blossom in your stomach when you meet Yuuta's gaze. He looks entirely bothered, pupils blown and dark black hair tousled from your roaming hands.

"More, please" Yuuta barely whispers before meeting his lips with yours again. This time he's bolder, one of his hands snaking under your white top to cup your boobs. "Oh fu-" He groans into your mouth, feeling the fat of your breasts fill in the gaps of his fingers as he squeezes and presses on the squishy skin.

Suddenly, Yuuta moves, his body positioning over yours in a fluid, careful motion and so his groin is on top of your thigh. For a moment your too absorbed in his messy kiss that you almost miss how he starts to grind his dick against your thigh.

"Ngh so good," Yuuta moans into your mouth, dragging his clothed crotch up and down your lower thigh, full on humping it. He knows he should stop, that he shouldn't be acting like some pervert, but Yuuta's brain is so fuzzy, so lost in the realization that you reciprocate his feelings and that this is actually happening, that he can't bring himself to do anything besides hump your leg like a he's in heat.

"Yuu, please...." You whine amongst his incessant kisses. You can feel a wet spot start to form on his sweatpants and you moan at the feeling of being used like a sex toy.

Yuuta wants to say something, something about how good he's feeling, something about the buzzing in his head and the warmth spreading through out his body. But he can't. Everything feels too good right now, too heavenly he can't even open his eyes or ignore the colors dancing across his eyelids. Your tongue feels so good against his, and your lips are so soft, he can't help but rut against your soft skin faster and harder, he can't stop himself from climbing high and higher into a euphoric bliss.

Then, it hits him. With a choked whine into your ear, Yuuta cums into his pants, leaving your thigh wet and sticky.

"Oh god baby I'm so sorry," he babbles, choking on each syllable from the aftershocks of his orgasm. Shit shit shit. How could be fuck up the opportunity so badly? Surly you were going to be disgusted by him, any moment now you were going to ask him to leave.

Reluctantly, he lifts his head to meet your gaze, taken aback by what he sees. You're panting, cheeks flushed, lips glossy from his kisses, and your eyelids heavy with arousal.

"No no, It's okay, Yuu" you murmur, petting the back of his black hair, "I mean, we can stop if you want-"

"No!" Yuuta cuts you off. "Please, I... I want this. Wanna fuck you so badly baby please." He whines into your neck, peppering kisses on your soft skin.

And how could you stay no?

You nod and Yuutas eyes light up. Immediately he’s pulling down your pants and underwear, eyes widening at the sight of your cunt. If you wanted, Yuuta thinks he could cum again just from looking at you. Your first instinct is to close your legs, to shield yourself from being so exposed from Yuuta's intense gaze. However, two strong hands firmly grasp the underside of your thighs and press them towards you, effectively folding you in half and spreading you wide open.

"Yuu..." You whine, but your protests fall upon deaf ears. Right now Yuuta is in a whole other world. Right now, in this moment, Yuuta thinks he must have died and gone to fucking heaven. His tongue darts out to wet his lips because oh god he is practically drooling right now at the sight of you. He knew you where beautiful but Jesus christ. He releases one of your thighs to spread your wet folds with his pointer and thumb, pupils dilating at the sight of your tight hole clenching around nothing.

"Yuu pl~"

Yuuta doesn't let you finish the sentence because he is already on you, his eager hot mouth enveloping your twitching clit, licking and sucking. His tongue flattens, softly lapping at your sensitive pearl before swirling it around, fast and gentle enough to have you whining.

“Oh god yuuta m’ gonna c-cum”

Your voice has him moaning into your cunt and aggressively rutting his hips into the bed for relief. At this rate he was going to cum before you again, and that couldn't happen, no he needed to be inside you first.

Yuuta immediately relinquishes his ministrations on your pussy with a loud ’pop’ making you whine at the loss of your release that was so close.

“Not now baby ok?" He says through a groan. "Wanna feel you first, been dreaming about."

Yuuta's pulling down his sweatpants now, and you watch with wide eyes as his long length springs out. You don't know what you expected but you didn't expect him to be so big. Pre-cum dribbles down his pink tip and along the length of his member.

"Yuu, I dont think- I think its gonna hu-" You choke out but your words fall upon deaf ears. He's already aligning himself with your hole, and you jerk at the pressure of his tip against you.

"Slow, slowly please." You whisper and Yuuta wants to listen to you, he really does, but every cell in his brain is screaming at him to do the opposite. Yuuta stills against you, and for a moment you think he's going to say something, even acknowledge your words.

"M'sorry baby." He murmurs into your ear before bullying his length all the way inside of you. The world spins and for a second Yuuta's mind goes completely blank, he doesn't even hear the moan that's been ripped from your throat. All the nights he's fantasized about this moment, the hours he spent jacking off and touching himself, everything, all disappeared the moment he slipped inside you. You felt good? Try euphoric. Yuuta wasn't even thinking thoughts he was seeing colors. How could he ever think his fist could compare to you? The way your walls sucked in and hugged him, so wet and warm, god, no amount of fantasizing could've compared to the real thing.

“Y-you gotta l-loosen up baby or im gonna ah~”

It was all too much, he had just slipped in you, and yet and he was down for the count. Everything was too good too fast, he couldn't stop the high that was approaching even if he wanted to.

"fuckfuckfuck baby pl-" Its too late. Thick ropes of cum spill inside you, there's so much of it it's escaping from the sides of his dick and dripping out your hole.

You whine at the warm feeling blossoming in your stomach, and before you can even get a word in, Yuuta reels his hips back and slams into you.

“No not gonna stop,” He said through gritted teeth and your eyes widen when you feel his already hard again dick continue to push into you.

Your toes curl at the sensation of Yuuta's dick pressing against your cervix. The friction and the stretch of his member has your mouth falling open and your tongue panting out. In a great display of strength, he pulls both of your legs over his shoulders and grabs your hands to pin them down with his. The new position has his dick reaching spots you could only dream about hitting with your fingers, and as his thrusts speed up, you desperately hold onto Yuuta hands with yours.

"So good yuu!" You wail as he presses kisses along your neck, his hips not so much as stuttering as they thrust in and out of you like he is in heat.

“So good baby you feel so good wanna fuck you every day, never stop fucking you." He feverishly groans into your skin. Every time he thrusts into you, his hips reel back so his length leaves you almost empty, only to ram back into you again to keep you full and dumb on his dick.

Unable to handle the sensation, your back arches and your heels dig into the muscles of his back. Yuuta doesn’t let up his pace, in fact, he increases it, pounding your cunt like he will never get a chance again. He wants to make you shake, make you moan and whine with pleasure, and fill your brain with only thoughts of him until you're begging him to fuck you more and more. His mind is foggy, everything just feels and looks so good, he’s not even thinking when he lets go of one of your hands and shoves his two fingers in your mouth, digits pressing down on your tongue and swirling around in the spit.

“Your gonna let me use you when ever I want right? Gonna be good for me right?"

You nod repeatedly, sucking on fingers like candy.

"Gotta lot of time to make up for, for teasing me so long"

You can tell he's close because his words start to end in curses, and his breath his getting ragged and faster. Luckily for him, you're close too. The pleasure building in your core is starting to become unbearable, and the muscles in your leg where becoming weary from how long they have been tightened.

"Please cum on me baby," Yuuta begs into your ear, punctuating his words with sharp fast thrusts.

Fap,Fap,Fap

The sound of his skin against you filled your ears and almost as soon as Yuuta asks, your hurled toward the best orgasm you have ever experienced. You felt like your mind was exploding, like electric white hot arrows of pleasure coursed through your vains. You could feel your body shakes from the euphoria, and Yuuta watches you with blown pupils as you cum on his dick.

"S-so pretty when you cum, your so pretty to cu-" Yuuta is quick to follow, and with a whine his body tenses up and his back arches like a bow. As he blows his load, you feel his warmth soak your battered pussy and his hot breath panting against your ear. Yuuta almost feels drunk right now from how intense the pleasure is and his mouth partly falls open as his orgasm washes over him. Even as his dick starts to soften, he still ruts himself into you, riding the aftershocks of his orgasm.

"So good baby so so good." He murmurs into your ear.

Yuuta is so glad he doesn't need to be patient anymore.

Tags: @saintani @strxwberryfetish @memi-sempai @thejujvtsupost @shuuji71 @yutaokkotsuluver @nyxypoo @kaiyanaarichi @procyonnn @fdeegbffi @isagistar @lei-athara @paper--angel @mayiw @badbclub @anathemaspeaks @atinymonbebestay @korebringerofded @lea-is-lame @leviswifey-act62 @hyperfixationer @soraokkotsu

#jjk smut #yuuta smut #yuuta x reader #yuuta okkotsu x reader #jujutsu kaisen x reader #jujutsu kaisen smut #gojo x reader #sukuna x reader #yuuta okkotsu #jjk x reader #jujutsu kaisen fanfic #jujutsu kaisen #yuuta x you

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kayzean · 6 months ago

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I know the vulture represents his guilt, but its design is just so frigging cool and this image didn't leave my head.

Edit: To the people who pointed out the Vulture also has a positive representation like his power and ability to survive. I love you.

Plz click for better quality!

Please don't repost to other socials thanks!

#tbb crosshair #the bad batch #tbb #star wars the bad batch #star wars #tbb fanart #crosshair fanart #my art #kayzeanart

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marie-m-art · 3 months ago

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Good Animated Omens - Behind the Scenes

Here's a behind-the-scenes look at the walk cycles I animated of Aziraphale and Crowley (original post here).

I'll reiterate that the character designs are @lookitsstevie's creation! I made builds in Toonboom Harmony based on their designs, and then animated the builds.

Long post under the cut, organized into four parts. Feel free to jump around or just click through the images and gifs to get an idea of the gist. (At least take a look at Part IV, where you'll see a version of Aziraphale without his jacket and a closeup of Crowley's torso!)

Hopefully this is interesting even if you don't know the first thing about animation. It's not a step-by-step-from-scratch tutorial, but it might give animators some ideas to think about when trying this software!

I'm happy to answer questions about what I cover here - comments, DM's, or ask-box questions are all fine by me. If you like any of the new gifs and want to reblog it on its own, I can make new posts for those upon request! (I'd prefer you don't reupload them, but if you do please at least credit me with a tag to my account - thank you!!)

Part I: The interface and some basics

Above is a screencap of the software interface.

In the centre is the Camera window, where all the drawing and animating is done.

To the left, the Node View. It's a representation of how the pieces and layers that make the characters are grouped and connected to each other, which is what makes a character "build". Every piece in this window is called a node, and there are different types. Light blue "drawing nodes" contain the drawings themselves. Each drawing node usually has a green "peg" attached; the peg is used to move and rotate the drawing piece; you set a pivot point on each peg. Light grey nodes are groups that have more nodes within, and dark blue nodes are added effects (eg masks, the blur for the halo, etc).

Below, the Timeline - it's where keyframes are set and tweened. The red square dots indicate there is a new keyframe on a particular frame; the white dots indicate keyframes are on layers nested somewhere under the topmost visible layer. All the pieces of the characters can be found in the timeline and correspond to the pieces that exist in the Node View (and Camera). Typically you work with a collapsed view of the build layers in the timeline, which allows you to set keyframes on multiple layers at once.

To the right, a few tabs in this window - Tool Properties, Colour Palettes, and, shown on top here, the Library. The library is where you store your builds, so that you can bring in a fresh copy when animating a new scene. This library tab also has the Drawing Substitution window, which shows thumbnails of every drawing contained in a drawing node when that node is selected.

A second of animation is 24 frames long. Finished animation will often have keyframes on every second frame with the tweens removed, to help simulate the look and feel of traditional animation - this is known as animating "on twos", and saved time, money and paper in the old days. If you leave the tweens on, and/or have keyframes on every frame, the animation is "on ones".

My walks are on twos - it's the look I prefer.

When I say "tween" I'm specifically referring to the software feature that will automatically calculate and interpolate the path between two different poses/keys of a peg. An inbetween could be the result of using a tween, a new drawing, or both. On twos, an inbetween will look the same as any other keyframe on the timeline when you're finished - its relevance as a concept is during the process, not the end result.

Quality animation is achieved via a combination of moving/tweening pre-existing drawings using their pegs, and adding new drawings as hand-drawn inbetweens when needed. Toonboom Harmony also has nodes called "deformers": they offer a way to tween the shape of a drawing without needing to redraw inside the drawing node. (Part IV has the explanation for which pieces I used them for, and why.)

Part II: Navigating the builds

This is what their default poses with no animation look like.

Animation using builds is sometimes colloquially referred to as "puppet-style animation" because the way you can connect body parts to each other feels like making and handling a 2D digital puppet: you can connect a hand to a forearm so that they can move as a unit, and you can connect that unit to an upper arm to move the whole arm as a unit, and that arm gets connected to the torso, and so on.

When you want to connect two pieces, like a hand to a forearm, then you create another peg in the Node View and attach the two body parts together under that new peg. The screencaps below show the nodes that make up Aziraphale's and Crowley's entire builds inside their respective groups:

Things got a bit sloppy ... It looks extremely complicated, but once it's set up, you don't have to think about it too much when you're animating!

And I've zoomed in on the nodes that make their arms so you can see how there are pegs on top of pegs (all the green nodes), with wires connecting everything:

As I explained in Part I, new drawings are added and contained within a body part's drawing node (the light blue ones under the green ones), and the Drawing Substitution window is where you can see all the drawings that exist in a particular node. In the timeline, you set keyframes for moving the pegs, and you also choose which frame the new drawings will appear when applicable. You might have a lot of drawings stored in the nodes, but only what you set to appear in the timeline will be visible in the final animation.

You can select a body part in the camera view, and then find the corresponding layer in the Timeline or the Node View by pressing the "o" keyboard shortcut. If you select a body part by clicking on it, and then press the "b" keyboard shortcut, you will jump up to the next peg it's connected to. You can hide and unhide pieces using "d" and "a" respectively.

In the first capture above, I'm showing that the arm pieces can be moved separately or together, and you can see how the pegs in the Node View light up when I select them in the Camera window (hiding them turns them red). In the second capture, I pop down to the timeline to step back and forth between the poses - the light grey row (it appears between the rows of red dots) represents the hand's drawing node in the timeline.

Part III: Summary of animation process

In my head I imagined how their walks would differ from each other - Aziraphale bouncier but with very straight posture and limited arm movement, vs Crowley slinking and swaggering all over.

I also knew that I wanted the animation to look good for both a walking-on-the-spot version, and as a version walking across the screen (both versions are at the top of the post!).

Then I started doing some rough animation.

I set aside my finished builds for the roughs. For each character, I made a few drawing nodes and two pegs; a peg for the up-and-down upper body motion, which I tweened, and a peg for moving them across the screen. The legs and arms are drawing substitutions.

With these extremely rudimentary rough "builds", I worked out - how many frames long the walks would be, - how far the characters would move across the screen each step, - how much the upper bodies would move up and down, and - the key drawings of the legs and feet.

I didn't worry about animating clothing, hair, or Azi's arms in the rough stage. For those elements, the drawings would be spaced really close together and would be easier to figure out with tweens. (Note: this rudimentary setup would be sufficient if you want to clean up and inbetween characters by hand frame-by-frame instead of making full builds; my preference is build animation because the process is more fun for me)

Then I started working with the finished builds, using the roughs as a guide, and established the broadest motions first: the up-and-down motion in the upper bodies (I set a keyframe at the lowest point, a keyframe at the highest point, then tweened between them) and how far they'd travel across the screen. Then the feet were done.

I went back and forth between viewing them walking on the spot and walking across the screen to make sure that both versions worked. I also made sure they crossed the same amount of ground relative to each other.

After those crucial parts, I moved on to animating their arms, hair, torsos, clothing details, and finishing the legs, not necessarily in that order. I simulated twisting/rotating their torsos in 3d space by moving their waistcoats and lapels.

The first gif switches back and forth between versions (imagine a background scrolling by when they walk on the spot). The second gif is an example of bad "footslip" - they're moving at different speeds, and if you pay attention to their feet, Aziraphale appears to slip on ice while Crowley appears to slide forward on skates.

"You go too fast for me, Crowley!"

Part IV: Extras and details

Here is a version of Aziraphale's walk without his jacket, and a closeup of Crowley so you can see his swaying hips better:

One of the cool things about animating with builds is they lend themselves well to small modifications; the jacketless version took all of five minutes to make.

I'd be remiss not to include a close-up of Aziraphale's hair, the real star of the animation :) (Crowley's hair is also animated but I purposefully kept it understated since it's a much different texture.) And a closeup image of Crowley's snake tattoo:

The biggest unit for both of them are their upper bodies, which includes their pelvises. The up-and-down motion is only on one peg instead of on every single piece, which is handy because it means I can hide just that part of the animation when I want to work on the clothing details:

During the process of animation, I am often hiding then unhiding pieces like this so I can see what I'm doing.

Their clothing ended up being a lot of separate pieces, which I kept adding during animation rather than before, as it was hard to predict everything I needed. Their clothing also incorporates cutters (aka masks), and deformers (see explanation in Part I). In the next set of gifs the deformers show up as green outlines with handles and get turned on and off.

Aziraphale's torso functions as a mask for his clothing. The shape of his torso subtly changes via deformer. His lapels and waistcoat have V shapes that are masks/cutters (they cut a V shape out of those pieces); the same pieces that make the cutters also are used for the black lines of those V shapes via a special layering setup. The main shapes of his lapels are animated with deformers, and you can see how far beyond his torso shape they extend when I turn on the deformers in the second gif.

Deformers work best for shapes that change a little bit, and/or slowly. The minor shape changes in his and Crowley's clothes ended up being a great use case for deformers, because they pretty much tweened perfectly.

The reason I didn't use them on Aziraphale's legs was because those shapes change significantly between keys; I predicted I'd have to re-adjust every frame of a tweened deformer, so I drew the inbetweens by hand (halfway through, I realized I probably should have used them after all, but I was in too deep by then; hand drawing was fun though!). Deformers worked well on his bottom jacket:

Crowley's pelvis is layered above and below his thigh pieces and has a deformer. Also take a look at all the drawing substitutions for his hands:

And lastly the deformers on the hair:

Epilogue

I'm hoping the gifs all play at the same speed for everyone as they play for me. Hopefully the demo gifs are at least watchable, if not super clear... (I'll listen to feedback on the presentation of the information, for if I do similar posts in future!) Don't hesitate to ask questions about anything I covered, or about any details you noticed that I didn't elaborate on!

ko-fi.com/marieanimate

I'm shy about mentioning it, but I set up a Ko-fi account in case this post compels anyone to leave a small "tip" (but reblogging and sharing is just as good)!

Thanks for reading, and have a nice day!

#2d animation #animation #animated gif #walk cycle #toon boom harmony #toonboom animation #good omens #good omens fanart #ineffable husbands #aziraphale #crowley #crowley and aziraphale #aziracrow #animation process

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soonysy · 4 months ago

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Dang, how'd I find you just now lol your art is amazing!

On that note, can I suggest a grian messing with someone/in the middle of setting up a prank?

Tx :D

Firstly, thank you for the compliment!!

Secondly, Day 202 — Grian singing AFK song

Please click on the image if quality is bad!!

I thought about drawing his AFK prank or boat prank both from hc s8, but then remembered this song :D

#mcyt #grian #grian fanart #mumbo fanart #mumbo jumbo #hermitcraft mumbo #grian hermitcraft #hermitcraft #hermitblr #hc s6 #ask

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magavont · 6 months ago

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Fruk Fanart

Please consider supporting me if you like my work, thank you, I love you all. - Makku ♥︎

[click for better image quality]

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teainthesnow · 8 months ago

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This blog hit 2k followers so here i am with a dtiys/ctiys!! Thank yall so much for all the follows i appreciate every single one!

[click image for higher quality]

Rules and lines under the cut!

-there's no deadline

-the pose does not have to be exactly the same as long as the shattered mirror, past leo, and future leo are included

-The image is based off my own fic At My Worst but you don't have read it to join in! for context, it's a fic where past leo and future leo end up sharing a body

-either digital or traditional is absolutely fine

-please feel free tag me and use #2kdteaiys in your final project

-have fun, go ham, and thanks again for 2k followers

transparent bg lines:

#tarts&crafts #my art #rottmnt #at my worst #rottmnt amw #rise of the teenage mutant ninja turtles #rise of the tmnt #tmnt #2kdteaiys #dtiys #ctiys #rise leo #future leo #rise fanart #rise leonardo #digital art

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aces-and-angels · 4 months ago

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verification source (no. 224) follow: @shahednhall on tumblr click image for higher quality

dear shahd + family,

thank you for your message 🖤i hope my efforts to share your story with my side of the internet will allow more support to come your way.

for those who haven't gotten a chance to meet yet- this is shahd. i will allow them to introduce themself to you all in their own words. below is the message shahd sent me via inbox:

Hello, I am Shahd, I am 21 years old, a student at Al-Azhar University. I ask those with compassionate hearts and those who are able to help to help me and my family and save me from this brutal war that is killing innocent people without mercy. They destroyed my house and killed my friend and her family. I saw their remains, crumbled and featureless, some of them burned. These scenes disappear from my mind every minute. I fear seeing one of my family members like this. We are here fighting death and miraculously surviving missiles, lack of food, illness, and lack of medicine. My little sister has contracted hepatitis, and many days have passed while she has been crying. I imagined that she would die at any moment. A moment in Gaza, there are no necessities for life. There is smoke and fire, an epidemic of hunger and poverty. I am crying as I write this letter to you. I ask you to look at us with your merciful eyes and extend a helping hand to me. No matter how simple your donation is, for me this thing is large and valuable. With your blessings, you will save the soul of a person and an entire family from... Illness and death. I wish to spread my message more widely. We are not numbers, we are many stories

shahd's words are powerful- heartbreaking- and tell a cruel reality of the people still facing constant bombardment in the gaza strip. your continuous support + generosity provide these families glimmers of hope as they continue working on a way to get to safety. please uplift their voices by sharing their stories + donating if you are able

current stats: $8,186/$50,000

#not choices #signal boost #🍉#shahednhall #art campaign boost

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needle-thread-thimble-spear · 6 months ago

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RGU and the Transfeminine, Part 1

Why Miki Kaoru is an Egg

Fig. 1: The Sunlit Garden

When I’d first watched through Revolutionary Girl Utena, Miki Kaoru was initially one of the characters I had the hardest time figuring out. Unlike the other poisoned sibling relationships in the show, Miki and Kozue’s didn’t really make much sense to me. I couldn’t decide how I felt about the character, whether he was “better” somehow than Touga, Saionji, or Akio, or if he was “just as bad”. And of course. What the hell is with that damn stopwatch dude??* Looking at fan writings afterward just deepened the confusion. Everyone seems to have a different opinion on what’s going on with Miki. It’s only after much re-watching, and introspection, that I think I’ve figured out why I’m so conflicted about the character. I’d like to share why- and hopefully along the way I can at least show that Miki is more interesting than many give him credit for. Click the readmore if you please!

(And, to be clear, what is written below is a reading, a blend of evidence from the text, from the subtext, and my own personal experience. I do not claim to be the first to interpret the character this way nor do I claim that this is the definitive read of the character. Nonetheless, I hope I can make my case to you!)

and, a big thank you to @empty-movement for collating all the high quality screengrabs and scans in this post!

Fig 2: Rookie Princes

While I’m not the first to notice, I think it’s frequently overlooked just how similar Utena and Miki are in the first arc. It’s definitely something that flies over the heads of many first-time viewers. But Miki and Utena, are extremely alike! Of course, they are both motivated by an unattainable image of the past, and Miki’s early episodes codify the “sunlit garden” into the RGU symbolic environment. But it’s more than just this. Utena and Miki both treat Anthy in basically the same way. Utena has an easy time convincing Miki that the dueling game is objectifying nonsense. That the principled thing is to leave the whole exercise behind and treat Anthy like a person. It isn’t very hard for Miki to convince Utena to duel him for her hand either. They both view themselves as her personal protector, and (while maybe at different times), both project their imagination of what she must be thinking onto her. Utena does a bit more than Miki to try and figure Anthy out, but it doesn’t take much for her to get swept up in her own image of prince. In both their minds, Anthy needs them to save her. And, when Anthy looks them in the eyes, and tells them. I’m not yours. It destroys them. Freezes them in their tracks, breaks their hearts. Screaming, its a lie, you can’t mean that! Of course they get along so well! They see themselves in one another, plain as day. Little rival princelings, seeking the affections of the same princess, but always with chivalry and good intention.

Fig 3: Heartbreak

But I think there is more to it than that! Miki and Utena (and later Nanami) are some of the youngest duelists (at least, without a black rose anyway). And, they have fairly similar relationships to the other members of the student council. Juri acts as an older friend, mentor, and source of advice for both of them. Its not unlikely that she sees her younger self in the two of them, and while she does very directly take this out on Utena, its her sword that Utena takes to her second duel with Touga. Indeed, Touga manipulates Miki and Utena in unsubtle and sexually aggressive ways, as compared to how he might treat Saionji or Juri. And for both, its their relationship to gender that he directly attacks. He attempts to break Utena’s spirit by turning her “back into a normal girl”, and for Miki he seems to challenge his masculinity. And while this may seem as though the two of them are being shoved in opposite directions, in both cases, Touga hits them in the same place. “You’re a prince then? I don’t think so. Unless you prove it”. Touga isn’t the only one to question Miki’s ability or status. Utena and Juri both tell Miki. You are much more suited to playing piano than dueling. The main difference here is that they tell him this with genuine compassion, but the implication is the same. You aren’t suited to this prince thing. Give it up.

I don’t think it’s just the audience who is conflicted slotting in Miki with the other “men”.

Fig 4: Strange Friends

Much ink has been spilled on Miki and Kozue’s relationship, but I do think there is one thing consistent across readings. There is a power struggle going on between them, and they’ve both got something to hold over the others head. Personally, I don’t believe there is any attraction between them. Rather, What’s Going On With Those Two is their mismatch in understanding their sexuality and the RGU concept of “Reality”, and the friction that creates in their image of themselves and one another. That reading may go as follows. Miki sees Kozue as acting dangerously and immorally. In his mind, she is his responsibility, to keep out of trouble at the very least. Perhaps he sees himself as needing to step in for their absent parents. So he sees himself as the mature and grounded one, a father figure needing to keep the both of them on the straight and narrow. Kozue on the other hand, sees Miki as being essentially blind to Reality (with a capital R). She believes he doesn’t have a good grasp of what sex is, or what adult relationships look like. She may believe that she understands what happened with their parents much better than Miki, and clearly sees that her brother is in danger with his creepy music teacher. So she sees herself as the mature and grounded one, needing to protect her brother both by warding off people who would take advantage of him and by getting him to grow up and see things as they Really are. Without their parents, they feel the need to take care of one another and control how the other approaches their sexuality. But in the end, it does seem that Kozue is the one who is better able to manipulate Miki’s behavior, helping Akio convince him to duel a second time. That Miki needs to grow up and accept what he wants. He sees a vision of Anthy, and he’s driving the akiomobile. And, with fearful realization, he discovers the identity of End of the World.

Fig 5: Fear

So then. Why should Miki be so hung up about his sexuality? It clearly makes him very uncomfortable. And why does he compare the sister he had in the past onto the one he has in the present? What’s so special about that sunlit garden, anyway? What is Miki Kaoru’s shining thing?

Let me spin a yarn, if you'll indulge me-

As far as Miki remembers it, when he was little things were perfect. His parents were still there, and he and his twin sister were thick as thieves. They would play piano together, and drink milkshakes. Things were simple and happy as far as he’s concerned, and while his childhood was not nearly as rosy as he remembers, it was certainly better than whatever he has to deal with now. Now his parents are gone for reasons he doesn’t quite understand, and his sister has drifted away from him and acts promiscuously. His body is starting to change, and it fills him with disgust. Worse still, he finds himself envying his sister for some reason. It all floods him with shame. He needs to fight those feeling with everything he has. Being very clever for his age, he finds himself the youngest member of the student council. He becomes involved with the dueling game as it is revealed to him, and goes along with it, not wanting to act out of place. He gets a crush on Anthy, and is unable to figure out what the hell he should do about it. Later, he meets Utena, and the two become fast friends. And how lucky, his new friend is roommates with his crush! She’s just so perfect. She’s kind, and quiet, and chaste, not at all like his sister. He feels a kinship with her. And in an act of cosmic fate- she plays for him his favorite childhood arrangement. It’s just as Touga says. He can’t let the world get to her, the way its getting to his sister. The way its getting to him. He needs to make sure that Anthy, and his memories, are safe. But alas- it seems she doesn’t feel the same way. She’d rather be with Utena. Hopefully, Utena can protect her where he cannot. Miki and Utena go back to being friends, and he nurses his hurt feelings privately. It wouldn't do to make a scene about it, and besides, it wasn’t appropriate for him to think of her like that anyway. Thinking about anyone like that. He can’t help but feel disgusted with himself for allowing it. Later, his relationship with his sister continues to deteriorate, and his father is remarrying. But he can stick by his principles, and stay out of it all, the dueling especially. Kozue, Touga, and Akio have other plans. He is confronted with Reality, and it terrifies him. He sees himself in the drivers seat, Anthy his. This is what he is now, no point in trying to hide from it. He challenges Utena again, taking an early advantage utilizing his new resolve and Utena’s confusion. But that resolves breaks quickly. What is Kozue doing with Anthy?

Pay attention, or you’ll lose.

Fig 6: Crash!!

Miki is disgusted with himself, his role, because he does not want it. He hates what’s happening to himself and his family. He admires Utena and Juri, for embodying his ideal self. He listens to Touga, puts up with his music teacher, even if they make him feel gross and uncomfortable, because he feels he has to and that he doesn’t have a choice. He idolizes Anthy, so much. He is attracted to her, but maybe there is something more. Maybe, Miki wishes he could be her. Miki, in my mind, is a closeted trans lesbian going through puberty as a boy. I think that part of this might be projection, perhaps. But I hope that I might have made my case using the text of the show. But even if you disagree, I hope that you might have a better appreciation for his character. I think he’s fairly consistently people’s least favorite council member as a character, but honestly he’s my favorite and I think there’s a lot more too him than a lot of people give him credit for.

Fig 7: Three Lesbians Hanging Out

… this all being said. I think it’s interesting that Miki thinks Anthy is the picture of femininity right? That this is what he wants.

In the end, all girls are like the rose bride.

Please wait patiently while I make the case, that while Miki is an egg. Anthy has long since hatched...

(And I do mean be patient! This subject, and the concept that Ohtori represents a transmisogynystic institution at its very core, is WAY more personal than this headcanon, and also is much more of a difficult thing to write for dozens of reasons. I'm still not 100% sure it would even be right of me to post my thoughts on that publicly. But if enough people are interested, maybe that would motivate me to write it!)

*What’s a good Miki essay without some sort of Stopwatch Theory tm? Well (and I freely admit much of this is probably projection, but it’s not just me projecting! It’s also my girlfriend!!), Miki seems to get very wrapped up in his own thoughts. He is very self conscious, takes the criticisms of others very seriously, and also seems to get ideas about How Things Are Going To Happen in his head. He desperately tries to make sense of his surroundings, and finds himself consistently failing to do that. So my guess is the stopwatch is a way for him to regulate and calibrate his thoughts and hypotheses and self image. He picked it up in his duty as council secretary, but its something he feels is significant outside of that. Aha moment? Click. Unexpected end to a council meeting? Click. Something go completely as expected? Click. It helps him process I think. That is my formal Stopwatch Hypothesis tm.