#pacitti club

[lepidopteragirl]

goldwinged - a c!quackity playlist

hiiii if u listen to this and talk to me about it i will kiss u one thousand times

link :)

(songs under the cut bc. there are a lot)

GOLDWING, Billie Eilish // The Moon Will Sing, The Crane Wives // Hayloft ii, Mother Mother // Stay Soft, Mitski // Take Me to War, The Crane Wives // Simmer, Hayley Williams // Farewell Wanderlust, The Amazing Devil // Ignorance, Paramore // Little Pistol, Mother Mother // Venus Fly Trap, MARINA // Watch Me Shine, Joanna Pacitti // Watch Me While I Bloom, Hayley Williams // Castle, Halsey // Look What You Made Me Do, Taylor Swift // Pomegranate Seeds, Julian Moon // Maneater, Hall & Oates // Power & Control, MARINA // Cannibal, Kesha // Oops! ...I Did It Again, Britney Spears // I Did Something Bad, Taylor Swift // The Garden, The Crane Wives // Starring Role, MARINA // Dinner and Diatribes, Hozier // How to Be a Heartbreaker, MARINA // Writer In the Dark, Lorde // Why'd You Only Call Me When You're High, Violin Cover by Joel Sunny // Feel Better, Penelope Scott // mirrorball, Taylor Swift // It Will Come Back, Hozier // right where you left me, Taylor Swift // Unraveling, The Crane Wives // I Kissed Someone (It Wasn't You), dodie // The Cut That Always Bleeds, Conan Gray // Killer, Phoebe Bridgers // Nobody, Mitski // Lonely Hearts Club, MARINA // Sober ii (Melodrama), Lorde // E.V.O.L, MARINA // Runs in the Family, Amanda Palmer // Green Light, Lorde // Curses, The Crane Wives // Working for the Knife, Mitski // Eurus, The Oh Hellos // Icarus, Bastille // Oh No!, MARINA // Relief Pitcher (Leave It one the Field), The Garages // Wait for It, Hamilton // Sober Up, AJR // Are You Satisfied, MARINA // Nation, Coyote Wall // Hungover in the City of Dust, Autoheart // Hollywood, MARINA // Brand New City, Mitski // Money Power Glory, Lana Del Rey // Money, Money, Money, ABBA // The One Situation I Can't Talk My Way Out Of, Coyote Wall // Metaphor, The Crane Wives // Valley of the Dolls, MARINA // These Days, Nico // A Burning Hill, Mitski // Be Calm, fun. // Ballad of a Politician, Regina Spektor // Buy the Stars, MARINA // Our Word, 36 Questions // Tongues & Teeth, The Crane Wives // I'm a Ruin, MARINA // Guilty, MARINA // Never Love an Anchor, The Crane Wives // Electra Heart, MARINA // Liability, Lorde // East, Sleeping At Last // Eight, Sleeping At Last

[diefabrikanten-liveartcoop]

WTF is Live Art?

** English version below ** 

Vortragsreihe zu partizipatorischen Live Art Strategien

Für Student*innen, Künstler*innen und all jene, die sich für experimentelle Kunstformen interessieren, haben DIE FABRIKANTEN die neue Veranstaltungsreihe "Partizipatorische Live Art Strategien" an der Universität für Gestaltung Linz ins Leben gerufen.

Internationale Künstler*innen werden in Linz zu Gast sein. Unter den Vortragenden finden sich Künstler*innen wie Tim Etchells (Forced Entertainment), Aaron Wright (Fierce Festival), Mary Paterson, Robert Pacitti (SPILL Festival), u.a.

Schwerpunkte der Vortragsreihe und Lehrveranstaltung sind internationale Live Art-Trends, sowie andere kollaborative, partizipative oder co-kreative Strategien.

Die Veranstaltungen finden jeweils an zwei aufeinanderfolgenden Abenden statt, wobei am ersten Tag ein Vortrag in Räumlichkeiten der Kunstuniversität Linz zum Einstieg gehalten wird und am darauffolgenden Tag in einem privateren Rahmen die praktische Anwendung im Mittelpunkt steht.

Nächste Termine:

21. März 2018 von 18 - 21 Uhr: Gastvortragende: Marianne Ramsay-Sonneck, Club Real (DE) Ort: Universität für Gestaltung, Zeitbasierte Medien, „zeitbasiertes Wohnzimmer“, 4. Stock, Domgasse 1, 4020 Linz

22. März 2018 von 18 - 21 Uhr: TableTalk Ort: tba., 4020 Linz

Jeweils bei freiem Eintritt.

Wir freuen uns auf euer Kommen!

DIE FABRIKANTEN www.fabrikanten.at/lecture http://www.facebook.com/fabrikanten

---------

Lecture series on participatory Live Art strategies Wed, March 21 & Thur, March 22, 2018 – 6 to 9 p.m.

We invite everybody – with or without student ID – to join the lecture series at the University of Art and Design Linz with DIE FABRIKANTEN acting as organizers, mediators and moderators.

The lecture is about Live Art and it’s current international development focusing on one-to-one-encounters and other collaborative, participatory or co-creative strategies between the poles of privacy / publicity, voyeurism / distance, self-determination / heteronomy. Starting with DIE FABRIKANTEN on November 28, various other international guests such as Tim Etchells (Forced Entertainment), Aaron Wright (Fierce Festival), Mary Paterson, Robert Pacitti (SPILL Festival) and others will lecture in 2018 on this subject.

For two consecutive days the lecture will cover theoretical aspects on the first day at the University of Art and Design Linz as well as practical applications – in a more private space - on the second day.

Nex dates:

Wed, March 21, 2018 – 6 to 9 p.m.

Location: University of Art and Design, institute of time based media, 4th floor, Domgasse 1, 4020 Linz Lecture: Marianne Ramsay-Sonneck, Club Real (DE)

Language: German

Thur, March 22, 2018 – 6 to 9 p.m.

Location: tba., 4020 Linz TableTalk Language: German

With the support of City of Linz, Upper Austria, BKA (Ministry of Culture, Austria)

[vileart]

Dramaturgy Shy: Katy Baird @ Edfringe 2017

Disco music, pop culture and free chips... Webcam modelling, drug dealing and flipping burgers: Katy Baird explores what we are and aren’t willing to do for money.  A show about work – the best jobs, the worst jobs, and everything in between.

Some people work to earn money, some work to feel fulfilled, some people don’t work at all and some people run away and join the circus… Join Glasgow-born, London-based artist and activist  Katy Baird at Summerhall (Venue 26), one of the Edinburgh Fringe’s most exciting venues, for a very personal story looking at the ups and downs of what it means to serve you – the great British public. 

For the last twenty years, Katy has been at the frontline of the customer service industry. From getting you high to supersizing your whopper meal, she has done everything she can to make you happy.

Workshy is a unique, vulnerable, often hilarious autobiographical portrayal of the relationship between labour, class and aspiration.

What was the inspiration for this performance?

This performance is about work and the things we do for money. It is my own personal story about the jobs I have done and the various ways – both illegal and illegal - that I have made ends meet. 

In the show I talk about working for over a decade in those service-sector jobs that we all engage with but often don’t even notice. When you go for dinner, when you travel or when you go out on a Saturday night there is always someone there serving you and for a long time that someone was me! In fact, it still is me but I am just doing it in a much more visible way now. 

I also talk about the way we make money below the radar – all the hustling to get by when you just cant face serving people 8 hours a day for little thanks and little money. Those times when what you need more than anything is to have some agency and just be someone for a change.

I was inspired to make this show because I feel that voices like mine are not heard enough on stage. It is real life I am talking about - my life, my world and my story. This is not a performance written by someone about what they think this life is like and performed by actors from a completely different background pretending to have had these experiences. It is not bittersweet, its not a coming-of-age drama where we realise that everything will be fine in the end. 

It is confrontational, unapologetic and most importantly funny – cause life can be all these things sometimes! 

Is performance still a good space for the public discussion of ideas? 

Well I have to say a big YES to this otherwise why would I do it? At the moment it feels more important than ever. So much of our lives are virtual and online now that we need and crave space to congregate, to think, to have a dialogue. 

Creating a dialogue is particularly important to me and I create the space in Workshy to hear from my audience – I ask them about their life and their aspirations directly. I also intentionally create a moment where we can all come together and chat about the ideas brought up within the show informally and with a drink. This for me is super important because then we can talk and share experiences and thoughts together.  

It is not the job of performance to tell us what to think. Its function is to pose questions and ideas in order to enable us to possibly think and feel about things in a different way. 

How did you become interested in making performance?

I was in the right place at the right time! When I was 26 I made the decision to go back to school and began an Access to University Course at Stow College in my hometown of Glasgow. This led to a degree in Sociology and Theatre at Glasgow University, which I began in 2003. The early noughties were an amazing time for performance in Glasgow.

The annual National Review of Live Art festival was in full force bringing the most political and influential artists working in live performance to Glasgow every single year! Back then both the Tramway and CCA also had fantastic performance programmes and I was exposed, for the first time, to the work of Forced Entertainment, Campo, Gob Squad, Lois Weaver and Annie Sprinkle to name a few. 

Not forgetting the wonderful Arches – a performance space that supported Glasgow based artists like myself, showing my first ever performance, as well as more established UK and international artists and was such an important part of the performance ecology in Glasgow. This was an incredibly exciting time where it felt like anything was possible and I became inspired to make-work and to be part of this weird and wonderful community of artists. 

KATY BAIRD - Workshy from Pacitti Company on Vimeo.

Is there any particular approach to the making of the show?

This is my first full length theatre show and it took me four years to make.  I started preforming first drafts and small ideas and slowly worked on developing it whilst also working full time in office administration so it was a stop and start kind of process. I asked for help where I could and I watched a lot of performances and did a lot of research into what I wanted to talk about. It was a total labour of love for a long time but the hard work has been work it as it led to an amazing UK and international tour and now Edinburgh.  

Does the show fit with your usual productions?

I would suggest that Workshy plays with the conventions of theatre but it is most definitely a theatre show, this is a departure from my other artistic work which is often body based and and performed in Live Art Festivals or club contexts.  With Workshy I wanted to reach a new and different audience this is why I am so excited about preforming at Summerhall and the Fringe in general. 

What do you hope that the audience will experience?

First and foremost I hope that they will laugh and have fun. Although we will all have just met I try to make it feel like we are all down the pub together having a few drinks and maybe doing that classic thing of disclosing a little to much information with people you have just met in a social situation.  

What strategies did you consider towards shaping this audience experience?

I use the same strategies I learned whilst selling drugs - always be nice, always treat everyone like an old friend and most importantly always make sure you deliver a product of very high quality! 

In this new personal, political performance, Katy puts herself out there one more time to serve you, giving you everything you want with a little help from some disco classics, drinks from Katy’s Bar, a mid-show delivery of free chips for everyone in the audience, and of course, plenty of ketchup. At the Edinburgh Fringe for the first time following a successful UK tour, including shows at the Folkestone Fringe, IBT Bristol International Festival, and in Hamburg, Germany.

“Workshy is a potted history of my employment life,” says Katy. “Over the last twenty years I have spent my time working in Butlins, Burger King, Wetherspoons, as a drug-dealer, as a kitchen porter, on the dole, on the sick, in nightclubs, as a sex-webcam ‘model’ and most recently as an artist and Arts Administrator.  Workshy is a performance to be enjoyed and to be consumed; it is an opportunity to be able to spend time with new people, to see a bit of your life on stage, and to consider how we see and think of people in relation to their working environment. It’s about going behind the headlines and challenging the negative media narratives.”  Unflinching critique of austerity Britain; savage class satire; a night down the pub... all that and a bag of chips!

Summerhall – Anatomy Lecture Theatre | 2-27 August, 21.10 (NOT 3rd, 9th, 16th, 21st)

£9 / £7 / £5 | 75 MINS | 18+ (CONTAINS NUDITY, ALCOHOL SERVED) 

Katy Baird is a Glasgow born, London-based artist and activist who often finds herself in uncomfortable situations of her own making. Her solo work is intimate and autobiographical, reflecting on gender, class and sexuality. She has performed at Live Art festivals and venues across the UK as well as squat parties, clubs and raves.

Deviser and performer: Katy Baird Production Manager & Lights: Patricia Roldan-Polo Producer: Emma Beverley

Listings information:

Summerhall (Venue 26) – Anatomy Lecture Theatre | 2-27 August, 21.10 | (No show on 3rd, 9th, 16th & 21st August) Tickets £9/£7/£5 | 75 mins | 18+ (Contains nudity, alcohol served)

from the vileblog http://ift.tt/2vf72bg

[msingleton]

WEEK 4: 5 Funniest Ways People Got Noticed For A Job!

1. Designed a Resume Made of Legos:

Leah Bowman took this reasoning to heart. In lieu of submitting a traditional resume, Bowman sent in customized packets of Lego sets, prompting potential hiring managers to “build the perfect account service intern.”

2. Made an Interactive Video:

He sent that video to multiple recruiters—and it looks like his effort to make their jobs a little more interesting paid off. Anthony received multiple interviews, a job offer, and 400,000 YouTube views. 

3. Bought a Google Ad:

Alec Brownstein bought a Google ad, targeting the names of several advertising executives—one of whom was Ian Reichenthal. When Reichenthal Googled his own name (as we all inevitably do), he found Brownstein’s tailored ad. Reichenthal offered Brownstein the chance to interview and eventually gave him a job offer at his advertising firm. He now is the creative director for Dollar Shave Club.

4. Imitated the Employer’s Website:

Jeanne Hwang Lam built out an extensive CV for Pinterest—on Pinterest(meta, I know). She created a resume by pinning different images together, with different sections such as “fit,” “passion,” “experience,” and “rockstar skills.” By investing so much time in tailoring an application specifically for Pinterest, she showed that she was seriously passionate about being there.

5. Bought a Billboard:

Adam Pacitti, a 2012 graduate, had applied to 250 different companies. Still unemployed, Adam decided to launch an “Employ Adam” campaign. He even bought the billboard pictured—and it actually worked. He got 60 interviews and a job from it. Since then, his creative projects have been featured on BBC, CNN, CBS, and more.

Site to read more: https://www.themuse.com/advice/5-crazy-ways-people-got-the-attention-of-hiring-managers

[wweevents2016-blog]

(via WWE Videos: BX Vs. Pacitti Club #6: WWE Extreme Rules 2016 Predictions)

[extremerules2016-blog]

(via WWE Videos: BX Vs. Pacitti Club #6: WWE Extreme Rules 2016 Predictions)

[fuckyeahwhatculturewrestlin-blog]

[makeoutstakeout]

So I was browsing through the Whatculture WWE. And it occurs to me. “Man. I have texts from one of these people that the Tumblr Fanfic types would go ape over. So many new ships. So much fodder. I could be tumblr famous.” And I kinda wanna post them because it would be funny to see the weird fanfiction that would come from them. But then I’m like. Okay but this person trusts me. :/ It’s weird being a fangirl and a friend at the same time. What is my life.

[triumphshouts]

The chokeslam that started it all... (x)

Bonus:

[miss-june-firefly]

Watching Adam Pacitti mix his Long Island Big E drink:

Watching Adam Blampied drink the whole damn thing in one go:

[jinssoulmate]

PACITTI IS BACK!!!!

[seouldreams14]

Blampied Heel turn part 1 From Adam Vs. Adam 9

[brandontalkswrestling]

Probably the most important thing of the night is that we have a NEW WhatCulture Champion in Sam “The Shedditor” Driver!!

[wweevents2016-blog]

(via WWE Videos: BX Vs. Pacitti Club #6: WWE Extreme Rules 2016 Predictions)

[extremerules2016-blog]

(via WWE Videos: BX Vs. Pacitti Club #6: WWE Extreme Rules 2016 Predictions)

[fuckyeahwhatculturewrestlin-blog]

vote here: http://whatculture.com/top-ten-greatest-wrestlers-of-all-time