#original Fiction

[mushpuppies]

Some personal art for a sci-fi adjacent setting I've been developing-- meet Charlie!

Though he was created to be a cuddly therapy pet, there's a few kinks in the algorithm which controls his brain... Well, it's probably fine, right?

Here's a close-up of his face!

[thejakeformerlyknownasprince]

if you don't mind sharing what's the elevator pitch for your novel? Everytime you've mentioned it it sounds really interesting. But I understand if you want to keep personal projects to yourself

Yes! I'm going to paraphrase the pitch my beta reader wrote for me -- I'll have to find the exact thing when I'm not on mobile.

Kingdom Where Nobody Dies

10 years ago, Emma's childhood came to an abrupt end with her father's cancer diagnosis. Forced to move from Iowa to Guangzhou for his care, she left behind her friends — and left behind the secret country she tells herself she no longer believes in.

10 years ago, Ty answered the door to police officers with hands on their guns. Ready to extract a confession and get this case solved. It's always the boyfriend, they concluded when Olive disappeared, and this boy has no alibi.

10 years ago, Olive opened a portal in the middle of a corn field and walked through, never to be seen again. She never had a childhood in the first place, aside from the stolen moments in Ty's and Emma's homes.

10 years ago, a boy walked out of that portal. He calls himself Ian, though that isn't his name. He came to Earth for ibuprofen, for elevators, for conversion pants, for prosthetic legs that fit like 3D printed gloves. He came, as well, fleeing a secret.

Today, Emma finally has the chance to travel back to Story City, Iowa. Ty knows that Emma isn't crazy; Emma knows Ty isn't a murderer. Together they're going to recruit Ian to help them find Olive and clear Ty's name... but Ian's past is about to catch up to them.

[santapacman]

"Oh, you poor child. You don't realize, do you?" The fell sorcerer looks down at my crumpled form. "You've spent every second of your waking life working toward this moment. Done everything right. You studied, you prepared, clawed, bit and scratched to get here. You've worked miracles. But no one told you, and you never realized." I can barely speak. My ribs are crushing the inside of my chest. There's a crackling sound. Gasping for air, I force out the words: "Realized what?" "You're not one of them, you wonderful, wretched creature. You never were. My brother crafted you from glass. He breathed your life into you. Gave you your memories. Made you into his friend. And then he sent you marching off to face me. You're here to save your friends. You remember them, clear as day. Even though you've never met them. Only him." My entire body is creaking under the strain of his spell. Something cracks. "You're… lying…" "Oh child, I wish I was." He's on the verge of breaking out into sobs. "That's the most insidious part. I could not convince you given an eternity. You feel your bonds to them too strongly. They're real to you. And for that to be true, I must be a demon. The ultimate liar. Anything I can show you, any proof I can give is elaborate deception. Smoke and mirrors. Pale reflections on stained glass. Please! Can't you see that you're trapped?" He said it himself. He's a liar. I won't believe him, for even a second. My finger snaps in two. I try to speak, but all I can do now is gasp. He loosens the spell a little. How courteous. "If you take no pleasure in this, why haven't you just killed me?" He doesn't respond immediately. "Wishful thinking. I hoped I could help you see. I wanted you to believe me. But my brother's done his job too well. I can't do it. I'm sorry. I promise, I will avenge you." And then it happens. I feel a pressure in my ears first, as he raises his hand. There are tears in his eyes. Everything is ready to shatter into a million pieces. Walter, Kima, Boris, Paula… They're the ones who will avenge me. I'm sure of it. They'll get here and finish the job. They'll see right through the lies. The deceit. They won't lose like I did. Looking up to him takes every ounce of strength I have left. Hairline fractures run up and down my neck as I do it. But I manage it in the end. Horror streaks across every inch of his face as our eyes meet. I glare. And he closes his fist. The weight of the world crashes down on me and every part of me cracks and breaks and shatters until the floor is covered in shards.

[katieaki]

My ✨ post-apocalyptic Lesbian Cowgirl Mailman choose-your-own adventure✨ has just updated! Read it here for free on my Patreon and vote in the poll! Here is a guide to get you started, the summaries of each part of the story thus far, the complete collected text, and FAQ, all in one place. They have everything you need to know about Lou, her requited-but-complicated love, the religious assassin who just beat the tar out of her, the worst person she's ever met, and the ill-advised journey she is on! There is also a discord where Pony Express readers from all across god's green internet can gather, here!

✨Read the update for free on my patreon & vote on what happens next!

She is Unwell.

✨Excerpt below the cut.

She felt an itchy prickle across the back of her neck and arms and looked up to find Artie gazing at her with open heartbreak and longing from across the kitchen. That had been a real difference in the way things had gone since the wedding. Whereas before, Artie was ignoring Lou like her life depended on it, afterwards, she seemed unable to look away from Lou, even though it clearly pained her. Lou waved at her with the baby’s hand, which still gripped her index finger like it was a prize. He had been bringing it to his mouth to gum on, which Babette apologized for, but Lou didn’t mind. She spent all her time around horses. It was just a little spit. If anything, the volume was much, much lower.

Artie pressed her hands to her eyes and turned her back on Lou. She rubbed at her face for a second. Lou hadn’t meant anything with the wave. She’d just been working on instinct. It was strange and funny for her– her, of all people– to be holding a little baby. She’d just wanted to have someone else see and laugh and confirm that it was strange and funny. Eventually, Artie turned back, rosy-faced and shiny-eyed, to her task, and Lou bent her head over the baby, determined not to make any more eye contact. Nobody else seemed to notice their exchange. Everyone continued working and talking for a few minutes more before someone gasped and everyone went quiet, their eyes on the counter in front of Artie. 

“They– they come in all kinds of colors,” Shiho said, breaking the silence.

The other divers hurriedly agreed, though their worried-to-horrified expressions didn’t match their reassurances. Everyone crowded around Artie to look at whatever it was she held in front of her with trembling hands. Babette took the baby from Lou and they stood to join the gathering crowd. There, in between Artie’s thumb and forefinger, was a large, teardrop-shaped white pearl, the bottom of which was the striking, lurid red of fresh blood. It looked as if it had been dropped into a puddle of blood, with nearly lifelike splatter marks splashing up the sides.

[mythrilthread]

Пищевая цепь by nnalara

I decided to print this 6-parter original story as six A6 volume rather than making a chonky A5.

The story is set in a vampire dominated society, and deals with a lot of heavy topics, so I went with a pretty dramatic aesthetic.

🩸 The insides feature assorted ink splatters printed on red endpapers, a title spread with a bloody and totalitarian vibe, and blood drops on the right margins that get lower from volume to volume.

🩸 The covers are gorgeous red linen with the design printed on via my trusty inkjet printer. This is my second attempt at this technique and I think I’m getting the hang of it. I’m very happy with how the design lines up on the spines!

🩸 Another fun feature are randomly generated endband patterns. Basically, I rolled a d4 every time I changes colors to determine the number of wraps.

🩸 The story/series is called The Food Chain, so I foiled a broken chain on the slipcase. Inside it’s covered with glossy wrapping paper (which I do not recommend using but in this case the patter of rope hearts was just too good to pass up on).

[greenapplespider]

Quick sketch of John Morgan, the main character from the whumpy dystopian thriller I’m hoping to finish within the year, called Second Class Citizen ;p (about 35k into the second draft)

John was born into a respectable middle class family, in a society still within the shadow of a rather stringent caste system. He throws away a career as a psychologist to work as a journalist, documenting the government’s treatment of lowborn, for the high-noble class traitor, Carter.

In doing so his parents and friends shun him; he becomes rather isolated. But it’s okay because he knows he’s doing honorable work, and a few of his coworkers are rather cute- especially Henry.

Henry and John become rather good friends as the months go by.

While walking home from work he’s attacked; brutally assaulted and tortured by one of many local gangs the police pointedly ignore. And it just so happens one of these gang members is a cop. He’s threatened into silence and with no recourse spirals into a deep hole.

Henry decides to pick up the pieces and takes matters into his own hands.

[hollowed-theory-hall]

The book is out now on Amazon if you missed it! You can find it here:

If you enjoy my writing style, I'd really appreciate it if you checked it out. (The Kindle version has more chapters open for preview. I personally think the paperback is prettier in terms of formatting but both formats have all the original illustrations inside).

If you enjoyed reading it, I'd be very grateful if you leave a review.

For anyone who missed it, I'm publishing an original novel under a pen name:

[writeblrfantasy]

my 10 holy grail pieces of writing advice for beginners

from an indie author who's published 4 books and written 20+, as well as 400k in fanfiction (who is also a professional beta reader who encounters the same issues in my clients' books over and over)

show don't tell is every bit as important as they say it is, no matter how sick you are of hearing about it. "the floor shifted beneath her feet" hits harder than "she felt sick with shock."

no head hopping. if you want to change pov mid scene, put a scene break. you can change it multiple times in the same scene! just put a break so your readers know you've changed pov.

if you have to infodump, do it through dialogue instead of exposition. your reader will feel like they're learning alongside the character, and it will flow naturally into your story.

never open your book with an exposition dump. instead, your opening scene should drop into the heart of the action with little to no context. raise questions to the reader and sprinkle in the answers bit by bit. let your reader discover the context slowly instead of holding their hand from the start. trust your reader; donn't overexplain the details. this is how you create a perfect hook.

every chapter should end on a cliffhanger. doesn't have to be major, can be as simple as ending a chapter mid conversation and picking it up immediately on the next one. tease your reader and make them need to turn the page.

every scene should subvert the character's expectations, as big as a plot twist or as small as a conversation having a surprising outcome. scenes that meet the character's expectations, such as a boring supply run, should be summarized.

arrive late and leave early to every scene. if you're character's at a party, open with them mid conversation instead of describing how they got dressed, left their house, arrived at the party, (because those things don't subvert their expectations). and when you're done with the reason for the scene is there, i.e. an important conversation, end it. once you've shown what you needed to show, get out, instead of describing your character commuting home (because it doesn't subvert expectations!)

epithets are the devil. "the blond man smiled--" you've lost me. use their name. use it often. don't be afraid of it. the reader won't get tired of it. it will serve you far better than epithets, especially if you have two people of the same pronouns interacting.

your character should always be working towards a goal, internal or external (i.e learning to love themself/killing the villain.) try to establish that goal as soon as possible in the reader's mind. the goal can change, the goal can evolve. as long as the reader knows the character isn't floating aimlessly through the world around them with no agency and no desire. that gets boring fast.

plan scenes that you know you'll have fun writing, instead of scenes that might seem cool in your head but you know you'll loathe every second of. besides the fact that your top priority in writing should be writing for only yourself and having fun, if you're just dragging through a scene you really hate, the scene will suffer for it, and readers can tell. the scenes i get the most praise on are always the scenes i had the most fun writing. an ideal outline shouldn't have parts that make you groan to look at. you'll thank yourself later.

happy writing :)

[caffeinewitchcraft]

AITA for telling my boyfriend’s coworkers that he’s lying about his body count?

I (35f) have been dating my boyfriend (32m) for four years. It’s honestly been the best relationship until last Friday when it all went down. I feel like I’m in the right, but now I’m wondering if I overstepped.

For context, my boyfriend has been a professional Slasher for about eight months now. He’s always really admired Cryptids, Monsters, and Nightmares so when his application was finally accepted, he was over the moon even if he was starting in a lower position than he initially applied for.

At his company, being a Slasher requires a lot of travel which we knew when he accepted the position. The end goal is for him to get a promotion to at least regional Nightmare (he wants Cryptid, but that position doesn’t have a lot of turnover) but to get that he needs to be in role for at least 12 months OR meet his goals for three months in a row. Once he promotes, we plan to relocate to his new region and “start talking about our future.”

(Side note: no this isn’t about him not popping the question yet. We are both in agreement that marriage comes after financial stability. I run a small business doing scare consults and, while it’s been growing, I wouldn’t call it stable yet. So neither of us are ready.)

I told him it’s completely normal for it to take a whole year before he’s ready to promote and he really should focus on adjusting to the company before thinking about next steps. I used to work for a competitor (I’ve been retired for five years now) and I know it can be hard to go from only taking the occasional human life to having to take over half a dozen a week. It’s not a light workload, no matter how easy it looks in the movies. One of my best friends Slashes part-time and she still only averages about five lives a week despite having done it for years. Especially these days, it can be really hard to meet quota. Humans are getting smarter, no matter what the Council wants us to think.

Anyway, boyfriend didn’t do as well as he thought he would in his first couple months. Totally understandable, of course, which I told him. I suggested he ask his boss if he could be put on a couple team assignments or even a duo until he got the hang of it. That was our first real fight. He thought I was doubting his ability to kill. He brought up how I told him it would take over a year to promote and how I said that this job wasn’t for everyone (His first assignment ended with a 0% kill rate, but that’s a different story). He said it felt like I didn’t believe in him and he said that if that was the case then maybe we shouldn’t be thinking about marriage so soon.

It got pretty messy after that. I felt like he was forgetting that I’d worked in the same field and, arguably, had a lot more experience (not to brag, but I averaged a 98% kill rate). Also, four years is NOT too soon to talk about marriage. He said I didn’t understand how he needed to focus on his career right now. I told him I thought he was taking Slasher too lightly just because it wasn’t Cryptid. He accused me of not respecting him and then things spiraled from there.

We both said a lot of things we didn’t mean and I’m embarrassed that it turned into a bit of a fang measuring contest. I ended up sleeping under the bed for a few nights until he coaxed me out to apologize.

It was a rough patch, but we talked it out. We agreed that, going forward, I wouldn’t offer advice unless he asked and he would try not to take so much of his frustration home with him. He took a weekend off and we went on a recreational haunting trip in the Montana woods.

Things did get better after that. I tried not to give him consults every time he came back from a work trip. He started bringing me souvenirs like roses and cursed puzzle boxes his work said he could have. It became easier just to hang out with each other and it felt like we were back to normal.

But then, four months ago, he came home super pissed because his boss put him on a PIP. (A performance improvement plan.) Apparently, boyfriend had not been doing better at work, he had just stopped telling me when he had a bad assignment. I saw the paperwork he got (he left it in the dungeon under the house, I didn’t go through his stuff) and he’s been missing quota by a LOT. As a junior Slasher, he was supposed to be executing at least 6 people a week, but he’d been lucky to be maiming half that.

Obviously, I had to talk to him about that. We rent our house and, even though I could have afforded the rent on my own, I didn’t want to jeopardize the investments I was making in my business (I was in the process of hiring an assistant to handle my scheduling). Plus, we agreed from day one that we would be 50/50 on rent and I would take care of the rest of the bills because I earned more. I felt that if his financial situation was in jeopardy, he needed to talk to me about it.

I tried to approach him a bit differently than last time. I asked him if there was anything I could do to help. I told him about my slasher friend and how maybe she could give him advice if he didn’t want any from me. But he said he needed to figure stuff out on his own and that if he couldn’t get himself off the PIP then he would go back to work for his dad’s janitorial company.

I let it go. I was worried but I didn’t want to fight again just after patching the holes from the last blow out. It really bugged me that he thought I didn’t believe in him so I committed to giving him the benefit of the doubt. I said okay and asked him if he needed me to meal prep for both of us that week. He offered me grocery money, but I said it was fine since I’d had to deal with a lot of humans breaking in lately and I still had some leftover in the dungeon.

Fast forward a month. Boyfriend got off the PIP super fast. He worked his way off of it over Spring Break and started taking on a lot of extra assignments. In just four weeks he went to Miami Beach twice, New York City twice, and to three separate summer camps. I missed him and it was hard not having him around but I remembered how he said he needed to focus on his career and I tried not to nag.

It was hard not to nag though. With him gone, all the housework fell on me. We rent a 19th century manor, and its upkeep really does need two people. Doing all the chores plus running my business started to really drain me. Even when he was home, he forgot to banish the ghosts (my chore is to kill all invading humans, and his chore is to banish their ghosts) and he never took out the trash. I think he cleaned blood off the dungeon walls once, but then I had to basically redo it because he missed a lot of spots.

But still, I didn’t say anything because he was doing really well at work and I didn’t want to ruin that for him. Even when Humans started breaking in every week, I didn’t complain even though it interrupted my work day.

Last month though, I did ask him if we could move somewhere that needed less maintenance. There were just way too many Humans breaking in and I didn’t have the time to deal with them anymore. Even if I don’t do all the theatrics I used to as a Cryptid, killing humans through fear still takes a lot of time. He asked me if I didn’t appreciate the free meat, and I said I would appreciate it more if I wasn’t the only butchering it.

He said he didn’t want to move because he was really close to getting promoted to regional Nightmare and he didn’t want to take time off work to move. I was so surprised that I couldn’t hide how surprised I was. He saw and got offended. He asked if I still didn’t believe in him. I said that I did, but it was a huge jump to go from an 8% kill rate to getting promoted.

He got even more mad at me for bringing up his stats and he said that he had nearly 80% kill rate since being put on the PIP. I asked how many humans a week he was slashing and he told me I was being too nosy and that was proof that I didn’t believe in him.

I asked him if we could at least hire a ghoul then to keep the humans out of my office and he said he didn’t want to waste the money that we should be saving for our new house. I asked him what he wanted me to do then? I had to take phone calls for my consulting business and it was really hard to stalk humans all around the house while trying to sound like a professional to my clients.

He asked me to be patient for one more month. He said if he met quota for one more month, his boss said he’d get promoted. So I said fine and let it go.

Fast forward to now, almost a full month later.

Last Friday, I attended the Eldritch Conference. For those not in the scare field, the Eldritch Conference is the most prestigious event in our industry. It’s invitation only and is a chance to network with all the big players in the field. Mothman, the Jersey Devil, Bloody Mary and Bigfoot all spoke this year and both my former company, Grudge Industries, and my boyfriend’s current company, Forgotten Summer Solutions, were invited.

I was surprised to get an invite as a solo contributor to the field. However, my consulting firm has really been doing well and I did land a seasonal contract with the Yeti Co-op which I guess is how they heard about me. Plus, I’ve been a speaker before so I think the organizers knew I would behave myself.

I was planning on telling my boyfriend that I was going, but he was out of town on a co-ed sleepover assignment. He usually doesn’t have his phone on during his assignments, so I didn’t bother calling him. I just figured it’d be nice if we ran into each other at the conference if he made it back in time.

Which brings me to what actually happened (apologies for the long post).

So everything went great for my part of the day. I got to network with a lot of individual businesses and even got to reconnect with Blood Mary who I knew back in my Cryptid days. I told her I was dating a Slasher from Forgotten Summer Solutions and invited her to come with me to check out their booth. I thought it would be fun to grab dinner with her after since I assumed if my boyfriend was there, he’d be going out with coworkers which he often does. Plus, I admit, I was showing off a little. I don’t often get the chance to brag about my Cryptid days.

She agreed and we went over to see if my boyfriend was there.

I introduced myself to the people manning the booth. My boyfriend wasn’t there, but a few Slashers recognized my name and greeted me. They were definitely in awe of Bloody Mary (she came in full uniform) and invited us to look at their displays. They had portfolios for each Slasher on the desk as a sort of preview of what their services looked like.

While Bloody Mary looked through the portfolios, I chatted with my boyfriend’s coworkers. They said they were thrilled to work with him and that, even though he had a really rough start, it was impressive how quickly he started meeting his goals. Something about how they talked about his work kind of didn’t make sense. They were talking like he was killing a dozen humans a week, but he’d told me that he was at 80% on his assignments which typically only offer about ten humans each.

I asked them about it and they said that he’d been Slashing during After Hours which is a new goal supplement program his company launched a few months ago. Basically, anyone can sign up for After Hours and the company counts human kills done in uniform as part of their quota. I asked them if this was available to them while they were on assignment and they said no, it had to be done when they had down time. I asked them how my boyfriend was part of that when he was traveling all the time and they looked confused. One of them said that my boyfriend is still getting one assignment per week and is then supplementing his kill rate with After Hours.

At that point, I was even more confused. It sounded like my boyfriend had been lying to me then, because he told me that he was getting at least two assignments a week. If he was only getting one, then where was he going when he said he was traveling?

Bloody Mary interrupted before I could say anything and asked how their Slashers did their kills. They said that every Slasher at their company is required to use a standard issue weapon (like a machete or axe) for their kills to count. They said their company doesn’t count accidents as part of their quota (like falling or heart attacks).

Bloody Mary pulled me aside and showed me the portfolio she was holding. She said that she was going to give me a chance to explain without them overhearing and showed me the book. She said that a bunch of kills in it looked Cryptid kills. And she said, specifically, it looked like the kills I made when I was a Cryptid. I took the book from her and flipped through it and she was right, they really did look like Cryptid kills. Worse, I recognized a few of the Humans from the past few weeks. They were actually my kills!

Kill stealing is a major taboo in our industry.

I told her I didn’t know anything about this. She looked really relieved at that and said that even though I wasn’t a Cryptid anymore, it would look really bad for me if I was caught helping a Slasher cheat at their job. It could affect my business which she’d only heard good things about.

I’m embarrassed to say that I tried to defend him. He’s new to our industry so I thought it might be a mistake. He might not be trying to cheat, this could be a misunderstanding.

She said she didn’t think so because a mistake would be one or two of my kills mixed in with his, not the entire book.

I counted up how many photos were in the book and, all told, of the 146 kills, at least 100 were mine. I couldn’t really say it was a mistake at that point and I was just staring at his portfolio like an idiot. Bloody Mary asked me what I was going to do because, mistake or not, this looked really bad and could damage my reputation if it got out.

At that moment, another man walked up to booth and asked us if there was a problem. I knew that if I said anything, I would be jeopardizing my boyfriend’s job, but if I didn’t say something, I was jeopardizing my business.

I told my boyfriend’s coworkers that he was lying about his body count. I said I didn’t think that they knew he was doing it, but over half of the kills in his portfolio weren’t his and I suggested they remove it from their display before another Cryptid came by and realized it.

The other man thanked me for bringing this to his attention and asked how we knew. Bloody Mary said that she knew another Cryptid’s kills and I had to tell them that I was that Cryptid, though I was retired now. He asked me if I knew my boyfriend was doing this, and I told him no.

I told him I really didn’t want to get my boyfriend in trouble and suggested that maybe he didn’t know those kills didn’t belong to him because they happened in our house. I was grasping at straws and Blood Mary even looked sad for me. His coworkers looked skeptical but tentatively agreed. The man – who turned out to my boyfriend’s boss – said that they would investigate this thoroughly and apologized personally for his employee’s misconduct.

I was spiraling at that point so I thanked him and said I wasn’t mad, I was just looking out for both of our reputations. He promised to keep it between us and I agreed.

Then I apologized to Bloody Mary because I didn’t feel like eating dinner anymore. She said she understood and wished me well.

I went home and did a quick perimeter search of the property. Sure enough, there were human summoning stones ALL OVER the yard. Which means my boyfriend was intentionally luring humans to our house to get me to kill them so he could take credit. It wasn’t a mistake at all.

My boyfriend came home later that night in his work clothes. As soon he got inside he started yelling. He said he was suspended without pay and that all his hard work was for nothing.

I said I knew he’d been stealing my kills and he almost ruined my reputation. He said they still counted as his kills because he did all the work of luring the humans to our house.

I told him that wasn’t how it worked and he knew it. He said it was the same as setting a trap and I was taking this too seriously. I told him that, as a Slasher, he has to use a weapon to get his kills, not me. He said I was basically the same thing since I had such a high kill rate. I asked him if he was calling me an object.

(My parents exploited me by selling me as a haunted doll through a lot of my childhood and he knows I’m sensitive to being called an object.)

He backpedaled at that point and asked if I didn’t want to buy a house together. He said he was doing it for us and I should’ve understood and not said anything. I told him that when I was a Cryptid I had my pride and would’ve never done this.

He said I needed to tell his boss that he was the one who made all those kills. I said it wasn’t me who recognized them as Cryptid kills and now his boss knew too. He accused me of thinking I’m better than him because I have telekinetic powers and can move through shadows and can possess people, while he’s basically a human himself. I told him of course not and that I worked hard for those powers unlike him.

He got really mad at that and actually charged at me with his machete raised. I don’t think he was going to actually hit me, but I reacted like he was. It was all instinct. I disarmed him and I swear I heard a crack when I grabbed his wrist. I shoved him into the wall.

 He crumpled to the floor and started crying. He said sorry and sort of curled up around his wrist. He said he didn’t ever feel like he was enough for me and he didn’t even know why I was still with him. He called himself a bunch of names and said I would be better off without him.

I sort of awkwardly stood there for a minute. On one hand I wanted to assure him that he was enough and that I loved him, but, on the other, I wasn’t sure I could forgive him. He nearly ruined my reputation, and he embarrassed me in front of Bloody Mary. Plus, I still didn't know where he’d been going all those times he said he was on a business trip and apparently wasn’t.

So I ended up not saying anything. I went to our room and started packing a bag. He followed me. He was still crying as he begged me not to go. He said he would own up to his kill steals at work and he would make it right. He pleaded for me not to leave him and that he would give up slashing.

I told him I needed space to think. He tried to grab me, but I shadow walked out of the house. I heard him screaming from outside and I hurriedly drove away.

Now I’m at my friend’s house and I told her everything. She agreed I did the right thing walking away from him, but when I asked her what I should do she hesitated. She said that my boyfriend wasn’t right to kill steal but, as a fellow Slasher, she understood what he was going through. She said I wouldn’t understand the pressure to meet quota because I was always surpassing mine when I was in the field. She said that a Cryptid could never understand a Slasher.

She also said that nobody would have found out about his kills if I hadn’t brought them to his boss’ attention. She said the only time kills are on display like that is at the Eldritch Conference and by the next one, he’d have had kills of his own. She thinks that if I’d just confronted him at home, he wouldn’t be on suspension.

So now I’m worried that I overreacted when I told my boyfriend’s coworkers that he was lying about his body count.

AITA?

----

Thanks for reading! Several amazing supernatural citizens (aka my Patrons) gave great advice to our poor OP over on my Patreon! Please go check them out here (X)

(I will definitely be posting some of them here in the near future!)

My next supernatural AITA is already up to my patrons!

It's called "AITA for divorcing my vampire husband because he lied about his human job?"

Patrons get to see many of my stories a week ahead! If that interests you please check me out here (X)!

[wiltkingart]

This is a ritual, a prayer, a plea.

This is a sacrifice, a bloodletting, a need.

This is a transformation of flesh, one stitch at a time. This is meat from a stone, warm and pulsating. From one mouth to another, this is the passing of a story with far too many limbs, slick and scaly. -

Mouth to Mouth to Mouth is a collection of transmasc horror erotica, made up of 7 short stories featuring insects, elves, fairies, and more -- all mired in the grotesque and profane. I cannot be happier with how this turned out, and I hope you find it sickening.

[out now]

[wolfpaper]

The Backerkit campaign for meat4meat has officially launched!

meat4meat is an illustrated body horror anthology featuring works by transgender and disabled authors and artists, to celebrate the close relationship that our communities have with the genre of body horror.

It features seventeen gripping short stories of body horror, ranging from debut authors such as Lorelei Thee to masters of the craft such as Joe Koch, Claudine Griggs, and more! Each is accompanied by an original illustration by similarly marginalized artists, offering their own perspective on the anthology's themes.

Stretch goals include a foreword by @cryptotheism, additional stories, a physical edition, and more!

Additionally, backers who buy the digital edition in the first 48 hours will receive it an entire two weeks early!

Support the project here!

[santapacman]

Another superhero flies by our patio, so Grandpa Jenkins just has to start grumbling again. "Just wrong, I tell ya. He shouldn't be out here."

I'm young, but I'm not stupid. I keep playing with my truck as I respond. "Of course he should be here, Grandpa. Galaxitron blew up a town last week."

"He's not wrong fer helping, son. It's wrong that he's alone."

"What, you want the cops to babysit him? If superheroes had to wait up for the cops, the Earth would have exploded by now."

"Damn shame, too. Never go super, kiddo."

"I'll show you. I'll get all the superpowers and beat all the bad guys."

"Just find someone to hug after."

What? I was expecting him to chide me; to tell me off. Now his voice is all soft instead. I look up from my toy truck to see misty eyes. "Is everything okay, Grandpa Jenkins?"

"They're heroes, every one of 'em, but the weight of the world will break anyone's back in the end. And we're just the same as anyone else, watching from the side because we can't help. 'Cause I'm an old man and yer a kid. And the cops got no powers. Mark my words, you'll be all alone if you go super." It's the most animated I've seen him in years.

"But I'd be helping so many people. Doing AWESOME things. It'd be worth it."

"It is worth it, fer a while. Before you're tired and miserable."

There's a pause. "What about hero teams? They're not alone."

"That's even worse, y'hear me? You have to watch yer friends get beaten and bloodied and battered, over and over again. Not coworkers, not colleagues, friends. Family sometimes. You have to watch as they break and crack and crumble until they can't do it anymore. Their spirits snapped in two. Buncha used, tossed plastic spoons. But it doesn't matter that they're broken, that they can't enjoy life anymore, that they can't do anything anymore. We got another batch of superheroes coming in to take care of the next problem."

"Maybe it is awful. Maybe it is miserable and all superheroes are sad. When I get powers, I'll still go out and save the day. Every time. Whenever I'm called. No bellyaching, no grousing. Just good hero work."

"That's 'cause yer a good kid who doesn't know any better. You'll do what's right. Yer pa told me the same thing."

[whereserpentswalk]

Most interdimensional entities that humans consider horrifying demons and eldrich horrors actually consider humans pretty dangerous unless they're actively trained fighters. Your average extraplaner being isn't used to dealing with a species that evolved to hunt in groups, and developed to survive in violent scenarios.

Most final girl situations happen because young entities deeply underestimate that humans have such a strong will to live, and are willing to fight back agasint a stronger foe. Most older entities keep at bay for this very reason, which is why you just see them stranding around being creepy.

That pale long limbed cryptid you spotted in a subway station moved so quickly because it doesn't want to end up near you. That shadow person whose hovering over you in the woods is trying to observe you, but it will teleport away if anyone comes near it for a good reason.

And that doppelganger that's standing by your door at night just wants to observe you too. He was smart to try to copy your roommate's face, but he doesn't realize how good humans are at recognizing eachother's faces, and that his copy will be disturbing to any human who sees it. And he got way to reckless with his movements and bad attempts to imitate human speech. Trying to trick the human who he wants to study into coming to his dimensions is an even bigger mistake, especially since he didn't realize how quickly the human would catch on. He's soon going to learn things he should have read up on before hand: humans will try to attack things they're afraid of if they can't run away, humans can use almost any hard object as a weapon by holding it and swinging, and that those decorations on your wall are called 'swords' and were not originally designed as decorations...

[hatterpillar-author]

"i am a writer" i whisper as i use the word 'abhorrent' in a petty text to describe my dismay at seeing a speck of dirt on the carpet

[the-modern-typewriter]

In a recent post you said most of us weren't here for vampires but I beg to differ; your vampire snippets are literally enthralling. If you're in the mood to write another one, here's an excuse for you to do so (pls they're so good-), preferably with an enemies to lover vibe? Who doesn't love a little dramatic tension, right? Thank you!~

"Don't turn around."

The human paused, heart slamming in their chest at the voice. The hall of mirrors was eerie around them, all shadows and neon and flashing lights and distorted glass that offered them no sign of the vampire behind them. After a beat, the hunter kept walking, gaze trained to the wall of mirrors lining the left.

Somewhere, in the distance, they could hear screaming. It was difficult to tell if the sounds were horror or delight.

"What happens if I turn around?" the human asked.

"I'll have to kill you, and neither of us wants that."

"I'm a hunter. I'm pretty sure we both want that fight. Kinda how it goes, you know?"

Yet, the hunter didn't turn around. They had a weapon on them, of course, because they always had a weapon on them. But they hadn't come to the fairground to wage battle against terrible evil. The night was supposed to have been a fun one, candy-floss sticky and sweet with first kisses. A stupid lump wedged in their throat. They hastily wiped the remnant tears from their eyes.

They felt the vampire move next to them, though they heard no steps and felt no breath. Only the slight emanating chill of the undead. Despite themselves, despite knowing better, they searched the glass for any sign. There was nothing.

"What do you want?" the hunter demanded.

"What do you want, coming here?"

"I didn't know this was vampire territory."

"I suppose you are just a baby hunter. How old are? Sixteen?"

"Seventeen," the hunter snapped.

The vampire chuckled. "Seventeen," they echoed. Musing. There was something in their voice that the hunter couldn't quite read.

"How old are you?"

"Seventeen."

The hunter rolled their eyes. They supposed they should have been terrified - on any other day they would have been. They hadn't technically done their first solo hunt yet and even one vampire was not a creature to be taken lightly. Everything in their head was too loud for terror. Too raw.

"Is it the girl you liked, or the boy?" the vampire asked.

"Excuse me?"

"The boy and the girl who were kissing here, not long ago. That you saw. I saw you see them. You looked like you'd been staked through the heart. Which is the one you liked?"

The hunter whirled, furious. They caught a blur of movement before an icy hand clamped over their eyes, slamming them back against the glass hard enough to knock the breath out of them. They were surprised the mirror didn't shatter. Their head throbbed and a low whine of pain slipped free of their throat. The vampire caught their wrist before they'd finished reaching for a weapon, grinding that into the glass behind them too.

"I said," the vampire's lips pressed against their ear, voice a sudden lethal hiss, "don't turn around."

"And I don't take orders from vampires!"

"Touchy subject, was it?" The vampire's grip tightened hard enough to hurt.

"If you're going to kill me, just kill me!"

The vampire was silent, at that. They did not retreat, but their grip eased enough to be only iron instead of something painful. Their body felt hard and lean and strong against the hunter's. Dangerous and gorgeous. Nothing like the gentle wholesomeness of-

"The boy," the hunter said. "Eddie."

"Eddie. And you are?"

"Fuck off, leech."

"You're hot," the vampire said. "Eddie's an idiot."

It startled the hunter enough that the venom died on their tongue and their mouth dried. They'd expected - well, anything but that perhaps. They would have gaped at the vampire if they could see past the press of darkness over their eyes. They were sure their jaw dropped.

Hot. A vampire had just called them hot. Maybe they had concussion. A shiver ran down their spine.

"Want me to kill her for you?" the vampire asked, conspiratorial. "Bet I could make it look like an accident."

"No! She's my friend."

"Some friend. Want me to kiss you?"

The hunter - the hunter had absolutely no idea what to say to that. Well. They knew what they were supposed to say. No. Nada. Absolutely not. Vampires were vampires, and the only acceptable way to deal with them was to stake them.

The vampire chuckled again, presumably at their expression. They pressed a kiss to the hunter's throat, above their jugular. The hunter's breath hitched anew.

"God, you're so angry and so hurt," the vampire said. "I want to eat your heart. You're gorgeous. You can cry again if you like, I won't mind. I won't judge."

Vampires, their parents always said, craved life. It was why they were found so often in bars, or fairgrounds, or the other high points of the night. It wasn't just hunting. They were drawn to the sound, and the vibrancy, like ravenous ghosts clawing at the wounds of the world.

Somehow, it made the hunter feel less pathetic. For all those chuckles, it felt a bit like power. They could only imagine what their parents would say to that. No doubt they would berate the hunter for their unforgivable stupidity, because vampires killed hunters and hunters killed vampires and if the fairground was actually a travelling coven then -

"Do you want to kiss me?" the hunter asked.

"Yeah."

"That's embarrassing for you."

The vampire scoffed.

"And crying alone in a funhouse over some boy who doesn't even know vampires exist is cool?"

"I thought you weren't judging."

"Vampires are all shameless liars. Didn't your parents teach you that?"

Despite themselves, the hunter snorted.

"It's because you're not normal," the vampire said, in a different voice. Quieter. Suddenly serious. "Not like them. Can't do the things they do, because you're too busy stuck trying to slaughter the likes of me. Eddie's normal. Safe."

The hunter swallowed.

"Yeah."

"Yeah," the vampire echoed once more.

The vampire kissed them then, or maybe it was the hunter that started it, but it was clumsy and shockingly gentle and good and definitely the dumbest thing that the hunter had ever done. But they weren't thinking about Eddie anymore. It was impossible to think about Eddie with that cold perfect mouth and the adrenaline searing heat through the hunter's body. Every instinct in their body screamed danger and it was the most glorious distraction from heartbreak.

Their body arched against the glass, pressing foolishly closer.

They were left panting.

Then the vampire kissed them again, and it was a little less clumsy, more claiming, like the vampire was learning how to do it. Like maybe they'd never kissed anyone either. Like maybe they really were seventeen, and had thought their life would all work out differently.

"Next time," the vampire said, and nipped their lip just enough to draw blood. "Don't turn around. I've gotta go."

They shoved the hunter away, and - the hunter wasn't sure if they were left alone with the empty reflections, because they didn't turn. They looked at themselves, all dark eyes and hurt and confusion, in the glass.

All hunger.

They smiled, wiping their own blood from their lip.

They did look hot, actually.

For at least a moment, they walked out of the hall of mirrors feeling better than before.