#originally it wasn't even be a part of the new sketchbook lol but i really liked them

[stardustblooddraws]

[fleouriarts]

remade the height lineup for jamie and co! it's been almost exactly 6 months since i made the original one, and omar and andre didn't even exist when i made it, so i figured it needed an update. also the original was made in one night (vs this being made in a week) and you can TELL

under the cut are individual pics for each of them with some design notes and such. tumblr also likes to crunch big images like this, for full size click here and here

originally finished 9-28-2024

JAMIE: biggest change is that im actually drawing him with a long ass linsang neck. i wanted him to be small so bad before that i forgot the most important linsang trait... this is also why he has gained 2 inches of height LOL

SANTIAGO: santiago got like 25% wider and his horns are more visible. i considered making a second unclothed ref for his look during the summer (all wool shaved except for the head), but i don't draw him like that very much. maybe later

JOHNNY: no changes. johnny is a perfect animal. i just finally have a full ref of her spots (at least from the front)

NULL: i completely changed their head shape to look like an actual siamese cat, and gave them 6 nipples like an actual cat. their original shirt had just a blue scribble (my usual shorthand when i'm drawing from a ref and don't feel like drawing a shirt design) but i decided they deserve an actual shirt design now. i tried a cat skull at first and then i thought to do cartoon fish bones instead and fell in love with it

ARGYLE: argyle's face spots became more pronounced, his mane is bigger, his bigass robe has only yellow stripes now, and i changed the colors on his pants a bit. a character change that comes with this is that he is now a journalism student instead of fashion. he was originally a fashion student so him, jamie, and santiago would all have to interact (since they're all in the arts at their college). however developing argyle more made me think he would care way more about comfort than looking good when it comes to his clothes. also the son of a lawyer and a history professor going into journalism just makes sense to me

OMAR: omar wasn't on the original lineup, but when compared to my first drawing of her, i just made her fatter with a longer neck. and now i have a good ref of his spots! i've also decided they have hyperestrogenism, no clue if it's caused by an underlying syndrome like aexs or not. either way she has gynecomastia and hypogonadism because of it

ANDRE: andre straight up didn't have a color ref before now cus i mostly drew her in my sketchbook. i just forced myself to figure out his markings and give him a "default" outfit (i really liked the one i drew him in here so that's his default now). also i have decided she does not wear wigs anymore she's just a cool bald bitch

overall i think i just got better at drawing furries ^__^ a lot of it comes down to just thinking harder about their anatomy. you may notice that the new drawing has the carnivorans (jamie null argyle and andre) as plantigrade at rest now instead of digitigrade. part of this is because i went and looked at my zootopia artbook to study it and that's how they do it. another part of it is that when you look at plantigrade vs digitigrade legs (unguligrade is here too i guess):

the entirety of the paw on a digitrade animal is homologous to just the toes on a plantigrade one. do you want to stand on your toes all day? does that sound fun to you? HELL NO!!!!!! unguligrade animals stand on their toenails but they're weirdos we don't have to talk about them

anyway enough of my rambling cheers to you if you read this far. if you're an aspiring furry artist you might find it fun to learn some irl animal anatomy to help you w your drawings, like looking at skulls/full skeletons and stuff. or maybe it'll just frustrate you. i'm a biology student so this is enriching for me. have a nice day

[paperboy-pb]

Now that the prologue is done, I can't thank the fans of this series enough.

No, we haven't hit any particular follower milestone. The story has just begun. And most of you haven't given me any sort of financial support to help me out, either. (And that's alright! I haven't asked, lol.)

I'm thanking you for just being apart of the audience.

I started PB in a little blue notebook during the summer of 2015. It was originally meant for my eyes only. And a big part of the reason why was that, when I googled things like "Special Ed makes me feel bad," there wouldn't be much of anything coming up. There were Quora forums! A couple of YouTube videos. Articles here and there.

But it wasn't a lot. Not enough to help me out for long. And it only hammered the idea further into my head that I was alone in what I endured. As I got older, grew up, and away from the program and people who took my disabled youth, I constantly felt this urge to talk about it. What SpEd had put me through. What I'd lost. What I'd seen & heard. The things I did and didn't learn. Even though I was never a very open kid, let alone teenager.

I hated that no one was talking about it. And how nobody knew what happened to kids like me behind closed doors. At 13 and 14, almost none of the new friends I made had ever heard a life story like mine. And I've always found that wild: I had a LOT of friends! (Still do!)

So I kept drawing it out. Kept working on the story in notebooks, sketchbooks, my friends' DMs, and anywhere else words could go. Sometimes, my family would catch glimpses of the concept art. Sad sketches of Matthew crying, freaky drafts of Monster, or tense moments between what would become Class 7-C.

And one of my parents would be like, "Why is your art so depressing?" They'd roll their eyes. And they'd add on, "People's parents aren't gonna like it!"

No, I never told them what the story was about. I never even told them it was a children's media (because it kinda isn't! I'd personally put PB as 13+?) These were judgments made with just one glance at computer papers covered in pencil strokes; sketchy and shapey little kids who didn't look like they were having fun.

I knew they were wrong. But the audacity still pissed me off. There aren't many times where it's appropriate to boss somebody else around in how to tell their story, you know? Not only that, but I also worried about not having an audience back then. Sure, all my friends loved my work. But at the time, I was the only one who'd really experienced anything "Special Education" in life. Thus, these were General Ed kids watching it unfold. Able-bodied eyes and (as far as I knew back then) neurotypical minds, watching and learning from whatever I made.

And I liked that. But that wasn't the only group I wanted to be seen by. I wanted disabled people, especially youth in their teens and twenties, to see it. That's my primary audience. And shit like that made me wonder if I'd ever find it. Had me second-guessing myself a little, you know?

But I shook it off. It's like that thing teachers always say in class. "If you're confused or have a question, ask: whatever it is, you probably aren't the only one thinking it!"

And I searched for stuff like PAPERBOY, hadn't I? Yeah. I had. So by that logic, other people definitely would be, too.

So I stuck to my guns, and... check it! Y'all showed up!

One thing I've noticed ever since publishing part 1 is that the PB Nation is pretty damn devoted. You guys have been patient, passionate, silly, and unapologetically yourselves since the get-go. And the response to every old promotional comic or post I've made has been OVERWHELMINGLY positive and curious. I've gotten fucking fanart, man! More than once! I've had the honor of meeting a few of you in person already! And for the ones who haven't caught me out with my friends in New York, believe me, I REMEMBER who comments what.

By the way, you guys should spam my comments more. Fuckin' love that shit. SPEAK TO ME, lmao. Even if it's like, the most irrelevant PB question ever. Keyboard smash in my comment sections. Send me disability reels you like. Tell me what you wanna see from the story. Whatever, as long as it doesn't bleed into parasocial territory!

I've gotta have one of the best audiences out there. So thank you! For just... being around. Here's to hoping y'all enjoy the journey we're aboutta go on.