#pat is telling elyes not to cross the line
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respectthepetty · 2 months ago
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Elyes is rich, toxic, and egotistical. He also crosses the line every chance he gets.
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He is the title character of Bad Guy My Boss, but he isn't even bad. He just has one brain cell, and it's in the wrong head. *wink* PENDEJO!
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He is a Black Brooder who wants his Happy Human secretary.
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But he has no idea how to actually get a guy since most men just throw themselves at him, so all he really knows how to do is boss Pat around.
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And now he is going into extreme boss mode by demanding the most outrageous stuff (because he is a pendejo!).
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But he is failing to realize that his behavior is simply making Pat darker.
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Although I fully believe Pat is wearing black here because he does love Elyes, the barrier between them is thick and heavily on Pat's side!
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Even when Elyes tries to bring them closer in his little frame,
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Pat pushes him away and the barrier comes back up on Pat's side.
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Not only is Pat placing boundaries with Elyes, he is also reflecting on his position because even though Pat loves his boss, does he want to be another name on the roster like all these other men he is buying gifts for and scheduling appointments for booty calls with Elyes?
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And even more, Elyes is in a relationship with his company, so does Elyes even really care about Pat or does he only care that Pat is good for the company?
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Elyes is the bright light of Pat's life.
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Pat's entire life revolves around him because Elyes is the center of his universe.
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But it doesn't mean he wants to be in that world with him anymore.
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So as much I love the shoe shots of Elyes stepping up,
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The visuals are making it clear that Elyes is crossing Pat's boundaries in his attempt to get closer.
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So even though the episode ended with what looked like Pat and his barrier dissolving under Elyes's kiss,
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I don't think he was moving his hand on Elyes's arm because he was falling into the kiss, but so he could get a better grasp to push him away since the barrier quickly reappeared.
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Because the director is Term, who also directed Chains of Heart, and that show, if anything, was a visual buffet of barriers, boundaries, and bars, so I feel confident that the barriers are intentional in this show as well.
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So I'm here for the visuals.
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And people crossing the line.
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In more than one way.
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