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Secondary reptiles and Key to the "Palæontological Map of the British Islands" by Alexander Keith Johnston, from the sketches and notes of Edward Forbes, 1850
Full map here:
https://exhibits.stanford.edu/dataviz/catalog/cy256bc8870
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The Time Machine by H.G. Wells
Chapter 11
The Palace of Green Porcelain
“I found the Palace of Green Porcelain, when we approached it about
noon, deserted and falling into ruin. Only ragged vestiges of glass
remained in its windows, and great sheets of the green facing had
fallen away from the corroded metallic framework. It lay very high upon a turfy down, and looking north-eastward before I entered it, I was surprised to see a large estuary, or even creek, where I judged
Wandsworth and Battersea must once have been. I thought then—though I never followed up the thought—of what might have happened, or might be happening, to the living things in the sea.
“The material of the Palace proved on examination to be indeed
porcelain, and along the face of it I saw an inscription in some
unknown character. I thought, rather foolishly, that Weena might help
me to interpret this, but I only learnt that the bare idea of writing
had never entered her head. She always seemed to me, I fancy, more
human than she was, perhaps because her affection was so human.
“Within the big valves of the door—which were open and broken—we found,
instead of the customary hall, a long gallery lit by many side windows.
At the first glance I was reminded of a museum. The tiled floor was
thick with dust, and a remarkable array of miscellaneous objects was
shrouded in the same grey covering. Then I perceived, standing strange
and gaunt in the centre of the hall, what was clearly the lower part of
a huge skeleton. I recognised by the oblique feet that it was some
extinct creature after the fashion of the Megatherium. The skull and
the upper bones lay beside it in the thick dust, and in one place,
where rain-water had dropped through a leak in the roof, the thing
itself had been worn away. Further in the gallery was the huge skeleton
barrel of a Brontosaurus. My museum hypothesis was confirmed. Going
towards the side I found what appeared to be sloping shelves, and
clearing away the thick dust, I found the old familiar glass cases of
our own time. But they must have been air-tight to judge from the fair
preservation of some of their contents.
“Clearly we stood among the ruins of some latter-day South Kensington!
Here, apparently, was the Palæontological Section, and a very splendid
array of fossils it must have been, though the inevitable process of
decay that had been staved off for a time, and had, through the
extinction of bacteria and fungi, lost ninety-nine hundredths of its
force, was nevertheless, with extreme sureness if with extreme slowness
at work again upon all its treasures. Here and there I found traces of
the little people in the shape of rare fossils broken to pieces or
threaded in strings upon reeds. And the cases had in some instances
been bodily removed—by the Morlocks, as I judged. The place was very
silent. The thick dust deadened our footsteps. Weena, who had been
rolling a sea urchin down the sloping glass of a case, presently came,
as I stared about me, and very quietly took my hand and stood beside
me.
“And at first I was so much surprised by this ancient monument of an
intellectual age that I gave no thought to the possibilities it
presented. Even my preoccupation about the Time Machine receded a
little from my mind.
“To judge from the size of the place, this Palace of Green Porcelain
had a great deal more in it than a Gallery of Palæontology; possibly
historical galleries; it might be, even a library! To me, at least in
my present circumstances, these would be vastly more interesting than
this spectacle of old-time geology in decay. Exploring, I found another
short gallery running transversely to the first. This appeared to be
devoted to minerals, and the sight of a block of sulphur set my mind
running on gunpowder. But I could find no saltpetre; indeed, no
nitrates of any kind. Doubtless they had deliquesced ages ago. Yet the
sulphur hung in my mind, and set up a train of thinking. As for the
rest of the contents of that gallery, though on the whole they were the
best preserved of all I saw, I had little interest. I am no specialist
in mineralogy, and I went on down a very ruinous aisle running parallel
to the first hall I had entered. Apparently this section had been
devoted to natural history, but everything had long since passed out of
recognition. A few shrivelled and blackened vestiges of what had once
been stuffed animals, desiccated mummies in jars that had once held
spirit, a brown dust of departed plants: that was all! I was sorry for
that, because I should have been glad to trace the patient
readjustments by which the conquest of animated nature had been
attained. Then we came to a gallery of simply colossal proportions, but
singularly ill-lit, the floor of it running downward at a slight angle
from the end at which I entered. At intervals white globes hung from
the ceiling—many of them cracked and smashed—which suggested that
originally the place had been artificially lit. Here I was more in my
element, for rising on either side of me were the huge bulks of big
machines, all greatly corroded and many broken down, but some still
fairly complete. You know I have a certain weakness for mechanism, and
I was inclined to linger among these; the more so as for the most part
they had the interest of puzzles, and I could make only the vaguest
guesses at what they were for. I fancied that if I could solve their
puzzles I should find myself in possession of powers that might be of
use against the Morlocks.
“Suddenly Weena came very close to my side. So suddenly that she
startled me. Had it not been for her I do not think I should have
noticed that the floor of the gallery sloped at all. [Footnote: It may
be, of course, that the floor did not slope, but that the museum was
built into the side of a hill.—ED.] The end I had come in at was quite
above ground, and was lit by rare slit-like windows. As you went down
the length, the ground came up against these windows, until at last
there was a pit like the ‘area‘ of a London house before each, and only
a narrow line of daylight at the top. I went slowly along, puzzling
about the machines, and had been too intent upon them to notice the
gradual diminution of the light, until Weena’s increasing apprehensions
drew my attention. Then I saw that the gallery ran down at last into a
thick darkness. I hesitated, and then, as I looked round me, I saw that
the dust was less abundant and its surface less even. Further away
towards the dimness, it appeared to be broken by a number of small
narrow footprints. My sense of the immediate presence of the Morlocks
revived at that. I felt that I was wasting my time in the academic
examination of machinery. I called to mind that it was already far
advanced in the afternoon, and that I had still no weapon, no refuge,
and no means of making a fire. And then down in the remote blackness of
the gallery I heard a peculiar pattering, and the same odd noises I had
heard down the well.
“I took Weena’s hand. Then, struck with a sudden idea, I left her and
turned to a machine from which projected a lever not unlike those in a
signal-box. Clambering upon the stand, and grasping this lever in my
hands, I put all my weight upon it sideways. Suddenly Weena, deserted
in the central aisle, began to whimper. I had judged the strength of
the lever pretty correctly, for it snapped after a minute’s strain, and
I rejoined her with a mace in my hand more than sufficient, I judged,
for any Morlock skull I might encounter. And I longed very much to kill
a Morlock or so. Very inhuman, you may think, to want to go killing
one’s own descendants! But it was impossible, somehow, to feel any
humanity in the things. Only my disinclination to leave Weena, and a
persuasion that if I began to slake my thirst for murder my Time
Machine might suffer, restrained me from going straight down the
gallery and killing the brutes I heard.
“Well, mace in one hand and Weena in the other, I went out of that
gallery and into another and still larger one, which at the first
glance reminded me of a military chapel hung with tattered flags. The
brown and charred rags that hung from the sides of it, I presently
recognised as the decaying vestiges of books. They had long since
dropped to pieces, and every semblance of print had left them. But here
and there were warped boards and cracked metallic clasps that told the
tale well enough. Had I been a literary man I might, perhaps, have
moralised upon the futility of all ambition. But as it was, the thing
that struck me with keenest force was the enormous waste of labour to
which this sombre wilderness of rotting paper testified. At the time I
will confess that I thought chiefly of the Philosophical Transactions
and my own seventeen papers upon physical optics.
“Then, going up a broad staircase, we came to what may once have been a
gallery of technical chemistry. And here I had not a little hope of
useful discoveries. Except at one end where the roof had collapsed,
this gallery was well preserved. I went eagerly to every unbroken case.
And at last, in one of the really air-tight cases, I found a box of
matches. Very eagerly I tried them. They were perfectly good. They were
not even damp. I turned to Weena. ‘Dance,’ I cried to her in her own
tongue. For now I had a weapon indeed against the horrible creatures we
feared. And so, in that derelict museum, upon the thick soft carpeting
of dust, to Weena’s huge delight, I solemnly performed a kind of
composite dance, whistling The Land of the Leal as cheerfully as I
could. In part it was a modest cancan, in part a step dance, in part
a skirt dance (so far as my tail-coat permitted), and in part original.
For I am naturally inventive, as you know.
“Now, I still think that for this box of matches to have escaped the
wear of time for immemorial years was a most strange, as for me it was
a most fortunate, thing. Yet, oddly enough, I found a far unlikelier
substance, and that was camphor. I found it in a sealed jar, that by
chance, I suppose, had been really hermetically sealed. I fancied at
first that it was paraffin wax, and smashed the glass accordingly. But
the odour of camphor was unmistakable. In the universal decay this
volatile substance had chanced to survive, perhaps through many
thousands of centuries. It reminded me of a sepia painting I had once
seen done from the ink of a fossil Belemnite that must have perished
and become fossilised millions of years ago. I was about to throw it
away, but I remembered that it was inflammable and burnt with a good
bright flame—was, in fact, an excellent candle—and I put it in my
pocket. I found no explosives, however, nor any means of breaking down
the bronze doors. As yet my iron crowbar was the most helpful thing I
had chanced upon. Nevertheless I left that gallery greatly elated.
“I cannot tell you all the story of that long afternoon. It would
require a great effort of memory to recall my explorations in at all
the proper order. I remember a long gallery of rusting stands of arms,
and how I hesitated between my crowbar and a hatchet or a sword. I
could not carry both, however, and my bar of iron promised best against
the bronze gates. There were numbers of guns, pistols, and rifles. The
most were masses of rust, but many were of some new metal, and still
fairly sound. But any cartridges or powder there may once have been had
rotted into dust. One corner I saw was charred and shattered; perhaps,
I thought, by an explosion among the specimens. In another place was a
vast array of idols—Polynesian, Mexican, Grecian, Phœnician, every
country on earth, I should think. And here, yielding to an irresistible
impulse, I wrote my name upon the nose of a steatite monster from South
America that particularly took my fancy.
“As the evening drew on, my interest waned. I went through gallery
after gallery, dusty, silent, often ruinous, the exhibits sometimes
mere heaps of rust and lignite, sometimes fresher. In one place I
suddenly found myself near the model of a tin mine, and then by the
merest accident I discovered, in an air-tight case, two dynamite
cartridges! I shouted ‘Eureka!’ and smashed the case with joy. Then
came a doubt. I hesitated. Then, selecting a little side gallery, I
made my essay. I never felt such a disappointment as I did in waiting
five, ten, fifteen minutes for an explosion that never came. Of course
the things were dummies, as I might have guessed from their presence. I
really believe that had they not been so, I should have rushed off
incontinently and blown Sphinx, bronze doors, and (as it proved) my
chances of finding the Time Machine, all together into non-existence.
“It was after that, I think, that we came to a little open court within
the palace. It was turfed, and had three fruit-trees. So we rested and
refreshed ourselves. Towards sunset I began to consider our position.
Night was creeping upon us, and my inaccessible hiding-place had still
to be found. But that troubled me very little now. I had in my
possession a thing that was, perhaps, the best of all defences against
the Morlocks—I had matches! I had the camphor in my pocket, too, if a
blaze were needed. It seemed to me that the best thing we could do
would be to pass the night in the open, protected by a fire. In the
morning there was the getting of the Time Machine. Towards that, as
yet, I had only my iron mace. But now, with my growing knowledge, I
felt very differently towards those bronze doors. Up to this, I had
refrained from forcing them, largely because of the mystery on the
other side. They had never impressed me as being very strong, and I
hoped to find my bar of iron not altogether inadequate for the work.
#hellsitesonlybookclub#the time machine#hg wells#sci fi#literature#book club#reading list#read along#chapter 11
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Chess and playing cards. Catalogue of games and implements for divination exhibited by the United States National Museum in connection with the Department of archæology and palæontology of the University of Pennsylvania at the Cotton States and International Exposition, Atlanta, Georgia, 1895. By Stewart Culin ...
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Main AuthorCulin, Stewart, 1858-1929Related NamesUniversity of Pennsylvania. University Museum United States National Museum Language(s)English PublishedWashington, Govt. Print. Off., 1898. SubjectsCards > Cards / Exhibitions. Games Card games Playing cards > Playing cards / Exhibitions. Chess Exhibition catalogs NoteTwo plates accompanied by guard sheets with descriptive letterpress. Half-title. At head of title: Smithsonian Institution. United States National Museum. From the Report of the U.S. National Museum for 1896. Physical Description1 p. ℓ., p. 665-942. illus., 50 pl. (part col.) 24 cm.
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I LOVE DINOSAURS SO MUCH!!!!!!!!!
i love getting all cozy and putting on dinosaur/general palæontology video esssays and playing games while listening to them in the background
i love just dedicating my time to put together little fact sheets on my favorite dinos
i love just researching different families/types of dinosuars! like the Megasauropods! Like did you know for some reason Argentina is a hotbed for Megasauropods!!! The largest Megasauropod, Maraapunisaurus fragilimus, has been estimated to weigh 70-120 tonnes!!
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Mei Long for reference
Note to self: check later how flexible exactly was the tail of troodon/stenonychosaurus, on a scale of mei long to velociraptor. Is curling up to sleep a thing the Singing People can do?
I’m having another DnD session starting in half hour and don’t have time to check (and I know I’m going to forget if I don’t write this down somewhere).
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XI. The Palace of Green Porcelain
“I found the Palace of Green Porcelain, when we approached it about noon, deserted and falling into ruin. Only ragged vestiges of glass remained in its windows, and great sheets of the green facing had fallen away from the corroded metallic framework. It lay very high upon a turfy down, and looking north-eastward before I entered it, I was surprised to see a large estuary, or even creek, where I judged Wandsworth and Battersea must once have been. I thought then—though I never followed up the thought—of what might have happened, or might be happening, to the living things in the sea.
“The material of the Palace proved on examination to be indeed porcelain, and along the face of it I saw an inscription in some unknown character. I thought, rather foolishly, that Weena might help me to interpret this, but I only learnt that the bare idea of writing had never entered her head. She always seemed to me, I fancy, more human than she was, perhaps because her affection was so human.
“Within the big valves of the door—which were open and broken—we found, instead of the customary hall, a long gallery lit by many side windows. At the first glance I was reminded of a museum. The tiled floor was thick with dust, and a remarkable array of miscellaneous objects was shrouded in the same grey covering. Then I perceived, standing strange and gaunt in the centre of the hall, what was clearly the lower part of a huge skeleton. I recognised by the oblique feet that it was some extinct creature after the fashion of the Megatherium. The skull and the upper bones lay beside it in the thick dust, and in one place, where rain-water had dropped through a leak in the roof, the thing itself had been worn away. Further in the gallery was the huge skeleton barrel of a Brontosaurus. My museum hypothesis was confirmed. Going towards the side I found what appeared to be sloping shelves, and clearing away the thick dust, I found the old familiar glass cases of our own time. But they must have been air-tight to judge from the fair preservation of some of their contents.
“Clearly we stood among the ruins of some latter-day South Kensington! Here, apparently, was the Palæontological Section, and a very splendid array of fossils it must have been, though the inevitable process of decay that had been staved off for a time, and had, through the extinction of bacteria and fungi, lost ninety-nine hundredths of its force, was nevertheless, with extreme sureness if with extreme slowness at work again upon all its treasures. Here and there I found traces of the little people in the shape of rare fossils broken to pieces or threaded in strings upon reeds. And the cases had in some instances been bodily removed—by the Morlocks, as I judged. The place was very silent. The thick dust deadened our footsteps. Weena, who had been rolling a sea urchin down the sloping glass of a case, presently came, as I stared about me, and very quietly took my hand and stood beside me.
“And at first I was so much surprised by this ancient monument of an intellectual age that I gave no thought to the possibilities it presented. Even my preoccupation about the Time Machine receded a little from my mind.
“To judge from the size of the place, this Palace of Green Porcelain had a great deal more in it than a Gallery of Palæontology; possibly historical galleries; it might be, even a library! To me, at least in my present circumstances, these would be vastly more interesting than this spectacle of old-time geology in decay. Exploring, I found another short gallery running transversely to the first. This appeared to be devoted to minerals, and the sight of a block of sulphur set my mind running on gunpowder. But I could find no saltpetre; indeed, no nitrates of any kind. Doubtless they had deliquesced ages ago. Yet the sulphur hung in my mind, and set up a train of thinking. As for the rest of the contents of that gallery, though on the whole they were the best preserved of all I saw, I had little interest. I am no specialist in mineralogy, and I went on down a very ruinous aisle running parallel to the first hall I had entered. Apparently this section had been devoted to natural history, but everything had long since passed out of recognition. A few shrivelled and blackened vestiges of what had once been stuffed animals, desiccated mummies in jars that had once held spirit, a brown dust of departed plants: that was all! I was sorry for that, because I should have been glad to trace the patient readjustments by which the conquest of animated nature had been attained. Then we came to a gallery of simply colossal proportions, but singularly ill-lit, the floor of it running downward at a slight angle from the end at which I entered. At intervals white globes hung from the ceiling—many of them cracked and smashed—which suggested that originally the place had been artificially lit. Here I was more in my element, for rising on either side of me were the huge bulks of big machines, all greatly corroded and many broken down, but some still fairly complete. You know I have a certain weakness for mechanism, and I was inclined to linger among these; the more so as for the most part they had the interest of puzzles, and I could make only the vaguest guesses at what they were for. I fancied that if I could solve their puzzles I should find myself in possession of powers that might be of use against the Morlocks.
“Suddenly Weena came very close to my side. So suddenly that she startled me. Had it not been for her I do not think I should have noticed that the floor of the gallery sloped at all. [Footnote: It may be, of course, that the floor did not slope, but that the museum was built into the side of a hill.—ED.] The end I had come in at was quite above ground, and was lit by rare slit-like windows. As you went down the length, the ground came up against these windows, until at last there was a pit like the ‘area‘ of a London house before each, and only a narrow line of daylight at the top. I went slowly along, puzzling about the machines, and had been too intent upon them to notice the gradual diminution of the light, until Weena’s increasing apprehensions drew my attention. Then I saw that the gallery ran down at last into a thick darkness. I hesitated, and then, as I looked round me, I saw that the dust was less abundant and its surface less even. Further away towards the dimness, it appeared to be broken by a number of small narrow footprints. My sense of the immediate presence of the Morlocks revived at that. I felt that I was wasting my time in the academic examination of machinery. I called to mind that it was already far advanced in the afternoon, and that I had still no weapon, no refuge, and no means of making a fire. And then down in the remote blackness of the gallery I heard a peculiar pattering, and the same odd noises I had heard down the well.
“I took Weena’s hand. Then, struck with a sudden idea, I left her and turned to a machine from which projected a lever not unlike those in a signal-box. Clambering upon the stand, and grasping this lever in my hands, I put all my weight upon it sideways. Suddenly Weena, deserted in the central aisle, began to whimper. I had judged the strength of the lever pretty correctly, for it snapped after a minute’s strain, and I rejoined her with a mace in my hand more than sufficient, I judged, for any Morlock skull I might encounter. And I longed very much to kill a Morlock or so. Very inhuman, you may think, to want to go killing one’s own descendants! But it was impossible, somehow, to feel any humanity in the things. Only my disinclination to leave Weena, and a persuasion that if I began to slake my thirst for murder my Time Machine might suffer, restrained me from going straight down the gallery and killing the brutes I heard.
“Well, mace in one hand and Weena in the other, I went out of that gallery and into another and still larger one, which at the first glance reminded me of a military chapel hung with tattered flags. The brown and charred rags that hung from the sides of it, I presently recognised as the decaying vestiges of books. They had long since dropped to pieces, and every semblance of print had left them. But here and there were warped boards and cracked metallic clasps that told the tale well enough. Had I been a literary man I might, perhaps, have moralised upon the futility of all ambition. But as it was, the thing that struck me with keenest force was the enormous waste of labour to which this sombre wilderness of rotting paper testified. At the time I will confess that I thought chiefly of the Philosophical Transactions and my own seventeen papers upon physical optics.
“Then, going up a broad staircase, we came to what may once have been a gallery of technical chemistry. And here I had not a little hope of useful discoveries. Except at one end where the roof had collapsed, this gallery was well preserved. I went eagerly to every unbroken case. And at last, in one of the really air-tight cases, I found a box of matches. Very eagerly I tried them. They were perfectly good. They were not even damp. I turned to Weena. ‘Dance,’ I cried to her in her own tongue. For now I had a weapon indeed against the horrible creatures we feared. And so, in that derelict museum, upon the thick soft carpeting of dust, to Weena’s huge delight, I solemnly performed a kind of composite dance, whistling The Land of the Leal as cheerfully as I could. In part it was a modest cancan, in part a step dance, in part a skirt dance (so far as my tail-coat permitted), and in part original. For I am naturally inventive, as you know.
“Now, I still think that for this box of matches to have escaped the wear of time for immemorial years was a most strange, as for me it was a most fortunate, thing. Yet, oddly enough, I found a far unlikelier substance, and that was camphor. I found it in a sealed jar, that by chance, I suppose, had been really hermetically sealed. I fancied at first that it was paraffin wax, and smashed the glass accordingly. But the odour of camphor was unmistakable. In the universal decay this volatile substance had chanced to survive, perhaps through many thousands of centuries. It reminded me of a sepia painting I had once seen done from the ink of a fossil Belemnite that must have perished and become fossilised millions of years ago. I was about to throw it away, but I remembered that it was inflammable and burnt with a good bright flame—was, in fact, an excellent candle—and I put it in my pocket. I found no explosives, however, nor any means of breaking down the bronze doors. As yet my iron crowbar was the most helpful thing I had chanced upon. Nevertheless I left that gallery greatly elated.
“I cannot tell you all the story of that long afternoon. It would require a great effort of memory to recall my explorations in at all the proper order. I remember a long gallery of rusting stands of arms, and how I hesitated between my crowbar and a hatchet or a sword. I could not carry both, however, and my bar of iron promised best against the bronze gates. There were numbers of guns, pistols, and rifles. The most were masses of rust, but many were of some new metal, and still fairly sound. But any cartridges or powder there may once have been had rotted into dust. One corner I saw was charred and shattered; perhaps, I thought, by an explosion among the specimens. In another place was a vast array of idols—Polynesian, Mexican, Grecian, Phœnician, every country on earth, I should think. And here, yielding to an irresistible impulse, I wrote my name upon the nose of a steatite monster from South America that particularly took my fancy.
“As the evening drew on, my interest waned. I went through gallery after gallery, dusty, silent, often ruinous, the exhibits sometimes mere heaps of rust and lignite, sometimes fresher. In one place I suddenly found myself near the model of a tin mine, and then by the merest accident I discovered, in an air-tight case, two dynamite cartridges! I shouted ‘Eureka!’ and smashed the case with joy. Then came a doubt. I hesitated. Then, selecting a little side gallery, I made my essay. I never felt such a disappointment as I did in waiting five, ten, fifteen minutes for an explosion that never came. Of course the things were dummies, as I might have guessed from their presence. I really believe that had they not been so, I should have rushed off incontinently and blown Sphinx, bronze doors, and (as it proved) my chances of finding the Time Machine, all together into non-existence.
“It was after that, I think, that we came to a little open court within the palace. It was turfed, and had three fruit-trees. So we rested and refreshed ourselves. Towards sunset I began to consider our position. Night was creeping upon us, and my inaccessible hiding-place had still to be found. But that troubled me very little now. I had in my possession a thing that was, perhaps, the best of all defences against the Morlocks—I had matches! I had the camphor in my pocket, too, if a blaze were needed. It seemed to me that the best thing we could do would be to pass the night in the open, protected by a fire. In the morning there was the getting of the Time Machine. Towards that, as yet, I had only my iron mace. But now, with my growing knowledge, I felt very differently towards those bronze doors. Up to this, I had refrained from forcing them, largely because of the mystery on the other side. They had never impressed me as being very strong, and I hoped to find my bar of iron not altogether inadequate for the work.
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Image from page 72 of "A guide to the fossil mammals and birds in the Department of Geology and Palæontology in the British Museum (Natural History) .." (1896)
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Palæontologi: fossile invertebrater
Palæontologi : fossile invertebrater Wienberg Rasmussen Categories: Add a category Year: 1977 Publisher: Munksgaard Language: danish Pages: 419 ISBN 10: 8716000048 ISBN 13: 9788716000040 File: 2166 MB
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Palæontology Practice with nephew F.! He knows more about dinosaurs than me. https://www.instagram.com/p/CZDQxpAvkgK/?utm_medium=tumblr
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British Library digitised image from page 98 of "Catalogue ... arranged and compiled by E. Balfour, Officer in charge. Aqueous rocks, their mineral structure. Aqueous rocks, Palæontology. Madura, its rocks and minerals. Tinnevelly, its geology" by The British Library https://flic.kr/p/hQ4NvY
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palæontology
STOP talking shit about alternative spellings
theatre is ELOQUENT
colour is EXPRESSIVE
grey is GORGEOUS
palaeontology
favourite is BEAUTIFUL
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Chess and playing cards. Catalogue of games and implements for divination exhibited by the United States National Museum in connection with the Department of archæology and palæontology of the University of Pennsylvania at the Cotton States and International Exposition, Atlanta, Georgia, 1895. By Stewart Culin ...
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Cite thisExport citation fileMain AuthorCulin, Stewart, 1858-1929Related NamesUniversity of Pennsylvania. University Museum United States National Museum Language(s)English PublishedWashington, Govt. Print. Off., 1898. SubjectsCards > Cards / Exhibitions. Games Card games Playing cards > Playing cards / Exhibitions. Chess Exhibition catalogs NoteTwo plates accompanied by guard sheets with descriptive letterpress. Half-title. At head of title: Smithsonian Institution. United States National Museum. From the Report of the U.S. National Museum for 1896. Physical Description1 p. ℓ., p. 665-942. illus., 50 pl. (part col.) 24 cm.
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page 68 of "A guide to the fossil mammals and birds in the Department of Geology and Palæontology in the British Museum (Natural History) .." (1896)
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Image taken from page 44 of 'Elements of Geology; including fossil botany and palæontology. A popular treatise ... designed for the use of schools and general readers'
Image taken from: Title: "Elements of Geology; including fossil botany and palæontology. A popular treatise ... designed for the use of schools and general readers" Author: COMSTOCK, John Lee. Shelfmark: "British Library HMNTS 7107.b.15." Page: 44 Place of Publishing: New-York Date of Publishing: 1847 Publisher: Pratt, Woodford, & Co. Issuance: monographic Identifier: 000759554 Explore: Find this item in the British Library catalogue, 'Explore'. Open the page in the British Library's itemViewer (page image 44) Download the PDF for this book Image found on book scan 44 (NB not a pagenumber)Download the OCR-derived text for this volume: (plain text) or (json) Click here to see all the illustrations in this book and click here to browse other illustrations published in books in the same year. Order a higher quality version from here. from BLPromptBot https://ift.tt/2t7WnAu
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