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chrysalispen · 4 years

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borealis, #1 (Nero/WoL, prompt response)

AO3: https://archiveofourown.org/works/28633701/chapters/70185441

Prompt: One ship, ten kisses shared. -cheek -forehead -crown of the head -nose -eyelids -lips -neck -thigh -hand -foot

Bonuses if: -1 kiss type per scene, ten scenes total -5 initiated by one partner, 5 by the other.

First prompt response below cut.

1. cheek

"Seven hells, it's cold-"

Four words she had never thought would possibly escape her lips, in the five years since she'd left Garlemald, and yet here she was. A sharp, brisk gust of chilly air blew through the crack in the front door before Aurelia Laskaris managed to pull it shut.

One of Coerthas' winter storms had blown off its expected course and produced snow- real snow, too, not the cold rain that had normally wrapped up the year's end ever since the Calamity. Heavy flurries of white now fell in placid sheets upon the denizens of the Lavender Beds, blanketing the adventurers' enclave in winter stillness, and Aurelia found herself quite grateful that she'd not yet managed to set aside the time to reseed her gardens after returning to the Source. Already on her way down the road to get the post she'd heard several of her neighbors grousing about their ruined crops.

She slipped her feet into her soft house shoes and padded into the kitchen, snapping on a nearby light and making a beeline for the automated kettle next to the range. After a moment the rich scent of roasted coffee wafted into the air.

Once she had helped herself to a mug full of the brew Aurelia ambled into her sitting room to admire the fruits of her labors. Holly garlands draped the windows and the rafters, adorned with the same red and gold organza ribbons as the large Coerthan spruce in the corner. All were strewn with lights that cast a soft glow over each leaf and translucent curl. She had fashioned a simple wreath to hang in the kitchen where the cookfire burned low to keep the night's meal warm for gradual consumption, and it sat in its place above the mahogany dish rack. Beneath the low lights and the fresh smell of evergreen and apples and cinnamon, her orchestrion trundled quietly through a selected collection of songs.

As she gazed at the tree the tilt of her smile took on a pensive cast. The greenhouse at the Laskaris villa - her de facto domain - had been wholly subject to her uncle and his austere aesthetic sensibilities. Every leaf and branch had had to be bound and trimmed and neatly in place. In the seven years she had lived there, not a single ilm of the family property had been allowed to have Aurelia's touch upon it. Not even the room in which she'd stayed when out of school on term breaks.

The little forest cottage wouldn't be seen as much in the way of wealth, not back in the capitol. To the eyes of her aunt and uncle, or anyone else in her family for that matter, it would be positively rustic if not outright primitive. It didn't have a magitek greenhouse or a central heating system, and precious few technological amenities. But nearly every piece of furniture in it had been fashioned by her own hand. Including the decorations she now admired.

This was her place. That was what mattered.

"You look in a fine mood," a voice drifted upwards from the cushions of the sectional. Aurelia grinned and set the mug down upon the low-slung table.

"I was just thinking about how much I enjoy having my own house."

"Must say I rather enjoy you having a house myself, all things considered." She felt a slight nudge against her side, followed by a faint clatter. Nero was sitting up, the tomestone in his hand having joined her coffee mug on the side table. "...It looks good, by the by."

"What does- oh. The tree? You wouldn't believe the ridiculous lengths I had to go to in order to get that here."

"Having involved myself in your adventures on multiple occasions, I assume shenanigans of some sort must necessarily be involved unless otherwise stated. You've something of a knack for finding trouble."

"Trouble which you have instigated on more than one occasion."

"As I said," that grin was all teeth, "you've a knack for finding trouble. And speaking of finding things, I'll be back in a moment."

Aurelia watched him amble through the stairwell entrance and turn the corner past the orchestrion to make his descent. She noted (with some considerable amount of personal amusement) that for all her grousing about the former tribunus' presence at the combined Ironworks-Scions Starlight party Tataru had also made Nero a natty holiday jumper - and she'd even knitted it using yarn she had dyed in his favorite color. All the more surprising, although he had not said a word about the gathering since, was the fact he was actually wearing it.

Her smile returned as she retrieved her mug.

The coffee was half gone by the time he returned, this time bearing a rather bulky unwrapped box in his hands. He shifted it from his shoulder to his hands with a soft grunt that indicated it was every ilm as heavy as it appeared. "I was going to give this to you later," he explained, setting it down in front of her feet, "but as usual I've no idea when either of us might be off again."

"A gift?" Still smiling, Aurelia set the mug aside. "Since when do you celebrate Eorzean holidays?"

" 'When in Allag', and all that. And Mistress Tataru, despite her threats, did leave the pins out of the undertunic she gave me." A brief smirk tilted his mouth. "I do believe your little secretary likes me more than she lets on."

"Or she's resigned herself to your presence. For Cid's sake, you know."

"You jest, but this is actually a joint gift from myself and Garlond. As you know, he's had to return to Othard. Thus, I am the one tasked with presenting it." At her hesitation, he urged, "Go on, open it."

With some effort she lifted the box into her lap. It was a standard-issue imperial transport container made of reinforced black steel, and the base was cold enough that it radiated a chill even through her breeches; she winced when its weight settled into her thighs. Carefully she unfastened the latches and lifted the lid-

-and her eyes went wide at its contents. "...This is-"

"A portable refrigerated centrifuge."

"Where in the seven hells did you find one of these? I haven't set hand to a personal centrifuge in years. The medical laboratory at Castrum Novum just used those massive consoles that they'd built to set-"

"Into the wall mounts in the old R&D sectors, yes. At any rate, I plucked the original from one of the research bays- not that it was functional when I found it, mind, but there are schematics in the archives for just about anything one can imagine."

"Surely it wasn't necessary to go to all that trouble."

"That is where you would be wrong," he said dryly, lifting the centrifuge from its storage with considerable effort. The angle was somewhat awkward, and it wobbled for a moment before Aurelia was able to brace her hands and take it from him. He fastened the latches and reached over the arm of the sofa to set the container out of the way. "There were several specific components I required for the modified buildout which, one can safely say, cannot be sourced via other means."

"Precisely how much did you modify it?" Aurelia tilted the heavy tool this way and that, watching the lights from the tree shimmer over its smoothly brushed surface. "...I'm not about to find an operable magitek laser turret tucked into the rotor or something equally daft, am I?"

He squinted at her but chose to ignore the remark. "Aside from a minor tweak for improved performance, as it happens there was only one major modification to the original build. For practicality's sake."

"Only one?"

"Only one. Why?"

She pressed a hand to her chest in mock surprise.

"That sort of self-restraint isn't like you at all. Are you certain you're well?"

"Trying to be funny again, I see." He cast his eyes to the heavens. "I shall have you know it was his idea."

"Oh? That's a surprise."

"The auxiliary power source normally would need to be connected to a ceruleum generator for a charge, but this design utilizes aetheric energy harnessed from a corrupted crystal. Some wild hair of Garlond's cobbled together on a previous project with some degree of success, if the sales are any indication." His smile faded, lips pursed as if he'd bitten into some particularly sour piece of fruit. "...Given it sprouted from one of those half-baked experiments of his, I suppose it functions reasonably well."

He sounded rather surly - rankling, perhaps, at his own acknowledgment that he had needed Cid's assistance in order to complete the gift. When she wrenched her focus away from her silent admiration of the customized chassis (which was, of course, a deep wine red), his brows were knit together in a faint scowl that indexed that line nigh to the lower curve of his third eye.

Aurelia leaned over and gently brushed her lips against his cheek. It was warm and smooth, devoid of its customary evening shadow; she realized he must have taken a razor to his jaw earlier in the day. The earthy scent of sandalwood shaving soap lingered in her nose for a moment before she righted herself.

"If you frown like that every time you have to swallow your pride to ask for his help," she warned, poking his broad nose with one gentle fingertip, "you'll give yourself wrinkles."

"You mean more wrinkles," he groused. "In case you've not noticed, I'm not getting any younger."

"Yes, nigh on thirty-seven* winters now," Aurelia said with a perfectly straight face, though the mischievous twinkle that lit her dark blue eyes was impossible to miss. "Well past one's prime, in my professional opinion. Ancient. Antediluvian."

"Utterly decrepit," he sighed. The scowl had smoothed from his brow, and she knew by the lazy and unguarded drawl which now laced his words that he was no longer annoyed. "I'll be naught but dust by the time I'm forty."

"Doubtless. You could practically pass for an Allagan relic now- that is, if you weren't more easily mistaken for a bloody dhalmel."

Nero laughed aloud at last, the fine lines winging out from the corners of his eyes crinkling with his mirth, and wrapped his arms around her smaller frame - centrifuge and all. "Flattery will get you everywhere, hero," he said. "Come here."

She seated herself atop his thighs as if he were one of her reading cushions and relinquished her prize, shaking out the pins and needles in her arms as he set it next to the table, then returned to his full-body lounge. His woolen-clad arms lay draped over her forearms in a loose, casual sort of way, something almost but not quite an embrace.

Aurelia considered extricating herself to get more coffee, but the combined assault of the fireplace's crackle with the cable knit of Tataru's scarlet jumper seemed to beckon her into a warm and happy torpor, and the notion of leaving it aside even for a few moments seemed far too much effort so she pillowed her cheek against his broad chest. He was all angles and lean muscle but comfortable enough regardless. "Seriously though," she said, "I mean it. Please be at least somewhat mindful of your safety in future. That was a great deal of risk just for a blueprint and some parts."

"Come now, it wasn't that much trouble." His light tenor was only barely louder than the strong thump of the heartbeat she could hear with one ear just beneath his collarbone. "I all but strolled through the gates, and Garlond sent the very appropriately named Biggs along with me. Safe as houses."

Aurelia raised a skeptical brow - she had no doubt that more must have happened than he was letting on - but said only: "You're going to have to tell me all about it after I've set this up in my workspace."

"Ah." He cleared his throat. "I had... rather hoped I could be there when you do. So I can show you what changes were made, mind."

Even as the words left his mouth she watched the tips of Nero's ears turn pink, the same shade as the flush along his nose and cheekbones - neither of which could be attributed to the warmth of the room. She found it terribly cute but wasn't about to embarrass him further by saying so. "I'd like that very much," she beamed. "But it's rather late tonight. Tomorrow, perhaps?"

"I-" A hesitation, then a half-tilted smile. "...Tomorrow it is."

She pushed at the heavy chassis beneath the table with one stocking-clad toe and leaned comfortably into his side with a yawn. The last two days had been rather eventful but the sofa cushions were plush and cozy, the room was warm and quiet and dimly lit, and she was in the company of a close friend in a house she'd chosen for herself, drinking coffee and watching the snow fall in silent sheets through the windows.

For the moment at least, she was content. It was a good state of mind.

"Had I known you'd be this pleased I'd have prevailed upon Garlond much sooner," came the low, teasing rumble from the man whose cheek was now resting upon the crown of her head. She poked him gently in the side.

"That's because you're actually a good sort when you want to be, you know. Don't worry, your secret's safe with me. I won't even tell Tataru."

"Excellent. I should hate to have your lot think that perhaps I might enjoy their company. Can you imagine how ghastly that would be?"

"Making friends? The absolute horror of it all. Though I'm afraid you'll not be able to fool Alisaie or Tataru as long as you imagine. Or Y'shtola for that matter- she's rather discerning." Aurelia paused. "Also, she is quite often more than slightly terrifying."

"I shall take that as a friendly warning."

At his quiet scoff, she allowed herself a brief chuckle before her own smile faded somewhat.

"You really didn't have to do this, you know-"

"That's three times you've attempted to apologize. Don't. You're overthinking matters, as per usual," Nero said mildly. "Accept it in the spirit which it was intended- such is the purpose of this exchange, after all, so Garlond says. I did it because I wanted to do it, and that is reason enough."

She was going to ruin the moment if she said anything else, so she didn't. Instead she reached for the other hand that lay free in his lap. He let her lace his fingers through hers without comment, and when she squeezed he squeezed back.

They said nothing else after that for a long time. They sat together in comfortable silence before the hearth fire watching the wind spit snow onto the frosty window by the huge tree, and Aurelia found herself wishing every Starlight could end so well.

#garlean warrior of light #borealis prompts #nero/wol

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myeongchokrp · 5 years

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PROFILE LOADED • • • 《 KIM SEOLHYUN 》

“On the surface, KIM SEOLHYUN is a twenty-two-year-old MODEL. Dig a little deeper and you’ll discover that she’s also a PROSTITUTE that goes by the alias DEUCE. Her allegiance lies with PHOENIX.”

TW PARENTAL DEATH, MURDER

《 WHO ARE YOU? 》

a girl born into an already unhappy marriage, she was told. her father a renowned lawyer, her mother a medical examiner at the mpd. ever since birth, seolhyun was raised as the ideal daughter, someone to admire and emulate; sensible and full of a quiet confidence; attentively polite, prone to modesty, yet by no means a doormat. all sun-kissed skin and pretty long black hair, full red lips and alluring eyes. a greedy father was the reason for her standing in front of cameras and showing picture perfect smiles, something to become her reason to wake up every day. unlike girls her age, important events filled her schedule, forced seolhyun to mask all emotions behind happy facades, shaped her into the woman she is today. her fame skyrocketed at the age of eighteen, even going as far as to have earned the title of the “nation’s girlfriend”.

but as perfect as she may appear, her true personality is complex and sometimes contradictory, with layers of insecurity, guilt and spitefulness deliberately hidden under the surface. seolhyun puts a lot of effort into hiding her various problems and can quite easily lie to others (and often herself as well) about what she’s really feeling. however, there are definite cracks in her armor; there exists a vague and easily-overlooked feeling of something being….off.

she’s always smiling and seems perfectly friendly, yet at the same time she puts a subtle distance between herself and others. an initial coldness is worked into all her interactions, masquerading as politeness and rarely melting away. this is because that aforementioned smile ever present on her face is nearly always just a mask to cover her own fear and bitter unhappiness; a facade she both hides behind and has in some great measure become.

if you ask her, she will outright admit her belief that she’s not someone to admire; a girl that self-loathes and self-doubts, she consciously puts up a facade of careless confidence while pushing herself to the brink and bottling up her feelings until there’s nothing she can do but cry all alone. it’s a slow self-destruction of her own making that she can’t break free from without help, and yet it’s help that she mistrusts and hesitates to accept. she sincerely wants to need and be needed, to have people she can love and accept and who will do the same for her, and yet a long history of lies, deception and loneliness have smothered her courage when it comes to seeking out what she wants. being lonely is painful, but crushed hope would be even worse. her fear of emotional intimacy is strong, and the breaking of any bond she dares to make with another person affects her far more than it has to.

《 HOW DID YOU GET HERE? 》

a seemingly great life filled with fame, money and adoration was not as glamorous behind the scenes. unaware of her father’s involvement with phoenix since years by now and a messed up deal turned everything upside down. she doesn’t know the exact details, only knows whatever her father has done has gotten her mother murdered and herself suddenly thrust into the gang life in exchange for having her father’s life spared. shortly after he vanished from the screen, nowhere to be found, no signs of life. a lot of money has been snatched by him, so they told her, welcomed her surprisingly with open arms.

her purpose within the gang has been clear since day one: to make money and bring back in everything dearest coward of a dad snatched. the loss of her mother is something she is still battling with today, an unsolved case that heavily influenced her personality. seolhyun makes use of her job as a prostitute to not only gather money, but also find clues, connections, anything to help her find answers to her questions. of course, as a public figure she cannot openly show herself to her clients; makes use of her wonderful talent of disguise to take up on different personas each time, all masked behind the name deuce.

#mi:accepted #mi:phoenix #kim seolhyun #aoa #kpop rp

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goddivalondon · 3 years

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CROSS-BODY BAG Or SADDLE BAG

As of now, you most likely won't have known "saddle", anyway in India, these sacks have been clubbed under sling packs anyway long I can audit. The name of this pack begins from the standard seat put on the back of a horse and is called so considering the primary explanation it was made for, to pass two or three essential things while riding a horse! Regardless, as of now, a couple of more elegant makeovers and complex plans later, the saddlebag is an outright need to have style extra. The brand name feature of a saddlebag is a front overlap that folds over and can be attached with a catch.

They are typically nearly nothing and went with long cross-body lashes. As of now, you most likely won't have known "saddle", anyway in India, these sacks have been clubbed under sling packs anyway long I can audit. The name of this pack begins from the standard seat put on the back of a horse and is called so considering the primary explanation it was made for, to pass two or three essential things while riding a horse! Regardless, as of now, a couple of more elegant makeovers and complex plans later, the saddlebag is an outright need to have style extra. The brand name feature of a saddlebag is a front overlap that folds over and can be attached with a catch. They are typically nearly nothing and went with long cross-body lashes.

COURIER BAG

The usefulness of a courier sack is valued by the two people in equivalent measure, albeit the size will in general lean towards more modest in the last classification of clients. The name starts from the sacks customarily utilized by mailmen; however, the advanced adaptation is sleeker and richer, with materials like calfskin and material being among the most usually utilized. These are medium-sized rectangular packs with a long, thick, and wide tie, and an overlay over the front fold with fasten.

BACKPACK PURSE

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BARREL BAG

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BELT BAG

A new hit among Instagram influencers, the belt sack has been quite possibly the most moving bit of the period. A belt sack is typical as a little zippered pocket with a clasped belt as a lash, implied for wearing around the midsection. Belt bag also called a fanny sack, even though belt packs lean more towards style and class than utility, dissimilar to fanny packs.

WEEKENDER BAG

The contrast between a duffel pack and a weekender sack is in the size and reason, with the last ordinarily being bigger and roomier. As the name recommends, the weekender sack is intended for short travel prerequisites like an end of the week escape, and the pack has come into the well-known spotlight as of late. It is amazingly open and ordinarily accompanies both a couple of short ties and a long wide flexible tie. It is like a hold-all pack with an open-top. And will generally arrive in a material like your cowhide or printed material.

Different Kind of Handbags for Women and Fashion Bags

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Handbag BAG

Another renowned showstopper. A handbag is like a sensitive sided portfolio. It's a huge pack typically used for agreeable occasions and goes with a significant is free sack related to a few ties. Ordinary Women Bags have a long tie that you can pass from corner to corner across your body, while contemporary pack designs have seen a couple of present-day assortments with changes to the fundamental construction. Sack packs are by and large roomier than your typical handbag, and the rectangular body goes with a level base.

Hobo Bags

The hobo bag, made with fragile and adaptable material, a wanderer sack is ordinarily tremendous with a drooped body in a sickle shape. Usually has a long lash to be worn crazy. The fragile material of a hobo bag will overall hang when it has been put down. It has one spacious compartment, fixed with a specific zipper, and are named after the bindles usually passed on by transients on a stick. In 2021 drifter packs are equivalently exquisitely significant, with a lot of sizes, layouts, and surfaces in style.

DUFFEL BAG

This one does not warrant a ton of an explanation and is significantly more a unisex carry-on than a handbag for women, despite the way that there are blueprints and styles suggested unequivocally for the last class. A duffel pack is immense, tube formed sack with two lashes and changed terminations, enjoyed for passing on humbly generous stuff, for instance, for when you are going to the rec focus or regardless, for a little trip. The name of this pack began in Europe and addresses the material at first used to make it.

PC BAG OR LAPTOP BAG

A laptop bag is an efficient unit-sex bag suggested basically for passing on a PC, close by different knickknacks. A PC bag is consistently used by office members, for its various compartments and the ample space inside the bag. Regularly level and rectangular perfectly healthy, a PC pack would soddenly feature profound padding to guarantee the contraption kept inside. It is associated with a long, wide, and pleasant tie, with the length routinely being adjustable.

Satchel

Every woman needs to have a trustworthy Women Bags purse with copious additional room, that is moreover super-pleasing to heave around. For the people who don't have even the remotest clue what a satchel is?

It is a tremendous, disengaged bag with two equivalent shoulder handles on either side. It is a truly versatile sack to place assets into, ideal for any occasion that demands you to pass on several things, whether it is looking for the city, taking off for a class or just going to work.

SHOULDER BAG

This is possibly the most central thing sack for every woman to have in her storeroom. It goes with all the enhancements you would by and large collaborate with a regular bag, as zippered pockets, compartments, and a part to seal it shut. As the name suggests, this is a nice sack proposed to be carried on one shoulder with more thin and more restricted ties than that of a tote. Shoulder sacks are an astoundingly wide-running order and incorporate a course of action of blueprints and sizes.

#women bags #women fashion

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junker-town · 5 years

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Seven Worlds, One Planet: Episode 2, reviewed by how sports it is

Including a walrus massacre, volcano bears and snakes pretending that they’re spiders.

We continue our extremely important mission to conduct a scene-by-scene review of the BBC’s new nature documentary, Seven Worlds, One Planet, in order to see how sports it is. We determined that Episode 1, which focused on Antarctica, was reasonably sports. How fares Asia?

Episode 2 Asia

Scene 1: Walrus Massacre

Me on my work commute. #SevenWorldsOnePlanet pic.twitter.com/tZPZFsZTjl

— BBC One (@BBCOne) November 3, 2019

The Pacific walrus is not one of nature’s most appealing creations. They resemble nothing so much as socks left to rot in a garden and then stuffed full of blubber a few years later. And while on land, tusked animals are majestic — the eyes of an elephant convey a deep, thoughtful, almost platonic serenity — the walrus betrays its toothy compatriots, lurching about horribly on land and bringing to bear what is perhaps the animal kingdom’s beadiest stare. The sabre-tusks themselves (I seem to remember being taught that they are of use in rooting out clams, although exactly how was a mystery to me then and remains one now) are a perverse addition to the ensemble. “Well-armed” is hardly a sensible adjective for evolution to bestow upon what is essentially an enormous sausage.

The sausage-ness attracts exactly what you’d expect in the Arctic: polar bears. Both walrus and polar bear are creatures of the ice, and, as I expect you’ve seen from increasingly breathless news reports, there’s less of that around these days. Walruses need a flat surface upon which to rest, while polar bears need it as a platform from which to hunt. With no ice, walruses have to congregate on a few thin, rocky beaches, and that sort of gathering attracts hungry polar bears.

Packing maybe 100,000 tonnes of walrus on one beach sounds like a recipe for severe puncture wounds and indeed several dozen walruses attempt to escape the packed crowds by scaling the cliffs behind the beach. And here is where this scene turns from ominous to outright macabre.

Are walruses good at climbing? No, but they’re persistent enough to scale the cliffs, given enough time. If you’ve ever gone on a serious hike, however, you might have noticed that the descent is just as grueling as the ascent. Now imagine if you weighed as much as a small car, had flippers for limb and were trying to get down a large cliff in a hurry.

The ‘hurry’ is where the polar bears come in. Where a walrus can climb, so too can a bear, and when they reach the top of the cliffs, the walruses instinctively try to escape towards the sea, where they’re more mobile and thus better equipped to fend off attacks. So they race towards the sea, the fastest way possible: by hurling themselves off the cliff. A walrus might be ill-equipped to climb, but it’s even less capable of handling a 100-yard drop.

This rain of soon-to-be-former-walruses rather naturally spooks their fellows, creating a stampede in which many other walruses are crushed or slashed to death by flailing tusks. The Odobenid Vespers — more than 200 walruses die — conclude with a delighted polar bear surveying a pile of corpses, clearly stunned by its good fortune.

NB: This scene is shocking. I’m not trying to celebrate it by writing so much about; it’s just been weighing on my mind since I saw it. The knowledge that anthropogenic climate change is at least partially responsible for these events (Attenborough assures us that they’re still relatively rare) brings the horror home even further.

Aesthetics 9/10

As I’ve mentioned, walruses are hideous animals. But this category necessarily includes atmosphere, and the oppressive grimness of this awful scene carries too much weight to ignore. A bouncing walrus might not have any conventional aesthetic value, but there’s no way we can give this tragic, moving scene any less than high marks here.

Difficulty 10/10

I think that the difficulty of this one is adequately illustrated by the body count.

Competitiveness 3/10

Apart from the early scuffle between a walrus and a bear (in the water, the walrus has the advantage), this is all about walrus versus ground, at speed, and is therefore not competitive.

Overall 22/30

Walrus-diving is sports. Not the sort of sports I want to actually watch, but definitely sports.

Scene 2: Volcano Bears

When you’re desperate to get greens into your diet at any cost. #SevenWorldsOnePlanet #saladwoe pic.twitter.com/mignAvLIbv

— BBC Earth (@BBCEarth) November 3, 2019

Bears are incredible animals. Sometimes they’re ferocious, brutal predators, able to rip you basically in half with a swipe of the paw. Sometimes they’re fisherbears. Sometimes they’re honey thieves. And sometimes they perch daintily on top of a volcano, eating grass.

Go find the Kamchatka Peninsula on Google Maps. It’s the thing attached like a stubby tail to the east coast of Siberia. A winter there, you might imagine, is a cold, unpleasant thing. However, Kamchatka is also blessed by a surprising abundance of volcanos, which create unusually dangerous oases in the barren desert of snow.

And so we meet our volcano bears. These bears, who emerge from hibernation hungry, converge on the only snow-free spots around. To find greenery, they must conduct some precarious scrambles above volcanic vents, and some bears have been known to get too close or to slip and fall. Those bears do not have a good lunch.

Aesthetics 7/10

The true beauty of a bear comes mostly in comparison to other animals, and unfortunately we don’t get that here. Instead we have some scruffy-looking critters doing an ungainly shuffling to eat some grass. But ...

Difficulty 10/10

... it’s metal as fuck because they’re shuffling around eating grass that’s growing over volcanic springs which would kill them if they fell in. It’s so metal, in fact, that I’m giving some bonus points in aesthetics.

Competitiveness 2/10

Bear vs. grass? Enh. Bear vs. volcano? Also one sided (and, fortunately, we don’t see that).

Overall 19/30

All sports would be improved, at least hypothetically, if conducted over a volcano. In this case, the aggressive geology upgrades ‘skinny bears eat some grass’ from ‘definitely not a sport’ to ‘possibly sports’.

Scene 3: The Battle of Little Bigfoot

Hearing your parents car in the driveway but you’ve done zero chores.#SevenWorldsOnePlanet #runningforcover pic.twitter.com/Hghyh23hIo

— BBC Earth (@BBCEarth) November 3, 2019

The forest of Shennongjia, in Hubei Province, China, is home to some very strange creatures. Himalayan lore is rife with rumours of man-sized, furry apes, averse to human contact. And, well, here they are. Maybe. These are blue-faced, golden-coated, snub-nosed snow monkeys. They’re rare, mountain-dwelling, mostly-bipedal and overly-hyphenated primates whom you could quite happily build that sort of myth off if you were snowblind and suffering from the altitude. Granted, they’re not that much over 2’ tall, but let’s have some artistic license here. Where’s your sense of mystery?

Monkeys are not usually associated with snowy conditions. These ones have a hard time of it in the winter, surviving by huddling together for warmth (given their beautiful, plush coats, this doesn’t seem like the worst thing in the world) and feeding on what looks like a miserable diet of bark, moss and associated grime.

So desperate are they for food that when families collide at the edge of their territories we get what this hitherto serene scene desperately needed: a huge monkey fight. We begin with the dominant males baring their teeth and punching the shit out of each other and then descend into a general melee of kicking, scratching and biting.

Fight over, the scattered band must regroup for warmth, so we get another heart-rending monkey hug. Awwww.

Aesthetics 9/10

The snub nose is ugly and the blue skin is very Game of Thrones, but fortunately those considerations are overwhelmed by a) the really lovely golden fur and b) the flying hugs and c) MONKEY BABIES. These snowmen are extremely bominable.

Difficulty 9/10

I assume nobody reading this has ever tried to punch a monkey in the face. Readers, please do not try punching a monkey in the face, even if you have a monkey to hand. It would be cruel, for one, but also I imagine it would be extremely bad news for you, because monkeys are agile, strong, and mean, and seem more than capable of biting off that hand.

Now make this a small army of very hungry, oversized monkeys punching each other in the face. And it’s also freezing. They would kick your ass.

Competitiveness 9/10

The male monkeys looked well matched, and when you add the general chaos of the melee to that you get an intense, hard-fought battle.

Overall 27/30

MMMA is 100 percent sports and I will have these monkeys fight you if you don’t agree.

Scene 4: Spider-Snake

Everyone: Snakes and spiders are scary, but at least they’re mutually exclusive. Nature: Hold my beer…#SevenWorldsOnePlanet pic.twitter.com/gXpJFQ74yM

— BBC Earth (@BBCEarth) November 3, 2019

Many people are terrified of spiders. Many people are terrified of snakes. What this scene asks is: what if we COMBINED THE TWO? Here is a special guest review of the above GIF, by my good friend Harry Lyles:

But let’s back up.

The Dasht-e Lut, in Iran, is not a fun place to hang out. It’s one of the driest places in the world. It’s also one of the hottest. There is no earthly reason to live here, except by accident.

When mishap or sheer bloody-mindedness places critters in these sorts of environments, evolution gets to work. And given long enough, evolution can come up with some absolutely wild shit. The Dasht-e Lut is on the flight path of migratory birds, which provide a rare food source — if they can be got.

Perhaps the best way of catching birds is to get them to come to you, which is the trick used by the spider-tailed horned viper. The scales on the tip of its tail have been formed perfectly to look like a plump, juicy spider with wriggling legs, and when the viper flicks back and forth it really does look like a tasty morsel (if you’re a bird) is sitting there just waiting to be plucked.

But no! It’s a snake, and now it’s going to try to bite you in the head. Have fun!

Aesthetics 8/10

Another relatively ugly scene — the shot of the shrike hovering in astonishment is a particularly cool exception — redeemed by the sheer insanity of what we’re seeing. SPIDER-SNAKE!

Difficulty 9/10

You try catching a bird with your teeth. You can draw a spider on your hand (or hold a spider model, or a real spider). I don’t care. Not happening.

Competitiveness 7/10

Some birds get away, which suggests that this is not as one-sided a match as it might appear.

Overall 24/30

Imitating a spider so that you can catch birds with your face is sports.

Scene 5: Sure, Let’s Watch a Tiny Lizard Fight

Run Forrest, run! #SevenWorldsOnePlanet pic.twitter.com/DiFZXio2Qb

— BBC Earth (@BBCEarth) November 3, 2019

Lizards will go to great lengths for love. In the breeding season, male sarada lizards strut their stuff on the open plains of northern India. They’re brightly coloured and beautiful, and have a dazzling blue and red fan on their throat they unfurl to catch the attention of those lovely lizard ladies. But there’s a problem: saradas are not very big lizards.

Standing (and their gait is quite something when they do) at all of three inches tall, male saradas need some environmental help to be seen. And so battles commence over the small rocks which dot the landscape. Throat-fans are waved with menace, and then the fight begins. Jaws snap, legs flex, and these little lizards go flying through the air, a blaze of shrieking colour.

Aesthetics 9/10

They lose a point for their ridiculous waddle, but these lizards know how to put on a show. Beautiful colours and a surprisingly acrobatic fight scene.

Difficulty 4/10

You might get a nasty bite or two but I’m pretty confident anyone reading this would clean up against a three-inch lizard if they had to.

Competitiveness 10/10

A well-matched fight between two lizards at the top of their game. It’s a shame one had to lose: he left everything on the rock out there.

Overall 23/30

Miniature sports are still sports.

Scene 6: Orang-utans

You...are...the love of my life, and I’ve never felt this way before. #SevenWorldsOnePlanet pic.twitter.com/RFaosm6JAa

— BBC Earth (@BBCEarth) November 3, 2019

Here we get to watch a baby orang-utan try to eat termites (not tasty!), struggle to climb a tree, give up after nearly getting all the way up to the top, and then take a nap on his mother. Then he eats some mangos.

Nothing else happens. It rules.

Aesthetics 10/10

Look at the little floof! I can’t stand how cute the little guy is. The nap absolutely kills me.

Difficulty 5/10

That tree looks like a very annoying but definitely possible climb.

Competitiveness 0/10

A) mother is always there to help out if he needs it and b) nothing actually happens, which is totally fine.

Overall 15/30

It’s adorable, but it’s not sports.

Scene 7: A Miniature Singing Rhino

I’m ashamed to admit that I didn’t know these critters existed until I watched this episode. Sumatran rhinoceros are the smallest rhinos in the world, standing around 4’ tall and covered in red hair. They also sing little songs to one another. Or they would, if there was still a ‘one another’ to sing to: Sumatran rhinos are critically endangered, with less than 100 individuals left. So that’s depressing.

Attenborough uses the plight of the rhinos to segue into an illustration of the annihilation of the Southeast Asian rainforest. They contain valuable timber, and that land can also be used to grow oil palm plantations, which produce additives to be used in processed food and biofuels. That last note is particularly depressing: even supposedly eco-friendly technologies and techniques can lead to habitat destruction.

“Huge areas were initially stripped for timber and then a very different type of tree was planted. Oil Palm.” #SevenWorldsOnePlanet pic.twitter.com/reSWTBBfNW

— BBC Earth (@BBCEarth) November 3, 2019

Asian land is increasingly valuable as the population expands, but the growth of its cities, while substantial, cannot possibly account for the scale of habitat loss. In the battered forests of Indonesia and Malaysia, we have monuments to one of the oldest of human foibles: near-sighted greed.

Aesthetics 2/10

The rhino is ugly enough before we pivot into scenes of forests being bulldozed.

Difficulty 10/10

It’s easy to feel smug about one’s environmental footprint when the damage being done on your behalf is conducted out of sight. But we should never forget that while cheap goods come at a cost we might not feel now, the real price will be revealed soon enough.

I’m not trying to guilt trip anyone here: I live in England, and so simply by existing I am personally responsible for titanic levels of carbon generation and general destruction. But the first step in fixing the problem is recognising that there’s a problem.

Competitiveness 0/10

Pretty much beating a dead horse at this point.

Overall 12/30

Just because it’s depressing doesn’t mean it’s sports.

Scene 8: Whale sharks

Whale sharks are the largest fish in the sea. They are slow-moving, friendly filter feeders, and are absolutely enormous — the largest recorded are nearly 60-feet long. As one might imagine, they are easy to catch, and as they have so much meat that they’re extremely valuable. Unsurprisingly, there are not many whale sharks left. In this scene, a whale shark cruises near the surface, edging up to a waiting fishing boat ...

... but this scene is not so depressing as the last. Fishing for whale sharks has been banned in Indonesian waters, and instead of hunting the giants, they throw them their bycatch, causing the gentlest shark feeding frenzy ever captured on film.

Me: Oh no, I’m on a diet. Also me: ... #SevenWorldsOnePlanet pic.twitter.com/V3lB0GoTFP

— BBC Earth (@BBCEarth) November 3, 2019

Just slurping those little fish right in. Yum!

Aesthetics 6/10

Whale sharks are undeniably cool fish. But they are in fact so cool they barely do anything apart from sucking smaller fish into their hungry maws.

Difficulty 6/10

I appreciate the choice of the fishermen have made not to defy laws and go for the easy, hefty catch.

Competitiveness 0/10

Whale sharks against little fish isn’t even fair when the little fish are alive to begin with.

Overall 12/30

Not sports. Cool whale sharks, though.

Overall sports tally: Quite a lot of sports

Four definitely-sports, one probably-sports, and three nos. BBC did a nice job stepping up the sportsiness this episode.

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invested-in-your-future · 8 years

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There are many people who are comparing Mon-El, Karamel, and their effect on Supergirl with Hook, Captain Swan, and their effect on OUAT. Care to explain why this comparison is wrong?

The comparison only works on the VERY surface because Man Hell’s pairing is an attempt at creating the “star crossed, opposites attract” kind of pairing that both Captain Swan and dozen of older pairings like Spuffy, LoVe or even Han/Leia were based upon. Its the idea of a heroine and a dastardly rogue falling in love and going from rivals to friends to lovers. Its an idea as old as narrative itself.

The problem is in execution. In HOW it is done. While such a romance is common path in narrative, its VERY easy to get wrong or to deliver a wrong message across. There are multiple things you need to get right to pull of such a pairing:

Manage to portray both characters in romance as equals

Be able to call out either character on their flaws or bad/evil decisions.

Manage to make one side’s character development be important in the other side’s character development so one side of the pairing does not solely exist to develop or “push forward” the other.

Manage to have logical and sensible progression of the characters overcoming their flaws and striving for something more healthy.

Properly pace the relationship development so the pairing does not feel unearned or OOC.

Comparisons and explanations on why ManHell pairing is nothing like that and is a failed try at such a trope follow in readmore.

The comparison does not work for multiple reasons:

To start with - Hook is self-aware as is the show itself. The show is not trying to portray Hook’s behavior as “good” or “just mistakes”. Through the show he is growing more and more aware of how his past decisions impact his life. He is constantly questioning his actions, re-evaluating himself and judging himself. And in turn the show does not excuse or “forget” his behavior and constantly tests him.

Second of all - The character backstory of both parts of the pairing has hella strong writing and justifies their character flaws and behavior. Emma is an orphan and a former thief. She is not perfect, she is not entirely “good”, she has trust issues, she has self-confidence issues, she is overcompensating and she makes outright awful decisions because of her past, but she is striving to change and to better herself. She stole, she betrayed people, she did things that are the opposite of a hero and life constantly shat on her tries, so she is not exactly always objective. Likewise Hook’s backstory explains perfectly why he would turn out the way he did. He does not “start” as a bad person - the backstory with his brother develops him and shows how he changed for the worse and why and he is technically in the right in the backstory with Millah(because let’s be frank Millah had every right to chose to get free from the relationship she was in if she was unhappy there, and for a good reason). Both characters have reasons and motives to be the way they are as well as to change that that extend beyond their relationship.

Hook’s character is constantly evolving. He does not simply “become good person because he got into relationship”. At the start he is awful albeit for understandable reasons. It takes a LONG WHILE before others around him actually start regarding him as something more than annoying roadblock or an enemy. In fact by the time the actual RELATIONSHIP can start, Hook is already a different person and already learned a lot from his mistakes. And the relationship comes from him already striving to be a different person. There’s lots of development, backstory and depth in both characters before they can actually be together. It takes FIVE seasons. The relationship is not used to “redeem” him. In fact a huge part of the show is that you CAN’T “undo” your past. You can only strive to be better than that. The show does not excuse Hook’s behavior before just because he is nice now.

Emma’s development benefits Hook and Hook’s development Benefits Emma’s. Unlike Supergirl, the show does not compromise Emma’s characterization for betterment of good or vice-versa. Events surrounding Hook have tangible meaning for Emma’s character and events surrounding Emma have tangible meaning for Hook’s character. In turn it does not feel like one is getting less screentime so other can get the focus. They both have the focus and their storylines are linked in interesting thematic ways about dealing with one’s past and overcoming it to be a better person.

Hook is never toxic to the level of ManHell. By the time the pairing is happening, both of them try to understand and LEARN from each other. He is worried for her but if anything the relationship between Hook and Emma is more about encouraging each other to be their better selves rather than trying to limit each other. Hook does not hate Emma’s “hero” role. He is inspired by it. Both of them would be okay with dying to save the other. Unlike Man-Hell, their development is not self-focused.

In a way the way their dynamics work are very similar to Spuffy, loVE, etc, the pairings based on similar idea that had them overcome their past. I already wrote dozens of posts about Spuffy and LoVe before so wont repeat myself here.

ManHell pairing has NONE of that. If to go back at both lists above

They are not treated as equals. if anything ManHell keeps insulting and shouting at Kara and Kara keeps taking him back in every time after every shitty thing he does.

The ONLY Change he ever did was because he wanted to get in Kara’s pants and she would disagree with his usual behavior. There’s no honest showcase of him trying to change for himself or WANTING to be better.

He constantly disrespects and diminishes Kara’s value and rights and disrespects her agency.

There’s no indication he hates his life in his homeplanet or was forced to be the way he is. If anything he expressed multiple times how “easier” it was back there. His whole characterization is literally “trump Jr stranded on the planet of liberals”.

Kara is not getting “development”. In fact Man Hell does not give a shit about Kara’s development. Most of the storyline is her babysitting him and him whining at her about how awful she is and how she is at fault for everything being bad for him.

There’s no progression. ManHell keeps claiming he has changed. The show keeps claiming he has changed, yet both this and previous episdoe he still does the same shit as he always did in disrespecting Kara and acting like a douchebag.

The pacing is out of whack. remember how I said that in most of above examples of such pairings change predates the actual start of romance? Not the case here. In here however the change is BECAUSE of romance. Yeah. ManHell wants to change because of the love story and not because it is the right thing to do.

Seriously plenty of people already covered the problems with ManHell pairing.

#Supergirl #supergirl cw #kara danvers #anti-karamel #anti-mon-el #captain swan #killian jones #captain hook

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davidpires578 · 6 years

Text

Dark Chocolate and Sponge Cake (11)

Amazingly, to me at least, the last post in this series occurred on March 29th of this year. Where did all the time go? Well, that’s easy enough to answer – most of it went into the project work at Colgate University, and then a few other things came up. I had thought I might be away from this piece for a 2~3 month stretch but somehow more water has passed under the bridge than that. That’s how it goes.

So glad to be back on this project, and ready to dig into some more of that delicious Cuban mahogany. The parts previously cut have been sitting in my shop, strewed around somewhat as I juggled other parts from various projects, and now that I dust these pieces off I am pleased to find that the mahogany, of both varieties (Cuban and Honduran) has remained perfectly stable. The joined frame joints remain tight and clean, and the panels free of warp, bow, cup, or twist. That’s a benefit of having the parts ‘season’ in the shop mid-construction. The Cuban mahogany has oxidized a degree back to a chocolate color, so I feel like there’s no need to worry about applying dye to freshly cut sections to blend parts together for color/tone -it will all look uniform after a few months so I’ll make the piece intending to celebrate the variegation, knowing it is but fleeting.

One of the lessons that has come to be clear to me in recent years, when faced with a situation where a project is interrupted for a lengthy period, is that it sure pays to be doubly cautious when re-entering the fray. One can’t always step back into full flow and take up as if there has been no interruption, for as much as there has been a time break there has also been a mental one. Caution is merited on account of the precious nature of the wood I am working with, the supply of which really does not allow for those sort of mistakes which would necessitate that a stick or panel be replaced. But the other caution flag which comes up for me now relates to that getting one’s head back into the project and not making assumptions about next steps until one is thoroughly back into the very head space which shaped where things had been taken to in the previous design and build phase.

On top of all this are the factors which come up when you look at something with fresh eyes again and may well choose to do some details differently than previously envisioned.

Assumptions can be a real drag sometimes if they do not prove to be correct. Every woodworker knows this, and I would venture to say that making erroneous assumptions is one of the most common sources of error in projects, along with plain old inattention and/or obliviousness.

When I start in on a drawing for a project, I tend to work first in big (digital) brush strokes, coming up with appropriate massing and configuration for the piece to suit the intended purpose. Once I have shared these initial ideas with a client, the direction forward hopefully becomes more established, and eventually I am rendering the piece in fairly close detail.

I say ‘fairly close’ detail rather than ‘exact’ detail because, with more complex pieces especially, certain areas of a drawing such as joinery details (if they are not a visual feature), or uncertainties about the final form of a molding profile, or any spacing/number errors which may crop up in SketchUp drawing that indicate there is a problem somewhere (a problem however which would require significant backtracking and analysis to parse out), tend to be left for later. In such cases I tend to continue forward with the sketching of the piece, the goal being to produce a drawing which conveys all of the visual detail the client needs in order to make the decision to proceed.

Others might only take their drawings as far as the concept sketch phase in their interactions with their clients, but I find that with joinery-based solid wood pieces a lot of the constructional detailing is going to be apparent in the final product, so it makes sense to define it fairly thoroughly so that the rendered drawing is very close to what will be made. The look of the piece comes partially from how it is made, not from what is applied to something otherwise to make it look like something it really isn’t.

Once I have reached the ‘go-ahead’ phase with the client, wood and other materials are sourced and I go about producing any necessary templates I might need. Once the wood is in hand and ready to be worked, I start breaking down the material as per a cut list, prioritizing the critical pieces first. When it comes time to cut joinery, I go back to my drawing and go over the component in question with a fine-toothed comb looking to correct errors, flesh out details, make minor changes as required.

So, at this phase, I grab rendered components in my drawing and duplicate them, and then in the same sketch make the duplicate white in color so that I know it is a revised and ‘final’ part.

After a while the overall sketch becomes cluttered with various components which have been dragged out, made white and revised to a detailed level. My main drawing looks like this right now, for example:

Sometimes I put things on different layers, toggling layers on and off, but I don’t always bother with that for single pieces of furniture.

I also start new sub-drawings dedicated to particular aspects like doors, back panel framing, drawers, etc., copying parts over and then going through them in detail, again rendering to white. Once the part is finalized in the drawing I print take-offs of various parts and their details, with dimensions, which I then take with me to the shop. It’s like a road map. Until recently we have not had a family laptop, so taking the drawings to the shop has become what I am used to, as opposed to keeping a computer at the shop. My shop lacks an office or dust-free space, so I tend to be averse to bringing a laptop into that – and my wife certainly is not keen on that either.

And, where I last left off in the build I had just started the fabrication process with this futon storage cabinet, having prepped most of the stock, and having constructed the frame for the top and the 4 sets of latticework which comprise the sides of the cabinet:

I could have re-started pretty much anywhere, but I chose to continue on with the fabrication of the top frame and panel. So far I have prepped the stock, cut the corner joints, cut the interior edge dado for the panel, and molded the outside. See post 6, post 7 and post 8 if your memory needs refreshing. I know mine did!

The frame of the top has the thickest section height of any stick in the cabinet, and I was only able to squeeze out the four frame members I have from the 8/4 stock I obtained. There were only two boards out of the pile which yielded material of the required thickness, so if something goes south with joinery cut out on the frame, which is a bit on the complicated side so it is rife with opportunity for errors, then I have nothing with which to replace it. It’s not like I can go and get some more Cuban mahogany at the hardwood lumber outlet. So, I’m super careful. Well, a bit paranoid too! It seems that you can’t so freely use the term ‘it’s only wood’ when what you have to work is in actuality virtually irreplaceable.

One of the tricky areas with frame and panel work is that of joining the frame outer corners together with their supporting post. The three way connection in other words. There are various solutions of course, and I’ve wrote about them extensively in the past, and I have written two joinery Monographs which deal with this topic exclusively. Yet, with a new project comes new particulars, and I sometimes need to come up with new configurations of three-way connections to satisfy the requirements. I find this a lot of fun actually and relish the challenge.

Just in case it might not be clear, here’s the connection I am using in this cabinet to join the top’s corners and posts together:

It’s a form of half lap, but one which needs to incorporate the size and position of the post tenon amid the lap’s dual locking pin mechanism, shachi-sen, plus accommodate the molded front profile, and the interior dado for the panel. Pushing the design configuration is the intended assembly sequence involving the latticed side frames and bottom frame. Also pushing on the design is the fact that the post tenon’s visual exposure means that the position of the rear post tenons need to be the same if at all possible to the front tenons, and yet the form of post used at each location is different. The rear posts accommodate the clip-in back panel assembly, while the front posts are shaped to partner with the door stiles in such a way so as to allow the doors to swing 180˚ open. Finally, there was the design decision to use a joint which showed a bit of it’s mechanism, instead, say, of a joint with a fully mitered appearance. This decision was made in light of the piece overall and wanting to walk that fine line between showcasing the material and showing the virtues of joined work too. The corner joint with shachi sen is becoming a frequent feature of my work, part of the design language.

So, there’s a lot going on in a tight space and a lot to consider. Of course I fully recognize that I do bring this on myself though the desire I have to build, insofar as possible/reasonable, without any recourse to glue or metal fasteners and using joinery which is, to whatever extent it seems sensible to push it, demountable. It would all be vastly simpler and quicker, to be sure, to join everything together with glued butt joint and miter joint connections with dowels, biscuits, dominoes, etc., and maybe even tack on a little joinery simulacra. I’ve seen in some pieces of furniture the look of through tenons simulated by simply burning rectangles on the surface for instance. How these pieces are not outright laughed at and withdrawn from consideration for sale at the furniture outlet is beyond me, but of course there are price points to consider. Anyway, I’m not tempted by those easier routes though it certainly offers what it from many sides a more pragmatic way to proceed, that is, from a manufacturing and profit/loss perspective.

Anyway, back to the top frame detailing. The relative simplicity of the core of the joint, that of half-lap pierced by single tenon, appealed to me, but wringing out the details took a while. I think that’s one of the key things to realizing a design successfully: sitting with the design until it is truly done to the last detail and not giving into the strong temptation to just get on with the cuttin’. Sometimes those little tiny details that seemed better to gloss over, the ones your choose to mentally abbreviate, can come back to bite you – this certainly has happened to me enough times.

When I got my head back into the drawing after the long break, I discovered that I had left off working on the drawing in the middle of finalizing certain details. Some things were not pencilled in fully, and some parts were annoyingly off their marks for reasons which were unclear. About three days were absorbed in straightening everything out and getting to a point of being ready to fabricate.

Back then to the cutting, I decided to mortise the lap joints for the tenons, and thought it made good sense to mill these mortises with the joints tightened and in an aligned position. In the past I have tackled such joints with chisel alone, by hollow chisel mortiser, and by router with edge guide. Now my weapon of choice, more often than not, is the Zimmermann pattern mill. I’ve gravitated, therefore, to the tool that tends to produce the most precise results, with the safest way to produce the cuts, with the cut area clearly exposed to view, the cleanest way to produce the cuts, and with the most reliable fixturing. That, in a nutshell, is the pattern mill.

I used a pair of Bessey clamps to dial each corner joint in tight and dead square, before clamping the assembly down onto the work table of the mill:

The mortises had been marked out months ago, but a last double check revealed one of the mortises was in the wrong position (!), so I’m super glad I took the time to re-check that and make the correction.

The mortise is roughed out initially with a under-size cutter and the location of the mortise defined by that cut’s position checked with a caliper in situ:

#woodworking #wood #working #miter #saws #Woodworking

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donnafmae · 6 years

Text

What do dolphins eat? Lessons from how kids search

I recently came across a couple of fascinating papers (here and here) all about how kids search. I found it fascinating in its own right, and also found it thought-provoking in the new ways of searching it showed that had simply never occurred to me. Here are some of the most interesting things I found (though it’s remarkably accessible, and you should totally read the whole thing).

The researchers studied children aged 7-11, and of varying degrees of experience and comfort with the web and with computer-based research. In the course of their study, they identified seven “search roles” (almost like personas) that children display when seeking information:

Many of these are fairly self-explanatory on the surface (though it’s always interesting to read the details) and you may even identify with some of them yourself, as an adult. One of the most interesting to me was what they called the visual searcher.

People don’t all think like you

This was a mode of search that I had rarely found myself in, and had barely even considered could be a thing outside of certain forms of specific image search (e.g. [microsoft logo]). What they found was a cohort of children who turned first to image search for a wide range of their information-gathering needs. In some cases, this appeared to be motivated by discomfort with text and with reading, or at least with scanning and reading fast. In others, though, it seemed to be about veracity and trusting only what you have seen with your own eyes. For those of us who know people who write on the internet, maybe this isn’t the craziest instinct.

One example that has stayed in my mind since I read about it is the experience of certain kids when asked to answer the question what do dolphins eat?

The anecdote that stood out for me was the child who not only turned to image search to answer the question, but did the one-word image search [dolphin] and then scrolled down through pages of results until, having found a picture of a dolphin eating something, turned to the researcher to declare triumphantly that dolphins eat fish.

The lesson here is clearly about the power of observing real-world users. This is the kind of insight that is hard to glean from the raw data of keyword research. Even if you figure out that there is image search volume for [dolphin], you’re some way from the insight that someone is searching for information about what they eat.

This era (the research was published in 2010) was marked by a wide range of qualitative research coming out of Google. I might dive deeper into some other research in another post, but for now, onto the next insight.

There are searches that are hard, and people are failing to complete them

In my presentation and post the next trillion searches, I talked about the incremental search volume available in the coming years as technology progresses to the point that it can satisfy intents, and answer questions that current technology cannot:

One of the things I didn’t talk about in that post was the times that current searcher intent is not fulfilled even though the information is out there and today’s technology is more than capable of finding it. To understand more about what I mean here, let’s take another look at search challenges for kids:

For a start, it’s worth noting that Google can’t answer this query outright. Unlike with more and more factual queries, Google is not able to return a one-box with any answer, never mind the correct answer.

Unsurprisingly, kids struggled with this one (as I suspect would many adults). It tests their ability to string together a sequence of queries, each one building on the last, to discover the answer at the end of the rainbow. And along the way, they have to be sceptical of the information they come across and not get distracted by the pots of fools’ gold:

At certain points along the way, our intrepid searcher may come across pages that purport to give the answer, but which in fact do not for a variety of reasons (not least, as with the example above, that this information can fall easily out of date).

So it combines the ability to break down a question into structured thoughts, achieve complex stringing together of queries, and avoid pitfalls of incorrect and misleading information along the way. How many adults do you know who might trip up on this?

Amazingly, some of the older kids in the study managed to find the correct answer.

If you have kids in your life, try this out

If you have kids, or you have younger siblings, cousins, nieces, nephews, etc. I’d strongly encourage anyone interested in search to sit and watch them take on relatively undirected searching tasks while you watch. I think it’s pretty educational (for them!), but I also think there’s a good chance you will learn a good deal. In particular, since this research was done in 2010, it appears to have been entirely desktop-driven. I’d be interested in the mobile-first version if anyone wants to run it and write it up!

Anyway, it turns out my kids are (roughly) in the right age range - at the time of experimenting, my daughter was just turned 8, and my son was 5. My daughter was therefore in the age range, and it was interesting to see how she fared:

Rachel aged 8

She found it fairly easy to find out what dolphins eat. Google coped fine with her misspelling of “dolfin” and she wasn’t fazed by the results coming back for the correct spelling. She didn’t bother reading the “showing results for…” section (nor the paid ad, natch) and skipped straight to the one-box. She scanned it without reading aloud and then answered the question: telling me some things dolphins eat. In the process she went from an unmotivated searcher to a motivated searcher: she got intrigued by what a cephalopod is (it is mentioned in the one-box) and set of on an unprompted search to find out.

The next task was too much for her. She’s British, so I decided to go with prime minister, as I didn’t think she’d know what or who the vice president was. It turns out she wasn’t entirely clear on what a prime minister is either, searching for primeinister. She composed a search that could have worked as a stand-alone query: Google corrected it to [when is the prime minister’s birthday next year]. In fact, Google couldn’t answer this directly, and since it wasn’t quite the actual answer to the question as asked, she got stuck at this point, unable to structure the query quite how she wanted it.

Actually, she probably went slightly too far in the first jump. She probably should have gone with something like [when is the prime minister’s birthday] and followed with [what day is <date> next year] but she didn’t make that logical leap unprompted.

Even though my son was a little young, we thought it’d be fun to see how he fared on the “dolphin” question. The date one was a little too much of a stretch:

Adam aged 5

Interestingly, he spelled “dolfin” the same way as his sister (this must be our failing as parents!) but also went with the phonetic “wat” instead of “what”. Nonetheless, Google was quite happy interpreting his search as [what do dolphins eat] so he got the same one-box as his sister.

Just like her, he skipped everything else on the page to go straight to the one-box. This is probably not that surprising in either of their cases - it’s most likely what adults do, and it’s clearly designed to draw attention with the bright image high up on the page.

What was interesting and different was that he didn’t read the whole thing. At the time of the experiment, he was obviously a less confident reader, and preferred to read aloud rather than in his head. He didn’t scan the one-box for the answer and report it, but interestingly, nor did he read the one-box aloud. Instead, he read only the words in bold.

This isn’t the most obviously crazy strategy (at least in the mind of a 5 year old): it isn’t crazy to think that Google would have bolded the words that are the answers to the question you asked, though search professionals know that’s not what’s really going on here. It started okay but then went a little bit off the rails. Here’s what he read out as the answer to [what do dolphins eat?]:

Fishes

Herring

Killer whales

Mammals

He got a bit confused at “killer whales” and knew he was off-track, but wasn’t sure what had gone wrong.

I think the lesson here is that even though people may primarily use the obvious tools and affordances presented to them, they will also make potentially incorrect assumptions and risk being led astray by well-intentioned sign-posts in the UI.

Some other kids’ misconceptions

One child apparently thought that the autosuggest was a list of answers to the query he was typing. That doesn’t always work perfectly:

But to be fair, it’s not immediately obvious that UX like “people also ask” (which does come with embedded answers where possible):

Is entirely different to related searches which are not necessarily even suggested sensible questions:

And finally, to end on a light-hearted anecdote from the research, probably my favourite story was the child (not mine!) who looked for both dolphins and information about the Vice President of the United States on the SpongeBob SquarePants website.

Presumably unsuccessfully, at least in the case of the VP’s birthday.

If you liked this post, check out the whole session from my recent SearchLove talk in San Diego (all you need to do is create a Distilled account to access it for free). You can also check out the slides from my presentation below. Enjoy!

WATCH THE VIDEO

SearchLove San Diego 2018 | Will Critchlow | From the Horse’s Mouth: What We Can Learn from Google’s Own Words from Distilled

from Marketing https://www.distilled.net/resources/what-do-dolphins-eat-lessons-from-how-kids-search/ via http://www.rssmix.com/

#Digital Marketing

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davidrsmithlove · 6 years

Text

What do dolphins eat? Lessons from how kids search

People don’t all think like you

One example that has stayed in my mind since I read about it is the experience of certain kids when asked to answer the question what do dolphins eat?

There are searches that are hard, and people are failing to complete them

Amazingly, some of the older kids in the study managed to find the correct answer.

If you have kids in your life, try this out

Rachel aged 8

Even though my son was a little young, we thought it’d be fun to see how he fared on the “dolphin” question. The date one was a little too much of a stretch:

Adam aged 5

Fishes

Herring

Killer whales

Mammals

He got a bit confused at “killer whales” and knew he was off-track, but wasn’t sure what had gone wrong.

Some other kids’ misconceptions

One child apparently thought that the autosuggest was a list of answers to the query he was typing. That doesn’t always work perfectly:

But to be fair, it’s not immediately obvious that UX like “people also ask” (which does come with embedded answers where possible):

Is entirely different to related searches which are not necessarily even suggested sensible questions:

Presumably unsuccessfully, at least in the case of the VP’s birthday.

WATCH THE VIDEO

SearchLove San Diego 2018 | Will Critchlow | From the Horse’s Mouth: What We Can Learn from Google’s Own Words from Distilled

0 notes

ronijashworth · 6 years

Text

What do dolphins eat? Lessons from how kids search

People don’t all think like you

One example that has stayed in my mind since I read about it is the experience of certain kids when asked to answer the question what do dolphins eat?

There are searches that are hard, and people are failing to complete them

Amazingly, some of the older kids in the study managed to find the correct answer.

If you have kids in your life, try this out

Rachel aged 8

Even though my son was a little young, we thought it’d be fun to see how he fared on the “dolphin” question. The date one was a little too much of a stretch:

Adam aged 5

Fishes

Herring

Killer whales

Mammals

He got a bit confused at “killer whales” and knew he was off-track, but wasn’t sure what had gone wrong.

Some other kids’ misconceptions

One child apparently thought that the autosuggest was a list of answers to the query he was typing. That doesn’t always work perfectly:

But to be fair, it’s not immediately obvious that UX like “people also ask” (which does come with embedded answers where possible):

Is entirely different to related searches which are not necessarily even suggested sensible questions:

Presumably unsuccessfully, at least in the case of the VP’s birthday.

WATCH THE VIDEO

SearchLove San Diego 2018 | Will Critchlow | From the Horse’s Mouth: What We Can Learn from Google’s Own Words from Distilled

from Digital Marketing https://www.distilled.net/resources/what-do-dolphins-eat-lessons-from-how-kids-search/ via http://www.rssmix.com/

#digital marketing

0 notes

anthonykrierion · 6 years

Text

What do dolphins eat? Lessons from how kids search

People don’t all think like you

One example that has stayed in my mind since I read about it is the experience of certain kids when asked to answer the question what do dolphins eat?

There are searches that are hard, and people are failing to complete them

Amazingly, some of the older kids in the study managed to find the correct answer.

If you have kids in your life, try this out

Rachel aged 8

Even though my son was a little young, we thought it’d be fun to see how he fared on the “dolphin” question. The date one was a little too much of a stretch:

Adam aged 5

Fishes

Herring

Killer whales

Mammals

He got a bit confused at “killer whales” and knew he was off-track, but wasn’t sure what had gone wrong.

Some other kids’ misconceptions

One child apparently thought that the autosuggest was a list of answers to the query he was typing. That doesn’t always work perfectly:

But to be fair, it’s not immediately obvious that UX like “people also ask” (which does come with embedded answers where possible):

Is entirely different to related searches which are not necessarily even suggested sensible questions:

Presumably unsuccessfully, at least in the case of the VP’s birthday.

WATCH THE VIDEO

SearchLove San Diego 2018 | Will Critchlow | From the Horse’s Mouth: What We Can Learn from Google’s Own Words from Distilled

What do dolphins eat? Lessons from how kids search was originally posted by Video And Blog Marketing

#Video And Blog Marketing

0 notes