#parktheater

[ilovetheater-nl]

Tafel van Vijf Muziektheater presenteert PROVO 2.0

FOTO:©Studio PolatTafel van Vijf Muziektheater presenteert dit voorjaar PROVO 2.0, een interactieve expositie en dynamische voorstelling met live muziek, geïnspireerd op de Provo jongerenprotestbeweging van de jaren ’60. PROVO 2.0 gaat op 27 maart in première in het Bijlmer Parktheater in Amsterdam en speelt tot en met juni 2025. Heb ik bloed aan mijn handen?In PROVO 2.0 volgen we het verhaal van…

[k2i]

true/本当のこと (2007 - 2012) from Kinsei R&D | Fujimoto Takayuki on Vimeo.

A full-length uncut version of "true/本当のこと." A record performance in Montreal in 2011.

This performance premiered in 2007 and continued the world tour until 2012.

*この記録映像の本編 51分10秒から54分10秒までの音声は、使用していたスタンダードな楽曲の権利処理の問題から、編集にあたり音源を差し替えました。 *Due to rights issues with the standard music used in the video, the audio from 51:10 to 54:10 has been replaced in the editing process.

The main technical systems used in this performance; Myoelectric sensor -> UHF radio -> Max/MSP | -> Sound sampling files -> Video -> Transducer (ButtKicker) + Scaffolding -> LED lighting + Circular truss -> Linear actuator + Electromagnet

Note: The first 6 min. 45 sec. They are almost silent. Then suddenly there is a loud noise ^_^

true/本当のこと Credit: Direction/Lighting Design: FUJIMOTO Takayuki (Kinsei R&D/Dumb Type) 企画演出/照明:　藤本隆行 Choreography/Dance: SHIRAI Tsuyoshi (AbsT/baneto) 振付/出演:　白井 剛 Choreography/Dance/Text:　KAWAGUCHI Takao (Dumb Type) 振付/出演/テキスト:　川口隆夫 Sound/Video/Visual Design: MINAMI Takuya (Softpad) 音/映像/ビジュアルデザイン:　南 琢也 Sound/Integrated Programming: MANABE Daito (Rhizomatiks) 音/統合制御プログラミング:　真鍋大度 Video/Programming/web: HORII Satoshi (Rhizomatiks) 映像/プログラミング/ウェブ:　堀井哲史 Table Design & Mechanics: SAITO Seiichi・ISHIBASHI Motoi (Rhizomatiks) 装置:　齋藤精一 ・ 石橋 素 Myoelectric sensor & Oscillator support: TERUOKA Masaki (VPP) 筋電センサー製作、振動子監修:　照岡正樹 Costume Design: KITAMURA Noriko 衣装:　北村教子

Technical support: YCAM InterLab Color Kinetics Japan TamaTechLab Rhizomatiks DGN

Production management: HiWood - TAKAGI Koichiro, TSUCHIYA Ayako 制作:　ハイウッド - 高樹光一郎、土屋彩子

EPAD version Sound work: IWATA Wataru 音響工作:　岩田渉

Video editing: FUJIMOTO Takayuki

Performance schedule record: 2007 01 Sep. World premiere Yamaguchi Center for Arts and Media [YCAM], StudioB Yamaguchi/Japan

08, 09 Dec. 21st Century Museum of Contemporary Art, Theater 21 Kanazawa/Japan

14-16 Dec. Yokohama Red Brick Warehouse No.1 Yokohama / Japan

2008 24-26 July Esplanade, Theatre Studio Singapore

13-15 Nov. Japan Society New York/USA

2009 06-09 Aug. Setagaya Public Theatre, Theatre Tram Tokyo/Japan

25, 26 Sep. Stadsschouwburg Amsterdam (SSBA) Amsterdam/Netherlands

29 Sep. Parktheater Eindhoven Eindhoven/Netherlands

03, 04 Oct. Tanzhaus NRW Dusseldorf Dusseldorf/Germany

09-10 Oct. Mousonturm Frankfurt/Germany

15-17 Oct. Maison de la culture du JAPON a Paris Paris / France

11, 12 Nov. Teatro Tom Jobim / Festival Panorama de Danca 2009 Rio de Janeiro/Brazil

18, 19 Nov. Teatro Peaulo Autran / SESC Pinheiros Sao Paulo/Brazil

2010 05 June Macao Cultural Centre, Small Auditorium Macao/China

18-20 June Hong Kong Cultural Centre, Studio Theatre Hong Kong/China (Organized by orleanlaiproject)

08, 09 Sep. EX-Alumix di Bolzano / TransART 2010 Bolzano/Italy

2011 27-29 Jan. Usine C Montreal/Canada

03-05 Feb. Cooperative Meduse/Mois-Multi Quebec/Canada

18-21 Mar. AI HALL/AI HALL Dance Collection vol.64 Hyogo/Japan

2012 08-09 Mar. LIG Art Hall Busan/Korea

Kinsei R&D: kinsei.asia/ facebook.com/KinseiRD/ #kinseiRD

[worktitle]

bewegwijzering Bijlmer Parktheater i.s.m. Sebastian Doermann

[lesser-known-composers]

Henryk Wieniawski (1835-1880) - Legende

Kammerorchester Bobingen

Nathalie Schmalhofer, Violine

Leitung: Ludwig Schmalhofer Parktheater Göggingen 25.2.2018

[skillstopallmedia]

your TV program (+ French times)

Find the complete TV program of the 2023 Formula 1 Australian Grand Prix, played on the Circuit de l’Albert Park, with the schedules for France (Canal+, Canal+ Sport, Canal+ Sport360) and Belgium (Tipik/RTBF). After two weeks of break and the Red Bull domination in Jeddah nightthe caravan of the Formula 1 pitch his tent this week in theMelbourne’s Albert Parktheater since 1996 from Australian…

[schumacherfotografie]

göggingen   2021-08-18

[elarafritzenwalden]

'Parktheater Grenchen' Grenchen, Solothurn, Switzerland; 1955

Ernst Gisel, Giovanni Crivelli; Salzmann & Emch (engineers); Otto Staiger (stained glass); Elsi Giauque (invited artist); (photography by Max Hellstern; Fredi Waldvogel)

see map | more information 1, 2

via "Das Werk" 43 (1956)

[ritaca28]

Gillian at “Park Theatre” tonight for “Whodunnit”

Source: Twitter

[dsistella]

Gillian at the Park Theatre🎭❤

Source: parktheatre on twitter

[dondidonde]

#LadyGaga #parktheater #enigma #lasvegas #nevada @ladygaga #parkmgm #hausofgaga #ladygagaenigma #ladygagajazzandpiano 6/9/19 (at Park Theater Las Vegas) https://www.instagram.com/p/ByhVy0_HnW3/?igshid=1rw59vtgfxqwa

[lachendelama]

Voor het 11e jaar verzorgde wij de DAF Sinterklaasshows in het Parktheater in Eindhoven. Bekijk meer: https://lachendelama.nl/daf-sinterklaasshows-2022/ #DAF #sinterklaasshow #sinterklaasfeest #DAFsinterklaas #parktheater #eindhoven #kolderenkwast

[alexandrawilbraham]

REVIEW: ROSENBAUM'S RESCUE, PARK THEATRE

First published: https://www.ayoungertheatre.com/review-rosenbaums-rescue-park-theatre/

By Alexandra Wilbraham

Written by A. Bodin Saphir, Rosenbaum’s Rescue is set at Hanukkah in 2001. At a remote home on the snowy Danish coast, it’s time for two old friends to bury the hatchet. Lars (Neil McCaul) and Abraham (David Bamber) have not seen eye to eye for decades, but old tensions refuse to thaw as Lars’ relentless pursuit of the truth concerning the plight of Danish Jews during WWII challenges Abraham’s faith, patience and memories.

When I enter the performance space I feel as though I have stepped right into a branch of IKEA. The stage is transformed into a modern kitchen and living room space. A comfortable sofa stands centre stage, flanked by two side tables. Along with a coffee table and chairs, it completes the living room. Also inlcuded is a kitchen, complete with fridge, oven and coffee set. William Fricker’s domesticated set is almost too pristine, but small details such as a nine-branched menorah and photos attached to the cupboard doors keep it from feeling too sterile. Emma Chapman’s lighting design, using standing and desk lamps to illuminate the space, manages to fill the stage with a warm, early evening glow. Still, the space feels empty and as if someone has measured out the distance between every piece of furniture and kitchen appliance.

The actors are well cast, and Director Kate Fahy has managed to create a tight-knit group whose interactions seem natural. It feels as though I’m watching a family on stage, with all the squabbles and imperfections that come with them. I particularly enjoy Dorothea Myer-Bennett as Eva, the smart, PhD-quitting, aspiring novelist lesbian. Although the character is a stereotype millennial on paper, Myer-Bennett gives Eva the necessary energy to lift her away from that. With lines such as “I added F, E to male, making it far more superior in the process”, Eva adds some much-needed comic relief to the proceedings.

The cast often stumbles over their lines, although this is not the fault of the actors, as I feel the play would benefit from the script being tighter. I checked my watch, and 45 minutes into the play I still couldn’t figure out where the story was going. Too many branches of narrative intertwine, without there being a single main one to guide us through. There is the history between Abraham and Lars, the past romance between Lars and Abraham’s wife Sara (Julia Swift), a son, who in a Waiting for Godot-type narrative never arrives, a call to action to protect the refugees of today, and the almighty question of whether we should put our trust in fact or faith. Although the second half picked up the pace a little, I mostly felt as though I was in the midst of a history lesson, having an ethical discussion about whether something inherently evil can hold a sense of humanity. It’s a shame because the historical context is definitely well researched and treated with great care.

All in all, Rosenbaum’s Rescue is an ambitious debut play. However, it could say a lot more in a lot less time. The way it stands now, someone unfamiliar with the history of the Danish Jews would leave the theatre well informed, but more exhausted than entertained. With a little tinkering and a better idea of what the most important plot point is, I believe this play could far exceed the message it wants to portray.

[mikeyphotography]

Been going to lots of festivals, shows, events these past few weeks. But probably one my favourite things lately is just getting crowd shots of people. Capturing their experience at the show. It's something you don't expect but it's something different and fresh for myself. It's as well keeping me alittle bit of motivation cause of feeling burnout from going to so many places as well with something new. Might see alittle bit of more of this kind of styleish in the feed if you all enjoy this :) -------------------------------------- #collageconcert #concertpics #liveconcertphotography #concertpics #livemusicphotos #photopit #livemusiccolletive #concertphotographers #minnedosa #manitobamusic #concertshots #concertshot #manitobaevents #manitobaphotographers #winnipegphotography #winnipegphotographers #livemusicphotographers #drumphotography #peoplephoto #peoplewatchingart #parktheater #canadalifecentre #manitobaphotography #streetphotograph #lifestylephoto #festivalphotographer #festivalphoto #festivalphotography (at Manitoba) https://www.instagram.com/p/ChNG4oUgclL/?igshid=NGJjMDIxMWI=

[tonycarlson93]

the countdown is on! exactly one month til I see Enigma live 💚 . . . . #WCW #LadyGaga #Enigma #GagaVegas #ParkTheater #Gaga #Vegas #OneMonth #Countdown https://www.instagram.com/p/BsJ2XCcHIPT/?utm_source=ig_tumblr_share&igshid=ffyx2r5shffo

[milestsang]

Last post relating to this piece but I have to give a special shoutout to @joshtimmermans AKA 'Noble Visions' for capturing the light show of @widespreadpanichq performing “Don’t Fear the Reaper” during the band’s Rowan & Martin Laugh-In Halloween show on Halloween weekend. LED artwork generated from the Fear And Loathing-inspired gigposter by yours truly (@milestsang), LED and lights by #paulhoffman and @andrewsmithlights of @pulse_lighting. It's always crazy to see my work in a non-purely-poster application, so enormous thanks to the band, crew, and aforementioned creatives for the shine! ✨🙌✨ #art #blueoystercult #dontfearthereaper #halloween #joshtimmermans #joshuatimmermans #lasvegas #lightshow #livemusic #milestsang #noblevisions #panic #panictour #parktheater #rowanandmartin #skrim #widespreadpanic #wptour #wsmfp (at Park Theater Las Vegas) https://www.instagram.com/p/Bp761yBngWJ/?utm_source=ig_tumblr_share&igshid=u572q2hk1o58

[schumacherfotografie]

untitled 572   2021-04-20