#peter mogensen

[funkyshouseoflove]

Another Untold tale, with a mismatched menagerie of misfits, thrust together by fate, and a strange purple gem...

[impact-newswire]

RTX appoints Henrik Mørck Mogensen as new CEO

RTX A/S, a specialist in wireless communication solutions, has appointed Henrik Mørck Mogensen as new CEO, starting no later than March 1, 2025. Henrik Mørck Mogensen replaces Peter Røpke, who will be leaving RTX by the end of November 2024 after eight years with RTX. Henrik Mørck Mogensen comes from a position as Group Senior Vice President and responsible for the Healthcare business at…

[sodomyordeath]

NFD - "Surrender To My Will (No Mercy)" The Enchanted version

Ahead of the re-release of the epic TRINITY E.P. this October we are proud to present stunning new video for a special edit of Surrender To My Will (No Mercy), The Enchanted version.

Featuring American alternative DJ & Model, Ashely Bad in the role of the Witch and the NFD frontman in the role of the Demon the video is more of a movie short than a music video with strong atmospheric Gothic visuals tell the tale of a venture to Hell and back.

Directed by Peter 'Bob' White and supported by a team of industry professionals including, Director Of Photography Vincent E. Toto (Air Force One, Dredd, Mortal Kombat, Predator 2).

Peter thanks Special Effects wizard Stephen Bettles (Bullet Train, Once Upon A Time In Hollywood, Star Trek, The Avengers) for production support and for supplying the prosthetics from his Out Of Kit range.

Director: Peter White

DOP: Vincent E. Toto

Editor: Peter White

Camera Operator: Jacob Glaviano

1st Camera Assistant: Riccardo Vincenzi

Gaffer: Jacob Gonzales

Key Grip: Rafael Saud

Makeup: Jena Mogensen

Executive Producer: Stephen Bettles

Associate Producer: Ed Shorrock

A very special thanks to:

Stephen Bettles at Out of Kit prosthetics: https://outofkit.com/

&

Melusine_dream for the wonderful jewelry: https://www.instagram.com/melusine_dream/

NFD ARE:

Peter 'Bob' White Chris Milden Luca Mazzucconi Lars Kappeler Arulei

[stellan-bluesman-viking]

Johnny Åman Trio & Guest Artists @ Asino - Malmö - 2023-09-02 - Johnny Åman: Double Bass. Anders Mogensen: Drums. Karl-Martin Almqvist: Tenor Saxophone. Special Guest Artists: Peter Dahlgren: Trombone. Fredrik Davidsson: Trumpet. Tune: Pictures & Videos By: Stellan "Iry" Viking @WorldwidewelcomE Asino Crew: Simon Thulin. Jakob Ehde. Emy Arnekull. Karin Bondsäter.

[dkavisen]

Kraka og Deloitte: Sådan fremtidssikrer vi én af verdens bedste velfærdsstater

Kraka og Deloitte: Sådan fremtidssikrer vi én af verdens bedste velfærdsstater

Velfærdsstaten, som vi kender den, står over for to store udfordringer de kommende årtier: Dels er der en stigning i plejekrævende borgere med høje forventninger til serviceniveauet, dels går produktivitetsudviklingen i den offentlige sektor for langsomt. Men der er løsninger, hvis vi handler i fællesskab, viser en ny rapport fra Small Great Nation, som udkommer i dag. Den offentlige sektor er…

[christian-dubuis-santini]

Grâce à son contrôle du flux de l’aide internationale, l’OMS fait régner l’ordre, récompense ceux qui collaborent et punit ceux qui résistent aux ambitions africaines de Big Pharma. L’OMS utilise son pouvoir de financement pour intimider les gouvernements africains qui tardent à adopter les vaccins. Le contrôle omniprésent de Bill Gates sur l’OMS a fait de l’Afrique son fief.

Les populations du continent sont devenues ses cobayes. Pour Bill Gates, les vaccins sont une philanthropie stratégique qui alimente ses nombreuses entreprises liées aux vaccins et lui donne un pouvoir dictatorial sur les politiques mondiales de santé, qui affectent des millions de vies humaines.

Le vaccin DTC: un génocide africain

Une vague de lésions cérébrales et de décès effroyables a suivi l’introduction des vaccins contre la diphtérie, le tétanos et la coqueluche (DTC) aux États-Unis et en Europe dans les années 1970.

Dès 1977, une étude publiée par des médecins et chercheurs britanniques dans The Lancet avait établi que les risques de la coqueluche à cellules entières (utilisée dans le vaccin DTC) dépassaient les risques associés à la coqueluche sauvage.

Six ans plus tard, une étude de l’UCLA financée par le NIH en 1983 avait révélé que le vaccin DTC de Wyeth tuait ou causait de graves lésions cérébrales, y compris des attaques et la mort, chez un enfant vacciné sur 300. Les poursuites judiciaires qui en avaient résulté avaient provoqué l’effondrement des marchés de l’assurance pour les vaccins et menacé de mettre l’industrie en faillite. Wyeth – aujourd’hui Pfizer – avait affirmé perdre 20 $ en responsabilité en aval pour chaque dollar gagné sur les ventes de vaccins, et incita le Congrès à adopter en 1986 le National Childhood Vaccine Injury Act, qui exonère les fabricants de vaccins de toute responsabilité.

En 1985, l’Institute of Medicine (IOM) a recommandé l’abandon de la version à cellules entières du vaccin contre la coqueluche afin d’éviter l’incidence élevée d’encéphalopathies et de décès. En 1991, les États-Unis, les pays de l’UE et le Japon sont passés à un vaccin à cellules mortes (atténué) beaucoup plus sûr (mais moins efficace), le dTca, et ont cessé d’utiliser le vaccin DTC. Pendant que les pays occidentaux retiraient le DTC, l’OMS laissait à l’industrie pharmaceutique les coudées franches et lui donnait de l’argent pour déverser ses stocks toxiques en Afrique, en Asie et en Amérique centrale, malgré les preuves indubitables de ses impacts mortels.

En dehors de ses dangers, l’ancien DTC est moins cher à fabriquer et plus lucratif pour les laboratoires pharmaceutiques. C’est pourquoi, après 2002, Gates et ses subordonnés, la GAVI, l’OMS et le Fonds mondial, ont fait du DTC le porte-étendard de leur programme de vaccination en Afrique, et ont continué à administrer ce vaccin neurotoxique et souvent mortel à quelque 156 millions d’enfants africains chaque année. L’utilisation par l’OMS du DTC comme vaccin témoin – pour mesurer la conformité nationale au calendrier vaccinal de l’OMS – fait aujourd’hui du DTC le vaccin le plus populaire de la planète. Les ministères de la santé du monde entier doivent démontrer qu’ils ont atteint des objectifs spécifiques d’adoption des recommandations relatives au DTC afin de pouvoir bénéficier de l’aide vitale de l’OMS pour le VIH et autres.

Avant 2017, ni le HHS ni l’OMS n’avaient réalisé le type d’étude

nécessaire pour vérifier si le vaccin DTC produit réellement les effets bénéfiques sur la santé dont Gates se vante fréquemment. Cette année-là, le gouvernement danois et les mastodontes scandinaves du vaccin, Statens Serum Institut et Novo Nordisk, ont chargé les éminents scientifiques nordiques Søren Mogensen et Peter Aaby – tous deux des ardents défenseurs du programme de vaccination en Afrique – de diriger une équipe

internationale d’illustres chercheurs afin d’examiner la mortalité toutes causes confondues après les inoculations du DTC.

Cette étude d’envergure a contredit l’incantation mantrique de Gates selon laquelle son investissement dans le vaccin DTC avait sauvé des millions de vies. En juin 2017, l’équipe publiait une étude examinée par les pairs dans EBioMedicine, une revue de haute volée de l’armada des éditions Elsevier.

L’article analysait les données d’une «expérience naturelle» en Guinée- Bissau, où la moitié des enfants de certains groupes d’âge avaient été vaccinés et l’autre moitié ne l’avait pas été. La répartition était aléatoire.

Cette étude de 2017 (Mogensen et al., 2017) montre que, après leur vaccination DTC à trois mois, les filles vaccinées avaient une mortalité dix fois plus élevée que les filles non vaccinées. Elles mouraient d’un large éventail de maladies – pneumonie, anémie, paludisme, dysenterie – et pendant deux décennies, personne n’a remarqué que les enfants mourants étaient principalement ceux qui avaient reçu le vaccin. Le vaccin DTC – tout en protégeant les enfants contre la diphtérie, le tétanos et la coqueluche – avait détruit leur système immunitaire, les rendant vulnérables à un large

éventail d’infections mortelles non ciblées. L’équipe de Mogensen est arrivée à cette conclusion, tout comme les chercheurs de l’étude du Lancet de 1977, 40 ans plus tôt, jour pour jour: «Le vaccin DTC peut tuer plus d’enfants d’autres causes qu’il n’en sauve de la diphtérie, du tétanos ou de la coqueluche.»

En d’autres termes, le vaccin DTC de Gates – au lieu de sauver 10 millions de vies, comme il le prétend – pourrait avoir tué inutilement des millions de filles africaines. Au moins sept autres études ont confirmé l’association du DTC avec une mortalité élevée chez les filles vaccinées par rapport aux filles non vaccinées. Les Américains idéalistes qui ont fait des dons en faveur du projet vaccinal africain de Gates – pensant qu’ils sauveraient ainsi des bébés africains – ont en fait financé un génocide féminin à l’échelle du continent.

Après avoir bouclé l’étude et vérifié ses résultats choquants, Peter Aaby – une divinité parmi les chercheurs africains sur les vaccins – a lancé un appel passionné et plein de remords à l’OMS pour qu’elle reconsidère le vaccin DTC. «Je suppose que la plupart d’entre vous pensent que nous savons ce que font nos vaccins», a-t-il déclaré. «Ce n’est pas le cas.»

Gates, l’OMS et la GAVI ont ignoré l’appel d’Aaby et ont redoublé d’efforts pour généraliser le DTC et consolider le soutien au vaccin tueur de fillettes. Le Lancet a publié un message du plénipotentiaire de la Fondation Gates, Chris Elias, du Dr Anthony Fauci et de trois apparatchiks de consortiums moins financés par Gates, Margaret Chan de l’OMS, Anthony Lake, directeur de l’UNICEF, et Seth Berkley de la GAVI, qui présentaient leur programme mortel africain du DTC comme un triomphe de la santé publique. Ces charlatans ont proclamé que le DTC était l’un des «points lumineux» du bien-être mondial, et ont affirmé gaiement que «le nombre d’enfants vaccinés dans le monde n’[avait] jamais été aussi élevé, avec le niveau de couverture systématique le plus élevé de l’histoire (considérant la couverture vaccinale des trois doses du vaccin contenant la diphtérie, le tétanos et la coqueluche (DTC))». Ce projet a également impliqué la dégradation de la réputation d’Aaby par une campagne de diffamation.

L’analyse menée ultérieurement par le fondateur de la Cochrane

Collaborative, Peter Gøtzsche, a condamné la tentative de l’OMS de minimiser les risques du vaccin DTC. Il a fait remarquer que l’OMS n’avait pas tenu compte des études qui concluaient à des effets non spécifiques néfastes du vaccin DTC, tout en acceptant les études qui concluaient à des effets non spécifiques bénéfiques du vaccin contre la rougeole. L’OMS est

«incohérente et a un jugement partial en faveur des effets positifs des vaccins. Lorsqu’un résultat plaît à l’OMS, il peut être accepté, mais pas lorsqu’il lui déplaît.» Gøtzsche a estimé que les études de Mogensen et d’Aaby étaient «supérieures à tous égards à l’étude du Lancet commandée par Gates».

Gates et ses vassaux de l’OMS continuent d’intimider les nations africaines pour qu’elles adoptent leurs vaccins DTC mortels, en les menaçant de retirer l’aide financière à leurs ministères de la santé et à leurs programmes de lutte contre le VIH si le gouvernement n’atteint pas les objectifs vaccinaux nationaux (90%).

[in Robert Kennedy Junior – Fauci, Gates and Big Pharma]

[malsrp]

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Nicholas West — Max Lloyd-Jones — tag: nwest 208. Nikki Howe — Dylan Sprayberry — tag: nhowe 209. Niko King — Rob Raco — tag: nking 210. Nine/Nina — Kiernan Shipka — tag:nnine 211. Noah Lamont — Marlon Teixiera — tag: nlamont 212. Nola Delpozo — Anya Taylor-Joy — tag: ndelpozo 213. Octavia Blake — Marie Avgeropoulos — tag: oblake 214. Olivia Octavian — Elizabeth Gillies — tag: ooctavian 215. Olympia Green — Lana Condor — tag: ogreen 216. Orion Kirk — Dominic Sherwood — tag: okirk 217. Oscar Ellinger — Penn Badgley — tag: oellinger 218. Otto Feehan — Nat Wolff — tag: ofeehan 219. Paige Kerler — Abbie Cornish — tag: pkerler 220. Paris Dupont — Lucky Blue Smith — tag: pdupont 221. Patrick S. Knudsen — Joe Keery — tag: pknudsen 222. Paul Mann — Henry Cavill — tag: pmann 223. Peter Rumancek — Landon Liboiron — tag: prumancek 224. Phoenix Monsoon — Edu Beber — tag: pmonsoon 225. Poppy Martin — Danielle Campbell — tag: pmartin 226. Presley Lowe — Zoey Deutch — tag: plowe 227. Quentin Coldwater — Jason Ralph — tag: qcoldwater 228. Quinn Simons — Emilija Baranac — tag: qsimons 229. Rebecca Conway — Rihanna — tag: rconway 230. Reino Kantee — Rami Malek — tag: rkantee 231. Remi O'Reilly — Dylan Sprouse — tag: roreilly 232. Renée Gorski — Jenna Dewan — tag: rgorski 233. Reo Calhoun — Alexander Koch — tag: rcalhoun 234. Rhys Gray — David Henrie — tag: rgray 235. Riian Floyd — Andy Biersack — tag: rfloyd  236. Riley Bowman — Blake Lively — tag: rbowman 237. Robin Buckley — Maya Hawke — tag: rbuckley 238. Romain Plourde — Hudson Thames — tag: rplourde   239. Rory Gearheart — Hudson Thames — tag: rgearheart 240. Rosa Hurley — Kimberry Behets — tag: rhurley 241. Rosemary Daniele — Thaliá — tag: rdaniele 242. Rosia Obryan — Scarlett Sperduto — tag: robryan 243. Ruby — Katie Cassidy — tag: ruby 244. Rupert Fulgham — Jeremy Irvine — tag: rfulgham 245. Sabrina Spellman — Kiernan Shipka — tag: sspellman 246. Sammie Brandes — Taron Egerton — tag: sbrandes 247. Samuel Silver — Thomas Doherty — tag: ssilver 248. Sara Narjus — London Vale — tag: snarjus 249. Sascha Trent  — Rasmus Ledin — tag: strent 250. Scarlet Patton — Alexandra Daddario — tag: spatton 251. Seren Haines — Cody Longo — tag: shaines 252. Shane Holden — Julian Schratter — tag: sholden 253. Shayne Fox — Alex Watson — tag: sfox 254. Simon Lewis — Alberto Rosende — tag: slewis 255. Skylar Mattiachi — Jelle Haen — tag: smattiachi 256. Sophia Tulloch — Alina Kovalenko — tag: stulloch 257. Sophie Lassiter — Abigail Cowen — tag: slassiter 258. Sophie Windsor — Elizabeth Gillies — tag: swindsor 259. Spencer Henderson — Tyler Blackburn — tag: shenderson 260. Stiles Stilinski  — Dylan O’Brien — tag: sstilinski 261. Susanna Sandström — Bridget Satterlee — tag: ssandstrom 262. Suzume Ahumada — Constance Wu — tag: sahumada 263. Szymon Trujillo — Devon Bostick — tag: strujillo 264. Tabitha Mersey — Miranda Kerr — tag: tmersey 265. Talia Sholes — Lara Robinson — tag: tsholes 266. Taylor Beauford — Asa Butterfield — tag: tbeauford 267. Tess Friedkin — Jessica Lowndes — tag: tfriedkin 268. Thomas Escamilla — Nathan Saignes — tag: tescamilla 269. Tiberius Blackthorn — Asa Butterfield — tag: tblackthorn 270. Tinkerbell — Dove Cameron — tag: tinkerbell 271. TJ Hammond — Sebastian Stan — tag: tjhammond 272. Toby Kao — Selena Gomez — tag: tkao 273. Toni Topaz — Vanessa Morgan — tag: ttopaz 274. Trista Dutra — Corbin Reid — tag: tdutra 275. Valentin Sainz — Richard Madden — tag: vsainz 276. Venus Gallo — Dove Cameron — tag: vgallo 277. Verona Watkins — Maisie Williams — tag: vwatkins  278. Veronica Beck — Phoebe Tonkin — vbeck 279. Veronica Lodge/Luna — Camilla Mendes — tag: vlodge 280. Vigo Oldbuck — Zac Efron — tag: voldbuck 281. Viki Leick — Gigi Hadid — tag: vleick 282. Violet Addison — Elizabeth Gillies — tag: vaddison 283. Wendell Bray — Michael Grant Terry — tag: wbray 284. William Croxton — James McAvoy — tag: wcroxton 285. Xavier Camden — Thomas Doherty — tag: xcamden 286. Yalena Yardeen — Hannah John-Kamen — tag: yyardeen 287. Zaid Kyle — Chris Wood — tag: zkyle 288. Zakariah Franco — Nick Robinson — tag: zfranco 289. Zarka Nyék — Dakota Kuhn — tag: znyék 290. Zoe Cole — Antonia Thomas —tag: zcole

[refusalon]

 1990 |  Chris Isner  |  Charles Linder  |  E. Tidemann  |  C. Hengst |   S. Scarboro  |  J. Locke |   Rev. Marko Aaron  |  Presley Kennedy  |  23 Degrees (band) |   Nurse Margot  |   Brother Perkins  | Jimmy Lee  |   Sudduth Kyra Nijinsky |  Dennis Shelden  |  KEVIN SUDEITH  |  KEVIN EVENSEN   |  ADAM QUEST ZO’  |  DIANA BARBEE  |   Katrin Sigurdardott | MICHAEL DAMM |  MICHAEL MOORE  BILL DANIEL   |   CHARLES GOLDMAN |  J. Cline  |  M. Fox  |  BEN BUCHANAN  | Robert Heckes   |  CHERYL MEEKER  |   RIGO  NELSON |  HENDEE  |   DAVID NASH   |  GERHARD NICHOLSON  |  DALE CHIHULY  |  TIM EVANS |  RODNEY ARTILES  | PATRICK TIERNEY  | Clay Culbert  | RICHARD LODWIG |  URI TZAIG  | MARLENE ZULLO |  PAUL BRIDENBAUGH |  Mari Andrews | Rodney Artiles | Heather Bruce  | Tim Evans |  Richard Haden  | Douglass Kerr |  Sam McAfee  |   John Muse |   Bob Ortbal  |  Carla Paganelli  |  Stephanie Syjuco  |  Norma Yorba |  DAVE ARDITO | GAY OUTLAW |   Tal Angel  |  Yasmin Guri |  Tuire Helena |  Hamalainen  |  Ruti Helbetz  |  Yehudit Sasportas |  Nati Shamia-Ophir  |  Nurit Tal-Goldwirth | Galya Uri  | SIMON LEUNG |     Pip Culbert  |  Permi K. Gill |  Amy Berk  | Paul Bridenbaugh  |  Castaneda/Reiman  |  Caroline Clerc |  Ben Dean  |  Cirilo Domine  |  Paul Gasper  |  Neil Grimmer  |  Suzanne Kanatsiz  |   Arnold Kemp | Chris Komater  |  John Muse |  Robert Ortbal  |  Hugh Pocock  | William Radawec  |  Martha Schlitt  | Stacey Vetter  | Megan Wilson  |  Martha Benzing |  Charles LaBelle |  Robert Levine | PHILIP KNOLL  |  JSG Boggs | Orianne Stender   |   Ming Wei Lee   |   Eric Jones  |  Graham Gillmore  |   David Hunt   |  Jill Weinstock /Heather Sparks  |  Toland Grinnell  |  Steve Roden  |  Don Suggs   |  TILO SCHULZ  |  Jeremy Dickinson  |  Gilad Ophir  |  Roi Kuper |  IZHAR PAKTIN  |  Joe Bloggs  |  Paul De Marini  |  Lewis DeSoto Gustavo  |   Dough Harvey  |  Guy Hundree  |  Marie Puck Broodthaer |  Scott Williams  |  Vegar Abeslnas   |   Linda Sandhaus   |   Lesley Ruben Kunda   |    Alexandra Bowes  |   Jonthan Fung  | Brandon Labelle  |   Ati Maier  |  Tom Marioni   |   Steve Roden    Steve Peters  |   Heather Sparks  |  Adam Sinykin  |  Totemplow |  Illana Zuckerman |   Jennifer Davy  |  LARRY ABRAMSON |  Jake  Tilson  |  Herman de Vries   |   CHRIS DRURY  |  SAM YATES |    Marcia Tanner  |   Castaneda/Reiman  |  Mary Tsongas  |  Orly Maiburg  |  Michael Shmir  |  Sono Osato   |  Miriam Cabessa  |  Tsibi Geva  |  Adam Berg  |  Shirley Tse    |    Yehudit Sasportas  |  CONRAD ATKINSON |   MARGARET HARRISON   |  Anna Novakov    |    Zadok Ben-David   |  Terry Berkowitz |   Adam Berg  |   China Blue  |   Paco Cao  |  Nicola Cipani  |  Michael Kessus Gedalyovitch  |  GARY GOLDSTEIN | Cheryl  Meeker  |  Luisa Lambri Horea  |  Jim Lutes   |  Ken Goldberg |  Matmos  |   KimPietrowski |   Lucy Puls  |   Rik Ritchey  |   John Roloff   |  Tony Labat  | Julia Scher |   Reout Shahar   |  Esther Shalev-Gerz  |   Anita Sieff  |   Patricia Tavenner  |    Francesc Torres  |   Leslie Johnson  |   Ange Leccia |   Alfredo Jaar  |   Marie-Ange Guilleminot  |   Didi  Dunphy  |      Jason Byers  |   Evelyne Koeppel |   Pam Davis   |  Alfred Spolter   |  Valery Grancher  |   FX C  |    Thomas Buisseret |   SOL LEWITT  |   Margaret Crane/Jon Winet  |   Guy Over  |   Felt Herman de Cries|     Desiree Holman  |  Shu-Min Lin  |  Sonya Rapoport  |  DAVINA GRUNSTEIN  |  John C. Rogers  |   Jay Evaristo    |   Batlle Alex Kahn  |  Slater Bradley |  Andrew Bennett   |  Paul Kos-Linda Fleming|    Madeline O’Connor |   Renee Shearer   |  Rae Culbert   |  Marcy S. Freedman  |   Sally Elesby  |   Naomi St. Clar  |  Naomie Kremer    |  Alen Ozbolt   |  JONATHAN RUNCIO  |   Susannah Hayes   |  John Hoppin    |   Jonathan Hammer |   Bill Fontana |   Christopher O’Conner   |   Helen Mirren |    Will Rogan  |   Matthew Bakkom  |   Douglas Ross  |   Elizabeth Saveri  |   Suzanne Stein  |   Julie Deamer | KIM ANNO  |   Keith Boadwee  |   Yauger Williams  |  Tia Factor   |  Katrin Feser  |   Harrell Fletcher  |   Heather Johnson   |  |  Ted Purves   |  Libby Black |  

Erez  Golan |  Rigo 01  |  Matthew Higgs   | Amanda Hughen  |  Jon Rubin   |   JP Villegas  |   Roman Signer  |  Hans Winkler  |   Paul Bridenbaugh  |   Pam Davis   |   Charles Long  |   H C Westermann  |  MEIN KAMPF    MIEN KRAMPF  |   DJ Polywog  |   Lee Walton  |  Yori Levin  |    Silent  Gallery   |   Janine Gordon    |  FUCKSHITUP  |    YORAM WOLBERGER    |    John Slepian    |  Rebecca Miller    |  Tommy Becker  |   Michael Goedecke & Eric Saks  |   Chris Perez  |  Geof  Oppenheimer  |   Sasha  Baguskas  |    Sarah Hughes  |  Douglas Argue  |  Ori Gersht  |   D3ms  |   Jeremy  Cline |  Jess  |   Brain Goldberg |   PINO SIGNORETO |   JOSEPH DELLAPE|   Tony Labbat  |  Guido Gerlitz  |  Adam Gale   |   Sam Yates  |    NAT WILSON  |   MARCY FREDMAN  |   Mimi Mayer   |  AVI S RAVITI  |   Justin Charles Hoover | Tamir Karta | Elizabeth Atjay, | Alex Bargas | Camilla West | Felipe Dulzaides | Yin-Ju Chen | Ana Teresa Fernandez | Ron Hutt | Jennifer Locke | Allan Gerson | Sabina Ott | Bijan Yashar | Michelle Wasson | Shiri Mordechay | Jack Leamy | Maya Smira | Mie Hørlyck Mogensen | Sandro Chia | Elisabeth Ajtay | Ron Hutt |wexller | Salvador Dali | Menashe Kadisman | David Gerstein |

[architectnews]

House of Music in Aalborg, Denmark

House of Music in Aalborg, Danish Building Project News, Opening, Design Image

House of Music in Aalborg

Musikkens Hus, Jutland, Denmark design by COOP HIMMELB(L)AU architects

post updated 10 October 2021

House of Music in Aalborg, Denmark

New photos taken today of this unusual building:

photos © Adrian Welch

University Aalborg building tower design just west of the Musikkens Hus, on the waterfront:

31 + 30 + 29 + 27 Mar 2014

House of Music in Aalborg Building

Design: COOP HIMMELB(L)AU

COOP HIMMELB(L)AU open House of Music in Aalborg, Denmark

Musikhuset Aalborg

e-architect director Isabelle Lomholt attended this opening event (Friday 28 Mar) and met with architect Wolf Prix to discuss the building design.

photograph © Hélène Mogensen de Monléon

“Architecture cannot reach the power of music” – Wolf Prix

Attending the Press opening of the House of Music in Aalborg I was an hour early and lucky to find my way into the building with some tired looking builders who told me they had been working since 3am, and were now as their final duty checking the automatic doors.

photograph © Hélène Mogensen de Monléon

Aalborg is an industrial and university city on the Limfjord in the North of Jutland, with just over 100,000 inhabitants making it the fourth most populous city in Denmark.

The entrance all reached on the waterside (Limfjord) of the building was 3+ stories high, and a mixture of glass, making the most of the views across the water and contrasting industrial and, perhaps in some people’s opinions thoughtless surrounding buildings; and concrete pillars and stairs. A delightful space – ready for both day and night, summer and winter.

photograph © Hélène Mogensen de Monléon

On the 3rd floor a small group of invited press waited for architect Wolf Prix who arrived and asked for coffee – coffee was promptly brought and we gathered for a cosy lecture. Wolf Prix talked about winning this architecture competition, scaling back the design to suit the budget and his joy of designing for this beautiful site. He also talked of his passion for Philip Glass, Handle and Mozart, and how these three composers informed this design. Prix encouraged us to read the exterior round windows as musical notes on sheet music.

photograph © Hélène Mogensen de Monléon

After the talk we had a guided tour around the building. The musicians lucky enough to study, rehearse and preform here will be spoilt with top class facilities and views towards the city and over Aalborg Bugt.

photograph © Hélène Mogensen de Monléon

We were encouraged to read the building, not as a shoe-box for music, but in a liquid poetic sense – this building played pleasurably on my visual senses.

photograph © Hélène Mogensen de Monléon

e-architect director Isabelle Lomholt also visited (on 29 Mar) the new Moesgård Museum Extension designed by Henning Larsen Architects plus various new buildings in Aarhus and Copenhagen (27 Mar + 30 Mar).

photographs © Helene Høyer Mikkelsen

photographs © Helene Høyer Mikkelsen

photographs © Helene Høyer Mikkelsen

photographs © Helene Høyer Mikkelsen

Architect Wolf Prix of COOP HIMMELB(L)AU at the opening event:

Architect Wolf Prix with Isabelle Lomholt one of the directors of e-architect:

Musikkenshus – external photos of this new Aalborg building by COOP HIMMELB(L)AU:

Address: Musikkens Plads 1, 9000 Aalborg, Denmark

Phone: +45 60 20 30 00

21 Oct 2009

House of Music

Design: COOP HIMMELB(L)AU

COOP HIMMELB(L)AU reveals final scheme design for the House of Music in Aalborg, Denmark

Wolf D. Prix, Design Principal and CEO of COOP HIMMELB(L)AU presented today the final scheme design for the House of Music during a press conference at the Utzon Centre in Aalborg, Denmark in attendance of Mayor Henning G. Jensen, Director of Realdania Hans Peter Svendler and member of the City Council Henrik Thomson.

House of Music Aalborg image © COOP HIMMELB(L)AU

Within a close collaboration between the builder, Fonden Musikkens Hus i Nordjylland and COOP HIMMELB(L)AU the schematic design has been revised and finalized. Modifications in relation to the original layout presented in September 2008 comprise amongst others the large stairs leading up to the façade of the house fronting Limfjorden. Instead an open entrance at ground level has been created, located between sculptural building objects of the Foyer and Restaurant. The different volumes and surfaces create an architectural expression suited to the multi-functional and synergetic nature of the building. Wolf D. Prix stated: “Supreme architecture is only achieved by continuously refining the fundamental architectural principles. Therefore, the architecture of the House of Music is a living and very dynamic process.”

House of Music Aalborg image © COOP HIMMELB(L)AU

Concept of the House of Music

COOP HIMMELB(L)AU’s design for The House of Music in Aalborg combines Cultural and Educational functions with shared public spaces, performance spaces and infrastructure in an open system enabling synergy and exchange between the public, artists, students and educators – a shared Hybrid space.

Music, Creativity and Art are the centers of inspiration, both of the shared-synergetic behavior and of the form and expression of the architecture.

Formal and informal encounters and exchanges are enabled via public spaces that are oriented towards the adjacent Culture Square and Fjord, and are designed to serve as interchange platforms connecting the semi-public and private functions of the multiple institutions housed within, and providing areas of exchange of information, knowledge and inspiration for the various residents and the public in the House of Music.

  House of Music Aalborg images © COOP HIMMELB(L)AU

A 1,300 seat, world class, symphonic concert hall is at the core of a compact U-shaped block of music, educational and performance support spaces which wrap around the Main Hall on three sides. The Building composition opens to the north in a vertical public foyer with views over the fjord and adjacent Culture Square. Three additional halls of various sizes and functions complement the Main Hall and are organized below the Foyer in a vertical inversion of the classical front-of-house / back-of-house horizontal orientation, optimizing floor space and providing a lively vertical social space with a mix of users and visitors.

House of Music in Aalborg – Musikkenshus images / information from COOP HIMMELB(L)AU

Coop Himmelb(l)au architects

Location: Aalborg, Denmark

Architecture in Denmark

Danish Architecture Designs – chronological list

Danish Architect

Concert Hall Designs

Denmark Architecture – Selection:

Randers – Our River City Design: C.F. Møller Architects image courtesy of architects office Randers Development Plan News

The Wave Vejle, Jylland, western Denmark Design: Henning Larsen Architects photograph : Jacob Due The Wave in Vejle, Denmark Building

Comments / photos for the House of Music in Aalborg Musikkenshus – Architecture design by COOP HIMMELB(L)AU architects page welcome

Website: www.musikkenshus.dk

The post House of Music in Aalborg, Denmark appeared first on e-architect.

[anniversary-magazine]

Practicing What He Preaches — In Conversation With David Thulstrup

Small, but with big ambitions, David Thulstrup’s studio is driven by an unstoppable curiosity and meticulous attention to detail. He leads his tight-knit team of architects and designers by a common notion of “modern simplicity” grounded in enduring Scandinavian values such as honesty and humanism. As the founder and creative director of Studio David Thulstrup, his holistic approach to each aspect of a project results in inclusive spaces that resonate with people — because a central tenet is a concern for how people feel. Designing spaces from the inside out, David considers light, colour, form and materials as architectural elements — all of which feel current but will stand the test of time.

We recently took the time to ask the award-winning architect and designer David Thulstrup some questions about him practicing what he preaches.

Magnus Høst (MH) David Thulstrup (DT)

MH: Could you please take us back in time and tell us how and when you first became fascinated with architecture?

DT: Being the youngest of five kids, I was always very observant and reflective. I believe this behaviour naturally resulted in being intrigued by spaces and interiors. Spending hours imagining how interiors could be transformed became a more serious interest when I turned ten or eleven years old. From that age, I consciously investigated the potential of interior architecture—whether it was at home or when visiting friends. Noticing every detail and really taking in my surroundings is something that has followed me throughout my entire life, and also plays an important role in my work today.

MH: I have read that you worked abroad for several years under the roof of prominent figures such as Jean Nouvel and Peter Marino. How does that experience influence your work today?

DT: I admire both Jean and Peter a lot. Their talent and work ethos has been a huge inspiration for the way I approach architecture. I was always fascinated by Jean’s unlimited creativity and his ability to maintain a high level of quality for every single project. It’s a rare skill these days, especially because everything seems to only be about budget and limited working hours. But what I learnt from Jean was to continue refining until you are finished and make it the best you can without compromising the overall quality. Peter’s approach is similar but with a commercial aspect in mind. I was thrilled when I found out he was the mastermind behind retail interiors of brands like Louis Vuitton and Chanel; I knew I had to work for him. He taught me how to create functional commercial spaces that are equally inspiring. He also infused me with a passion for materials. My time at his studio made me aware of the different shades and nuances within the same material, and how that can change the expression of a space completely.

MH: Your work, although minimalist, feels warm, playful, and poetic. Is creating emotions something that you aim for?

DT: I am not specifically working with emotions as such. However, I always want to create spaces that people want to be in. It’s probably embedded in my Nordic heritage and upbringing. Spaces need to be pleasant, and I try to achieve that by using tactile elements as well as a play of contrasts that resonates with people.

“No matter the purpose or size of the project, I always strive to create calm environments through vibrant yet harmonious contrasts.” — David Thulstrup

MH: You work with various projects, although you have a history of working with retail interior concepts throughout the years. Can you tell us a little more about your relationship with retail concepts?

DT: It’s true, I am very passionate about retail spaces and the storytelling that is linked to them. Unfolding a brand’s story through architectural interventions and intriguing material choices excites me. And working with many different brands allows me to really dive deep into each story and produce a visual universe that matches their essence. Compared to residential projects, retail spaces allow me to be bolder and more playful, even though the design language still embeds the same core values.

MH: What is "the perfect interior" for you?

DT: The perfect interior inhabits the perfect balance of many individual elements that produce an environment greater than the sum of their parts. No matter the purpose or size of the project, I always strive to create calm environments through vibrant yet harmonious contrasts. Finding the right interplay between natural and artificial light, old and new elements, as well as honest and industrial materials is what makes or breaks the overall atmosphere. Succeeding with these tensions is what I regard as the perfect interior. Combined with interesting gestures, volumes, and furniture pieces—whether custom-built, made by a brand that I love, or vintage—that become architectural elements, any space turns into ideal environments for me.

MH: What would you say has been one of your most significant challenges so far?

DT: Being creative and running a company at the same time has probably been, and always will be, my biggest challenge. Over the years I have learned to grow with it even though I have had to handle a lot of things that are out of my comfort zone, such as bookkeeping or letting things grow organically. Even though these are normal aspects of running a company, I’ve had to come to terms with them.

MH: What principles are essential trademarks of your visual language and aesthetic? And why?

DT: I have been very fortunate to work on projects that are located in amazing places, inhabit a sense of history and have the ability to be transformed into something beautiful. It’s a very intuitive process that has evolved into applying a juxtaposition of the existing mass of elements combined with more minimal, clean, and sharp volumes. The merge of these two worlds is the core element in each project and has been a process that I have refined over the past years. Furthermore, natural palettes, honest materials and simple finishes always come into play—often combined with a dash of colour to contrast my pared-back approach.

MH: You practice what you preach. What do you think makes you a thriving architect?

DT: I don’t have a stop button. I keep pushing for the best result until I feel a project is completed. I never compromise on quality or final output. This mindset is so ingrained in how I approach architecture and design that it feels very natural. Apart from that, I stay away from trends or clutter, which allows me to create timeless yet current spaces. That doesn’t mean that I am not informed of what’s currently deemed trendy in the industry. Quite the opposite actually: instead of being too focused on following trends, I stay true to my vision.

MH: Could you name a few sources of your inspiration sources?

DT: I am inspired by my Nordic peers, especially the old masters such as Sverre Fehn, Halldor Gunnløgssons or Børge Mogensen. Their approach to functionality and simplicity has influenced me heavily. Looking at contemporary artists, architects, and designers, it’s people like Martin Szekely, Donald Judd and John Pawson who strike me with their simplicity and minimalist approach. And lastly, I believe that being introduced to very pared-back architecture from a very young age has had a big impact.

MH: What do you think is the role of an architect in today's society?

DT: There are two types of architects: the ones that inspire, and the ones who build for the mass. I believe we can’t live without one or the other. But moving forward, we must push the boundaries of how we build, live and create spaces that make us feel good. With everybody being focused on building faster, higher, and cheaper, it’s our role to challenge that. After all, it’s about finding a balance between tackling the challenges we face as a society and creating interiors that enable us to live a desirable life.

MH: How would you describe our present time's architecture and design language, and how do you believe people will describe it in the future?

DT: Challenges such as the growing global population or the climate crisis will hopefully inspire architects to rethink current ways of building or designing. As architects, we can’t deny that we carry a certain responsibility. And even though we need to rethink our approach fundamentally and systematically, these challenges might be our rescue after all. I have already seen great initiatives and I hope to see or work on inspiring and innovative solutions soon myself.

All images by Irina Boersma Courtesy of Studio David Thulstrup Special thanks to Monique Schröder

[orbesargentina]

Aparentemente comprometió su sistema inmunológico

Un estudio publicado en la muy respetada revista Elsevier EBioMedicine ha revelado que la vacuna DTP que inyectó Bill Gates en niñas de África mató 10 veces más de ellas de lo que la enfermedad en sí misma habría matado. El documento, encargado por el gobierno danés y la Fundación Novo Nordisk, se publicó en 2017, aunque no ha recibido la atención que merece. En esencia, expone a Gates como un asesino genocida que ha cometido crímenes atroces contra la humanidad. Dirigido por los Dres. Søren Wengel Mogensen y Peter Aaby, el estudio analizó la vacuna combinada contra la difteria, la tos ferina (tos ferina) y el tétanos, que se suspendió en los Estados Unidos en los años 90 debido a miles de informes de muerte y daño cerebral. "A pesar de la vacunación generalizada", señala la revista Great Game India , "Estados Unidos y otros países todavía están experimentando grandes brotes de tos ferina". Antes de la publicación de este estudio, la Organización Mundial de la Salud (OMS) nunca se había molestado en realizar un ensayo que analizara los resultados de salud de los vacunados frente a los no vacunados, lo que habría sido necesario para determinar si la vacuna DTP era realmente segura y eficaz. Aun así, Bill y Melinda Gates, posiblemente las personas más malvadas que viven en la actualidad, llevaron la droga a bebés africanos inocentes, incluso en Guinea Bissau, donde la mitad de todos los niños mueren antes de los cinco años. Read the full article

[jeremystrele]

Keep Your Eyes On These 8 Emerging Makers!

Keep Your Eyes On These 8 Emerging Makers!

Creative People

by Sally Tabart

A collection of vessels, inspired by architectural forms. Photo – Amelia Stanwix for The Design Files.

Artichoke magazine editor and passionate ceramicist Cassie Hansen in her Kyneton studio. Photo – Amelia Stanwix for The Design Files.

Cassie Hansen

Cassie Hansen took her first beginner’s pottery course just three years ago. For the last seven years Cassie has been the editor of Artichoke, an interior design and architecture magazine, where she still works a few days a week. The rest of her time she spends in her studio in Kyneton, working on refining the style of her elegant, functional vessels.

It’s easy to see the influences she’s absorbed from all those years of covering excellent architecture, elements of which she translates brilliantly to her pieces.

Revisit the original story here.

Vessels by Lucy Tolan. Photo – Shelley Horan. Art Direction + Styling by Mildred & Duck. Tiled plinths by Occasional Pieces.

Vessels by Lucy Tolan. Photo – Shelley Horan. Art Direction + Styling by Mildred & Duck. Tiled plinths by Occasional Pieces.

Vessels by Lucy Tolan. Photo – Shelley Horan. Art Direction + Styling by Mildred & Duck. Tiled plinths by Occasional Pieces.

Lucy Tolan

Newcomer Lucy Tolan went straight from high school to art school, graduating from a Bachelor of Fine Arts specialising in ceramics in 2018. Last year, Lucy launchd her professional ceramics practice (mid lockdown!).

Primarily using the techniques of slab-building and hand coiling, Lucy’s first collection Seams has since been exhibited at Craft Victoria, and is now stocked at Modern Times. We love her wonderfully wobbly designs, and can’t wait to see what she does next!

Revisit the original story here.

Dinzi Amobi left behind her law career to pursue design, and started Ulo from her kitchen table! Photo – Amelia Stanwix for The Design Files.

Dinzi uses wax fabrics to create her designs, the staple fabric of the African continent. Photo – Amelia Stanwix for The Design Files.

Ulo Australia

Although Dinzi Amobi isn’t technically a ‘new’ maker, her textiles brand Ulo Australia caught our eye for the first time in late 2020. Three years ago Dinzi quit her job as a lawyer and took a chance on Ulo Australia, the fashion and homewares business she’d been spending her nights working on from her kitchen table. Dinzi has developed a network of market stall-holders in Africa, where she sources fabrics to create her brilliant wares.

‘All of our collections are inspired by what I was surrounded by growing up in Nigeria and then London,’ Dinzi explains. ‘Whether it be home textiles or fashion, everything is motivated by the styles and shapes that filled my family home.’

Revisit the original story here.

Inside the Preston studio of ceramicist Ella Reweti. Photo – Amelia Stanwix for The Design Files.

Ella unstacking the kiln in her studio. Photo – Amelia Stanwix for The Design Files.

Ella’s soft, ridged vases and planters are her signature form! Photo – Amelia Stanwix for The Design Files.

Ella Reweti

Melbourne-based ceramicist Ella Reweti first started exploring pottery during her postgraduate studies in anthropology, making ‘wonky little pinch pots’ for her friends. When the PhD didn’t work out, Ella scored a job as a pottery assistant, and discovered her love for handcrafting pieces. Slowly but surely, she built up her skills working for other makers, but it wasn’t until she had her baby (now 15-month old, Hemi!) that she had the opportunity to really invest in her own practice.

Fast-forward to now and Ella is making some of the most coveted ceramics pieces around. She’s developed a distinct style for her planters, vases and tableware with their soft, corrugated edges. ‘This is the first time (maybe ever!) that I’ve not had to supplement my income with a job in hospitality, and that feels really good.’ Go Ella!

Revisit the original story here.

Lucas Wearne, the maker behind Neighbourhood Studio. Photo – Amelia Stanwix for The Design Files.

Lighting and sculptures made from Australian limestone, by Lucas Wearne of Neighbourhood Studio. Photo – Amelia Stanwix for The Design Files.

Neighbourhood Studio on show! Photo – Amelia Stanwix for The Design Files.

Neighbourhood Studio

Early last year we proclaimed that Lucas Wearne of Neighbourhood Studio would be the next big thing…and we weren’t wrong! Working out the back of his Thornbury home in Melbourne’s North, Lucas makes functional, sculptural objects, hand-carved from Australian natural limestone.

Working across lighting, sculpture and artwork, Lucas has developed a bit of a cult following, and his pieces are in hot demand!

Revisit the original story here.

Left: The J7 Daybed by James Howe. Photo – James Howe. Right: The J5 Cabinet by James Howe. Photo – Peter Ryle.

James Howe

Before he was an award-winning furniture maker, James Howe used to be a journalist. When he couldn’t find the kind of furniture he wanted, he went home to research online. It was then that he stumbled across the work of Danish modernist designer Børge Mogensen, whose work triggered a deep, emotional experience James couldn’t ignore. The former journalist decided to make the furniture he couldn’t find for himself, and completely change his career path!

As one of the finalists in the TDF Design Awards Emerging Designer category this year, James has clearly made his mark in this relatively new career!

Revisit the original story here.

A range of crinkly vessels from Softedge. Photo – Layla Cluer.

The ‘Ewer’ vase by Softedge. Photo – Layla Cluer.

Soft Edge Studio

Northern Rivers-based artist and ceramicist Layla Cluer initially studied architecture at university, and spent a few years working for firms in Melbourne before applying to art school. In 2019 she quit her full-time job working, spent a month crewing on a yacht from New Zealand to Tonga (as you do!), and enrolled in ceramics classes at Lismore TAFE. This windy route to handcrafted clay was the beginnings of Softedge, her fledgling practice which she now runs from a studio on her friend’s farm outside Byron Bay.

We could not be more in love with her distinctive Ewer jug, a vessel with a pot-bellied silhouette that comes in a range of different colours. Softedge is certainly one to watch!

Revisit the original story here.

Georgie Brunmayr, founder of Curio Practice. Photo – Amelia Stanwix for The Design Files.

A Curio Practice blanket in the Cherry colourway. Photo – courtesy of Curio Practice.

Curio Practice

Textile Designer Georgie Brunmayr had been dreaming of creating her own brand for years before she finally did it. After some time working in China, Georgie returned home in mid-2019, which is when the idea for her blanket brand Curio Practice first started bubbling away. When Melbourne went into lockdown earlier this year Georgie was finally able to invest the time and energy to Curio Practice a real thing.

Georgie is passionate about making special pieces that last a lifetime, and keeping the skills of the textiles industry in Australia alive. She works with a local knitting factory in Reservoir to produce her luxurious knitted blankets, which each uses around 1.9kg of high-grade Australian Merino wool sourced from farms across Victoria, New South Wales, and Western Australia.

Revisit the original story here.

[whythisfilm]

🦈https://www.sharkconservationfund.org/❤️

Jaws is about a 25-foot shark that terrorizes the beachgoers of Amity Island, aka Martha’s Vineyard, off the coast of Massachusetts (though you should know this; if you haven’t seen it, please show yourself out). It’s a frightening film, ranked sixth in IMDb’s definitely very official list of the 10 best horror movies of all time, coming in just after The Exorcist.

It arguably led to more than mass fear. In the years after Jaws was released, thousands of people took to the ocean to kill sharks for sport, researchers say. “Shortly after the movie appeared, shark fishing as sport became popular, and in the next decade hundreds of shark fishing clubs and tournaments appeared along the U.S. east coast.”

Peter Benchley, who wrote the 1874 best-selling novel that inspired the film, was shocked by the public's violent response to the movie and devoted the later years of his life to advocating for shark research and conservation

- JACKIE FLYNN MOGENSEN

https://www.motherjones.com/media/2019/06/jaws-terrifying-writer-carl-gottlieb-44-anniversary/

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Jaws (1975)(w/ Dermot Canavan)| Why This Film Podcast

https://shows.acast.com/whythisfilm/episodes/jaws-wdermot-canavan

Acast | Spotify | Apple Podcasts | Castbox | Soundcloud | Stitcher | Player fm

[agilenano]

Agilenano - News: 2020-04-28

I’ve already shared two of my favourite exhibitions from Stockholm Design Week – ‘The Sculptor’s Residence’ and ‘The Archive’ – so today I have a round-up of interesting product launches from the Stockholm Furniture Fair, which takes place at the same time. The largest trade show in the Nordic design world, it brings together more than 700 brands – mostly from Sweden, Denmark, Norway and Finland, but a few from further afield, too. It’s also where many companies choose to unveil their latest pieces, and I’ve picked out some of my favourites below. So, make yourself a cuppa, sit back and feast your eyes on these beautiful new designs… Relaunched pieces from Fredericia’s archives First up is Danish brand Fredericia, which has long been a favourite of mine. Its focus has always been timeless, long-lasting design and for 2020 it has chosen to relaunch several classic pieces from its archives. One is the ‘Ditzel’ lounge chair, created in 1949 by Nanna Ditzel (later responsible for Fredericia’s iconic ‘Trinidad’ chair) and her husband Jørgen. It marked a departure from the upright, rigid chairs that were conventional at the time, and its curved shape was intended to give people the freedom to sit in new, more relaxed ways. The updated version is made from PUR foam with a steel frame, wooden legs and a choice of upholstery, and will be available from September. The other pieces, which are due to go on sale this spring, were all the work of Fredericia’s first design director, Børge Mogensen. The ‘BM61’ and ‘BM62’ chairs (the latter with arms, the former without) are simple yet striking, with a solid wooden frame and a choice of cane wicker or linen webbing for the seat and back. The ‘Canvas’ chair, meanwhile, has a clean-lined oak frame and chunky armrests that echo Mogensen’s famous ‘Spanish’ chair, but with canvas rather than leather for the seat and back. It was designed just before his death in 1972 and has never been put into full production before now, but it makes an excellent addition to Fredericia’s range. Versatile furniture and lighting from Carl Hansen & Son Børge Mogensen was also the man behind two pieces being relaunched by Carl Hansen & Son: the ‘BM0865’ daybed (available from May) and the ‘BM0488’ table bench (available from September). Both were originally showcased at the Copenhagen Cabinetmakers’ Guild furniture exhibition in 1958 and formed part of Mogensen’s ‘building furniture’ concept, through which he aimed to create enduring designs that could be added to and adapted over time in response to changing needs. The daybed is made up of modular oak seats, soft cushions and cylindrical head and armrests that can be used in all sorts of different combinations, and it suits a wide variety of spaces. The bench is crafted from solid oak with a woven top and is similarly versatile, working well as a seat, a side table, a coffee table or a surface for books and other items. Also on show on Carl Hansen’s stand – and in some of the below press photos – was the new ‘MO’ series of floor, table, wall and ceiling lamps. The company’s first collaboration with Danish designer Mads Odgård, it consists of simple lacquered-steel shapes that symbolise light’s comforting effect on people and is designed to last for decades without dating. It will be on sale from October, with prices starting at £263 / €300 per lamp. Scandinavian classics and contemporary tables from Warm Nordic There was yet another relaunch from Warm Nordic – a young Danish brand unveiled at the fair in 2018. It was founded with the aim of showcasing long-lost mid-century pieces alongside contemporary designs, and its latest addition is ‘Dwell’ – a family of compact sofas and armchairs first created by architect Hans Olsen in the 1950s. The curved shape and tapered wooden legs form an elegant yet striking silhouette and there’s a wide range of upholstery options to choose from, including leather and tactile bouclé. It’s set to go on sale this spring, with prices ranging from €1,800 to €5,250. Warm Nordic also used the fair to showcase its new ‘Affinity’ dining table. The work of architect / design duo Halskov & Dalsgaard, it combines a bevelled linoleum top with slimline metal legs and beautiful cane detailing. It comes in round and elliptical versions, with a choice of three muted colourways, and it too will be available in the spring. Prices start at €2,030. New additions at Artek New on Artek‘s stand were two pieces designed by French duo Ronan & Erwan Bouroullec: the ‘Rope’ chair and the ‘Tupla’ wall hook. Both combine simple-looking silhouettes with sophisticated construction and stay true to the Finnish brand’s ethos of blending art and technology (hence the name Artek). The chair is described as ‘a line drawing translated into space’ and consists of a steel-tube frame threaded with rope that forms the back and armrests. It’s surprisingly comfortable as it bends to the sitter’s shape, and it comes in black with a black polyester rope or light grey with a natural flax rope. The wall hook, meanwhile, is made from die-cast zinc and intended to add beauty to an everyday object, with elegant loops that are as lyrical as they are functional. Sculptural minimalism from Kristina Dam I always look forward to seeing the latest pieces from Copenhagen-based designer Kristina Dam, who describes her aesthetic as ‘sculptural minimalism’, and her spring-summer 2020 collection certainly didn’t disappoint. Among the new additions on her stand were the understated ‘Capsule’ glasses and carafe, the angular ‘Pedestal’ table and a bench to match the existing ‘Curved’ side table. I also spotted brown- and black-leather editions of the popular ‘Curved’ pouf, a new full-sized version of the ‘Rotating’ mirror, and a beautiful porcelain sculpture called ‘Brick’, which takes its cue from Ancient Greek architecture and features a single unbroken line. My favourites, though, were the powder-coated steel ‘Bauhaus’ lounge chair – a tribute to the famous Bauhaus art school, available in black or white and suitable for indoor and outdoor use – and the painted-glass ‘Dual’ vases, which come in soft, earthy colours and can be stood on either end, giving you two different designs in one. Many of the new launches are available now; others are coming soon but you can sign up for alerts via the website. New colours and options from String Furniture Swedish stalwart String Furniture used the fair to display several new additions, including a rich brown version of its iconic modular shelving system and the full roll-out of its beige colourway, first launched for some elements last year. There was also a new utilitarian version of its compact ‘Pocket’ shelf unit featuring perforated metal and a lipped edge. It was created by Swedish duo Anna von Schewen and Björn Dahlström, who sought to reinterpret the design while retaining the essence of the original, and is ideal for kitchens, bathrooms, utility rooms and garages. The holes can be used for hanging hooks, rails and other accessories, and it comes in three colour choices – white, taupe and neon orange – that were developed in collaboration with stylist Lotta Agaton. Sustainable wooden furniture from Nikari Finnish brand Nikari had largely escaped my radar before now, but I was very taken with the way it combines modern design with traditional craftsmanship. I was also impressed by its commitment to sustainability, which extends as far as powering its head office, studio and workshop with renewable energy from the hydro-power plant located next door. Its pared-back wooden pieces encompass creations from the likes of Alvar Aalto, Jasper Morrison and Claesson Koivisto Rune, and are made from responsibly sourced wood finished with natural lacquers. New for 2020 is the understated ‘Storia’ stool, designed by Nikari founder Kari Virtanen, and Jenni Roininenat’s ‘Basic’ table, which comes with round or rectangular ends. Both are understated and timeless, and I can see them fitting seamlessly into all sorts of different settings. All-new accessories from &tradition As well as displaying its recently launched pieces by Peter Hvidt and Orla Mølgaard Nielsen, &tradition unveiled ‘Collect’, a line of elegant and understated home accessories created by Space Copenhagen. Designed to complement the Danish brand’s range of classic and contemporary furniture and lighting, it includes cushions, throws and bedspreads in earthy hues such as beige, burgundy and terracotta. All are made from soft and cosy natural materials, with linen and merino wool alongside organic cotton. There’s also a series of hand-crafted concrete planters, which can be used indoors and out and come in three different sizes. The full collection should be available very soon, although prices have yet to be confirmed. The ‘Roadie’ bench from Massproductions Last but not least is Sweden-based Massproductions, whose new ‘Roadie’ outdoor bench was named ‘Best Product’ in the fair awards. The creation of the brand’s British co-founder Chris Martin, it was inspired by the steel crowd control barriers found at rock concerts and is made from strong yet lightweight aluminium. The high back is designed for comfort, and the curved shape means sections can be placed together in a circle to encourage conversation; it’s also stackable for easy storage. It comes in brushed silver, pale yellow and dark green finishes, and matching seat cushions are available. Prices start at €2,060. All images courtesy of the brands mentioned above The post New finds from the Stockholm Furniture Fair 2020 appeared first on These Four Walls. #MinimalistInteriors #Interiors #NordicMinimalism #MinimalistDesign #DanishDesign

Agilenano - News from Agilenano from shopsnetwork (4 sites) https://agilenano.com/blogs/news/2020-04-28

[stellan-bluesman-viking]

Johnny Åman Trio & Guest Artists @ Asino - Malmö - 2023-09-02 - Johnny Åman: Double Bass. Anders Mogensen: Drums. Karl-Martin Almqvist: Tenor Saxophone. Special Guest Artists: Peter Dahlgren: Trombone. Fredrik Davidsson: Trumpet. Tune: Pictures & Videos By: Stellan "Iry" Viking @WorldwidewelcomE Asino Crew: Simon Thulin. Jakob Ehde. Emy Arnekull. Karin Bondsäter.

[crafalab]

Andreas Roepstorff and CrafaLab applied for an Infrastructure Grant to purchase multiple fNIRS devices. It was recently awarded. We are creating the first adult fNIRS laboratory in Denmark, in collaboration with numberous international scientists:

Projects to be launched:

Marc Malmdorff Andersen (IMC, Post-Doctoral Fellow) 

Sheina Lew-Levy (AU & Simon Frazier Anthropology, Post-Doctoral Fellow)

Micah Allen (AU AIAS, Associate Professor) 

Line Gebauer (AU CFIN, Associate Professor) & Rasmine Louise Holm Mogensen (AU CFIN, PhD Student) 

Merete Nordentoft (University of Copenhagen, Professor) & Peter Bang (PhD Student) 

Ivana Konvalinka (DTU, Assistant Professor) 

Marieke Vugt (University of Groenigen, Assistant Professor) 

Joe Dumit (UC Davis, Professor and Chair) 

Alain Brunet (Associate Professor, McGill University) & Ram Sapkota (Post Doc) 

Paulo Boggio (Associate Professor, Mackenzie University) 

Leonhard Schilbach (Professor, Max Planck Institute) & Dimitris Bolis (Post Doc) 

Marco Iacoboni (Professor, UCLA)