#paris galler

[sofialisbon]

[wisedreamlandvoid]

[antiquatedsimmer]

Duvessa Tidesong

Happy Mermay! I present one of my occult sims as a gift!

Duvessa Tidesong is a seawitch who enjoys using her beauty and song to lure in tourists of Sulani & drown them C: She aims to look like a tourist herself so that she may get close to them as she prowls popular spots when hunting.

Those who know of her magical profession can seek her out and make contracts to make their every wish come true!

Careful, the price is steep.

MODS/CC UNDERCUT

IF YOU WANT UR SIM TO LOOK EXACTLY LIKE MINE, you will NEED all the CC linked below :)

Thank you creators for allowing us to have access to your stuff.

DOWNLOAD DUVESSA ( Slider & Presets included & linked below ) NOW AVAILABLE ON PATREON (FREE)

EA: Pathesis

GALLER NAME ( uploaded with CC ): Duvessa Tidesong

This sim was made for playing with Spinningplumbobs Expanded Mermaids along side their Faries VS witches Mod

If you do not have these you will need to change her traits/Aspirations.

CC LINKS:

Ear Fins (Tattoo upperarm) | Cleavage Mask ( Acne ) | Skin Tints | Eyeliner | Skin/face Details | claw nails ( Mermaid tail form ) | Nails | Gills skin detail | Tiefling body detail | face light and pores ( Retired CC ) | Hand Webbing | Body Glitter | Siren skin tint & face markings | Scale shine ( Facepaint ) | Eye color1 | Eye color2 | Teeth 1 | Teeth 2 | Eye Sclera | Occult overlays | Lip Tint | Skin overlay | Eyeshadow | | Blush | Skin Pores | Lashes | Warpaint | Lip Mask | Occult skintone | Ear Preset | Eye preset | Lip Slider | Brow Slider | Chin slider | Hat slider | mouth slider | Lip detail slider | eyebrow slider | eyebrow slider 2 | Body preset | Cheekbone slider | Leg slider | Hip shape slider

Everyday:

Hair | Dress ( Cameron Dress ) | Shoes | Necklace

Formal:

Fur scarf | Hair | Dress | Heels | Necklace

Athletics:

Arm Bands | Headphones | Hair | Fishtail Leggings | Top ( Alyssa Top ) | sneakers | Necklace

Sleepwear ( Her outfit I have her perform rituals in ):

Hair | Shell Headress Shell necklace Shell earrings ( SIMSDOM WARNING :'( srry) | Dress | Wicked Fingertips | Face Veil |

Party:

Body chain | Heels | Hair | Dress ( Paris Dress ) | Necklace

Swimming:

Crochet Top | Wet Hair ( Mermaid form ) | Seashell top ( mermaid form) | Wrap Skirt | Necklace | Hair | Mermaid tail

Hot Weather:

Hat | Sunglasses | Dress | shoes | Necklace | Hair

Winter:

Boots | Pants | Sweater ( Creator Deactivated ) | Hair | Necklace

CC Creator Credits:

@simcelebrity00 @backtrack-cc @dissiasims @oakiyo @crilender @madlensims @northernsiberiawinds @tekri @okruee @remussirion @arckamsims @blahberry-pancake @simgirlz @trillyke @lady-moriel @faaeish @maxsus @joliebean @aharris00britney @pralinesims @serenity-cc @sentate @xy-a @sunivaa @sifix @isaiahillustrates @saruin @chloem-sims4 @pyxiidis @pictureamoebae @twisted-cat @/uglysim (deactivated) @clumsyalienn @thepeachyfaerie @oydis @jius-sims @atelierlena @oito-cc @dream-girl @valhallansim @arethabee @sammi-xox @octetsica @evoxyr @magic-bot @miikocc @obscurus-sims @pirumxsim @bloodmooncc @luumia Those who I could not find tumblrs for: https://www.thesimsresource.com/members/cosimetic/ https://www.patreon.com/Dumbabie

[thewadapan]

I do recommend people take this test, it's a riot.

But like, it's not a study. (The site linked above appears to be yet another waste-of-space Amazon-affiliate-advertising content aggregator grift, which talks a big game about Creative Commons but why would I want to repurpose any of this material in the first place? The only original content I can see here is obviously-AI-generated thumbnails for the art, which look like dogshit. The original results post for the test is a much better read.)

The way the test is designed is like this. Images were roughly balanced by art style: so of all the digital-art pieces, 50% are human, 50% are AI, same for the renaissance paintings, same for the impressionist stuff, same for abstract. Except, obviously, the human pictures have been selected to exhibit stereotypical signs of AI-ness: overdetail, odd scaling, incorrect proportions, random meaningless shapes, illegible text. Meanwhile, the AI stuff has been filtered to avoid anything that had obvious tells to a layman's eye, like fucked-up hands or whatever.

So it's basically a game of like... whatever your gut instinct tells you the image's provenance is, it's probably the opposite.

When you filter out the human works, and look at the provenance of solely the AI pictures (as given in the results post), that's when you find out what this test is actually indicative of. The pieces were mostly generated by two ACX readers, Ryan Wise and Jack Galler. I remember spotting every single one of Ryan's images, without fail. Meanwhile, nearly all of Jack's images fooled me. (There were also a handful of other AI images taken from social media or whatever, which again, I easily pegged as being AI-generated, they're pure slop.)

I'll actually go so far as to say that it's pretty embarrassing for Ryan that he thought these images were good enough to share. Wall-eyed figures whose clothes blend into flesh, abstract shapes with eerily-lifelike inhuman faces leering out of the picture, inconsistent details... but most of all, a sense that the prompts themselves were bereft of any creativity. "robot skeleton abstract painting", "woman in field impressionist". Come on man. AI is the ultimate tool for ideas-guys, and yet here you are without a single idea to show for yourself.

Ryan was apparently using StableDiffusion. Meanwhile, here's Jack talking about his process:

I just used Midjourney. Most of the prompts were just describing some generic impressionist scene. I've never had an art history class (but I am an art history fan!), so I worked with ChatGPT to identify key trends of say, Impressionism, so I could prompt better. I generated a lot of each one ,and just used my subjective opinion to decide what looked good and what didn't. The Paris Scene (which fooled the most people) had this prompt: "Impressionist painting of a bustling Parisian street under the soft rain, 1881" The Riverside Cafe (which people liked the most) had this prompt: "Impressionist painting of a countryside café terrace during twilight, 1883"

It seems that specifying a year in particular was what helped Midjourney hone in on these historical styles in a convincing way. Jack's method obviously involved a huge amount of cherry-picking—which I would argue is another huge element of human intervention, if only in a sense of curation. A version of this test I would like to see would be one where both different AI models and a range of talented artists were given the same prompt. What if it was one-shot, with just a single generation, no cherry-picking? Except of course an AI can generate thousands of paintings in the time it takes a human to do just one, so what would that even prove?

This test reminded me of a piece I saw on deviantART a long time ago, of this ruined fantasy castle in a cave. Pretty cool! But then you look at it a bit longer, and it's like- hang on, why is that human skull the size of the collapsed turret lying next to it? It's exactly the kind of nonsensical composition you see in AI, except no, it's just a digital artist using photoshop and they fucked it. I kind of feel like this is where the state-of-the-art of AI image generation is right now; about as good as a guy bashing together stock assets in photoshop, which is to say maybe good enough to get an idea across, even if it can't actually stand on its own two legs as a piece of art.

So yeah, from a cynical perspective, I'd find it hard to argue that Jack's generations aren't "good enough" for many applications. I don't know that I'd hang any of them in a gallery. The longer I look at them, the less I like them. But they've got the right vibes.

So a more accurate headline for that BOING BOING article might be, "AI art haters unknowingly prefer AI-generated works by Jack Galler, according to test".

If there's one thing I'll be taking away from this post, that's helped me better understand my own feelings on AI art, it's this analogy from digital artist Ilzo, quoted in the results analysis:

Imagine if everyone got the ability to create mostly nutritional adequate meals for like five cents, but they all were mediocre rehydrated powder with way too much sucralose or artificial grape flavor or such. And your friends start inviting you over to dinner parties way more often because it's so easy to deal with food now, but practically every time, they serve you sucralose protein shake. (Maybe they do so because they were used to almost never eating food? This isn't a perfect analogy.) Furthermore, imagine people calling this the future of food and saying chefs are obsolete. You'd probably be like "wow, I'm happy that you have easy access to food you enjoy, and it is convenient for me to use sometimes, but this is kind of driving me crazy".

Last month, over 11,000 people took Astral Codex Ten's survey to see if they could they tell the difference between 50 human-made art and AI-generated images. The results were humbling for humans, especially ones who professed a loathing for AI art.

Most participants stumbled through the test, scoring just 60% — barely better than flipping a coin. What tripped them up? Our preconceptions about art styles, it turns out, are deeply ingrained. When people saw classic Impressionist paintings, they confidently declared them human-made (and were often wrong). When they encountered digital art, they quickly labeled it as AI (and were frequently mistaken).

Perhaps the most ironic finding was about people who claimed to despise AI art. When these AI critics picked their favorite pieces without knowing their origin, they consistently chose AI-generated works. Even among those who rated their hatred of AI art at maximum levels, their top two favorite pieces were created by machines.

[lovergilmore]

[almosttenaciousmoon]

I was working on my science assignment at a cafe today. I hade a whole table to myself with my laptop-notebook-pastry-hot drink-and pens set up listening to Fiona Apple and Florence + The Machine. When I realised that it was very that girl of me. 

[ifiitudiss]

Paris Gellar ꕤ

[mesillusionssousecstasy]

Doug Aitken, Cloud Plane (Slipstream), 2015 © Doug Aitken; Courtesy 303 Gallery, New York. Representé(e) par: 303 Gallery

[junseotual]

millie!!! you used to live in brussels right?? is it nice there?? i'm visiting there with my new school in a (long) while and i'm pretty excited (but also kinda salty cause it'll only be a small 2 weeks while another class is going multiple months to california jsdhs but i'm sure it'll still be great)

YOU WHAT-- GASP-- wait i’m jealous can’t you take me with you

also i’m adding a read more because this got suPER LONG oh my god,, when i say i miss brussels I REALLY MEAN IT (don’t hesitate to ask me more!! i can rant for hours!! and this might not even answered any of your questions so!!)

AAAAAAAAAAAAAAA i might be extremely biased but it’s. amazing. it might not be much of a holiday/vacation or even touristic city (although there are many touristic attractions, don’t get me wrong). it was a nice city to live in!! but it’s also nice to visit!!

the temperatures are mild most of the time, though depending on when you’re visiting it might rain a whole lot (another reason why i love brussels). hmmm some districts are nicer than others, obviously, but i think they all have their charms? i’d love to compare it to danemark to make it easier for you but i’ve never ever been there so,, that’s gonna be hard??

it’s largely a multi-cultural city!! although most of the time their english might not be that great? i’m not sure, since i’ve never spoke english in belgium lmao but the level of english taught in schools is... yeah not that great but it should be fine in touristic places like. guides and stuff should be fine?

i honestly can’t remember if english is prevalent in museums and stuff because. i never looked at that but it might be tricky, since the city’s already bilingual so that takes up space?? don’t quote me on that though

i don’t know if you have a visit plan or something already, but brussels is literally close to everywhere?? every single place on earth?? so you might get the chance to go somewhere else for like. a day or something! thought i doubt you’d go to paris or amsterdam, but other places in belgium are quite nice too!! ghent has a nice vibe and oostende (ostend in english apparently) is on the coast so that’s a nice one too!! (although the beaches are not sandy, they’re shingle beaches i just learned a new word)

what’s really nice about brussels is that is has so many parks what’s there not to love!! it’s also quite easy to find convenience stores, for example all the carrefour express branches!! might be harder to find pharmacies, though, so i advise you not to get sick,

it’s been a full year since i’ve last been there and i miss it terribly but! the old town (with obviously, la grand place) and the european quarter are nice places to visit!! you might want to keep a distance from the less touristic districts but like... they’re still nice to see, for me?? but it might not be as interesting for most people idk also there’s the atomium, obviously, but like, i’d advise you to go there, and see the surroundings and all, but if you don’t specifically have a planned visit there, don’t go in. it’s not worth the money. the outside is pretty enough! another nice thing would be to see the royal garden!! but it’s only open during specific dates so you might not get to. the royal palace is also a pretty sight!

and. just a small suggestion but. the chocolate museum is. nice too. just saying. send me some chocolate when you get back

speaking of chocolate though, it’s a whole new experience, even the normal carrefour chocolate tastes different. believe me, i bought some in spain and it’s not as good. so, for yourself or for your family and friends and me, buying some chocolate, even if it’s not. super expensive brand chocolate. is. a good idea!! (galler & côte d’or have nice chocolates too. i always recommend galler to literally everyone. if you go to a normal supermarket chain, you should see galler’s chocolate bars with different fillings. they’re amazing. i gained so much weight just because of those.)

[photos-ok81]

Galler Prensesi Diana ve arkadaşı Dodi al-Fayed'i 31 Ağustos 1997'de Paris tüneline taşıyan aracın enkazı #tarih #history #renklitarih #colorhistory #historylovers #historypictures #historyhd #foto #fotoğraf #fotografia #picture https://www.instagram.com/p/CW25_5yot2h/?utm_medium=tumblr

[sofialisbon]

A+ 💋

[architectnews]

Sydney Opera House Projection, NSW

Opera House Projection, Sydney Building, SANAA Architects, Contemporary Art Installation, Photos

Opera House Projection in Sydney

23 Apr 2021

Sydney Opera House Projection

Architects: SANAA

Aboriginal artist Kaylene Whiskey celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Dolly visits Indulkana’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. © the artist. Photo credit: Daniel Boud. Courtesy Art Gallery of New South Wales and Sydney Opera House

150th Anniversary Programme Will Culminate with the Completion of the Art Gallery’s Sydney Modern Project Expansion, Designed by SANAA, in 2022

Aboriginal artist Marlene Gilson celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Ballarat, my Country’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of SydneyOpera House. © the artist. Photo credit: Daniel Boud. Courtesy Art Gallery

First Event Features Collaboration with Sydney Opera House, Works by Six Aboriginal Women Artists Projected onto Sails as Part of Annual Badu Gili Festival of First Nations Culture

Aboriginal artist Judith Inkamala celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Ura kngarra mpintjama (A big fire is coming)’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. Photo credit: Brook Mitchell/Getty Images for Art Gallery of NSW © the artist. Photo credit: Daniel Boud. Courtesy Art Galler

The Art Gallery of New South Wales today kicked off its 150th anniversary celebrations with a burst of colour and light, collaborating for the first time with the Sydney Opera House to mark the annual Badu Gili festival of First Nations Culture by projecting artworks onto the iconic sails of the Opera House.

The work of six leading Aboriginal women artists represented in the Art Gallery’s permanent collection will light up each evening in a six-minute animation on the sails, as the Gallery leads up to the completion in 2022 of its Sydney Modern expansion project, designed by SANAA.

Aboriginal artist Marlene Rubuntja celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Woman with dilly bags and dilly bag hat’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. © the artist. Photo credit: Daniel Boud. Courtesy Art Gallery of New South Wales and Sydney Opera House

Michael Brand, Director, Art Gallery of New South Wales, said, “Badu Gili: Wonder Women celebrates our renowned First Nations artists and their works in the Gallery’s collection, as well as our deep and longstanding relationships with communities across Australia and our curatorial leadership.

“While we work to complete our expanded art museum campus through the Sydney Modern Project that will see First Nations art displayed front and centre, we are proud to share some of our collection highlights with the world on the sails of the Sydney Opera House,” Brand said.

Badu Gili The Sydney Opera House inaugurated Badu Gili in 2017. Badu Gili 2021: Wonder Women, curated by the Art Gallery’s Curator of Aboriginal and Torres Strait Islander Art, Coby Edgar, is a creative collaboration with the Opera House to mark the Gallery’s 150th anniversary.

Badu Gili 2021: Wonder Women weaves together the work of artists from across Australia: Wadawurrung elder Marlene Gilson; Yankunytjatjara woman Kaylene Whiskey; Luritja woman Sally Mulda; Western Arrarnta women Judith Inkamala and Marlene Rubuntja, and the late Kamilaroi woman Aunty Elaine Russell. This is the first all-female line-up for Badu Gili.

The animation of their works brings to life stories of shared histories. From the Battle of the Eureka Stockade, fought between rebellious gold miners and colonial forces and the devastating bushfires of 2019-20, to everyday life in Aboriginal communities and imagined worlds of superheroes that includes the country music star, Dolly Parton.

The spectacular animation of artworks from the Art Gallery’s collection will appear hourly on the Opera House’s eastern Bennelong sails each night from sunset, enabled by the NSW Government’s Culture Up Late initiative.

Aboriginal artist Kaylene Whiskey celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Dolly visits Indulkana’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. Photo credit: Brook Mitchell/Getty Images for Art Gallery of NSW

150th Exhibition Programme The Art Gallery’s 150th anniversary celebrations are notable for the special exhibitions that will be organised and presented. Highlights include:

To 5 September 2021 The National 2021: New Australian Art Staged across Sydney concurrently at the Art Gallery of New South Wales, Carriageworks, and the Museum of Contemporary Art, presenting the work of 39 emerging, mid-career and established Australian artists.

5 June – 26 September 2021 Archie 100: A century of the Archibald Prize One of Australia’s oldest and most prestigious art awards. Judged by the trustees of the Art Gallery of NSW and awarded to the best portrait painting, the Archibald Prize exhibition is a “who’s who” of Australian culture – from politicians to celebrities, sporting heroes to artists. The exhibition tours across Australia until August 2023. The 2021 Archibald, Wynne and Sulman Prizes will run concurrently.

12 June – 19 September 2021 Hilma af Klint: The Secret Paintings The first major survey of this visionary artist’s work to be shown in the Asia Pacific region, more than a century after she painted her most celebrated works. Presented in association with the Heide Museum of Modern Art, Melbourne and in cooperation with The Hilma af Klint Foundation, Stockholm, this new exhibition will feature 100 works.

October 2021 – 2022 Matisse Alive A gallery-wide festival, Matisse Alive, includes four new works by women artists who present contemporary perspectives on Matisse’s imaginings of the Pacific, and his representation of the female figure.

20 November 2021 – 13 March 2022 Matisse: Life and Spirit, Masterpieces from the Centre Pompidou, Paris Part of the Sydney International Art Series, the exhibition offers an extraordinary immersion in the range and depth of the art of Henri Matisse, with more than 100 works spanning six decades.

The Sydney Modern Project The anniversary celebrations will culminate with the grand opening of the Sydney Modern Project, the transformation of Sydney’s flagship public art museum. This major expansion, funded by the New South Wales State government and private donors, is scheduled for completion in 2022. It includes the development of a new standalone building designed by the Japanese Pritzker Prize-winning architects SANAA. It will be connected to the existing Art Gallery building via a public art garden, creating a civic campus on its magnificent site, adjacent to the Royal Botanic Garden and overlooking Sydney Harbour.

The Sydney Modern Project will give prominence to Aboriginal and Torres Strait Islander art, as well as revitalising the Gallery’s much-loved existing building with its unrivalled collection of Australian art from the early 19th-century to the present. For more than half a century, the Gallery has been at the forefront of collecting, displaying and interpreting historic and contemporary Aboriginal and Torres Strait Islander art, and in engaging directly with artists and their communities.

The new building designed by SANAA will sit in contrast to the Gallery’s 19th-century neo-classical building. Light, transparent and open to its surroundings, SANAA’s building responds to the site’s topography with a series of pavilions that cascade towards Sydney Harbour with spectacular views. The expansion will almost double the Gallery’s total exhibition space, from 9,000 to 16,000 sqm (97,000 to 172,000 sq. ft) and will feature galleries specifically designed to accommodate art of the 21st century.

The new building will incorporate a vast, dramatic, columned underground art space repurposed from a decommissioned WWII naval oil tank that will display large-scale contemporary works. The 2,200 sqm (23,700 sq. ft) gallery with 7-metre-high (23 ft) ceilings will be used for specially commissioned installations and site-specific performances, providing public access to this unique space for the first time.

From the time of its founding in 1871, the Gallery has collected and worked with the artists of its time from both Australia and abroad, a commitment that will remain central to the transformed art museum.

To coincide with the anniversary, a new book will be published on 150 years of the Art Gallery of New South Wales.

Aboriginal artist Sally Mulda celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Tail get cold…’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. © the artist. Photo credit: Daniel Boud. Courtesy Art Gallery of New South Wales and Sydney Opera House

On Gadigal land The Art Gallery of New South Wales acknowledges the traditional custodians of the land on which it is located, the Gadigal people of the Eora nation, and recognise their continuing connection to land, waters and culture.

Art Gallery of New South Wales | Sydney, Australia From its magnificent site in Sydney, the Art Gallery of NSW is one of Australia’s flagship art museums and the state’s leading visual arts institution. The Gallery’s mission is to serve the widest possible audience as a centre of excellence for the collection, preservation, documentation, interpretation and display of Australian and international art, and a forum of scholarship, art education and the exchange of ideas.

Celebrating its 150th anniversary in 2021, as it embarks on a significant expansion, the Gallery remains committed to making art a vital part of everyday life. The Gallery’s transformation – the Sydney Modern Project – will create a new art museum experience across two buildings connected by a public art garden in one of the world’s most beautiful cultural precincts. The Gallery’s new building, designed by Pritzker Prize-winning architects, SANAA, brings together art, architecture and landscape in spectacular new ways with dynamic galleries and seamless connections between indoor and outdoor spaces. It will be a new prominent destination for Aboriginal and Torres Strait Islander art and culture. The expansion is scheduled for completion in 2022.

SANAA Architects

Art Gallery of New South Wales Art Gallery Road, The Domain, Sydney NSW 2000, Australia Visit Sydney #ArtGalleryofNSW

SANAA

Sydney Opera House Projection, NSW images / information received 230421

Location: Museum of Contemporary Art, Sydney, New South Wales, Australia

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Sydney Architecture News – selection:

Sydney Central Station Development, Henry Deane Plaza, Central Business District Design: SOM and Fender Katsalidis image © SOM | Fender Katsalidis Sydney Central Station Development

Pitt Street OSD and metro station, corner of Park & Pitt streets Design: Foster + Partners image © Foster + Partners Pitt Street Over Station Development

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Museum of Contemporary Art Sydney Architects : Sam Marshall image courtesy of architects Museum of Contemporary Art Sydney

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Comments / photos for the Sydney Opera House Projection, NSW page welcome

Website: Visit Sydney, NSW

The post Sydney Opera House Projection, NSW appeared first on e-architect.

[carloscabeza]

Carlos Cabeza Biographie 1962 -Né au Venezuela - 1980-1985 Ecole des Beaux Arts ,Caracas- Venezurla

1981-Etudes d’arts graphiques,  1981-1983 Assistant de Jésus SOTO  1984

Travail dans le design et dans l’impression textile 1985 Présente un happening intitulé « Mode dans l’art l’art dans la mode »Caracas 1987 S’installe à Paris 1987= Installation permanente pour le hall d’entrée de Firmenich Corporate Center, Genève, Suisse 1993- Grand Palais . Salon de Mai .organisée par Gaston Diehl. 2002 Collaboration : Aluminum group/ Happyness,Chicago,USA 2004 Collaboration: Aluminum group/ More happyness,record,vidéo clip: Mr Butterfly 2004 à 2006 -Résidence Cite Internationale des Arts Paris,France 2005 Video Series, Group exhibition of Video Screenings Curated by Madelane Cllagner and Bettina Johae Goliath visual Space,Brooklyn 2005 A Temporary.O&A, University of Tokyo, Japan.Curated by Segio Calatroni. 2007 -2008 S’installe à New York 2010-Mode de Vie +Légèreté   Celal Gallerie .Paris. Curator Carlos Cabeza. 2010The Visionary Eye.O. Ascanio Gallery in the Wynwood Arts District .2013- Movement Thru Colors. O. Ascanio Gallery. 2013-Art Wynwood. Stand O. Ascanio Gallery. Miami, Florida,United States.. 2014-Pinta art Fair  Miami O. Ascanio Gallery’s booth, C26 2015- Fluid Formalism: Concepts in Motion . Miami O. Ascanio Gallery ‘2016-Pinta art Fair Miami O. Ascanio Gallery’s booth ,C2-D12017O.Ascanio Gallery  20 janvier 2017  · ART PALM BEACH 2017. Booth 405 2017 -O.Ascanio Gallery , the LA art show 2017 . Booth 532 2018-O.Ascanio Galler Miami. Pinta   Booth A6-B7 Expositions individuelles 1983 Galerie graphique / CB2 Caracas , Venezuela 1986 Atelier métropolitain d’arts visuels Caracas, Venezuela 1987 Galerie Oscar Ascanio Caracas Venezuela 1987 Expression Gallery Miami,USA 1988 Galerie Oscar Ascanio Caracas Venezuela 1990 « Sacré » Galerie Oscar Ascanio Caracas Venezuela 1992 Galerie Mostini Bastille,Paris 1992 Galerie Oscar Ascanio , Caracas , Venezuela 1993 Galerie Amy-Jo Rosen, Paris 1995 « Chambre rose » Galerie Rosen, Paris 1998 « Kate is cool » Galerie Diaz Mancini, Caracas, Venezuela 2001 Freud & Company,l’Eclaireur .Paris 2003 Silver Honey , Cappellini,Paris 2004 Pillows, Capellini,Paris 2004 Butterfly,Cappellini,Milan 2005 Cosmic Boogie Boogie,Cappellini,Paris 2007 Hot Couture, Dress Code , Galerie Oscar Ascanio,Caracas, Venezuela 2009 Paramount Picture . GalerieCelal ,Paris France. 2009 POP ABSTRACTION.O.Ascanio Gallery .Caracas 2010  Rhytthmic paintinng .O .Ascanio Gallery Miami’s Wynwood 2011. Conscius Painting O.Ascanio Gallery ,Miami ,Fl2012-Rythmic Flow.Cappellini Paris 2014- Meta Chrome  Cappellini Paris. 2015- Silent Materialism  .O .Ascanio Gallery Miami’s .

[lovergilmore]

reblog/fav if u save 🐇

[lilyevcnz]

rules: tag nine people you want to get to know better

i was tagged by the lovely @1959black , thanks girl <3

relationship status: single

favorite color: musky pink. If we’re talking clothes it’s baby blue and black

lipstick or chapstick: nude lipstick

last song I listened to: the enterity of ed sheeran’s new album, on repeat

last movie I watched: umhhhhhhhh... i don’t watch many films so i don’t remember, so i’ll tell you the last doccumentary I watched was the true cost

top 3 tv shows: pretty little liars, jane the virgin and gilmore girls

top 3 characters: hermione granger, spencer hastings, paris galler

top 3 ships: hp: dramione, sirius and remus and scorbus, and an honourable mention to spoby from pll

books I’m currently reading: the art of fiu jitsu (i’m SUCH a ravenclaw), a darker shade of magic and like 30 fanfics

i tag: (most of you are from the lupins protection squad but ya’ll are so nice ajhdk) @prcfessorlupin @oblviqte @ginnyweasleu @ri-ddikulus @ginnyweaslcy @hyppogriff @acciosirius @patilsparvati @maruadurs

[diehaberwebsite-blog]

Prenses Diana 20. ölüm yıl dönümünde anıldı Galler Prensesi Diana, 20 yıl önce Paris'te hayatını kaybettiği yerde anıldı. Paris'teki Alma tünelinde 31 Ağustos 1997'de