#pierrerestany

[worldfoodbooks]

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: DOMUS NO. 462 MAGGIO 1968 • Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting a seemingly endless archive of contributions and features, frequently covering the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more. • domus No. 462 Maggio 1968 Editor : Gio Ponti Editorial committee and contributors include : Cesare Casati, Pierre Restany, Agnoldomenico Pica, Pierre Restany, Carmela Haerdtl, Joseph Rykwert, Ettore Sottsass jr., Charles and Ray Eames, Kho Liang je, Bernard Rudofsky, George Nelson, Fausto Melotti, Tommaso Trini, Tapio Wirkkalaand, Rut Bryk, and more. features : Archizoom; The Living Theatre; "National Aquarium in Washington" by architects Kevin Roche, John Dinkeloo and Associates, with Office of Charles Eames; "Pneu: Inflatable Structures and Forms"; "A Mini Space" by Joe Colombo; new lamp edition from Didier Bernardin; Multiples by Franco Angeli, Lucio Fontana, Gino Marotta, Gianni Colombo, Fabrizio Cocchia, etc. by Tommaso Trini; "Charles Rennie Mackintosh 1868-1968; "Magistretti in Paris"; Art exhibitions; Book reviews; Lourdes Castro / Cesar / Jean-Pierre Raynaud by Pierre Restany; "The House of Roger Tallon"; Pino Pascali; Giulio Paolini; and much more. • One copy available in the bookshop today and via our website. • #worldfoodbooks #domus #gioponti #rogertallon #tommassutrini #pierrerestany #luciofontana #cesar #archizoom #lourdescastro #jeanpierreraynaud #joecolombo #charleseames #pinopascali (at WORLD FOOD BOOKS)

[kunstkioskzh]

Klein, Yves. Pierre Restany, Harry N. Abrams, Publ., New York. 1982. Quer 4°. OLn. mit OU 252 S. #yveskleon #pierrerestany #kunstkioskimhelmhaus #kunstkiosk https://bit.ly/3gl3SrX https://www.instagram.com/p/CAqDojMl5Qv/?igshid=1v8omgt9yb7ur

[rupturedmedia-blog]

undefined

Arman: Nouveau Réalisme

[impossiblesomething]

Vintage art advertisement for the Nouveaux early 1980s Rélistes #PierreRestany #YvesKlein #JeanTinguely #Arman #DanielSpoerri #Dufréne #RaymondHains #MartialReysse #JacquesVilleglé #nouveaurélisme #catherinehollyarchive #nikkidesaintphalle (at Bedford–Stuyvesant, Brooklyn)

[amirshariat]

Flashback to the Danubiana Museum trip. Andy Warhol lookalike found at Alex Mlynarcik and Richard Köhler's re-run of "Temptation" originally presented by Pierre Restany in Paris in 1967 #danubianameulensteenartmuseum #danubiana #slovakart #temptation #wig #alexmlynarcik #richardköhler #popart #newrealism #pierrerestany #andywarhol (at Danubiana Meulensteen Art Museum)

[worldfoodbooks]

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: DOMUS NO. 462 MAGGIO 1968 • Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting a seemingly endless archive of contributions and features, frequently covering the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more. • domus No. 462 Maggio 1968 Editor : Gio Ponti Editorial committee and contributors include : Cesare Casati, Pierre Restany, Agnoldomenico Pica, Pierre Restany, Carmela Haerdtl, Joseph Rykwert, Ettore Sottsass jr., Charles and Ray Eames, Kho Liang je, Bernard Rudofsky, George Nelson, Fausto Melotti, Tommaso Trini, Tapio Wirkkalaand, Rut Bryk, and more. features : Archizoom; The Living Theatre; "National Aquarium in Washington" by architects Kevin Roche, John Dinkeloo and Associates, with Office of Charles Eames; "Pneu: Inflatable Structures and Forms"; "A Mini Space" by Joe Colombo; new lamp edition from Didier Bernardin; Multiples by Franco Angeli, Lucio Fontana, Gino Marotta, Gianni Colombo, Fabrizio Cocchia, etc. by Tommaso Trini; "Charles Rennie Mackintosh 1868-1968; "Magistretti in Paris"; Art exhibitions; Book reviews; Lourdes Castro / Cesar / Jean-Pierre Raynaud by Pierre Restany; "The House of Roger Tallon"; Pino Pascali; Giulio Paolini; and much more. • One copy available in the bookshop today and via our website. • #worldfoodbooks #domus #gioponti #rogertallon #tommassutrini #pierrerestany #luciofontana #cesar #archizoom #lourdescastro #jeanpierreraynaud #joecolombo #charleseames #pinopascali (at WORLD FOOD BOOKS)

[worldfoodbooks]

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: DOMUS NO. 466 SETTEMBRE 1968 • Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting a seemingly endless archive of contributions and features, frequently covering the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more. • No. 466 Settembre 1968 Editor : Gio Ponti Editorial committee and contributors include : Cesare Casati, Pierre Restany, Agnoldomenico Pica, Pierre Restany, Carmela Haerdtl, Joseph Rykwert, Ettore Sottsass jr., Charles and Ray Eames, Kho Liang je, Bernard Rudofsky, George Nelson, Fausto Melotti, Tommaso Trini, Tapio Wirkkalaand, Rut Bryk, Hans Hollein, and more. features : Archizoom; Lucio Fontana; "Tatlin" by Agnoldomenico Pica; "Apartment Building in Ramat Gan Tel Aviv" by architects Alfred Neumann, Zvi Hecker, Eldar Sharon, "The 18th Aspen Design Conference" by Hans Hollein; Olivetti store in Buenos Aires by architect Gae Aulenti; XIV Triennial of Milan "Il Grande Numero" (Arata Isozaki); "Venice Biennale 1968: A Failure in Attempted Suicide" by Pierre Restany; "For a New Biennale" by Tommaso Trini; Book reviews; and much more. Beautifully printed in Italy and heavily illustrated throughout with vivid colour and black and white photography across multiple paper stocks, page crops and fold-out spreads. • One copy available in the bookshop today and via our website. • #worldfoodbooks #domus #olivetti #gaeaulenti #tommassutrini #pierrerestany #hanshollein #gioponti #luciofontana #cesar #archizoom (at WORLD FOOD BOOKS)

[worldfoodbooks]

BACK IN THE BOOKSHOP: CÉSAR (1976) - The stunning 1976 cloth-hardcover César monograph - English edition. With text by the Pierre Restany and large beautifully printed illustrations of over 200 of César's sculptural works in colour and black and white, including a wealth of his incredible Compressions and Expansions, along with a list of all works, biography, bibliography. Designed by Peter Knapp and Walter Rospert and printed in France. This is the 1976 English edition with dustjacket, and original cardboard slipcase, and still the nicest book on this great artist. César Baldaccini (1 January 1921 in Marseille - 6 December 1998 in Paris), usually called César, was a noted French sculptor. César was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects in bronze. His sculptural vision has heavy influenced the work of many for generations since. - One copy in the bookshop tomorrow and via our website. - #worldfoodbooks #césar #pierrerestany #nouveaurealisme #1976 (at WORLD FOOD BOOKS)

[worldfoodbooks]

BACK IN THE BOOKSHOP: CÉSAR (1976) - The stunning 1976 cloth-hardcover César monograph - English edition. With text by the Pierre Restany and large beautifully printed illustrations of over 200 of César's sculptural works in colour and black and white, including a wealth of his incredible Compressions and Expansions, along with a list of all works, biography, bibliography. Designed by Peter Knapp and Walter Rospert and printed in France. This is the 1976 English edition with dustjacket, and original cardboard slipcase, and still the nicest book on this great artist. César Baldaccini (1 January 1921 in Marseille - 6 December 1998 in Paris), usually called César, was a noted French sculptor. César was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects in bronze. His sculptural vision has heavy influenced the work of many for generations since. - One copy in the bookshop tomorrow and via our website. - #worldfoodbooks #césar #pierrerestany #nouveaurealisme #1976 (at WORLD FOOD BOOKS)

[worldfoodbooks]

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: DOMUS NO. 466 SETTEMBRE 1968 • Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting a seemingly endless archive of contributions and features, frequently covering the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more. • No. 466 Settembre 1968 Editor : Gio Ponti Editorial committee and contributors include : Cesare Casati, Pierre Restany, Agnoldomenico Pica, Pierre Restany, Carmela Haerdtl, Joseph Rykwert, Ettore Sottsass jr., Charles and Ray Eames, Kho Liang je, Bernard Rudofsky, George Nelson, Fausto Melotti, Tommaso Trini, Tapio Wirkkalaand, Rut Bryk, Hans Hollein, and more. features : Archizoom; Lucio Fontana; "Tatlin" by Agnoldomenico Pica; "Apartment Building in Ramat Gan Tel Aviv" by architects Alfred Neumann, Zvi Hecker, Eldar Sharon, "The 18th Aspen Design Conference" by Hans Hollein; Olivetti store in Buenos Aires by architect Gae Aulenti; XIV Triennial of Milan "Il Grande Numero" (Arata Isozaki); "Venice Biennale 1968: A Failure in Attempted Suicide" by Pierre Restany; "For a New Biennale" by Tommaso Trini; Book reviews; and much more. Beautifully printed in Italy and heavily illustrated throughout with vivid colour and black and white photography across multiple paper stocks, page crops and fold-out spreads. • One copy available in the bookshop today and via our website. • #worldfoodbooks #domus #olivetti #gaeaulenti #tommassutrini #pierrerestany #hanshollein #gioponti #luciofontana #cesar #archizoom (at WORLD FOOD BOOKS)

[worldfoodbooks]

BACK IN THE BOOKSHOP: CÉSAR (1976) - The stunning 1976 cloth-hardcover César monograph - English edition. With text by the Pierre Restany and large beautifully printed illustrations of over 200 of César's sculptural works in colour and black and white, including a wealth of his incredible Compressions and Expansions, along with a list of all works, biography, bibliography. Designed by Peter Knapp and Walter Rospert and printed in France. This is the 1976 English edition with dustjacket, and original cardboard slipcase, and still the nicest book on this great artist. César Baldaccini (1 January 1921 in Marseille - 6 December 1998 in Paris), usually called César, was a noted French sculptor. César was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects in bronze. His sculptural vision has heavy influenced the work of many for generations since. - One copy in the bookshop tomorrow and via our website. - #worldfoodbooks #césar #pierrerestany #nouveaurealisme #1976 (at WORLD FOOD BOOKS)

[impossiblesomething]

The principal concern of New Realism was how to respond to the changed role of art within the new consumer society, in view of the fact that fine art painting was dying.The group viewed the world as a source from which they could take parts and incorporate them into their art, as a way of bringing life and art closer together. More lyrically, they aimed for a "poetic recycling of urban, industrial and advertising reality". They preferred "reality" to abstraction, but they were wary of figurative art, which they regarded as petty-bourgeois or socialist realism (from the web) #PierreRestany #YvesKlein #JeanTinguely #Arman #DanielSpoerri #Dufréne #RaymondHains #MartialReysse #JacquesVilleglé #nouveaurélisme #catherinehollyarchive (at Bedford–Stuyvesant, Brooklyn)

[impossiblesomething]

Manifesto of "Nouveau Réalisme", 1960 a brief statement proclaiming "Constitutive Declaration of New Realism, Nouveau Réalisme—new ways of perceiving the real." signed by Pierre Restany, Yves Klein, Jean Tinguely, Arman, Daniel Spoerri, Dufréne, Raymond Hains, Martial Reysse, Jacques Villeglé The members of the nouveaux réalistes group tended to see the world as an image from which they could take parts and incorporate them into their works—as they sought to bring life and art closer together. They declared that they had come together on the basis of a new and real awareness of their "collective singularity", meaning that they were together in spite of, or perhaps because of, their differences. But for all the diversity of their plastic language, they perceived a common basis for their work; this being a method of direct appropriation of reality, equivalent, in the terms used by Pierre Restany, to a "poetic recycling of urban, industrial and advertising reality" #artmanifesto #PierreRestany #YvesKlein #JeanTinguely #Arman #DanielSpoerri #Dufréne #RaymondHains #MartialReysse #JacquesVilleglé #nouveaurélisme #catherinehollyarchive (at Bedford–Stuyvesant, Brooklyn)

[worldfoodbooks]

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: DOMUS NO. 462 MAGGIO 1968 • Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting a seemingly endless archive of contributions and features, frequently covering the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more. • domus No. 462 Maggio 1968 Editor : Gio Ponti Editorial committee and contributors include : Cesare Casati, Pierre Restany, Agnoldomenico Pica, Pierre Restany, Carmela Haerdtl, Joseph Rykwert, Ettore Sottsass jr., Charles and Ray Eames, Kho Liang je, Bernard Rudofsky, George Nelson, Fausto Melotti, Tommaso Trini, Tapio Wirkkalaand, Rut Bryk, and more. features : Archizoom; The Living Theatre; "National Aquarium in Washington" by architects Kevin Roche, John Dinkeloo and Associates, with Office of Charles Eames; "Pneu: Inflatable Structures and Forms"; "A Mini Space" by Joe Colombo; new lamp edition from Didier Bernardin; Multiples by Franco Angeli, Lucio Fontana, Gino Marotta, Gianni Colombo, Fabrizio Cocchia, etc. by Tommaso Trini; "Charles Rennie Mackintosh 1868-1968; "Magistretti in Paris"; Art exhibitions; Book reviews; Lourdes Castro / Cesar / Jean-Pierre Raynaud by Pierre Restany; "The House of Roger Tallon"; Pino Pascali; Giulio Paolini; and much more. • One copy available in the bookshop today and via our website. • #worldfoodbooks #domus #gioponti #rogertallon #tommassutrini #pierrerestany #luciofontana #cesar #archizoom #lourdescastro #jeanpierreraynaud #joecolombo #charleseames #pinopascali (at WORLD FOOD BOOKS)

[worldfoodbooks]

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: DOMUS NO. 466 SETTEMBRE 1968 • Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal, distributed in 89 countries. With exuberant style and rigor, it offered energetic up-to-date coverage and analysis of major themes, developments and stylistic movements in product, structure, interior, and industrial design. Called the "Mediterranean Megaphone," domus has always been considered the most concrete published expression of Italian style, documenting a seemingly endless archive of contributions and features, frequently covering the works of the protagonists of the Anti and Radical Design movements, modern architecture, new experiments in environmental/spatial/commercial design, international product design, the activities of the Arte Povera, Pop art, Minimal Art and Nouveau Réalisme movements, and much more. • No. 466 Settembre 1968 Editor : Gio Ponti Editorial committee and contributors include : Cesare Casati, Pierre Restany, Agnoldomenico Pica, Pierre Restany, Carmela Haerdtl, Joseph Rykwert, Ettore Sottsass jr., Charles and Ray Eames, Kho Liang je, Bernard Rudofsky, George Nelson, Fausto Melotti, Tommaso Trini, Tapio Wirkkalaand, Rut Bryk, Hans Hollein, and more. features : Archizoom; Lucio Fontana; "Tatlin" by Agnoldomenico Pica; "Apartment Building in Ramat Gan Tel Aviv" by architects Alfred Neumann, Zvi Hecker, Eldar Sharon, "The 18th Aspen Design Conference" by Hans Hollein; Olivetti store in Buenos Aires by architect Gae Aulenti; XIV Triennial of Milan "Il Grande Numero" (Arata Isozaki); "Venice Biennale 1968: A Failure in Attempted Suicide" by Pierre Restany; "For a New Biennale" by Tommaso Trini; Book reviews; and much more. Beautifully printed in Italy and heavily illustrated throughout with vivid colour and black and white photography across multiple paper stocks, page crops and fold-out spreads. • One copy available in the bookshop today and via our website. • #worldfoodbooks #domus #olivetti #gaeaulenti #tommassutrini #pierrerestany #hanshollein #gioponti #luciofontana #cesar #archizoom (at WORLD FOOD BOOKS)