#padmarajan

[livesanskrit]

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P. Padmarajan.

P. Padmarajan (23 May 1945 – 23 January 1991) was an Indian film maker, screenwriter and author who was known for his landmark work in Malayalam literature and Malayalam cinema. Padmarajan was the founder of a new school of film making in Malayalam cinema, along with Bharathan and K. G. George, in the 1980s, which created groundbreaking films that were widely received while also being critically acclaimed. Known for his classic works, he is widely regarded as one of the greatest film makers of Indian Cinema of all time. He is known for the mastery in screenwriting in Malayalam Cinema.

#sansgreet #sanskritgreetings #greetingsinsanskrit #sanskritquotes #sanskritthoughts #emergingsanskrit #sanskrittrends #trendsinsanskrit #livesanskrit #sanskritlanguage #sanskritlove #sanskritdailyquotes #sanskritdailythoughts #sanskrit #resanskrit #padmarajan #ppadmarajan #malayalamfilm #malayalamcinema #malayalamfilmindustry #mollywood #director #pappettan #filmmaker #writer #celebratingsanskrit #alappuzha #kozhikkode #indiancinema #indianfilmindustry

[ramtracking]

Film producer Gandhimathi Balan passes away | Onmanorama [ K. G. George ]

Film producer Gandhimathi Balan passes away | Onmanorama [Highlights] Noted film producer Gandhimathi Balan has passed away at the age of 65. He was undergoing treatment at a private hospital in… A close friend of numerous legendary Malayalam filmmakers, including KG George, P Padmarajan and Bharathan, Gandhimathi Balan backed many… Condolences start to pour in as the news of his demise spreads.…

[cavenewstimes]

Election King – Man Who Has Participated in 238 Official Elections Has Yet to Win One

By Spooky on April 4th, 2024 Category: News K. Padmarajan has been dubbed the “Election King” and the “World’s Biggest Election Loser” after participating in 238 political elections and losing every single time. K. Padmarajan’s story is one of perseverance. The 65-year-old repairman from the Indian state of Tamil Nadu has participated in hundreds of elections over the past three decades and…

[unnimukundanclub]

Unniyettan 😀 @iamunnimukundan ___________________________ follow👉 @unnimukundan.club for latest updations. ・Instagram ・Twitter ・WhatsApp ・Facebook {page/group} ・YouTube ・TikTok ・ ShareChat ・ Helo __________________________ #keralagram #keralatourism #kerala #kerala🌴  #unnimukundan #padmarajan #keraladiaries #keralagodsowncountry #kerala_360 #lovemalayalam #lovequotes #malayalamtypography #malayalam #malayalamstatus #malayalamquotes #imalayali #keralaattraction #braanthan #entekottayam #entekeralam #idukki #calicut #typography #traveling #travelphotography #travelgram #godsowncountry   #mohanlal #lalettan #tovinothomas https://www.instagram.com/p/CEtiXmtHuKa/?igshid=1i2gtace7fl3z

[thefakebourgeois]

#MoviesIWatch - Humans of Someone (2018)

One big fan-fiction. I do like the concept and some of the dialogues. But I don't think the reimagination of Padmarajan's characters was rooted in their originals. I believe the reason to be the change in language. #tinyreviews

[tee-jay-666]

Innale (1990) My review : 8/10 A victim of an accident forgets her past and is not able to recall her identity. She falls in love with a man who provides her security and helps her start her life afresh. Movie is so good. Malayalam movies are always are so good. Story is great, cinematography is excellent and acting is beyond amazing. I literally fallen in love with Shobana. She also won Filmfare award for the Best Actress, 1990. This script is so good that it won Kerala State Award for Best Script, 1990 - P. Padmarajan. So perfect. 🧡 #malayalam #shobhana #shobana #jayaram #cinema #padmarajan #srividya #cinematography🎥 #sureshgopi #indiancinema #art https://www.instagram.com/p/B71XaDfJVWF/?igshid=bt5hwxedru08

[bijoybenny1]

Birth Anniversary of #Padmarajan Sir 😗 https://www.instagram.com/p/CPN9KOHJn9I/?utm_medium=tumblr

[mumbaitamilmakkal]

215-வது முறையாக களத்தில் தேர்தல் மன்னன் பத்மராஜன்! முதல்வர் தொகுதியில் போட்டியிட மனு

https://bit.ly/2Vl5Ijm | #மும்பைதமிழ்மக்கள் | #MumbaiTamilMakkal | #TNelections2021 | #Elections2021 | #Salem | #Padmarajan

[ideallaedi]

Kanamarayathu

[livesanskrit]

Send from Sansgreet Android App. Sanskrit greetings app from team @livesanskrit .

It's the first Android app for sending @sanskrit greetings. Download app from https://livesanskrit.com/sansgreet

Ashitha

Ashitha (5 April 1956 – 27 March 2019) was an Indian writer of Malayalam literature, best known for her short stories, poems and translations. She contributed in popularising haiku poems in Malayalam through her translations and her stories were known for the sensitive portrayal of life. She was a recipient of the Kerala Sahitya Akademi Award for Story as well as other honours including Padmarajan Award, Lalithambika Anterjanam Smaraka Sahitya Award and Edasseri Award.

#sansgreet #sanskritgreetings #greetingsinsanskrit #sanskritquotes #sanskritthoughts #emergingsanskrit #sanskrittrends #trendsinsanskrit #livesanskrit #sanskritlanguage #sanskritlove #sanskritdailyquotes #sanskritdailythoughts #sanskrit #resanskrit #ashitha #malayalamliterature #malayalam #writer #malayalampoetry #malayalamstories #thrissur #poet #pazhayannur #novel #novelist #maharajascollege #kerala #celebratingsanskrit #thrissurinsta

[vivekkvinay]

This Is One Of The Rare Chaotic Flick, Our Film Industry Ever Witnessed..❣️ Flux Of The Scenes With A Tumultuous Background Score, Which Was Absolutely A Different Experience For The Viewers! But Unfortunately, As Most Of The #padmarajan Films, It's Also Ended Up As An Underrated One!😔 #Reeldopes_Season 🎥📀✨️ #malayalammovies #myfavmovies #padmarajan #mohanlal #vintagemovies (at Thrissur) https://www.instagram.com/p/CAiGW__BTRkYNbZk6stCCQ-NjFgZcRmkmRe5go0/?igshid=zwl2kdua2w93

[utopianreport]

Mahaveeryar Malayalam Movie Official Trailer

Mahaveeryar Malayalam Movie Official Trailer

Nivin Pauly and S Shamnas producing under the banner Pauly Junior Pictures and Indian Movie Makers Ebrid Shine’s ‘Mahaveeryar’, will hit theaters worldwide on July 21. The film stars Nivin Pauly, Asif Ali, Lal, Lalu Alex, Siddique, Shanvi Srivastava, Vijay Menon, Major Ravi, Mallika Sukumaran, Sudhir Karamana, Krishna Prasad, Padmarajan Ratheesh, Sudhir Paravoor, Kalabhavan Prajod, Pramod…

[tee-jay-666]

Innale (1990)

A victim of an accident forgets her past and is not able to recall her identity. She falls in love with a man who provides her security and helps her start her life afresh.

[101percentindia]

I Was 8 When One Of The Greatest Directors Of Malayali Cinema Shot In My Neighbourhood

A birthday tribute to Padmarajan.

In the 1987 cult classic Thoovanathumbikal (Dragonflies In The Spraying Rain), there’s a scene where the Delphic Jayakrishnan, a character immortalised by Mohanlal, and the sensual Clara (played by Sumalatha) are seen strolling through Thrissur town in the dead of the night to Johnson Master’s hauntingly melodic background score that still instills romance in most Malayali hearts. At one point, they briefly settle on the pavement next to Sego bar, literally a stone’s throw away from my own house in Kerala.

There are times when I wonder where I was when one of the greatest filmmakers was directing one of the greatest actors in my neighbourhood. Sleeping or slaving over my homework or dreading the next day of school I guess, since I must've been around 8-years-old; and clueless about the existence of one of the greatest weavers of Malayalam cinema—screenwriter and author, the late P Padmarajan, who would’ve turned 73 today.

My first Padmarajan experience was when VHS tapes were the rage. During one of his annual visits from 'Gulf', my father had unloaded a bunch of tapes that, in hindsight and to my great good fortune contained some of his classics. Suffice to say, I watched and re-watched those tapes a hundred times before getting pedantic about his cinematic work. Soon, VCDs would become the rage.

Related: The Monsoon Brief - Theyyam In Kerala | 101 The Brief

The earliest memory was watching the relatable family drama, Thinkalazhcha Nalla Divasam (Monday, An Auspicious Day) followed by the romantic yet incestuous Namukku Parkkan Munthiri Thoppukal (Vineyards For Us To Dwell) and then Moonnampakkam (On The Third Day), a movie where the tragic turn of events will make you cry a river. Not to mention the haunting hangover it leaves behind.

One of the greatest filmmakers Kerala produced. Image source: WtzupCity Kochi

Padmarajan surely had an eye for spotting talent or making an actor out of someone. Hell, I’m sure he would’ve made an actor out of Uday Chopra if there was ever a chance. But I’m mighty pleased such a scenario didn’t happen. Malayali actors such as Jayaram, Suresh Gopi and Ashokan can thank Padmarajan for filtering out some of their finest performances. Jayaram’s debut, Aparan (The Imposter), will give you the creeps. The imposter is never shown but for his voice, till the end. It was also an introduction to open endings in Malayalam films.

In other useless trivia, the year I was born coincided with the year of Padmarajan’s debut film as a director. The 1979 Peruvazhiyambalam (Highway Shelter) also marked the debut of a young actor Ashokan—the black and white film revolved around disturbing and violent realities of society.

Related: 101 Movietown

In a way I’m glad that I didn’t discover most of his movies before coming of age. And by that I mean the age when you first discover the deadly combination that is beef fry and rum, or that there exists this world rolled inside a joint.

The scene next to my house in Thoovanathumbikal. Image source: Hotstar.com

It could be said that by breaking stereotypes and conventions, while tackling bold themes related to sexuality and societal complexities, the likes of Padmarajan, Bharathan and K G George ushered in the golden eighties of cinema. But what set Padmarajan apart was his ingenuity in turning the mundane into the extraordinary. He could make conservative Malayalis go into arrhythmia, but at the same time and with equal panache, exercise his storytelling prowess to plot a family drama or a mystery or action film without losing the quintessential ‘Padmarajan touch’. He didn't shy away from delving into themes around violence, impotency, borderline incest and lesbian relations. In Oridathoru Phayalvaan (There Lived A Wrestler), the protagonist’s masculinity in the wrestling pit serves as a cruel irony to his soldier down situation in the bedroom. While Desatanakkili Karayarilla (The Migratory Bird Never Cries) tells the tale of two girls who elope.

Related: The Man Who Would Be Rajini | 101 Movietown

Although there’s underlying humour in some of his films akin to normal life, a Padmarajan flick that checks all the boxes of a good comedy is Kallan Pavithran (Pavithran, The Thief).

You know by now that for me it’s hard to pick a favourite. But the 1986 film Arappatta Kettiya Gramathil (In the Village Which Wears A Warrior's Belt) that chronicles life in a brothel unfolding against the backdrop of communal tension in a rustic neighbourhood, is a close first. Apparently, this is the filmmaker’s favourite as well, along with Moonnam Pakkam.

Padmarajan is a master when it comes to playing with human ego that can breathe life into the tension on screen. Like the ego trade between the characters of AKG where a group of middle aged friends sitting in a bar ponder over a possible visit to a brothel in a nearby village.

Anecdotes from actors suggest that Padmarajan was such a stickler, he rarely deviated from his script, screenplay and dialogues, all of which carried an alternative whiff of lyric and literature. Such is the man’s oeuvre that whenever his name pops up in conversations or Whatsapp group chats, a long and cerebrally-charged conversation is in order.

The 1991 Njan Gandharvan (I, Celestial Lover,) his last movie dealing with the realm of fantasy, was the only film that didn’t hit the spot when I first watched it. Though it was good to see Nitish Bharadwaj, who plays the celestial protagonist, after his Mahabharata days where he played Krishna.

And just like that it was over. Even though it was a cardiac arrest in a hotel room in Calicut that took his life in January 1991, it was the Malayali conscious that collectively shared the heartache. Once again, I was too young to have lived that experience. And I can only wonder what it would be like if he was still around making movies. Like how I wonder what it would be like if Morrison or Lennon were alive. It would’ve been a magical time for Malayalam cinema. A void yet to be filled.

My biggest dismay is that not much is being done to keep his legacy alive, by making his movies accessible to the non-Malayali audience. On the other hand, monsoon is almost here. So here’s my simple recipe for some subliminal magic. Rain in the background, beef fry on a plate, alcohol to wash it down and a decent print of Thoovanathumbikal.

Or you know, you could just stream it on Hotstar.

Happy Birthday, Padmarajan.

Disclaimer: The views expressed in this article are independent views solely of the author(s) expressed in their private capacity and do not in any way represent or reflect the views of 101india.com.

[nimmuwu]

The Degrading Indian cinema

Cinema is a form of art and like any other form of art it should be able to move the audience heart. It should be able to artistically express the creator’s emotions or views through symbolic gestures or simplistic acting or even through other experimental methods. Everything and anything can be cinema whether it be politics or simple day to day conversations or even a plant pot at a window or a building that has been for ages.

 So while we have such bizarre and beautiful medium for expressing our emotions Indian cinema over the past 20 years or so haven’t been able to convey this. Statistics says that the Indian film industry produces about over 1500 movies a year from all different languages, but a very few only hit the mark. Movies nowadays have boiled down to 5 dance sequences, 6 fights, series of random (supposedly funny) jokes placed into a mix without order, actors/actress (basically models) who do not know the basics of acting and spend more of the time doing ads than trying to improve their skills and a boring joke for a script/plot. Only a very selected few films show a genuine passion for the medium utilising every aspect possible to convey their intention.

 Why is it so, we once had world renowned film makers like Satyajit Ray,  Hrishikesh Mukherjee, G Aravindan, Padmarajan, Adoor Gopalakrishnan and now we have the most generic no-vision directors who makes movies which the audience will forget within the 2 weeks after viewing. And imo the major fault fall’s on us as an audience, no i do not mean that the filmmakers are innocent in this but if we as an audience haven’t promoted such movies in the first place this situation could have been avoided. And instead if we had asked for more creating and innovative content we could have held her our head up infront of international audience like the korean film industry. A solution i would suggest is for creative fimmakers to come forward and make good movies and show people that things doesn’t need to be this way.

[livesanskrit]

Send from Sansgreet Android App. Sanskrit greetings app from team @livesanskrit .

It's the first Android app for sending @sanskrit greetings. Download app from https://livesanskrit.com/sansgreet

P. Padmarajan.

P. Padmarajan (23 May 1945 – 23 January 1991) was an Indian film maker, screenwriter and author who was known for his landmark work in Malayalam literature and Malayalam cinema. Padmarajan was the founder of a new school of film making in Malayalam cinema, along with Bharathan and K. G. George, in the 1980s, which created groundbreaking films that were widely received while also being critically acclaimed. Known for his classic works, he is widely regarded as one of the greatest film makers of Indian Cinema of all time. He is known for the mastery in screenwriting in Malayalam Cinema.

#sansgreet #sanskritgreetings #greetingsinsanskrit #sanskritquotes #sanskritthoughts #emergingsanskrit #sanskrittrends #trendsinsanskrit #livesanskrit #sanskritlanguage #sanskritlove #sanskritdailyquotes #sanskritdailythoughts #sanskrit #resanskrit #padmarajan #ppadmarajan #malayalamfilm #malayalamcinema #malayalamfilmindustry #mollywood #director #pappettan #filmmaker #writer #celebratingsanskrit #alappuzha #kozhikkode #indiancinema #indianfilmindustry