#origins of story idea
Explore tagged Tumblr posts
Text
i think theres this idea in the general public that the "best" fanfic gets turned into real books like 50 shades of grey. but the truth is that the best fanfic can never be published as an actual book because its intricately woven into the canon material so its inseparable even if you change the names
#no shade (ha) to 50 shades. ive never actually read it so idk if its good#but imo the idea of creating an au fanfic thats so divorced from the original work is boring! why are you even making a fanfic atp#the only good fanfic is when you can tell the author loves the source material and uses it#the best fanfics ive ever read could never be published as actual books because it wouldnt work without the context of the original story
59K notes
·
View notes
Text
I've never been explicit about this because I'm a Fandom Old, and back in the day it was simply understood that anything on the Internet was fair game to do with what you wish, but: if you see a story of mine out there and you like it, download it. Fuck if I care. Keep it for yourself, distribute it to friends, print copies for yourself and your friends, mail it to people, I don't give a shit. As long as you're not exchanging money, I couldn't care less. And tbh you should be doing this with all fanfics you love - print them, save them, put them on a flash drive or a hard drive or share them with friends, whatever. Fanfic authors these days are really fucking precious about their fics, but honestly we're probably going to start seeing queer art being disappeared (especially in the US under the next president) so do whatever you can to archive the things you love to read. Even if that means just printing them out and sticking them in a binder for yourself to read as a bedtime story.
#imp speaks#goes for other stories too but i'm a fanfic author on here so#and yeah i have a million other things that are making me sick to my stomach rn that are more important#but the idea of my gay fanfic living on even if the original copies get disappeared from where i uploaded them#and passed around to others to read#is a nice thought
4K notes
·
View notes
Text
God's Favorite
Lucy wakes to the soft tapping of rain against her window, and she is God’s favorite. She knows this in the absent sound of her alarm, and she knows this in the yawning rumbles of thunder, and she knows this before she touches her phone alight to the notification screen.
8:43 am. Far from the 4:30 am alarm she’d needed to heed to make it to her flight. Her screen is awash with airline notifications.
She scrambles from bed. Her urgency is an apology. Lucy skips the shower and skips the hair washing and paints on deodorant before stowing it back in her carryon and calling her uber.
“Crazy weather,” her driver with the big mustache remarks. His windshield wipers swish through a river of rain.
“Yeah,” Lucy answers. She glances at her rumbling phone. She glances at the rumbling clouds. The road is clear. It shouldn’t be, not this route and not at this hour. A gas main broke somewhere up the highway that feeds this street. A freak accident. 2 injuries. It’s kept this road clear for just the locals since it happened. Lucy encounters no traffic enroute to the airport.
There are pockets of planes grounded across the runways, barely visible behind the sheets of downpour. They look like herding animals, herbivores, standing stock-still in brace against the weather. Lucy stares at them only a moment while the driver pulls her carryon out of the trunk. She grabs her jacket closed against the wind, and grabs her carryon handle, and thanks her driver. The rain does not reach her here, though the wind does.
Inside Lucy drags her bag past the help desks swarming with the orderly filings of people in disarray. Parents leaning too hard on help counters with kids pulling on bag handles. Hurried conversations and requests and arguments. The electronic boards are awash with deeply red DELAYED and CANCELED. The airport is choking. Lucy, who God loves, glides through security unimpeded.
At gate-side, Lucy finally looks to the large red board of DELAYED and CANCELED etchings to confirm what she knew without even checking her phone notifications. Gate A14. Her carryon wheels pitter and patter across tile as she walks, striding quickly, with apology.
When Gate A14 comes into view it is smothered with the weight of two or possibly three flights worth of people. There are people asleep clutching backpacks and curled on the floor. There is a four-year-old girl with her face buried in an iPad and a mother having a phone call whose clipped urgency infects Lucy. There is a man leaning over the counter to talk to the gate agent, and his hands pulse with each tensing of his fingers. “…to the hospital before she…” Lucy makes out, or thinks she makes out. She doesn’t hear the gate agent’s response, but she can read the defeated shake of her head.
Lucy’s carryon wheels clunk where the smooth tile of the terminal shifts to carpeting. She doesn’t think to grab a seat because there are no open seats. So she positions herself in a way to unmistakably say she is at the gate, threading between stagnant suitcases and kids splayed on the floor. Lucy approaches the rain-splattered windows, and like a conversation shy upon being overheard, the thunder recedes from her advance. The rain draws to a polite close. The clouds split along a seam and pull away, as if they were only ever a wave that had transiently crashed to shore. The sky is beautifully blue.
There is a stirring hopefulness in the air. Other passengers have pushed past Lucy to stand closer to the window and peer outside, as if their confirmation of the changing weather can convince the airline of what to do next.
The gate agent puts down the phone receiver of a one-sided call. She pulls the microphone close and with grainy clarity she announces, “Boarding for Flight A1874 to Detroit will begin in 10 minutes.”
On the walkway, through the gap between the throughway and plane, Lucy sees the puddles rising with steam. They throw the iridescent spectrum of a rainbow up into the sky.
In a backlog of hundreds of flights, Lucy’s is the first out across the runway. This is because God loves her. She only wishes It loved her in a way to fix her broken phone alarm.
…
In childhood Lucy had heard “God loves you” and “Jesus loves you” in the placative ways that Sunday School teaches its children. With jingles and crayon-drawings of sheep and shepherds and a decorated ornament, crafted each Christmas Eve.
Lucy had long since fallen out of it and had thought very little of her parents’ tepid god for the last 10 or 15 years.
It was last spring, 27-years-old, that Lucy had found her way out into the marsh. Mud sucking her boots and gnats plicking in swarm against her skin. Where she sat her tailbone in the muck and folded her arms over her knees and buried her face in her legs to cry. And cry. And cry. And there with the mugginess sopping her skin and the humidity coiling her hair, God decided It loved her.
It loved her with a parting of canopy for the robin-blue sky. It loved her with the chirp of cicadas. It loved her in the way a dog circles its owner and nudges a wet snout to palm, because It was here, and It would make her feel better.
Lucy’s seat is the window seat beside the man with the tensing fingers. He fiddles with a phone in his clutch until he locks it in airplane mode and stows it, to look at no more. Lucy wonders who this man knows in the hospital, and she wonders why God doesn’t love him more than It loves her.
…
In March, Marco breaks up with her over a plate of fish that is too dry. In the moment, Lucy wonders if it’s her fault, because of the fish. But that’s not it. The signs were there, in all the subtle and stuttering moments Marco had pulled away. Each little moment like a slightly missed step, on a staircase growing ricketier each month.
Marco leaves and everything is so quiet, to the point that Lucy thinks her own sounds are pretty stupid, and pretty embarrassing while she’s coiled snail-like and snottily-sobbing into her pillowcase. She thinks absently of how she has to wash the pillowcase now, and that’s fine, because she was going to wash her linens this weekend anyway. She sobs so hard she’s almost screaming. Oh, and kitchen towels. She’ll wash the kitchen towels too.
She’s alive enough the next morning to throw all her linens and her kitchen towels on the floor of the laundry room. And maybe Marco breaking up with her is fine, because his birthday is December 25th and who wants a husband whose birthday is the same day as Christmas?
Her doorbell rings. And somehow it’s Marco again. She opens it to him, and he smells like a wildfire.
“Sorry, Lucy, this is awkward,” and Lucy believes he means it. He’s clutching a jacket around himself for what looks like security more than warmth. His apartment burned down last night. A resident fell asleep with a cigarette lit and dangling from her fingertips. Unit right below him. All his stuff burned, or filled with smoke, or is now logged up with water. He’s been sitting outside on the cobblestone for the last few hours, watching the blaze, on the phone with insurance. His landlord hasn’t responded to him yet. He’s cold, and he’s smokey, and can he shower here maybe? Can he stay for just a day or two, maybe? Sorry. This is awkward. He has no family on this coast. He really has nowhere else to go.
“Sure.” Lucy lets in Marco who smells like a wildfire. She adds the towels to her laundry list because they will smell like a wildfire too once Marco has used them. When he is clean, Lucy asks him nice questions. He asks her nice questions back. She helps him figure out something strange on the insurance form. He starts cooking dinner before Lucy realizes he’d entered the kitchen, because she was busy with the linens and the towels.
Marco takes the couch and clean linens. “Thanks, again, really. I can pay you a few days rent, when I get the insurance payout.” It’s no problem. Lucy goes to her room and shuts the door. It’s warmer here with Marco again. She wonders how long he’ll stay. She wonders if it will be for as long as she thinks the sound of him breathing in the other room is a comfort.
Something twists in Lucy’s chest. She wonders why God loves her more than It loves Marco. Lucy wonders why God didn’t love the woman with the lit cigarette who did not make it out of the building.
…
In June Lucy is desperately throwing together the haphazard makings of a financial report. She meant to stay up late to finish it, and get up early to make it beautiful, but she’s had a cold for a whole week now and the new bottle of decongestant she grabbed wasn’t “non-drowsy” like she thought.
Her heart is beating, and she nearly twists her ankle with a misstep in high heels, and she almost loses her grip on the shoddy makings of a too-light financial report still warm from the printer. She can spin it, maybe, that it’s intentionally light and she’d simply wanted the esteemed and respected input from the executives in the room before she produces the truly polished report this evening. And when the eyebrows are raised and she is told the report is due now, maybe they will refrain from firing her on the spot since she is still the only one who can produce the report they need.
She pulls open the meeting room door as if she is not out of breath, as if her nose isn’t red from a thousand tissues. She takes her seat so hastily that she does not notice, until she looks up properly, and sees the CEO’s seat is empty.
No one speaks. No one acknowledges her entrance. Lucy hugs the warm binder to her chest.
The door latch clicks open, but Lucy knows it will not be the CEO. She heard the click of heels before the doorknob turned.
It’s his assistant with the lovely auburn hair that curls around her shoulders. Her suit is red and her eyes are red and she stands just behind the CEO’s chair. Everyone notices her in the way they did not notice Lucy.
She speaks. The CEO’s wife and daughter were in a head-on collision with a drunk driver 42 minutes ago. They’re in critical condition, and the CEO has gone to be with them. He asks everyone’s forgiveness and grace in this time. The meeting is rescheduled for tomorrow, same time, and he humbly requests if everyone in attendance can adjust their calendar to accommodate this. This is a big ask, he knows. The board will have questions, he knows. But these are extenuating circumstances. The assistant will help with any necessary reworking of everyone’s calendars. And Lucy, can you please deliver the report tomorrow? The assistant has a sympathy card, which she lays on the table along with a black pen, and she asks if anyone would care to sign it.
Lucy signs it. The card paper is so cold, compared to the warmth of the half-finished report squeezed tight against her chest. The half-finished report should have cooled by now, but God must know she’s cold and ashen-faced, and God loves her so much.
…
In July, Lucy is a perfectionist. Her mother swears she wasn’t always like this. Her high school best friend is surprised, when in town for a weekend and meeting up for coffee, by the way Lucy triple-confirms the time, and the place, and the way she wears two watches. Why two watches? he asks. Because the alarm on one watch might fail. What about your phone? The watches are the backup, if the phone dies.
There’s something off-putting in the way she talks, and the way she asks questions of him, and the way she exclaims in joy at every piece of good news he shares. Josiah glances behind himself, more and more, and it’s because Lucy stares back there like she knows someone else at the next table.
It’s all weird, and Josiah can’t help but pull away. But Lucy pulls away first, retroactively. She can always pull away retroactively, and declare to her four walls of her room how much she didn’t need that friend, like she doesn’t need Marco, or anyone else who God may drop at her doorstep like the dead bird bounty of a cat, happy to share with the person It loves.
Lucy finishes her reports early. She wiles away the sun at her office even in the summer finishing reports far before anyone could need them. She double-checks, every time. She triple-checks. Her boss pulls her into a meeting room and with hands folded on the desk, he asks if maybe she needs to take some time off. And instantly she declares to the four walls that no-one at the company is doing this to her. “I wasn’t implying that…” but she’s not looking at him when he answers.
In July Lucy returns to the marsh. She returns with stones she’s horded up and gathered in the trunk of her car. She walks through the boot-suckling mud and she weighs stones in her arms while she hurls them, and throws, and screams, and hopes one of them might strike God in Its snout.
“I HATE YOU!” she screams. She throws all her weight into a stone whose sharp edge nicks bark. She hurls one through the bushes and another into the leafy canopy above. She is sopping wet and the cicadas chirp at her. “I HATE YOU!! GO AWAY!! LEAVE ME ALONE!!!” She chucks a stone which lands in the sucking muck, capsizing like a ship beneath the algae.
She throws, and her gravity heaves forward, and her boots stay stuck in the mud. So she topples elbow-deep in the mud, spattered, soaking into her chin and her shirt and her jeans and her hair. She parts her lips and tastes the earthy wetness on her skin, coppery blood, split lip. The stones are all under her. She laughs. Lucy tilts her head to the sky screaming with laughter. Joyous to tears, with the wetness drawing rivulets down the mud on her cheeks. She laughs because sopping-in-mud-and-muck is NOT the state of something God loves. This wouldn’t happen to something God loves.
Lucy goes home. Lucy showers. Lucy does her laundry. And It crawls back into bed with her. Perhaps like a scolded animal, but perhaps It did not even know It was being scolded. Lucy cannot tell.
The wine stains came out of her linens today because God loves her.
2K notes
·
View notes
Text
some concept art for a short graphic novel pitch for one of my classes. "came back wrong" horror trope except that the character came back nicer and more put together (yuri version)
#my art#luchsyy's ocs: TSWWL#there's something wrong with lilith#this story idea has been in my head since 2021 i'm so happy i finally get to use these characters ^__^#comic#digital art#concept art#graphic novel#ocs#original character#art dump#(idk if i have to say this but all characters are 18 or older but please be normal about them)
2K notes
·
View notes
Text
[Toon x Mobster] Only he can make him laugh like that...
Jack Desmond is the silly guy. Gavriel Huffman is the scary guy. They come from different worlds that has contrasting genres, one more cartoonishly comedic and the other much dramatically darker.
It's kind of a running gag that Sir Huffman is unable to laugh without looking absolutely wicked. Both in the cartoon world and his own world.
That doesn't stop Jack from being completely smitten with him though, his voice is the most mind-melting thing he's ever had the pleasure to hear
[AUDIO USED:] Men I Trust - show me how
#Toon x Mobster#Jack Desmond#Gavriel Huffman#listen listen listen#I can't get enough of two CLEARLY different characters being in love with each other alright#and I meant different as in they literally come from different genres of stories#like their art styles contrast against each other and MMM it's so delicious#think of it like the movie of Who Framed Roger Rabbits#or Looney Toons: Back in Action#you'll get what I mean if you go to Youtube and watch a clip or two from those movies haha#anyway I just thought this was a fun idea. maybe I'll make more of them#original characters#original character#original character art#ocs#oc#oc artwork#oc art#artists on tumblr#original charater art#my drawing museum
3K notes
·
View notes
Text
Writing Prompt #2892
"I can't fucking stand you."
"So sit," the villain crooned. "Or kneel! That's always something I prefer to see."
#writing prompt#writing#writers on tumblr#oc prompt#imagine your ocs#dialogue prompt#story prompt#story inspo#story ideas#creative writing prompt#creative writing inspo#creative writing ideas#original prompt#daily prompt#daily writing prompt#promptsforthestrugglingauthor
1K notes
·
View notes
Text
Don't Go! - A Moorsnow and Dropletsplash animatic ;v; Covers how Moorsnow adopted Dropletsplash and important moments in their lives up to present.
This took way too long to do jsjsj
#story#clangen#moorsnow#dropletsplash#warriors ocs#warrior cats ocs#vid#animatic#animation#cats#blood/#i originally had this idea and started this when moor first got injured but gave up on it#glad i returned and finished it#love them <3
1K notes
·
View notes
Text
Sherlock Holmes fans don't want much. They just want to see a universe where Holmes and Watson actually get to be together.
#sherlock holmes#acd sherlock holmes#john watson#acd johnlock#acd holmes#Johnlock#holmes/watson#I want to see them be together in the Victorian era#Like the originals ACD stories but they get to be in love#Dude this idea has been terrorizing me all week#Like imagine a show where they're actually in love#And they actually get to be together
1K notes
·
View notes
Text
Izumi of Jang Hui died young. She was sixteen and unwed. A kind child, protective and lonely—thus unfit for this world.
Izumi of Jang Hui was murdered. The Painted Lady was born out of hatred and grief. Her skin is painted red with the patterns of her scars. Her home is the river where the Dark Water Spirit dwells—he who found her, drowned and beautiful.
Build shrines by the river and pray for her good will. Harm her land or people and pray for mercy.
#atla#avatar the last airbender#the painted lady#atla izumi#the blue spirit#zutara#painted lady#dark water spirit#Izumi#blue spirit and the painted lady#blue spirit#new gods au#Spirit Touched! Zuko#zuko#katara#zutara au#fire nation#New Gods AU lore#Listen. LISTEN.#I have SO MUCH LORE FOR THE PAINTED LADY AND THE BLUE SPIRIT#THE LITERAL SPIRITS#kyoshi warriors au#Jian Li#Jian Li aka the original Blue Spirit found Izumi right after she died. He saved her. Made her transition into a spirit possible and smooth#The patterns of her war paint follow her scars'#Mainly so I can throw Through the Eyes of a Child's lyrics around because they'll always fit. “Scars we cover up with paint” and all#Anyways. Izumi is my child and she must be protected. I have SO many ideas for her.#I wanted her story (and Jian Li's but I'll talk about that one later) to be poetic in a sense. Especially when seen through the lense of her#story and what it means to Zuko. There's a reason it's her war paint he wears in the Kyoshi Warriors AU.#And don't get me started on the New Gods AU!
1K notes
·
View notes
Text
was lou supposed to say that????? (x)
#WHAT DO YOU MEAN IT WAS ORIGINALLY SUPPOSED TO BE EDDIE#911 abc#911#tommy kinard#lou ferrigno jr#eddie diaz#buck buckley#evan buckley#my theory is that tim had an idea for buck's relationship with natalia and/or lucy for s7#but then the actress who played natalia didn't want to or couldn't come back#and the actress who played lucy got cast in a different show#so then tim flipped the story so buck would have the queer arc and eddie would be the one in a relationship for the time being
3K notes
·
View notes
Text
A guy doing marine research into phytoplankton is far out to sea and waiting for the samples to be ready when he spots a fast-moving ripple in the water up ahead.
Fully aware that this spot is home to a migratory orca pod, he assumes he's stumbled across an orca hunting a seal and settles against the railing to watch, because it's not every day you get to see that.
The ripples get closer, the shadows in the water more defined, the water choppier, and suddenly the orca and its unfortunate prey are zooming directly towards the boat and he's waiting, breath held, for them to duck right underneath--
When the water breaks, the ocean sprays, and he's suddenly smacked fully in the face by a very wet, very confused, and very pretty merman, throwing them both down onto the deck while the boat rocks as a confused and now quite hungry orca dives beneath it.
The merman, it turns out, thought that the boat was an ice float and didn't realise his mistake until it was too late. But he's very thankful for the impromptu rescue, and wow don't you have nice arms, and holy shit you've got legs, can I touch them? Is that weird? Can I touch them anyway? And your hair--
So of course they get to talking because they're both utterly fascinated with the other, and soon the sun has set and the samples are long-since ready and the moonlight is making the ocean look black and they part with the knowledge that they'll never meet again, and a kiss, and a lingering look over the shoulder for all the things that can't be...
And the researcher gets back to land, moors his boat, readies his samples. He packs up his things, shoves them into his bags, and prepares to go home. He steps onto the jetty boards and thinks of the merman and the solid wood beneath his feet seems to sway for more than one reason.
There's a splash. He turns, pulled as if by the tide, and there's a ripple in the water. A face. A pair of eyes made black by the moonlight.
And this is how the researcher acquires a merman boyfriend who helps him find samples and the merman acquires a human boyfriend who rescues him from whales.
#short story#i guess?#original fiction#merman#mermaids#queer#fantasy fiction#writers on tumblr#writeblr#writers#guess what suckers this is just a one night in hartswood AU!!!!#mer!penn 4 LIFE#this is NOT a prompt lmao#im happy for you to use it with fanfic or w/e tho#but not original fiction#on account of how its my idea for a book
2K notes
·
View notes
Text
OC do not steel. pretty please
If I get a positive response I'll start on one of these, depending on whatever feels has the most support. And ill start stuff like patreon and whatever else is needed to make the projects successful. I will make ti my full time career.
#illustration#doodle#my art#art#oc#comics#webcomic#original art#transgender#transgirl#transisbeautiful#story ideas
4K notes
·
View notes
Text
Before the Birds Sing
Christophe wakes on the morning of April 7th for the 273rd time.
It is 7:03, as it almost always is, and it is the snooze-delayed alarm that wakes him, as it almost always does. Christophe knows the pattern of bird song before they chirp, and he knows the exact cadence of cars that hum by on the street before they even crawl around the corner. Christophe listens to it, and he dawdles on his phone.
There is no practical reason to check his phone. He knows of course that it is 7:03 and he knows it’s 67 degrees outside—sunny—35% humidity—and he knows the contents of the 2 texts he received overnight. But Christophe makes motions with no practical reason. He does it to not upset anyone who, if paying close attention, could take issue with him knowing things before he’s learned them.
Christophe stows his phone into his pajama pocket at 7:06 and goes downstairs, which is the optimal time to go downstairs. Any earlier and Madeline’s pot of coffee would still be brewing, and she’d offer him first-cup with a touch of resentment over him getting first cup of the pot she’d been brewing. But if he refuses it would be a Thing, and Christophe hates starting a Thing.
But it is 7:06, and Madeline is starting to empty the dishwasher, steaming cup of coffee perched on the counter beside the sink. Christophe says, “Morning” and kisses her head and pours his own cup.
“Morning,” Madeline answers. Her hair is not damp anymore, but it could be in the two cases Christophe woke at 6:45. He hadn’t yet figured out what caused that. He’d never been able to recreate it on purpose.
“Oh,” Madeline always says. “My mom wants to come over for dinner tonight. Kinda late notice but is that okay?” she always asks.
“Yeah, sure,” Christophe sometimes answers. Because the sometimes when he sounds too neutral makes Madeline’s mouth tighten with worry. And the sometimes when he’s too enthusiastic makes Madeline stiff like she’s confused. “I hope she’s got more stories about Boki,” which is Madeline’s mom’s new dog, and is the optimal answer to give about her mom coming over for dinner.
“He’s gotten so big,” Madeline says with a smile.
This is optimal because Boki is an easy topic to interrupt when Beatrice from across the street slams into Christophe’s car.
“Christ!” Madeline reacts to the SLAM-RRCH, WHEEP WHEEP WHEEP WHEEP of collision and car alarm and woo woo woo of Bucky from the downstairs unit.
(“Hush, Bucky,” Peter from the downstairs unit says muffled.) Christophe is in the stairwell, heading out the door. (Peter is making hashbrowns. Christophe stopped at his door one morning, for no real reason. During the mid-100s of his loop, Christophe tried a few things “just because.”) So he thinks about the hashbrowns abandoned on the stove while Peter pulls Bucky away from the door. Christophe goes outside to Beatrice with her hands on her head.
“I didn’t see it!” Beatrice always says while Christophe opens the door. There is lipstick smeared from lip to hairline straight across her cheek. She wears an expression like she’s run over someone’s child.
Christophe goes through the motions of looking at his car, which is always identically dented in the fender, with the same red paint tucked in its scratches. “Hey hey, these things happen. Do you have your insurance information? We just need to call our insurances, and they’ll sort it out.”
This is the optimal answer. Beatrice calms down, as she takes comfort in being given actionable direction. Christophe knows a lot about Beatrice, who he’d never met before today. She has three sons: Jimmy who knows a mechanic from college, Kevin who is an insurance adjustor, but for a life insurance company, and Mikey, who is Beatrice’s favorite as most of the time, he’s the one she calls.
“Yes, yes okay. It’s in the glove box—yes, Mikey, yes that’s—the guy is here, his car. Mikey, I should get my insurance information, right? Yes,” Beatrice says into her earpiece. Christophe thinks to ask her what Mikey does for a living, but there’s no reason to detract today’s path, which so far is optimal.
Beatrice scuttles away, opening her passenger door and half leaning out of it while she finds her papers. There is no good way to prevent Beatrice from hitting his car—as it turns out, no one believes you if you preemptively try to tell them not to hit your car. And getting his own car out of the way doesn’t quite work. Getting to it in time requires cutting Madeline short on her question about her mother. And the interruption makes Madeline upset.
If he can figure out how the 6:45 wake-up loop works, maybe Christophe could move his car first, then talk to Madeline, then Beatrice wouldn’t hit his car—but it would be a lot of pressure, to get that lucky, and then try to do the whole day after that perfectly, lest he just wake up all over again, 7:03, hearing the birds before they chirp.
“This, I think. It’s this paper?” Beatrice asks.
“Yes yes, see this number? You’ll need to call that one.” Christophe just needs to be understanding, but firm. And not say anything like, “Sorry, maybe my car was too far out of the driveway!” because that will make Beatrice purse her lips and nod and say “Yeah, actually I think your car was too far out.”
Beatrice asks—maybe to Christophe, and maybe to Mikey—how long this whole thing with insurance will take. Christophe tells Beatrice insurance should handle it quickly. He’s not sure if that’s true. He’s never made it to tomorrow.
…
Christophe’s shoulders ease down a fraction once Beatrice is out of sight. The rest of the morning is easier. Madeline only needs to be told “Don’t worry, insurance is handling it.” And there’s no real wrong way to shower, and no real wrong way to get dressed. And as long as he avoids Summer Street on the way to work (someone hit a fire hydrant there) then there’s not many wrong ways to get to work.
Christophe reads all unread emails, which are memorized at this point. He accepts Frankie’s invite to grab lunch together in the cafeteria. He doesn’t start anything important while counting the minutes to 9:43. 9:43 comes, and their boss Bruce calls Christophe, and Frankie, and Arnold into his office.
Bruce wears the same olive shirt every day with the same unmatching plum tie—except for one day when he wore an orange tie. He orders everyone to sit the way he always does. And he gives the same rant, which Christophe puts on a face of surprise for, while Bruce reads out the scathing customer email received overnight over a massively delayed shipment. Bruce’s hand flies around in a rage, and there is a different watch on today.
The watch is unusual. It’s silver. Not the normal gold one, and kind of thinner. Christophe wonders why it’s different. Christophe wonders about the little things that are capable of changing, and whether that means Peter isn’t always cooking hashbrowns, or if one of these days Beatrice simply won’t hit his car.
“So tell me, Mahone, how does this happen?”
Christophe snaps from his thoughts about watches, experiencing the emotion of surprise for the first time in many days.
“If they’d gotten us the right shipping address from the start, we wouldn’t need to be jumping through all these hoops and taking the blame to fix their fuck-up.”
Bruce’s little eyes get about as big as they can on his red face, and Christophe immediately feels his ribcage drop down to his feet.
He’d given the optimal response… to offer to Frankie in the office space later, when Frankie would be sitting crouched and staring at his knees with an expression like he didn’t want to be staring at his knees. This is Frankie’s client, and every time today happens, Frankie shoulders the most blame. And it makes Frankie feel a little better when Christophe directs the blame back onto them.
Bruce’s answer, optimally, is, “It’s an oversight, you’re absolutely correct. I know our team can get this sorted out today. And we’ll craft an apology email to them immediately.”
“Mahone did you just say the word… ‘fuck-up’, to me?”
Bruce is having an affair. Christophe doesn’t technically know this today. But he does if he tries proactively to enter Bruce’s office and read the (quite positive) response email to his apology, and only if he times this between 1:19pm and 1:21pm. Maria from accounting is under the desk for reasons that cannot be explained away. He actually needs to come in at about 1:30pm to read the email, which Bruce will nod to and give a firm clap of approval to Christophe’s shoulder.
“Sorry, I completely misspoke. I meant to say ‘our’ fuck-up, and…” Christophe trails off, tired. He is long-since tired of finding brand new optimal paths off untrodden conversations. He is quickly losing the motivation to try. This is clearly unsalvageable.
Bruce has a wife and a 9-year-old daughter.
“Sorry, we'll try that again,” Christophe says, under the gawking stares of Frankie and Arnold.
“No, you don’t get to try that again, Mahone. Not to me,” Bruce says. “You can pack your desk and get out of here.”
Christophe does not pack his desk.
It is 7:03 am. Christophe hears the note of each bird before it chirps.
…
“Oh,” Madeline always says. “My mom wants to come over for dinner tonight. Kinda late notice but is that okay?” she always asks.
“Yeah, sure,” Christophe sometimes answers again. “I hope she’s got more stories about Boki.”
“He’s gotten so big,” Madeline says with a smile. SLAM-RRCH “Christ!” WHEEP WHEEP WHEEP WHEEP woo woo woo.
“I’ve got it,” Christophe says. He opens their unit door and rounds the stairs. (“Bucky, hush.”) He thinks about hashbrowns.
Bruce’s watch is gold again today.
“So tell me, Mahone, how does this happen?”
“It’s an oversight, you’re absolutely correct. I know our team can get this sorted out today. And we’ll craft an apology email to them immediately.”
Christophe is dismissed along with Frankie and Arnold, who bow lower than him and walk like they have tails tucked up. Christophe opens the door back into their office space, and Frankie takes his seat, staring at his knees with an expression like he doesn’t want to be staring at his knees.
Christophe squeezes a hand on Frankie’s shoulder. Performatively, he looks over his own shoulder, like he’s checking to ensure Bruce hasn’t followed. Bruce never does. “If they’d gotten us the right shipping address from the start, we wouldn’t need to be jumping through all these hoops and taking the blame to fix their fuck-up.”
Frankie straightens a little, until he only a little bit resembles a shrimp. He smiles a little at Christophe.
Christophe takes his own seat, and he begins crafting the optimal client apology email.
…
Christophe pulls into the grocery store parking lot. He has a text message open from Madeline, performatively.
“Hey, sorry I don’t think I can make the fish tonight. There’s not enough for three people. Can you pick these up on your way home? We can just do a taco night.”
Sometimes Madeline says this aloud to him in the morning, if he comes down at 7:03 and if he doesn’t turn the conversation to Boki. It’s more convenient to have the list as a text message, though it functionally stopped mattering after about the 10th loop when he’d memorized the ingredients.
Christophe’s path through the grocery store is optimized. Though that is another thing that functionally does not matter. It makes no true difference if he doubles back for the avocados, or combs the spice aisle twice, or even if he stands blankly in the produce section thinking about car insurance or workplace affairs. The grocery store doesn’t really count for anything. As long as he delivers the one good joke to the cashier, it’s a success.
“A lotta avocados,” Amanda with the nose piercing says. That her name is Amanda and that she has a nose-piercing are technically the only things Christophe knows about her today. But on other todays, he’s asked her about family and about school. She has three sisters and three cats. She goes to community college. She’s a Scorpio. There is a faint scar on the middle knuckle of her right hand.
“Yeah, I’m thinking of trying out avocado therapy.”
She gives him a quirked eyebrow. He waits a beat.
“Just start smashing them until I’m better or until I have guacamole, whichever comes first.”
Amanda snorts, and she scans the last item. It’s NOT even that funny. But he said the avocado therapy thing one loop for no real reason and, somehow, it was a hit. He’s tweaked the delivery just a bit, until it felt optimal.
Christophe folds himself back into the car with the avocados and the cilantro and the lime and the onion and the chips. He turns the car on, and the radio crackles to life with Sexyback on the throwback channel. He lets it play in its entirety before moving the car out of park. It’s easier than counting the minutes needed before he’s allowed to arrive home without Madeline remarking that he got home from the grocery store “really fast.” It’s also why optimizing the avocadoes doesn’t matter. Getting home from the grocery store too fast is weird, and Christophe optimally does not do anything weird today.
Lucinda is already in the kitchen when Christophe arrives home, smelling faintly of cloves, which Christophe figured out on about the 50th loop. She is parked on the barstool overlooking the island counter, hawkishly observing the bowls of cheese and sour cream and tomatoes and shredded lettuce.
“Ah, he’s back. Finally,” Lucinda says, and there’s never any real avoiding that. Even when Christophe comes home weirdly early, he’s come home late. “You should be helping Madeline prep. Not me.”
Lucinda takes the whisky glass with the one spherical ice cube and re-parks herself at the kitchen table. Christophe unpacks the guacamole ingredients, and he does not ask about Boki yet, because Boki needs to be the second topic tonight.
Christophe makes guacamole with the exactly ripe avocados, and the exact right proportions of lime and salt and onion—it is, if he’s honest, not enough onion—but it is optimized for Lucinda, who stopped criticizing his guacamole after about the 100th loop.
He uses the bowl Madeline likes and dumps in the chips that Madeline likes too. He offers her a single chip while she’s still frying the ground beef, and she takes it with a secret little smile. He gives her a secret little smile in return, which is enough to somehow say Lucinda is a mutual nuisance, but not enough to suggest he hates her.
The taco ingredient bowls all come to the table one by one. Lucinda is slopping a pile of guacamole onto her plate with the guacamole ladle. “Ethel’s cancer is back. Poor girl. Lopped off both her breasts already. What more can you do?”
“Oh no… Mom, that’s horrible,” Madeline says. She’s stopped mid-taco-bite, brow scrunched in worry. “When did she find out?”
“Today. She doesn’t wanna do chemo again. Poor girl. Probably on her way out at this point.”
Christophe knows from other todays that Ethel is 87. She’s a gardening friend of Lucinda. She used to be a world-class chef, when being both a woman and respected in the restaurant world was unheard of. She has 14 great-grandchildren. She’s taken a boat across the Atlantic Ocean. She beat cancer at age 75. She is probably going to die to it this time.
This is not the first time Christophe has thought about the fact that, as long as today is April 7th, Ethel will never die of cancer. He’s thought about all the people who would have died in the months after April 7th who, in some way, are still alive. And if or when the loop breaks, everyone who dies on April 7th does not get to wake up tomorrow.
But these are the sort of thoughts Christophe has had in depth since the very early days of his loop. He thinks, by and large, he’s settled on the answer that, for every person who doesn’t die today, there is someone else denied being born tomorrow. And whoever he’s holding to life today is offset by someone else who should get to live tomorrow.
There are people out there who are living the worst day of their lives every single day for the last 273 days, and there are, statistically, just as many people living the best day of their life every single day.
As Christophe figures it, this loop is morally neutral. And if he wakes up on April 8th tomorrow, there is no one he’s doomed, and there is no one he’s saved.
When there is nothing more to be said about Ethel, Christophe asks about Boki. Lucinda lights up, and she fumbles for her phone, squinting at its screen. “I have pictures. Oh I have so many pictures.” Lucinda turns the phone to Christophe. He sweeps until the 19th photo, and pauses there.
“What sort of feeder is this? It looks fancy. Nothing like what Pickle had when I was growing up.” It’s just an automatic feeder, but Lucinda loves the suggestion that it’s fancy. She explains it as if Christophe is learning about electronics for the first time, and it pads time.
Christophe has made sure to clear his plate while Lucinda talks. He does not reach for seconds on anything. He needs a clear path to excuse himself from the table, because he knows what Lucinda will bring up next, like he knows the bird notes before they sing.
“I did want to tell you something else, Madeline. And I didn’t want to just ‘text’ it to you, okay? I need you to see my face so you know I’m upset too and so you don’t accuse me of mean and hateful things.”
Christophe has no reaction. He sees the confusion, and the fear taking over Madeline’s face.
“John and I are getting a divorce.”
Madeline’s face is fully white. “Mom, no…”
John is not Madeline’s biological father. Her bio dad left when she was three. Christophe shouldn’t even know his name, but he blundered in comforting her one of these loops and she spat it like a curse.
There is John instead. John who came into Madeline’s life when she was four and treated her like his daughter ever since. John who married Madeline’s mother a year later and who’d been Madeline’s dad ever since. John, who had no blood tie nor name tie to Madeline, and who is about to lose his legal tie as well.
“Mom, you said you were doing therapy,” Madeline always says, whenever Christophe gets this far.
“I am! And I’ve realized that I deserve better than what John is doing to me.”
“Better than John? You deserve better than John, Mom?”
“Madeline this is MY life. Do not do this thing you do where you try to make it ALL about how hurt you are.”
The optimal thing for Christophe to say is nothing, he thinks. The optimal thing to do right now is nothing, he thinks. He guesses, as best he can guess. He doesn’t always get this far. He hasn’t had the chance to try as many things as he’s been able to try with Beatrice, and Bruce, and Amanda. But when he has tried to speak, it doesn’t work. Maybe, optimally, Christophe shouldn’t be here, but Lucinda forces it every time.
He lets Madeline speak. He lets Lucinda respond. He fades into a wallflower, until Madeline slams her chair back and throws her napkin down and says, “I think you should go home, Mom.” He lets her storm into the living room, and he gives a performative glance to Lucinda. She’s not really his concern anymore. Lucinda always leaves right after this.
Christophe stands at the doorway of the living room, which has gone dark since the sun set. Madeline is sobbing quietly on the couch, one pillow pulled into her lap. Christophe can’t see it, but she always has it. He knows it’s there.
He enters, and he sits on the couch with her, and he holds her gently.
He does not know the optimal thing to say.
He’s tried many things. But he says things that are insensitive, or too sensitive, or too optimistic, or too pessimistic. He says things that he has no business saying. He says hollow things. He says things that are too mean to Lucinda, or too apologetic to John.
So every day, he tries to say something new.
The darkness is resting on Christophe’s eyes. He’s staring into the darkness of the livingroom. There are plates of tacos in the dining room. There is unfinished guacamole going brown in Madeline’s favorite bowl.
“That won’t be us,” Christophe says, for the first time.
The pattern of Madeline’s crying breaks. He holds his breath, filing away yet another wrong response, when Madeline reaches her arms out and wraps him tight. She’s crying into her shoulder, but the tensing of her fingers against his ribs is so tender.
“I won’t ever do that to you,” she says into his work shirt. “I love you. Thank you for being here. Thank you. I love you.”
He rubs her back, and his heart is beating faster than it’s beat in 100 loops.
“I love you too,” he says, and it’s optimal.
…
Christophe washes plates. He packs away leftovers. He listens to the shhhh of the kitchen faucet nozzle as it blasts the sink basin and gurgles away down the drain.
The cicadas chirp outside. He doesn’t know this rhythm.
Christophe showers. He gets in bed. Madeline hugs his arm. He stares at the ceiling, and it is 9:00pm for the first time in the last 274 days.
… ... ...
274 days ago, Christophe woke up on April 7th for the first time .
He checked his phone. He read the text from his mom asking for money, and he read the text from his dad telling him to ignore his mom. He checked the weather. He got out of bed and carried himself down the stairs at 7:03.
Madeline was standing at the counter, hunched over a coffee pot huffing fragrant steam up to the ceiling. She caught him from the corner of her eye, and with a sort of veiled resentment Christophe recognized, she poured the first cup and handed it to him.
“My mom wants to come over for dinner tonight. Kinda late notice but is that okay?”
“Why?” Christophe answered, the word bubbling from the knee-jerk disdain pulling down on his rib cage. Madeline poured the second cup of coffee for herself. “We had her over last week.”
“I don’t know. But she wants to come over,” Madeline answered defensively. She pulled open the dishwasher, stacking plates with a clack, clack, clack.
“We don’t have enough fish.”
“We can just make tacos.”
“We had tacos last week.”
“Fine,” Madeline said, turning back around and leaving the dishwasher half-unloaded. “I’ll tell her no.”
“Come on,” Christophe said. “Don’t say that like I’m being unreasonable.”
“No no, I’ll just tell her no.”
“She’s just… a lot. Come on.”
“You don’t think I know that? I grew up with her.”
“Don’t talk like I’m the bad guy here.”
“Oh, you learned her favorite sentence.”
Christophe’s hands tensed against the hot porcelain of his mug. He had too many words that wanted to pour of out his lips. “You think you’re the only one who grew up with a difficult mom?” “You don’t see me subjecting YOU to MY mom.” “What about maybe a ‘Thank you, Honey, for putting up with my Mom who we both know is a lot.’”
None of those made it into the air. His whole line of thought was ground to a sudden halt by the SLAM-RRCH outside.
“Christ!” Maddie exclaimed, words drowned under the WHEEP WHEEP WHEEP woo woo woo.
Christophe moved with momentum, with adrenaline. He slammed open their unit door and rounded the hall with bare feet (“Hush, Bucky.”)
Outside, some woman was standing just outside her car, lipstick smeared across her cheek and holding her hands against either side of her head.
“What did you DO?” Christophe snapped, all but shoving her out of the way while his heart raced and he investigated the dent in his fender.
“I don’t know!! I didn’t see it! I didn’t see it!” the woman echoed in hysterics. She blinked tears that smeared down her mascara. “Let me call Mikey! He’ll know what to do!”
“Don’t call anyone, Christ. I have to leave for work soon! Just get your insurance documents out of your car, …Fucking Christ.”
The woman stood motionless. She’d been shocked quiet, but still blubbered mutely while the tears fell from her mascara. Great. Great. Another person making Christophe into the bad guy. He rubbed his finger over the red paint scratched into his fender, and he let out a noise that got Bucky barking again.
…
Christophe took his seat at the office, slinking in fifteen minutes late with the mantra-like hope that Bruce hadn’t seen him come in late. It wasn’t his fault his idiot neighbor had scraped his car. It wasn’t his fault that Summer Street was backed up all the way to Oak Road, which he’d screamed himself hoarse about in the car, leaning on his horn all the while.
“Your mom can come over for dinner. It’s fine,” Christophe texted to Madeline. He entertained the hope that it didn’t come across passive-aggressive, but he also couldn’t find the will to include a heart-emoji or an “I love you” that might have softened the tone.
“Okay. Thanks,” she answered.
Christophe’s blood boiled all over. He read emails and re-read them, again and again, because their contents would not stick in his mind.
“Mahone, Charles, Kim, my office. Now.”
Christophe snapped upright, heart stirred to a frenzy for the too-many’th time today. The ice trickle down his spine said “Fuck, you are in trouble for getting in late.” But the inclusion of Frankie and Arnold did not make sense for that. The realization sat like a brick in his stomach while he rose, and met eyes with Frankie and Arnold, and followed Bruce into his office.
Bruce was wearing an ugly olive green shirt with an uglier plum tie when he closed the office door behind them all, and his face was an even uglier scarlet.
“Can any of you three… fucking explain to me, why this email was in my inbox this morning?” Bruce shifted into theatrics, reading each scathing note with a pizzazz solely for the purpose of getting under Christophe’s skin, Christophe was sure. Arnold and Frankie seemed to wince in unison with each lunge Bruce made, but Christophe refused to break posture.
“So tell me, Mahone, how does this happen?”
“You should ask Kim,” Christophe said. Frankie winced again, and it made Christophe madder the way his mind likened Frankie to a scolded dog. “He was the one handling the client.”
“No, I am asking you, Mahone. This is your team. Do not make excuses and do not shift blame. That’s what a weak man does.”
(“Then explain what exactly you’re doing right now.”) Christophe thought to himself. But he did not say it out loud, because he too was a scolded dog.
…
Christophe muttered a curse through each blocking cart and each clueless shopper blocking his path. He got avocadoes, and later doubled-back for the onion, and then doubled-back again for the limes. The chips were in the wrong aisle, because some stupid fucking store manager had decided to move everything again. Christophe forgot the jalapenos.
“Ah, he’s back. Finally,” Madeline’s mother Lucinda said the moment Christophe opened the front door. She leered over her glass of whisky, which immediately set fire to Christophe’s ever-simmering disdain for her.
“I came from work, Lucinda. Because I have a job,” Christophe bit back.
“You people always have excuses,” and it is one ‘you people’ too many, so Christophe set the grocery bag down and disappeared into the living room to throw himself on the couch.
“Mom do not speak to him that way,” Madeline said.
“Well did you see the way he talked to me? Called me jobless.”
“Mom, we’re not doing this.”
“You always want to make me the bad guy.”
Twenty minutes passed, with the living room growing dark around Christophe while he seethed into his phone. He marinated in his spite. There was no reason to make him share a room with Lucinda, in his own apartment. It was his, after all. Madeline moved into his apartment.
Soft footsteps broke his train of thought. Someone stood blocking the bit of light leaking in from the dining room.
“Christophe, hey… That was really out of line of my mom. Sorry.”
“You think?” Christophe answered.
“She’s miserable, and she needs to make everyone else miserable.”
“She does not ‘need’ to. She chooses to. And you let her.”
“I don’t ‘let’ her, Christophe. Don’t make her actions my fault.”
“Her being here is your fault.”
“She…” Madeline breathed hard out of her nose, and she lowered her voice. “She insisted on it. Absolutely insisted.”
“My mom insists I send her money. I just don’t.”
“It’s different.”
Christophe let out a little snort. He let the silence linger.
“…Look, I’ll say thank you once she’s gone, okay. A really really big thank you. I’ll make you any dinner you want this weekend, as a thank you. Okay? Because… she’s a lot. I know she’s a lot. So… thank you.”
The anger boiling in Christophe ebbed a fraction, and he almost resented this more, because this whole day was so much easier if he let himself fester in it.
…
“Ethel’s cancer is back. Poor girl. Lopped off both her breasts already. What more can you do?”
“Oh no… Mom, that’s horrible.”
Christophe dipped his chips in the guacamole without jalapeno. He did his best to avoid looking at Lucinda without making it obvious he was avoiding her. He tuned in only long enough to hear ‘cancer’, and tuned back out when he was sure Ethel was no one he knew.
Ethel as a topic stuck. Lucinda seemed to revel in it, in that way she loved, to bring up something horrific and make it everyone else’s burden to indulge her on it. It sickened Christophe, the way she seemed to light up at every opportunity to tell you something horrible.
“Ethel has honestly made me realize something. And it’s that life is short. And one day you’re gonna wake up with breast cancer, thinking to yourself, ‘Why’d I waste all this life?’” Lucinda stuffed another bite of taco in her face. Through her food she spoke. “So I wanted to tell you this myself, Maddie. And I didn’t want to just ‘text’ it to you, okay? I need you to see my face so you know I’m upset too and so you don’t accuse me of mean and hateful things.”
Christophe stiffened, angry before he even knew what he was angry about, just certain of the fact that Lucinda was about to make something worse for him than it already was.
“John and I are getting a divorce.”
Madeline’s face was fully white. “Mom, no… Mom, you said you were doing therapy.”
“I am! And I’ve realized that I deserve better than what John is doing to me.”
“Better than John? You deserve better than John, Mom?”
“Madeline this is MY life. Do not do this thing you do where you try to make it ALL about how hurt you are.”
“Shut up! Jesus fucking Christ!” Christophe slammed his fork down. “Is this all you do? Show up to make everyone miserable? Come here to make Madeline cry?”
“Christophe, don’t," Madeline whispered.
“She’s a miserable fucking bat and she’s doing this to cause drama. What a happy day for John to finally be fucking rid of you!!” Christophe turned to Lucinda, his eyes wild, and he broke into emphatic applause. And each clap was for his mom. For his dad. For the woman who hit his car. For Bruce. For the morning traffic. For the brainless idiot blocking the limes in the grocery store. “YAY JOHN! YAY JOHN! FREE OF HIS FUCKING SHACKLES!! HOORAY JOHN!!”
And in front of him, Lucinda crumbled. Into sobs. Into hysterics that seized her whole body and shook it. Blubbering, to the point of wailing. She kicked her chair back, and on unsteady feet she rounded out of the dining room.
“Mom! Mom, come back. Christophe did NOT mean that.” Madeline gave him one scathing look before disappearing after her mother, the front door to the unit opening and clicking shut. Feet on the stairs. Below them, Bucky bellowed woo woo woo.
And then it was quiet.
And then Christophe was alone.
With all the makings of tacos scattered around him, with guacamole going brown in a too-small bowl, Christophe was entirely alone.
Alone, he sat. Alone, he thought. Alone, his righteous anger slipped away from him like the tide. He felt naked and cold as it left him. He felt his cheeks burn. He felt his own self-loathing nestle into the shape of where his anger used to be.
He spat a curse. He spat another. He stood. He kicked a chair. He shoved the table, unseating one glass of water which toppled and spilled its stream in a ppttititktikt to the floor. He grabbed his head like the woman who hit his car, and he dropped to a hunch.
And when staying like this felt unreasonable, Christophe unfolded himself. He rubbed his eyes. He stacked dishes, and popped Tupperware containers, and scrubbed down the counter, and set the dishwasher to its 4-hour delay.
He showered. He got in bed alone. He stewed on every kind of apology he thought of texting Madeline, but his pride burned against each one. He stewed until his phone buzzed, and some sick part of him held the hope that maybe it was an apology from Madeline.
“I don’t think this is the relationship I want. I’ll be by tomorrow morning to get my things.”
“…Fuck.” Christophe slammed his phone down. “Fuck!” He grabbed his phone back and he sat up, and with all the force he could muster he pitched it against the hardwood floor. Its case exploded off, screen shattering to magnificent spiderwebs. Tinkling bits of glass and plastic scattered unseen across the floor.
Christophe was breathing hard. He was seized by the absolute sheer unfairness of everything. He wanted a do over. He wanted a different today. He wanted one more chance to not let everything go to absolute shit.
Christophe woke up on April 7th for the second time.
… ... ...
It is 9:10pm on the 274th day of April 7th, and Madeline has fallen asleep against Christophe’s arm.
And this is optimal, surely.
He’d said the right thing. Hadn’t made it about Madeline’s parents or his own. Was it always that simple? That she wanted assurance she wasn’t going to end up like John. “That won’t be us.” That was all?
Christophe should be happy.
He did it right, finally.
This is the escape criteria, surely.
Well, "surely" is a silly word for Christophe to use. As if the criteria were ever a mystery. As is he himself hadn't been activating the loop every single time.
April 7th would last exactly as long as he decided to make it last. That had been the case since his very first loop.
He's found "optimal." He has a reason, finally, to stop activating the loop. He can stop making today perfect. He can let tomorrow be April 8th, for the first time.
And it is about time, isn’t it? To let those babies be born. To let those people die. To let the people having the worst day of their lives and the best day of their lives finally move on to just another day.
He’s been feeling guilty about it lately, every time he feels the day hasn’t been optimal, and he made the choice to activate that power that sprung up like a wellspring inside him while he’d screamed and smashed his phone on the ground.
Tomorrow is April 8th.
Tomorrow everything moves forward.
Christophe’s palms are clammy.
He thinks about waking up at a time he doesn’t know tomorrow. He thinks about birds singing to a tune he cannot already hear like a rehearsal in his head.
He thinks of everything Madeline might say, and he grows colder at the idea he won’t know what to say back.
He thinks about starting fresh, with a whole unoptimized day ahead of him.
It makes him cold. With Madeline snugged tight against him, Christophe feels so cold.
…
Christophe wakes up the next morning to an empty bed. He checks his phone, checks his text messages, checks the weather. He gets out of bed, and he heads down the stairs to the smell of brewed coffee.
“Morning,” he says, planting a kiss on Madeline’s head. She looks up from the dishwasher long enough to give him a “Morning,” back. Christophe pours his own cup of coffee.
“Oh,” Madeline says. “My mom wants to come over for dinner tonight. Kinda late notice but is that okay?” she always asks.
“Yeah, sure,” Christophe answers warmly, feeling like he’s fallen in love with life all over. “I hope she’s got more stories about Boki.”
684 notes
·
View notes
Text
Just a reminder you can publish a book under any name. Like, for example, you can write the worst smut book about a guy and his undying lust for very specific varieties of squashes and publish it under the name of that asshole who bullied you in high school. That way anyone who searches their name will think they have questionable hobbies.
Get ready Vanessa.
#creative writing#a03 writer#fiction#original story#writing#writing life#writers on tumblr#writer#writers and poets#novel writing#writing ideas#writeblr#writerscommunity#writers#writer stuff#writers of tumblr
529 notes
·
View notes
Text
WOW this has been ROUGH in the Life Events category of things, but. slowly crawling out of that. hopefully
this was the opening scene for a something I started writing after watching the Manben inverview with Nishi Keiko and thinking back to all the classic shoujo manga I stayed up reading back in the day, like damn that's so true Urasawa Naoki
it's partially a love letter to all the greats of the genre that I read, and also to the late night teleseryses that captivated me over the years lmao. it'd be nice to find the time to tackle it properly as a comic, but I'm having fun working on it recreationally :)
✨but since it's recreational, some character info✨
the first character seen is lawrence 'law' valenciano (late 30s), the one with the glasses is cris volante (mid-later 20s). law works at a karinderya, cris is an extremely broke university student.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / insta / tip jar!
#komiks tag#original tag#there's a bit about how shoujo manga pays a lot of attention to hair and ngl its SO true and such a huge influence on my own art#did not realize it until then but when it came to things like hair i did turn more frequently to CLAMP and etc over any big name shonen#artist. and ofc. im a lifelong CLAMP fan. it was just interesting to listen to in discussion! genres are a language and each conveys#what they need to. ofc you get things like genre convention defying things like x1999 which just kind of. melt your brain a bit#ANYWAY i actually started re reading marmalade boy after this interview which was. idk why that one came to mind first#but you can probably guess where that impacted this story idea lmaoo. i am trying to track down a bunch of gender blender josei#manga i read in highschool. god. remember paradise kiss. damn those visuals were killer
620 notes
·
View notes
Text
Writing Prompt #2946
"I think I'm going to start killing people."
"I'm sorry?"
"Well, being diplomatic isn't working. I think it's time to send some messages."
#writing prompt#writing#writers on tumblr#oc prompt#imagine your ocs#dialogue prompt#story prompt#story inspo#story ideas#creative writing prompt#creative writing inspo#creative writing ideas#original prompt#daily prompt#daily writing prompt#promptsforthestrugglingauthor
549 notes
·
View notes