#pedra da gávea
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Daring tourists, Pedra da Gávea, Rio de Janeiro, Brazil: Pedra da Gávea is a monolithic mountain in Tijuca Forest, Rio de Janeiro, Brazil. Composed of granite and gneiss, its elevation is 844 metres, making it one of the highest mountains in the world that ends directly in the ocean. Wikipedia
#Daring tourists#Pedra da Gávea#Monolithic Mountain#Tijuca Forest#Rio de Janeiro#Brazil#South America#South American Continent
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Orange sunset on the Aterro do Flamengo with view of the Corcovado, Morro do Pasmado and Pedra da Gávea in the horizon, with illuminated buildings in front of the Botafogo beach and illuminated waters of the Botafogo bay, with boats.
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#Orange#Sunset#Aterro do Flamengo#Botafogo Bay#Botafogo beach#Botafogo#Coca Cola Building#Corcovado#Morro do Pasmado#Pedra da Gávea
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SUMMARY OF ALL ARKANIS POVs
DAY 28 — 30/09/2024
The day at Valigma starts calm and peaceful, with new art being displayed in the gallery!
Pac shows Alice's memorial completely done, with a message for the deceased secretary made by all the specialists inside a book.
Choke and Tucupi also visit the place with Bankeiro Zé Silva and leave a message in the book.
Zé Silva starts talking to the trio, asking them if, after everything, they wouldn't build a bunker to protect themselves. He says he has a bunker too but he doesn't trust them to show it.
After that, Quel arrives at the place and joins the conversation. (It is said by Pac that Bira traveled to Pedra da Gávea and that's why he's missing) Zé Silva take the opportunity to do a mini quiz about Bira, asking the group when the bar opened (The answer is 1982).
After that, the group splits up and everyone goes their separate ways.
In a conversation with Choke after they met earlier, Quel discovers that in order to get wood without making Arkanya upset, she must not use electrical objects such as the chainsaw that she use previously. Choke asks the bear to stop using the chainsaw and Quel thanks her for the warning, agreeing to stop.
After that, Quel meets with Maethe and the duo go to Pac's house, where Febatista, JVNQ, Guhzera, Milo and Guaxinim met with the owner of the house, Mayor Jota is also at the place.
Jota says he saw the memorial they made for Alice and his heart sank, which is why he came to talk. JVNQ tells the mayor that this is not the time to mourn, but rather to act against Araldo before something happens again.
Jota also reveals that he argued with Araldo, which left him even more helpless and ashamed, as he felt he had no control ("It felt like I was just a puppet"). The group then begins to talk about their suspicions about the Mayor and that they didn't trust him enough. Jota asks what he could be hiding and Quel tells the Mayor that if he is really trustworthy, he should answer some questions.
Here is the transcript of all the questions asked:
JVNQ: Did you already know Bia before she had magic?
Jota: Ever since I met Bia, she has always been the way she is.
Quel: Mayor, now honestly, did you, somewhere in your conscience, know that this could be a consequence of what Araldo planned?
Jota: What did he have planned, guys? I was surprised as much as you by what happened.
Quel: So you know that Araldo manipulates Arkanya?
Jota: No, I discovered it together with you all.
Quel: And do you know how to manipulate Arkanya?
Jota: Me?
Quel: Yes.
Jota: I... [makes sounds nervously] I've studied... I've studied a good part of my life.
Quel: With Bia?
Jota: With Bia... But that's the past. Okay?
Jota says he used to use Arkanya but doesn't do it anymore and Febatista asks if he would use it again if Valigma was in danger. Jota is amazed by Febatista's speech and asks if they want him to use Arkanya again. Who says not necessarily and Jota responds by revealing that he was never a prodigal, then asking if everyone had spoken to Bia.
Transcript of an important question asked by Quel:
Quel: One question before we answer this question for you, sir. Could you tell me what happened to make you stop wanting to manipulate Arkanya?
Jota: A tragedy. Isn't it the truth you want? I was Bia's apprentice. She recruited me while I was little, but that didn't last long. She has known me since I was little, she taught me everything she could teach, but I was a child. And children shouldn't learn everything I learned in record time. I was overwhelmed... I don't know what happened, because I only paid for two years of therapy and I think I would need four more to understand what happened to me. But I carry a lot of guilt, and maybe that's why I want my city to triumph again. Here has been the scene of so many things, and knowing that I caused one of those things is a nightmare to this day. But I want the best for this city. And you all have every right not to trust me, but I do everything I can do.
Guaxi comments that it was difficult to believe him since Jota knew Arkanya and its consequences, and that Jota didn't know about Araldo manipulating Arkanya. The mayor, nervous, says that there was never a demonstration by Arkanya on Araldo's part and that there was no way for him to know. Jota says he couldn't blame himself for what Araldo did to him and continues to do.
JVNQ says mistakes have already been made and will continue to be made if they do nothing. Pac proposes to Jota that the factory be deactivated and Araldo be sent away from the city, and Jota asks how they would do something like that.
Quel finally answers Jota's question, saying what Bia said about him being her apprentice, and asks the Mayor to tell them in more detail about what happened.
Jota asks for their trust to tell them what happened and Gabe, Denix and Coreano arrive and join the conversation.
Transcript of the Mayor's response to Quel's request:
Jota: I learned a lot about Arkanya. About how Arkanya communicates, how people managed to manipulate Arkanya, how she flows, how she passes through everyone, how she is born, all of that. And I learned so much from Bia that maybe I went too far. Part of my trauma in wanting to see this city prosper again is largely because of what I caused in the past. And it is a guilt that I will carry until the end of my life. And until I not bring glory to the city again, I will always be this irreparable wreck of a human being...
Jota: When this city was at rock bottom, I tried to make it flourish again. But I was a child. Bia has never been so clear to me about consequences. I stole one of Bia's Lankyas. I tried to let the minerals in my city flourish again so the people would be happy, have money and rebuild their lives and not leave like they were doing.
Jota: I used Lankya [starts crying] and it was all over... Why do you think I've been in therapy all this time? I know I'm guilty, it hurts me as much as it hurts the families... The families of everyone who died. Half the city died. Everyone fell into the abyss I created. And no one knows that I did this, only Bia. I was just a kid...
After Jota's vent, Quel and everyone present hug Jota as a sign of empathy.
Jota reveals that he wants to correct the mistake he made in the past, and that everything got worse as a child because Bia just completely blamed him, without even helping or comforting him. He says that Bia always did that, never treated him well, and that's also why he hates her. He reveals that Bia had promised to kill Jota, and he had to run away.
Quel adds that Bia also never treated her and Maethe very well after they failed in training.
Jota says he never wants to get involved with Arkanya and Bia again, even if it would cause his death. (Jota also reveals that after manipulating a Lankya like Araldo manipulated, the person becomes weak and needs time to recover).
Pac comments on how he had seen Jota very vulnerable after Alice's death and that he was without his mask, crying. Jota also says that when he met Araldo, he had asked for money, even after everything that happened. He adds that he will try to send an email to Hugo to try to help them (He explains that Hugo works in the government, and that he could help with some bureaucracy to remove Araldo from Valigma).
After the big conversation full of revelations, everyone leaves for their homes and/or bases.
While all this was happening, Araldo calls Wuant to talk and says he can bring Alice back if he wants to see her. Araldo also tells lies to Wuant (saying that Alice's death was an accident and that it shouldn't have happened), leaving him very undecided about his words. They say goodbye at the end of the conversation.
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Pedra da Gávea - Rio de Janeiro
#riodejaneiro#brasil#brazil#carioquices#errejota#beach#021#cidademaravilhosa#ipanema#sãoconrado#barradatijuca#pedradagávea
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Adeus, Lisboa
Vou-me até à Outra Banda no barquinho da carreira. Faz que anda mas não anda; parece de brincadeira. Planta-se o homem no leme. Tudo ginga, range e treme. Bufa o vapor na caldeira. Um menino solta um grito; assustou-se com o apito do barquinho da carreira. Todo ancho, tremelica como um boneco de corda. Nem sei se vai ou se fica. Só se vê que tremelica e oscila de borda a borda.
Chapas de sol, coruscantes como lâminas de espadas, fendem as águas rolantes esparrinhando flamejantes lantejoulas nacaradas. Sob o dourado chuveiro, o barquinho terno e mole, vai-se afastando, ronceiro, na peugada do Sol.
A cada volta das pás moendo as águas vizinhas, nos remoinhos que faz, nos salpicos que me traz e me enchem de camarinhas, há fagulhas rutilantes, esquírolas de marcassites, polimentos de pirites, clivagens de diamantes,
Numa hipnose coletiva, como um friso de embruxados, ao longe os olhos cravados em transe de expectativa, todos juntos, na amurada, numa sonolência de ópio, vemos, na tarde pasmada, Lisboa televisada num vasto cinemascópio. O sol e a água conspiram num conluio de beleza, de elixires que se evadiram de feiticeira represa. Fulva, no céu incendido, em compostura de pose, a cidade é colorido cenário de apoteose. Há lencinhos agitados nos olhos de todos nós, engulhos de namorados, embargamentos na voz. Nesta quermesse do ar, neste festival de tons, quem se atreve a acreditar que os homens não sejam bons?
Adeus, adeus, ribeirinha cidade dos calafates, rosicler de água-marinha, pedra de muitos quilates. Iça as velas, marinheiro, com destino a Calecu. Oh que ventinho rasteiro! Que mar tão cheio e tão nu! Ó da gávea! Põe-te alerta! Tem tento nos areais. Cá vou eu à descoberta das índias Orientais. Não tenho medo de nada, receio de coisa nenhuma.
A vida é leve e arrendada como esta réstea de espuma. Toda a gente é séria e é boa! Não existem homens maus! Adeus, Tejo! Adeus Lisboa! Adeus, Ribeira das Naus! Adeus! Adeus! Adeus! Adeus! António Gedeão
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Subir a trilha da Pedra da Gávea é mais do que um desafio físico, é uma verdadeira conexão com a natureza e superação pessoal. Cada passo na subida exige esforço, mas a vista lá de cima faz tudo valer a pena. A recompensa é uma das paisagens mais incríveis do Rio de Janeiro, com uma sensação de conquista difícil de descrever. Se está em busca de aventura e paisagens de tirar o fôlego, essa é a trilha perfeita!
Texto: RioFot
📷 Eco Trilhas Cariocas
#PedradaGávea #riodejaneiro #AventuraCarioca #NaturezaDoRio #DesafioEPaisagem #SuperaçãoNaMontanha #VistaIncrível
Créditos RioFot - Rio de Janeiro em Fotos e Dicas
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Blog voltado aos grandes mistérios domundoantigo através da história e arqueologia.
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"The project was born from a dream shared by a couple who had lived for many years in the place they loved, in Itanhangá, Rio de Janeiro. The house they lived in no longer aligned with their lifestyle desires. They wanted something simpler, practical, without excess, but full of beauty and with a generous garden. The linear layout of the construction, positioned along the longitudinal boundary of the land, was designed to favor the main entrance through a green pathway, maximizing the gardens and preserving almost all of the existing trees. Practical access for cars and service areas was strategically placed at the front of the property, while the private spaces were located at the back. At the intersection of these spaces lies the open dining room, fulfilling the client's desire to dine outdoors. A great surprise came upon visiting the site: the chosen position of the house provided a perfect view of Pedra da Gávea, a delight for the residents' eyes."
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Se você pudesse,
Calaria todas vozes.
Viveria em silêncio.
Deixaria de lado a diferença
Viveria como quem pudera
Mas é tarde
Deixou acumular
A insignificante parte de tudo.
Como defesa, apaga
E lembra que não adianta o esforço
O navio então começa partindo
Você se desespera com o tempo
Funde incerteza com gelo
Pouco a pouco vai deixando de ser
Avisando cada partida
Primeiro Emília.
Depois Visconde.
Pronome.
Os criadores.
Depois cabelos vermelhos.
E o resto é indiferente
Palavras frias golpeiam forte
Que como todo escritor,
Mesmo a morte precisa ser poética.
Então prepara o barco
Maré alta chegou
O ritual de segurança termina
Ninguém aprendeu o que fazer
Na esperança que nunca afunde
[....]
Pouco a pouco chora menos
Pois sabe que está chegando
A bendita hora do tudo último.
Último abraço.
Último toque.
Último ser.
No alto da pedra da Gávea
Onde tudo se deu por erro
E não havia volta
Só não tinha percebido
Era tarde.
@arcoirisdaspalavras
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Pedra da Gávea (2018)
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Grande dado! PARLAMENTAR BRASILEIRO FALA A VERDADE SOBRE A PEDRA DA GÁVEA E SEGUIDORA...
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View of Dois Irmãos and Pedra da Gávea from Arpoador, Ipanema
Made with ❤️ & Photoshop
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Pedra da Gávea - Rio de Janeiro
#riodejaneiro#brasil#brazil#carioquices#errejota#beach#021#cidademaravilhosa#ipanema#sãoconrado#pedradagavea
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"A senhorita Westhill não tinha apenas sobrevivido à tempestade.
Ela encontrara terra. Os ventos e as águas furiosas que haviam separado seu Caçador do Sol dos Hightower a levaram para o oeste, e, quando raiou o dia, seu homem no cesto de gávea espiara pássaros contornando um pico de montanha nebuloso no horizonte. A senhorita Alys partiu nessa direção e encontrou três ilhas pequenas.
— Uma montanha acompanhada de duas colinas — foram suas palavras.
O Senhora Meredith não estava em condições de navegar, mas, com a ajuda de três botes de reboque do Caçador do Sol, conseguiu alcançar a segurança das ilhas. Os dois navios avariados se abrigaram junto às ilhas por mais de uma quinzena, providenciando reparos e reabastecendo os estoques.
A senhorita Alys se sentia triunfante; ali estavam eles, em terra mais a oeste do que qualquer outra terra conhecida, ilhas que não existiam em nenhum mapa de que se tinha notícia. Como eram três, ela as batizou de Aegon, Rhaenys e Visenya. As ilhas não eram habitadas, mas havia nascentes e córregos em abundância, então os navegantes puderam encher seus barris com toda a água doce de que precisavam.
Havia porcos selvagens também, e imensos lagartos cinza do tamanho de veados, e árvores carregadas de nozes e frutas.
Após experimentar algumas delas, Eustace Hightower declarou que não era preciso ir mais longe.
— Isto é uma boa descoberta — disse ele. — Temos especiarias aqui que nunca provei antes, e estas frutas rosadas… temos nossa fortuna aqui, em nossas mãos.
Alys Westhill estava incrédula. Três ilhas pequenas, sendo a maior delas um terço do tamanho de Pedra do Dragão, não eram nada. As maravilhas de fato aguardavam mais a oeste. Talvez houvesse outra Essos logo além do horizonte. {...} Alys Westhill e seu Caçador do Sol rumaram para o oeste, caçando o sol. {...} O Caçador do Sol desapareceu no oeste, ainda em busca das terras além do Mar do Poente, e nunca mais foi visto." Fogo e Sangue // O Longo reinado: Jaehaerys e Alysanne, política, progênie e provação
🎨: Nutchapol Thitinunthakorn
#alyswesthill#asoiaf#westeros#asongoficeandfire#books#fanart#georgemartin#rhaena#dreamfyre#drogon#rhaegal#viserion#dragons#braavos#essos#elissa#elissafarman#housefarman
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