#ovid be out here negging odysseus
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Ovid (Ars, 2.123): Odysseus wasnt much to look at, but at least he was smart. || me: HOMER! DID NOT!! DESCRIBE HIS THIGHS!!! THAT EXTENSIVELY!!! FOR YOU TO DE-BIMBOFY HIM, PUBLIUS!!
I choose to interpret this literally in that he is described as being short and Logistically would probably be leaner than other heroes (being that he’s never described as using strength to win). There just literally isn’t That Much to look at but what is there is a HOT CON MAN DON’T TEST ME OVID!!
#ovid be out here negging odysseus#tbh tho ive always hced that ody is probably a 6-7/10 looks but his 100 Charisma stat boosts him to a 11/10#faunina
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Mythology
Early life
According to Apollodorus and a fragment of Pindar, Orpheus' father was Oeagrus, a Thracian king, or, according to another version of the story, the god Apollo. His mother was (1) the muse Calliope, (2) her sister Polymnia, (3) a daughter of Pierus, son of Makednos or (4) lastly of Menippe, daughter of Thamyris. According to Tzetzes, he was from Bisaltia. His birthplace and place of residence was Pimpleia close to the Olympus. Strabo mentions that he lived in Pimpleia. According to the epic poem Argonautica, Pimpleia was the location of Oeagrus' and Calliope's wedding. While living with his mother and her eight beautiful sisters in Parnassus, he met Apollo, who was courting the laughing muse Thalia. Apollo, as the god of music, gave Orpheus a golden lyre and taught him to play it. Orpheus' mother taught him to make verses for singing. He is also said to have studied in Egypt.
Orpheus is said to have established the worship of Hecate in Aegina. In Laconia Orpheus is said to have brought the worship of Demeter Chthonia and that of the Κόρες Σωτείρας (Kóres Sōteíras; 'Saviour Maidens'). Also in Taygetos a wooden image of Orpheus was said to have been kept by Pelasgians in the sanctuary of the Eleusinian Demeter.
According to Diodorus Siculus, Musaeus of Athens was the son of Orpheus.
Adventure as an Argonaut
Main article: Argonautica
The Argonautica (Ἀργοναυτικά) is a Greek epic poem written by Apollonius Rhodius in the 3rd century BC. Orpheus took part in this adventure and used his skills to aid his companions. Chiron told Jason that without the aid of Orpheus, the Argonauts would never be able to pass the Sirens—the same Sirens encountered by Odysseus in Homer's epic poem the Odyssey. The Sirens lived on three small, rocky islands called Sirenum scopuli and sang beautiful songs that enticed sailors to come to them, which resulted in the crashing of their ships into the islands. When Orpheus heard their voices, he drew his lyre and played music that was louder and more beautiful, drowning out the Sirens' bewitching songs. According to 3rd century BC Hellenistic elegiac poet Phanocles, Orpheus loved the young Argonaut Calais, "the son of Boreas, with all his heart, and went often in shaded groves still singing of his desire, nor was his heart at rest. But always, sleepless cares wasted his spirits as he looked at fresh Calais."
Death of Eurydice
The most famous story in which Orpheus figures is that of his wife Eurydice (sometimes referred to as Euridice and also known as Argiope). While walking among her people, the Cicones, in tall grass at her wedding, Eurydice was set upon by a satyr. In her efforts to escape the satyr, Eurydice fell into a nest of vipers and suffered a fatal bite on her heel. Her body was discovered by Orpheus who, overcome with grief, played such sad and mournful songs that all the nymphs and gods wept. On their advice, Orpheus traveled to the underworld. His music softened the hearts of Hades and Persephone, who agreed to allow Eurydice to return with him to earth on one condition: he should walk in front of her and not look back until they both had reached the upper world. Orpheus set off with Eurydice following; however, as soon as he had reached the upper world, he immediately turned to look at her, forgetting in his eagerness that both of them needed to be in the upper world for the condition to be met. As Eurydice had not yet crossed into the upper world, she vanished for the second time, this time forever.
The story in this form belongs to the time of Virgil, who first introduces the name of Aristaeus (by the time of Virgil's Georgics, the myth has Aristaeus chasing Eurydice when she was bitten by a serpent) and the tragic outcome. Other ancient writers, however, speak of Orpheus' visit to the underworld in a more negative light; according to Phaedrus in Plato's Symposium, the infernal gods only "presented an apparition" of Eurydice to him. In fact, Plato's representation of Orpheus is that of a coward, as instead of choosing to die in order to be with the one he loved, he instead mocked the gods by trying to go to Hades to bring her back alive. Since his love was not "true"—he did not want to die for love—he was actually punished by the gods, first by giving him only the apparition of his former wife in the underworld, and then by being killed by women. In Ovid's account, however, Eurydice's death by a snake bite is incurred while she was dancing with naiads on her wedding day.
Virgil wrote in his poem that Dryads wept from Epirus and Hebrus up to the land of the Getae (north east Danube valley) and even describes him wandering into Hyperborea and Tanais (ancient Greek city in the Don river delta) due to his grief.
The story of Eurydice may actually be a late addition to the Orpheus myths. In particular, the name Eurudike ("she whose justice extends widely") recalls cult-titles attached to Persephone. According to the theories of poet Robert Graves, the myth may have been derived from another Orpheus legend, in which he travels to Tartarus and charms the goddess Hecate.
The myth theme of not looking back, an essential precaution in Jason's raising of chthonic Brimo Hekate under Medea's guidance, is reflected in the Biblical story of Lot's wife when escaping from Sodom. More directly, the story of Orpheus is similar to the ancient Greek tales of Persephone captured by Hades and similar stories of Adonis captive in the underworld. However, the developed form of the Orpheus myth was entwined with the Orphic mystery cults and, later in Rome, with the development of Mithraism and the cult of Sol Invictus.
Death
According to a Late Antique summary of Aeschylus' lost play Bassarids, Orpheus, towards the end of his life, disdained the worship of all gods except the sun, whom he called Apollo. One early morning he went to the oracle of Dionysus at Mount Pangaion to salute his god at dawn, but was ripped to shreds by Thracian Maenads for not honoring his previous patron (Dionysus) and was buried in Pieria. Here his death is analogous with that of Pentheus, who was also torn to pieces by Maenads; and it has been speculated that the Orphic mystery cult regarded Orpheus as a parallel figure to or even an incarnation of Dionysus. Both made similar journeys into Hades, and Dionysus-Zagreus suffered an identical death. Pausanias writes that Orpheus was buried in Dion and that he met his death there. He writes that the river Helicon sank underground when the women that killed Orpheus tried to wash off their blood-stained hands in its waters. Other legends claim that Orpheus became a follower of Dionysus and spread his cult across the land. In this version of the legend, it is said that Orpheus was torn to shreds by the women of Thrace for his inattention.
Ovid recounts that Orpheus ...
had abstained from the love of women, either because things ended badly for him, or because he had sworn to do so. Yet, many felt a desire to be joined with the poet, and many grieved at rejection. Indeed, he was the first of the Thracian people to transfer his affection to young boys and enjoy their brief springtime, and early flowering this side of manhood.
— Ovid. trans. A. S. Kline, Ovid: The Metamorphoses, Book X
Feeling spurned by Orpheus for taking only male lovers (eromenoi), the Ciconian women, followers of Dionysus, first threw sticks and stones at him as he played, but his music was so beautiful even the rocks and branches refused to hit him. Enraged, the women tore him to pieces during the frenzy of their Bacchic orgies. In Albrecht Dürer's drawing of Orpheus' death, based on an original, now lost, by Andrea Mantegna, a ribbon high in the tree above him is lettered Orfeus der erst puseran ("Orpheus, the first pederast").
His head and lyre, still singing mournful songs, floated down the River Hebrus into the sea, after which the winds and waves carried them to the island of Lesbos, at the city of Methymna; there, the inhabitants buried his head and a shrine was built in his honour near Antissa; there his oracle prophesied, until it was silenced by Apollo. In addition to the people of Lesbos, Greeks from Ionia and Aetolia consulted the oracle, and his reputation spread as far as Babylon.
Cave of Orpheus' oracle in Antissa, Lesbos
Orpheus' lyre was carried to heaven by the Muses, and was placed among the stars. The Muses also gathered up the fragments of his body and buried them at Leibethra below Mount Olympus, where the nightingales sang over his grave. After the river Sys flooded
Leibethra, the Macedonians took his bones to Dion. Orpheus' soul returned to the underworld, to the fields of the Blessed, where he was reunited at last with his beloved Eurydice.
Another legend places his tomb at Dion, near Pydna in Macedon. In another version of the myth, Orpheus travels to Aornum in Thesprotia, Epirus to an old oracle for the dead. In the end Orpheus commits suicide from his grief unable to find Eurydice.
"Others said that he was the victim of a thunderbolt."
From Wikipedia
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Orpheus the musician & beast tamer.
Art by Brittany Beverung @artistfuly
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