#people can just. yknow. know each other

[epicfirestormer]

What I love about Hellboy and Abe Sapien's dynamic in the comics is that, if you came into this blind, you'd expect Abe to be the voice of reason or the straight man to Hellboy's impulsive and hotheaded personality. But no, Abe is more often than not the crazy one. Hellboy would deal with fighting evil monsters and bad guys by just sighing and getting it over with, while Abe is going rabid over tearing the creature apart when he does get into a fight. Hellboy acts like it's a 9-to-5 job and will reasonably talk things out with a guy that had nearly killed him before, Abe acts like a madman in a slaughter house and his first instinct is to shoot first kill second and ask third. They're both insane, but on completely different levels.

[starflungwaddledee]

kirbytober 2023 21 + 26 : fav characters + ship [ prev || next ]

putting this at the top because it's extremely important but i received a message implying that some folks headcanon these two as drastically different ages. you may headcanon whatever you like of course, but in my work i firmly think that they're both full adults who are at least 25+. this is abundantly clear in my work. i'm not interested in headcanoning any of them as literal children and i would never touch that shit. dni if you think that sort of ship would actually be okay. don't be a freak. thanks.

very typical to take your favs and then also shove them together but isn't that the point. anyway i have literally never seen anybody else ship them (if you're out there... hello... 😭) despite them both being very main characters and i don't know why?? they could be so cute i think...

they are both industrious adventurers, prolific hard-workers (team task doers), and a little cheekily competitive!

i think that bandee is no stranger to a wide variety of close and intense relationships; he's beloved by many and loves them all equally but distinctly in turn. magolor on the other hand has been sooo isolated and lonely for such a long-ass time, he barely knows how to be friends let alone really care for someone. bandee is smart enough to be suitably wary but kind enough to give him a chance despite that, which i think would knock him off his non-existent feet instantly. in reply, magolor could give him something unique by loving and prioritising him utterly singularly, in a way bandee wouldn't even have realised he was missing

in awtdy (pictured in the sketch page; if you see a tattered looking magolor in my art it's probably this au) in particular they are both thrown into the angst soup together and come out insanely trauma bonded at the hip. their friendship/relationship is central to the plotline; together they're working on a solution to the timeline anomaly, while also hiding that they even really know each other the whole time

[ambyandony]

mutually overprotective

[my-thoughts-and-junk]

thinking about superheroes unfortunately

[obstinaterixatrix]

went along to get groceries for my pal’s salmon(/charcuterie) party (actually I just looked up charcuterie to check if I spelled it right and apparently it’s specifically for meats?) (can cheese and jam and crackers be considered charcuterie…?) and we got two packs of salmon which made three plates of salmon… we all demolished 2 plates but it was mostly 3 of us eating lol, we’ll finish off the rest tomorrow. we also went to an art fair before the party, saw some cool stuff. blue cheese is actually really good with fig jam on a cracker, I was obsessed with the combo

[milimeters-morales]

(NOT ATSV) my ideal miguel and miles friendship (bordering on enemies) dynamic is where Miles is sort of a Mean Girls figure where he’ll say the worst things to Miguel, who actually has no problems dishing that shit right back out, is usually too fed up or somewhere else mentally to reply. They fight a lot, more physically than verbally, usually in a slapstick comedy type of way. Miles is banned from Nueva York once a month and got a restraining order against Miguel in his own dimension. His parents fucking hate him and Miguel hates them right back. Rio has tried and failed to poison him via food and Jeff is considering hiring a hitman. Gabriel is beloved by them. Miles takes Miguel’s money at least twice a week to go spend it just because he can. Miguel has tried (and succeeded once) to get Miles sick with a future illness because he figured out the lesbian bar Miguel liked to perform at in drag. Miles has cried at least once in every room of Miguel’s apartment and Miguel has been confused on what to do each time besides an awkward hug and pat on the back. People are rightfully worried for Miles’s safety at least 80% of the time but when they aren’t they’re shaking their heads at the two’s antics. They need to be separated until they have a healthy “this is a grown ass man / this is stupid little girl i don’t like at work” relationship and it’ll take an act of god for either of them to realize their current one isn’t healthy at all and has extremely negative impacts on their mental state.

[dragonairice]

Life becomes so much better when you realise that you can just send a 'happy birthday' message instead of an elaborate gift every time if you're not close to the person

[theeio]

took a scroll through my art and hmmmm

i guess im just glad theres at least some improvement. i dont know or think that its super noticeable to other people tho ahah though its so strange bc i definitely have a better understanding of form, which is something im proud of?

but at the same time unlike alot of artists i see… my art in its essence hasnt changed one bit?? its still raw, still messy, the subjects are still always the same….

…i dont know if this is a bad thing but yeah. like look at this art from when i was 12, and now at 21

this one is even weirder, left was from 2015 and the one on the right 2023…ITS LIKE THE SAME?? ITS BEEN ALMOST A DECADE AAAAAAGHHHHH

i keep seesawing between like. did i really improve? i guess yes? but also no but also i guess but-

[constantvariations]

I remember someone saying "there's no such thing as a good racism allegory" and it's been bouncing around in my head for a while. I'm someone who typically thinks anything can work if given the right circumstances, but then I really started thinking about it and I believe they're right

Because if you want to talk about racism, you should just talk about racism

(This is unpolished and ramble-y, so strap yourselves in)

Racism is deeply ingrained into our society, no matter where you live. Imperialism and colonialism has ensured that no corner of Earth has been left untouched. Choices from hundreds of years ago are still being felt today. There's practically no end to the discussion of its effects on the world and its people

So, why should anyone feel the need to dress it up in cat ears?

I've consumed a lot of media where writers have consciously echoed in part some aspect of racism in their fantasy story: Bright 2017, Dragon Age, RWBY, the MCU, Harry Potter, Detroit: Become Human, etc. The biggest thing they have in common is that the narrative is told to side with the victims, but it somehow always ends up against them

It always sides with the status quo

It's confusing, maddening even, because the narrative oft goes out of its way to show how horrible the system is and how these folk don't deserve their treatment, so why are we going back to normal as if it's a good thing? Why are the people actively working to improve the system decried as annoying at best and monstrous at worst?

Then you look at the people who write these storylines. The beliefs they hold, the people they vote for, which charities and organizations they give to, and it all makes sense. Centrists (at best) trying to look progressive are the ones who need to dress racism up in cat ears and rainbow freckles. They set aside the long, brutal histories and crushing systemic realities to play pretend that racism is Not That Bad and is only done by Those Bad Individuals

That's why Velvet's ears are tugged instead of culled. That's why the Mantle drunkards say mean things to Blake instead of attempting to assault her. That's why everything surrounding the SDC's labor practices is so vague as to be useless while the biggest evidence of their malice is hand-waved away by a writer who says the victim "had it coming" as if someone can deserve being branded by being too much of a brat

These stories aren't meant to make the audience question why our society works off the bloodied backs of the exploited or demands we take good, hard looks at ourselves and how we've been duped into believing so much garbage about entire swathes of people. They're meant to satisfy the people who only feel bad that these things are happening because they (white folk) look like the bad guys. It's a self-congratulatory wank about how "I'm not like THOSE guys, therefore I'm a good person!"

And then there's the characters meant to convey this story in the first place: always inoffensive, mostly aimless, "not like the other girl" types that pander to that delicate palate. Blake - a conventionally attractive, pale skinned girl in fashionable clothes - used to be passionate about equality but only in the right way, and demonizes anyone who does not conform to this mindset despite having no reasoning to back it up while never once demanding better of the privileged people around her even when they do racially insensitive things

The biggest downfall of these racial allegories, be they about cat girls or orcs or elves or robots, is that they do something that marginalized folk have been forced to endure since the dawn of time: literal dehumanization. There are tangible differences between humans and whatever the allegory is, which undermines the very fundamental fact that black/asian/queer/neurodivergent/disabled/whatever folk are unapologetically, undeniably, exceedingly human. By dressing up their plights in cat ears or spottled blue skin, you're creating theater not for the people who actually live through these struggles as a means of connecting with them and providing them a safe outlet for their feelings, but giving the people who benefit from passively allowing the system to enforce said struggles a pat on the head for not being the grand wizard

I don't really know where I'm going or how to end this, so I'll just sign off with if you're going to talk about racism, just talk about racism

[perenlop]

i know i said before that the show insisting that there’s this ideological divide between battling and catching pokemon was really dumb, but man i do think they had something with goh being so put off by battles. he’s an introverted guy who prefers isolation, and he’s never properly done a trainer battle, he’s got fresh new pokemon who didn’t fight much- and his new friend entered him in this big shot tournament, surrounded by thousands of people, without his knowledge or consent, and so he gets swept by someone with a lot more experience, and so he gets completely and utterly humiliated. you can clearly see how upset he is later on and i think it does make sense for him to resist battling where he can cause he’s afraid of that same humiliation. if he battled in a more private setting with someone on his level, i don’t think he’d have been so resistant after this. and it was interesting to see this part of him clash with scorbunny later on, who got more interested in battling but wasnt allowed to do it as much.

it’s too bad the writers forgot about that though lol

[meowmedusa]

sometimes its nice to check in on people you no longer speak to and see they're doing relatively well its like !! woah !!! fuck yeah !!!! we may not be friends anymore but i wish the best for you !!!!!

[aeoris4lovers]

i hope verin doesn't fight essek to let him touch him. i hope he respects his boundaries.

i think it’s worth keeping in mind that, while i see a lot of people headcanon essek as touch averse, that’s never actually established as canon. we see him act annoyed or put out by physical affection (the group hug at the blooming grove), not really know what to do with himself when he gets it (jester hugging him at the outpost), and reject it when it’s being used to manipulate him (caleb squeezing his arm while trying to persuade him), but we never really see him outright reject it or express that it genuinely bothers him.

so i don’t think he really dislikes being touched in and of itself, i just think part of him sees it as silly and unnecessary because he saw love and relationships in general as silly and unnecessary for a long time, and i think verin would say “fuck that” and do it anyway just like jester and the rest of the nein do because he knows essek well enough to know he doesn’t actually dislike it, he just avoids it on principle. it’s less that he hates being touched, and more he hates that he doesn’t hate it, you know? and i think verin would be the last person to care about letting essek uphold that cold, i-don’t-need-anyone facade.

not to mention, i don’t know if you have siblings but i do and i can tell you that a certain amount of boundary pushing is basically a sibling love language — when you know a person that well, you know what will annoy them versus what will cross a line and how to tell when their reaction goes from being annoyed to being genuinely upset, so you can fuck with them a lot without really hurting them. essek might roll his eyes and go stiff and complain the whole way when verin hugs him, but verin would know him well enough to know that’s not what it looks like when he’s actually upset so it’s safe to keep doing it anyway.

i imagine verin always knew essek enough to know he secretly enjoyed the affection verin showed to him, even if he acted like it was the stupidest thing in the world. so when i say essek doesn’t fight it anymore, i don’t mean there was a time when verin would literally force essek to take the affection, i mean essek always accepted it but had to put on a show of hating it while he took it because he felt like it went against the person he was trying to be and he couldn’t let anyone know he liked it.

[songofwizardry]

hey there's a lot of shit out in the world but like. there's also 300k fanfics written as labours of love and exuberant comment threads on art that point out and gush over little details and there's people who spend hours sewing tiny details on their cosplays and there's fragments of poetry that get shared over and over and bring emotions over and over and there's entire communities of people built around 'we loved a story together' or 'we made a story together' and there's people poring over every line in a work and building theories together and there's getting together with your friends to have ridiculous fantasy adventures every week and yeah. there's some good stories here too yknow.

[tea-with--honey]

Schmigadoon enthusiasts, please reblog this post with whether you preferred s1 or s2 and why 🙏 I've seen really mixed reactions and would love to know why the opinions seem to differ so greatly

[smol-tired-binch-blog]

hate how im now at a point where im legit like kicking my legs and grinning like an idiot over fictional characters SEND HELP

[feinstone]

Congratulations on graduating! That must be an amazing feeling.

thank youuuu <3

technically i won't be graduating until the end of the year because i finished past the cut off date for my uni's mid-year graduation ceremonies, but i'm happy to have finished regardless.

it's been a really difficult and long process, and i had to delay finishing my degree by 2 years due to a long string of Life Events (Not Fun) that got in the way of me completing the last 2 courses i had left in my degree as of mid-2022, so i'm glad i finally managed to get to the end of a semester without some random bullshit stopping me for the first time in several years lmao.

i dropped out of high school after i got sick, and i thought i was gonna have to drop out of uni too, despite all the work i've put in to pull my life together. it really means a lot to me that i managed to make it through to the end this time, even though it was tough to keep my head above water sometimes.