#padmaavat box office collection

[indiejones]

INDIES FAKE/IMAGINARY 😀BOX-OFFICE REPORT OF BOLLYWOOD’S OFFICIAL TOP EARNING FILMS (PER GOING EXCHANGE RATE OF EACH YEAR) !

INDIES (FUN/IMAGINARY) BOLLYWOOD TOP- EARNERS OF 21st c. ! (COMPARED TO OFFICIAL LIST! > https://www.sacnilk.com/entertainmenttopbar/Bollywood_100_Cr_Club_All_Time ) (IN (IMAGINARY) GROSS WORLDWIDE TICKET COLLECTIONS WRT EXCHANGE RATE OF EACH TIME)! (Serial order below, is per serial order in above official/true 100 cr Club list) (10s of them). So how'd Bolly's All-Time most money-earning films look like,if put thru the Indie software! Comparing,one might almost begin to imagine b.o. no.'s posted not from bo counters,rather from SOME CLANDESTINE ALTERNATE FILMS FUTURES & DERIVATIVES MARKET!  (Joke tha!) DISCLAIMER: BELOW INDIE LIST IS TOTALLY FAKE (OBVIOUSLY) ! 1. Baahubali 2–351.2 cr 2. Pathaan–139 cr (& fast counting) 3. Dangal–122 cr 4. KGF 2–112 cr 5. Sanju–105 cr 6. PK–123 cr 7. Tiger Zinda Hai–103 cr 8. Bajrangi Bhaijaan-114 cr 9. War–62 cr 10. Padmaavat-31 cr 11. Sultan–11 cr 12. Kabir Singh–8 cr 13. Tanhaji–13 cr 14. Dhoom 3–5 cr 15. RRR–2 cr 16. The Kashmir Files–0.6 cr 17. Brahmastra 1–6 cr 18. Uri The Surgical Strike–0.12 cr 19. Simmba–0.08 cr 20. Drishyam 2–0.05 cr 21. Kick–5.5 cr 22. Krrish 3–0.2 cr 23. Chennai Express–6.7 cr 24. Bharat-1.6 cr 25. Housefull 4–5.6 cr 26. Prem Ratan Dhan Payo–1.2 cr 27. Golmaal Again–1.5 cr 28. Good Newwz–0.4 cr 29. Mission Mangal–0.05 cr 30. 3 Idiots–23 cr 31. Happy New Year–6.6 cr 32. Ek Tha Tiger–63 cr 33. Sooryavanshi-37 cr 34. 2.0–2.2 cr 35. Yeh Jawaani Hai Deewani–19 cr 36. Bhool Bhulaiyya–0.13 cr 37. Bajirao Mastani–1.2 cr 38. Bang Bang!–1.2 cr 39. Race 3–5.4 cr 40. Baaghi 2–2.2 cr 41. Raees–2.8 cr 42. Kesari–0.13 cr 43. Total Dhamaal–12 cr 44. Dabangg 2–2.2 cr 45. Chhichhore–1.2 cr 46. Tanu Weds Manu Returns–7.3 cr 47. Bodyguard–1.2 cr 48. Dilwale–4.2 cr 49. Super 30–1.2 cr 50. Dabangg 3 –4.2 cr 51. Saaho–0.7 cr 52. Thugs of Hindostan–1.3 cr 53. Dream Girl–0.05 cr 54. Singham Returns–1.1 cr 55. Dabangg–37 cr 56. Gully Boy–6.2 cr 57. Judwaa 2–37 cr 58. Badhaai Ho–1.1 cr 59. Toilet Ek Prem Katha–4.3 cr 60. Rowdy Rathore-5 cr 61. M.S. Dhoni: The Untold Story–160 cr 62. Gangubai Kathiawadi–0.13 cr 63. Stree–1.3 cr 64. Airlift–0.92 cr 65. Avatar The Way Of Water–122 cr 66. Rustom–1.3 cr 67. Raazi–1.2 cr 68. Ready–1.2 cr 69. Jab Tak Hai Jaan–7.3 cr 70. Tubelight–3.2 cr 71. Baahubali–5.3 cr 72.Agneepath (new) –1.2 cr 73.Badrinath Ki Dulhaniya –0.7 cr 74. Goliyon Ki Rasleela Ramleela –0.16 cr 75. Jai Ho–8.1 cr 76. Jolly LLB 2–0.9 cr 77. Avengers End Game–270 cr 78. Bala–0.32 cr 79. Ra. One–4.6 cr 80. Ghajini–1.2 cr 81. Ae Dil Hai Mushkil–3.2 cr 82. Holiday–1.2 cr 83. Barfi!–1.2 cr 84. Housefull 2–3.2 cr 85. Housefull 3–3.2 cr 86. Gold–2.3 cr 87. Sonu Ke Titu Ki Sweety–5.2 cr 88. Bhaag Milkha Bhaag–11.2 cr 89. Don 2 (new)–15 cr 90. Golmaal 3–21.3 cr 91. Pushpa The Rise –17 cr 92. ABCD 2–11.2 cr 93. Ek Villain–6.3 cr 94. Son Of Sardaar–2.2 cr 95. Kaabil–4.2 cr 96. De De Pyaar De –5.2 cr 97. 83–7.4 cr 98. Bol Bachchan–4.2cr 99. Raid–11.2cr 100.2 States–5.4cr 101.Grand Masti–1.3cr 102. Race 2–12.2cr 103. Singham–3cr 104. Shivaay–2.2cr

[adarshswaroop]

 #KingKhan #Pathaan Becomes Highest Grossing Hindi Film Ever In Overseas Beating #Dangal In 8 Days! Shah Rukh Khan Starrer ‘Pathaan’ Is record breaking spree and in 8 days it had surpassed every record in India and overseas. Shah Rukh Khan always ruled overseas market for longest of time and his every film used to break record with new milestone. His last few films were dull though ‘Dilwale’ did cross 25 million $ mark but ‘Dangal’ was on top for years. Now King Khan’s latest offering has become highest grossing Hindi film ever in history beating Aamir Khan’s ‘Dangal’ and that too in only 8 days! Today Shah Rukh’s film crossed USD 30.75 million (250 cr plus) this taking over USD 30.7 million biz of Aamir starrer. ‘Pathaan’ will add more numbers in 2nd week and 3rd week. It should ideally target USD 45 million and can go higher depending on 2nd week. This will be one record which will be very difficult to break in coming months except upcoming SRK starters surpass this number. Breaking this massive pre pandemic record in post pandemic box office scenario is simply out of the world. Pathaan Is Worldwide Phenomenon: Shah Rukh Khan’s ‘Pathaan’ has become first Indian film ever to collect almost 1 million dollar figure each in Saudi Arabia and New Zealand. Almost every market witnessed a new record. Top Bollywood Grosser in Overseas (Excluding China): 1. Pathaan – $ 30.75 millions (in 8 days) 2. Dangal – $30.7 M 3. Padmaavat – $29.15 M 4. Bajrangi Bhaijaan – $28.64 M 5. Dhoom 3 – $28.33 M Break Up Of Overseas Box Office Collections: Day 1: USD 4.5 million [Rs. 36.68 cr] Day 2: USD 3.86 million [Rs. 32.32 cr] Day 3: USD 5.3 million [Rs. 43 cr] Day 4: USD 6.3 million [Rs. 52 cr]  Day 5: USD 5.13 million [Rs. 42 cr]  Day 6: USD 2.14 million [Rs. 16 cr]  Day 7: USD 1.71 million [Rs. 15 cr] Day 8: USD 1.48 million [Rs. 13 cr] Total: $ 30.72 millions [251.12 cr INR] https://www.instagram.com/p/CoKLmWCpmKd/?igshid=NGJjMDIxMWI=

[a-boxoffice]

Box Office

[bollywoodmascot]

Padmaavat Monday Box Office Collection

After the end of the long weekend, Padmaavat continues to hold well at the domestic box office. Padmaavat collected 15 crores on Monday (Day 5) at Box Office. The film is the 1st 100 Crores Bollywood movie of 2018 with the collection of 129 crores. Padmaavat Monday Box Office Collection Sanjay Leela Bhansali’s film has surpassed Ramleela’s lifetime Box office collection (116.33 crores), and now…

[jalebi-likes]

Lo ji hum aa gaye to ask youuuuuu, ki kaun hai aapke sabse overrated/underrated actors in Indian cinema!!!!! The more detail the better!!!!!! 🤪🤪🤪

TT-JI, HUMRI TT-JI AI GAWA!!!! 

I’m going to include tellywood too, lol. 

And yes, I’m not going to include the traditional ‘overrated/underrated’ based on box office - just my personal opinions! 

This was too long hence rest is under cut!

Hindi Cinema

Overrated:

- Kartik Aaryan (I really need to see him act in a film beyond the PKP/ Middle class Indian setups to see him... act)

- Aamir Khan (ok DON’T kill me, I just feel that Aamir Khan alone is given a lot of credit for working in films that are great as a team. Rang De Basanti, Dangal, 3 Idiots are brilliant films and he was fab in it, but I also want the audience to realize those films had great directors, writers, co actors too. I think his ‘perfectionism’ is overrated. He’s brilliant - but please don’t give him the sole credit of being ‘perfect’ when it’s an amazing collective effort.)

- Varun Dhawan (this man has potential [October, Badlapur]. But please... stop with all the Badrinath, Dulhaniya, Judwaa... just please stop)

- Jhanvi Kapoor/Ananya Pandey (I have no idea how she scored a biopic for her second film. Sis has a long way. These two are combined together because these two think they’re amazing actors and that gets on my nervesssssssss).

- Tara Sutaria (She’s... decent. She’s in this list because she literally gave an interview of how ‘nowadays’ film actors don’t have nazakat [which she had to bring for Marjaawan] behen pleaj.)

- Kiara Advani (Why is she everywhere? Why was her performance hailed in Kabir Singh where she was... empty (won’t blame her, her character was written like that) but literally she’s suddenly become a top actress and I can’t figure out why. The one film of hers that was nice and tested some acting chops was Guilty but literally that film was for her. Good Newwz was a nice shift for her too.) 

- Deepika Padukone (Okay, don’t kill me again. She’s a really good actor but she is a director’s actor. Again, like Aamir Khan she is someone who benefits from a good team even though the whole credit is sometimes given to her (why). Personal opinion, in Padmaavat and Bajirao Mastani Aditi Rao Hydari and Priyanka’s Kashibai had my heart and soul). 

- Kangana Ranaut (Great actor, stupid opinions overshadow her good ones, terrible PR and as an actor she, again, benefits from a great team and a lot of that credit she takes upon herself and I’m like why...)

- Disha Patani (Amazing model, decent actor. Period)

Underrated:

Not taking Kunal Khemu, Aditi Rao Hydari, Pankaj Tripathi, Vinay Pathak, Prateik Babbar, Ronit Roy, Ram Kapoor and so on - we know they’re underrated. 

- Shahrukh Khan (yes, I know. A lot of people just don’t recognize that he is a fantastic actor and it pisses me that a lot of capable directors, when working with him, want to make ‘BIG FILMS’ or are swayed by his stardom than actually giving him a good script. Ugh just give him Badla or Andhadhun and you’d see)

- Abhishek Bachchan (I find it funny when they compare him to his father cause Amitabh Bachchan is a good actor... now. And ABjr really acts from his soul and is far more competent compared to his contemporaries. If I’m surprised at any actor not getting work then it’s him)

- Avinash Tiwari (Laila Majnu... goddamn he gave a performance that rivaled Ranbir Kapoor’s Rockstar and I’m shocked how he didn’t even get a fifth of that recognition).  

- Arshad Warsi (this is someone who’s finally getting his due but man... he is such a phenomenal actor that my heart literally breaks to see him in crappy Hindi films. He is fab. Simply fab. Jolly LLB is one of the few films that give him due as a comedy actor as well as a serious one). 

- Riteish Deshmukh (This man is pure gold. He can make one laugh and be terrified at once. Does not get his due!)

- Radhika Apte (I’ve never seen her not ace a role. Yet I feel she’s quick to be typecast *sigh*)

- Sushant Singh Rajput (forever salty that he got his due after he died, ugh - easily one of the best actors of his generation)

Tellywood

Overrated (I’m so going to get roasted)

- Divyanka Tripathi (Don’t kill me! I feel she does one thing very well. Not the most versatile.)

- Karan Kundra (Definitely a decent actor but I do feel he’s a tad bit overrated).

- Vivian D’Sena (Again, I feel he’s good in one kind of acting - again I did watch a lot of PKYEK as well as Madhubala so I do like him but again, not really versatile).

- Dheeraj Dhoopar (I’m probs out to get hate comments but listen me out, his random hair and fashion statements take my complete attention from whatever acting he does, and also he’s stuck in Kundali Bhagya so...)

- Mouni Roy (I don’t know, she used to be a brilliant actor in the beginning and as days passed her acting became more bland? I was so taken by her as Sati in Devon Ke Dev Mahadev but now when I see her in films and shows I wonder where that Mouni has gone tbh).

- Nia Sharma (I’ve seen her in a few shows/web series and I feel she does one kind of acting well. Her dialogue delivery and expressions are often identical across several shows)

Underrated 

- Barun freaking Sobti (he is one of the most talented actors I have seen in my life. His eyes, dialogue delivery, tonal shift, body language - but he is like a sponge. If he’s with a good team, there’s none like him. I can’t believe it took him nearly a decade for people to spot him and even then I don’t understand why he’s not considered an ‘A’ lister).

- Sanaya Irani (this woman is completely different in every show. Honestly, when I saw her in Rangrasiya I was stunned. Her Paro was so delicate, strong, layered - wonderful. It’s very difficult to take your eyes away from her. She’s magnetic.) 

- Deepika Kakkar (honestly I didn't think much of her during her Simar days but when I saw Kahaan Hum Kahaan Tum I was shocked at how a talented actor like her was locked in that show. She is so emotive and phenomenal!) 

-  Vikram Singh Chauhan (that guy, seriously he is genuinely a very good actor and is more than capable of carrying a show on his shoulders! Subtle, smart and great on screen presence.)

- Varun Badola (often referred as a veteran, this man is great not just because of his vast experience but due to his amazing acting prowess. He reminds me of theatre!)

- Rajeev Khandelwal (no words can justify this man’s talent! He is underrated, period!)

- Jennifer Winget (I am so glad that she got her much needed claim with the Beyhadh series! She is such a fine actor and she needs to be more on screen, literally. Her shift between seriousness and humor is so good.)

Phew, that was a long answer! Hope I didn't offend too many people! 

Love,

- Baby J

[vimocafe]

Padmaavat Box Office Collections: Film continues to maintain strong hold on Day 12!

Padmaavat Box Office Collections: Film continues to maintain strong hold on Day 12!

It seems like Sanjay Leela Bhansali’s medieval epic will become Bollywood’s highest grosser in the coming days. The Deepika Padukone, Shahid Kapoor and Ranveer Singh starrer has exceeded all expectations of fans and is still maintain a strong hold at the box office even on day 12! Scroll down to see how the film has performed as of now.

The movie earned 12 crores last Friday, followed by 16…

[prabir5678-blog]

Sanjay Leela Bhansali`s Padmaavat box-office collection is going huge in overseas.

[mmorgready]

Dear zindagi movie download filmywap

Dear zindagi movie download filmywap movie#

Dear zindagi movie download filmywap iso#

Dear zindagi movie download filmywap torrent#

Her movies like Luck By Chance, Zindagi Na Milegi Dobara, Bombay Talkies, Dil Dhadakne Do, Lust Stories, Made in Heaven, Ghost Stories, and Gully Boy. Zoya Akhtar is a Director and screenwriter. Ltd., Positive, Rock On, Luck by Chance, Karthik Calling Karthik, Game, Zindagi Na Milegi Dobara, Don 2 – The King Is Back, Talaash: The Answer Lies Within, Fukrey and Gully Boy. His movies are Dil Chahta Hai, Don – The Chase Begins Again, Honeymoon Travels Pvt. Farhan Akhtar (The Producer of the Film)įarhan Akhtar is an actor, director, screenwriter, playback singer, producer, and television host. The Crew of the Film Zoya Akhtar (The Director of the Film) Bunty Aur Babli 2, Phone Bhoot, Yudhra, Life Sahi Hai, Inside Edge, and Gully Boy. Her movies like Sangharsh, Student of the Year, 2 States, Highway, Humpty Sharma Ki Dulhania, Ugly, Shaandaar, Kapoor & Sons, Udta Punjab, Ae Dil Hai Mushkil, Dear Zindagi, Badrinath Ki Dulhania, Welcome to New York, Raazi, Student of the Year 2, Angrezi Medium, Kalank, Sadak 2 and Gully Boy. His movies are Band Baaja Baaraat, Ladies vs Ricky Bahl, Bombay Talkies, Lootera, Goliyon Ki Raasleela Ram-Leela, Finding Fanny, Gunday, Dil Dhadakne Do, Finding Fanny, Hey Bro, Bajirao Mastani, Teefa in Trouble, Padmaavat, Bajirao Mastani, Befikre, Simmba and Gully Boy. It highlights the challenges that are faced by the disenfranchised youth in the minority population. The poetry is conscious of the city’s socio-economic fabric. The film showcases street rap from the narrow opening of Mumbai’s by lanes. To chase his dream without the intention of go beyond the range of his class. This story is about Murad’s journey from realizing his love for rap. Art is a distant dream for the settle among poor of India. Like anywhere else in the world is rising from the streets. Authentic Hip Hop in India is a recent fact. Meanwhile, the role of Murad realizes his calling to be a rapper. He is a son of a driver, his parents worked hard to get him educated. From a ghetto in the place of Mumbai, India. Gully Boy is a film about a 22-year-old boy named Murad. The film also stars actors Sidharth Chaturvedi, Vijay Raaz, Vijay Verma, Kalki Koechlin, and others. The film has a great star cast which is led by actors Ranveer Singh and Alia Bhatt. It has collected around 18 Crores on its very first opening day. Talking about the box office collection of the film. The director has just gone into the deep to know the real story of street rappers in Mumbai. It is already popular to provide films on an internet platform.

Dear zindagi movie download filmywap torrent#

The film has been leaked by the Torrent and other websites. Like the film, starring actors Ranveer Singh and Alia Bhatt have got leaked online. However, in between that there is shocking news for the team of Gully Boy. Most of the people have supported and appreciated the film. The fans are also sharing their social media posts to appreciate the film. The film got a massive response from the critics and the audience. It is released on the year 14th February 2019. Actors Ranveer Singh and Alia Bhatt starred in Gully Boy.

Dear zindagi movie download filmywap movie#

Gully Boy movie download in the year 2019 in 720p quality. Gully Boy Movie Leaked on Torrent and Other Websites Karsh Kale (The Music Composer of the Film).Jay Oza (The Cinematographer of the Film).Farhan Akhtar (The Producer of the Film).Gully Boy Movie Leaked on Torrent and Other Websites.We provide you with the latest breaking news today of the U.S.

Dear zindagi movie download filmywap iso#

El despertar sexual de cassandra 3 por newcardapply 20227 south state bank pay as you earn calculator zambia lighton phiri wega di number korsou joe black spencer bolejack net worth ang karanasan pakikipagtalik sa biyenan assistir futebol online no tudo tv join minecraft realm with codes for juegos frivcom los mejores juegos gratis online solo en friv bruce jenner daughter death canal caracol en vivo por internet gratis todocanales how much is ivan misner net worth playstation 2 bios pack emulators the iso zone frank foti net worth esic bill submit uti gov of punjab finance department mrs rates dg me employee access unizulu its web interface jo ann castle today richard gere son autism fortnite hack sin verificacion humana digital descrambler watch all channels freeįr. is your news, entertainment, political, financial and business, technology, lifestyle and health website.

[adarshswaroop]

#AllTimeHighestGrosser #PakistaniFilm #TheLegendOfMaulaJatt Crosses 10 Million $, Beats #IndianBiggies In Various Markets The biggest motion picture from the #Pakistanifilmindustry, The Legend Of Maula Jatt is living up to its title with its legendary performance at the box office. Released on 13th October, the Fawad Khan and Mahir Khan starrer has grossed PKR 220 crores ($10 million) globally in its seven-week box office run. Of that, PKR 87.50 crores ($3.98 million) is from the home country and PKR 132.50 crores ($6 million) is from overseas markets. Maula Jatt is the biggest grosser ever for Pakistani cinema in every single market whether it is Pakistan, America, Gulf or Europe and in most of them doubling or more the previous record. Previously, Jawani Phir Nhi Aani 2 was the biggest Pakistani film with PKR 73 crores worldwide, Maula Jatt has so far tripled that number, and continues to go higher. The Punjabi language actioner is also the biggest Punjabi film ever, beating the Indian counterpart Carry on Jatta 2 ($9 million) and Chaar Sahibzaade ($8.50 million). Jatt is outperforming Bollywood titles in various overseas markets. In the UK, with £1.39 million the film is the biggest grosser from South Asia since Padmaavat in 2018, beating various high-profile releases like Sanju, PS 1, Race 3, Zero, KGF 2 and RRR and so on. In Norway, the film is the highest-grosser ever, beating Bajrangi Bhaijaan. The territorial breakdown for the box office collections of The Legend of Maula Jatt is as follows: Pakistan – $3,975,000 USA / Canada – $2,200,000 United Kingdom – $1,550,000 Middle East – $1,380,000 Australia – $370,000 Norway – $125,000 Europe – $300,000 Rest of the World – $100,000 Total – $10,000,000 https://www.instagram.com/p/Clstfsjpaqv/?igshid=NGJjMDIxMWI=

[a-boxoffice]

Box Office

[bollywoodmascot]

Sanju First Monday Box Office Collection

Sanju First Monday Box Office Collection: Ranbir Kapoor and Paresh Rawal starrer Sanju remain steady at the box office on its first Monday. After the whopping 120.06 crores on opening weekend, Sanju collects 25.35 crores more on its first Monday at the domestic box office, thus taking its total collection to 145.41 crores. The film gathers positive reviews from experts and the audience, which helps the film to cross the many biggies lifetime box-collections in just four days. Sanju has beaten Alia Bhatt's Raazi (123.17 Crores), Sonu Ke Titu Ki Sweety (108.46), Ajay Devgn’s Raid (101.54 crores), Kareena Kapoor Khan and Sonam Kapoor's Veere Di Wedding (80.23 crores) and Akshay Kumar’s Padman (78.95 crores). It will be interesting to see how Sanju performance in week 2, Will it surpass lifetime business of Padmaavat and PK and how many days it will take. Rajkumar Directorial movie Sanju will continue its winning streak at the ticket-window since there is no big movie scheduled for release. Produced by Vidhu Chopra Films and Rajkumar Hirani Films, Sanju also features Paresh Rawal, Anushka Sharma, Sonam Kapoor, Vicky Kaushal, Karishma Tanna and Boman Irani in key roles. Read the full article

[salmankhanholics]

★ Tiger Zinda Hai Set To Be 3rd Highest Nett Grosser Ever !

Saturday 27 January 2018

Tiger Zinda Hai is on course to be the third highest grossing film of all time in terms of NETT collections. The film had a blip on the last day of the fifth week as the Paadmavat problems meant a lot of multiplexes could not screen Tiger Zinda Hai due to the multiplexes having to close for the day.

The fact that Padmaavat could not be screened in places like Rajasthan and Gujarat and many cities of UP and plus the national holiday gave Tiger Zinda Hai a good boost. Tiger Zinda Hai has grossed around 60-65 lakhs nett on its sixth Friday and although there will be a drop on Saturday the films looks set to cross the NETT number of PK in its seventh week..

The box office figures for Tiger Zinda Hai till date are as follows.

Week One - 2,06,04,00,000

Second Week - 85,41,00,000

Third Week - 27,34,00,000

Fourth Week - 10,87,00,000

Fifth Week - 5,75,00,000 apprx

Sixth Week - 65,00,000 apprx (1 Day)

GRAND TOTAL - 3,36,06,00,000 apprx

BOI

[vimocafe]

Padmaavat Box Office Collections: Film is Stronger than a Dynamite on Day 10!

Sanjay Leela Bhansali’s Padmaavat is making history at the box office in the past couple days and there is no stopping to how far this film will go. Despite several attempts from the Karni Sena to get this film banned, Padmaavat survived every storm bravely and is now one of the most successful films in Bollywood history. The magnum opus has indeed lived up to its name and is set to create some…

[ankurmutreja]

Review of the Movie

Generally, I don't waste time writing negative reviews, but the movie Padmaavat has attacked my sensibilities in more ways than one. First, this movie reinforces objectification of women. Secondly, it glorifies the abhorrent practice of Sati/Jauhar. Thirdly, this movie has duped liberals through extremely cynical marketing. Let me take up each of these issues one-by-one. Padmavati's original fame to claim is her beauty irrespective of whether it is part of history or not. Unlike Rani of Jhansi, she didn't fight any battle. The movie Padmaavat shows her as an intelligent woman with a shrewd mind. For that I am willing to give thumbs up to the movie. But the only execution of her mental faculties as shown in the movie was in her rescuing act of Ratan Singh, her husband. In that also, but for the sheer luck in the companionship of the revolting wife of Khilji, she was almost in the harem of Khilji, who didn't seem to be having any perspective on sex except rape. I would say Khilji's wife emerged as a stronger woman in the movie. Rather the very idea of fighting a war to capture another person's wife is reflective of only one thing: objectification of women. The movie doesn't show Ratan Singh to be of the same mindset, but the other stories do present him as a man crafted out of the same mould, who, though being married, went all the way from Rajasthan to Sri Lanka to woo a supposedly pretty damsel. The idea of objectification of woman is inescapable in the very name Padmavati. Why should then there be any motivation to make a movie on such a filthy subject. Padmavati is nevertheless a respected name amongst Rajputs because she committed Sati/Jauhar and didn't let Khilji touch her body. But if you have made up your mind to die, why can't you kill your prospective rapist? What will happen at the most? You will fail. If you fight till the end, your failure will be accompanied by death. But how does it matter when you were already commiting suicide! But it does matter for Rajputs because they consider woman nothing more than an object/property, and for them the object/property becomes godly when she doesn't change her master unto death. (Btw, Sati is not restricted to wives. Even slaves and mistresses were forced to commit Sati, many a times in their teenage.) An independent woman, who would rather fight her rapists, does run the risk of getting raped in the process, which is against the Rajput shaan. But to a feminist it shouldn't matter if a brave woman gets raped in the process because she fought for her freedom. The way the whole sequence of Sati/Jauhar has been potrayed with a voice over, it leaves no doubt that the movie was made with an oblique objective of glorifying Sati/Jauhar as some kind of feminism, irrespective of the disclaimer. Well...indeed, there is a right to freedom of expression, which extends even to glorification of Sati/Jauhar, but it doesn't extend to duping people with the externality of disturbing public tranquility. Karni Sena is a non-entity. In fact there are not one but three Karni Senas. Nobody heard of them before this movie. Even now nobody knows much about them. They of course don't represent Rajput honour. Ironically, like Patels and Marathas, Rajputs also seek OBC reservation, and all these Karni Senas have their genesis in agitation for OBC reservation for Rajputs in Rajasthan. How can anybody who has the objective of changing the status of Kshaytriyas to Shudras have any locus standi to fight for Kshatriya honour? Is our media so incompetent that they would not even do this little a research on Karni Sena. Of course not. They are rather crooks. Undoubtedly, Karni Sena agitation was a very cynical marketing for promotion of a mediocre movie amongst the multiplex visiting liberals, albeit with an oblique objective of promoting Sati/Jauhar as alternative feminism. Mumbai and Delhi markets comprise nearly 70% of the box office collections in the first weekend. A movie which is supposedly made with a budget of Rs 180 cr will have any chance of survival only if it recovers majority of its cost in the first weekend itself, which Padmavati has incidentally done pretty handsomely thanks to the so-called Left-Liberal media and the political parties across the spectrum. BJP ministers went overboard to fuel Karni Sena agitation, and parties like AAP have played their role in tandem with the so-called Left-Liberal media to create sympathy wave for the movie. But for the controversy, I wouldn't have given a second glance to the movie. But now I have not only watched it but am also writing a review on it. What more! This fraud is so penetrative that nobody can escape it. But of course it earns revenues for a filthy movie. Even worse, it may convert some liberals, who may start equating Sati/Jauhar with feminism. It goes without saying it will reinforce Sati/Gauhar amongst conservatives. I don't know how to end this review except by reproducing my tweet, which I tweeted as my first emotion after watching the movie (excuse me for the blank spaces, you may fill them up yourself).

  Read the full article