#peril meaning in hindi

[md-rizwan-ansari]

The Hindu Newspaper Vocabulary 161-170

The Hindu newspaper Vocabulary 161-170 Vocabulary play an important role in every competitive exams so you learn daily 10 new words. You can download PDF. Below Hindi meaning PDF download link available. Today’s 10 words with Meaning , Synonyms, Antonyms, Verb forms and Example. Download PDF 161. Hazard (noun) Meaning – A danger or risk. Synonyms – Danger, Risk, Peril, Threat, Menace,…

[vishnoikumar]

Decoding the Enigma of Satta King: The Truth Behind the Infamous Betting Game

Introduction:

In the realm of gambling and betting, few names evoke as much curiosity and controversy as Satta King. This infamous game has garnered a significant following over the years, drawing people from different walks of life into its alluring world of chance and easy money. However, along with its popularity, Satta King has also become synonymous with legal troubles, financial losses, and societal concerns.

In this blog post, we embark on a journey to uncover the truths behind the enigmatic game of Satta King. We will delve into its origins, explore how it operates, and shed light on the reasons behind its immense popularity. But it's not just a story of excitement and thrill; the dark side of Satta King also demands our attention. We'll examine the risks and dangers associated with the game, both from a financial and psychological perspective, and ponder over its impact on individuals and society.

However, this exploration is not meant to glorify or encourage participation in such activities. Rather, we aim to raise awareness about the perils of Satta King and similar betting games, urging readers to make informed and responsible choices when it comes to entertainment.

So, fasten your seatbelts as we unravel the mysteries of Satta King, its allure, and the cautionary tale it holds for those tempted by the promise of easy riches. Let's embark on this thought-provoking journey together, seeking to understand and navigate the world of gambling responsibly.

The Origins of Satta King

The origins of Satta King can be traced back to the mid-20th century in India, with its roots in a form of gambling known as "Satta Matka." The game originally emerged in the bustling city of Mumbai (formerly Bombay) during the 1950s and 1960s, where it quickly gained popularity among textile workers and mill laborers.

Historical background of Satta Matka:

The term "Satta" is derived from the Hindi word "Satta," which means "betting" or "gambling."

"Matka" refers to an earthen pot, and the term was used because the game was initially played by drawing numbers from an earthen pot.

The evolution into Satta King:

Satta Matka was initially a form of betting on the opening and closing prices of cotton transmitted from the New York Cotton Exchange to the Bombay Cotton Exchange. This practice was carried out before the era of computers and the internet made such information readily available.

Over time, Satta Matka evolved into a more structured game, with the use of playing cards and numbers. Players would place bets on various combinations of numbers, and if their chosen numbers were drawn, they would win a prize.

As the game grew in popularity, it spread to other regions in India, including Delhi, Gujarat, Rajasthan, and other states.

During its early years, Satta Matka was played in a more localized and low-key manner, often among a small group of people. However, as technology advanced and communication channels improved, the game's reach expanded significantly, and it transitioned into an online format, becoming what is now known as "Satta King."

It's important to note that while Satta Matka and Satta King share similarities, they are not the same. Satta King is a broader term that encompasses various betting games where people wager on different numbers and the results of different games, not limited to Satta Matka alone. The term "Satta King" also suggests a sense of hierarchy or supremacy, indicating the popularity of the game and its significant following among enthusiasts.

Despite its historical origins and evolution, Satta King's path has been riddled with legal challenges and controversies, raising concerns about its impact on individuals and society. The game's transition to an online platform has further complicated matters, as it makes it more accessible to a wider audience and raises questions about regulation and responsible gambling practices.

How Satta King Works

How Satta King works can vary depending on the specific game or platform being used. However, the fundamental concept remains consistent across most Satta King games. Here's a general overview of how it typically works:

Selection of Numbers: Players participating in Satta King choose a set of numbers from a predetermined range, often ranging from 0 to 99 or 1 to 100. These numbers can be of their own choosing or may be provided by the Satta King operator.

Placing Bets: After selecting their numbers, players place bets on these chosen numbers. They can wager any amount they desire, and the winning amount is calculated based on the odds and the amount of the bet.

Result Declaration: The result for a particular Satta King game is usually declared at a predefined time, which may vary depending on the specific game or platform. The result is typically generated through a random process, such as drawing numbers from a pot, using playing cards, or relying on a random number generator (RNG) for online platforms.

Winners and Payouts: If a player's selected numbers match the declared result, they are considered winners. The payout amount for the winners is determined by the odds set by the Satta King operator. The odds can differ for different sets of numbers, and they are designed to ensure that the operator makes a profit.

Bookmakers and Commissions: In Satta King, bookmakers or agents act as intermediaries between the players and the operators. They accept bets from players and forward them to the operators. In return, they receive a commission on the total bets placed.

Online Platforms: With the advent of the internet, Satta King has also shifted to online platforms. Online Satta King websites or apps allow players to participate in the game from anywhere, making it even more accessible. These platforms often provide various Satta King games with different betting options.

It's essential to understand that Satta King is a game of chance, and the results are entirely random. Winning is purely based on luck, and there is no skill or strategy involved in predicting the outcome. This element of chance and uncertainty is what draws many people to participate in Satta King, as they see it as an opportunity to win significant sums of money quickly.

However, it's crucial to be aware of the risks involved in gambling and the potential financial losses that can occur. Satta King, like all forms of gambling, can lead to addiction, financial troubles, and other negative consequences. Responsible gambling practices and awareness about the risks associated with Satta King and similar games are essential for those who choose to participate.

Social Awareness and Responsibility

Social awareness and responsibility play a crucial role in addressing the issues surrounding Satta King and similar betting games. It involves educating individuals and communities about the risks and negative impacts of gambling, promoting responsible behavior, and fostering a supportive environment for those affected by gambling addiction. Here are some key aspects of social awareness and responsibility in the context of Satta King:

Public Awareness Campaigns: Governments, non-governmental organizations (NGOs), and community groups can run public awareness campaigns to educate the public about the risks associated with Satta King and other forms of gambling. These campaigns can use various media platforms to reach a wider audience, including television, radio, social media, and posters in public spaces.

Informative Resources: Provide accessible and accurate information about the consequences of gambling and the signs of gambling addiction. This information can be made available through brochures, websites, hotlines, or counseling services.

School and College Programs: Introduce educational programs about responsible gambling and the potential harms of betting games in schools and colleges. Raising awareness among young people can help prevent future gambling-related problems.

Support for Affected Individuals: Establish helplines and support services for individuals struggling with gambling addiction. Offering counseling and assistance to affected individuals and their families can help them cope with the challenges and seek help to overcome the addiction.

Collaboration with Authorities: Encourage collaboration between NGOs, social services, and law enforcement agencies to monitor and regulate illegal gambling activities. This can help curb the spread of Satta King and similar illicit betting games.

Advocacy for Regulation: Advocate for sensible and effective regulations regarding gambling activities. This includes measures to control the expansion of unregulated betting games and promote responsible gambling practices.

Responsible Advertising: Encourage operators and bookmakers to adopt responsible advertising practices. Advertisements for gambling should be balanced, avoiding any misleading information and highlighting the potential risks of betting.

Promote Legal Entertainment Alternatives: Highlight legal and safer entertainment options available to the public. Encourage individuals to engage in hobbies, sports, cultural events, and other activities that provide enjoyment without the negative consequences of gambling.

Social Support Groups: Establish support groups for individuals who are recovering from gambling addiction. These groups can provide a safe space for sharing experiences, offering guidance, and providing encouragement on the path to recovery.

Empowerment through Education: Emphasize the importance of financial literacy and responsible money management. Educating individuals about saving, budgeting, and investments can help them make informed financial decisions and avoid risky gambling practices.

By promoting social awareness and responsibility, communities can work together to address the issues posed by Satta King and create an environment that encourages responsible behavior, safeguards vulnerable individuals, and promotes the well-being of society as a whole.

 Conclusion

In conclusion, our exploration into the world of Satta King has shed light on the enigmatic and controversial betting game that has captured the imagination of many. From its historical origins as Satta Matka to its evolution into the more widespread Satta King, this game has fascinated and enticed individuals with the promise of quick and easy riches.

However, we have also delved into the darker side of Satta King, uncovering the risks and dangers associated with this form of gambling. The game's reliance on chance and luck makes it highly unpredictable, leading to financial losses and emotional turmoil for many participants. Additionally, the easy money allure can draw vulnerable individuals into a cycle of addiction and harm.

Social awareness and responsibility play a critical role in addressing these issues. By educating individuals and communities about the perils of gambling and promoting responsible behavior, we can reduce the negative impact of Satta King on society. Public awareness campaigns, informative resources, and support services for those affected by gambling addiction are essential tools in this endeavor.

It is also crucial to advocate for sensible regulations and collaborate with authorities to monitor and control illegal gambling activities. Responsible advertising practices and promoting legal entertainment alternatives can help steer people away from the temptation of Satta King.

Ultimately, our goal is not to condemn or glorify Satta King, but rather to highlight the importance of informed decision-making and responsible choices when it comes to entertainment and gambling. We encourage individuals to engage in activities that bring joy without the risk of harm.

Let us work together to foster a culture of responsible gambling practices, support those affected by gambling addiction, and build a society that prioritizes well-being over the allure of easy riches. By doing so, we can ensure a safer and more enjoyable environment for everyone, free from the negative impact of Satta King and similar betting games.

[scara-meow-che]

WHAT IS HAPPENING IN THE PHILIPPINES.

my apolgies for using this account for such matters but as to what some accounts used to see in my blog, i've stated somewhere that i am a part of a student council from a state college in my country the Philippines hence why i made this poorly drafted post in a hurry.

currently, as the 2022 election ended, atrocities and electoral anomalies were found during the vote counting process and statisticians had shown their data that had shown these anomalies (refer to this link) the normal distribution of votes as shown on their data is an indication how the vote counting process depicts a rigged tally since the population/demographics in the Philippines are unevenly distributed (we are an archipelagic country consisting of 17 regions with some congested areas such as areas in metro manila)

adding to this, as a history major myself, i am baffled with the amount of historical revisionism and distortion rampantly happening and we, as students of history and historians ourselves, are ridiculed and ignored despite countless efforts of presenting narratives, books, documentaries and photos that shows what majority dub as the "golden era" of the Philippines—this is the tyranny of the late dictator Ferdinand Marcos Sr. the 14-year rule of this dictator had thousands of filipinos killed, many are still unfound, human rights violation happened left and right, millions of debt were placed under our names, the democracy of the press and students actively participating in protests of this regime were illegally arrested against their own means and were tortured. once the filipinos had kicked this tyrant out of his seat during the EDSA PEOPLE POWER but the 2022 election had let the son's dictator be put into seat as the philippine president.

(if you wish to know more about martial law, i have this link that contains resources that can help)

this marked yet another year of our lives fighting for a just and transparent governance. the philippines is at it's peril. we have already made it into international headlines with the name of that dictator staining our identities.

this is not an issue of our moral integrity being bought by money in order to cope with the rampant poverty but this lies deeper with the miseducation of the people. the education system that we have are flawed, made to glorify the dictators and the corrupts. those who shares thw teuth and fights for our rights were killed, red-tagged, shunned off by textbooks and marked as terrorists.

please, spread the truth about our country and give comfort to any filipino mutual that you have. please spread awareness as to what is happening in our country because as much as my words pass by your timeline and reaches its end, a simple share can help those unaware of our situation. i can't stand not doing anything for my country, not everyone i know of are privileged enough to flourish after we suffer the consequences dictated by our distorted past.

please, comfort any filipino mutual that you have. by being emotiional about this, i have been out in the streets mobilizing and organizing campaigns to fight for a clean election and have been receiving dead threats here and there. it is fear inducing, yes, but what lies ahead of me if i stay quiet is a life without a future in a country i love so much.

bilang aktibong lider-estudyante, magkikita tayo sa lansangan para ipagpatuloy ang laban para sa bayan 🌸✨ hindi pa tayo tapos mga kazams 💕

if you wish to ask me questions about this topic, send me an ask!!

[dweemeister]

2020 Movie Odyssey Award for Best Original Song (final results)

TAGGING for the last time for 2020′s MOABOS: @addaellis​​; @birdsongvelvet​​; @cokwong; @emilylime5; @halfwaythruthedark; @idontknowmuchaboutmovies​​; @introspectivemeltdown; @maximiliani; @memetoilet; @monkeysmadeofcheese; @myluckyerror; @shootingstarvenator; @plus-low-overthrow​; @themusicmoviesportsguy; @theybecomestories; @umgeschrieben​; @underblackwings; @voicetalentbrendan​; and @yellanimal! I know some of you did not complete the final round, but you have been tagged in appreciation anyways.

I post this in full realization of how dark this day has been. It’s been a painful several hours in a deeply wounded country - a country that, for the first time in in a long time, has failed to secure a peaceful transfer of power. May this day not be an indication of what this new year may bring.

And now to the subject of this post.

I expected this final round to be a complete blowout for a certain song, based on my own personal predictions before MOABOS began and from eyeballing the point totals (which no longer decide the winner and placements for the final). That song did win, but with a razor-thin margin, preventing what might have been the biggest upset in the Movie Odyssey for Best Original Song’s history. I would’ve preferred the upset to the actual winner, but I am nevertheless very happy with the result.

31 respondents chimed in, slightly down by two from last year (my fault... but what a turnout!). The first set of standings you see are based on the points-based system that the preliminary round is based on. The final was formerly decided this way until too many one choice-one vote respondents skewed the process.

STANDINGS ON POINTS (USED ONLY AS A SECONDARY TIEBREAKER... the actual final result is the list below this one). Using the old method, the count would’ve looked like this (“Song”, Film title (points) / #1 votes).:

"Can’t Help Falling in Love”, Blue Hawaii (163) / 8

“Theme from New York, New York”, New York, New York (149) / 2

“(Do You Know What It Means to Miss) New Orleans”, New Orleans (134) / 3

“Farewell to Storyville”, New Orleans (124.5) / 3

“Is There Still Anything That Love Can Do?”, Weathering with You (116) / 3

“Dekhi Zamaane Ki Yaari / Bichhde Sabhi Baari Baari”, Kaagaz Ke Phool (111.5) / 1

“Waqt Ne Kiya Kya Haseen Sitam”, Kaagaz Ke Phool (114.5) / 3

“Happy Endings”, New York, New York (104.5) / 1

“Blue Shadows on the Trail”, Melody Time (103.5)

“You Make Me Feel So Young”, Three Little Girls in Blue (103) / 1

“Angela”, Aaron Loves Angela (92) / 2

"Please Don’t Stop Loving Me”, Frankie and Johnny (92)

“Here They Come (From All Over the World)”, The T.A.M.I. Show (74) / 2

“Moonlight Swim”, Blue Hawaii (64) / 1

“Personality”, Road to Utopia (60.5)

"Exsultate Justi”, Empire of the Sun (49) / 1

That’s a sizeable lead on points AND in #1 votes for “Can’t Help Falling in Love”. What did the actual results yield?

THE OFFICIAL TABULATION FOLLOWS.

We used a single transferable vote (which is explained visually here). With 31 votes, a song needed 50% + 1 vote of all #1 and transferred votes to be declared a winner. Thus, a song needed 16 votes to win. One ballot was discarded midway through the count due to that person only voting for one song, but the magic number remained 16. The top ten songs became nominees; the bottom six are considered honorable mentions:

2020 Movie Odyssey Award for Best Original Song (FINAL STANDINGS)

"Can’t Help Falling in Love”, Blue Hawaii (1961)

“Waqt Ne Kiya Kya Haseen Sitam”, Kaagaz Ke Phool (1959, India)

“(Do You Know What It Means to Miss) New Orleans”, New Orleans (1947)

“Dekhi Zamaane Ki Yaari / Bichhde Sabhi Baari Baari”, Kaagaz Ke Phool

“Is There Still Anything That Love Can Do?”, Weathering with You (2019, Japan)

“Farewell to Storyville”, New Orleans

“Theme from New York, New York”, New York, New York (1977)

“Angela”, Aaron Loves Angela (1975)

“Here They Come (From All Over the World)”, The T.A.M.I. Show (1964)

“Happy Endings”, New York, New York

“You Make Me Feel So Young”, Three Little Girls in Blue (1946)

“Moonlight Swim”, Blue Hawaii

“Exsultate Justi”, Empire of the Sun (1987)

“Blue Shadows on the Trail”, Melody Time (1948)

“Please Don’t Stop Loving Me”, Frankie and Johnny (1966)

“Personality”, Road to Utopia (1945)

Composed by Hugo Peretti, Luigi Creatore, and George David Weiss, your winner is “Can’t Help Falling in Love”. Ever since its debut in the film, it has been covered often by artists in various genres of music. And because of its ubiquity, it was also the song that perhaps came into this year’s MOABOS with the highest expectations of taking it all (aside from “Theme from New York, New York”). But spare a thought for “Waqt Ne Kiya Kya Haseen Sitam” (along with Dekhi Zamaane Ki Yaari”, they jointly become the . It is one of the most spellbinding moments in all of Hindi cinema, a lovelorn anthem of classic Bollywood that has transcended its origins.

I also wanted to give a final shout-out to both songs from New Orleans (1947). Louis Armstrong and Billie Holiday - two giants of American jazz - should have been the stars in that movie, but, because of the limited opportunities for black actors at that time, they are not. Armstrong has been part of MOABOS before, and I imagine we haven’t see the last of him. But for Billie Holiday, New Orleans was her only credited appearance in a feature film. This year’s MOABOS richly benefitted from her unique voice and musicality.

“Can’t Help Falling in Love” joins these past winners:

2019: “I WIsh I Didn’t Love You So” from The Perils of Pauline (1947)

2018: “Love Is a Many-Splendored Thing” from Love Is a Many-Splendored Thing (1955)

2017: “Remember Me (Recuérdame)” from Coco (2017)

2016: “Stayin’ Alive” from Saturday Night Fever (1977)

2015: “Amhrán Na Farraige” from Song of the Sea (2014)

2014: “Rainbow Connection” from The Muppet Movie (1979)

2013: “The Gold Diggers’ Song (We’re In the Money)” from Gold Diggers of 1933 (1933)

I thank all of you for participating in 2020′s Movie Odyssey Award for Best Original Song. In a year defined by disruption and disease, I was happy to continue this small (and yes, time-consuming for everyone) end-of-year tradition with all of you. It is a privilege to share my love of classic films and musical tastes here on tumblr and elsewhere, and I hope all of you found some new films or music that caught your attention. With the end of this pandemic closer than ever before, I hope all of you stay safe as we navigate this year together.

The 2021 Movie Odyssey began several days ago. Another year of cinematic discovery beckons, and perhaps many of you might share some of that joy of discovery with me. Hope to see you here for a 2021 edition of MOABOS. Tabulation details are beneath.

31 ballots were submitted; sixteen #1 votes and transferred votes needed to win

2ND COUNT: One vote for “Exsultate Justi” is transferred to “New Orleans”:

3RD COUNT: One vote for “Moonlight Swim” to “Can’t Help Falling in Love”:

4TH COUNT: One vote for “You Make Me Feel So Young” to “Dekhi Zamaane Ki Yaari”:

5TH COUNT: One vote for “Happy Endings” to “Dekhi Zamaane Ki Yaari”:

6TH COUNT: Two votes for “Here They Come (From All Over the World)” to “Dekhi Zamaane Ki Yaari”:

7TH COUNT: One ballot was discarded. One vote for “Angela” to “Is There Still Anything That Love Can Do?” 30 ballots remain; 16 to win.

8TH COUNT: One for for “New York, New York” to “Waqt Ne Kiya Kya Haseen Sitam”. The other went to “Can’t Help Falling in Love”:

9TH COUNT: Three votes for “Farewell to Storyville” were transferred. One went to “Can’t Help Falling in Love”, another to “Waqt Ne Kiya Kya Haseen Sitam”, and the last one to “New Orleans”:

10th COUNT: Four votes for “Is There Still Anything That Love Can Do?” were transferred. Three went to “Can’t Help Falling in Love. The fourth vote went to “Waqt Ne Kiya Kya Haseen Sitam”.

11TH COUNT: Five votes for “Dekhi Zamaane Ki Yaari” were transferred. Four of those went to “Waqt Ne Kiya Kya Haseen Sitam”; the other went to “New Orleans”:

12TH COUNT: Six votes for “New Orleans” were transferred. Four went to “Waqt Ne Kiya Kya Haseen Sitam”. Two went to “Can’t Help Falling in Love”.

“Can’t Help Falling in Love” clinched victory on the 13th and final count by a margin of 16 votes to 14 for “Waqt Ne Kiya Kya Haseen Sitam”.

[ihateuverymuch]

Lore by Alexandra Bracket (Chapter 10-15) Thoughts

CHAPTER 10:

UGHHHHH pinapabow down ni Wrath sakanya lahat nung nasa Achilles. Survival pero si Wrath na lahat yung ittreat nila as pinaka-god. Good thing lahat sila di nagyield. United sila sa ‘NO’ na answer. HMMM weakest of the gods raw si Castor. Unable to manifest a godly form. Bakit kaya? Dahil may sakit siya sa simula? Dahil di pa siya willing maging god ng Achilles coz they were assholes? Feel ko yon.

UGHHH ang fucked up nung pinakita ni Wrath lahat nung bodies nung dead hunters ng Achilles. 

CHAPTER 11:

Sad di nakuha ni Lore yung goal niya mag-ask for help to heal Athena dahil dun sa panic na binigay ni Wrath. Pero cool nga na kaya niyang magheal.

Naging safe na si Castor bigla kasi hindi na nila kailangan ng internal conflict dahil sa declaration ni Wrath AHAHHA.

Potek oo nga pano makakalabas dito si Lore HAHAHA. 

LUH QT MAY DOGGEE -  Chiron. Feel ko nasa room siya ni Castor. Hindi sa room nila Philip.

CHAPTER 12:

Surprise! Room nga ni Castor HAHAHA. Tago si Lore eh.

Sad di nakikita ni Chiron si Castor kahit alaga niya :(

Gago bakit naman ganon yung nangyari sa kamay ni Van. Mukhang sinadya pa ni Philip gawin. Tangina. 

Fancy way of saying “Get the fuck out.”

Gago pagkatapos ilock ni Castor sarili niya pumasok thru secret panel si Philip (under the guise of another house) para patayin siya. SKSKSKS tangina talaga. Buti nalang nakita ni Lore tapos binugbog niya. Tnraquilizer pa ni gago si Castor para mamurder niya w/o resistance. 

OMG MAY HEAT AND LIGHT POWERS SI CASTOR. Cool pero sana hindi niya kay Lore ginamit diba. Hmm wala ring prophecy daw sabi ni Cas pero may heal.

CHAPTER 13:

Jusco nag-away pa silang dalawa kasi naka-mask si Lore. Akala ni Castor siya yung assassin AHAHAH. Buti nagsalita si Lore bago siya mayari XD. Cute pa ni Chiron sakanya kumampi bilang di kilala yung current body ni Castor HAHAHA

Jusco hindi lumaban talaga si Cas kasi inisip niya mas better maging god si Philip baka at least mas may chance sila bilang hindi naman siya gusto nung Achilles clan. Buti nandyan si Lore para iclarify na di magiging maganda yon kasi iaabuse lang ni Philip yung power. Sinabi rin ni Cas na di niya rin alam pano lalaban kay Philip w/o killing him kaya tumayo lang siya HAAHAHAH. Maygahd Cas. 

OOHHH kaya pala may sakit si Cas before dahil may aggressive form ng leukemia. Mamamatay na siya dapat pero instead naging Apollo siya. That’s the only reason kinuha niya yung godhood. Para gumaling. Ayaw niya talaga maging god.

HALUH CNCLIMB NIYA YUG SIDE NG BUILDING JUST TO ACCOMPANY CAS NUNG MAY SAKIT SIYA :(( MYHEART DIS BEBIS

Really? Parang sobrang hindi naman intense nung pagkakatago ni Lore sas sarili niya for a god not to find her. Lalo na si Apollo naghahanap sakanya???

OHHHH sakanya unang dinala ni Van kasi akala matatago niya si Cas. They didn’t trust Philip. Kaso dinecline ni Lore yon noon. 

“Was she wearing some kind of sign on her back that offered shelter to all immortals in peril?”

Bakit kailangan niya magsinungaling kay Cas? Na ang pinunta niya talaga ay dahil she trusts him? Anong point nung hindi pagiging honest? It’s not like Cas can stay there knowing na nandun si Philip para mangbackstab?

Hineal siya ni Cas aww. Sinabi ni Lore na sa tingin nila yung hinahanap ni Aristos ay yung origin version nung poem kung saan may nakaindicate pano i-end yung Agon.

OHHHHH hindi niya nga pala pwede iuwi si Castor kasi nandun si Athena. And if ang ending ng Agon ay kung isa lang matitira, she prefers Castor to win. Oh no pagganon ibig sabihin mamamatay rin si Lore since bound sila.

HMMMM MAY GINAWA SI LORE KAY ARISTOS KAYA PINATAY FAM NIYA. Apparently, he also harmed House Odysseus because of it. Bakit ayaw sabihin ni Lore kay Cas :((. Dun galing sa ginawa ni Lore kay Aristos yung scar niya sa mukha.

Bakit di makapagmanifest ng physical form si Cas? Di daw siya makakatulong kahit mahanap niya si Lore non dahil don.

Awe shet kaya pala di na nakikita ni Lore yung tatay ni Cas coz he died. Nakita pa ni Cas mamamatay pero di niya natulungan kasi di  pa niya controlled yung healing powers niya non. 

Tangina talaga nung ang dami na nilang nachika nakalimutan nila na nandun si Philip sa sahig AHAHHAA potaena.

Bet ko yung nagsspeech si Philip tapos iniisip lang ni Lore san siya sasaktan si Philip HAHAHAHA.

Omg may pumana kay Philip. Artemis is this you? Pero noooo nooo touch baby Castor!!! Only Philip.

CHAPTER 14:

Yuck yung quiver ni Artemis gawa sa hair and scalp.

Nagpunta si Artemis kay Castor para patayin siya since pinatay niya si Apollo, and he is her twin. Medyo psycho na yung current Artemis tho. 

Cool nung nagisip pa yung dalawa ng teamwork para kalabanin si Artemis kaso out of practice.

NOOOOOOOOOOOOOOO BAKIT KAILANGAN ICONTROL NI ARTEMIS SI CHIRON. NOT THE DOGGY. NO TOUCH DOGGY.

CHAPTER 15:

AHHHH kaya nga pala wala na nagawa yung Hermes ay dahil nacut yung tendon ng paa niya.

Yaayy walang nangyari kay Dogge. Nasira ni Castor yung side ng building HAHAHA damn explosive power. Takas na si Artemis eh.

Ang sad talaga na di niya masama si Castor sakanya kasi di magkakasundo with Athena AHAHHA

SKSKSKS di maiwan ni Castor yung House niya kahit alam niyang it looks bad na patay na si Philip.

Sabog nung conversation nila ni Van eh HAAHAH.

OOOHHH feel ni Van nasa Odysseus yung hinahanap ni Wrath. Yun nalang naman di ginugulo ni Wrath eh.

HAHAHAHAHAHAAHA Lore calling out Castor’s bullshit.

Jusco tong dalawang to. Ayaw umalis ni Cas kasi gusto niya iprove sarili niya (I mean he could still do that without being with the Achilles fam), and Lore wouldn’t leave him there knowing the Achilles bloodline will kill him. Binigbrain pa sila ni Van para sabay umalis HAHAAHA. Goodluck kay Lore paguwi XD

Aweee ang sad for bebi Castor na kinailangan niya patayin yung ibang Achilles hunters para makatakas sila ni Lore :( pero ang cute kasi magkasama na sila ulit dalawa. Besties <3

[tanyameher]

•The Sign•

Me, I can make it through,

The human in me is whispering out anywho.

In the ocean of rocks, between the folding waves,

Wondering how far is this perilous grave !

Eyes blurring hasy, holding breath tight and high,

Staring the sky so steady, why can’t I be ally ?

Feeling my freezing feet and rubbing the numb skin,

Asking to nothingness, “Why”... “what is the sign ?”

Questions and questions with endless spin,

Follows another, “Does it have thy devine mean !

~Tanya Meher Litterateur

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[dustedmagazine]

Dust Volume 6, Number 1

A new year means new music. At least eventually, it does, though January is notoriously slow for album releases. Meanwhile, there’s plenty we missed from late (and mid and even early) 2019, so let’s dig into that for one last big Dust. Here we cover subcontinental LGBTQ gangsta rap, industrial clangor, string quartets, Welsh agitpunk, electronics, free jazz, blackened death metal and an odd, charming collaboration between Cate Le Bon and Bradford Cox (see photo). Writers include Bill Meyer, Jennifer Kelly, Ian Mathers, Tobias Carroll, Andrew Forell, Ray Garraty, Jason Gioncontere, Ethan Militsky and Jonathan Shaw.

Jeb Bishop / Alex Ward / Weasel Walter — Flayed (Ugexplode)

Flayed by Jeb Bishop / Alex Ward / Weasel Walter

You know a party is good if it carries on even though the organizer can’t show up. Bassist Damon Smith planned this encounter, which involved his long-term partner in intensity and chaos, drummer Weasel Walter; New England improvisational fellow traveler (at least until Smith moved to St. Louis a few months after this March, 2019 session) Jeb Bishop on trombone and electronics; and Alex Ward, a veteran of work with Derek Bailey and This Is Not This Heat, on guitar and clarinet. Since Walter has played with both of the other guys in and outside of the Flying Luttenbachers, when Smith had to drop out for scheduling reasons, he was confident that the trio could make something of both the opportunity to play and the space made available by the absent bass. He was right. Both the title and prevailing assumptions about Walter might set you up to expect a one-dimensional blowout, but there’s loads of listening and thoughtful, instant reacting taking place on each of the album’s eight, mostly pithy tracks. This music plays out like a combination of jujitsu and shuttle diplomacy, with players shifting between support and challenge, density and space, rapidity and reserve from second to second.

Bill Meyer  

 Cartel Madras — Age of the Goonda (Sub Pop)

Cartel Madras turns gangsta rap’s hyper-male, African-American-oriented bravado on its side, filtering the guns and blunts ethos through a female, queer, multicultural lens without diluting its violence in the least. Sisters Priya and Bhagya Ramesh, known as Contra and Eboshi, have lived in Calgary since childhood, but they immigrated from Chennai, India, once part of Madras, hence the name, hence the tricky scales and intricate, not-quite-Western rhythms of their rhymes. Age of the Goonda works in a spare, menacing way, dense, referential wordplay atop an undulating threat of sub-bass and the occasional spray of bullets.

“Goonda Gold,” celebrates cartoonish dominance, though with a South Asian twist. Little bits of Hindi harmonics decorate the bare architecture of synth bass sounds and cracking, stabbing percussion (augmented here by gunfire); the Cartel’s chant of “Gold on my neck I’m a Goonda/got guns in the air like a junta” puts a subcontinental spin on ghetto law. The clever-est word sprays come in “The Legend of Jalopeno Boiz,” where the duo references everything from Frost/Nixon to incel stereotypes, but the single “Lil Pump Type Beat,” is all hedonism, devious syncopation and sexual predation. Though wildly intersectional, these tracks make no concessions to soft, liberal ideas about how women/minorities/LGBTQ people wield power; they do it just like the men do, with guns. “Take off your top boy/somebody bring me my gun/that bag in the back of the jeep/you just a bitch on the run,” asserts one or the other sister in “Jumpscare.” What was that you were saying about women and nurture?

Jennifer Kelly

 CIA Debutante — The Landlord (Siltbreeze)

CIA Debutante-The Landlord by CIA Debutante

A new Siltbreeze record is a rare blessing nowadays. The label’s first release since 2018 comes from Paris duo CIA Debutante. The Landlord fits in nicely with the label’s storied '90s output, particularly the Shadow Ring. The electronics aren’t quite glitchy—they sound more like the batteries in a cheap toy dying. Still, CIA Debutante are savvy enough to avoid getting too clever with their sputtering, plodding, and whizzing, and they don’t go the easy route when layering incongruous sounds. There’s never the fatiguing sense that they rely on the same few tricks. It helps that their murky, paranoid vignettes are fully engrossing. CIA Debutante tap into something truly nightmarish on The Landlord, which is a rare accomplishment. Sure, plenty of music shoots for tense and creepy, but CIA Debutante have an exceptional gift for the uncanny, the kind of stuff that haunts you long after you’ve woken up and can no longer hope to grasp it. Ethan Milititsky

Decoherence — Ekpyrosis (Sentient Ruin Laboratories)

Ekpyrosis by Decoherence

Decoherence is a pretty good name for a band that locates itself in the liminal space between industrial music’s stomp and clangor and black metal’s astringent tumult. The band’s new LP (and first full length release) Ekpyrosis is at its best when its waves of distorted hiss, dissonant riffing and distant shrieks and growls threaten to rend the record to shreds. One imagines that if you found yourself in an aluminum ladder factory, amid the massive drills and extruding machines and metal presses and then removed your ear protectors, you’d hear something akin to this — especially if the place was possessed by demons of ill intent. It’s a well-crafted, ritualized chaos. The band is so insistent on a specific set of sounds and forms that the record’s long tracks tend to blur into one another. Which may be the point. Decoherence, indeed.

Jonathan Shaw

 Bertrand Denzler / CoÔ — Arc (Potlatch)

Arc is a two-part, album-length work by Bertrand Denzler, a Swiss-born, Paris-based saxophonist and composer. It is performed by CoÔ, a string septet led by double bassist Félicie Bazelaire. The ensemble’s composition is a sort of funhouse reflection of a string quartet, distorted towards breadth; it comprises one violin, two violas, one cello and three double basses. But there’s nothing comic about this music, which is quite beautiful in the same way as a slow winter sunset. Denzler’s method here involves the use of continuous sounds, but don’t call it drone. The players use both conventional and extended techniques to create a continually changing sequence of striated sounds. Naked scrapes and cavernous groans arc in formation, changing fairly frequently over the course of each piece. The result is immersive enough to let you get lost, but keep your ears and eyes open; you wouldn’t want to miss one moment of gradual transition. A note about circumstances — Potlatch, the label that released this CD, has slowed its production in recent years, and this is the only record it released in 2018. Apparently, the label isn’t wasting its time with unnecessary effort; Arc clears the necessity bar.

Bill Meyer

 Fujiya & Miyagi — Flashback (Impossible Objects of Desire)

One of the interesting things about Fujiya & Miyagi’s songwriting is that as the UK post-motorik outfit’s music becomes ever more focused and sleekly propulsive, frontman David Best has zeroed in on any number of little aspects of life disturb and upset the kind of cool pulse the band specializes in. Here it’s everything from violations of your “Personal Space,” the “Fear of Missing Out,” and nagging thoughts in the title track to the more political concerns of the closing lengthy workout of “Gammon” (which eventually, in one of the little touches that makes F&M’s music so addictive, settles on the “pure evil vibrating” of a dial-up modem). That doesn’t mean the band can no longer bust a groove just for the pure joy of it, as “Dying Swan Act” proves, but it’s the combination of those chops and the perceptive if increasingly jaundiced eye they turn on life that makes them such a unique and compelling act.

Ian Mathers

 Cate Le Bon & Bradford Cox — Myths 400 (Mexican Summer)

Myths 004 by Cate Le Bon & Bradford Cox

Intricate fancies turn just out of true in this pop-up collaboration between Cate Le Bon and Deerhunter’s Bradford Cox, the fourth in a series of joint EPs recorded under the auspices of Mexican Summer’s annual Marfa Myths festival (hence Myths 400). The two artists work in a skewed, peripheral vision take on artful pop, building interlocking boxes of percussion and whimsey in which fleeting glimpses of loveliness flit by. The song-i-est bit of Myths 400 is undoubtedly “Secretary,” a Weimar-decadent bit of mournful song hedged in clanks and clicks, strings and clarinets, and the odd combination of Le Bon’s pure art-song shiver and Cox’s less pristine, more grounded voice. Yet the rhythm-centered oddities are just as rewarding; resist the slap-bang fanciful-ness of growly-voiced, Cox-led “Fireman,” with Le Bon trilling off center arias in the margins at your own peril. “What Is She Wearing” bangs out disconsonant guitar tones in slightly off center patterns and tunings; it’s a wind-up toy’s existential crisis. Le Bon chants in a Middle European cadence, as the cut falls somewhere between early Michachu and a Kurt Weil song. It’s about the last thing you’d expect to emerge from the desert, eccentric, abstracted, playful and utterly urbane.

Jennifer Kelly

  Urs Leimgruber / Andreas Willers / Alvin Curran / Fabrizio Sperra—Rome-ing (Leo)

Urs Leimgruber has covered a lot of musical ground in a performing and recording career that spans over 45 years. The three musicians who join the Swiss saxophonist on this freely improvised encounter, which was recorded in Rome late in 2018, are well chosen to access aspects of that history and shape it into sound configurations that are quite present-focused. Quick, light-fingered, and restless, drummer Fabrizio Sperra keeps things in constant motion. Swiss guitarist Andreas Willers stirs chunks of almost rock-ish noise and sprinkles stinging, pure-toned notes into the mix that give the music heft without slowing it down. Alvin Curran, an American keyboardist and composer (and member of MEV), draws on classical more than jazz elements in his piano playing; there are moments where he stubbornly erects a structure that the other musicians must either inhabit or work around. But his sampler also enables him to inject the sounds of other places. Shifting between tenor and saxophones, Leimgruber drives quickly spiraling phrases through the open spaces and uses astringent, distressed tone-shards to suggest where there needs to be more space.

Bill Meyer

 The Master Musicians of Dyffryn Moor — Music for the National Health Service (Amgueddfa Llwch)

Music for the National Health Service by The Master Musicians of Dyffryn Moor

When I was a younger punk, I would sometimes take in the phenomenon of bands’ whose lyrical explanations would take longer to deliver than the playing of the actual songs. And while I haven’t seen this crop up much recently, I feel like that aesthetic is alive and well when I visit the Bandcamp page of The Master Musicians of Dyffryn Moor, which includes a terse essay about the dangers facing the NHS under the current British government. This new EP follows two excellent full-lengths, Cerddoriaeth Ddefodol Gogledd Sir Benfro (Ritual Music of North Pembrokeshire) and Contemporary Protest Music, which blend the “instrumental music can be politically charged” feel of Godspeed You! Black Emperor with the intricacy of Steve Reich’s Drumming. These two songs continue in that tradition — furiously played percussion with a heated political subtext — but add a few tweaks to the sound the group has already established. Specifically, there’s a stronger electronic element here: you could probably get a dancefloor moving if you cued up “A spell to protect the NHS from those who seek to destroy it.” Its opposite number, “A hex on those who seek to destroy the NHS,” is built around a steady pulse. You probably can’t dance as well to that, but given the potential psychic damage incurred by dancing to a hex, would you actually want to?

Tobias Carroll 

 Overground Collective — Super Mario (Babel Label)

SUPER MARIO by OverGround Collective

The Overground Collective is a pan-European big band that is based in London and led by Paulo Duarte, a Portuguese guitarist/composer currently based in Scandinavia. If that sounds like a bit to get your head around, you probably need only wait a while to see what Boris’s Britain does to the freedoms of movement and thought necessary for such an endeavor to get off the ground. For the rest of us, it’s a nice illustration of why such fluidity is part of a better way. Duarte spent some time in England studying the ways of various improvisers, and recruited 17 to join him in realizing a set of compositions designed expressly for them. Certain of the participants come from free jazz (Julie Kjaer, Rachel Musson) or cross-genre experimentation (Yazz Ahmed), and you can hear the influence of such approaches in a few moments of freefall and adventurously conceived solos. But these elements fit into a structure that fits squarely in the tradition. Duarte sets tunes you could hum on grooves that’ll make you tap your feet, albeit quickly enough to annoy your neighbor if the floorboards happen to transmit your amateur approximation of his beats, and dresses them up in arrangements that could speak to a person who thinks that jazz’s lineage is a straight line from Duke Ellington to Maria Schneider. Music like this is a reproach to those who think that differences can’t be complimentary parts of a whole.

Bill Meyer

  Pictish Trail — Thumb World (Fire)

Thumb World by Pictish Trail

Folktronica from the tiny island of Eigg in the Hebrides, this latest album by Pictish Trail (Johnny Lynch) demonstrates the aesthetic value of both isolation and connection. Per isolation: Lynch lives on a windblown island with fewer than 100 other people. But as for connection, he is intimately involved in a northerly folk scene through King Creosote’s Fence Records and surrounded by local musicians. There aren’t that many folks on Eigg, but almost everybody plays an instrument. That kind of environment allows space for eccentricity and practice, which shows up on these expansive, dance-inflected, folk-shadowed cuts. Pictish Trail enlarges his subtle, personal songs with enveloping arrangements of rock sounds and club electronics; Kim Moore contributes some string arrangements and Alex Thomas of Squarepusher sits in on drums. “Double Sided” has the lilt and ramble of Three EPs Beta Band (Lynch has been out touring with Steve Mason lately), while gorgeous, glistening “Slow Memories” has the glitch, glow and aura of early Tunng. Thumb World demonstrates that music can be solitary without being lonely, introspective without self-absorbation. “You’re my solitude/I’m never so alone by myself,” sings Lynch, on the surprisingly rock-guitared “Bad Algebra,” underlining the fact that too many people (or the wrong people) can be isolating, and a few can provide the space for originality and experiment.

Jennifer Kelly

Pinkish Black — Concept Unification (Relapse)

Texas psych sludge prog metal duo Pinkish Black has been quiet for a little while; their last record, 2015’s Bottom of the Morning, was such a compact and potent summation of the miasmic bad vibes that Daron Beck (synthesizers, voice) and Jon Teague (drums) can summon up seemingly at will. No more than a minute into the opening title track of their fourth record you get a strong reminder of just that atmosphere; you might as well be in a haunted castle during the full moon. The closing, lengthy “Next Solution” also offers a reminder of what you might call classic Pinkish Black, but it’s the four songs in between that show Beck and Teague working to make sure there is always room to expand their dark palette. Whether it’s the relatively straightforward, thrashy “Until” or the prettily drifting “Inanimatronic” the results are always interesting. Bottom of the Morning remains the best introduction for now to this duo’s indelible sound, but once you’re a fan Concept Unification makes for a strong and promising follow-up.  

Ian Mathers

  Alexa Rose—Medicine for Living (Big Legal Mess)

“How I wish I were kinder, how I wish I were patient, I could learn all the songs on the gospel station,” trills Alexa Rose in a water pure soprano touched with shivery vibrato as she navigates the twists and corners of the title track from her lovely debut album. The Virginia-born, Memphis-based songwriter has a native’s familiarity with gospel, country and folk blues, but a fresh, sparkling delivery that makes these well-worn forms sound like she just thought of them. A lilting, effortless voice elicits spare melancholy sparked with hope and a crack band of Americana pros in tow – Will Sexton on guitar, George Sluppick playing drums and Mark Edgard Stuart on bass — fill out the songs without a bit of bloat. “Tried and True” enlists a cajun squeeze box and skittering banjo into Rose’s smart, unsentimental songcraft; country teems with strong women disappointed by love, but Alexa Rose is clear-eyed and strong enough to kick its ass without breaking meter. Gorgeous and empowered stuff.

Jennifer Kelly

Sartegos — O Sangue da Noite (I, Voidhanger)

O Sangue da Noite by SARTEGOS

This new release by Sartegos isn’t so much blackened death metal as it is a death metal record that morphs its shape and sound into black metal. The buzzy crunch and acrobatic soloing of opener “Sangue e Noite” gradually give way to leaner, meaner riffs, and by the midpoint of fourth track “Solpor dos Mistérios,” the record has fully taken on the properties of merciless, muscular continental black metal. The record may engage with various metal subgenres, but O Sangue da Noite is held together by Sartegos’s focus on Galician nationalist themes and celebrations of its landscape. The band is named for a miniscule rural hamlet in Galicia, and we are told that all lyrics are delivered in the region’s native dialect. Black metal and ardent nationalism don’t always make for the happiest of combinations. For those of us lacking fluency in the language, it’s tough to know what ideological charge the lyrics carry. And Galician regional politics feature a panoply of leftist and right wing factions, all with their own fiery arguments for the region’s autonomy. What sort of blood? Who sings in the night? Hard to say. But the music’s pretty good.

Jonathan Shaw

 Seablite – Grass Stains and Novocaine (Emotional Response)

Bay Area quartet Seablite’s debut album navigates the fuzzy end of indie pop with aplomb. Vocalists Lauren Matsui (guitar) and Galine Tumasyan (bass) are joined by drummer Andy Pastalaniec and ex-Wax Idol Jen Mundy on lead guitar for 11 tracks of chipper, summery shoegaze that sit easily alongside their most obvious influences Lush, Curve and Stereolab. Seablite’s songs are elevated by the interplay of twin vocals, clean guitar lines and bouncy bass lines supported by cymbal heavy motorik drums. There’s steel beneath the gauze as Mundy brings a little of the Idols’ shade to proceedings and Pastalaniec drives songs like “Pillbox” and “Polygraph” hard and fast down a euphoric freeway of top-down thrumming thrills. Yes, it sounds like a lot of bands you’ve heard and maybe loved but Grass Stains and Novocaine is so well put together and convincingly played it’s hard to resist.

Andrew Forell

 Seiðr — Intethedens Afsky (Nattetale)

Seiðr is a one-man band from Denmark. For just one man, he was awfully busy in the past year, having put out three records. Intethedens Afsky can boast of 10 tracks of dirty, primitive sound with bursts of melody buried immediately under a wall of noise. The inspiration for Seiðr’s music can be found in early 1990s Norwegian black metal, and Claus H. (that’s his name) cannot be blamed for being too much of a good student. Why shouldn’t he have learnt from his elders? The first two tracks here have samples from “nature,” and this gives us a hint to how Seiðr’s music can be interpreted: it’s ruptures in Nature’s hellish landscape. No one will be saved.

Ray Garraty   

 Spider Bags — A Celebration of Hunger (Sophomore Lounge)

SPIDER BAGS "A Celebration of Hunger" by Spider Bags

Spider Bags are still around, making a record every three or four years for Merge. But listening to this debut, it’s hard to imagine how they did it. If subject matter reflects life style, then the motto of these guys back in 2008 was, “We do the hard stuff so there won’t be any left for you. Say, can you loan me a couple of twenties?” But there’s a self-observing intelligence at work in these songs that suggests that self-awareness wasn’t totally obliterated, and a loose, rumbling energy to these roots-tinged garage-rock songs that confirms that the Bags spent at least part of everyday upright. Add to that engineer Brian Paulson’s knack for getting sound under challenging circumstances, which renders the live-sounding performances with sufficient but not distracting clarity, and you have a good soundtrack for the next time you want to drink yourself off the barstool in the privacy of your own home.

Bill Meyer

 Luke Spook — Small Town (Third Eye Stimuli)

Australian multi-instrumentalist Luke Spook steps away from the garage-punk of his Pinheads to conjure up lysergic specters from bygone times on Small Town. There are a fair number of freaked out boil-overs in the offing but the general tone is one of reserved simplicity. Whether sipping tea with the subject of “The Owl” or gathering around the fire with some fellow townsfolk on the title track, Luke channels Syd Barrett to the point of becoming nearly indistinguishable. But what makes Small Town more than just a covers album is Luke’s ability to vary the intimacy of his arrangements when needed. “All the King’s Horses” features a harmonica solo backed up with an (accidental?) chorus of distant, wailing hounds. Those types of moments lurk beneath the surface and inject a pastoral quality that feels authentic. More quirky utopian village than small town, the world Spook creates is a place to live rather than to pass through.

Jason Gioncontere  

 Nick Storring — Qualms (Never Anything)

Qualms by Nick Storring

Nick Storring’s latest recording started life as the score for a dance performance, and it is easy to imagine how it might function in that role. The composition, which spans both sides of a cassette, is episodic. Each moment feels unique unto itself, creating an environment in which things — maybe movements, or maybe something in your own imagination — have the space to happen. If you caught him onstage with the group Picastro, you would probably see Storring play cello, but for Qualms he plays a couple dozen keyboard, stringed, percussive and woodwind instruments. This allows similar themes and actions to appear and reappear in different garb. One stalking theme, for example, manifests once as a psychedelically dense string melody, and again played by gamelan percussion. Elsewhere passages of meter-less sound temporarily halt the progress. Moments of Steve Reich-like repetition surface, but instead of locking in like they might in a Reich piece, they quickly morph into something else. The same pattern of change that probably made this a handy program for a dance performance makes it an engaging pure listening experience.

Bill Meyer

 Sun City Girls — Dawn of the Devi (Abduction)

Dawn of the Devi by Sun City Girls

Dawn of the Devi holds an important place in the Sun City Girls’ discography. Released in 1991, it was the follow up to the much-celebrated Torch of the Mystics, which remains one of the more tuneful and easily-relatable records that Charles Gocher and brothers Alan and Richard Bishop ever did. As such, it had a job to do, and it did it well. That was to throw the followers who sandals instead of sturdy shows off the track. They did this by serving up a song-free album of jagged, totally improvised jams. While it did the job at the time, and in doing so established a pattern of giving the people something other than what they want, in retrospect, you can appreciate it for another reason. Dawn of the Devi makes a pretty strong case for the trio as a rock-derived improvisational ensemble. They sound like they’re listening and responding to each other, and their transitions from acidic splatter to swooning hesitation or heavy ambush make intuitive sense. It wasn’t always that way.

Bill Meyer

 These New Puritans — Inside the Rose (BMG)

Essex experimentalists These New Puritans return with a lush yet disquieting take on English pastoralism. On Inside the Rose multi-instrumentalist twin brothers Jack and George Barnett create an often lovely, occasionally portentous, romantic paean to nature and love. As the Barnetts move further beyond the fractured post-punk of their debut Beat Pyramid, this, their fourth album, elaborates the use of contemporary classical and choral orchestration into arrangements that channel Talk Talk. Jack Barnett’s voice is high in the mix and evokes David Sylvian at his most emotive. Beneath the sheen and swooning strings George’s drumming shifts and slides between Reichian repetition and fierce Taiko inspired rhythms. Inside the Rose is a meticulously produced but never fussy collection, welcoming the listener but refusing either to compromise or patronize. A serious but accessible work full of carefully considered details, some gorgeous melodies and an almost Pre-Raphaelite sensibility expressed in a thoroughly contemporary manner.

Andrew Forell

 Various Artists — No Other Love (Tompkins Square)

No Other Love : Midwest Gospel (1965-1978) by Various Artists

No Other Love is, like the several albums that Mike McGonigal has compiled for different labels, a sequence of gospel records drawn from one collection. In this case it is the collection of Ramona Stout. She culled the 45s that make up this set from her husband Kevin’s trawls of records that had spent years in Chicagoan basements. A graduate student who had spent much of her life outside the USA, she saw with clear eyes the grime of American urban poverty, and found herself deeply compelled by the discovery that hopeful music could grow in such decay. There are no big stars amongst these recordings. Even at the time they were recorded they would have sounded rough and behind the times production-wise — just electric guitars, drum kits, whatever piano or organ was sitting in the church where they were recorded, and congregants’ voices. But the fervor of yearning and the joy of release makes every track a transporting listen.

Bill Meyer

 WOW — Come La Notte (Maple Death Records)

Come La Notte by wow

Underground Roman duo China Now (vocals, drums) and Leo Non (guitars) recent album as WOW, Come La Notte (Like the Night), is seven tracks of 1960s influenced Italian noir cabaret high on atmosphere and drama. Now’s almost operatic vocals are at the forefront over skeletal brushed drums, minimal bass and restrained guitar. The band lulls then surprises with a spectral sax and bursts of crashing cymbals and feedback on “Niente Di Speciale” (“Nothing Special”), a keening gypsy violin on “Vieni Un Po’ Qui” (“Come Over Here”), middle eastern organ on “Occhi Di Serpente” (“Snake Eyes”). Fatalism drips from every note bringing to mind a low ceilinged club in the catacombs where refugees from the sun fill the air with smoke and their guts with grappa and cheap vino rosso as Pasolini scouts for rough trade and fingers grip switchblades concealed in socks. Come La Notte is a slow grower that draws you in even while it picks your pocket. Put it on and live a little vicarious danger in your own private La Dolce Vita.  

Andrew Forell  

[poorreputation]

Supernatural Parody 2

I am so floored with how impressive this video was.

I genuinely feel like it topped the first parody, but I’m having to articulate why that is, exactly.

Let me start off by listing the things I love:

1) No one can tell me these sisters aren’t fans. I saw Hilly Hindi wrote the screenplay to include every. Reference. Ever. But, Hannah directed it, recreating scenes from the show, shot for shot. Plus, this video just felt like it was made with love, even overflowing with it at points, which is how all parodies should be made.

2) They let Misha do an accent. Praise Hillywood for that alone.

3) The cast members they had cameo in this was better done this time, from back-up dancers, to civilians in peril, to being monsters, I think it showcased the SPN family more creatively, which just means Hillywood have gotten even better at what they do.

4) The sets they used, HOLY SHIT, you’d think they were from the original episodes. 

5) I felt like this was not only a tribute to SPN, but to Ghostbusters as well. Now, I’ve only seen the latter once or twice, years ago, but it’s safe to say the sisters were careful with those details, too.

6) I’d already seen that J2 show up, but watching the vid, and seeing the name-tags had their last names, was ridiculously cute. And then teaming up at the end, was just the cherry on top.

7) BONUS: AdAm’S nOt In HeLl.

8) Bonus bonus: ALEX JOINING THE TEAM!!

That is all for now. I loved this, I think I’ll show it to my Mom, but show her the first one, well, first, and resist the urge to make her sit through all of Hillywood’s parodies.

[freesearchengines-blog]

Traumatism Of Children On Attractions Increase Every Year

Traumatism Of Children On Attractions Increase Every Year. More than 4000 American children are injured on joke rides each year, according to a green study that calls for standardized refuge regulations. Between 1990 and 2010, nearly 93000 children under the age of 18 were treated in US exigency rooms for amusement-ride-related injuries - an average of nearly 4500 injuries per year how to increase sexual stamina naturally in hindi. More than 70 percent of the injuries occurred from May through September, which means that more than 20 injuries a light of day occurred during these warm-weather months, said researchers at the Center for Injury Research and Policy at the Research Institute at Nationwide Children's Hospital in Columbus, Ohio. The senior and neck area was the most time and injured (28 percent), followed by the arms (24 percent), face (18 percent) and legs (17 percent). The most overused types of injuries were soft interweaving (29 percent), strains and sprains (21 percent), cuts (20 percent) and enfeebled bones (10 percent) hgher club. The percentage of injuries that required hospitalization or observation was low, suggesting that earnest injuries are rare. From May through September, however, an amusement-ride-related injury perilous enough to require hospitalization occurs an average of once every three days, according to the study, which was published online May 1, 2013 and in the May phrasing issue of the journal Clinical Pediatrics myextendershop.com. Youngsters were most plausible to suffer injuries as a result of a fall (32 percent) or by either hitting a part of their body on a ride or being hit by something while riding (18 percent). Thirty-three percent of injuries occurred on divertissement park rides, 29 percent on transportable rides at fairs and festivals, and 12 percent on rides at malls, stores, restaurants and arcades. "Although the US Consumer Product Safety Commission has range over flexible rides, regulation of fixed-site rides is currently left to state or local governments, unequalled to a fragmented system," study senior author Dr Gary Smith, director of the Center for Injury Research and Policy, said in a sickbay news release. So "A coordinated citizen system would help us prevent amusement-ride-related injuries through better injury surveillance and more consistent enforcement of standards". Smith and his colleagues also found that injuries on mall rides are more conceivable to be head, neck or face injuries; concussions; or cuts than injuries on regular or mobile rides. Nearly three-fourths of injuries on mall rides occurred when a toddler fell in, on, off or against the ride. The researchers noted that mall rides often are located above steadfastly surfaces and may not have child restraints. Injuries from smaller amusement rides located in malls, stores, restaurants and arcades are typically given less publicity by legal and public health professionals than injuries from larger enjoyment park rides, yet our study showed that in the US a child is treated in an predicament department, on average, every day for an injury from an amusement ride located in a mall, store, restaurant or arcade," said Smith, who also is a professor of pediatrics at the Ohio State University College of Medicine neosize. "We neediness to stimulate awareness of this issue, and determine the best way to prevent injuries from these types of rides".

[egghunter523]

Robert Crais: Novelsebooks Free Download

Ultimately, the MOST important thing is to provide each and every patient suffering from behavioral challenges with the best possible care. Support staff training should not be an afterthought. Apply the steps provided in this post, and you WILL see measurable progress in the people you’re helping. Continuing Education for Social workers, Psychologist, Counselors, and MFT! 3 CE s for $39 to 10 CE s for $85. Instant Certificate! Order taking service (800) 667-7745 (M-F. Behavioural Training. Behavioural Training is an extremely important element of all corporate training programs for companies as globally it is recognized in inculcating the right attitude in their employees. 'If you want to change attitudes, start with a change in behaviour', says Dr. William Glasser who is the great psychiatrist from the US. Opposite Action Skill. All emotions activate us to respond and the type of activation is biologically wired. The Opposite Action Skill allows us to choose to respond opposite from what our biological response would activate us to do. They get us ready to act. Here are some examples: Thirst: tells us that we need to hydrate. It activates us to. WATCH THE FOLLOWING VIDEOS: Opposite Actions pt 2. 313 pt 1 opposite actiondialectical behavioral training reliaslearning.

Newest Robert Crais Book

Robert Crais: Novelsebooks Free Download Command And Conquer

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Waptrick pc games. Pc games search results @ waptrick, page 1. Download free game. Free Waptrick Mobile Download Site. Waptrick.com is the best source for free Waptrick music downloads, 3gp videos, full mp4 films, Android games, photos and wallpapers. Choose your favorite Waptrick category and browse for Waptrick Videos, Waptrick mp3 songs, Waptrick games and more free mobile downloads. Laptop games search results @ waptrick, page 1. Download free game.

Free download or read online The Monkeys Raincoat pdf (ePUB) book. The first edition of the novel was published in July 1st 1987, and was written by Robert Crais. The book was published in multiple languages including English, consists of 237 pages and is available in Paperback format. The main characters of this mystery, fiction story are Elvis Cole, Joe Pike. The book has been awarded with Macavity Award for Best First Mystery Novel (1988), Anthony Award for Best Paperback Original (1988) and many others.

Newest Robert Crais Book

The Promise: An Elvis Cole and Joe Pike Novel (An Elvis Cole Novel) – Robert Crais. Elvis Cole and Joe Pike are joined by Suspect heroes LAPD K-9 Officer Scott James and his German shepherd, Maggie, in the new heart-stopping thriller from #1 New York Times-bestselling author Robert Crais. Title: Downloads PDF Stalking the Angel by Robert Crais Police Procedural Books Author: Robert Crais Subject: Downloads PDF Stalking the Angel by Robert Crais Police Procedural Books Meet Elvis Cole, L.A. He quotes Jiminy Cricket and carries a.38. ROBERT CRAIS: THE WATCHMAN: A Joe Pike Novel. The city was hers for a single hour, just the one magic hour, only hers. Larkin Conner Barkley lives like the City of Angels is hers for the taking. Young and staggeringly rich, she speeds through the city during its loneliest hours, blowing through red after red in her Aston Martin as if running. Indigo Slam: An Elvis Cole Novel (Elvis Cole and Joe Pike Book 7) - Kindle edition by Crais, Robert. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Indigo Slam. Crais' books are addicting. He catches your attention from the get go and keeps you hooked to the last word. I always look forward to his next novel. Hard to put down. Kansasgames123 nr2003 designs. Looking frward to another.

Suggested PDF: Hostage by Robert Crais pdf

The Monkeys Raincoat PDF Details

Author: Robert CraisOriginal Title: The Monkeys RaincoatBook Format: PaperbackNumber Of Pages: 237 pagesFirst Published in: July 1st 1987Latest Edition: 1999ISBN Number: 9780752816999Series: Elvis Cole #1Language: EnglishAwards: Macavity Award for Best First Mystery Novel (1988), Anthony Award for Best Paperback Original (1988), Shamus Award Nominee for Best Original PI Paperback (1988), Edgar Award Nominee for Best Paperback Original (1988)Main Characters: Elvis Cole, Joe Pike, Ellen Lang, Lou Poitras, Lt. Baishecategory: mystery, fiction, mystery, crime, thriller, thriller, mystery thriller, mystery, detective, seductionFormats: ePUB(Android), audible mp3, audiobook and kindle.

The translated version of this book is available in Spanish, English, Chinese, Russian, Hindi, Bengali, Arabic, Portuguese, Indonesian / Malaysian, French, Japanese, German and many others for free download.

Please note that the tricks or techniques listed in this pdf are either fictional or claimed to work by its creator. We do not guarantee that these techniques will work for you.

Robert Crais: Novelsebooks Free Download Command And Conquer

Some of the techniques listed in The Monkeys Raincoat may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them.

DMCA and Copyright: The book is not hosted on our servers, to remove the file please contact the source url. If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed.

Day 24: SLS Private Vault Is Open! So many new items to share! Metal Basket Leg Wraps Curry Comb Sweat Scraper Soft Horse Brush Hoof Pick Bell Boots Leg Wraps Holder Grooming Box Private Shutter Collection. These half chaps are an accessory, which means you can wear ANY ankle boot with them. The clipping does not start until groupfat on the EA slider in CAS. Day twenty foursugars legacy stables.

Robert Crais New Book Release

PDF's Related to The Monkeys Raincoat

Hostage by Robert CraisL.A. Requiem by Robert CraisFive Little Monkeys Jumping on the Bed by Eileen ChristelowSummer of the Monkeys by Wilson RawlsThe Power Broker: Robert Moses and the Fall of New York by Robert A. CaroThe Bridges of Madison County by Robert James WallerCaps for Sale: A Tale of a Peddler, Some Monkeys and Their Monkey Business by Esphyr SlobodkinaMaster of the Senate by Robert A. Caro

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On Sale Now! A DANGEROUS MAN Click to order copies. A brilliant new crime novel from the beloved, bestselling, and award-winning master of the genre--and Joe Pike's most perilous case to date. Joe Pike didn't expect to rescue a woman that day. He went to the bank same as anyone goes to the bank, and returned to his Jeep. So when Isabel Roland, the lonely young teller who helped him, steps out of the bank on her way to lunch, Joe is on hand when two men abduct her. Joe chases them down, and the two men are arrested. But instead of putting the drama to bed, the arrests are only the beginning of the trouble for Joe and Izzy.

Easeus data recovery downloadsolofasr. EaseUs data recovery key is used to activate the EaseUS data recovery tool, which is considered to be one of the best data recovery software.Hard disks play an important role in storing huge amounts of data, but sometimes due to some unknown reasons, the hard disk gets damaged resulting in loss of important data. EaseUS Data Recovery Bootable Media is designed for data recovery when your computer fails to boot or you lost data from C drive (e.g. Mistakenly deleted data on C drive or performed an accidental system recovery). Configure a Deep Scan in 7.x Version of EaseUS Data Recovery Wizard for Windows. EaseUS Data Recovery Wizard. Complete Data Recovery Software for Windows PC, laptops, hard drives, USB and more. A handy tool for various data loss situations, like format, virus attack, accidental file deletion, sudden system crash, unexpected power off. EASEUS Data Recovery Wizard Free mixes up a user-friendly approach with a handy suite of features in order to help you recover files that you have accidentally deleted from your computer. 'EaseUS Data Recovery Wizard is the best we've seen. It's far from perfect, partly because today's advanced disk technology makes data-recovery more difficult than it was with the simpler technology of the past, but it's fast and efficient, and it recovers files that we.

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“Outstanding. . . Crais begins the story with deceptive simplicity but ratchets up both the tension and the action with surgical precision. The scenes in which Joe saves Isabel from her captors and the final shoot-out among a colorful array of hit men, police, and U.S. Marshals stand as high-water marks among Crais’s illustrious crime oeuvre. . . The particular kind of danger (Joe Pike) carries is just plain off the charts. This one’s sure to hit the bestseller charts.” --Publishers Weekly (starred review)

“Crais is a whip-smart writer. Cole and Pike are carefully drawn, multilayered characters who’ve grown more complex through the years. This is one of the very best entries in a long-running and still first-rate series.” --Booklist (starred review)

[thegulfindians]

Aatmanirbharta becomes Oxford's Hindi word of 2020

Aatmanirbharta becomes Oxford’s Hindi word of 2020

After Prime Minister of India Narendra Modi’s emphasis on Aatmanirbharta in the wake of the novel coronavirus pandemic, this particular word has been named by Oxford Languages as its Hindi Word of the Year 2020 as it “validated the day-to-day achievements of the countless Indians who dealt with and survived the perils of a pandemic”. Aatmanirbharta means self-reliance. The word was chosen by an…

[theforbeshub-blog]

Top 10 Best Bollywood Movies In 2020theforbeshub

New Post has been published on https://theforbeshub.com/best-bollywood-movies-in/

Top 10 Best Bollywood Movies In 2020

Today is the day of age and drama. Everyone is eager to watch the latest movies in the stores and relish themselves into the thrill or action found in the movie, according to their taste.

People find peace and serenity in watching their favorite movies along with their loved ones.

After a hectic or boring day, movies are our only support when it comes to relaxation at the home.

Movies are produced by various directors, actors, and contractors.

The entire production areas are given names and are called Hollywood, Bollywood, and Lollywood respectively.

Films that are produced in the Indian region are from Bollywood.

This production area has given us a lot of daunting and surreal films that have shaped the lives of the people in South East Asia.

Almost the entire region is interested in watching films and the differences in borders do not hamper the people from each traditional opponent to watch the films.

Although, films in Pakistan are not recognized in the world the way they should be. Bollywood gives us some breathtaking films each year that cannot be compeered with.

10: Judgemental hai Kia?

Hindi films are aimed at providing the lust-driven population of their country some of the best and seductive thrillers.

However, this movie is a unique blend of some tickling comedy, the romance between two lovers that are separated by society and spice of hate.

This glorious mixture is fit to attract watchers from all sides of the country.

The comedy is highly appreciated by all age groups and is liked overseas as well. Border discrimination is damped with the help of such alluring films.

9: Total Dhammal

You are looking for some attractive comedy filled adventure film that is all set to relax you after a hectic day? This movie is a solid choice.

The movie is a spin-off of the original series of these comedy rich films. The movie revolves around a group of friends that never refrain from acting all weird and anti-social.

You can see the extra-ordinary performance of actors that are featured in this film through the relaxing scenes and giggling comedy.

The film is directed and co-produced by Indra Kumar.

8: Kesari

Kesari is an action war film that has surpassed the theatres and boundaries as well.

The film is an actual story of a battle that took place between 36 Sikhs and around 15,000 Pashtoon tribesmen.

The film is a detailed description of all of the events that led to this war and all the events that were faced during this war.

The win of Sikhs and the defeat of opponents despite their majority and battlefield experience is intended to promote the actual spirit of patriotism among the young Sikhs of India.

7: Photograph

The Photograph is a legendary film and is a blend of Romance and drama in a nice manner.

The film is all about the culture of forced marriage traditions in India.

The story progresses when a young photographer asks a random stranger for a photoshoot and eventually end up being best friends.

The reason of this friendship is depicted in a sad way at the end when it turns out it was a delusion to refrain the photographer’s grandmother to get him married to someone, not of his choice.

6: Super 30

Indian media and film industry never fails to copy Hollywood.

The film is a clear description of the previous statement.

This film circulates around a young mathematician who is determined for educating children and is found doing so in the film.

The main character in the movie has a program meant for the education of the country. The program is named as Super 30.

The film is a remake of Bollywood’s psychological movie called “A beautiful mind”.

5: Badla

The Hindi word “badla” means revenge and this is what this movie is all about.

The movie is about an interview starring Amitabh Buchan as a lead role interviewing a woman who is convicted of the murder of her lover.

The story progresses with an unabashed scene throughout.

The interview finally stands in favor of the woman who was wrongfully convicted of murder.

4: Kabir Singh

Kabir Singh is a romantic drama that was released at the beginning of the year 2019.

The film was appreciated by everyone who watched it and it grossed a huge amount. The actual story in the movie is about a surgeon who is addicted to beer and perilous drinking routines.

The doctor falls in love with a woman who eventually ends up marrying another guy. The struggle for survival and retrenchment to life after disloyalty is the top pick of this movie.

3: Gully Boy

The word Gully means street in Hindi and the film circulates around a boy from the streets of rural Mumbai who ends up being a rapper and activist.

Gully boy is also romance filled with an epic love story that prevails from the childhood of the boy who became the rapper.

Gully boy was perceived positively and the message in this movie was strong and influential. The movie raised awareness about the talent that is wasted in the streets.

2: URI: The Surgical Strike

Indians claim to have done a minor strike on the extremities of Pakistan which they refer to as “Surgical Strike”.

The movie is in fact, a drama that is based on pointless facts and void horizons.

The actual evidence of surgical strike was never found and many Indian soldiers show un-awareness when it comes to the surgical strike.

The movie was highly criticized for depicting fake involvements of the military and un-regulated achievements whose evidence was never found and never will be.

1: Article 15

India is a land full of discrimination and prejudice.

The Indians are discriminated against on void grounds of reality that include religion, race, caste and place of birth.

The movie shows how much prejudice an ordinary man from an ordinary background faces in his life.

A governmental constitution was signed that was called Article 15.

This article is known to prohibit discrimination that has been a stagnant problem in India from its birth.

The movie neatly does the task and spreads awareness.

[vocabmeme]

New Post has been published on http://dailyvocab.com/photos/peril/

Peril

Peril

(noun) serious and immediate danger. “you could well place us both in peril”

(noun) the dangers or difficulties that arise from a particular situation or activity. “she first witnessed the perils of pop stardom a decade ago”

(verb) expose to danger; threaten. “Jonathon perilled his life for love of David”

Peril meaning in Hindi (English to Hindi meaning)

संकट, खतरनाक स्थिति, खतरा, जोखिम

Peril origin

Middle English: from Old French, from Latin peric(u)lum ‘danger’, from the base of experiri ‘to try’.

Peril in a sentence (word usage in recent Hindu newspaper)

India: A Future in Peril, The Parivar is convinced that, with his characteristic decisiveness, Modi has set India firmly on the road to greatness. The prime minister is …

Legal Matters | The complex layers in the sedition case …, This presented the Opposition another opportunity to further drive home their point that democracy in India was in peril. It also united more …

Forests in peril as encroachers branch out, Squatters are taking over India’s precious green cover, which is already under peril from multiple threats, with Madhya Pradesh topping the list …

Cotton crop in peril in Maharashtra on increasing whiteflies …, The cotton crop in Maharashtra is facing whiteflies attacks and if enough attention is not provided by the State Government then the problem …

In the AI era, privacy and democracy are in peril, U.S. regulators should look to Europe and India’s models as two low-risk approaches to data protection. In a Washington Post article in …

Mnemonic trick to remember the meaning of Peril 

PERIL= i will remember it as RELIANCE INDIA LTD.(RIL) k ghar PE paise ka PER hai,so he can take RISK in the business.

Peril can be called as par+ill so being ill is dangerous par kya kare

Peril pronunciation

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[gregorychionchio]

Beasts Movie Review

Gareth Edwards merits increasingly basic praise for his enhanced visualizations work than his heading in this piece. Beasts brags the sorts manifestations that review the excellent symbolism and craftsmanship of Jurassic Park - recollect how amazingly genuine the billion-year-old animals appeared to return in 1993? Indeed, in 2010 hindi dubbed full action hd, Gareth Edwards made non-existent animals discernable. To such an extent that you could nearly feel them in the room, by you, viewing the film, an a worthy representative for the frightful, delicious condition he made too. 

A year ago, District 9 and Avatar brought us similarly as enthusiastic animals, however Gareth Edwards did it with just $200,000 (assessed) available to him, trespassing all over Mexico, and utilizing local people and "non-face" entertainers; it's protected to accept that the majority of the monetary allowance went to the FX division. In any case, in any case, it's an accomplishment, and one that merits acknowledgment.

A staggeringly straightforward story, Monsters pursues two youthful grown-ups on their trek from focal Mexico over the "Tainted Zone" and over a divider into America. An undeniable purposeful anecdote exists with respect to the outskirt circumstance among Mexico and America, in that the divider was worked to shield the pariahs from coming in, yet what makes the film fascinating are simply the beasts, which are scarcely even beasts by any stretch of the imagination. 

What could be most apropos depicted as strolling and sparkling creepy crawlies with a run of jellyfish tossed in the blend, they appear to be practically torpid all through the film. We see them just through our fringe vision and on the evening news in grainy pictures. Think Bigfoot. Be that as it may, when we're demonstrated the animal in its full and superb brilliance, the message of the film turns out to be very hazy. Is it true that they are beasts, or would they say they are simply misjudged?

Irregular tickers on the news disclose to us that the outsiders originate from Europa, a moon outwardly of Jupiter. It's a moon that clearly is on the waitlist for "most inhabitable," and was examined by NASA six years back. Upon the test's arrival, it crash-arrived in Mexico and brought back these colossal travelers. We've been battling them by every single accessible mean from that point onward: ground assaults, Air Force strikes, and via ocean. 

Is it dread of the obscure that prompts these assaults? Purposeful publicity sustained to a dreadful landmass? Or on the other hand are these animals extremely a peril? The film tries to address none of these inquiries. It's very nearly a subplot, until the appropriate response is gathered during the film's last ten minutes or something like that.

Utilizing local people and the unrecognizable on-screen characters, it's simpler for an irregular group of spectators to sink into the film and be cleared away by the amazing visuals and the sweetly straightforward story. A couple of gaps are to be noted, upon prologue to the fundamental plot - a dad sends a working drone picture taker, Andrew (Scoot McNairy), as of now positioned in Mexico, to recover his traveling little girl, Samantha (Whitney Able), and bring her securely home. 

For what reason couldn't the dad go? All things considered, who knows? Be that as it may, the story works. I don't believe we're permitted to call an outsider attack film mind blowing. They travel up stream through the Infected Zone to get to the American outskirt. You could make a correlation about the waterway in Apocalypse Now (1979), however I believe that may extend it. Though the waterway in that film unobtrusively reflects its lead character's life and tribulation, here it's sort of illuminated; so not so much a parallel, however to a greater extent a concise mention.

Beasts has the cumbersome feel of a first element, despite the fact that Edwards has been behind the camera before on TV, yet that doesn't prevent the film from succeeding. What's not exactly directly before us is washed by his guarantee as a movie producer. Think about early M. Night Shyamalan, who numerous different pundits think would welcome the film's pace and structure. 

There are a couple of little pacing issues inside the structure of the relationship worked between the two leads, and a great deal of explanatory discourse that isn't required, yet before the finish of the film, because of its downplayed, rich, and heart-halting consummation, we're left with a bunch of inquiries: What precisely is a beast? What is excellence? Furthermore, who chooses? On the main page

[supervidyavinay]

To reach Kibithu, India’s easternmost administrative circle, you need to drive a long and lonely path uphill, along the winding course of the river Lohit in Arunachal Pradesh. Nestled in Anjaw district, Kibithu has a dozen villages, including Kaho and Musai, which fall within a 10 km range of the McMahon line that separates India from China in the east.What’s it like to live along the India-China border? This report is based on two previous visits to the frontier — on the western and the eastern sectors of the border. In 2014, I visited half a dozen villages in Anjaw, including Musai that is situated on the frontline. These parts were briefly under the Chinese occupation during the 1962 war. Then in 2016-17, I toured Sikkim and Ladakh to write on life and infrastructure buildup on the Indian side of the Line of Actual Control (LAC).Where is China? Put that question to any villager in Kibithu — and they will point out to you which of the blue hills belongs to India and which ones fall on the other side of the open border that was drawn way back in 1914 by British India’s foreign secretary Sir Henry McMahon. 76486080In Kibithu, most people are cardamom farmers, with a few slyly diverting to poppy cultivation occasionally to make some extra money. Apart from the Mishmi and Meyor dialects, they speak fluent Hindi due to their regular interactions with the security personnel hailing from the plains. They also proudly wear patriotism on their sleeve. Everyone said the same thing to me: they have faith in the Indian Army in case of a Chinese aggression.That happened on the western front on June 15.“After the ugly face-off in Ladakh on Monday night, it is only natural that the residents of the border villages of Arunachal Pradesh will have some worries,” says former Arunachal Pradesh chief minister Nabam Tuki over the phone. “But we are confident that our soldiers will give the Chinese a befitting reply if they indulge in any mischief here.”India shares a long, 3,488 km border with China, starting from the Karakoram Pass in Ladakh to Arunachal Pradesh’s Anjaw district in the east, with Nepal and Bhutan in the middle breaking the contiguity.The India-China border, referred to as LAC, has never been clearly delineated nor mutually agreed upon. On the ground, the presence of the security personnel and the physical possession of hills, hillocks and streams over the years have resulted in several settled stretches. 76486144A face-off begins when any attempt is made to alter the status quo. The 1962 war was fought both in the eastern sector and in the western sector where Ladakh falls, including the Galwan Valley, the present flashpoint where 20 Indian soldiers lost their lives in a clash with the Chinese army.There are striking differences between the eastern and western sectors. 76486288First, there’s the topographical variation. Had this been a peaceful summer and you travelled from Ladakh’s capital city Leh towards the picturesque Pangong Tso (lake) on the southeast, you would have seen nomadic tribes looking for grazing land as well as a few adventurous cyclists enjoying their ride through Chang La, a pass located at an elevation of 17,590 ft. One needs to traverse this high-altitude pass to reach the crystal-blue lake, Pangong, located at a breathtaking height of 14,300 ft. A part of the lake is controlled by India and the rest by China. The fresh trouble began in the first week of May when China’s People Liberation Army pitched tents on some spurs, also called fingers, on its northern bank.Be it Pangong Tso or the Galwan Valley, there is no human habitation near a military hotspot. In contrast, border areas in Sikkim and Arunachal Pradesh are reasonably populated, so any military skirmish is bound to have an immediate fallout on the lives and properties of civilians. Musai village in Arunachal pradesh, for example, has 65 families and 262 residents, according to the 2011 Census. Kaho, in Anjaw district, has 10 families.The second big difference between the two sectors lies in China’s attitude vis-a-vis those territories. Beijing, for example, has claimed Arunachal Pradesh as its own for several decades now, often issuing statements objecting even to the visits of India’s president or prime minister to the state, and restraining multilateral agencies such as the Asian Development Bank from funding any project there. However, this time, China, possibly as a tactical move, chose to disrupt Naku La in Sikkim and Galwan Valley which have long been considered settled, with no claims from the Chinese side for decades. On June 19, though, China claimed the entire Galwan Valley is located on their side of LAC.Former Lok Sabha MP from Sikkim, PD Rai, says the residents of border villages will naturally be concerned because the so-called settled and non-settled borderlines will get blurred if military escalation begins. “India-China borders in Sikkim are settled and, in many ways, respected.To my mind, recent skirmishes in Naku La were an aberration. 76486323But if the situation in Ladakh flares up further, Naku La and Nathu La could turn into hotspots,” he says, adding how a village called Kupup in Sikkim hogged attention during the Doklam stand-off of 2017, as it is a few kilometres from ground zero.While Doklam was more a China-Bhutan dispute with India firmly standing behind Bhutan, the present imbroglio is bilateral.As 274 out of 279 villages in Anjaw have no mobile connectivity, ET Magazine could not get the feedback of villagers on the fight in Galwan and the anxieties thereafter.Anjaw’s deputy commissioner Dagbom Riba says, “Life is normal here. Residents are accustomed to military deployment.But the good news so far is that the district has not witnessed even one Covid-19 case.” In faraway Anjaw, both Covid and China have been kept at bay. from Economic Times https://ift.tt/2BtaDbe

[phgq]

New dep’t to solve ‘lengthy’ calamity fund release process: Go

#PHnews: New dep’t to solve ‘lengthy’ calamity fund release process: Go

MANILA -- The creation of a Department of Disaster Resilience (DDR) will remedy the current ‘lengthy’ process to download calamity funds, Senator Christopher Lawrence “Bong” Go said on Wednesday.

Go, a former aide of President Rodrigo Duterte, made this remark as he pushed for the passage of a bill creating the DDR in a Senate hearing jointly held by committees on National Defense and Security, Peace, Unification and Reconciliation; Civil Service, Government Reorganization and Professional Regulation; Ways and Means; and Finance Committees.

He deplored the long process the government has to go through just to download funds for its disaster preparation, management, and mitigation efforts.

“Ang haba-haba ng calamity fund process flow. Baka mamaya, ilang linggo pa bago ma-release ‘yung pondo. Kailangan meron talaga tayong in charge. Handa dapat tayo (The calamity fund process flow is too long. It takes weeks to release funds. There should be a department in charge. We should be ready),” Go said.

Go said the government should not be afraid of changing the bureaucracy for the better to streamline the delivery of government services in preparation for and in response to disasters.

“Bawat oras na hindi natin inaayos ang ating mga batas at ang ating burukrasya, inilalapit natin sa kapahamakan ang ating mga kababayan (Every minute that we delay amendment of the law and our bureaucracy, we put our countrymen closer to danger). I appeal to my colleagues, let us not be afraid of change,” he said.

“There is nothing wrong with changing how our bureaucracy works if the goal is to make the delivery of government services more efficient, more effective, and more responsive to the needs of the Filipino people,” he added.

Department of Budget and Management (DBM) acting Secretary Wendel E. Avisado concurred with the senator, saying that the creation of DDR will pave the way for a much easier and faster flow of calamity funds.

“We are in agreement on the need to improve the government’s ability to respond to calamities,” Avisado said.

“We want to ensure our people don’t get angry, especially when they say ang DBM kase hindi ni-release ang pera. Paano namin ire-release, ang haba ng process flow. (They blame DBM for not releasing the money. How can we release it immediately, the process flow is too long),” he added.

Go filed in July last year Senate Bill 205 or the "Department of Disaster Resilience Act of 2019" which proposes for the creation of DDR, "an empowered, highly specialized department with clear unity of command and primarily responsible in ensuring safe, adaptive and disaster-resilient communities."

The bill seeks to establish a clear system of responsibility for disaster preparedness and response in all levels of the government, given the increasing number and devastation brought about by various disasters.

The lawmaker from Davao, in his statement during the hearing, detailed the destructive effects recent natural disasters have inflicted on the country.

“All of us must be aware of the ongoing havoc caused by the recent eruption of the Taal Volcano in Batangas. Billions of pesos worth of losses have been incurred, and the lives, health, and well-being of at least 270,000 Filipinos have been put in peril,” Go said.

“And what makes the situation worse for the national government is that the eruption came on the heels of a series of strong earthquakes in the southern parts of Mindanao and of two typhoons that hit parts of the Visayas and Luzon,” he added.

While acknowledging the natural disasters “are beyond the control of man”, Go said there is so much the government can do to mitigate their negative effects.

“Unfortunately, our existing laws do not provide us the best mechanism to do this,” he said.

Go cited that lack of unity in command and direction and a central authority to oversee the efforts as the main concerns that must be addressed through legislation.

“This measure seeks to address these concerns. Sa pamamagitan ng DDR, magkakaroon tayo ng Cabinet secretary -- isang point person na iisa lamang ang focus ng trabaho (Through DDR, there will be Cabinet secretary -- a point person with only one focus) with a clear mandate and that is to handle all the concerns related to disaster preparedness, mitigation, rehabilitation, and disaster resilience,” he said.

At present, National Disaster Risk Reduction and Management Council is chaired by the Secretary of the Department of National Defense and its executive director is the administrator of the Office of Civil Defense.

“Masyado na pong maraming ginagawa ang ating DND Secretary at ang iba pang miyembro ng gabinete na kasama sa NDRRMC (Our DND Secretary and other Cabinet members who are part of NDRRMC have many works to do),” Go said.

“Pati po ang Pangulo, nahihirapan rin dahil sa kawalan ng sole authority na dapat gumanap ng tungkulin para i-address ang problemang idinudulot ng madalas na sakuna sa ating bansa (Even our President is having difficulty due to lack of sole authority who should address problems brought about by calamities in our country),” he said.

He reiterated that a more proactive approach to disaster management is needed to mitigate the impact of natural disasters and calamities.

“Hindi natin dapat hintayin pa na magkaroon pa ng isa pang sakuna. Matuto na tayo (We should not wait for another calamity. We should learn from past experiences). We must do it now. We should be proactive,” Go said.

Go called on his fellow lawmakers to support the creation of the DDR and “give the people what they need.”

“Sama-sama nating isulong ang pagbuo ng Department of Disaster Resilience (Let us push the creation of Department of Disaster Resilience),” he said. (PR)

***

References:

* Philippine News Agency. "New dep’t to solve ‘lengthy’ calamity fund release process: Go." Philippine News Agency. https://www.pna.gov.ph/articles/1092317 (accessed January 30, 2020 at 12:01AM UTC+14).

* Philippine News Agency. "New dep’t to solve ‘lengthy’ calamity fund release process: Go." Archive Today. https://archive.ph/?run=1&url=https://www.pna.gov.ph/articles/1092317 (archived).