#padrino records

[nineteenfiftysix]

DJ 유틸리티 조끼 - 이태원 (서울... 한가로운 밤, 2021)

[singles-bar]

[cubbihue]

Me da ganas de escribir un fanfic sobre tu AU de Fairy Timmy ¿crees que me podrías esplicar más sobre el proceso de adopción de hará y ahijado y la creación de los dobles que remplazan a esos ahijados? ¿quien fue el ultimó ahijado antes de Timmy en ser adoptado por sus padrinos mágicos?

Ask Translation: It makes me want to write a fanfic about your AU of Fairy Timmy. Do you think you could explain to me more about the process of adopting fairies and godson and the creation of the doubles that replace those godchildren? Who was the last godson before Timmy to be adopted by her magical godparents?

Of course! On top of the DMV and Fair Foods, the Godchild has to go through special training with Jorgen before adoption. Jorgen has the final say on adopted Godchildren.

Changelings are made through the hard work of the Godchild. It can't be outsourced to someone else. The Godchild compacts their Unwishes, cooks it, then carves out their own replica. The more wishes, the better the mold.

It's been so long since the last godchild, that the records are lost.

Bitties Series: [Start] > [Previous] > [Next]

Translation below ! Traducción a continuación

Lo siento, mi español es como mas o menos. me puedo leer pero mi traduccion y mi forma de escribir es muy malo :(

Con el DMV y comida de hadas*, el ahijado debe pasar por un entrenamiento especial con Jorgen antes de la adopción. jorgen tiene la ultima palabra sobre los ahijados adoptados.

Los dobles se crean con al trabajo duro del ahijado.No se puede delegar en otra persona. El Ahijado compacta sus Deseos, cocina y luego crea un propia réplica. Más deseos, mejor es el molde.

Ha pasado tanto tiempo desde el último ahijado, que los registros se han perdido.

*no sabo la palabra correcta para "Fairy", pero mi padres se dicen que es "hadas"

[diceriadelluntore]

Storia di Musica #334 - Jackie Mclean, It's Time!, 1965

È stata la vista di un poster del disco di oggi che mi ha inspirato la scelta del punto esclamativo, come trait d’union dei dischi del mese di Luglio. Il suo autore è poco conosciuto ai più, ma è uno di quelle “divinità minori” della Storia del Jazz che hanno passato gli stili, suonato con i più grandi, indirizzato anche le scelte musicali, ma appena un gradino dietro le Divinità Maggiori. John Lenwood McLean, per tutti Jackie, nasce nel 1931 in una famiglia di musicisti, a New York. Sfortuna vuole che nel 1939 suo padre muoia, ma ha la piccola fortuna di poter continuare a studiare musica grazie al padrino e al nuovo compagno di sua madre, che possedeva un negozio di dischi. Ma più che altro, quando è adolescente, Jackie ha la fortuna di vivere vicino ad alcuni di quelle Divinità Maggiori: passa infatti spesso a casa di Thelonious Monk, Charlie Parker e soprattutto Bud Powell, che quando Jackie ha 13-14 anni intravede del talento. Inizia a suonare in un’orchestra il sassofono, insieme a Sonny Rollins, si innamora dello stile di Parker e quando a 20 anni è chiamato da Miles Davis per delle registrazioni. Davis raccontò che per le registrazioni di Dig (del 1951, il disco uscirà solo nel 1956) in studio si presentò Charlie Parker, rendendo nervosissimo McLean, terrorizzato di suonare davanti al suo idolo: “Continuava ad andare da lui a chiedergli cosa ci faceva lì, e Bird (il soprannome di Parker, ndr) a rispondergli che si stava solo facendo un giro. Gliel'avrà chiesto un milione di volte. Jackie voleva che Bird se ne andasse perché così sarebbe stato più rilassato. Ma Bird continuava a dirgli come suonava bene e a incoraggiarlo, e questo alla fine rese la prova di Jackie davvero fantastica”. Con Davis suonerà anche in molti altri dischi tra il 1952 e il 1952 e parteciperà allo storico Pithecanthropus Erectus di Charles Mingus: leggenda vuole che Mingus lo picchioò, McLean tentò di pugnalarlo e per ripicca se ne andò a suonare con i Jazz Messenger di Art Blakey.

La sua carriera sembra avvia al massimo successo, ma come moltissimi jazzisti di quegli anni, McLean divenne schiavo delle droghe: per questo motivo gli fu ritirato il permesso di tenere concerti in pubblico a New York e questo lo obbligò a un intenso lavoro in studio, che si rifletté nel gran numero di registrazioni a suo nome negli anni 1950 e anni 1960. Dopo aver registrato per la Prestige Records, egli firmò un contratto con la Blue Note Records per cui incise dal 1959 al 1967. Il suo stile hard bop diviene riconoscibile per il particolare modo di suonare il suo sax contralto, e tra la fine degli anni ’50 e gli inizi degli anni ’60 scrive i suoi dischi capolavoro: prove grandiose sono Quadrangle, da Jackie’s Bag del 1959, e il disco Let Freedom Ring, del 1962, meraviglioso lavoro dove aggiunge elementi distintivi della rivoluzione che Ornette Coleman aveva iniziato pochi anni prima, il free jazz, alla sua comunque ancora solida struttura hard bop.

Il disco di oggi è registrato nel 1964 con una band composta da il trombettista Charles Tolliver, il pianista Herbie Hancock, in uno dei suoi primi lavori di una carriera sconfinata, il bassista Cecil McBee e il batterista Roy Haynes. It’s Time! ha oltre 200 punti esclamativi in copertina quasi a sottolineare una vitalità creativa fiorente e incontenibile, in un periodo alquanto particolare della Storia del jazz: in questo disco è decisivo l’intervento di Tolliver che scrive con Mclean tutti i pezzi, continuando questo fruttuoso percorso al confine tra post-bop modale e free jazz. L'improvvisazione accordale gioca ancora un ruolo importante nella musica di questo bel disco. L'assolo di Hancock nell'apertura di Cancellation è un gioco di spigolature, scandite da un tempo semplicemente mozzafiato. Il funky di McLean Das' Dat ha sicuramente un debito con Horace Silver, ma l'elemento blues, che rimarrà per sempre uno degli amori del nostro, è puro Jackie McLean. Il modo di suonare di McLean non è particolarmente avventuroso, anche se a volte spinge il suo sassofono oltre i limiti. It’s Time! è micidiale - con Tolliver e McLean che si scontrano in un duello spettacolare- così come il ritorno del blues in Snuff. Tolliver, che ha fatto il suo debutto alla Blue Note con It's Time!, ha registrato tre album con McLean e diventerà noto per la sua voce di tromba fluida e lirica. Revillot di Tolliver (il suo nome al contrario) è un altro trampolino di lancio per grandi improvvisazioni. Il bassista Cecil McBee fa un breve assolo nella title track, il suo unico assolo in questa registrazione, anche se aiuta a guidare l'intera sessione.

Nel 1964 McLean passò sei mesi in prigione per questioni di droga, che segnerà sia la via privata sia la sua musica (che si sposterà con forza verso i primi esperimenti di acid jazz e alla sperimentazione più estrema. Tanto che nel 1967 la Blue Note, a seguito del cambiamento di gestione, pose fine al suo contratto, come fece in quegli anni con molti altri artisti d'avanguardia. Le prospettive di registrazione erano talmente poche e malpagate che egli preferì dedicarsi interamente ai concerti e all'insegnamento, che iniziò nel 1968 alla The Hartt School della prestigiosa University of Hartford del Connecticut. Negli anni successivi, egli avrebbe creato il Dipartimento di Musica Afroamericana (ora chiamato "Jackie McLean Institute of Jazz") e l'intero programma di studi jazz. Nel 1970, con la moglie Dollie, fondò a Hartford il gruppo Artists' Collective, Inc. dedicato alla conservazione delle tradizioni africane negli Stati Uniti, promuovendo e realizzando programmi di istruzione nella danza tradizionale, il teatro, la musica e le arti visuali. È stato sempre, come molti jazzisti, artista decisamente impegnato sul fronte sociale, culturale e politico, sin dai tempi delle contestazioni contro la guerra del Vietnam. Uno dei bellisismi documentari di Ken Burns sui grandi del Jazz è dedicato a lui. Morirà dopo una lunga malattia nel 2006, e nello stesso anno fu nominato nella Down Beat Jazz Hall of Fame. Un musicista da riscoprire.

[gisapot]

about oppenheimer

there are parallels to be drawn with nobel and oppenheimer's lives. nobel successfully retconned his reputation as the inventor of dynamite when he created the nobel peace prize to promote peace and no war. however oppenheimer's life diverges from nobel's beaten path: his advocacy against the h-bomb program and nuclear disarmament, his basic human empathy has him redtagged by the us government. he's questioned, recorded without his consent by people endorsed to ensure his downfall because he might pose a threat to homeland security, something the us has been constantly on guard for since the dawn of time.

we are subject to the retelling of oppenheimer's life in medias res, anchored by the talking points during the hearing of the various witnesses brought in by the biased grey board and in the just as biased recollections of one aspirant for the secretary of commerce position, strauss, out of paranoia, humiliation, and anxiety of how one man is perceived by the people he is working with. for strauss, it's the scientists who he is in close contact with, most especially the strangest character of all in terms of their presence in the movie and relevance to the manhattan project, albert einstein himself.

now you'd think einstein was way in the past but to find that oppenheimer saw einstein as a mentor (not a contemporary, as oppenheimer would have you know in the first 20 minutes of the movie because apparently his last academic work was published 40 years before the recruitment of oppenheimer for the manhattan project even took place) not just in physics, but in the ethics and morality of his work, is a fun little easter egg with a dark inside, like a tea egg. the sighting of einstein and being oppenheimer's "work dad" emphasizes the idea of seniority in the field equating to wisdom and foresight, and the humility of oppenheimer to admit his fears as they comisserated by the pond, something strauss had missed out due to his grudge and humiliation from an off-hand jocular comment oppenheimer made at congress. we are reminded as well that the people we put in power, or attempt to, much like eisenhower nominating strauss as secretary of commerce, are human. and with humanity comes the lack of critical or rational thinking, or maturity, especially in the workplace. people react personally to things that should be dealt with professionally. case in point: strauss. his humiliation at congress, his disbelief in oppenheimer's vehement disapproval of teller's h-bomb, and his convoluted interpretations of oppenheimer's attempts to reconcile and apologize for the literal war crime he committed by inventing that bomb, turning to pacifism and military disarmament - they all add up until he loses it, and sees oppenheimer as the enemy to his cause. it's a lesson to be learned about how it looks like when you are not amiable, both for oppenheimer and strauss, and for strauss, how to react in the workplace.

in all of this - men talking over one another and making fun of the inventor for having emotions like guilt and regret, seeing deaths not as people that deserve reprieve but as mere statistics that weaken the blow of mortality, being shallow to avoid a certain city because it had a sentimental significance to someone in higher power (smells like padrino, slightly) - we find reprieve in the woman. not florence pugh, but in emily blunt's kitty. the loyal wife of oppenheimer, a "biologist promoted to housewife", she is consistent about her disdain for homemaking, but in the words of the gen z nowadays, siya ang naging pahinga ni oppenheimer (t/n: oppenheimer finds rest in her). what is interesting is he doesn't coddle him. she throws a glass bottle in frustration because oppenheimer is not seeing the point. he should be defending himself, not letting them walk all over him and feeding one another lies. she is not just another hollywood-written doting wife, she is a scientist in her own right, one of the very few allies oppenheimer has in this movie who know the truth and are willing to fight for it. she too was redtagged, and in defense of her husband she keeps the fight. other hollywood-written housewives would have given up, had a breakdown about the drama surrounding their lives, then run away into the night. that is the weakness of hollywood when it comes to writing the woman. the sexism is showing, not only in the numbers, but even in the writing. against the grain, kitty is loyal to oppenheimer, advocates with him, stands her ground even if oppenheimer is already willing to be civil with the people who once betrayed him; she refused to shake teller's hand because she remembers him as one of the people whose egos were affected by oppenheimer's intj-like personality in the lead-up to the detonation of the test bomb.

in contrast, despite being a big fan of florence pugh in her work as yelena in the marvel series, her character here is just... sad. she's objectified, shown as a sex symbol, and then she kills herself. closes that sub-plot pretty quickly.

who i truly love in this movie other than kitty is hill. played by rami malek who for some reason has still not readjusted to the normal shape of his mouth and is still clamping his lower lip sometimes lest freddie mercury is showing in a movie that is years before his time, dr hill is the only one who sees reason in this whole movie. he turns the tables, goes against the grain, advocates against the instatement of strauss as secretary of commerce because of how he conducted himself professionally - he cited lack of integrity with the manipulation of the members of the grey board to be his relations, his quest for personal approval, arrogance, and vindictiveness. overall, as per dr hill's summary of the entirety of strauss' personality, he's a child who lacks emotional maturity for the job he is nominated to enter. why would he be voted in to be part of government when he has to manipulate situations to make him look good, and holds personal grudges towards people even if the reasons are perfectly valid.

the entire character arc of strauss is a lesson of humility: since we are using greek mythology in comparing oppenheimer as the american prometheus, strauss is the american icarus. he got too close to the sun, he played with its flames, and burned into a crisp. on his wikipedia page it is documented that he is considered a villain to the american public once dr hill had made known that he was manipulative of the situation.

oppenheimer as a person is someone who is genuinely good, but was just put in a position where he assumed the face of death. while death in some religions is just an entry to a new life, it is not humans that should administer it, a lesson that the film projects, among others. we have an illness to play god, to feel infinite, to believe ourselves to be powerful and invincible against our enemies. in the case of the bombings, people who were had nothing to do with the war - civilians, who by loyalty to their emperor, were involved in the war.

with that being said, one realizes that loyalty is a strong theme in this movie, and so is empathy, and morality, and the ethics of science. in the "before potsdam discussion" scene, we see military generals discuss the possible number of victims not remembering that this is not a game of cops and robbers, this is real life with the possibility of casualty. they speak coldly about these numbers and when to drop and where, saying "then our boys can come home", referring to the american teenage boys who were sent off to war to fight for the advocacies of senior citizens in positions of power. there is very clearly a lack of empathy to prove loyalty to country, something that oppenheimer endeavors to undo but comes with the risk of being questioned and redtagged for suddenly advocating for pacifism. to the characters in this movie, oppenheimer was either black or white. he could not exist without intersections - to read communist literature but not be in its party, to want to stop the development of arms for future wars to protect human life but still be loyal to the us.

questions were raised by people who have already seen the movie about the lack of visualization of how japan and its people were affected by the bombings, and they have missed the point of its lack. the lack of it is equivalent to the lack of empathy of the people who commissioned the manhattan project of the lives that will be lost and its ecological impact still felt in these cities in japan today. once the bombs were dropped, however, and radio and newspaper covered the ash-covered cities after the war and we see oppenheimer having a panic attack on stage in the form of seeing how the skins of americans would peel and burn if the bomb dropped on them, we are shown to the moment oppenheimer felt empathy. the last scene, where oppenheimer says that he believes he has started a chain reaction (implied: of a new form of violence) that would change the world, throws back to that moment, and so did the second panic attack when he was harassed by the grey board for his motivations for making the bombs anyway if he felt empathy for its prospective victims. if he didn't make it, then the germans would have, or the russians would have, because the science was already there, and the bomb would have dropped on the us. he thought he was doing the right thing. sometimes, it is in grey.

i remember a friend of mine, he's a physicist. i asked him what he thought about the movie. he said you can see how warlords and high ranking military generals and admirals are so desensitized to the concept of war and conflict that they do not realize that they are inflicting pain upon people, displacement, injury, loss of homes, and lack of peace. while oppenheimer's contributions to physics should be lauded and never forgotten because they are really pivotal in the field of physics, it does not mean that we must only exist to partake in cold calculations like this. it is important to also be involved in the humanities and social sciences. when the movie ended, a quote from the movie dead poets society came to mind. "medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for." to be in touch with our emotions, to build community, to participate in culture, to draw and to sing and to dance, to find people to love.

while i am normally not a fan of movies like this that talk of violence and war, art, especially film, is a good method of evoking to the general public the art of thinking critically about certain situations, such as the events that transpired in world war 2 that have truly affected the way we operate today. nothing is the same anymore, we know it. it is up to us, as the older generation says, to fix what they have broken and destroyed in their ego and greed and politics and bureaucracy.

the movie ends not with oppenheimer being acquitted of the accusations (although it is implied he is with a flash forward where he was awarded and teller tried to make peace with him by shaking his hand, which oppenheimer does, but kitty refuses in defense of her husband; another part i truly loved, especially with albert einstein's voiceover saying that people will be congratulating you not for you, but to forgive themselves, ergo, oppenheimer's acceptance of their laurels will ease their guilty conscience of the accusations they threw at him when he tried to stop the h-bomb program), but with another quiet moment in front of the pond with albert einstein. oppenheimer says he is afraid that he has started a chain reaction that will destroy the world. in the back, we see strauss' frame sauntering into the garden. we are reminded of the scene before this, strauss' lawyer tells him that no, that moment you found einstein and oppenheimer by the pond, they were not talking about you. they were talking about else far more important.

humanity.

[julio-viernes]

Cambio de tercio, de los tiros pasamos a dos noticias corporativas que hay que dar. Curiosamente el tiburón de la industria, el llamado "padrino de la música negra" (Sarah Vaughan, Jimmy Smith, Freddie Hubbard, Bill Withers, Michael Jackson, y un largo etcétera) falleció sólo una semana después que su contratado en Sussex Records, Sixto Rodriguez.

[billspotts]

Attacks on Protesters and Journalists Marked Day Two of Post-electoral Life

At least 11 dead, over 278 detentions and a lot of tear gas. That’s the summary of the repression in Venezuela in the past two days.

The numbers were updated by Alfredo Romero, Executive Director of Foro Penal, a NGO that offers pro-bono assistance. Two of the killed were underage: one 16-year-old from Yaracuy and one kid who turned 15 on Sunday, election day. Although he didn’t specify numbers, he said that there’s also “an important number of people hurt by bullets, it is hard to check. But we’re in a human rights crisis”.

About the detentions, Romero explained that Distrito Capital was the state with the highest number: 38. In second and third place were Barinas and Zulia, with 27 and 19, respectively. These numbers were until 3:00, so by the time of publication of this text, they are probably higher.

But Tarek William Saab, the General Prosecutor, had a way higher number: 749. Saab said that they all are “delinquents” and that they are gonna be prosecuted for terrorism and hate instigation.

Vladimir Padrino López, the Defense Minister, said that sargento primero José Antonio Torres Blanca was killed by a bullet in his neck in Aragua. It is unclear if he is on Foro Penal’s list. Padrino López also said that 23 members of the military and 25 police officers were hurt.

Another number that is probably higher by now is the sheer number of protests. By Tuesday noon the Observatorio Venezolano de Conflictividad Social counted over 300, and at least 115 of them were repressed by colectivos, “acting in coordination or with the acquiescence of officials of the State security forces.” During the first day, Laboratorio de Paz –a peace culture think tank– geolocalized 210 spontaneous protests: which is likely an understatement.

During the day reports of repression came from almost every place where demonstrations were called. Protestors in Chacao were met with tear gas and pellet shots. Similar things happened in Amazonas, Vargas, Carabobo, Portuguesa… and la Colonia Tovar (although everything was peaceful over there).

Detentions also came for politicians. Around 10:00 this morning, Voluntad Popular denounced that Freddy Superlano –its national coordinator– was taken by men in black in an SUV without any official identifications. The same thing happened in the afternoon hours with Ricardo Estévez, Vente Venezuela member and a technical assessor of the electoral process.

The ex-deputy Américo de Grazia also informed that Eudi Perroni, who was in charge of Edmundo Gonzále’z campaign in Tumeremo, was taken by members of the mining paramilitary group Los Rum. Encuentro Ciudadano also denounced its regional LGBTQI coordinator in Carabobo was detained and two of their activists in Barinas are missing. This text is being published at 8:00 pm and there’s still no information on any of them.

Nicolás Maduro, who was proclaimed president this Monday without the National Electoral Council releasing the tallies, said that VenApp –the application Chavismo uses for their 1×10– is going to have a special tab where users can report protests in an anonymous way. “We’re gonna go after them so we can have justice.”

Journalists aren’t safe either. The National Union of Press Workers (SNTP) recorded three journalists detained: Paul León (Trujillo), Yousner Alvarado (Barinas) and Joaquín De Ponte (Guárico). In Trujillo, Alexander González had his house shot by the Guardia Nacional and another one, Yuliana Palmar, had her phone stolen and was beaten.

But problems with journalism didn’t start with the protests. Cake Minuesa, a Spanish journalist, was detained and sent back to his country on Sunday.

Lexys Rendón, from Laboratorio de Paz, said that a journalist had their car burned down and another one their motorcycle damaged, but she didn’t specify where.

Human rights organizations from around the world have come forward to talk about the situation. The Inter-American Commission on Human Rights said that they’re going to do a visit to Venezuela to investigate those reports and exhort the government to safeguard “human rights, freedom of speech and the right to protest.”

Amnesty International said that they call “for the strictest protection of the human right to peaceful assembly. People who take to the streets exercising this right must not, under any circumstances, be repressed with excessive use of force.”

It is unclear what to expect next, but based on what Chavismo’s leaders had said, we’re probably gonna face a huge wave of detentions and repression in the upcoming days.

[cinquecolonnemagazine]

Oscar: curiosità, numeri e record a poche ore dalla cerimonia

(Adnkronos) - Partiamo dal film italiano candidato come Miglior Film Internazionale alla 96esima cerimonia degli Oscar: 'Io capitano' è il trentatreesimo film italiano della storia candidato all’Oscar per il miglior film internazionale, quello che negli anni passati veniva chiamato 'film straniero'. Il regista Matteo Garrone è in gara per la prima volta: se dovesse vincere, diventerebbe il quindicesimo italiano nella storia dell’Academy, consolidando il nostro primato nella categoria. L’ultimo film italiano a vincere fu, dieci anni fa, 'La grande bellezza' di Paolo Sorrentino; l’ultimo candidato, nel 2022, 'È stata la mano di Dio', sempre di Sorrentino. Sul fronte delle interpretazioni, una curiosità riguarda le attrici candidate come migliori protagoniste del 2024. Emma Stone è infatti una delle grandi favorite per la sua interpretazione in 'Povere Creature'. Sarebbe la seconda volta per lei, dopo essersi aggiudicata nel 2017 lo stesso premio per 'La La Land': se vincesse, l'attrice entrerebbe a far parte di quelle pochissime e selezionatissime attrici che hanno conquistato due Oscar entro i 35 anni: Meryl Streep, Jodie Foster, Elizabeth Taylor, Bette Davis, Luise Rainer, Olivia de Havilland e Hilary Swank). Incredibilmente, nessun attore è mai riuscito nell'impresa. 'Povere creature!', il film di cui è protagonista la Stone, è il quinto film vincitore del Leone d’Oro dal 2017 a ricevere la candidatura per l’Oscar al miglior film, e con 11 candidature si piazza al secondo posto dopo il frontrunner 'Oppenheimer' (13). Per Yorgos Lanthimos è il secondo tentativo per agguantare il premio per la regia: in caso di vittoria sarebbe il primo di origini greche. Per il secondo anno consecutivo, il vincitore della Palma d’Oro è candidato all’Oscar per il miglior film: è 'Anatomia di una caduta', che non è stato selezionato dalla Francia per il miglior film internazionale (il designato The Taste of Thing è rimasto fuori) e ha poi raccolto 5 nomination, tutte importanti. 'Perfect Days' è invece il primo film di Wim Wenders in gara per l’Oscar al film internazionale. Il maestro tedesco, 79 anni il prossimo agosto, aveva ricevuto tre candidature per il miglior documentario (2000 con 'Buena Vista Social Club', 2012 con 'Pina' e 2015 con 'Il sale della terra'). 'Killers of the Flower Moon' con 10 nomination permette a Martin Scorsese di superare Steven Spielberg, diventando il regista in attività con il maggior numero di candidature (dieci, la prima nel 1980 con Toro scatenato; in bacheca ha solo una statuetta per The Departed, 2006). Meglio di lui solo William Wyler (12). Quest’anno è anche l’unico americano in cinquina (gli altri, oltre ai citati Lanthimos e Triet, sono i britannici Jonathan Glazer e Christopher Nolan). La sua protagonista, Lily Gladstone, diventa la prima nativa americana in corsa per l’Oscar alla miglior attrice. E Robert De Niro ottiene la nona nomination in carriera, l’ottava per l’interpretazione: il primo l’Oscar come miglior attore non protagonista lo vinse esattamente mezzo secolo fa con Il padrino – Parte II. Agli Oscar trionfa anche l'amore: ci sono ben quattro coppie nella vita e nel lavoro candidate agli Oscar 2024. Sono Christopher Nolan ed Emma Thomas, entrambi produttori di 'Oppenheimer'; Greta Gerwig e Noah Baumbach, sceneggiatori di 'Barbie'; Justine Triet e Arthur Harari, sceneggiatori di 'Anatomia di una caduta' e Margot Robbie e Tom Ackerley, candidati per la produzione sempre dello stesso film. John Williams, 92 anni il prossimo 8 febbraio, si conferma uomo dei record: il leggendario compositore, già vincitore di cinque Oscar, ottiene la nomination numero 54 grazie a Indiana Jones e il quadrante del destino, consolidando il primato assoluto come individuo vivente più nominato nella storia dell’Academy (meglio di lui solo Walt Disney con 59). E la cantautrice Diane Warren arriva a quota 15 con la canzone The Fire Inside da Flamin’ Hot: anche stavolta non sembra destinata alla vittoria, ma l’anno scorso l’Academy l’ha già ricompensata con un Oscar alla carriera. Jodie Foster, già vincitrice di due Oscar e in corsa come non protagonista per 'Nyad', ottiene la quinta nomination in quarantasette anni, a ventinove anni dall’ultimo tentativo. Annette Bening, protagonista di 'Nyad', mai premiata finora, prova l’assalto alla statuetta per la quinta volta in trentatré anni. E Bradley Cooper, grazie a 'Maestro' da lui diretto, prodotto, scritto e interpretato, arriva a 12 nomination in carriera. ---spettacoliwebinfo@adnkronos.com (Web Info) Foto fornita da AdnKronos Read the full article

[atletasudando]

El juvenil brasileño Renán se consagró en los 200 llanos

Fuente CBAT   El juvenil atleta brasileño Renán Correa de Lima Gallina, de 19 años, volvió a demostrar todo su talento este jueves 2 de noviembre al conquistar dos medallas de oro en los Juegos Panamericanos de Santiago de Chile. Renán, semifinalista en los 200 m en el Mundial de Budapest, Hungría, en agosto, ganó la distancia con un tiempo de 20,37 (0,4) en los Panamericanos, con una excelente carrera, especialmente en la curva, y luego ayudó a Brasil a proclamarse campeón con el relevo 4x100 m, con 38.68, cerrando la carrera. "Estoy muy contento con estos logros. Hoy hice tres tiros, uno en 200 my dos en 4x100 m (semifinal y final ) y logré hacerlo muy bien. Pero fue un sacrificio al que estaba dispuesto. Quería hacer, tanto para el equipo como para mí. Hubo tiempo para recuperarme entre pruebas y gracias a Dios logré hacerlo bien. Es una satisfacción inmensa. Es cierto que no fue un gran resultado para el equipo, pero sabemos que "Podemos hacer más y es el final de una temporada muy larga", comentó Renan, atleta de AA Maringá, que entrena con Sandra Crul. "Tuve a mi madre, mi entrenador y mi padrino animándome en las gradas y tengo algo que celebrar".  Renan, que también realizó salto de altura en las categorías inferiores -fue campeón de Brasil sub-16-, mostró toda su felicidad tras sus actuaciones. “Me gusta mucho correr. Esta temporada fue larga y competí entre adultos y en la sub-20. Estoy cansado. Voy a descansar un poco con la vista puesta en París-2024”. Celebró cerrar la temporada con dos títulos panamericanos, como sub-20 y adulto en los 200 m. El dominicano José Alnardo González, campeón de los 100 m, finalizó segundo en los 200, con 20.56, seguido por Nadale Janeil Buntin, de San Cristóbal y Nieves, con 20.79. El cuarto puesto fue para Callum Robinson, de Canadá, con 20.85 mientras que el experimentado panameño Alonso Edward –todavía recordman sudamericano- llegó quinto con 21.01. El colombiano Carlos Palacios no pudo participar, debido a un desgarro, lo que impidió también la presentación de la posta corta de su país. HISTORIAL DE LOS 200 METROS EN LOS PAN                 Renán Correa de Lima Gallina se convirtió  en el tercer sprinter brasileño en conseguir la medalla de oro de los 200metros llanos en el historial de los Juegos Panamericanos. Y, con sus 19 años, en el más joven campeón de ese mismo historial. Los anteriores fueron el gran Robson Caetano da Silva en 1991 (ya había sido subcampeón cuatro años antes) y Claudinei Quirino da Sevilla en 1999, cuando triunfó en Winnipeg, anticipando así su gran actuación mundialista en Sevilla donde escoltó a Michael Johnson en la final. Además Brasil tuvo medallas de bronce con Jose Telles da Conceicao (1955), André Domingos da Silva (2003) y Bruno Lins Tenorio de Barros (2011). Varios de los mejores especialistas del mundo de distintas épocas enriquecen esa historia de medallistas de los Panamericanos. El primer campeón fue el cubano Rafael Fortún Chacón, delante del estadounidense Arthur Bragg y el legendario cuatrocientista jamaiquino Herbert McKenley. En Winnipeg (1967) el vencedor fue otra leyenda John Carlos, el mismo que un año después alcanzaría el bronce olímpico en México y protagonizaría la célebre escena del podio, simbolizando el Poder Negro junto al campeón Tommie Smith, su compañero de la San Jose University. Cuatro años más tarde, en los Panamericanos de Cali, el que hizo historia fue el jamaiquino Donald Quarrie al ganar con 19.86 electrónicos, que significaron el record mundial. En México (1975) venció el guyanés James Gilkes, otro que hizo historia ya que es la única dorada para este país sudamericano hasta ahora. Y que ha tenido un gran heredero en la especialidad en Emanuel Archibald, quien en estos Panamericanos de Santiago alcanzó el bronce en los 100 metros y escaló a la final de 200. En Toronto 2015, el canadiense Andre De Grasse venció con 19.88, haciendo doblete con su victoria en 100 y anticipando lo que sería su definitiva consagración: los Juegos Olímpicos de Tokio 2021. También en 2015 llegó al podio el panameño Alonso Edward (tercero con 19.90), subcampeón mundial en Berlin 2009 detrás de Usain Bolt y que hoy en Santiago ha protagonizado su tercera final de 200 en el historial panamericano. Y en 2019, en Lima, el vencedor fue el ecuatoriano Alex Quiñonez, luego bronce mundialista en Doha, y que tuvo un infortunado final: lo asesinaron en Guayaquil.   Todos los medallistas   Buenos Aires 1951: 1 Rafael Fortún CUB 21.3, 2 Arthur Bragg USA 21.4, 3 Herbert McKenley JAM 21.5 Ciudad de México 1955: 1 Rodney Richard USA 20.7, 2 Charles Thomas USA 21.3, 3 José Telles da Conceicao BRA 21.4 Chicago 1959: 1 Otis Norton USA 20.6, 2 Lester Carney USA 21.0, 3 Michael Agostini WIF 21.1 Sao Paulo 1963: 1 Rafael Romero VEN 21.23, 2 Ollan Casell USA 21.23, 3 Arquímedes Herrera VEN 21.23 Winnipeg 1967: 1 John Carlos USA 20.5w, 2 Jerry Bright USA 20.9w, 3 Pablo Montes CUB 21.0w Cali 1971: 1 Donald Quarrie JAM 19.86 (récord mundial), 2 Marshall Dill USA 20.39, 3 Edwin Roberts TTO 20.39 Ciudad de México 1975: 1 James Gilkes GUY 20.43, 2 Larry Brown USA 20.69,3�� Michael Sands BAH 20.98 Puerto Rico 1979: 1 Silvio Leonard CUB 20.37w, 2 James Gilkes GUY 20.46, 3 Don Coleman USA 20.56 Caracas 1983: 1 Elliot Quow USA 20.42, 2 Leandro Peñalver CUB 20.53, 3 Bernard Jackson USA 20.81 Indianápolis 1987: 1 Floyd Heard USA 20.25, 2 Robson Caetano da Silva BRA 20.49,3  Wallace Spearmon USA 20.53 La Habana 1991: 1 Robson Caetano da Silva BRA 20.15, 2 Kevin Little USA 20.63, 3 Félix Stevens CUB 20.76 Mar del Plata 1995: 1 Iván García CUb 20.29, 2 Andrew Tynes BAH 20.33, 3 Sebastián Keitel CHI 20.55 Winnipeg 1999: 1 Claudinei Quirino da Silva BRA 20.30, 2 Curtis Perry USA 20.58,3  Sebastián Keitel CHI 20.82 Santo Domingo 2003: 1 Kennedy Brokenburr USA 20.42, 2 Christopher Williams JAM 20.54, 3 André Domingos da Silva BRA 20.68 Rio de Janeiro 2007: 1 Brendan Christian ANT 20.37, 2 Marvin Andersoin JAM 20.38,3  Rubin Williams USA 20.57 Guadalajara 2011: 1 Roberto Skyers CUB 20.37,2 Lansford Spence JAM 20.38, 3 Bruno Lins Tenorio de Barros BR 20.45 Toronto 2015: 1 Andre de Grasse CAN 19.88, 2 Rasheed Dwyer JAM 19.90, 3 Alonso Edward PAN 19.90 Lima 2019: 1 Alex Leonardo Quiñonez ECU 20.67, 2 Jareem Richards TTO 20.38, 3 Yancarlos Martínez DOM 20.44   Read the full article

[ivanreydereyes]

..y volviendo a que SON LOS HIJOS los que tienen que HEREDAR y no LA ESPOSA [evitando así tanto POR INTERES TE QUIERO ANDRES como Kylie Minogue con catalan ANDRES Velencoso que cuando empezó a salir con él la hicieron imagen de las JOYAS CATALANAS TOUS tal como la vi anunciando en TIME sq como una MAMA NOEL junto al LUMINOSO de VIRGIN records..o por VANIDAD TE FOLLA NATIVIDAD como la ABASCAL que salió desnuda en el PLAYBOY , luego se caso con MALOGRADO y Corrompido DUQUE DE FERIA para luego CHULEAR al presidente de REAL MADRID el millonario SOVIETICO Ramón MENDOZA]..porque los HIJOS NO ELIGEN A LOS PADRES y lo NECESITAN MAS..recuerdo q el fallecido repentinamente con 68 años el actor PEPE SANCHO [primo del malogrado ex_ministro del interior y director de PRISIONES amigo de mi padre Antonio ASUNCION=ASCENSION de la VIRGEN..q tras dimitir porque el ex_director de la GUARDIA CIVIL Luis ROLDAN robo más de 1000 millones de pesetas que dijo le devolvió en el PARKING del HOTEL MIGUEL ANGEL..monto unas PISCIFACTORIAS donde me ofreció trabajar mi padre y que vendería con ESTAFA al BANCO VALENCIA mientras se convertía en el PADRINO POLITICO del fracasado ALBERT RIVERA padre del hijo de la PUTA CANTANTE MALU tras otro currículum sentimental de dudosa confianza jaja]..dejo TODO a su joven mujer la escritora REYES MONFORTE [=escritora de UN BURKA POR AMOR jaja] y a los hijos sólo DEUDAS..tras haberse casado 2 veces con la recién fallecida cantante MARIA JIMENEZ al reencontrarsela en el funeral de la HIJA DE ELLA [iba a coger un tren y al final fue en coche] haciéndolo la 2da vez en COSTA RICA e incluso una tercera vez por ritual BALINES para cobrar dinero de una Revista=PUTAS NADA MAS Q PUTAS y FU_MATAS CREA ESTE PAIS O CIVILIZACION DE CASA REAL Y PONTIFEX=PECADO ORIGINAL HASTA EL FINAL

[cada-atletismo]

Elián Larregina y una valiosa medalla de plata en 400

Las actuaciones cumplidas por  Elián Larregina en los últimos tiempos, desde sus medallas de oro en el Sudamericano u23 de Cascavel y en los Odesur de Asunción, así como la evolución que estableció para el récord nacional –que colocó en 45.34 recientemente en Koortrijk, Bélgica- lo han catapultado a un primer plano en el atletismo argentino, como una de las figuras centrales. Y justamente en una especialidad tan dura como la de 400 metros llanos, donde nuestro atletismo tuvo escasa figuración desde hace varias décadas. Superando algunas dificultades (unas líneas de fiebre en la noche previa, una clasificación complicada en semis, el andarivel 1 en la carrera decisiva), Larregina produjo una muy buena actuación para alzarse con la medalla de plata en este Campeonato Sudamericano, en la jornada vespertina del sábado 29 de julio. Escoltó nada menos que al subcampeón olímpico de Tokio 2021 y recordman sudamericano, el colombiano Anthony José Zambrano, quien está concretando su retorno a los primeros planos. Dejó atrás a fuertes rivales y, además, fue muy bien secundado por Pedro Emmert, cuyos 46.61 de las eliminatorias lo ubican entre los cinco mejores atletas del historial argentino. En la carrera decisiva, Emmert quedó séptimo. La primera serie tuvo un protagonista excluyente: el brasileño Lucas da Silva Carvalho. Reciente vencedor del Trofeo Brasil en Cuiabá con 45.10, ahora Lucas desplegó todo su potencial en las eliminatorias, corriendo en 44.79 que le dieron el pasaporte al Mundial de Budapest y lo ubican entre los mejores “cuatrocientistas” del historial de la región. Además, barrió con el record de campeonato que su compatriota y ex subcampeón mundial Sanderlei Parrela mantenía desde hace veintidós años (45.11). Zambrano quedó segundo en esa serie, asegurándose su clasificación en 46.49 y Emmert, tercero con 46.61. En la otra eliminatoria también venció un brasileño, en este caso el más joven Maxsuel dos Santos Santana, quien empleó 46.53: es el hijo de uno de los más grandes maratonistas de su país y medallista mundial, el admirado y recientemente fallecido Luiz Antonio dos Santos. Junto a Maxsuel avanzaron a la carrera decisiva el venezolano Kelvis Padrino (46.56), el colombiano Jhon Alejandro Perlaza (46.57) y Larregina (46.98), con algún apremio. “Me tocó entonces el andarivel 1 y la verdad, no es tan cómodo. Además de que no tengo una buena perspectiva de los rivales, me obliga a un mayor esfuerzo muscular, sobre todo en las curvas”, contó Larregina.           Zambrano impuso un ritmo feroz y entró en la recta final con una clara ventaja. Pero Larregina, a partir de los 200 metros, comenzaba a acelerar. Aún entre la cuarta y quinta ubicación en el ingreso a la última recta, de allí en más sería todo a puro corazón. Y así ocurrió: fue conmovedor su entrega en ese tramo decisivo, se jugó entero para pelear la medalla. Y la consiguió. El colombiano retuvo su corona sudamericana y su condición de favorito en 45.52, Larregina fue subcampeón en 45.63 y Perlaza se llevó el bronce en 45.86. Luego se ubicaron los venezolanos Padrino con 46.06 y Gómez con 46.89, Maxsuel sexto en 47.04 y Emmert, séptimo con 47.50. Lucas da Silva Carvalho, evidentemente desgastado por su marcón de la serie, cerró ahora las posiciones con 47.64. Los 400 metros constituyen una prueba que los argentinos sólo ganaron cuatro veces en el historial y la última de ellas, en 1969 a través del recordado “Pelusa” Calonje. Desde entonces, solamente un atleta de nuestro país –Gustavo Aguirre en 1997 y 2005- consiguió llegar al podio, las dos veces con medallas de bronce. Larregina ya dio un paso más, además de conducir el récord nacional a nuevos niveles. Y por su potencial y juventud, todavía tiene para mucho más. Read the full article

[brodasweb]

El álbum debut del monstruo de tres cabezas, "Obliteration", un momento histórico y generacional en Horrorcore (reseña del álbum)

The 3-Headed Monster es un supergrupo de horrorcore formado por Esham, Violent J y Ouija Macc. Uno de ellos es el padrino profano de la mierda malvada fundadora de Reel Life Productions, el segundo co-fundó Psychopathic Records como 1/2 de Insane Clown Posse con el que Boogey Man firmó previamente de 2002 a 2005 y el último se ha convertido el artista hacha más grande desde que Twiztid se fue…

[ivanreycristo]

VIRGINIA MAESTRO..2da parte del chiste de AYER sobre q me encuentras en MEXICO durmiendo al AMANECER 🌅 en la calle apoyado en un MURO BLANCO con el SOMBRERO CHARRO q se pusieron JORDI MENA [de los SANTOS INOCENTES=BUNBURY=1er grupo APOCALIPSIS y de JARABE DE PALO=CASTIGO=MALOGRADO PAU DONES q me firmó con SALUD su cd SOMOS q acaba con BUENAS NOTICIAS aunque DA MALAS y acaba x decir EL MUNDO AL REVES y llevando camiseta de cerveza MEXICANA "SOL"] y ALVARO SUITE [también de SANTOS INOCENTES y ahora de POZO de PEREZA o como le vi última vez en sala COOL en calle ISABEL LA CATOLICA con ATRACO de TELONERO q como PEREZA son de mi barrio ALAMEDA donde también se crío tu amiga cantante NAT SIMMONS=millonario judío estadounidense..a la q se llevo LOQUILLO de TELONERA] en el concierto de la gira HELL_VILLE de BUNBURY en GUADALAJARA [11_3_09]..y es q tras preguntarme SI ME ENCONTRABA BIEN y responderte TOELRRATO [lo q decía LAURA ESCANES sobre QUERER Casarse con su Ex_marido RISTO MEJIDE O TU PADRINO MUSICAL junto a SALVADOR REY O LOS PINKERTONES..y lo q dijiste tu tras cantar en su boda o por el AMANECER añadiendo que el AMOR ES LA RESPUESTA como sabia John LENNON cuyo último LP fue DOUBLE FANTASY en cuya portada se besa con YOKO ONO y q firmó a su asesino q el día antes visito a James Taylor o el 1er no Beatle en grabar en APPLE RECORDS y al q homenajeaste en un CONFERE_CONCIERTO q organizo Santiago Alcanda q conoció a malogrado Enrique URQUIJO de LOS SECRETOS y LOS PROBLEMAS el día q lo asesinaron y el cual apareció muerto en calle ESPIRITU SANTO en MADRID]..te PREGUNTO "QUE HACE UNA CHICA COMO TU EN UN LUGAR COMO ESTE" [mayor Éxito de los BURNING antes the DIVINE PICTURES] y me dices pues Estoy de GIRA y Me QUEDE SIN GASOLINA ⛽️ en la MOTO 🏍..por lo que estoy buscando una GASOLINERA..no sabrás donde hay UNA..y te respondo q casualmente acababa de estar en una para comprar la BOTELLA de TEQUILA y que si quieres te acompaño..y me dices q CLARO y que si TE DOY UN TRAGO ..a lo q te respondo que no deberías beber si luego vas a conducir y me respondes q es para conducirme a tu cama 🤣 🤣 🤣

[gonzalo-obes]

IMAGENES Y DATOS INTERESANTES DEL DIA 15 DE MARZO DE 2023Día Mundial de los Derechos del Consumidor, Día Internacional para Combatir la Islamofobia, Día Mundial del Discurso, Día Internacional contra la Brutalidad Policial, Día Mundial contra la Matanza de Focas, Día Mundial del Contacto, Semana Mundial del Cerebro, Semana Mundial del Glaucoma, Año Internacional del Mijo y Año Internacional del Diálogo como Garantía de Paz.San Longinos, Santa Leocricia y Santa Madrona.Tal día como hoy en el año 415: Lapidan en Alejandría (Egipto) a la filósofa, astrónoma y escritora egipcio-romana Hipatia. Una multitud enardecida por San Cirilo.En 1493: Cristóbal Colón, los hermanos Pinzón y resto de la expedición desembarcan en el puerto de Palos de la Frontera tras regresar de su primer viaje a América.En 1952: En Cilaos (isla Reunión, en el océano Índico), se bate el record de lluvia acumulada en 24 horas (desde que se tienen registros) con 1.870 mm.En 1964: El dibujante Quino (en Buenos Aires, Argentina) crea el personaje de Mafalda.En 1972: Se estrena la película 'El padrino' ganadora de tres Óscar, a mejor película, mejor actor y mejor guion adaptado.En 1994: Estados Unidos y Rusia llegan a un acuerdo para mediante una supervisión mutua reducir su arsenal nuclear.En 2011: Comienza la Guerra Civil Siria.En 2020: En Argentina, Perú y Guatemala se decreta la 'cuarentena nacional' a causa del COVID-19.En 2020: Entra en vigor en España el estado de alarma a causa de la pandemia del COVID-19, quedando la población confinada.http://obesia.com/index.php/miscelaneas

[fmrockola]

Así suena “Strung Out Johnny”, la nueva canción de Iggy Pop sobre la realidad de las adicciones

El padrino del punk lanza el segundo adelanto de 'Every Loser'. Iggy Pop ha lanzado un nuevo tema, “Strung Out Johnny”. El tema es el segundo adelanto del que será el 19º álbum en solitario del legendario artista, 'Every Loser', después de publicar “Frenzy” el mes pasado. La canción habla sobre el peligro de las adicciones, explicando cómo todo comienza de forma inocente, como una prueba, y acaba convirtiéndose en la más terrible esclavitud. "La primera vez lo haces con un amigo, la segunda en una cama, en la tercera ya nada es suficiente y se te jode la vida", canta Pop. El nuevo disco ha saldrá bajo el sello de Atlantic y Gold Tooth Records, la discográfica del productor Andrew Watt. La banda de estudio es, cuando menos, espectacular: Watt acompaña a Iggy pero no lo hace solo, porque también están Duff McKagan (Guns N' Roses) y Chad Smith (Red Hot Chili Peppers). "Soy el tipo sin camiseta que rockea; Andrew y Gold Tooth lo entienden, y hemos hecho un disco juntos a la antigua usanza", dijo Iggy en un reciente comunicado anunciando su asociación con Gold Tooth y Atlantic. "Los músicos son tipos que conozco desde que eran niños y la música te va a moler a palos. Que tengáis un buen día". Watt se está haciendo un gran nombre como productor: después de trabajar con Post Malone y Justin Bieber, Andrew “resucitó” a Ozzy Osbourne trabajando con él en 'Ordinary Man' (2020) y 'Patient Number 9' (2022). La portada de 'Every Loser' es obra del artista Raymond Pettibon, que ya diseñó para grupos de la talla de Sonic Youth o Black Flag. 'Every Loser' estará disponible en una edición limitada en vinilo, casete y CD, así como en todos los formatos digitales habituales. El disco también vendrá acompañado por el relanzamiento de la revista Punk Magazine, creada por el escritor y dibujante John Holmstron. Por supuesto, el primer ejemplar contendrá una entrevista exclusiva a Pop realizada nada más y nada menos que por Flea, bajista de Red Hot Chili Peppers. Read the full article

[zyilistl]

Solo sax gig at Padrinos tonight! Zyilistl.com

#sax #saxophone #live #song #vibe #chill #beat #melody #harmony #instrumental #rhythm #music #instrument #band #original #new #improv #improvisation #record #daw #video #flstudio #local #stl #saintlouis #stlouis #gigstl #missouri #entertainment #entertainmentinstl #zyilimusic #zyilistl.