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wandamaximoffsbadgirl · 7 months ago

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Throw A Tantrum

Mafia Boss!Lizzie Olsen x fem!reader

Summary: Lizzie won't stop asking you to marry her, it's become a game between you two now, but when Lizzie doesn't handle a situation right you blow off and go on a little shopping trip with her card

Word Count: 1.6K

Warnings: Lizzie and you have an argument

A/N: This is based off of this post

You always knew there was something different about Lizzie. Growing up together in the quiet suburbs, she always had this aura of command around her, even as kids. But you never imagined that one day she would become the head of the mafia, and you certainly didn't expect her to want to marry you.

Living with Lizzie in her sprawling, luxurious penthouse was an experience in itself. The place was a stark contrast to your childhood homes, filled with top-of-the-line furnishings and an almost intimidating level of sophistication. But despite the opulence, there were small touches that made it feel like home—photos of the two of you over the years, your favorite books on the shelves, and the cozy blanket you always curled up with draped over the back of the couch.

One evening, you were curled up on that very couch, reading a book, when Lizzie strolled into the living room. She leaned against the doorframe, her presence both comforting and intimidating, a paradox you had come to accept.

"Marry me," Lizzie said, for the hundredth time, her tone half-serious, half-teasing. Her dark green eyes sparkled with mischief as she looked at you.

"No," you replied with a smirk, not even looking up from your book. It was a ritual between you two by now, a game you both enjoyed. Despite your refusals, Lizzie never stopped asking, and you never stopped saying no, but it was all part of the dance you two shared.

"You know," Lizzie began, walking over to sit next to you on the couch, "you'd make a perfect mafia queen. You've got the attitude for it."

"And you have the persistence of a stalker," you shot back, finally meeting her gaze. Her eyes softened, a look that made your heart race.

"I just know what I want," Lizzie said, reaching out to tuck a strand of hair behind your ear. "And I always get what I want."

You rolled your eyes, though the fluttering in your chest was hard to ignore. "You can't just go around deciding people's lives for them, Lizzie."

"Maybe not everyone," she conceded, a sly smile playing on her lips, "but you? You're different."

"Different how?" you challenged, leaning in slightly.

"Different as in, you're already my wife in every way that matters," she said softly, her fingers grazing your cheek. "I spoil you, protect you, and love you more than anything in this world."

Your heart skipped a beat at her words. Despite your playful refusals, you were deeply in love with Lizzie. You just couldn't admit it out loud, not when her life was filled with danger and uncertainty. But every touch, every glance she gave you made it harder to resist her.

"You're delusional," you teased, trying to keep the mood light, but your voice betrayed your true feelings.

"Maybe," she whispered, her lips now inches from yours, "but I wouldn't have it any other way."

Before you could respond, she closed the gap, her lips capturing yours in a kiss that was both gentle and demanding. It was a kiss that spoke of years of friendship, unspoken feelings, and a future you were too scared to embrace.

When she finally pulled away, you were breathless, your resolve crumbling.

"One day," Lizzie murmured, her forehead resting against yours, "you'll say yes."

"Maybe," you admitted, your voice barely above a whisper. "But until then, enjoy the chase."

Lizzie chuckled, pulling you into her arms. "Oh, I am, darling. I am."

And as you nestled into her embrace, surrounded by the familiarity of your shared home, you knew that no matter how much you teased or resisted, Lizzie would always be there, loving you in her own fierce, unwavering way.

================

Lizzie's penthouse had five bedrooms, each more lavish than the last. Yet, from the moment you moved in, Lizzie had insisted that you share her bedroom. "For your protection," she'd said, her tone brooking no argument. You had reluctantly agreed, knowing that her insistence came from a place of love and concern.

One night, after a particularly trying day, you found yourself lying in bed with Lizzie. The room was dimly lit, casting a warm glow over the plush bedding and elegant décor. Lizzie's arms were wrapped around you, her hands roaming over your back in a soothing, familiar pattern. Her lips found yours, and you melted into the kiss, feeling a mixture of love and frustration.

You loved these moments and hated them all in one breath. The intimacy, the warmth of her touch, the way she made you feel safe and cherished—it was intoxicating. But it also made you painfully aware of how much you wanted to submit, to be hers completely. And that terrified you.

Lizzie's kisses grew more passionate, her hands exploring with a hunger that mirrored your own. You responded eagerly, your fingers tangling in her hair as you deepened the kiss. Yet, in the back of your mind, a voice whispered that you couldn't allow yourself to fully give in. Not when her life was filled with danger and uncertainty.

When she finally pulled away, her eyes searched yours, as if seeking answers to unspoken questions. "What are you thinking?" she asked softly, her breath warm against your skin.

You hesitated, struggling to find the words. "I... I love you, Lizzie. You know that. But I can't—"

"Shh," she murmured, pressing a gentle kiss to your forehead. "You don't have to explain. I understand."

And she did. Lizzie knew your fears, your doubts, and the reasons behind your resistance. She respected them, even if it meant enduring the ache of unfulfilled longing.

"I just want you to know that I'm here," Lizzie whispered, her fingers brushing away a stray tear from your cheek. "Whenever you're ready, I'll be here."

You nodded, unable to speak past the lump in your throat. Nestling closer to her, you allowed yourself to bask in the comfort of her embrace, even if just for a little while longer.

=================

It started out as a minor disagreement, something trivial about the way Lizzie handled a situation with one of her lieutenants. But, as things often did with the two of you, it quickly escalated.

“You never listen to me, Lizzie!” you shouted, frustration boiling over. “You just do whatever you want, without considering how it affects others!”

Lizzie’s eyes narrowed, her calm demeanor cracking just a bit. “I always listen to you. But sometimes, there are things you don’t understand about my world.”

“That’s the problem, isn’t it?” you retorted. “It’s your world, not ours. You always have to be in control.”

The argument continued to spiral until you stormed out, grabbing your keys and slamming the door behind you. You needed space, a chance to cool down and clear your head. And maybe, just maybe, a little bit of retail therapy.

Hours passed, and you found yourself at the most luxurious boutiques in the city. Every swipe of your card felt like a small act of rebellion, a way to assert some control in a situation where you often felt powerless. Designer clothes, expensive jewelry, anything and everything caught your eye.

Meanwhile, back at home, Lizzie was dealing with the aftermath of your fight. She knew she had pushed too hard, but her pride wouldn’t let her admit it. That is, until her phone rang.

“Miss Olsen,” the bank manager’s voice was cautious. “There’s been an unusual amount of spending on one of your accounts. We wanted to verify—”

“It’s fine,” Lizzie interrupted, a wry smile on her lips as she realized what you were doing. “Just my future wife throwing a tantrum.”

There was a pause on the other end, followed by a tentative, “Understood, Miss Olsen. Should we impose any limits?”

“No,” Lizzie said firmly. “Let her buy whatever she wants. She’ll come home eventually.”

And she was right. Laden with shopping bags and feeling a mix of satisfaction and guilt, you finally returned. Lizzie was waiting, her expression a blend of amusement and exasperation.

“Had fun?” she asked, eyeing the mountain of bags you set down.

“Immensely,” you replied, though your tone was softer now, the anger having dissipated.

Lizzie stepped closer, taking your hands in hers. “I’m sorry,” she said quietly. “I do listen to you, and I do care about what you think. Sometimes I just get… carried away.”

You sighed, leaning into her touch. “I know. And I’m sorry too. I shouldn’t have stormed out like that.”

Lizzie pulled you into a hug, her arms wrapping around you tightly. “It’s okay. Just promise me you won’t run off and bankrupt me every time we argue.”

You laughed, the sound muffled against her shoulder. “Deal. But only if you promise to actually listen.”

“Deal,” she echoed, pulling back to look into your eyes. “Now, let’s go through these bags and see what my future wife bought.”

As you sat together, sorting through your extravagant purchases, you took a deep breath and decided to take the plunge. "Lizzie," you started, your voice steady despite the butterflies in your stomach.

"Yes?" she looked up, her eyes full of curiosity and a hint of apprehension.

"Ask me again," you said softly.

Her brows furrowed for a moment before realization dawned on her face. A slow smile spread across her lips as she took your hands in hers once more. "Will you marry me?"

You smiled, feeling a warmth spread through your chest. "Yes, Lizzie. I'll marry you."

Lizzie pulled you into a kiss, her arms tightening around you as if she never wanted to let go. And in that moment, surrounded by shopping bags and the remnants of a heated argument, you knew you had made the right decision. No matter the ups and downs, you were ready to face them together, as partners, as lovers, and now, as fiancées.

#ley writes #ley writes drabbles #elizabeth olsen x reader #elizabeth olsen x female reader #elizabeth olsen x fem!reader #mafia boss au #mafia boss!Elizabeth Olsen #lizzie olsen #lizzie olsen x fem!reader #mafia boss!lizzie olsen #wanda maximoff #wanda maximoff x fem!reader #wanda maximoff x female reader

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raz-writes-the-thing · 1 year ago

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A Little Paradox Never Hurt Nobody (Doctor Who One-Shot)

Tenth Doctor x Eleventh Doctor x Fem!Reader 18+ ONLY / requests are open

Summary: It's been six months since Eleven joined you both, and it's safe to say things have escalated a little.

CW: smut, threesome, filthy stuff im so proud of this

DW: @nyxiethesimp @quickslvxrr @midnight--raine @blueberry-sunshines @stevekempscocktails @go-bonkers-go-foolish @peytonpenguin37 (send an ask to be added to a tag list!)

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See, the thing about Time Lords is that they are notoriously competitive. Particularly Time Lords of different regenerations in the same place at the same time. Particularly Time Lords of different regenerations in the same place at the same time who both had (or was it has?) the same companion. Said companion was you. Said Time Lords were the Tenth and the Eleventh regenerations of the Doctor.

When the eleventh Doctor had spouted his way out of a portal and into the tenth’s console room, there had been rather a lot of shouting, a lot of confusion, and a lot of use of the word ‘paradox.’ Quite frankly, if you never heard that word ever again it would be far too soon.

After that, there was a lot of discussion around Eleven not being able to be there because he already knew how all this was going to go. All the things Ten had yet to live, Eleven had already been through and while it was general knowledge that one should not attempt to change one’s own past- one was not always able to control oneself if that particular opportunity should arise.

They’d tried pretty hard at first to figure out how to get him back. There was some ‘timey wimey’ reason as to why they couldn’t just use the TARDIS, and that had been about the extent of time and space travel knowledge you had, so you didn’t put any other suggestions in after that.

And so, Eleven was still with you six months later.

You didn’t know, of course, that Eleven still had you with him after Ten was due to regenerate in the future, not that you knew when that was, but what you also didn’t know until about a month into Eleven’s presence was that your relationship with Ten continued on with Eleven after a brief adjustment period. Fair enough.

And then Ten found out, and as they were both technically (but also not really) the same person, you ended up sleeping with them both. It had been their idea, though you were pretty sure that it had just sort of happened and they decided to take the credit.

Anyway, all this to say- Ten and Eleven knew how to play your body like a violin, and when they worked together it was as if they moved in tandem. It’s own kind of chaotic different to when they were feuding. They did that a lot too, to be fair.

Today it seemed as though they wanted to work as one. Riling you up every way they knew how. Lingering touches in bed, a hard squeeze on the way past you, whispered words of desire in corridors and spare rooms. Ten had rutted himself up against your thighs at some point and had unfortunately had to leave before he or yourself could finish- some urgent TARDIS thing.

Eleven had you pressed into the wall of his bedroom and had you grind yourself silly on his thigh. You’d not been able to get off, and Eleven had tutted when you’d whined that you needed more. You’d practically begged him, but he’d said no- “later, Petal.”

Things had continued on like that, teasing and close calls where whomever it was teasing you had to run for whatever reason.

Of course- they’d been planning it that way. The two of them, working together to get you as desperate as they possibly could so that when they finally had at you, you’d succumb to the pleasure with no thoughts left in your pretty little head.

“Oh, look at that,” Ten said from behind you, pinning your legs open with his own. You made some sort of sound- you weren’t even sure it sounded human. “Haven’t even been fucking into you for that long yet- already fucked dumb, love.”

Ten’s hands were wrapped around your waist, squeezing comfortingly as Eleven laid one hand on your knee and the other on your breast, flicking at the nipple while he fucked his hard cock into you over and over without mercy.

“Mm- she does, rather, doesn’t she?” Eleven commented, taking the hand on your breast to grab you by the chin and turn your face side to side. With your muscles so lax, you didn’t fight the motion, and Eleven wasn’t being rough with you anyway (yet) so it wasn’t a big deal. You whimpered, eyes screwing shut and head lolling against Ten’s shoulder. “Desperate little thing, aren’t you, love?”

You could barely form a response, tears welling as Eleven found a particularly good spot and rammed his cock into it repeatedly. Your muscles were non-existent by this point, having been eaten out twice and fingered to completion once on top of that as well. Ten had to keep your legs spread with his own, and he did so without complaint. Getting to see Eleven fuck you silly over the top of your shoulder was more than enough of an incentive for him.

On top of barely being able to form a response to anything your boys were saying, you could barely keep your eyes open. You were so cockdrunk that nothing was registering for you except the deep thrusting of Eleven’s cock into your g-spot over and over like a mantra you never wanted to end.

And because you were unable to keep your eyes open for more than two seconds at a time, you didn’t notice Ten’s fingers trailing over your hips to rub at your clit. You felt it though, and Ten had to tighten his muscles to keep you from snapping your legs shut around Eleven’s hips.

“Oh, my darling,” Ten cooed, pressing a kiss to the top of your ear. “I know, darling. I know, love. It’s so much. It’s too much. You can do it, oh yes, I know you can. You’re such a good girl for us, aren’t you?” It was all you could do to not start crying with the overstimulation.

And it wasn’t to say you didn’t feel good. You felt fucking amazing, so so good, but it was so much. So much pleasure firing through your nerve endings. You could feel how puffy and swollen your lips were stretched around Eleven and it only served to make you cry out louder.

“Hush now, dear,” Eleven said, pressing his hand over your mouth to keep you quiet. You didn’t argue, whole body limp against their whims. Whatever they wanted, you would give it to them. Anything at all.

Eleven grinned breathily, and fucked up into you harshly, not seeming to care how fucked out you were in the slightest. You wriggled against the fingers on your clit, and clung to Ten as though he were your lifeline.

“There there,” Ten said softly, fingers rubbing tight little circles. “Oh, darling, oh yes, I know. He’s so mean to you, isn’t he? Mhm. Oh yes.”

Eleven grumbled though it evened out into a moan when your cunt fluttered around him. His head dropped forward, already mussed hair falling into a curtain in front of his eyes. He gave his hips a few especially hard rolls, and your eyes fazed out onto the ceiling above you.

“Oh, look at that, Doctor,” Ten said, cooing and shushing you comfortingly. “We thought she was fucked out before. Look at her now. Maybe we should give her a break, eh?”

Eleven grunted, hips rocking softly now for a moment, giving himself time to think on it.

“Nah, don’t think so,” Eleven replied, getting back into his rhythm.

Ten’s fingers revived their assault, rubbing against you with such ferocity that you were afraid you might actually combust. Your mouth opened in a silent scream as your body forced you to climax again, the pleasure bordering on pain with how intense it was. Your clit almost felt like it was burning- and yet you didn’t want it to stop. Ten shushed you gently, rubbing his nose along the shell of your ear and pressing kisses to your sweaty hair as your body spasmed between them.

Your cunt contracting harshly around Eleven forced him to cum, ropes of his seed painting inside you. The heat of them- warmer than a humans- filled you up so nicely that you were genuinely concerned under the foggy waves of pleasure that you might start crying.

Eleven rode his high out with your body, no care given for your poor overstimulated cunt, and finally when the last rolls of pleasure were done with him, he pulled himself out. He did so slowly, and you grimaced slightly at the tug of your puffy walls around him.

Eleven cooed and pressed a kiss to your cheek to placate you.

Ten let his legs slide down the bed, and yours followed accordingly, unable to hold themselves up for even another minute more. God, you were well and truly fucked. Literally, not figuratively (at the moment, anyway). You lolled back against him, nuzzling your cheek into his neck.

You hadn’t even noticed Eleven leave, but you definitely noticed him returning, towel in hand and water dripping off his face. Ah, he’d gone to clean up.

“Now, Ten, dearest, are you planning to fuck her before we all retire for the evening?” Eleven asked without much charm. He was just like that. You didn’t take offence. In fact, his crass command of language was one of the things that made you love him more. “Only asking in relation to clean up, of course.”

You could feel Ten hard against your backside, and you gave a half-hearted attempt to grind up against him. You were quite sore, but you wouldn’t say no if he wanted to use you.

“Can fuck ‘er tits if you like,” Eleven added, noting the way your legs subconsciously closed themselves. The ache was intense, but you considered it an added bonus to the pleasure you’d just been subjected to.

“Oh, big load of charming you are,” Ten scolded. “Blimey, you’re lucky I was there to lay the foundations for you both or you’d have had no chance.”

“Now, now, boys,” you said- the first words in a fair while to come out of your mouth and it was to stop them bickering. Even your voice sounded as though it had been thoroughly ravaged.

“Can I?” The Doctor asked, turning his attention back to you. One of his hands squeezed at your tit, and you swore you could feel the lust rolling off him in waves from that one action alone. You nodded tiredly. Of course, he could.

Ten leaned you forward so he could escape from behind you. Eleven took his spot without issue, pulling you up to sit against him rather than lay against him as you did with Ten.

Eleven brushed the hair behind your ear as Ten positioned himself in front of you. You looked up at his eager face, running a hand over his chest and down over his tummy to wrap around his upper thigh.

Just as you were about to let go and hold your breasts together for him, Eleven’s big, warm hands took their place, pressing against your skin, one forefinger flicking at a nipple quickly just to tease.

“You’re so gorgeous,” Ten breathed, dribbling some lube onto your tits. “So brilliant, love. Just like that- oh, yes- f-fuck.”

“Look at him,” Eleven whispered hotly into your ear. “Not even started yet and already stuttering.”

You let out a giggle of a whimper, and Ten’s hips started to rock against you. Your tired arms wrapped around the backs of his thighs, giving his ass a little squeeze.

Ten groaned, fucking your tits desperately. He wasn’t going to last long after having been teasing you and therefore himself as well all day, and it was barely another two minutes before his cock was starting to twitch and he started to moan with that lilt that he always did when he was close to spilling.

“Please,” you whined, head dropping back against Eleven’s shoulder. “Ten, please- Doctor-”

“Well, you heard the lady,” Eleven tutted, pushing your tits together that little bit harder to create a touch more friction for him. “You’d better cum then, shouldn’t you?”

Ten groaned, throwing his head back and exposing his gorgeous neck to you both. Eleven nipped at the tip of your ear, causing you to gasp.

“Cum on me, please- I need it,” you whined, brows drawing inwards in desperation. Ten seemed to finally hear you, and he let out a desperate little ‘o-hoh, yes, fuck-’ and he was cumming, spilling over your tits, rolling his hips back and forth to make sure he got the most out of his orgasm.

You groaned pleasurably as Eleven let go of your breasts. A drip of cum dribbled off the curve of your tit and onto Eleven’s hand, who deftly and without hesitation licked it up.

You were so fucked out and so busy thinking about how covered in spend you were that you barely noticed as Ten decided to collapse softly on top of you both. He snuggled close, not caring about the fact that he was now also covered in his own cum as well, and you huffed out a grunt.

“Oh, that’s just lovely,” Eleven said sarcastically, now being crushed under two grown people. “Now I’m trapped. I suppose you’re both happy, aren’t you?”

You giggled out a nod, and you could see Ten trying to contain his laughter as well.

“Alright,” you say, yawning tiredly. Wow, that came out of nowhere. Suddenly you were oh-so-tired. “Ten minutes of cuddles and then it’s group shower time, yes?”

“Maybe fifteen,” Ten replied tiredly.

“Yes, dears,” Eleven added, and you could hear the affectionate roll of his eyes.

Was it wrong, perhaps, to wish that Eleven would stay forever? Possibly. Was it going to stop you from wishing it quietly to yourself anyway?

Absolutely not.

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noneorother · 1 year ago

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Oh my god, season 2 is The Tales of Crowley Hoffmann

I guess this has to be a series now too. Part 1 l Part 2

When Aziraphale wants to perform a show-stopping magic trick in S2E4, he is shown the "Professor's Nightmare," a rope trick, and references "Prof Hoff himself" at the end of the minisode.

Because we love double meanings so much around here, I decided to actually watch the Powell & Pressburger epic opera film "The Tales of Hoffmann," assuming it was the another P&P easter egg and the other Hoffmann (not the magician) that was being referenced.

One, this movie is unhinged. Two, this season IS The Tales of Hoffmann. Allow me to explain...

There are shot for shot quotes literally everywhere throughout the season.

P&P The Tales of Hoffmann (Automaton Ball) & Good Omens Season 2 "The Ball"

P&P The Tales of Hoffmann (Hoffmann watches Stella perform) & Good Omens Season 2 "The one with the zombies"

P&P The Tales of Hoffmann (Clerk in Automaton Ball) & Good Omens Season 2 "The Ball"

P&P The Tales of Hoffmann (Tale of Antonia, Hoffman & Antonia) & Good Omens Season 2 "The Clue Crowley & Aziraphale"

P&P The Tales of Hoffmann (Prologue) & Good Omens Season 2 "The one with the Zombies"

P&P The Tales of Hoffmann (Tale of Giulietta Banquet scene) & Good Omens Season 2 "The Clue Banquet scene" *By the way Hoffmann wears a goatee for this tale

P&P The Tales of Hoffmann (Prologue "Dragonfly dance") & Good Omens Season 2 Prologue "Before the Beginning" *This is Stella and un unknown devil drangonfly, NOT Hoffmann

P&P The Tales of Hoffmann (Tale of Antonia) & Good Omens Season 2 "The Clue"

P&P The Tales of Hoffmann (Tale of Antonia) & Good Omens Season 2 "The one with the Zombies"

P&P The Tales of Hoffmann (Automaton Ball) & Good Omens Season 2 "The Ball"

P&P The Tales of Hoffmann (End credits through Hoffman's glasses) & Good Omens Season 2 end credit scene.

Stella & Aziraphale. This one makes me laugh.

There are SO MANY MORE, but tumblr has an image limit. Seriously, it's nuts.

2. It seems simple and straightforward, but it's not at all

" Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann (...) was in some way an admission(...) that they couldn’t go on making their edgy, over-the-top melodramas after the rejection and interference they’d suffered (but) there’s a case for considering The Tales of Hoffmann as one of the finest and boldest works that Powell and Pressburger produced, so far ahead of its time as a wholly “composed” film, combining visual and musical elements, that it has still not been fully appreciated... Late in his life, Powell himself said that he thought it was one of the best films that he and Pressburger had made. What makes the film so remarkable is a series of paradoxes: the fact that it virtually reinvented the freedom and fantasy of silent cinema while making full use of Technicolor and a stellar cast of dancers and singers..." - Criterion, The lives of marionettes

3. The structure of the story is the same as the show

Here is the story of the Movie** (Not really the Opera that inspired it) In the prologue, we see the dance of the dragonflies onstage at a ballet. Count Lindoff (very bad dude) is spying on both the principal dancer Stella, and the audience member Hoffmann (who's admiring her). Lindoff is behind the scenery. During her dance, Stella passes a love note to her assistant for Hoffmann. The bad dude intercepts it out of jealousy. During the intermission, Hoffmann goes down to the tavern next door, watched by his sort of buddy in red, Nicklaus. People ask him to tell stories to while away the time, and so he tells 3 stories (actually four but we'll get back to that).

We launch into 3 tales/minisodes in other times and places : 1. The Tale of the Ball of the Automaton where he falls in love with a robot. He is humiliated. 2. The tale of Venice (Giulietta) where he falls in love with a courtesan/double agent who crosses him. 3. The tale of Antonia, where he falls in love with a girl who feels trapped by her living dad, her dead mom and a mysterious bad dude (Lindoff). She is murdered in a ring of fire, but becomes a ghost and is resurrected and sent back to earth. At the end, we snap back to the tavern in the real world. Hoffmann reveals that these three women are all metaphors for how he feels about Stella, his true love. He's drunk and depressed now, thinking she never sent for him after the show. Stella arrives in the tavern looking for Hoffmann, ready to run away, but now accompanied by Lindoff (dressed as an angelic figure) who followed her. She looks to Hoffmann to save her, but he's too blinded by the fact that he doesn't think she loves him back to pick up on the signal. He gives up, and she goes back up the stairs guided by Lindoff. Her assistant (who was bribed by Lindoff at the beginning) is given the go ahead by Lindoff to go back to the tavern and taker over. They close the door to the tavern, while she walks up ethereal stairs with the bad dude. THE END.

The one story that doesn't fit into the minisodes and is told in the real world is Kleinzach. We understand by the end of this one that this is Hoffmann's self loathing about never being good enough for Stella, because Stella is perfect and Hoffmann is ugly and deformed. The main love interest attempts to steal Kleinzach's essence through a mirror by the end. 4. Powell & Pressburger recast four actors in new roles In The Tales of Hoffmann, P&P decided to recast four of the principal actors/dancers from the film The Red Shoes in new roles, wanting to recreate the magic that they brought to the first ballet film. Sound familiar?

5. Crowley is Hoffmann

"The Tales of Hoffmann" original 1881 costume concept for Hoffmann & Crowley costume sketch for S2E3 1827 Edinburgh. Glasses are a really important aspect for Hoffmann in both the opera and the movie versions of The Tales of Hoffmann. Hoffmann is gifted metaphorical magic glasses that he wears to be able to perceive his love in a way they aren't really in real life. In the opera, he wears dark glasses to shut out the real world, not just as a metaphor. Check out a modern day version of the opera's Hoffmann costume :

He's french and slamming a beer but you get it. Crowley also canonically loves watching movies. It would make so much sense that his minisode recountings with him and Aziraphale would resemble different styles of movie that he loves. Seeing as we see him drive away at the end as the last character, an argument could be made for him being the ultimate narrator of the story in season 2.

6. The original American release of The Tales of Hoffman had 14ish minutes cut out of it by the studio. So we all know by now that whole debacle about having the clocks jump 14-15ish minutes during the kiss?

"The Tales of Hoffmann found an audience far wider than expected, despite Korda’s misgivings about the movie’s running time and his decision to cut 14 minutes out of the film for its American release." - Criterion, The Tales of Hoffman

I have been unable to unearth what the difference between the American & British versions of the P&P Tales of Hoffmann is, if you know let ME know. I want to know! _____________________________________

And I HAVE SO MUCH MORE. This is long enough already so I'll save the more detailed stuff for a new post.

**The opera is a whole other beast. You can read about it here, but basically there's a lot more going on in the opera because the composer died before finishing it, and multiple versions exist after the original uncompleted score got lost IN A FIRE. Anyway. Here's part 2

#good omens meta #good omens season two #art director talks good omens #go season 2 #good omens 2 #go meta #good omens season 2 #go2 #crowley x aziraphale #anthony j crowley #aziraphale and crowley #aziraphale x crowley #crowley and aziraphale

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666writingcafe · 7 months ago

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Feeling a Bit Tense?

A (Mildly NSFW) Text Conversation Between Barbatos and MC

Barbatos: *waving emoji*

MC: *gif of someone waving tiredly*

Barbatos: Rough day?

MC: *gif of someone shrugging*

Barbatos: Do you need or want to talk about it?

MC: Should I?

Barbatos: If it will make you feel better, yes.

MC: *keeps typing and erasing messages*

Barbatos: Does this have anything to do with Solomon? If he's been messing with you, I'll be more than happy to talk to him for you.

MC: No need.

Barbatos: Do you genuinely feel that way, or are you just trying to get me to back off?

MC: Regarding this particular issue, he hasn't done anything wrong.

Barbatos: Okay.

Barbatos: So, what sort of "issue" are you dealing with?

MC: I'm not sure how to put it delicately.

Barbatos: Don't worry about sounding prim and proper. Just tell me what's on your mind.

MC: Here goes nothing...

MC: I'd like to get laid.

Barbatos: I see.

Barbatos: And you're worried about doing it with someone from this timeline, aren't you?

MC: I mean...wouldn't that cause a paradox?

Barbatos: Isn't it a bit late for you to start worrying about paradoxes, considering that three of us know your true identity?

MC: You, Diavolo, and/or Thirteen would have figured it out one way or another. We just figured it would be easier to be open about it with you guys than risk ending up dead or in prison.

Barbatos: Fair point.

Barbatos: Anyway, as long as you don't produce something that's not there in your timeline, you should be good to proceed.

MC: Except I don't trust many people here.

Barbatos: Understandable. I feel the same way.

MC: This is probably a pointless question, but have any advice?

Barbatos: I would say take care of it yourself, but that's not going to help much, is it?

MC: I mean, it's taken the edge off, but nothing I use is going to be quite the same as having another living, breathing person with me.

Barbatos: So you're looking for a physical connection.

MC: Kind of?

Barbatos: My next piece of advice would be to arrange a meeting with an escort, but as you've already stated, you're rather wary of most people here, and personally I don't like dealing with them. They ask for WAY too much when they realize that they're servicing the Young Master, and that doesn't just apply to money.

MC: *whistling crow sticker*

Barbatos: Maybe ask one of the brothers?

MC: *no sticker*

MC: We're not NEARLY that close for me to successfully get away with that.

Barbatos: Is there anyone else who lives here that you had some sort of a relationship with in your timeline?

MC: Yes, but they're out of the question.

Barbatos: Not necessarily.

MC: Trust me.

Barbatos: They're members of royalty, aren't they?

MC: *eyes emoji*

Barbatos: Interesting.

MC: Good or bad?

Barbatos: Not bad. Actually mildly impressed.

MC: Thanks?

Barbatos: So...

MC: *questioning sticker*

Barbatos: If you will allow me to be blunt for a moment, how would you like me to fuck you?

MC: *gif of someone spitting out water*

Barbatos: Simply being practical.

Barbatos: I'm not sending you back to Solomon.

Barbatos: The prince is too busy to help with this, sadly.

Barbatos: And I don't trust any of the other royals to not harm you. I want you to be able to return to your timeline in one piece.

Barbatos: Unless you don't trust me?

MC: It's not that.

Barbatos: Then what is it?

MC: In my timeline, I was your first.

Barbatos: Then that's perfect. We'll still keep that part of it accurate. It'd just happen sooner, which isn't a super big deal.

MC: If I didn't know better, I'd think this was your intention all along.

Barbatos: What, to get in bed with you?

MC: *nodding sticker*

Barbatos: I'd be lying if I told you that hasn't crossed my mind once or twice during your stay here so far.

MC: *gif of someone saying 'i knew it'*

Barbatos: What can I say? Like it or not, I'm a creature of desire.

Barbatos: Also...

Barbatos: Your scent has given you away a couple of times, so I figured that I'd had a fair shot if I ever DID want to indulge.

MC: *blushing emoji*

Barbatos: We'll talk more when you return to the castle.

Taglist: @lost-in-time-wanderer, @fuzztacular, @dianedancer18, @sweetbrier2908, @flare-love, @completelyshatteredbrokenmschf, @thunderlightning351, @l3v1chan, @anxious-chick, @5mary5, @expressionless-fr, @tenkobitch

#obey me shall we date #obey me nightbringer #obey me mc #obey me barbatos

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mostlysignssomeportents · 2 months ago

Text

All the books I reviewed in 2024

I reviewed 26 books this year: 15 novels, 5 nonfiction books, and 6 graphic novels. Even though I feel perennially behind on my reading (and objectively, I do have 10 linear feet of "to be read" books on the shelf), I think this is a pretty good haul.

Books are pretty much the ideal gift, if you ask me. Of course, I'm biased as a former bookseller and library worker, and as an author (of course) – I had three more books come out in 2024 (see the end of this post for details).

I started a lot more than 26 books this year. Long ago, I figured life was too short for books I wasn't enjoying, and I'm pretty ruthless about putting books down partway through if I think they're not going to reward finishing them. I probably start 10 books for every one I finish. However, I do review more than 90% of the books I get through. It's rare for me to keep reading a book all the way to the end if I'm not enjoying it enough to unconditionally recommend it. I rarely review books I don't like – there's not really any point in cataloging the list of books I think you won't enjoy reading, and most books I don't like very much are broken in ways that are too banal to comment upon.

The list below is pretty great, but if you're looking for more, here's the haul from 2023:

https://pluralistic.net/2023/12/01/bookmaker/#2023-in-review

NOVELS

I. Cahokia Jazz by Francis Spufford

A fucking banger: it's a taut, unguessable whuddunit, painted in ultrablack noir, set in an alternate Jazz Age in a world where indigenous people never ceded most the west to the USA. It's got gorgeously described jazz music, a richly realized modern indigenous society, and a spectacular romance. It's amazing.

https://pluralistic.net/2023/12/04/cahokia/#the-sun-and-the-moon

II. After World by Debbie Urbanski

An unflinching and relentlessly bleak tale of humanity's mass extinction, shot through with pathos and veined with seams of tragic tenderness and care. Sen Anon – the story's semi-protagonist – is 18 years old when the world learns that every person alive has been sterilized and so the human race is living out its last years.

The news triggers a manic insistence that this is a good thing – long overdue, in fact – and the perfect opportunity to scan every person alive for eventual reincarnation as virtual humans in an Edenic cloud metaverse called Gaia. That way, people can continue to live their lives without the haunting knowledge that everything they do makes the planet worse for every other living thing, and each other. Here, finally, is the resolution to the paradox of humanity: our desire to do good, and our inevitable failure on that score.

https://pluralistic.net/2023/12/18/storyworker-ad39-393a-7fbc/#digital-human-archive-project

III. Jonathan Abernathy You Are Kind by Molly McGhee

A dreamlike tale of a public-private partnership that hires the terminally endebted to invade the dreams of white-collar professionals and harvest the anxieties that prevent them from being fully productive members of the American corporate workforce.

We meet Jonathan as he is applying for a job that he was recruited for in a dream. As instructed in his dream, he presents himself at a shabby strip-mall office where an acerbic functionary behind scratched plexiglass takes his application and informs him that he is up for a gig run jointly by the US State Department and a consortium of large corporate employers. If he is accepted, all of his student debt repayments will be paused and he will no longer face wage garnishment. What's more, he'll be doing the job in his sleep, which means he'll be able to get a day job and pull a double income – what's not to like?

https://pluralistic.net/2024/01/08/capitalist-surrealism/#productivity-hacks

IV. The Book of Love by Kelly Link

If you've read Link's short stories (which honestly, you must read), you know her signature move: a bone-dry witty delivery, used to spin tales of deceptive whimsy and quirkiness, disarming you with daffiness while she sets the hook and yanks. That's the unmistakeable, inimitable texture of a Kelly Link story: deft literary brushstrokes, painting a picture so charming and silly that you don't even notice when she cuts you without mercy.

Turns out that she can quite handily do this for hundreds of pages, and the effect only gets better when it's given space to unfold.

It's a long and twisting mystery about friendship, love, queerness, rock-and-roll, stardom, parenthood, loyalty, lust and duty.

https://pluralistic.net/2024/02/13/the-kissing-song/#wrack-and-roll

V. Lyorn by Steven Brust

The seventeenth book in Steven Brust's long-running Vlad Taltos series. For complicated reasons, Vlad has to hide out in a theater. Why a theater? They are shielded from sorcery, as proof against magical spying by rival theater companies, and Vlad is on the run from the Left Hand of the Jhereg – the crime syndicate's all-woman sorceress squad – and so he has to hide in the theater.

The theater is mounting a production of a famous play that's about another famous play. The first famous play (the one the play is about – try and follow along, would you?) is about a famous massacre that took place thousands of years before. The play was mounted as a means of drumming up support for the whistleblower who reported on the massacre and was invited to a short-term berth in the Emperor's death row as a consequence.

The plot is a fantastic, fast-handed caper story that has a million moving parts, a beautiful prestige, and a coup de grace that'll have you cheering and punching the air.

https://pluralistic.net/2024/04/09/so-meta/#delightful-doggerel

VI. Till Human Voices Wake Us by Rebecca Roque

A teen murder mystery told in the most technorealist way. Cia's best friend Alice has been trying to find her missing boyfriend for months, and in her investigation, she's discovered their small town's dark secret – a string of disappearances, deaths and fires that are the hidden backdrop to the town's out-of-control addiction problem.

Alice has something to tell Cia, something about the fire that orphaned her and cost her one leg when she was only five years old, but Cia refuses to hear it. Instead, they have a blazing fight, and part ways. It's the last time Cia and Alice ever see each other: that night, Alice kills herself.

Or does she? Cia is convinced that Alice has been murdered, and that her murder is connected to the drug- and death-epidemic that's ravaging their town. As Cia and her friends seek to discover the town's secret – and the identity of Alice's killer – we're dragged into an intense, gripping murder mystery/conspiracy story that is full of surprises and reversals, each more fiendishly clever than the last.

https://pluralistic.net/2024/04/16/dead-air/#technorealism

VII. The Steerswoman by Rosemary Kirstein

Randall "XKCD" Munroe pitched me on this over dinner: "All these different people kept recommending them to me, and they kept telling me that I would love them, but they wouldn't tell me what they were about because there's this huge riddle in them that's super fun to figure out for yourself. "The books were published in the eighties by Del Rey, and the cover of the first one had a huge spoiler on it. But the author got the rights back and she's self-published it."

How could I resist a pitch like that? So I ordered a copy. Holy moly is this a good novel! And yeah, there's a super interesting puzzle in it that I won't even hint at, except to say that even the book's genre is a riddle that you'll have enormous great fun solving.

https://pluralistic.net/2024/05/04/the-wulf/#underground-fave

VIII. Moonbound by Robin Sloan

Moonbound's protagonist is a "chronicler," a symbiotic fungus engineered to nestle in a human's nervous system, where it serves as a kind of recording angel, storing up the memories, experiences and personalities of its host. When we meet the chronicler, it has just made a successful leap from its old host – a 10,000-years-dead warrior who had been preserved in an anaerobic crashpod ever since her ship was shot out of the sky – into the body of Ariel, a 12-year-old boy who had just invaded the long-lost tomb.

This is doing fiction in hard mode, and Sloan nails it. The unraveling strangeness of Ariel's world is counterpointed with the amazing tale of the world the chronicler hails from, even as the chonicler consults with the preserved personalities of the heroes and warriors it had previous resided in and recorded.

https://pluralistic.net/2024/06/11/penumbraverse/#middle-anth

IX. Fight Me by Austin Grossman

Aging ex-teen superheroes weigh the legacy of Generation X, in a work that enrobes its savage critique with sweet melancholia, all under a coating of delicious snark. The Newcomers – an amped-up ninja warrior, a supergenius whose future self keeps sending him encouragement and technical schematics backwards through time, and an exiled magical princess turned preppie supermodel – have spent more than a decade scattered to the winds. While some have fared better than others, none of them have lived up to their potential or realized the dreams that seemed so inevitable when they were world famous supers with an entourage of fellow powered teens who worshipped them as the planet's greatest heroes.

As they set out to solve the mystery of the wizard who gave the protagonist his powers, they are reunited and must take stock of who they are and how they got there (cue Talking Heads' "Once In a Lifetime").

The publisher's strapline for this book is "The Avengers Meets the Breakfast Club," which is clever, but extremely wrong. The real comp for this book isn't "The Breakfast Club," it's "The Big Chill."

https://pluralistic.net/2024/07/01/the-big-genx-chill/#im-super-thanks-for-asking

X. Glass Houses by Madeline Ashby

Kristen is the "Chief Emotional Manager" for Wuv, a hot startup that has defined the new field of "affective computing," which is when a computer tells you what everyone else around you is really feeling, based on the irrepressible tells emitted by their bodies, voices and gadgets.

Managing Sumter through Wuv's tumultuous launch is hard work for Kristen, but at last, it's paid off. The company has been acquired, making Kristen – and all her coworkers on the founding core team – into instant millionaires. They're flying to a lavish celebration in an autonomous plane that Sumter chartered when the action begins: the plane has a malfunction and crashes into a desert island, killing all but ten of the Wuvvies.

As the survivors explore the island, they discover only one sign of human habitation: a huge, brutalist, featureless black glass house, which initially rebuffs all their efforts to enter it. But once they gain entry, they discover that the house is even harder to leave.

https://pluralistic.net/2024/08/13/influencers/#affective-computing

XI. The Sapling Cage by Margaret Killjoy

A queer coming-of-age tale in the mode of epic fantasy. Lorel wants to be a witch, but that's the very last of the adventurous trades to be strictly gender-segregated. Boys and girls alike run away to be knights, brigands and sailors, but only girls can become a witch. Indeed, Lorel's best friend, Lane, is promised to the witches, having been born to a witch herself.

Lorel has signed up for witching just as the land is turning against witches, thanks to a political plot by a scheming duchess who has scapegoated the witches as part of a plan to annex all the surrounding duchies, re-establishing the long-disintegrated kingdom with herself on the throne. To make things worse (for the witches, if not the duchess), there's a plague of monsters on the land, and the forests are blighted with a magical curse that turns trees to unmelting ice. This all softens up the peasantfolk for anti-witch pogroms.

So Lorel has to learn witching, even as her coven is fighting both monsters and the duchess's knights and the vigilante yokels who've been stirred up with anti-witch xenophobia.

https://pluralistic.net/2024/09/24/daughters-of-the-empty-throne/#witchy

XII. Blackheart Man by Nalo Hopkinson

A story that will make you drunk on language, on worldbuilding, and on its roaring, relentless plot. The action is set on Chynchin, a fantastic Caribbean island (or maybe Caribbeanesque – it's never clear whether this is some magical, imaginary world, or some distant future of our own). Chynchin is a multiracial, creole land with a richly realized gift economy that Hopkinson deftly rounds out with a cuisine, languages, and familial arrangements.

Chynchin was founded through a slave rebellion, in which the press-ganged soldiers of the iron-fisted Ymisen empire were defeated by three witches who caused them to be engulfed in tar that they magicked into a liquid state just long enough to entomb them, then magicked back into solidity. For generations, the Ymisen have tolerated Chynchin's self-rule, but as the story opens, a Ymisen armada sails into Chynchin's port and a "trade envoy" announces that it's time for the Chynchin to "voluntarily" re-establish trade with the Ymisen.

The story that unfolds is a staple of sf and fantasy: the scrappy resistance mounted against the evil empire, and this familiar backdrop is a sturdy scaffold to support Hopkinson's dizzying, phantasmagoric tale of psychedelic magic, possessed children, military intrigue, musicianship and sexual entanglements.

https://pluralistic.net/2024/08/20/piche/#cynchin

XIII. Julia by Sandra Newman

Julia is the kind of fanfic that I love, in the tradition of both The Wind Done Gone and Rosencrantz and Gildenstern Are Dead, in which a follow-on author takes on the original author's throwaway world-building with deadly seriousness, elucidating the weird implications and buried subtexts of all the stuff and people moving around in the wings and background of the original.

For Newman, the starting point here is Julia, an enigmatic lover who comes to Winston with all kinds of rebellious secrets – tradecraft for planning and executing dirty little assignations and acquiring black market goods. Julia embodies a common contradiction in the depiction of young women (she is some twenty years younger than Winston): on the one hand, she is a "native" of the world, while Winston is a late arrival, carrying around all his "oldthink" baggage that leaves him perennially baffled, terrified and angry; on the other hand, she's a naive "girl," who "doesn't much care for reading," and lacks the intellectual curiosity that propels Winston through the text.

This contradiction is the cleavage line that Newman drives her chisel into, fracturing Orwell's world in useful, fascinating, engrossing ways. Through Julia's eyes, we experience Oceania as a paranoid autocracy, corrupt and twitchy. We witness the obvious corollary of a culture of denunciation and arrest: the ruling Party of such an institution must be riddled with internecine struggle and backstabbing, to the point of paralyzed dysfunction. The Orwellian trick of switching from being at war with Eastasia to Eurasia and back again is actually driven by real military setbacks – not just faked battles designed to stir up patriotic fervor. The Party doesn't merely claim to be under assault from internal and external enemies – it actually is.

https://pluralistic.net/2024/09/28/novel-writing-machines/#fanfic

XIV. The Wilding by Ian McDonald

McDonald's first horror novel, and it's fucking terrifying. It's set in a rural Irish peat bog that has been acquired by a conservation authority that is rewilding it after a century of industrial peat mining that stripped it back nearly to the bedrock. This rewilding process has been greatly accelerated by the covid lockdowns, which reduced the human footprint in the conservation area to nearly zero.

Lisa's last duty before she leaves the bog and goes home to Dublin is leading a school group on a wild campout in one of the bog's deep clearings. It's a routine assignment, and while it's not her favorite duty, it's also not a serious hardship.

But as the group hikes out to the campsite, one of her fellow guides is killed, without warning, by a mysterious beast that moves so quickly they can barely make out its monstrous form. Thus begins a tense, mysterious, spooky as hell story of survival in a haunted woods, written in the kind of poesy that has defined McDonald's career, and which – when deployed in service of terror – has the power to raise literal goosebumps.

https://pluralistic.net/2024/10/25/bogman/#erin-go-aaaaaaargh

XV. Polostan by Neal Stephenson

Not a spy novel, but a science fiction novel about spies in an historical setting. This isn't to say that Stephenson tramples on, or ignores spy tropes: this is absolutely a first-rate spy novel. Nor does Stephenson skimp on the lush, gorgeously realized and painstakingly researched detail you'd want from an historical novel.

Polostan raises the curtain on the story of Dawn Rae Bjornberg, AKA Aurora Maximovna Artemyeva, whose upbringing is split between the American West in the early 20th century and the Leningrad of revolutionary Russia (her parents are an American anarchist and a Ukrainian Communist who meet when her father travels to America as a Communist agitator). Aurora's parents' marriage does not survive their sojourn to the USSR, and eventually Aurora and her father end up back in the States, after her father is tasked with radicalizing the veterans of the Bonus Army that occupied DC, demanding the military benefits they'd been promised.

All of this culminates in her return sojourn to the Soviet Union, where she first falls under suspicion of being an American spy, and then her recruitment as a Soviet spy.

Also: she plays a lot of polo. Like, on a horse.

https://pluralistic.net/2024/11/04/bomb-light/#nukular

NONFICTION

I. A City on Mars by Kelly and Zach Weinersmith

Biologist Kelly Weinersmith and cartoonist Zach Weinersmith set out to investigate the governance challenges of the impending space settlements they were told were just over the horizon. Instead, they discovered that humans aren't going to be settling space for a very long time, and so they wrote a book about that instead.

The Weinersmiths make the (convincing) case that every aspect of space settlement is vastly beyond our current or reasonably foreseeable technical capability. What's more, every argument in favor of pursuing space settlement is errant nonsense. And finally: all the energy we are putting into space settlement actually holds back real space science, which offers numerous benefits to our species and planet (and is just darned cool).

https://pluralistic.net/2024/01/09/astrobezzle/#send-robots-instead

II. Dark Wire by Joseph Cox

Cox spent years on the crimephone beat, tracking vendors who sold modded phones (first Blackberries, then Android phones) to criminal syndicates with the promise that they couldn't be wiretapped by law-enforcement.

He tells the story of the FBI's plan to build an incredibly secure, best-of-breed crimephone, one with every feature that a criminal would want to truly insulate themselves from law enforcement while still offering everything a criminal could need to plan and execute crimes.

This is really two incredible tales. The first is the story of the FBI and its partners as they scaled up Anom, their best-of-breed crimephone business. This is a (nearly) classic startup tale, full of all-nighters, heroic battles against the odds, and the terror and exhilaration of "hockey-stick" growth.

The other one is the crime startup, the one that the hapless criminal syndicates that sign up to distribute Anom devices find themselves in the middle of. They, too, are experiencing hockey-stick growth. They, too, have a fantastically lucrative tiger by the tail. And they, too, have a unique set of challenges that make this startup different from any other.

Cox has been on this story for a decade, and it shows. He has impeccable sourcing and encyclopedic access to the court records and other public details that allow him to reproduce many of the most dramatic scenes in the Anom caper verbatim.

https://pluralistic.net/2024/06/04/anom-nom-nom/#the-call-is-coming-from-inside-the-ndrangheta

III. The Hidden History of Walt Disney World by Foxx Nolte

No one writes about Disney theme parks like Foxx Nolte; no one rises above the trivia and goes beyond the mere sleuthing of historical facts, no one nails the essence of what makes these parks work – and fail.

The history of Walt Disney World is also a history of the American narrative from the 1960s to the turn of the millennium, especially once Epcot enters the picture and Disney sets out to market itself as a futuristic mirror to America and the world. There's a doomed plan to lead the nation in the provision of an airport for the largely hypothetical short runway aircraft that never materialized, the Disney company's love-hate affair with Florida's orange growers, and the geopolitics of installing a permanent World's Fair, just as World's Fairs were disappearing from the world stage.

In focusing on the conflicts between different corporate managers, outside suppliers, and the gloriously flamboyant weirdos of Florida, Nolte's history of Disney World transcends amusing anaecdotes and tittle-tattle – rather, it illustrates how the creative sparks thrown off by people smashing into each other sometimes created towering blazes of glory that burn to this day.

https://pluralistic.net/2024/07/15/disnefried/#dialectics

IV. Network Nation by Richard R John

An extremely important, brilliantly researched, deep history of America's love/hate affair with not just the telephone, but also the telegraph. It is unmistakably as history book, one that aims at a definitive takedown of various neat stories about the history of American telecommunications.

The monopolies that emerged in the telegraph and then the telephone weren't down to grand forces that made them inevitable, but rather, to the errors made by regulators and the successful gambits of the telecoms barons. At many junctures, things could have gone another way.

Most striking about this book were the parallels to contemporary fights over Big Tech trustbusting, in our new Gilded Age. Many of the apologies offered for Western Union or AT&T's monopoly could have been uttered by the Renfields who carry water for Facebook, Apple and Google. John's book is a powerful and engrossing reminder that variations on these fights have occurred in the not-so-distant past, and that there's much we can learn from them.

https://pluralistic.net/2024/07/18/the-bell-system/#were-the-phone-company-we-dont-have-to-care

V. A Natural History of Empty Lots by Christopher Brown

A frustratingly hard to summarize book, because it requires a lot of backstory and explanation, and one of the things that makes this book so! fucking! great! is how skillfully Brown weaves disparate elements – the unique house he built in Austin, the wildlife he encounters in the city's sacrifice zones, the politics that created them – into his telling.

This series of loosely connected essays that explains how everything fits together: colonial conquest, Brown's failed marriage, his experience as a lawyer learning property law, what he learned by mobilizing that learning to help his neighbors defend the pockets of wildness that refuse to budge.

It's filled with pastoral writing that summons Kim Stanley Robinson by way of Thoreau, and it sometimes frames its philosophical points the way a cyberpunk writer would.

The kind of book that challenges how you feel about the crossroads we're at, the place you live, and the place you want to be.

https://pluralistic.net/2024/09/17/cyberpunk-pastoralism/#time-to-mow-the-roof

GRAPHIC NOVELS

I. Death Strikes by David Maass and Patrick Lay

"The Emperor of Atlantis," is an opera written by two Nazi concentration camp inmates, the librettist Peter Kien and the composer Viktor Ullmann, while they were interned in Terezin, a show-camp in Czechoslovakia that housed numerous Jewish artists, who were encouraged to make and display their work as a sham to prove to the rest of the world that Nazi camps were humane places.

Death Strikes was adapted by my EFF colleague Dave Maass, an investigator and muckraker and brilliant writer, who teamed up with illustrator Patrick Lay and character designer Ezra Rose (who worked from Kien and Ullmann's original designs, which survived along with the score and libretto).

The Emperor's endless wars have already tried Death's patience. Death brings mercy, not vengeance, and the endless killing has dismayed him. The Emperor's co-option drives him past the brink, and Death declares a strike, breaking his sword and announcing that henceforth, no one will die.

Needless to say, this puts a crimp in the Emperor's all-out war plan. People get shot and stabbed and drowned and poisoned, but they don't die. They just hang around, embarrassingly alive (there's a great comic subplot of the inability of the Emperor's executioners to kill a captured assassin).

While this is clearly an adaptation, Kien and Ullmann's spirit of creativity, courage, and bittersweet creative ferment shines through. It's a beautiful book, snatched from death itself.

https://pluralistic.net/2024/01/23/peter-kien-viktor-ullmann/#terez

II. My Favorite Things Is Monsters Book Two by Emil Ferris

The long, long delayed sequel to the tale of Karen Reyes, a 10 year old, monster-obsessed queer girl in 1968 Chicago who lives with her working-class single mother and her older brother, Deeze, in an apartment house full of mysterious, haunted adults. There's the landlord – a gangster and his girlfriend – the one-eyed ventriloquist, and the beautiful Holocaust survivor and her jazz-drummer husband.

Ferris's storytelling style is dazzling, and it's matched and exceeded by her illustration style, which is grounded in the classic horror comics of the 1950s and 1960s. Characters in Karen's life – including Karen herself – are sometimes depicted in the EC horror style, and that same sinister darkness crowds around the edges of her depictions of real-world Chicago.

Book Two picks up from Book One's cliffhanger and then rockets forward. Everything brilliant about One is even better in Two – the illustrations more lush, the fine art analysis more pointed and brilliant, the storytelling more assured and propulsive, the shocks and violence more outrageous, the characters more lovable, complex and grotesque.

Everything about Two is more. The background radiation of the Vietnam War in One takes center stage with Deeze's machinations to beat the draft, and Deeze and Karen being ensnared in the Chicago Police Riots of '68. The allegories, analysis and reproductions of classical art get more pointed, grotesque and lavish. Annika's Nazi concentration camp horrors are more explicit and more explicitly connected to Karen's life. The queerness of the story takes center stage, both through Karen's first love and the introduction of a queer nightclub. The characters are more vivid, as is the racial injustice and the corruption of the adult world.

https://pluralistic.net/2024/06/01/the-druid/#

III. So Long Sad Love by Mirion Malle

Cleo is a French comics creator who's moved to Montreal, in part to be with Charles, a Quebecois creator who helps her find a place in the city's tight-knit artistic scene. The relationship feels like a good one, with the normal ups and downs, but then Cleo travels to a festival, where she meets Farah, a vivacious and talented fellow artist. They're getting along great…until Farah discovers who Cleo's boyfriend is. Though Farah doesn't say anything, she is visibly flustered and makes her excuses before hurriedly departing.

This kicks off Cleo's hunt for the truth about her boyfriend, a hunt that is complicated by the fact that she's so far from home, that her friends are largely his friends, that he flies off the handle every time she raises the matter, and by her love for him.

Malle handles this all so deftly, showing how Cleo and her friends all play archetypal roles in the recurrent missing stair dynamic. It's a beautifully told story, full of charm and character, but it's also a kind of forensic re-enactment of a disaster, told from an intermediate distance that's close enough to the action that we can see the looming crisis, but also understand why the people in its midst are steering straight into it.

Packed with subtlety and depth, romance and heartbreak, subtext that carries through the dialog (in marvelous translation from the original French by Aleshia Jensen) and the body language in Malle's striking artwork.

https://pluralistic.net/2024/06/25/missing-step/#the-fog-of-love

IV. Bea Wolf by Zach Wienersmith and Boulet

A ferociously amazingly great illustrated kids' graphic novel adaptation of the Old English epic poem, which inspired Tolkien, who helped bring it to popularity after it had languished in obscurity for centuries.

Weinersmith and Boulet set themselves the task of bringing a Germanic heroic saga from more than a thousand years ago to modern children, while preserving the meter and the linguistic and literary tropes of the original. And they did it!

There are some changes, of course. Grendel – the boss monster that both Beowulf and Bea Wulf must defeat – is no longer obsessed with decapitating his foes and stealing their heads. In Bea Wulf, Grendel is a monstrously grown up and boring adult who watches cable news and flosses twice per day, and when he defeats the kids whose destruction he is bent upon, he does so by turning them into boring adults, too.

The utter brilliance of Bea Wulf is as much due to the things it preserves from the original epic as it is to the updates and changes. Weinersmith has kept the Old English tradition of alliteration, right from the earliest passages, with celebrations of heroes like "Tanya, treat-taker, terror of Halloween, her costume-cache vast, sieging kin and neighbor, draining full candy-bins, fearing not the fate of her teeth. Ten thousand treats she took. That was a fine Tuesday."

https://pluralistic.net/2024/06/24/awesome-alliteration/#hellion-hallelujah

V. Youth Group by Bowen McCurdy and Jordan Morris

A charming tale of 1990s ennui, cringe Sunday School – and demon hunting.

Kay is a bitter, cynical teenager who's doing her best to help her mother cope with an ugly divorce that has seen her dad check out on his former family. Mom is going back to church, and she talks Kay into coming along with her to attend the church youth group.

But this is no ordinary youth group. Kay's ultra-boring suburban hometown is actually infested with demons who routinely possess the townspeople, and that baseline of demonic activity has suddenly gone critical, with a new wave of possessions. Suddenly, the possessed are everywhere – even Kay's shitty dad ends up with a demon inside of him.

That's when Kay discovers that the youth group and its corny pastor are also demon hunters par excellence. Their rec-rooms sport secret cubbies filled with holy weapons, and the words of exorcism come as readily to them as any embarrassing rewritten devotional pop song. Kay's discovery of this secret world convinces her that the youth group isn't so bad after all, and soon she is initiated into its mysteries, including the existence of rival demon-hunting kids from the local synagogue, Catholic church, and Wiccan coven.

https://pluralistic.net/2024/07/16/satanic-panic/#the-dream-of-the-nineties

VI. Justice Warriors: Vote Harder by Matt Bors and Ben Clarkson

Vote Harder sees Bubble City facing its first election in living memory, as the mayor – who inherited his position from his "powerful, strapping Papa" – loses a confidence vote by the city's trustees. They're upset with his plan to bankrupt the city in order to buy a laser powerful enough to carve his likeness into the sun as a viral stunt for the launch of his comeback album. The trustees are in no way mollified by the fact that he expects to make a lot of money selling special branded sunglasses that allow Bubble City (and the mutant hordes of the Uninhabited Zone) to safely look into the sun and see what their tax dollars bought.

So it's time for an election, and the two candidates are going hard: there's the incumbent Mayor Prince; there's his half-sister and ex-girlfriend, Stufina Vipix XII, and there's a dark-horse candidate Flauf Tanko, a mutant-tank cyborg that went rogue after a militant Home Owners Association disabled it and its owners abandoned it. Flauf-Tanko is determined to give the masses of the Uninhabited Zone the representation they've been denied for so long, despite the structural impediments to this (UZers need to complete a questionnaire, sub-forms, have three forms of ID, and present a rental contract, drivers license, work permit and breeding license. They also need to get their paperwork signed in person at a VERI-VOTE location, then wait 14 days to get their voter IDs by mail. Also, districts of 2 million or more mutants are allocated the equivalent of only 250,000 votes, but only if 51% of eligible voters show up to the polls; otherwise, their votes are parceled out to other candidates per the terms of the Undervoting and Apathy Allotment Act).

What unfolds is a funny, bitter, superb piece of political satire that could not be better timed.

https://pluralistic.net/2024/09/11/uninhabited-zone/#eremption-season

As I mentioned in the introduction to this roundup, I had three books out in 2024; a new hardcover, and the paperback editions of two books that came out in hardcover last year. There's more on the horizon – a new hardcover novel (PICKS AND SHOVELS) in Feb 2025, along with the paperback of my novel THE BEZZLE (also Feb 2025). I just turned in the manuscript for my next nonfiction book, ENSHITTIFICATION, which will also be adapted as a graphic novel. I'll also be shortly announcing the publication details for a YA graphic novel, a new essay collection and short story collection.

If you enjoy my work – the newsletter, the talks, the reviews – the best way to support me is to buy my books. I write for grownups, teens, middle-schoolers and little kids, so there's something for everyone!

I. The Lost Cause A solarpunk novel of hope in the climate emergency. "The first great YIMBY novel" -Bill McKibben. "Completely delightful…Neither utopian nor dystopian…I loved it" -Rebecca Solnit. A national bestseller!

https://us.macmillan.com/books/9781250865946/thelostcause/

II. The Internet Con: How to Seize the Means of Computation A detailed disassembly manual for people who want to dismantle Big Tech. "A passionate case for 'relief from manipulation, high-handed moderation, surveillance, price-gouging, disgusting or misleading algorithmic suggestions. -Akash Kapur, New Yorker. Another national bestseller!

https://www.versobooks.com/products/3035-the-internet-con

III. The Bezzle. A seething rebuke of the privatized prison system that delves deeply into the arcane and baroque financial chicanery involved in the 2008 financial crash. "Righteously satisfying…A fascinating tale of financial skullduggery, long cons, and the delivery of ice-cold revenge." –Booklist. A third national bestseller!

https://us.macmillan.com/books/9781250865878/thebezzle/

#pluralistic #books #reviews #fiction #nonfiction #graphic novels #gift guide

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inferno-0 · 10 months ago

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King Ghidorah x Kaiju!Reader /Headcanons/

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Sorry for my English

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* Although he was banished from the so-called throne on the volcano, he was still looking for a territory to live in. (unfortunately for Godzilla). But he didn't expect the presence of another Titan at this place.

* The three-headed Kaiju was really shocked that you didn't challenge him. It's just that he accidentally wandered into your island, where you lived your days in peace. It was strange that Ghidorah didn't sense your presence in this place.

When they met, all three Heads were ready to attack, but instead received a rhythmic growl as if they were invited.

* Ghidorah was still alert when he was asleep or didn't "pay attention" to you. But you continued as you did your business.

No screaming, no assault.

Monster Zero believed until the end that you were up to something, given your quiet behavior around it.

But the more they analyzed you, the more they learned and understood.

* Still, it has dawned on the Kaiju that you are not one of those who will fight to the end for the land or at least part of it.

You'd rather share it to avoid slaughter. But this silence that was between you is very tense and you had to make contact with the Alpha Titan.

* If in the first days they avoided it, now they themselves need communication deep down. And it seems that an unknown person heard them, sending you with a fish in your mouth.

All the food you brought them, Ghidorah carefully examined and sniffed.

But there was nothing.

Regular food, fresh and large.

* Kaiju understood this time that you want to establish contact with him for further life on this island, so that there are no paradoxes.

All the Three Heads were happy in their own way, but only Kevin showed it, the others hid it behind a mask of neutrality in your direction.

* For a while, you just shared a growl or a nod of your head with each other. Later, it grew to a deeper level. From soft rumblings to poking heads in the neck. Due to the fact that Ghidorah is a rather large Titan, he has to bend down to get body contact from you.

Ichi and Ni are reluctant to do this, unlike Kevin, who is eager to come straight to you.

* The middle and right head (Ni) can only give you peace when the entire area is asleep. After all, they have their own authority, which must be adhered to.

* On normal days, you often fly above the clouds, trying to stay out of Godzilla's sight.

* If you're an underwater Titan, it's much harder to navigate the seas without being detected. Of course, you've made it clear to the others that you're on the path of peace, but Ghidorah has to prove it somehow, or take to the skies again from prying eyes.

* Your relationship has greatly affected the Monarch, who has reached the two of you as well. Of course, they didn't go unnoticed, receiving lightning in the face and your loud scream, which tried to stop the attack from the Titan.

* Actually, it was considered a symbiosis, but with you it is something more.

* Going back to your interactions, Ni and Ichi love to complain. Unlike Kevin, who just stares blankly at your reaction, or even into the distance.

* Your gentle growl calms them down to some extent. Especially the praise that boosts the Titan's ego.

* Ichi was of course planning a second attack, after hearing very nice phrases from you, which motivated him to do it again, but your hard paw slap on the face made itself felt.

* Ni, partly silent next to you. He doesn't really want to show his true nature in front of your eyes. Sometimes he can't control his irritation at anything and everything.

*And San... , it's just San. He's glad it's all gone, and he doesn't have to obey his "mindmates" and get bitten by the horns.

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Initially, I wanted to lay out one shot with Rodan. I think he'll wait until the next day.)

#godzilla #GODZILLAKOTM #godzilla king of the monsters #king ghidorah x reader #reader #King Ghidorah #KaijuReader #titans x reader #xReader #monsterverse

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portraitofalinkonfyre · 5 months ago

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Knightmare In Toronto

Chapter 2: Portal Paradox

Main Masterlist | Fic Masterlist | Previous Chapter | Next Chapter

There was a distinct pain in your head when you rose from your slumber, laid on the couch like a drunkard. A blanket had been draped over your prone form, though you chalked it up to an unusually proactive action you'd taken before your nap. Your perfectly normal, fever-dream nap starring medieval men without food allergies who broke into houses.

That is, until you saw one of those men–a new one with dirty blonde hair, a dark green tunic with tan pants, and... were those face tattoos–sitting in your armchair and your fears were realized: today (at least, you think it's still today) was real and there were more strangers in your house.

Ignoring the pang of discomfort in your neck, you shot up, ready to square up to this new threat. "Who are you?"

"Oh! You're awake," the man smiled, which was incredibly weird for a home intruder. "I'm Twilight."

Twilight… why was that familiar? It almost sounded like a gang name, but you highly doubted the aforementioned situation was even remotely affiliated with gangs—though the odds that he had been watching you sleep were a bit close for comfort.

At your lack of response, Twilight's expression shifted to one of concern. "You alright–?"

"I don't want drugs!" You blurted.

"I repeat, we don't have drugs," Four's head popped in from the kitchen, expression a perfect deadpan.

"Only people on drugs talk about portals!" You shot back as black spots danced in the corners of your vision. "Ain't no portals in Toronto!"

"Toronto?" Twilight looked puzzled in the shrill wake of your outburst. What was this guy, a saint?

"Canada," you finished. He stared at you with a baffled expression and you deadpanned. "How do you not know where that is?"

"Because we are not from your world," another, deeper verse answered. You watched in disbelief as yet another man stepped out of your minuscule kitchen. He was tall, wearing a long silver tunic and black pants. Two crimson stripes lay perpendicular beneath his right eye, and there was another blue marking on his forehead.

You opened your mouth, closed it, and opened it again.

"Drugs."

"That's not–" Four sighed, running a hand down his face like a tired dad. "You need sleep."

"You need Jesus."

"Excuse me?" Asked the tallest man, and you wisely shut up.

Twilight, who had been silently observing the exchange, piped up. "About that, sorry for falling on you."

You blinked. So that's why your head hurt like you chugged some bourbon and fought a moose for territory. "Oh, naw, it's fine, you should see what I deal with at work."

"When you say it like that, I don't think I want to."

Your laugh surprised even you, bubbling up your throat like soda. "Smart."

The newcomer cleared his throat, bringing silence back to the room. "Miss..." he looked to Four, who mouthed something suspiciously close to your name. "(Y/n), I know this may seem impossible to you, but this situation is very much real. I can assure you that no one here is under the influence of… substances."

Damnit, you were hoping you could make that joke a few more times. "Okay, well, he," you pointed at Four. "materialized in my living room and that man," you pointed even more aggressively at Twilight, who had the decency to look sheepish. "apparently fell on me. Speaking of, how are you here?"

"The door was unlocked," the tall man said, and you nearly fell over. "About your garden..."

Your expression turned to one of terror. "Not my petunias..."

"I'm afraid you'll have to direct me in finding replacements as none of us are familiar with this world."

Wait.

"Us...?" You parroted, trying and failing to hide your apprehension.

"About that–" Four began, only to be interrupted when yet another crash rang out in your kitchen, followed by a series of loud whoops, and your greatest fear was once again realized: there were more of them.

"Just how many more of there are you?" You asked in horror.

"Currently five, as we are waiting on Legend, Warriors, Sky, and Hyrule."

Oh god, was your first thought, followed by: who the hell names their children that?

"We got Wild!" Wind introduced. "Five down, four to go!"

You could handle this. You would handle this. Like an adult.

"So... you're not from this world?" You asked the tallest of the three, which seemed to be the leader of the current group.

He nodded sagely "Yes, we are from a land called Hyrule."

...Hyrule? Why was that familiar? It certainly wasn’t a place you knew of, but you didn’t think they were lying.

"You seem conflicted," Four observed dryly.

"Quiet, I'm having my midlife crisis," you said, despite the fact that you were nowhere near your fifties. "You try having medieval men poof into your living room like it's a regular Tuesday."

"Gee, that's oddly specific."

Your eye twitched.

"Four," said the tallest man, effectively regaining control of the situation. "Our apologies for causing you strife, but this situation is quite unique."

"No kidding," you muttered, but being upset wasn't going to solve anything. "Okay, what's your plan then?"

The tallest seemed to hesitate, so Twilight took over. "We were hopin' we could wait here until everyone passes through. For safety."

You couldn’t argue with that; they were a long way from home if your suspicions were correct. "Alright, I can do that."

"Much appreciated," he looked like he wanted to say more, but purposefully chose not to.

You would have said more, but Wind chose that exact moment to appear with yet another man in tow. He was lanky and tall, with yellow hair that reached his midback. His tunic was also blue, though considerably shorter than Wind's, and he had various belts criss-crossing his chest. His most defining feature, however, was the large pink scar marring his left cheek and ear. You tried not to look too hard.

"This is Wild," Wind introduced. "Wild, this is (Y/N)."

'Wild' nodded politely. "Nice to meet you."

"Likewise," you responded, feeling a bit sheepish. You glanced at the clock and realized it was now past five. "Geez, I really slept in, huh?"

"It was for the best," Twilight offered a wry smile. "Better get so"

You waved him off. "You're fine, I'm alive."

"That is good."

"Wait, what's happening?" Wild cut in with a confused expression. "Where is everyone?"

"They haven't appeared yet," Four responded, though his voice was slightly uncertain. He gestured to you. "They've agreed to let us stay until everyone comes through."

"That's so kind," Wind exclaimed. "I knew you were nice."

You couldn't hold back a soft scoff. "I wouldn't be so trusting, l could be an axe murderer."

"Are you an axe murderer?" asked Four.

"Naw, I prefer maces."

"Well, I'M a pirate," interjected Wind, laying a hand on his chest.

"Oo, shiver me timbers," you said on instinct. Wind laughed raucously, and you caught a few others chuckling along. Maybe this wasn't as bad as your reptile brain had made it out to be...

Your phone buzzed in your pocket, and you pulled it out for inspection, missing the curious glances from the other occupants of the room. In the time it had taken to come to terms with this insanity, you'd managed to miss six messages from your bestie, Brianna, who had invited you to an after-work party a few weeks from now. After typing a quick response, you shoved your phone away and stood up. "So, who's hungry?"

This chapter fought me tooth and nail, so I’m glad it’s finally out there for you all! Enjoy and don’t forget to tell me what you think in the comments!

#linked universe #link x reader #crack fic #lu time #lu wind #lu four #lu twilight #lu wild #loz au #Knightmare In Toronto

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sex-tech · 2 months ago

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This is gonna probably be a really long post about my thoughts for Act 3 with what has been set up already because I need to shout into the void about this shit LMAO get ready for a WALL of text

Also a fair warning, I'm gonna be talking about so much jayvik/vikjayce in this you don't understand THE HELL I AM GOING THROUGH THERE IS GONNA BE SO MUCH COPIUM IN THIS

SPOILERS AHEAD FOR SEASON 2 !!!

Quick mini-review: I feel like a contrarian when I say that I actually preferred Act 2 to Act 1. There were a lot of things set up and a lot of payoffs. I do have issues with the pacing overall; season 1 had much better structure and with the introduction of so much LOL lore in season 2, there are bound to be issues. There were 6 years of production for season 1 vs. 3 years of production for season 2, and it has clearly had an effect on the writing. Some scenes are too quick, some scenes are too slow, some cuts are too abrupt - I feel this is painfully obvious sometimes and talking with my friends about it we all agree that the pacing has suffered immensely.

But other than that, Act 2 has been really playing with my emotions and there are so many moments where I just kept breaking down over the scenes with Jinx, Vi, Vander and Isha. The watercolour-style flashbacks were so incredibly well done and those scenes had a lot of love put into them - props to Studio Fortiche!

I believe there is definitely a time paradox happening of some kind, one where Jayce, Ekko and Heimerdinger are lost in some kind of timeline.

This reflection in this artwork feels like it's hinting at what we will see in Act 3, maybe a different timeline, or the future, and Jayce will end up seeing the outcome of the Arcane. I feel that with how the lore is being changed, they need to give him some purpose or reason to pursue Viktor, to officially make them enemies. Whatever Jayce will see or experience will lead to that - a difference in perspectives and ideals.

Also, this shot, where Jayce returns and we see him glitching in and out, I feel that's a really clear depiction of a paradox, of different timelines converging or something similar. I can just imagine him living through all these different events, surviving something so awful, and now it's destroying him from the inside. He's so traumatized and I will defend him with my whole being.

I'm also a bit worried now about Ekko and Heimerdinger. I'm convinced that the latter won't survive however I'm not so sure about Ekko. I feel that everything being a time paradox would lead really well into him finally receiving his time powers, but as of now I think he is really under-utilized in the series as a whole, more so in season 2, and I'm really hopeful that we will get more screen time with him in Act 3.

Singed's role in this season is huge and it will definitely become even more important in Act 3. The introduction of Orianna, which I thought was so great, as well as the name-drop of "Dr. Reveck" has really set up his motivations. Warwick being his experiment for bringing back his daughter I believe will lead to him experimenting with Viktor.

Warwick's design was confusing to me at first. He felt too human but I think that was intentional - Singed wanted to create him with some humanity, a test, hence he is still more like Vander, still able to feel his love for Jinx and Vi. I believe he will survive, and Singed will get rid of his humanity completely, potentially leading to a more LOL accurate look.

This also brings me to Viktor and his OG lore. I really liked his concept in the game and I will admit, seeing them change it in Arcane worried me. While I really love the design, I was hopeful that we would see Viktor entering his glorious evolution era. But now with his interactions with Singed, with Singed's personal motivation for revival, I believe that there is still hope. Seeing how Orianna is preserved, still human-like, I believe that Singed's discoveries will lead him to recreating Viktor with metal, something closer to what we see in the game, maybe a cursed combination of both Arcane and machine, and I believe he will see it as a breakthrough in bringing Orianna back.

The way he describes it, the way he says, "You must survive, Viktor," a parallel to him saying "the specimen must survive" feels so intentional. He sees the potential in reanimation with how Viktor returned, healed, and this won't be the end of him, not yet, he must survive.

This scene where Viktor asks Singed, "Do you believe in fate?" I believe also points to another thing. Viktor knew very early on what his fate would be. He was accepting of it, he was confused as to why he was alive, and I believe in the scene where Jayce kills him, that look in his eyes was of acceptance. He did not look afraid, he looked at peace - with the idea of different timelines, with Viktor becoming closer to the celestial, he might've already known what would happen, which is why he invites Jayce to meet him. That with him saying, "I've been expecting you, doctor," is another reason I think that Viktor is aware of everything.

With Singed's final words to Viktor, the disdain in Viktor's eyes, the way Sky is looking at Viktor directly, frantic, worried, an expression of dread at the thought of the Arcane dying out completely, of all the progress coming to an end. I still believe the core is manipulating Viktor, that Sky is the personification of it, and that the core is aware of its own evolution reaching its final state, death - like a virus without a host.

And then there was this, the heavy breathing, the gritted teeth, squint in his eyes, the way he drops down - it felt like heartbreak, like guilt. He just murdererd a man, a man that spoke to him as Viktor.

Just this look. He's tired. He's returned from hell and he can see the beginning of the end, he can see Viktor's descent into madness, recognizes it immediately, and he's disappointed. Maybe he'd hoped to see something else.

Also, with Jayce saying, "I thought you were done with Hextech, and me," could imply that this new version of Viktor, remade by Singed, would no longer have a connection the Arcane - he is reforged, he has realized the weakness of flesh and compassion, "it's inescapable," and he will be remade with steel and rage, once again against his will, just like Warwick was. And perhaps, in this dark future, when Jayce finally sees what Viktor becomes, sees Viktor reject him entirely, that he is done with him, is also what makes Jayce spiral.

And now that he has returned, seeing Viktor welcome him with open arms, inviting him to spend time together, to show him what he has uncovered - what must he have seen? What must Viktor have said to him to make him feel so denied and unwanted?

Someone he once loved, someone that broke him, showing him the same gentleness and care he had once before.

"I won't fail. I swear it."

This entire sequence was insane. The different emotions in Jayce's face, the way he's cycling through pain and fear and conviction. The initial shock in his eyes, seeing what his Viktor has become, seeing him in this state, before the corruption - he looks vulnerable, he doesn't fight back, doesn't resist. He has made his promise to Viktor before, and I believe this is another promise to him, a promise to rend his mistake and do right by him. And Jayce looks frightened by his actions, frightened by the sight before him - Viktor looks so exhausted, so sick - I can imagine it reminds Jayce of him before he combined with the Hexcore.

Jayce's entire arc this season is about him gaining more agency, more control of himself despite the way he has been spiraling, whilst for Viktor it's the opposite, he has lost himself to a greater purpose, a perfect mirror to how they were in season 1.

The way their designs mirror them both too, Jayce getting the leg brace, his eyes changing, him being afflicted with the Arcane, Viktor keeping the blanket, keeping a cog that reminds him of the discoveries they made together, one side of it being perfectly clear, the other corrupted, a representation of them - two sides of the same coin.

I believe Viktor's monologue at the end, the scenes with him and Sky in a magical world where he is emoting, showing compassion for those that suffer, his realization that emotion is inescapable, shows that he still feels, even if it is all subdued. His reaction to Jayce killing Salo hurt, he looked pained and yet, as though he expected it - "that isn't Jayce" - it's not his Jayce, not the Jayce that he remembers, the one that he stayed with over shared affections, this is a Jayce ruined by him, and he is yet to see just how much they have and will hurt each other.

Maybe the exquisite chaos he is talking about is his corruption from the future, constantly self-replicating and self-annihilating, something that he has never observed before because it is yet to happen to him. He knows his fate, but not anything beyond that.

A couple final notes:

All the butterfly imagery - Jayce's hammer, the explosion in the mesh(?), the "Talis" butterfly - a symbol of death, rebirth, transformation

The parallels between Jayce and Singed, wanting to keep Viktor alive, creating a monster, and now Jayce having to destroy that which he created, a consequence of him breaking his promise

Viktor appearing as though he is connected to both the void and something celestial, godly, a balance

TLDR; jayvik divorce era will be the death of me, they were made for each other and will be the death of each other

#can you tell im mentally ill #my level of copium is immesurable #dont mind me just the ramblings of an insane man #jayvik sextape act 3 TRUST #arcane season 2 #arcane spoilers #arcane viktor #arcane jayce #jayvik #rambles #if you actually did read this all the way through thats crazy and i love you

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cellophaine · 3 months ago

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Chapter VII: DROP SHOT

Masterlist

Pairing: Art Donaldson x F!Reader

Warnings: None.

Author's Note: I'm so so sorry for the late upload! Your girl has been in the trenches mentally and creatively lately 😭

GIF Source:@/birdmans

2007. Stanford.

New year, new semester, and what came with it was a promising fresh start. Despite the mental toll from the disastrous few days spent with your parents, you chose not to address it. You could never get the time you cried over them back, and it was time to move on. Your focus was swiftly redirected to something much more pleasant and exciting: you had started drafting for a new project.

An inkling of an idea bloomed from the paradoxical of your life. Being on the verge of entering your 20s, you were aware of your inadequacy when it came to love. Yet, you couldn't keep the feeling of knowing and understanding its inner workings and mechanisms from rising above your insecurity. Being a child of parents who weren't very loving and born into the belief that everything was transactional, you thought you knew everything there was about love. There needed to be a form of reciprocation so the relationship could thrive. Love wasn't an infinite resource that you could take and take because, eventually, the other person would grow tired of you and leave. This belief was built into your foundational core, and its development intertwined with yours as you grew up.

But Art confused you. He gave up his vacation in Vermont to spend time with you and make sure you were okay without the constant reminder that you owed him something. He'd made you feel like you deserved to be cared for without conditions attached. The dismantling of your guarded exterior was slow, yet he had been so patient. You realized you didn't need it when you were with him.

The connection you shared was something different. It passed the point of infatuation but not quite there at love. Unknown yet so unanimous in its nature that you didn't have to say it out loud. A beautiful thing that was nameless, yet its existence was tangible and real. It lived in the vigorous beats of your heart every time he was close. It ran wild in your bloodstream every time he smiled at you. Its cadence rose and fell with the touches of laughter you shared.

In a way, Art had become your muse. You started to write about the way Art made you feel, about the way your perception of love had changed, and what it was like to be on the receiving end of it. You would often feel the itch to write, to grasp onto one of the many loose threads that swirled around your mind and follow it to wherever it'd take you. The wandering then materialized on the pages of the notebook he gave you, glistened in the fine ink. Pages after pages, and he knew of none of them. You felt like it was fitting to immortalize him with your words, within the scope of your ability in the only way you knew how. The more you filled the notebook, the closer you came to realizing that you were falling for him, with each walk to the tennis court, with each minute he spent with you at the coffee shop, and outside of that, too. It was scary to be so smitten with him, but you didn't care. He was your only friend, your most trustworthy companion, and no one could compare to that. You declined invitations to go out with Grace and Ashley so you could spend more time with Art. Your world revolved around him like he was the most important person in the world. What else did you need?

You accompanied Art to practice whenever you could, and during late hours, when the soft white lights lit up the court, he taught you how to play. He fixed your stance, adjusted your grip, and showed you the basics. After a few weeks, you could rally with him. You came to every match and cheered him on. You came to Tashi's matches, too, just to spend more time with Art. You never failed to notice that distant look in his eyes as he watched Tashi play, almost like a longing, a hopeless yearning for something he couldn't quite reach. Was it wrong that you wanted Art to look at you that way? Was it selfish of you that you wanted his longing gaze to be on you and only you? Even though when he looked back at you, he would flash you a smile that made you temporarily forget about the pestering question.

The sun was warm on your skin, staving off the brisk wind, but you didn't want to move from your spot in the corner of the court. With the notebook on your lap, you were writing while waiting for Art to finish practice. He was with Robbie, and you could hear his grunts from where you were sitting. In your bag were two admissions to the movie Art told you he had been wanting to see but didn't have the time to check it out. Your excitement and anticipation were barely contained; you had looked forward to surprising him all week.

The gate rattled, and then, a voice called out.

"Let's go!"

That made you look up from your notebook. You watched as the stranger sauntered over in Art's direction.

"Come on, Donaldson, big serve. Big serve!"

Art went to serve but gave up halfway as the newcomer called out again in a teasing tone. Art angled his body to face the new guy, finally acknowledging him.

"Finish it up, Donaldson. Come on."

Art went for a serve so quick that Robbie couldn't catch on. He turned towards the guy, and the racquet fell limp in his grasp. The stranger opened his arms and walked toward Art, who then walked away and playfully dismissed the gesture. You could see a genuine smile on his face, highlighting the boyish charm in his features. You watched as they started to chase each other through the courts, jumping over the net and other boys on the bench.

You waited until their chase came to a stop, when they were standing face to face, talking to one another in an effervescent manner. You noted to yourself that this was a new side of Art that you hadn't seen yet.

Art waved at you as you approached, drawing the newcomer's attention to you. He looked at you up and down as Art introduced the two of you. His big hand enveloped yours in its warmth and callouses. Patrick's eyes had a spark of recognition the moment you told him your name. He smirked, still holding your hand.

"It's nice to finally meet the girl Art's been 'hanging out' with."

He glanced cheekily at Art.

"What do you mean?"

"Art wasn't being very clear on that, so …"

You looked to Art to see him glaring at Patrick. Your brows furrowed as understanding dawned on you. Your heart thumped harshly in your chest.

"Oh, right."

Patrick didn't seem to catch onto your confusion. He drew you closer by tugging on your hand, which was still wrapped in his.

"I don't get it. If I was him, I'd waste no time."

Art elbowed Patrick lightly.

"Dude, what about Tashi?"

"Dude, I said if I was you."

You interrupted before Art could say anything.

"You're not wrong. We're just casual friends."

Art looked at you, his gaze inquisitive, but you pretended that nothing was wrong. You put on a cheery voice, hoping Art would overlook what you'd just said.

"Anyway, it looks like you'll be busy. I'll… see you later."

Without waiting for an answer from Art, you turned to Patrick.

"It's nice to meet you, Patrick."

Patrick's reciprocation fell on your ears as you turned around and walked away. You didn't make it too far before Art got a hold of your wrist.

"Wait, didn't you say you wanted to ask me something?"

You thought about the tickets in your bag, but you shook your head.

"No, it's nothing."

"Are you sure? I'm sorry, but I didn't know Patrick were stopping by today. I haven't seen him in a few weeks as well ..."

You understood his implication perfectly. You patted his forearm.

"I'm sure. Don't worry about it. Go hang out with your friend."

You made a move to leave, but Art didn't budge, holding you in place.

"Will I see you tomorrow? Tashi's match?"

You nodded without hesitation.

"Of course."

This time, you were able to leave without Art's intervention. Almost immediately, your mind started to whirl, hurtling headfirst into overanalyzing what you had witnessed. You knew that Patrick was Art's friend from the academy. From what Art had told you, they were very close. But you couldn't shake the feeling that there was more to it.

Each step was heavier than the last as you felt the increasing disappointment weighing on your mind. Instead of going home or to the theatre, you pivoted in the direction of the library. Choosing the most private spot in the computer area, you looked up Art and Patrick's names. A list of articles unfolded themselves before your eyes, inviting you to click on them, with most of them reporting on their victory at the US Junior Open last year. You read through the articles, and your eyes studied every single photo attached. Art and Patrick posing for pictures, kissing their cups, and celebrating their victory.

But pictures could only tell so much. Opening a new web browser, you went on YouTube and searched for their names. You clicked on the first one you saw, which highlighted their best performances throughout the tournament. They played so well together. They fit like two pieces of a puzzle. What one person lacked, the other would make up for it. They were unstoppable, and it was hard to look away from their exquisite dynamic.

You watched as the camera zoomed in on the two of them celebrating in the final, clinging to one another as they went down to the ground. You replayed the moment over and over until you could recount it as if you were there. You clicked on another video, then another, going from the beginning of their US Junior Doubles tournament to the very end. You were fixated and only left the library late into the night when fatigue took over. The night went by as you sat by your phone, assignments on your desk, waiting for a call or a text from Art. You went to bed that night disappointed, with a spark of indignation simmering in your mind.

Even though your class ended at 12, and you could've gone home to study, you went to Tashi's match anyway. You hadn't met the girl yet, but you had been to her matches as if you were a Duncanator yourself. But you went because Art would be there, and you wanted to spend time with him. Even though he'd spend most of that time looking at another girl. Despite going to the match of your own volition, your anger still felt justified somehow.

You came in, and the bleacher was already half filled with people. You looked around to find Art. He saw you first, his long arm reaching up and waving at you. You didn't wave back; instead, you looked down, pretending to watch your steps as you made your way to him. He beamed at you as you inched closer to his seat.

"Hey."

You took the seat next to him without making eye contact with him. Art seemed to catch onto your mood.

"Look, about yesterday–"

"Where's Patrick?"

He took a brief moment before answering.

"I ... don't know. I texted him, but he hasn't answered."

"Oh. I was looking forward to seeing more of him today."

Still refusing to look at Art, you trained your gaze toward the court. At that, he sat up straight.

"What do you mean by that?"

"I like him. He seems like a fun guy."

You turned your head to look at him. You could almost see the thoughts written on his face, and your tense moment was interrupted by an onslaught of cheer as Tashi made her appearance. You used that moment to look away, to direct your attention to Tashi and clap for her. But it didn't stop the heat from spreading through your skin and burning your cheeks. You knew what you were doing was petty, but at that moment, all you cared about was getting back at Art.

The match commenced with bated breath and tension so heavy you could feel it in the air. Tashi's usual assertiveness was replaced by a nervous energy. She usually met each volley with precision and confidence, but right now, it was because she had to. You had watched her play enough to tell the difference. And in a blink of an eye, you almost missed it. The air shifted with Tashi as she went down to the ground with a sharp cry. The sight and sound were so visceral that you sprang from your seat, your mouth parted in shock as you watched Tashi writhe on the ground, hugging her knee. Her cries were piercing in the dead quiet of the court, and before you could say anything to Art, he took off.

You followed his blurred movements and watched as he jumped over the net to get to Tashi. Your eyes glued on them as Art put Tashi's head on his lap; his mouth moved, whispering things you couldn't hear over the rising whispers around you.

The audience dispersed after a while. You stood outside of the rec centre where Tashi was taken, debating whether you should go in or not. After another long moment of consideration, you sucked in a breath and entered the building. After asking for directions, you went down the corridor and looked at each room before you found Tashi on a bed with her arm on her forehead. Art sat on a chair next to the bed she was resting on and was partially shielded by her, but he saw you. He squeezed her arm, telling her he would be right back. You instinctively stepped back from the opening of the door, not wanting Tashi to spot you. Even with what she was going through right now, you doubted that she cared. It was purely from the fact that you weren't ready to be confronted by what you'd been suspecting.

"How is she doing?"

You whispered. Art shook his head, his lips flattened into a grim line.

"Not good."

"What can they do for her?"

"Not much. They can't tell until they can get the x-rays from the hospital. We're waiting for the ambulance right now."

You nodded. Behind the outline of Art's body, you could see Tashi. Crestfallen, scared, if the impatient shakes of her uninjured leg were any indication.

"Is there ... anything I can do?"

You didn't even know why you offered. Still, you felt like you needed to do something, to be useful even though nothing in this situation pertained to you.

"No, nothing. I'll stay with her to make sure that she's okay."

You resigned with a nod.

"Alright. Call me later, okay? Let me know how she's doing."

He inclined his head in agreement and went back to Tashi without sparing a second glance at you. Your heart chipped a little at that, but you brushed it off. Art cared about her, and there was nothing wrong with that. They were friends. You'd do the same for Grace and Ashley. To feel jealous was to be irrational, and you didn't want that. But was your inkling of doubt really unreasonable?

You were about to round the corner when Patrick almost ran into you. He murmured an apology before taking off. He stopped in front of the door you were at just moments ago. You were frozen in place, hearing Patrick's desperate pleas, Tashi's angry cry, and, at last, Art's thunderous shout echoed down the hallway.

"Patrick, get the fuck out!!"

You had never heard him like that. Angry, with a territorial edge to it. You forced yourself to walk away; the need to withdraw into yourself once again overwhelmed your mind despite your conscious effort not to think about what'd just happened. But you couldn't help it.

Later that night, there was no phone call, not even a text. Art's silence was a knife that dug deep into your heart, but like always, you ignored it, even though you knew it had never been a good idea.

Likes, reblogs, and comments are greatly appreciated! I'd love to read your thoughts on the story!

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sincerely-sofie · 2 months ago

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Obby and I are cooking up TPiaG Part 2.

I still need to finish Better the Wool (56k+ words now!) and also write the wrap-up to Part 1. But we are COOKING and I want to make stuff for it NOW, so I'm jotting down some notes / teasers here.

Possible cool stuff for TPiaG Part 2 include:

Ninetales have been slowly dying off for thousands of years. A human-turned vulpix meets one of the last living members of the species and learns why exactly that is.

After Twig and Ark pass away, their children are left to grapple with the family history that had been hidden from them.

Arceus wakes up for the first time in millennia. She finds the world deeply different from how she had left it, and has to reconcile what she's known with what she sees.

A bitter cold begins creeping into the hearts of people around the world.

Opal grows into her Legend status while being mentored by a being who sees a lost soul needing to learn how to harness a building darkness.

Sen. She's in it.

Celebi gets tangled up in a somewhat paradoxical dilemma.

We learn more about the trio of beings who warned humanity underground before time's paralysis.

Dia starts learning how to manage Ark's powers, and Howie starts learning how to manage their absence.

A personification of negativity and darkness gets another shot at life in an unexpected way.

#the present is a gift au #better the wool au #pokemon mystery dungeon #pokemon super mystery dungeon #pmd explorers of sky #pmd gates to infinity #pmd explorers #pmd gates #pmd sky #pmd eos #psmd #pmd2 #pmd3 #pmd4 #pmd #sofie says stuff

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sparkles-rule-4eva · 11 months ago

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🎵 Whoooo wants a nice little short 'n sweet post-Prime one shot with Sonic and Tails and some angst and also fluff and cuddles and nightmares and sadness and cuteness and the implementing of that one headcanon from the post I made about Sonic getting more cuddly and clingy when he's hurt or upset??? 🎵

Sonic Prime - Healing Hugs

Something had happened in the cave with Sonic. Tails was absolutely certain of it.

At first, it had just been pleasant changes, pleasant surprises. Sonic had suddenly switched to being a 100% team player, had started paying attention to each and every thing Tails instructed, and seemingly communicated with Shadow just as the Ultimate Lifeform arrived out of nowhere to Chaos Control the Paradox Prism to who-knows-where.

Then there had been the more weird changes.

Every time Tails opened his mouth, Sonic would drop everything to listen to every word with laser focus, even if it was about something as simple as what he was going to get for dinner or some cool comics he'd read. He was giving a lot more hugs, too, far more than usual. Sonic used to be a lot more selective about physical affection, but now, Tails couldn't seem to get through 30 minutes of a day without his older brother scooping him up in an embrace, however brief. Not that he was complaining, it was nice.

He kept catching the hedgehog lying around in the grass, fingering the green leaves with utter delight in his eyes. Once he found him on the beach, sitting in a palm tree and singing some kind of pirate-y sounding song. Another time he found him wandering slowly around the woods nearby, talking to the flickies about how pretty the trees were.

Something was off, but Tails couldn't put his finger on it. From his perspective, he hadn't seen anything out of the ordinary happen during the battle in the cave, but Sonic's change in behavior made it painfully obvious something had.

Especially when the more negative changes started manifesting.

Not negative in a sense that Sonic was doing anything wrong. But he seemed . . . a little rattled. Some of his hugs were far more than just quick side squeezes. Sometimes he'd stare at Tails with an oddly pensive, faraway look in his eyes.

In bed, one night about a week after the cave incident, Tails found himself tossing and turning. These thoughts were driving him up the wall with how often they'd been occupying his mind lately.

He wanted so badly to sit down with Sonic and ask him what happened. He knew something had happened. But whether Sonic was willing to talk about it was another question entirely. He knew something was different, but he also knew his brother. Sonic didn't like uncomfortable conversations. If he felt unsafe, he would run.

Tails knew better than to confront him with questions that Sonic would likely not want to answer. If he'd wanted to tell Tails what was going on, what was different, he probably would've told him already.

With an exhausted sigh, Tails gave up trying to sleep and sat up in bed, casting a quick glance at the digital clock on his nightstand.

3:47 a.m.

Great. Even when I'm not working on a project, I STILL end up sleep-deprived. He smirked. At least Sonic can't get ticked at me this time, it's not my fault.

Speaking of the Blue Devil, he was right down the hall. Conked out on the couch, where he often slept. In fact, he'd been sleeping there every night for the past week.

Since he couldn't sleep, anyway, Tails slipped out of bed and crept down the hall, having memorized which boards creaked and which ones didn't. He half-hoped Sonic was awake so he'd have someone to talk to, but as he emerged into the living room, he saw his brother sound asleep, half-curled on his side.

Tails blinked and looked closer.

Sonic was asleep, but . . . he was also clinging extra tightly to his pillow. And he looked . . . incredibly stressed.

Was he having a bad dream?

Tails took a couple steps towards the couch until he stood right beside it. In past experiences where he'd found his brother having a nightmare, talking it out rarely helped. Sometimes even waking him up didn't help, either. He usually just wound up disoriented and panicking, and sometimes even ran off to deal with his feelings alone out in the wilderness.

Tails really didn't want him to leave. He also didn't want him to be alone.

He reached out and ever so gently placed his hand over Sonic's clenched fist, both ungloved.

One thing he had discovered about his brother during hard times like this was that he became more clingy. On the rare occasion he was visibly upset, he'd sometimes come up and just hug Tails without a word. When he was sick or injured somehow (and actually allowing himself to be taken care of), he tended to snuggle more. If he was in enough pain, he'd hold onto Tails as tightly as he could. Sometimes he'd do the same with their other friends, but Tails was always his go-to.

Not that it happened very often. Tails only knew these things because he'd known Sonic for most of his life. Sonic had raised him. He'd seen more of Sonic than anyone else had.

Now, he rubbed a finger over his brother's fist for a moment, then very carefully tugged the pillow out of Sonic's unconscious grasp. He set it softly on the floor, then carefully clambered onto the couch next to him, lay down, and hugged him tightly.

Without waking up, Sonic wrapped his arms around him in return and held him close, burying his face between Tails's ears with a barely audible whimper.

Tails could feel his brother's heartbeat racing, so he snuggled in closer and softly began to purr.

And, with time, he felt Sonic start to calm down.

A couple minutes went by, and his heart rate slowed down just a bit. The tension coiled throughout his entire body started to unwind, and his spiked-up quills lowered slightly in a more relaxed position. His ears were still kinda droopy, but he seemed a lot more restful than he had a few minutes ago.

Tails smiled, still bundled up tightly against Sonic. And his smile only grew wider when he felt his brother start purring, too.

There was something infinitely comforting about being held, about snuggling with his brother, the person who loved him to the moon and back. The person he loved in exactly the same way. For those moments, the very problems that had been keeping Tails awake half an hour earlier seemed to fade. He was here, Sonic was here, no words were spoken or needed, and they would be okay.

Tails slept soundly for the rest of the night.

The sound of flickies singing from the treetops woke Sonic the next day. He blinked blearily as his eyes came into focus, and he realized that Tails had joined him sometime during the night.

Once upon a time, waking up to find him right there had made him jump. It didn't anymore.

He smiled, carefully adjusting one hand so he could stroke his little brother's bangs and give him a tiny scratch behind one ear. Tails mumbled something unintelligible in his sleep, and snuggled closer in Sonic's chest.

He grinned wider. Tails hadn't been snuggly to this level in a while. Granted, he'd always been the more snuggly one of the two of them, but still. It kind of reminded Sonic of the first couple years he'd been taking care of Tails, when the kit was between 3 and 4 years old.

His smile faded a little as he thought of Nine at that age, still alone, still being bullied and hurt, with no one to save him and show him the love and care he deserved.

He could only hope that the other Shatterverse variants were showing him such kindness now. The thought that he would never get to see him again made his heart ache in a way he couldn't quell.

Sonic studied Tails's sleeping face, noting the intense similarities and differences between him and Nine. He wondered whether Nine had always existed even before the Shatter event, as a part of his little brother that Tails would never bring to light. Was it the same with Mangey and Sails?

A tiny snort escaped him against his will as he thought about whether Mangey's existence was an implication that a part of Tails just wanted to go a little feral. Sometimes he couldn't blame him.

His suppressed laugh had Tails stirring, blinking open his big blue eyes. He looked back at Sonic, grinning sleepily. "G'morning."

Sonic ruffled his bangs again, smiling as Tails giggled. "G'morning, little buddy."

Stop calling me that!

He froze at the memory of Nine's angry shout, and Tails clearly saw it.

"Are you okay?" he asked with a gentle, inquiring frown, slowly sitting up.

Sonic sighed as he sat up as well, leaning back to stretch, then pulled his little brother close again. "I've got a story for you, bud," he admitted, deciding it was about time to open up about what had really happened in the cave.

Tails gazed up at him with surprise, but then smiled and nodded.

"I'm listening," he replied quietly.

AO3 version

Did I come up with this while hugging a giant pillow during my nap earlier today? Maybe :3

I also maybe just really wanted to implement that headcanon somewhere teehee

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