#photo shop in ilford

[ganglingman]

Op shop cats ready to just push that jug off the bench.

[shrimpyburgers]

Excited! These are some of my favorite shots from my first 6 rolls on my Minolta X-300. I purchased this camera from a camera shop in an underground mall in Daegu. I’m very new to film photography (photography in general) and these came out great. I recently picked up at Nikon Tele-Touch point and shoot and X-700, and I’m excited to see what comes from them as well.

The B&W pictures are shot on Ilford HP5 Plus. Color photos from Korea and U.S. are shot on Kodak Gold/Colorplus and Ultramax respectfully.

[sailsonthehorizon]

Lost in prognosis

Lateral thinking. Over thinking. A mysterious medical misery (try saying that after a few pints...).

Random photo just because. Pentax MV / Ilford HP5

The other day I went out on the ebike for 21.42 minutes. I also cleaned out the chickens (5 minutes) and drove to the supermarket for a bottle of don’t-judge-me single malt whiskey (15 minutes).

The following day I was so incredibly tired and so incredibly sore I couldn’t even face reading, as the pain in my arms was too great to even hold the sodding book. I dictated this is into my phone, to tidy up at a later date on the laptop.

I don’t know what is going wrong within me. I’ve been tested for pretty much every muscle disease and autoimmune condition under the sun, bar rarer types of muscular dystrophy and motor neurons. At 3am of course it is MND, brains are not renowned for being overly positive in the wee hours.

Better days - lateral thinking

So on days when I can face the bike, or a coffee date, or a short trip out I am a positive, alternative thinking version of the broken me. Can’t walk far? Use the scooter. Sun shining on the hills? Drive out to a view point and take the camera. I can almost accept what is happening by making different choices. Adapt to perform, don’t let the b*****d get you down and all that far-too-overly-positive ‘warrior’ stuff.

Facebook memories reminding me that I’ve achieved and done some pretty darn cool things. Go me.

Bad days - over thinking

Then there are the murky days, currently outnumbering the blue sky days by about 5:1.

Can’t walk far? Hate who I am, feel utterly pointless, Google shop power-chairs. Sun shining on the hills? Throw massive self pity party and irrationally start resenting my friends (obviously very lovely and totally justified!) Facebook photos of fell walks and days out. Not a ‘warrior’ in any sense of the word; disgustingly self obsessed, hiding away, too embarrassed to be seen as someone I don’t recognise or accept.

Facebook memories reminding me that even a year ago I could do so much more. I miss sailing SO much.

People say - with only the very best of intentions - things along the lines ‘at least it’s not *insert well known chronic condition here*’. As if by remaining nameless It is a manageable, harmless condition. I suppose it does make the conversation a bit easier, and I’m absolutely not going to shoot anyone down for trying to make me feel better. 

I know It isn’t harmless and I can’t seem to manage It. I’m swinging on an exhausting pendulum between trying to ignore it because it feels too messed up to be true, and forcing myself to use the words ‘I need help’. Help with the kids, help with the housework, help with the boredom. It is relentlessly progressive and is speeding up. This year is the toughest yet. I have been saying that every year since 2018, but with each increase of toughness comes a whole new level of acceptance to somehow get under control.

I admit I don’t know where I’m going with this, I think I just needed to get something out there. Will attempt greater positivity, a half decent structure and definitely more photography next time!

Until then, thank you for sharing this with me, and peace out. ✌️

[orwoshop]

How ORWO Shop is Reviving Classic Film Techniques for Modern Photographers

ORWO Shop is at the forefront of the revival of classic film techniques that appeal to both veterans and newcomers. ORWO Film Shop offers a carefully selected range of high-quality films and expert guidance, allowing photographers to explore traditional methods such as darkroom development and manual exposure settings. This blog post peels into the ways these ageless techniques are reemerging today in modern photography, really bringing a personal connection to the profession and encouraging creative freedom in fast-paced digital realms.

This shop originally known as Original Wolfen, has its history etched since early 20th century. Founded in 1909 in Wolfen, Germany, as a subsidiary of the AGFA film company, ORWO has been one of the leaders in the film business for over a century. It became prominent during the post-war period, especially in East Germany, when it started producing quality black and white films at cheaper rates than its Western competitors like Kodak and Ilford. This historical context enriches the story of modern revival efforts.

 ORWO Shop stocks a wide variety of photo films suitable for professional and amateur photographers. Among its most outstanding products is black and white films with different ISO ratings. Such film gives photographers the chance to play with different exposures and grain textures. The NP-7 and NP-55 films are especially praised for their individual characteristics. Photographers using these films often describe their experience as a journey filled with surprises—each roll yields distinct results that reflect the unpredictable nature of analog photography. 

One of the most compelling aspects of shooting with photographic films is its ability to evoke emotion through imagery. In an age dominated by digital perfection, many photographers are drawn to the imperfections inherent in film. The graininess, contrast, and color rendition of films create a sense of nostalgia and authenticity that resonates deeply with viewers. This emotional connection is something digital photography often struggles to replicate. By choosing ORWO, photographers tap into a tradition that values artistic expression over technical precision.

Moreover, this commitment to innovation complements its rich heritage. Color cine films, based on the legendary Agfa stocks, are used in some of the best films, such as "Out of Africa." This synergy between old and new allows for innovation on the part of the photographer while remaining faithful to older techniques. With so much interest already being exhibited among enthusiasts for preorders on these new products, there can be no doubt that this is the shop that will dominate the field of contemporary photography. 

This Shop also restores old film techniques in line with a greater movement of creatives seeking a way out of digital media. More artists are adopting analog ways and, in doing so, becoming part of a community that believes in the value of handcrafted and individual work. Film photography instills patience and intentionality; qualities sometimes lost in the digital world of snapping on the fly. By engaging with these products, photographers not only master their craft but also take part in a larger movement that respects the artistry behind every shot.

Amateur photographers shoot films and share their stories through social media, creating an atmosphere of excitement around photography that captures unique moments. Social networks often play the role of virtual exhibitions: they are a place for posting photos, discussing with each other how to get something in the development process right, and talking about difficulties shooting with film. This way, both experienced professionals and newbies can enjoy photography much more.

As ORWO continually diversifies and innovates more about film photography, so has it extended an invitation to present generations of photographers to rediscover its magic with analog techniques? Its approach, whereby the touching nature of the film has mixed with anticipation in the process of developing rolls in a darkroom, cannot be created using digital photography. All snaps are intended acts accompanied with creativity and passion, being taken out of the clicking buttons.

In conclusion, ORWO Shop is not only reviving classic film techniques but is also reinvigorating an entire culture around analog photography for modern creators. With high-quality products steeped in history yet embracing contemporary innovations, ORWO gives photographers tools that inspire creativity and foster connection. As more people turn away from digital dominance in search of authenticity, ORWO stands ready to support them on this artistic journey—one roll at a time.

[pantone-palette]

Working on editing more of my photos. Rolled up dole ilford XP2 400 to develop at home and figured out afterwards I don't have the right chemicals!

Now I gotta roll it back up. Can it. Get it to the shop :o

[analogphotostories]

Shadowplay Steps

​Shadowplay Steps 📷 Canon EOS 500N + EF 28-80mm f3.5-5.6 🎞️ Ilford XP2 super 400

The last three photos were taken with my very first (film) camera, which I bought about 30 years ago. Well, not exactly the same one – the original is sadly broken. The autofocus only works when it's upside down! Plus, I sold the lens in the meantime. So, I got the same setup from a second-hand shop, and these are shots from the first roll of film I tried to make sure the camera works properly.

[marryrd]

Join us for the 2024 Ilford inGreen Climate Change Action Day on June 12th & August 14th, 11 am to 1 pm.

Start with a community photo op, then get involved in litter-picking and gardening activities on Ilford High Road, Chadwick Road, and Clements Road.

We'll also have a briefing on climate change action plans, with all tools provided on-site. Let's collaborate with local businesses & the community to create a greener environment!

Meeting point: Exchange Ilford Shopping Centre, Level 3 - The Loft.

[liverpoollomo]

Parliament Square Coffee. Zenit E. Ilford FP4.

Whilst shooting the test roll in my newly refurbished Zenit E I happened upon a new coffee shop in the Baltic Triangle. The staff where friendly and seemed interested in the weirdo who had arrived unannounced and began shooting with an old fashioned camera.

I'll have to make more trips down there and chill with a caffeinated beverage. The view of the cathedral is fantastic (sadly I didn't get a photo of that.)

[vintageimageryx-blog]

Lafayette Indiana Railroad Train Photo Vintage Panoramic Black and White 1923 Photo of Monon Shops Rail Yard Roundhouse Father's Day Gift by VintageImageryX

30.00 USD

Lafayette Indiana Railroad Train Photo Vintage Panoramic Black and White 1923 Photo of Monon Shops Rail Yard Roundhouse Father's Day Gift This vintage panoramic black and white photo is a rare glimpse into the transportation and industrial scene of Lafayette, Indiana in 1923. Featuring the Monon Shops Rail Yard and Roundhouse, this photograph captures the bustling activity of the time. The photo is a perfect Father's Day gift for any history or transportation enthusiast, as well as an excellent addition to any collector's memorabilia. Its vintage black and white style and panoramic view make it a standout piece of Americana and transportation history. The Monon Shops Rail Yard and Roundhouse were a vital part of Lafayette's transportation infrastructure, and this photo brings their legacy to life. The image is high-quality and provides a unique perspective on the time period, showcasing the progress and development of the transportation industry. This vintage panoramic Lafayette Indiana Railroad Train Photo is an excellent choice for those who appreciate historical Americana and vintage decor. It's a conversation starter and a testament to the ingenuity and hard work of those who built and maintained Lafayette's transportation system. THIS IMAGE IS HUGE! image size is 14"x 42" (20cm x 61cm) printed on Ilford Galerie Smooth Pearl Paper known for its nice luster finish. using UltraChrome K3 Inks which are rated up to 125+ years not cheap inks that will fade in 3 months very suitable for framing PERFECT FOR YOUR HOME OR OFFICE Thank you for looking. Truly a rare find Do you need something custom, Different Paper stock or maybe an image of your own just drop us a Convo. We will be happy to work with you . PLEASE FEEL FREE TO ASK QUESTIONS. THANKS.

[jordyn--johnson]

[disco-fucks]

93/365

[victorsglimpses]

06/01/2016 - HappyNewCutter at Otrad

[wiersm]

Looking towards the Buurkerk Utrecht, December 2016 http://vsco.co/wiersm/media/5a47d8a2fca1df22123cf33f?share=MTUxNDY1Nzk2MQ%3D%3D

[beyourselfchulanmaria]

© Don Hong-Oai

單雄威 Don Hong-Oai (1929 – 2004) was born in Canton, China in 1929, but spent most of his life in Saigon, Vietnam. At the age of 13 he began an apprenticeship at a Chinese photo and portrait shop. During this time he learned the traditional ways of photography from the masters. Everything was done the old-fashioned way from exposing the glass negatives in sunlight to using instinct rather than timers. Don would photograph landscapes in his free time and his style was heavily influenced by the legendary photographer Long Chin-San and his technique of layering negatives to create one composite image.

In 1979 he was able to get to the U.S. and settled in San Francisco’s Chinese community. Don started making a living selling his landscape photographs in front of Macy’s and began to receive more and more recognition for his master craftsmanship. He would create these images by taking three negatives, foreground, middle ground and far ground, and selecting a subject matter from each negative to form one composite image. All parts of the image do exist in life, but the photograph as a whole is an image that only existed in Don’s imagination. Each photograph is a unique handcrafted piece of work.

The photographs of Don Hong-Oai are made in a unique style of photography, which can be considered Asian pictorialism. This method of adapting a Western art for Eastern purposes probably originated in the 1940s in Hong Kong. One of its best-known practitioners was the great master Long Chin-San who died in the 1990s at the age of 104) with whom Don Hong-Oai studied. With the delicate beauty and traditional motifs of Chinese painting (birds, boats, mountains, etc.) in mind, photographers of this school used more than one negative to create a beautiful picture, often using visual allegories. Realism was not a goal.

He never had an assistant or had his images put together in a lab. Each piece had to be put together by Don as he saw it in his mind. His work has won scores of international awards and is included in hundreds of personal and corporate collections worldwide.. Only in the last few years of his life – he died in June 2004 – was his work discovered by a wider public, and he was kept very busy making prints for collectors across the US and worldwide.

Don Hong-Oai was one of the last photographers to work in this manner. He is also arguably the best. He was honoured by Kodak, Ilford and at Fotokina in West Germany and was a member of the International Federation of Photographic Art in Switzerland and the Chinatown Photographic Society.