#peter tagtgren
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P-P-P-PRAISE ABORT
It was hard but it was worth it
Below there will be a couple more versions of this art that are not available on other social networks <3
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Hypocrisy // Eraser
#Hypocrisy#Sweden#Swedish Metal#Melodic Death Metal#Death Metal#Peter Tägtgren#Peter Tagtgren#Mikael Hedlund#Lars Szöke#Lars Szoke#Metal#Metal Music#Music#Music Gifs#AVMusic#AVMusicGifs#AVGifs#AVHypocrisy#AVHypocrisyGifs
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I’m convinced they make growling vocalists in a factory somewhere they all look like they’re variations of a template, that template being some librarian from San Fransisco
#let’s see if I can remember where everyone comes from#hypocrisy#opeth#infant annihilator#cryptopsy#death#death band#the band death#(<-don’t know how to tag them lol)#carcass#the band carcass#carcass band#vader#carach angren#peter tagtgren#mikael akerfeldt#dickie Allen#Dan greening#worm lord#chuck schuldiner#jeff walker#Dennis droomers#art#death metal#metal#whatever I’m done tagging this
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I just decided to replace the black pencil with the purple one and then...
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Peter Tagtgren, PAIN - Wacken Open Air 2000
#peter tägtgren#peter tagtgren#pain#painband#the amazing devil#wacken open air#2000s#industrial#metal#metalhead
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October 25, 2022 - Bucharest, Romania
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© Jens Koch
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Happy birthday Steh Auf single and video !
youtube
Steh Auf official video - Lindemann with Peter Stormare - by Zoran Bohac
#i love this song#one of my fav of lindemann band#and the video is crazy#37 M views 👀#steh auf#steh auf mv#lindemann#lindemann 2019#lindemann band#till lindemann#peter tagtgren#peter stormare
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Sicuramente At the Heart of Winter è il disco più complesso degli Immortal. E considerando la dimensione boombastic nella quale sono sbarcati dopo Sons of Northern Darkness, col senno di poi, nel 1999, sembra avessero composto un trattato filosofico. “Un maestoso affresco in onore del lontano nord”; questo recitava il poster promozionale dell’epoca e, in effetti, considerando che Abbath e Demonaz hanno sempre cantato le lodi e gli inni delle terre dei ghiacci, questo album è la loro rappresentazione più completa. C’è anche quell’immancabile grotta che porta fin dentro le viscere laviche della terra. Ghiaccio e fuoco che si fondono in un ambiente invivibile ma sublime. Nel 1999 c’era già forte aria di cambiamento nel mondo del black metal, basti pensare le moderne invenzioni degli Emperor, il lato più sozzo e urbano dei Satyricon con Rebel Extravaganza, le piroette effettuate dagli Arcturus. C’era questa sensazione che molte band fossero arrivate ad un punto di non-ritorno (Cradle of Filth, Dimmu Borgir) mentre contemporaneamente altri gruppi come Marduk o Gorgoroth continuavano nella loro direzione più violenta. Gli Immortal (un paio di anni dopo i Dimmu Borgir) rinunciano al loro logo criptico e illeggibile in favore di qualcosa più accessibile visivamente, ma non necessariamente anche a livello di ascolto. Dopo Blizzard Beast, un album che rasentava la mezz’ora di durata, con brani brutali, quasi death metal corti anche due minuti e mezzo, “Withstand the Fall of Time” si muove in una direzione e approccio diverso, quasi opposto. Otto minuti e mezzo di violenza e melodia, scorci a voli d’uccello sui panorami innevati, il tutto accompagnato dalla classiche chitarre di Abbath e i suoi tipici e indescrivibili riff che toccano punti di epicità che saranno irripetuti. Abbath per la prima volta utilizzerà pure il collante armonico dei synth, che quasi non si sentono ma saranno fondamentali per aumentare il senso del vento e del blizzard. Questa volta Horg entra in pianta stabile e attiva nella composizione (mentre in Blizzard Beast aveva raggiunto gli Immortal solo per le foto di copertina e per il tour), spaziando fra violenza e cadenza. C’è spazio per cambi di tempo, atmosfere thrasheggianti – ma non troppo – ma soprattutto fuoriesce una componente heavy (”Solarfall”) che si ricollega direttamente coi Bathory di mezza era.
Horgh e Abbath camminano insieme e si scambiano il songwriting; a volte le chitarre trascinano il carro; a volte il carro è spinto dalle potentissime pelli e “When Dark and Light don’t differ” è l’esempio più clamoroso di questa potentissima composizione a quattro mani.
“Tragedies Blow at Horizon” è il brano che mi ricordo con più passione, quello che imparai a risuonare prima; un brano dove la batteria emette delle mitragliate, con una composizione che gioca fra il ghiaccio e il calore delle chitarre acustiche. Un calore che più che altro è un calmarsi del vento e saziarsi delle nevi. “Years of Silent Sorrow” conclude l’album con dei vortici sonori che ti trascinano giù nel buco, nelle interiora vulcaniche. Quarantasei minuti di estrema varietà e freschezza di composizione; c’è da dire che questa volta la mano di Peter Tägtgren agli Abyss Studios ha davvero dato un surplus che spesso invece non emergeva. E pensare che questo è lo stesso studio nello stesso anno di Panzer Division Marduk. Una cotanta dose di epica e tragedia non si è mai sentita né si sentirà più negli Immortal, soprattutto negli ultimi minuti. Farewell…
#Immortal#1999#Norway#Osmose#Peter Tagtgren#Abbath#Horgh#Demonaz#black metal#metal#Progressive Metal#Blashyrkh
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Pain // Shut Your Mouth
#Pain#Industrial Metal#Metal#Metal Music#Peter Tägtgren#Peter Tagtgren#Music#Music Gifs#Gifs#AVGifs#AVMusic#AVMusicGifs#AVPain#AVPainGifs
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I just love him. Maestro Tägtgren ♥
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He’s so close to be patting Peter’s head
I can’t- he’s adorable
Till pushing food onto others: A comparison
Peter:
Zaz:
(thank you @endlich-allein for the adorable gifs with Zaz)
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2 cts..
Thought i had (because i read on some social media that the Till distancing himself from the band that Schneider mentioned, started with him taking on the 'Lindemann' project and from that got separate management, separate circle of people, separate 'bubble' (as Schneider called it)):
i often saw Emigrate and Lindemann as two similar projects, both Richard and Till taking the chance to do something that they weren't able to do with Rammstein.
Well, looking at it now, i think Emigrate actually saved Rammstein in a way (Flake even said as much in a podcast, about how Richard is so prolific and produces so many ideas, that they wouldn't fit in one band and that's what the solo project was for). Richard loves Emigrate as the 'interesting new girlfriend', but always talks about Rammstein as 'the mothership', 'the wife', 'the relationship', 'the marriage' and he has set clear boundaries for himself with Emigrate, like not playing live. Emigrate eventually took the tension off of Rammstein for him and imo that took the tension off of the others as well. After the latest Rammstein album Zeit, Richard even forgot fo mention in interviews that 'it would be the last', something he always did before 🌺
Till's things he can't do in Rammstein are the extremes, in pain, sex, darkness. The Rammstein democracy and quality control always knows exactly where to reign him in (not just in lyrics and performance (remember Schneider looking very uncomfortable when Till bashed his head against a stagelight every show in Heirate Mich?), but when they met up more often, i wouldn't be surprised if they commented on other stuff as well (there are some real meddlers in that band 🌺). It may have felt good to not be on the leash in Lindemann and i think Peter Tagtgren and him worked well together from a 'creation' point of view, but Peter probably didn't intend to put in a quality control on Till. And Till's new circle certainly wasn't into reigning him in, they only encouraged the extremes. Imo Till is very bad at setting boundaries for himself, and easily influenced when indulged (i think Paul even said as much in a making of once, in slightly different words). Ofcourse it feels nice if people don't argue with you all the time, and there are people who manage to arrange everything you come up with and make it happen...but that doesn't mean it's good for you. And when Till started mixing the two, by at a Lindemann concert showing the infamous BJ video set (either real or staged) at a Rammstein show, and everybody in his circle probably thought that was great...in hindsight that might have been a pivotal point.
It's a shame that it has come to where we are now, it probably wouldn't have happened if someone would have been able to put their foot down sooner. But with Till's people only indulging him, and the foot-put-downers at a distance... imo this was a situation waiting to happen.
Just my thoughts, but if i'm right, than i would say that where Emigrate saved Rammstein, Till's solowork almost destroyed it.
Almost, but not completely.
Because i honestly feel that the Rammstein democracy is still the best way for the 6 of them to work and shine. And I hope all 6 of them are doing their best to make it happen 🌺
(Ps. i don't mean this as an 'excuse' post in any way, we are talking about adults here, who should accept consequence for the actions they do or omit)
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