#pinchon

[random-brushstrokes]

Robert Antoine Pinchon - Le jardin aux pavots (ca. 1906)

[portraituresque]

Robert Pinchon - self portrait

Robert Antoine Pinchon (1886, Rouen -1943, Bois-Guillaume) was a French Post-Impressionist landscape painter of the Rouen School who was born and spent most of his life in France. He was consistent throughout his career in his dedication to painting landscapes en plein air.

[x-heesy]

French artist Reine-Marie Pinchon creates incredibly magical, unique, feminine watercolors. Her work has an Asian-influenced understanding of watercolor, and since she was not trained in painting professionally, she created her own style of painting, in which watercolor is applied to paper using an aerosol spray. To create her lyrical landscapes, she creates additional effects using transparent organic pigments.

It seemed that in the chaos of spots, splashes, almost abstract fills, a plot was being formed in some incredible way, and the plot was tender, lyrical, sensual. She mostly draws plants, flowers and twigs scattered randomly on paper, forming a magical dance.

White Lilies by Peder, Anne Trolle 🎧

[oldsardens]

Robert Antoine Pinchon - La Seine à Croisset

[figurationoftheinvisible]

The Threshold

EL UMBRAL (Samhaín)

Las sombras bostezan, en la encrucijada de los mundos cae el velo separador, surge la noche. Más allá de la oscuridad tu olor, entre los dedos una rosa marchita. En el pasaje la luz no se apaga, es un retorno que vuelve en la llama tus ojos, el resplandor del otro. ** THE THRESHOLD (Samhain)

The shadows yawn, at the crossroads of worlds the separating veil falls, night rises. Beyond the dark Your scent, between the fingers a faded rose. In the passage the light does not go out, it's a reference that returns in the flame your eyes, the glow of elsewhere.

     — Ivana Manzi

Watercolor: Reine-Marie Pinchon

[sardens]

Robert-Antoine Pinchon - Bords de la Seine vers le Bas Caumont

[lilidawnonthemoon]

[fe-li-ci-as-things]

Reine-Marie Pinchon

#art

[sorun-var]

“le bassin aux nymphéas au jardin des plantes à rouen” ⋅ by robert pinchon, c. 20th century

[eva-knits12]

A TED talk- the PR edition.

I know very little about PR.

Megan Moss Pinchon, the founder of Narrative, had every chance to pull her client, Chris Evans out of this situation. But no. She only sees him as a six-foot-tall walking dollar sign. I'll explain.

Pulling Chris out right after the pap walk. Talk about cringe.

Pulling Chris out right after the family's annual Disney trip. Mama Lisa's annoyed and murderous expression says it all.

Pulling Chris out after the trash nun's famous shower tantrum, which got her suspended on IG, and would have gotten her on a sec offenders registry. But, no. Meg swept that under the rug.

The Ghosted premiere. The trash nun's shoes up uninvited. Chris looks pissed! That's unusual for him, given his happy-go-lucky demeanor.

The laser focused comment. Meg needed to pull Chris from this, but no. She stood by, making sure he stuck to the script. When he didn't, Meg certainly gave him an earful. Instead, we get 5,000.artickes about them being "IG official", onky to have another 5,000 articles about Valentine's Day photo dumos when it's fucking clear he can't stand her, and can"t stand beinf around her.

After Scott's comment. It was clear Scott was put on the spot, and didn't know what to do. Instead, you used a People article to sweep it under the rug.

After the engagement rumors. Boom, there was a huge chance. But no, you just cleaned up using a dog shelter video and a People article about the family.

The "wedding". It's clear that fraud was committed. You had Chris claiming this the same weekend as 9/11, but wait! Was it that Friday? That Saturday? That Sunday? Nobody can keep the timeline straight. When the met? 2020? No, there was a global pandemic, and at that time, you had your client go to London to help clean up the cocaine Cinderella 's mess. He would have been nominated for an Emmy for Defending Jacob, but no. 2021? No, there were still lockdowns. 2022? Think again. They never met. The trash nun was still with Lucas while seducing old men, making internet porn, and selling foot fetish pics and foot fetish videos. You had every chance to pull him out of this. Then, later that week, you had your client in a "second wedding" in Portugal, the trash nun's home turf, only to avoid immigration laws. Where is the marriage license? Visa's with her name on it claiming that she was here? Where is the spousal visa? They don't exist. Ask anyone who has dealt with immigration, and they can tell you becoming a U.S. citizen is a process, albeit a very long one. Anyone who has married a non-U.S. citizen knows that your spouse is not leaving U.S. or foreign soil for a minimum of four months.

The Con. You had your client, Chris, wear an ill fitting ring the entire time, and admit to fraud. His panel wasn't recorded. How convenient. He spent more time talking about Dodger than he did about the trash nun. He looked very exhausted, haggard, and drugged. Since he was drugged to comply, Meg could have wound up in jail for possession with the intent to distribute, but no. Even that was cringe, and Meg was at the Con the whole time, making sure her client stuck to the script. You also had two people right next to him, one taking gifts from fans, and one watching intently. For what? In case he wanted to escape? I wouldn't blame Chris for making a run for it.

Another People article on Thanksgiving. Chris wanted to handle his return to IG and social media privately. But, no. You had to go ahead, embellish the crap out of it, and again, mention the trash nun, when it's perfectly clear that he hasn't said her name this time, and she's not on his list of followers or peopke that is following him. He is only following two accounts, and two accounts are only following him. Again, you had a chance to pull your client, but no. You chose to announce his return to IG loudly using People.

The manipulation quote in the SMA interview. The trash nub is famous for this, and Meg is, too. Again, you had a chance to pull your client from this.

The GQ article. Again, you could have protected and pull your client. But, no. He was drugged to comply, and you had Mama Lisa there making sure he stuck to the script. I'm pretty sure Mama Lisa didn't want anything to do with it.

We all know Meg loves her designer toys and clothes and accessories. Whatever makes her money, that's the tactic she takes. She cares nothing about her Chris and her other clients. I can guarantee she's done the same with her various other clients, but nothing to this extent.

At the end of the day, Meg is working for Chris. It's not Chris working for Meg. Chris just needs to fire her. She's done more harm than good, and all at the expense and the safety of her client.

I just want to give Chris a hug, and tell him it's going to be okay. I'm still sticking around because I believe in him.

Thanks for coming to my TED talk.

[random-brushstrokes]

Robert Antoine Pinchon - The Red Roofs (1903)

[gaiusozarkus]

Pinchon

[sunriseseance]

what are some of your phenomal book recs? please i need to read more good books

OK HI

If you're looking for queer books:

The City and the Pillar by Gore Vidal

(post-wwii story about queerness and identity and coming into yourself)

Johnny Appleseed and Fullmetal Indigiqueer by Joshua Whitehead

(brilliant stories by an indigenous Canadian person about gender, sexuality, person, and place)

Zami: a new spelling of my name by Audre Lorde

(not quite an autobiography of a brilliant queer black woman)

Black Jesus and Other Superheroes by venita Blackburn

(the most beautiful short story collection I have ever read. Queer, black, rhythmic, stunning. Please, if you only choose one of my books, pick this one).

Non-queer but they're great:

Inherent Vice and Crying of Lot 49 by Thomas Pinchon

(amazing books about history, reality, and comedy. Cannot reccomend highly enough)

Libra by Don Delillo

(a story about the Kennedy assassination. Meaningful look at what we think of history)

Paradise, Beloved, Jazz by Toni Morrison

(her "trilogy" on historical blackness. Fundamentally brilliant. I especially reccomend Paradise, the story of a town told through the women)

The Underground Railroad by Colson Whitehead

(an anachronistic slave narrative that brilliantly confronts race and history)

Borderlands/La Frontera by Gloria Anzaladua

(a piece about modern identity centered around queerness, identity, and the America/México divide)

House of Leaves by Mark z. Danielewski

(a fundamental deconstruction of the form of the book)

I absolutely have others but I think these will be it for now! If anyone wants more lemme know

[vieuxmetiers]

Rouissage du chanvre et l'auto-rousseur de M. Pinchon, Vivoin, (Sarthe).

[detournementsmineurs]

"Diadème" réalisé par Joseph Porphyre Pinchon et les ateliers de l'Opéra de Paris pour la cantatrice Rose Féart dans "Lohengrin" en métal et perles (1911) sur le modèle de la couronne créée par René Lalique et Alfons Mucha pour Sarah Bernhardt pour "La Princesse Lointaine" d'Edmond Rostand (1895) présenté à l'exposition "Sarah Bernhardt. Et la Femme Créa la Star" au Petit Palais, Musée des Beaux-Arts de la Ville de Paris, juillet 2023.

[henrywilliam0651]

Robert Pinchon Painting

Robert Pinchon was a French painter known for his colorful landscapes, capturing nature with expressive brushstrokes. His works reflect a deep connection to the Impressionist movement. Leighton Fine Art Ltd offers a selection of his beautiful paintings, showcasing Pinchon's mastery in depicting light and color.