#paulo andre icons

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BBB 22 Random icons

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Imagine this: Being taught by Cheren about caring for others and his pokemon, now Lear has to take on the mentor role for Paulo after he goes in too deep with toxic villain mentality. Is Lear a decent or bad mentor? Does he goes with Cheren to complain about how difficult is Paulo and Cheren just laughs, because irony is poetic?

I will do a drawing about this, I just wanna know your opinion as the official Lear fanatic of tumblr dot com

Oh my god I'm the official Lear fanatic of tumblr dot com *notes it in the list of titles earned on the internet*

OK BUT!!! I KINDA WANNA SEE THIS??? I mean the "Lear takes on the mentor role for Paulo" which could end up in disaster or the most chaotic, cute stupid friendship ever, and its only because of THAT ONE SCENE AT THE END (I THINK) OF THE PML LIKE, LEAR, LEAR YOU SAW SOMETHING IN THE KIDS EYES WON'T YOU DO SOMETHING??????? WILL YOU KEEP IT IN MIND FOR IF SOMETHING HAPPENS LATER ON??? I also want to see Tina more so bad I hope she becomes playable she looks like!!! a fun character!!!!!

Maybe he doesn't really has to do the mentor role just, occasional suggestions which, either way Cheren ends up helping him because "I DON'T KNOW WHAT I'M TELLING HIM HELP ME PLEASE I DEMAND IT" and ah~ yes~ the irony~~!

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𝐏𝐚𝐮𝐥𝐨 𝐀𝐧𝐝𝐫𝐞́ (𝐁𝐁𝐁𝟐𝟐) ⋆ like or reblog if you save ⋆ don’t repost or edit ⋆ credit @puenteyportilla​ on twitter if u use.

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BBB ICONS

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[architectuul]

Learning from Frei Otto

When we speak of a globalized public, we speak particularly about perceptual worlds in transnational city contexts. The closer you look at these global cities, the more the phenomenon of interchangeability crystallizes out.

Competition model for Tiefbahnhof Stuttgart 21 (not submitted) by Frei Otto, 1997/98 | © saai S��dwestdeutsches Archiv für Architektur und Ingenieurbau, Karlsruher Institut für Technologie, Werkarchiv Frei Otto

"Unfortunately that's how it is. The same buildings you see in Hafen City, for example, can be seen in Shanghai or São Paulo or in Mexico City. This is the consequence of urbanization" describes Helmut Schmidt the dilemma in conversation with Louisa Hutton. Urbanization in the sense of vernacular architecture? A re-recognizable, regional architectural language with typical designs: regional becomes globally and recognizable becomes strangely interchangeable.

On the other hand, many cities try to overcome this interchangeability with spectacular, iconic buildings in order to remain apparent. But here, too, the mantle of a globalized architecture of banks and commerce has evidently been slipped over. This inevitably occurs in constant feedback with our perception of our profession. Are we ourselves to blame for this? While "the general self-understanding of one's own professional responsibility for the entire society among the architects of that time was broadly present," as Hannes Meyer described the role of the architect in 1929, the fundamental "service to the people" gave way to an equally fundamental service, the service of the capital. Transnational financial flows are the link of transnational city networks, the blood in the veins of all the big players and global cities. In this context, architecture is much more degenerated than thought and is constantly politically abused and exploited. So it's time to get uncomfortable again, as Andres Lepik pleads for it. A plea for more corners and edges in favour of a content-related basis.

Frei Otto in his studio | © saai Südwestdeutsches Archiv für Architektur und Ingenieurbau, Karlsruher Institut für Technologie, Werkarchiv Frei Otto

Eckhart Nickel titled the magnificent retrospective of the visionary Pritzker prize-winner Frei Otto "If Germany were only like what he built.” (Wenn Deutschland nur so wäre wie das, was er baute) at the Karlsruhe Center for Art and Media (ZKM). The exciting thing about Otto's work is that his projects precisely correspond to such an "uncomfortable" way of thinking and thus unfold an enormous relevance for the present. It was he who always regarded architecture as an open experiment, even from a media perspective. As an experimental set-up, where one can continuously work on, research and thus enter new territory. 

A new territory, which was not only uncomfortable due to his systematic approach from deepest analysis, but also due to Otto's work as an uncomfortable discourse figure. As a young architect, he intervenes in the events and criticizes, for example, the "fake framework" of the House of World Cultures, the American gift celebrated at that time as a miracle of engineering art. He confidently expresses counter-proposals, disassembles the draft in public interviews, and only spills with the desire to interfere with current debates. Free of stereotypes, he succeeds in unleashing antiauthoritarian features in the essence of architecture in order to question conventional knowledge. This does not take place in a studio or atelier, but in its so-called “Entwicklungsstätte für Leichtbau“ (development center for lightweight construction).

Night view of the Tanzbrunnen für die Bundesgartenschau 1957 in Köln | © saai Südwestdeutsches Archiv für Architektur und Ingenieurbau, Karlsruher Institut für Technologie, Werkarchiv Frei Otto

We are also located in development centers when we look towards architecture faculties. But what exactly is the university in the sense of a development center achieving for new generations of architects? Frequently only an uncritical acceptance of the teaching spirit. Therefore we need courage to inconvenience rather than appeal to convenience. Because the employment of (uncomfortable) issues has not led to a comprehensive development in the education or practice of architecture.

Inside Mannheim Multihalle during the erection of construction in 1975 | © saai Südwestdeutsches Archiv für Architektur und Ingenieurbau, Karlsruher Institut für Technologie, Werkarchiv Frei Otto

Even though the practice is becoming more and more digital, we are the possible cross-thinkers, who, unlike consumer and professional economists, particularly are able to highlight and question socio-cultural aspects. I agree with Dirk Helbing, because "modern societies [...] need creative and self-responsible citizens who are also prepared to take risks." We should, therefore, again be intensified creators of society and not hang ourselves in the loop of a reproduction of worn out structures. We should ask ourselves: Where are we now? How will our built environment look like? What part did we contribute? What are the problems of our time, which must be clarified architecturally?

Frei Otto on the experimental set-up for Montreal | © saai Südwestdeutsches Archiv für Architektur und Ingenieurbau, Karlsruher Institut für Technologie, Werkarchiv Frei Otto

And this is the point where the ominous final stroke is drawn. It does not begin with questioning the role of one’s own with completed degree. But much earlier, here and now, with our self-awareness as students in a global public. An architectural public world, which should be based on particular attitudes. And this is what we are here for. We are here to work out an attitude like Otto did, everything else is just tools.

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by Florian Bengert

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[footballghana]

FEATURE: Samuel Eto’o: The five matches that made his career

Goal remembers the games that truly defined the Cameroon legend as he approaches his African Legends Cup of Nations semi-final against Didier Drogba

Samuel Eto'o

Ahead of Samuel Eto'o's African Legends Cup of Nations semi-final against Didier Drogba, Goal remembers some of the matches that underpin the Cameroon icon's legacy.

He is remembered as a big game player due to his impact in several high-profile games, but which were the fixtures, the moments, and the goals that have truly helped the Central African striker establish himself as one of the continent's all-time greats.

Here are five outings that were influenced, or even shaped, by Eto'o's contribution. Will these performances be enough to take him past Drogba and into the Alcon final?

2006 Champions League Final

Eto’o started the 2006 final as part of a Barcelona front three containing Lionel Messi and Thierry Henry.

It’s serious quality, but it was still Eto’o who stole the show, equalising in the 76th minute following Sol Campbell’s opener for Arsenal after being played in by substitute Henrik Larsson.

The Swede would set up Juliano Belletti for the winner four minutes later as Eto’o, who was named Man of the Match in the final, became only the second Cameroonian winner of European football’s grandest prize.

Africa Cup of Nations 2008

Laurent Pokou had been the Africa Cup of Nations top scorer of all time for 38 years before Eto’o took to the field at the 2008 tournament.

The Cote d’Ivoire legend scored 14 goals across the 1968 and 1970 editions of the tournament, but against Zambia, the Cameroon great struck a penalty to equal Pokou’s haul.

In the next match, the Indomitable Lions’ final group game against Sudan, Eto’o would strike another penalty to take the record outright, before adding his 16th in the competition history in the 90th minute.

He won the tournament’s Golden Boot with five goals and would end his career with 18 goals.

Of all active players, the closest to Eto’o is Andre Ayew, on nine goals, and it’s hard to see the forward’s record being broken any time soon.

2009 Champions League Final

Three years after their triumph over Arsenal, Barcelona were again up against English opposition in the final as they took on Manchester United.

Eto’o opened the scoring in the scoring in the tenth minute as Barca blew away the reigning champions during a magnificent display. Lionel Messi added a second as the crown returned to Catalonia.

This UCL success rounded off a European treble for Barca, with the Messi-Eto’o-Henry triumvirate scoring 100 goals between them.

Eto’o’s goal against United meant that he became only the second player in history to score in two UCL finals.

2010 Champions League final

In 2010, after moving to Internazionale, Eto’o would complete another domestic treble—becoming the first player to achieve the feat—including another Champions League triumph.

It’s an achievement that would place him alongside Gerard Pique, Marcel Desailly, and Paulo Sousa as players to have won the title with two separate teams.

Diego Milito netted twice in the final for Jose Mourinho’s Inter, with Eto’o, who had been used in a wide role by the Portuguese coach, contributing the assist for the opener.

2011 Champions League semi-final

While Inter would ultimately fall short in the 2010-11 Champions League, where they were eliminated in the quarter-finals, Eto’o would deliver one of his greatest-ever performances in the Round of 16 showdown with Bayern—a rematch of the previous final.

Inter lost the first leg 1-0 at home, but turned things around in the second leg, with Eto’o levelling affairs after four minutes.

Bayern led 3-1 on aggregate by half time after goals from Mario Gomez and Thomas Muller, but Eto’o would step up in the second half to prove his quality, providing assists for Wesley Sniejder and Goran Pandev to send the visitors true.

It was a performance to silence all those who claim that the attacker is a mere one-dimensional goalscorer.

Inter would fall to Schalke in the quarters.

Source: goal.com

source: https://footballghana.com/

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𝐏𝐚𝐮𝐥𝐨 𝐀𝐧𝐝𝐫𝐞́ (𝐁𝐁𝐁𝟐𝟐) ⋆ like or reblog if you save ⋆ don’t repost or edit ⋆ credit @puenteyportilla​ on twitter if u use.