#or the survey coros

[aengelren]

The Eren effect

[eurekadiario]

BlackRock advierte contra expectativas exageradas: La Fed no acudirá al rescate

Los inversores de todo el mundo siguen conteniendo la respiración ante el emocionante espectáculo de los mercados financieros. Mientras la rumorología hierve a fuego lento y se suceden las previsiones, surge una pregunta candente: ¿Recurrirá realmente la Reserva Federal, el poderoso organismo que vela por la política de tipos de interés de Estados Unidos, a sus consagradas medidas de rescate?

Las voces influyentes plantean dudas. En primer lugar, el mayor gestor de activos del mundo, BlackRock (NYSE:BLK), emerge del coro de expectativas con una voz discrepante. Los expertos de la entidad no creen que la Reserva Federal estadounidense vaya a lanzarse al rescate y responder con recortes de los tipos de interés como ha hecho en el pasado.

"Los bancos centrales provocan deliberadamente recesiones subiendo los tipos de interés para contener la inflación", señalan los expertos en una nota. "La agitación del sector bancario es, en nuestra opinión, un reflejo del daño y las grietas financieras que seguirían a unas subidas de tipos tan rápidas".

A pesar del terremoto bancario, el banco central de Estados Unidos, la Fed, subió sus tipos de interés de referencia en mayo por décimo mes consecutivo, con un aumento de los fondos de la Fed de un cuarto de punto porcentual hasta el 5,25% a partir del 4 de mayo. Paralelamente, los banqueros centrales insinuaron una pausa de las subidas de tipos de interés en junio para evaluar las medidas tomadas hasta ahora para frenar la inflación y la economía.

Según BlackRock, el daño económico provocado por el aumento de los costes de endeudamiento puede apreciarse en toda una serie de indicadores. Entre ellos figuran los indicadores del mercado inmobiliario, la industria y los consumidores. "Las condiciones crediticias ya se estaban ajustando antes de las turbulencias bancarias y creemos que seguirán haciéndolo", afirma.

La encuesta trimestral Senior Loan Officer Opinion Survey, publicada el lunes, revelaba que alrededor del 46% de los bancos han ajustado las condiciones de crédito para una categoría clave de préstamos para medianas y grandes empresas. Esta cifra contrasta con el 44,8% de la última encuesta de enero.

Esto sitúa las condiciones de préstamo por debajo de los máximos alcanzados durante la crisis financiera y la pandemia, pero más o menos en línea con los máximos registrados durante las recesiones de principios de las décadas de 1990 y 2000. Por el contrario, la proporción neta de bancos que ajustaron las normas de concesión de préstamos para bienes inmuebles comerciales aumentó del 69,2% al 73,8%, cerca de máximos de 2008 y 2020.

El ajuste de las normas de concesión de préstamos significa que a las empresas y los consumidores les resulta más difícil acceder al capital que tanto necesitan. Esto, a su vez, podría limitar la actividad empresarial, ralentizar la inversión e inhibir el crecimiento económico.

A pesar de las grietas que se avecinan y de una inminente recesión, BlackRock no cree que la Reserva Federal estadounidense vaya a recortar los tipos este año, en parte porque es probable que la inflación se enfríe gradualmente y todo apunta a que se mantendrá por encima del objetivo del 2% de la Fed durante más tiempo. Los expertos no comparten las expectativas del mercado de que los recortes de los tipos de interés van a estar pronto en el orden del día.

En cuanto a los mercados bursátiles, los expertos parten de la base de que los mercados desarrollados aún no han descontado totalmente el impacto dañino inminente. "Esto se refleja claramente en las expectativas de beneficios. Es probable que las presiones sobre los costes derivadas de la elevada inflación reduzcan los márgenes de beneficio", advierte BlackRock.

En la actualidad, BlackRock se decanta por la deuda pública a muy corto plazo y los bonos ligados a la inflación como formas de inversión. Además, el gestor de activos está considerando inversiones en mercados emergentes, ya que éstos son más capaces de resistir los desafíos de las principales economías. Entretanto, la calificación de los bonos con grado de inversión se ha rebajado a "neutral", mientras que la de los bonos de alto rendimiento se fijó en "infraponderados". El motivo han sido las turbulencias observadas recientemente en el sector bancario, que probablemente provocarán un mayor ajuste de las condiciones crediticias.

Fuente: https://es.investing.com/

[fictional-semantics]

"I ᗪOᑎT ᖴᗴᗩᖇ ᗪᗴᗩTᕼ. ᗩᔕ ᑕᕼᗴᗴᔕY ᗩᔕ IT ᔕOᑌᑎᗪᔕ, I ᖴᗴᗩᖇ ᖴᗩIᒪᑌᖇᗴ."

Name: Coro Oshiro

Age: 17

Height: 5’8”

Abilities: Air manipulation, lightning control, water manipulation, underwater breathing, metal manipulation, cloud conjuring, temperature control, slight storm control

Drawbacks and Weaknesses: reckless, lets her emotions dictate her actions, sometimes doesn’t think before she acts, isn’t good at controlling her powers in times of emotion

Appearance: Long black hair with side bangs, light brown skin, and dark brown eyes. Lots of freckles and a heart shaped face. She has a tall build and a muscular, fit physique.

Personality: cheery, energetic, happy, talkative, emotional, strategic, intelligent, thoughtful, reckless, confident, bold, friendly, questioning, curious, and outgoing.

Fun Facts: Daughter of former war general and diplomat, has been trained in most forms of combat since a young age, loves shiny rocks and collects them, is on the soccer team, has been kicked out of classes for questioning the teachers, loves to climb trees.

—————————————————————————————————————————

We were in a circular room. The walls were made of the same dark metal that covered the floor. Metal cables ran across the ceiling in between the recessed lighting and down the walls. They converged at the base of a square bed with a glass top standing in the center of the room.

I rose to my feet, my hand resting on the metal floor beneath is for balance. Recessed lighting clicked on, bathing the room in a bright pure light.

Three circular platforms were mounted above the tank, each one holding one of the little creatures that attacked him in the hallway. As my eyes swept over them, their eyes turned to mine. The horns atop their head and their four red eyes lit up a pale reddish white.

I staggered backwards, the psychic brunt of the three creatures applying pressure to my mind.

Snarling, Coro flicked her free hand forward. The water orbs had busted when she fell onto the floor, but with the gesture they reformed. All but three took up positions rotating around her.

The three orbs that didn't fly forward, splashed against the small dome covered platforms and froze solid, covering the creatures inside in a thin layer of ice.

“Coro! My sword!” I managed to cry out. My vision blurred. She got the message.

She swiped my sword through the domes, and glass shattered on the floor and the creatures tumbled through the air, their bodies cut in half, their dark blood splattering onto the floor.

Instantly the psychic pressure on my mind vanished.

Coro clenched her hand into a fist, and water rose up from their blood, transforming it into a dark brown flaky patch on the floor. Moving my attention over to the bodies, the creatures’ gray skin shriveled.

The three orbs of water returned, leaving behind the mummified corpses of the psychic creatures.

"Rhea!"

I turned around, Rivrin and Elias knelt on either side of Rhea. The friender lay sprawled on the floor, a bloody hole in the right side of her abdomen.

“It looks we know what happened,” Coro muttered to herself, casting a look around the room.

Closing the distance in two quick steps, Coro knelt beside Elias. Pushing her hand into one of the orbs circling her body, the water flowed over her skin, clinging to it like a glove.

She stretched forth her hand, only for Elias to grab her wrist, "What are you doing?" He demanded, eyes narrowed in suspicion.

Brown eyes locked with gray. "I'm healing her, unless you can do that?"

"How can we trust you after what you did to those creatures?" Elias’s eyes flicked to the mummified things on the floor.

“Elias, please,” Coro said calmly. “You have to trust me.”

Rhea rasped from her place bleeding out on the floor, “I... trust you...”

Shynah stepped forward, her breath coming a quick bursts, her face twisted in pain as she clutched her stomach. “Are you sure, Rhea?” She signed with her free hand. The other girl didn’t relent.

“Her intentions are the same,” Rivrin cut in from where he leaned against the wall. “Her powers are just growing. We need to keep moving, so it’s in our best interest to stabilize Rhea and keep going.”

“Agreed,” I said.

Elias narrowed his eyes, surveying her, before he sighed, the tension melting from his body. “Fine.”

Tag list: @imintheunderworld​ @carnationwrites​ @writerfae​ @rhyseoshaughnessy​ @jfictitional​ @alasyorickimagraveobber​ @musicofglassandwords​ @burningoffaroad​ @semblanche​ @sarahmariaria​ @inherentlywritten​ @andiwriteunderthemoon​

Let me know if you want to be added or removed.

[pavanghage]

Smart Health Trackers market Growth, Trends, and Forecast Report 2020-2025: Partnerships, Integrations, Collaborations

"

Smart Health Trackers Market Scope: An in-depth market report includes thoughtful findings, industry facts, historical data, and statistically supported insights, and market-authenticated data. On the first-hand experience, quantitative and qualitative assessment value chain, the research report is a compilation of expert analysts, input from industry professionals, and industry stakeholders. The study also shows how many market variables have a qualitative impact on market segments and regions. The survey's data was gathered using both primary and secondary methods by the market forecasters. They used the same data to create the most recent business scenario.

Get Exclusive Sample of Report on Smart Health Trackers market is available at:https://axelreports.com/request-sample/102727

The purpose of this research study is to help consumers gain a better understanding of the Smart Health Trackers market. Depending on the segments, the study includes an in-depth analysis of parent industry trends, governing factors, and macroeconomic indicators, as well as market attractiveness. With the help of an in-depth list of methodologies and assumptions, it also covers accurate market estimations. The market research report covers market segments such as geographies, applications, and end-use industries, also provide data and analysis for each of them.

Covid-19 Impact on Smart Health Trackers Market The Smart Health Trackers market study also goes into immense detail about the COVID-19 pandemic's ongoing outrage, its impact on many markets, industry prospects, and economies of recovery. In addition, the study on geographic segmentation, manufacturer perspectives, and extensive COVID-19 results shared a wealth of information.

Segmentation Landscape: Global Smart Health Trackers Market The research study delves into specific segments based on their form and function. This report includes sales and revenue data from the previous year as well as projections for the mentioned forecast period. This research provides important insights into the segments' understanding, as well as the importance of various factors that contribute to market growth.

By Market Players: Apple Coros Garmin Samsung Withings Fitbit Oppo WHOOP Amazfit HUAWEI Xiaomi By Type Basic Sleep Measurement Included Heart Rate Tracking Included GPS Included All Features Included By Application Adults Children Seniors

Click Here For Having Any Query: https://axelreports.com/enquiry-before-buying/102727

Regional Analysis of Global Smart Health Trackers market The study was designed after researching and defining a number of factors that influence geographical development, including the region's economic, technological, environmental, social, and political status. This chapter examines regional share and volume for the given estimated timeframe. This research will assist the reader in determining the potential value of an investment in a particular area. Researchers looked at data from each country's production, sales, and producers.

Competitive Landscape: Global Smart Health Trackers Market In this section, several primary competitors in the Smart Health Trackers market are identified along with their detailed profiles. It enables the customer to comprehend the alliances and strategies that are used to combat global market rivalry. The comprehensive study offers a detailed microscopic examination of the entire industry. The reader will recognize the industries' footprints by learning about global producer prices, global producer share, and global vendor share over the forecast period. The revenue generated from regional pricing innovations is the basis for this report's market forecast. The potential demand from customers has been used to evaluate the Smart Health Trackers market. To estimate the industry's global income, divided into regions, the bottom-up approach is used.

View market snapshot before purchasing @ https://axelreports.com/industry-analysis/global-smart-health-trackers-market/102727

Reasons to Buy this Report:

In order to obtain a detailed analysis of business strategies for the major key players already operating in the global Smart Health Trackers market, as well as value chain, raw material, and industry variables.

To comprehend all information pertaining to the Smart Health Trackers market, including market, segmentation, and sub-segmentation.

Retailers, wholesalers, manufacturers, dealers, suppliers, and consumers are all included in this report's analysis of distribution channels and distribution chains.

With proper and authentic data, the report covers all factors such as CAGR, supply and demand, macroeconomic patterns, customer purchasing patterns, and many others.

Researchers and analysts also provide accurate and verified information through the report using SWOT analysis, PESTLE analysis, and opportunity assessment.

ABOUT Axel Reports:

Axel Reports has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns.

Contact: Axel Reports Akansha G (Knowledge Partner) Office No- B 201 Pune, Maharashtra 411060 Phone: US +18488639402 Email: sales@axelreports.com Web: https://axelreports.com/

"

[linhgd9]

Respiratory Protective Equipment (RPE) Market Size, Share & Industry Analysis, By Upcoming New Products & Forecast 2027

The global  respiratory protective equipment (RPE) market  size is projected to reach USD 12.88 billion by 2027, exhibiting a CAGR of 7.2% during the forecast period. Spread of the coronavirus through air route will surge the adoption of RPE throughout 2020, observes Fortune Business Insights

in its report, titled “Respiratory Protective Equipment (RPE) Market Size, Share & Industry Analysis, Types By Product (Air Purifying Respirators (APR) {Unpowered Air-Purifying Respirators [Disposable Filtering Half Mask, Half Mask, and Full Face Mask], and Powered Air-Purifying Respirators (PAPR) [Half Mask, Full Face Mask, and Helmets, Hoods & Visors}, and Supplied Air Respirators {Airline Respirators, Self-Contained Breathing Apparatus (SCBA),Combination SAR/SCBA or APR/SAR}), By End-Use (Industrial, Oil & Gas, Mining, Petrochemical, Construction, Healthcare, Pharmaceuticals, Fire Service), and Regional Forecast, 2020-2027”. In July 2020, scientists from 32 countries provided strong evidence of airborne transmission of the COVID-19 infection in an open letter to the World Health Organization (WHO). The study, led by a team from Peking University in China, found that COVID patients could exhale millions of virus particles per hour, spreading the infection in vast quantities. Previously, the WHO had stated that the virus spread only through respiratory droplets or physical contact. Now, with new evidence pointing toward air transmission of the virus, the demand for respiratory protective equipment is likely to spike, mainly in healthcare facilities, where workers are in constant proximity to coronavirus and other patients.

  Browse Summary of This Research:

https://www.fortunebusinessinsights.com/respiratory-protective-equipment-rpe-market-103534

  The report states that the global market value stood at USD 6.54 billion in 2019 and features the following highlights:

Accurate computation of relevant market figures and values;

Thorough evaluation of the factors driving and obstructing market growth;

Tangible analysis of all the market segments; and

Exhaustive examination of the competitive landscape and regional dynamics influencing the market.

  Market Driver

Extensive Utilization of RPE in Mining Industry to Stoke Growth

Respiratory protective equipment is commonly used by miners owing to the massive health risks involved during mining operations, particularly coal mines. The most widely utilized RPE are powered air-purifying respirators (PAPRs) on account of their high efficacy in filtering out dust particles. These particles are known to cause severe lung disorders in miners who have had prolonged exposure to harmful dust. Such exposure has been known to lead to a common lung condition called pneumoconiosis, or dusty lung, which usually manifest in the form of silicosis and coal miners’ pneumoconiosis (CWP), or black lung. Both these conditions are incurable and invariably lead to premature deaths. Effective RPE can prevent miners from inhaling these toxic dust particles and save them from developing lifelong debilitating health conditions.

  Get Sample PDF Brochure:

https://www.fortunebusinessinsights.com/enquiry/request-sample-pdf/respiratory-protective-equipment-rpe-market-103534

  Regional Insights

Strict Implementation of Workplace Safety Rules to Accelerate the Market in North America

In North America, where the market size stood at USD 2.52 billion in 2019, the market is expected to perform exceptionally well as regulatory bodies such as the Occupational Safety and Health Administration (OSHA) have been strictly imposing workplace safety rules. As a result, the adoption of RPE and other personal protective equipment such as hard hats has become mandatory in the US and Canada.

Asia Pacific is expected to present lucrative opportunities owing to the rapid expansion of the construction, manufacturing, and healthcare sectors in the region. In Europe, the demand for effective RPE is escalating, primarily from workers in core industries. For example, Germany’s RPE market share in construction industry stood at 11.9% in 2019.

  Competitive Landscape

Key Players to Experience Booming Sales amid COVID-19 Pandemic

The respiratory protective equipment market growth is set to skyrocket as the demand for RPE and PPE has risen astronomically in the wake of the coronavirus pandemic. Companies in this market are also capitalizing on this unprecedented opportunity, with some of them reporting booming sales, while some others are partnering with other players to combat the health crisis.

Industry Developments:

May 2020: Alpha Pro Tech, a pioneer in protective apparel, reported that revenue in the first quarter of 2020 rose by 47.5% to reach USD 18.2 million, compared to the same period in 2019. According to the company, exponential growth in demand for its N-95 Particulate Respirator facemask and shield.

April 2020: 3M joined forces with Cummins to expand production of filters for 3M’s powered air-purifying respirators for high-efficiency filtration of particulate matter. The partnership aims at doubling the production of these filters to meet the surging demand for respiratory protective equipment the coronavirus pandemic.

  List of Key Players Covered in the Respiratory Protective Equipment Market Report:

Protective Industrial Products, Inc. (U.S.)

Jayco Safety Products Pvt. Ltd. (India)

Honeywell International Inc. (U.S.)

Gentex Corporation (U.S.)

Intech Safety (India)

Bullard (U.S.)

Alpha Pro Tech (Canada)

3M (U.S.)

Uvex Safety Group (Germany)

Kimberly-Clark Worldwide, Inc. (U.S.)

MSA (U.S.)

Drägerwerk AG & Co. KGaA (Germany)

Delta Plus Group (France)

Avon Protection (U.S.)

Ansell Ltd. (Australia)

  Inquire Before Buying This Report:

https://www.fortunebusinessinsights.com/enquiry/queries/respiratory-protective-equipment-rpe-market-103534

  View Other Related Reports

https://justpaste.it/43vkq

http://ttlink.com/question/14581de6-5aba-4c38-8fc4-daa28623a0e7

https://swagfriends.com/read-blog/7678

https://www.mydigoo.com/forums-topicdetail-287462.html

https://visual.ly/community/Others/business/respiratory-protective-equipment-market-global-industry-share-size-future

https://no1friend.com/read-blog/13528

https://www.vingle.net/posts/3791695

https://zenwriting.net/1suta9fa1j

https://webhitlist.com/forum/topics/respiratory-protective-equipment-market

https://priti-nag.tribe.so/post/respiratory-protective-equipment-market-industry-key-challenges-due-to-coro–60c9e52d73f0da3d484964b0

About Us:

Fortune Business Insights

offers expert corporate analysis and accurate data, helping organizations of all sizes make timely decisions. We tailor innovative solutions for our clients, assisting them address challenges distinct to their businesses. Our goal is to empower our clients with holistic market intelligence, giving a granular overview of the market they are operating in.Our reports contain a unique mix of tangible insights and qualitative analysis to help companies achieve sustainable growth. Our team of experienced analysts and consultants use industry-leading research tools and techniques to compile comprehensive market studies, interspersed with relevant data.  

Contact Us:

Fortune Business Insights

Pvt. Ltd.

308, Supreme Headquarters,

Survey No. 36, Baner,

Pune-Bangalore Highway,

Pune – 411045, Maharashtra, India.

  Phone:

US :+1 424 253 0390

UK : +44 2071 939123

APAC : +91 744 740 1245

Email: sales@fortunebusinessinsights.com

  You can also contact us/follow us on:

https://www.facebook.com/FortuneBusinessInsightsPvtLtd

https://twitter.com/FBInsightPvtLtd?s=20

https://www.linkedin.com/company/fortune-business-insights/

      from NeighborWebSJ https://ift.tt/3gHwo99 via IFTTT

from WordPress https://ift.tt/3cVyikk via IFTTT

[megacheatofficial-blog1]

SAO's Legend Hack Cheats

SAO's Legend Hack Cheats

Diamond Generator Cor and Bound Coro Hacks Coupon Creator Cheats VIP Adder Remove Ads Hello all bloggers. Today I want to present for you awesome tricks Saos legend cheat. SAO's legend generator online mod no survey. Look at new 2018 full legit saos legend cheated software. saos legend generated all items. sao's legend cheating software. Saos legend full legit cheat. Saos legend full no - survey guid. Sao's legend Sword Art Online Hack. Sword Art Online Hacking tool. Sword Art Online Cheat Engine. Sword Art Online Cheating. SAO Legend mod apk, Sao Legend modded apps. Sao legend tested generator full legit cheat online 2018 no survey mod application. Sao Legend Hack – Unlimited Diamonds & Cor and XP … Sao Legend Hack Tool 2017 100% Legit – Unlimited Free Diamonds & Cor and XP … Sao Legend Hack 2017 Free Glitch Unlimited Diamonds & Cor and XP! No Survey 100% Works … Sao Legend Hack: Android, iOS, Desktop – Instant Generate 100k Diamonds & Cor No Root … Sao Legend Hack Android & iOS 999999 Diamonds & Cor No Survey!! … (*Tested*)Sao Legend Hack Get Free Diamonds & Cor and XP On Sao Legend Ios/Android … Sao Legend Hack Glitch 100% Working For Free Unlimited Diamonds & Cor and XP … Sao Legend Hack For Android – Ios – Windows … Sao Legend Cheats – Generate 999999 Diamonds & Cor vs XP Instantly … Sao Legend Cheat Codes Get 999,999 Diamonds & Cor and XP! Android-iOS … get Bound Cor Read the full article

[dmartin-blog]

LONDON, LONDRES / ROYAL ALBERT HALL II (28/12/2016)

© Saúl Tuñón Loureda

twitter.com/Woody_Twitt www.facebook.com/stloureda www.instagram.com/fotosaul/

El Royal Albert Hall es una sala de conciertos en Londres. Inaugurado el 29 de marzo de 1871, es uno de los teatros más emblemáticos del mundo y una de las construcciones más distintivas del Reino Unido. Está ubicado en Albertopolis, en el extremo norte del área de South Kensington, en la ciudad de Westminster.

El Royal Albert Hall fue construido para cumplir la visión del príncipe Alberto, consorte de la reina Victoria, de un "Salón Central" que fuera utilizado para promover las artes y las ciencias en South Kensington, rodeado de museos y centros de aprendizaje.1

Iba a llamarse The Central Hall of Arts and Sciences, pero se lo renombró Royal Albert Hall of Arts and Sciences por decisión de Victoria, en memoria de su esposo.

En 1851, con motivo de la Gran Exposición en Hyde Park (Londres), se construyó el The Crystal Palace. La exposición tuvo un gran éxito y esto hizo que el príncipe Alberto propusiera la construcción de una serie de instalaciones permanentes para la cultura y educación de la gente.

La propuesta fue aprobada y el sitio fue comprado con una parte de los beneficios recaudados en la exposición. En abril de 1867 la reina Victoria firmó la «Royal Charter of the Corporation of the Hall of Arts and Sciences» para poder iniciar la construcción y operación del teatro y el 20 de mayo se colocó la primera piedra. Sin embargo, el progreso del proyecto fue muy lento y, en 1861, Alberto murió sin poder ver realizadas sus ideas. No obstante, se propuso la construcción de un monumento en su memoria, el Albert Memorial, orientado hacia el Royal Albert Hall.

La ceremonia oficial de inauguración fue el 29 de marzo de 1871. El discurso de bienvenida estuvo a cargo de Eduardo, Príncipe de Gales. Aunque Victoria no dio un discurso, sí comentó que el edificio le recordaba a la Constitución Británica.

El Royal Albert Hall, monumento clasificado de Grado 1, fue diseñado por los ingenieros civiles Francis Fowke y Henry Young Darracott Scott, de la Royal Engineers, y construido por los hermanos contratistas Thomas y Charles Lucas.3 Los diseñadores estuvieron fuertemente influenciados por la forma de los antiguos anfiteatros, así como también por las ideas de Gottfried Semper, mientras él trabajaba en el South Kensington Museum.

Para su construcción se emplearon ladrillos rojos de Fareham, con bloques de decoración hechos de terracota, fabricados por Gibbs and Canning Limited. Tiene un tamaño de 83 metros (eje mayor) por 72 metros (eje menor) y una forma elíptica. El domo, diseñado por el ingeniero Rowland Mason Ordish, está hecho de cristal y acero forjado, se encuentra a 41 metros de altura en el techo. Originalmente, el teatro fue diseñado para poder albergar 8000 personas, capacidad que ha sido aumentada hasta 9000, aunque las medidas de seguridad actuales han restringido la capacidad máxima permitida, lo que permite un cupo de 5544, incluyendo gente de pie en la Galería.

Desde su inauguración, han pasado por su escenario artistas reconocidos internacionalmente, de música clásica hasta bandas de rock. Ha sido sede de galas benéficas, entregas de premios, banquetes, conferencias, eventos públicos y torneos de tenis. Se llevaron a cabo las graduaciones del Imperial College, acogió el Festival de Eurovisión 1968, el primero transmitido en color, y albergó a celebridades como Creedence Clearwater Revival, John Fogerty, Lady Gaga, Cream, Tony Bennett, Glen Hansard, Laura Pausini, Paul McCartney, Elton John, Slash, B.B. King, David Bisbal, Yanni, bond, Eric Clapton, Mark Knopfler, George Harrison, David Gilmour, Deep Purple, Bob Dylan, Led Zeppelin, Rod Stewart, Camel, Sting, Eric Idle, Michael Palin, Terry Jones, Terry Gilliam, Umberto Tozzi, Jack Bruce, Jimmy Page, Robert Plant, Sarah Brightman, Julio Iglesias, Mick Jagger, Muse, Frank Sinatra, Phil Collins, Pete Townshend, The Corrs, Robbie Williams, The Last Shadow Puppets, Arctic Monkeys, Enrique Iglesias, Noel Gallagher, Depeche Mode, Snow Patrol, The Stranglers, The Killers, Jake Bugg, Porcupine Tree, Coldplay y, recientemente Steven Wilson, Opeth, Emeli Sandé, Adele, Florence and the Machine, Mystery Jets, Foals, Bring Me The Horizon , McFly y Juan Luis Guerra.

El Royal Albert Hall es la sede de The BBC Proms, el mayor festival mundial de música clásica que se realiza anualmente durante el verano, con una duración de ocho semanas y con un maratón de solistas, coros y orquestas transmitido a todo el mundo por la BBC.6 Por los Proms han pasado importantes figuras de la música clásica como Adrian Boult, Malcom Sargent, Colin Davis, Georg Solti, Evgeny Kissin, Joshua Bell, John Williams (guitarrista), Luciano Pavarotti, Jessye Norman, Plácido Domingo, Sarah Brightman, Renée Fleming, Bryn Terfel y Simon Rattle, entre otros.

La tradicional última noche de los Proms es uno de los hitos del verano londinense. Es un show que reúne multitudes dentro del hall y en Hyde Park y otros parques en otros lugares del Reino Unido. El último concierto del festival (a menudo la Novena Sinfonía de Beethoven) finaliza con bises de clásicos la cultura victoriana como Pompa y circunstancia de Sir Edward Elgar, Land of Hope and Glory, Rule Britannia, Jerusalem y God Save the Queen.

El Cirque du Soleil ha realizado numerosas presentaciones en este teatro desde 1996, con el espectáculo Saltimbanco, que se presentó hasta 1997. En 1998 y 1999, presentaron Alegría. En 2003 se presentan nuevamente con Saltimbanco. En 2004 y 2005 montaron el espectáculo Dralion. En 2006 y 2007 se dio el regreso de Alegría, mientras que en el 2008, realizaron la premiere de Varekai, espectáculo con el que regresaron en 2010, con motivo de la celebración de los 25 años de la compañía. En 2011 y 2012 se presentaron con Totem. En 2013 estarán presentando Kooza.

Desde 1998, el English National Ballet se ha presentado en numerosas temporadas en sociedad con el teatro y Raymond Gubbay con, entre otros, La bella durmiente (2000), Romeo y Julieta (2001 y 2005), El lago de los cisnes (2002, 2004, 2007 y 2010) y Strictly Gershwin (2008 y 2011).

The Festival of Remembrance de la Royal British Legion se celebra anualmente, un día antes del Rembrance Sunday, fecha en la que se recuerda a todos aquellos que han perdido la vida en conflictos bélicos.

Teenage Cancer Trust

Desde el año 2000, el Teenage Cancer Trust ha celebrado anualmente conciertos de caridad. Iniciaron como un evento sencillo, pero a través de los años se han ido expandiendo hasta presentar una semana o más de presentaciones.

Roger Daltrey, vocalista de The Who, ha estado profundamente envuelto en la realización de los conciertos para este evento.

Ceremonias de graduación

El teatro es usado anualmente por el Royal College of Art y el Imperial College London para sus ceremonias de graduación.

La Kingston University celebró también sus ceremonias de graduación hasta 2008, año en que cambió de sede al nuevo Rose Theatre, Kingston.

es.wikipedia.org/wiki/Royal_Albert_Hall

The Royal Albert Hall is a concert hall on the northern edge of South Kensington, London, which holds the Proms concerts annually each summer since 1941. It has a capacity of up to 5,272 seats. The Hall is a registered charity held in trust for the nation and receives no public or government funding.[1]

Since its opening by Queen Victoria in 1871, the world’s leading artists from many performance genres have appeared on its stage and it has become one of the UK’s most treasured and distinctive buildings. The location of some of the most notable events in British culture, each year it hosts more than 390 shows in the main auditorium, including classical, rock and pop concerts, ballet, opera, film screenings with live orchestra, sports, award ceremonies, school and community events, charity performances and banquets. A further 400 events are held each year in the non-auditorium spaces.

The Hall was originally supposed to have been called the Central Hall of Arts and Sciences, but the name was changed to the Royal Albert Hall of Arts and Sciences by Queen Victoria upon laying the Hall’s foundation stone in 1867, in memory of her husband consort, Prince Albert who had died six years earlier. It forms the practical part of a memorial to the Prince Consort – the decorative part is the Albert Memorial directly to the north in Kensington Gardens, now separated from the Hall by Kensington Gore.

he Hall, a Grade I listed building,[22] is an ellipse in plan, with major and minor axes of 83 m (272 ft) and 72 m (236 ft). The great glass and wrought-iron dome roofing the Hall is 41 m (135 ft) high. It was originally designed with a capacity for 8,000 people and has accommodated as many as 9,000 (although modern safety restrictions mean that the maximum permitted capacity is now 5,544 including standing in the Gallery).

Around the outside of the building is a great mosaic frieze, depicting "The Triumph of Arts and Sciences", in reference to the Hall’s dedication. Proceeding anti-clockwise from the north side the sixteen subjects of the frieze are: (1) Various Countries of the World bringing in their Offerings to the Exhibition of 1851; (2) Music; (3) Sculpture; (4) Painting; (5) Princes, Art Patrons and Artists; (6) Workers in Stone; (7) Workers in Wood and Brick; (8) Architecture; (9) The Infancy of the Arts and Sciences; (10) Agriculture; (11) Horticulture and Land Surveying; (12) Astronomy and Navigation; (13) A Group of Philosophers, Sages and Students; (14) Engineering; (15) The Mechanical Powers; and (16) Pottery and Glassmaking.

Above the frieze is an inscription in 12-inch-high (300 mm) terracotta letters that combines historical fact and Biblical quotations: "This hall was erected for the advancement of the arts and sciences and works of industry of all nations in fulfilment of the intention of Albert Prince Consort. The site was purchased with the proceeds of the Great Exhibition of the year MDCCCLI. The first stone of the Hall was laid by Her Majesty Queen Victoria on the twentieth day of May MDCCCLXVII and it was opened by Her Majesty the Twenty Ninth of March in the year MDCCCLXXI. Thine O Lord is the greatness and the power and the glory and the victory and the majesty. For all that is in the heaven and in the earth is Thine. The wise and their works are in the hand of God. Glory be to God on high and on earth peace."

Below the Arena floor there are two 4000 gallon water tanks, which are used for shows that flood the arena like Madam Butterfly.

The Hall has been affectionately titled "The Nation’s Village Hall".[24] The first concert was Arthur Sullivan’s cantata On Shore and Sea, performed on 1 May 1871.[25][26]

Many events are promoted by the Hall, whilst since the early 1970s promoter Raymond Gubbay has brought a range of events to the Hall including opera, ballet and classical music. Some events include classical and rock concerts, conferences, banquets, ballroom dancing, poetry recitals, educational talks, motor shows, ballet, opera, film screenings and circus shows. It has hosted many sporting events, including boxing, squash, table tennis, basketball, wrestling including the first Sumo wrestling tournament to be held in London as well as UFC 38 (the first UFC event to be held in the UK), tennis and even a marathon.[27][28]

On 6 April 1968, the Hall was the host venue for the Eurovision Song Contest which was broadcast in colour for the first time.[29] One notable event was a Pink Floyd concert held 26 June 1969, the night they were banned from ever playing at the Hall again after shooting cannons, nailing things to the stage, and having a man in a gorilla suit roam the audience. At one point Rick Wright went to the pipe organ and began to play "The End Of The Beginning", the final part of "Saucerful Of Secrets", joined by the brass section of the Royal Philharmonic Orchestra (led by the conductor, Norman Smith) and the ladies of the Ealing Central Amateur Choir.[30] A portion of the pipe organ recording is included on Pink Floyd’s album The Endless River.[31]

On 30 June 2 and 3 July 2011, Janet Jackson brought her Number Ones, Up Close and Personal Tour here, These were her first headlining UK shows in 13 years.

Kylie Minogue performed a show here on 11 December 2015, to promote Kylie Christmas, her first Christmas album and thirteenth studio album. She will return with two more shows on 9 & 10 December 2016.

Benefit concerts in include the 1997 Music for Montserrat concert, arranged and produced by George Martin, an event which featured artists such as Phil Collins, Mark Knopfler, Sting, Elton John, Eric Clapton and Paul McCartney,[32] and 2012 Sunflower Jam charity concert with Queen guitarist Brian May performing alongside bassist John Paul Jones of Led Zeppelin, drummer Ian Paice of Deep Purple, and vocalists Bruce Dickinson of Iron Maiden and Alice Cooper.[33]

On 2 October 2011, the Hall staged the 25th anniversary performance of Andrew Lloyd Webber’s The Phantom of the Opera, which was broadcast live to cinemas across the world and filmed for DVD.[34] Lloyd Webber, the original London cast including Sarah Brightman and Michael Crawford, and four previous actors of the titular character, among others, were in attendance – Brightman and the previous Phantoms (aside from Crawford) performed an encore.

On 24 September 2012, Classic FM celebrated the 20th anniversary of their launch with a concert at the Hall. The programme featured live performances of works by Handel, Puccini, Rachmaninoff, Parry, Vaughan Williams, Tchaikovsky and Karl Jenkins who conducted his piece The Benedictus from The Armed Man in person.[35]

On 19 November 2012, the Hall hosted the 100th anniversary performance of the Royal Variety Performance, attended by the Queen and Prince Philip, with boyband One Direction among the performers.[36]

Between 1996 and 2008, the Hall hosted the annual National Television Awards all of which were hosted by Sir Trevor McDonald. Regular events Royal Choral Society The Royal Choral Society is the longest running regular performance at the Hall, having given its first performance as the Royal Albert Hall Choral Society on 8 May 1872. From 1878 it established the annual Good Friday performance of Handel’s Messiah.

The BBC Promenade Concerts, known as "The Proms", is a popular annual eight-week summer season of daily classical music concerts and other events at the Hall. In 1942, following the destruction of the Queen’s Hall in an air raid, the Hall was chosen as the new venue for the proms.[37] In 1944 with increased danger to the Hall, part of the proms were held in the Bedford Corn Exchange. Following the end of World War II the proms continued in the Hall and have done so annually every summer since. The event was founded in 1895, and now each season consists of over 70 concerts, in addition to a series of events at other venues across the United Kingdom on the last night. In 2009, the total number of concerts reached 100 for the first time. Jiří Bělohlávek described The Proms as "the world’s largest and most democratic musical festival" of all such events in the world of classical music festivals.[38]

Proms (short for promenade concerts) is a term which arose from the original practice of the audience promenading, or strolling, in some areas during the concert. Proms concert-goers, particularly those who stand, are sometimes described as "Promenaders", but are most commonly referred to as "Prommers".[39] Tennis

Tennis was first played at the Hall in March 1970 and the ATP Champions Tour Masters has been played annually every December since 1997. Classical Spectacular

Classical Spectacular, a Raymond Gubbay production, has been coming to the Hall since 1988. It combines classical music, lights and special effects. Cirque du Soleil

Cirque du Soleil has performed several of its shows at the Hall beginning in 1996 with Saltimbanco, a show which returned in 1997. In 1998 they had their UK première of Alegría and returned in 1999. After a few years away they returned in 2003 with Saltimbanco. Their European première of Dralion was held at the Hall in 2004 and returned in 2005. 2006 and 2007 saw the return of Alegría whilst 2008 saw the UK première of Varekai, which returned in 2010 marking 25 years of Cirque du Soleil. Quidam returned to London (but a first for this show at the Hall) in 2009 and again in January 2014. In January and February 2011 and again in 2012 they presented Totem. From January–February 2013 and again from January–February 2015, the hall held performances of Koozå. Classic Brit Awards

Since 2000, the Classic Brit Awards has been hosted annually in May at the Hall. It is organised by the British Phonographic Industry. Festival of Remembrance

The Royal British Legion Festival of Remembrance is held annually the day before Remembrance Sunday.[40] Institute of Directors

For 60 years the Institute of Directors’ Annual Convention has been synonymous with the Hall, although in 2011 and 2012 it was held at indigO2. English National Ballet

Since 1998 the English National Ballet has had several specially staged arena summer seasons in partnership with the Hall and Raymond Gubbay. These include Strictly Gershwin, June 2008 and 2011, Swan Lake, June 2002, 2004, 2007, 2010 and 2013, Romeo & Juliet (Deane), June 2001 and 2005 and The Sleeping Beauty, April – June 2000.[41] Teenage Cancer Trust

Starting in the year 2000 the Teenage Cancer Trust has held annual charity concerts (with the exception of 2001). They started as a one off event but have expanded over the years to a week or more of evenings events. Roger Daltrey of the Who has been intimately involved with the planning of the events.[42] Graduation Ceremonies

The Hall is used annually by the neighbouring Imperial College London and the Royal College of Art for graduation ceremonies. Kingston University also held its graduation ceremonies at the Hall until 2008. Films, premières and live orchestra screenings

The venue has screened several films since the early silent days. It was the only London venue to show William Fox’s The Queen of Sheba in the 1920s.

The Hall has hosted many premières, including the UK première of Fritz Lang’s Die Nibelungen, 101 Dalmatians on 4 December 1996, the European première of Spandau Ballet’s Soul Boys of the Western World[43] and three James Bond royal world premières; Die Another Day on 18 November 2002 (attended by Queen Elizabeth II and Prince Philip), Skyfall on 23 October 2012 (attended by Charles, Prince of Wales and Camilla, Duchess of Cornwall)[44] and SPECTRE on 26 October 2015 (attended by Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge).[45]

The Hall held its first 3D world première of Titanic 3D, on 27 March 2012, with James Cameron and Kate Winslet in attendance.[46]

The Hall has curated regular seasons of film-and-live-orchestra screenings since 2009, including the Lord of the Rings trilogy, Gladiator, Star Trek, Star Trek Into Darkness, Interstellar, The Matrix, West Side Story, Breakfast at Tiffany’s, Back to the Future and the world première of Titanic Live in Concert. Beyond the main stage

The Hall hosts hundreds of events and activities beyond its main auditorium. There are regular free art exhibitions in the ground floor amphi corridor, which can be viewed when attending events or on dedicated viewing dates. You can take a guided tour of the Hall on most days. The most common is the one-hour Grand Tour which includes most front-of-house areas, the auditorium, the gallery and the Royal Retiring Room. Other tours include Story of the Proms, Behind the Scenes, Inside Out and School tours. Children’s events include Storytelling and Music Sessions for 0 – 4 year olds which take place in the Door 9 Porch and Albert’s Band sessions in the Elgar Room during school holidays. "Live Music in Verdi" takes place in the Italian restaurant on a Friday night featuring different artists each week. "Late Night Jazz" events in the Elgar Room, generally on a Thursday night, feature cabaret style seating and a relaxed atmosphere with drinks available. "Classical Coffee Mornings" are held on Sundays in the Elgar Room with musicians from the Royal College of Music accompanied with drinks and pastries. Sunday brunch events take place in Verdi Italian restaurant and features different genres of music.[47] Regular performers

Eric Clapton is a regular performer at the Hall, it having played host to his concerts almost annually for over 20 years. In December 1964, Clapton made his first appearance at the Hall with the Yardbirds. It was also the venue for his band Cream’s farewell concerts in 1968 and reunion shows in 2005. He also instigated the Concert for George, which was held at the Hall on 29 November 2002 to pay tribute to Clapton’s lifelong friend, former Beatle George Harrison. Since 1964, Clapton has performed at the Hall almost 200 times, and has stated that performing at the venue is like "playing in my front room".[48][49]

David Gilmour played at the Hall in support of two solo albums, while also releasing a live concert on September 2006 entitled Remember That Night which was recorded during his three nights playing at the Hall for his 2006 On an Island tour. Notable guests were Robert Wyatt and David Bowie (who sang lead for "Arnold Layne" and "Comfortably Numb"). The live concert was televised by BBC One on 9 September 2007 and again on 25 May. Gilmour is set to return to the Hall; having previously played five nights in September 2015, to end his 34-day Rattle That Lock Tour on September 2016 by playing another four nights at the Hall. He will also make an appearance on 24 April 2016 as part of the Teenage Cancer Trust event.

Shirley Bassey has appeared many times at the Hall, usually as a special guest. In 2001, she sang "Happy Birthday" for the Duke of Edinburgh’s 80th birthday concert. In 2007, she sang at Fashion Rocks in aid of the Prince’s Trust. On 30 March 2011, she sang at a gala celebrating the 80th birthday of Mikhail Gorbachev.[50] In May 2011, she performed at the Classic Brit Awards, singing "Goldfinger" in tribute to the recently deceased composer John Barry.[51] On 20 June 2011, she returned and sang "Diamonds Are Forever" and "Goldfinger", accompanied by the Royal Philharmonic Orchestra, as the climax to the memorial concert for Barry.

James Last appeared 90 times at the Hall between 1973 and 2015, making him the most frequent non–British performer to have played the venue.[52] Education & Outreach

The Hall’s Education & Outreach programme engages 100,000 people a year. It includes workshops for local teenagers led by musicians such as Foals, Jake Bugg, Emeli Sandé, Nicola Benedetti, Alison Balsom and First Aid Kit, innovative science and maths lessons in partnership with Samsung, visits to local residential homes from the venue’s in-house group, Albert’s Band, under the ‘Songbook’ banner, and the Friendship Matinee: an orchestral concert for community groups, with £5 admission. Management The Hall is managed day to day by the chief executive Chris Cotton and five senior executives: the chief operating & financial officer, director of operations, director of business development, director of events and director of external affairs. They are accountable to the Council of the Corporation, which is the Trustee body of the charity. The Council is composed of the annually elected president, currently Mr Jon Moynihan OBE, 18 elected Members (either corporate or individual seat owners) and five Appointed Members, one each from Imperial College London, Royal Commission for the Exhibition of 1851, Department for Culture, Media and Sport, British Museum of Natural History and the Royal College of Music.

Pop culture references

A large mural by Sir Peter Blake is displayed in the amphi corridor of Door 12 at the Hall. Unveiled in April 2014, it shows more than 400 famous figures who have appeared on the stage.

In 1955, English film director Alfred Hitchcock filmed the climax of The Man Who Knew Too Much at the Hall.[63] The 15-minute sequence featured James Stewart, Doris Day and composer Bernard Herrmann, and was filmed partly in the Queen’s Box. Hitchcock was a long-time patron of the Hall and has already set the finale of his 1927 film, The Ring at the venue, as well as his initial version of The Man Who Knew Too Much, starring Leslie Banks, Edna Best and Peter Lorre.[64]

Other notable films shot at the Hall include Major Barbara, Love Story, The Seventh Veil, The Ipcress File, A Touch of Class, Shine and Spice World.

In the song "A Day in the Life" by the Beatles, the Albert Hall is mentioned. The verse goes as follows:

I read the news today, oh boy four thousand holes in Blackburn, Lancashire and though the holes were rather small they had to count them all now they know how many holes it takes to fill the Albert Hall I’d love to turn you on.

The song "Session Man" by the Kinks references the Hall:

He never will forget at all The day he played at Albert Hall.

In the song "Shame" by Robbie Williams and Gary Barlow, Gary mentions the Hall in his verse:

I read your mind and tried to call, my tears could fill the Albert Hall.

In some variants of "Hitler Has Only Got One Ball", Hitler’s second testicle is mentioned to be in the Hall.

en.wikipedia.org/wiki/Royal_Albert_Hall

Posted by Saúl Tuñon Loureda on 2016-12-29 11:37:46

Tagged:

The post LONDON, LONDRES / ROYAL ALBERT HALL II (28/12/2016) appeared first on Good Info.

[dorothydelgadillo]

Tech 101: User Experience (UX) Job Titles Explained

Are you creative? Do you spend a lot of time empathizing with your friends? Do you have a knack for finding innovative solutions to everyday problems? If you can check one or more of these boxes, you’re a perfect candidate for a high-paying, flexible job in User Experience (UX).

UX is a tech field that involves researching groups of people who use digital products (like websites and apps) and improving their product experience, i.e. the way the product’s features makes the user feel, how easy the product is to use, and how appealing users find it overall.

As you start learning about UX and UX terms, you’ll see plenty of references to UX design and UX designers. But is everyone who works in UX a designer? And do you have to know design skills to work in UX?

Well, not exactly. In order to give you a better sense of what working in UX is actually like, we’re breaking down some of the most common UX roles, what these UX job titles mean, what each job title involves, and what kind of UX salary you can expect from each position. We’ll cover:

UX designers

UI designers

Interaction designers

Motion designers

UX researchers

Information architects

UX engineers

When you’re done reading and ready to learn more and the specific skills used in UX, be sure to check out our complete guide on how to get a UX job. And if you want to learn the skills it takes to land UX jobs, look no further than our User Experience Design Blueprint. This 3-month online course will teach you the skills you need for any role in UX, all by spending just an hour a day on the course materials.

Table of Contents

Chapter 1 – How Important Is a UX Job Title?

Chapter 2 – UX Job Titles, Descriptions, and Salaries

UX designer

UI designer

Interaction designer

Motion designer

UX researcher

Information architect

UX engineer

Chapter 3 – UX Job Boards

A Caveat: Don’t Get Hung Up on UX Job Titles

First, a word of caution: take all UX job titles with a large grain of digital salt. User experience is a fluid and evolving industry, and UX roles and their job titles vary based on what they mean to employers. One company’s UX designer can be another company’s UX researcher and vice versa. To know what a given UX job title at a specific company is really about, pay close attention to the job descriptions. That said, there’s enough industry consensus to come up with general overviews for each user experience job and UX role.

(back to top)

UX Job Titles, Descriptions, and Salaries

UX Designer

“UX designer” is the most recognizable UX job title. In fact, it’s so commonly used that the entire field is sometimes (misleadingly) called “UX design.” While there’s more to user experience than just UX design, UX designers ARE a thing. So what is a UX designer job description?

UX designers are jacks of all trades in the UX field. They’re able to participate in every stage of the UX process, but don’t deeply specialize in any one function. If you’re an individual entrepreneur freelancing in UX or working at a company without a dedicated UX department, you’ll probably find yourself in a UX designer role.

UX designer duties include:

Participating in user research and implementing findings to create a UX strategy and design

Developing product prototypes and conducting product testing

Communicating with stakeholders about the product development process and test results

UX designer average base pay: $90,697/yr

(back to top)

UI Designer

Along with UX designers, you might hear the job description “UI designer” (or even see them combined as UX / UI designer). No, these aren’t interchangeable words that mean the same thing—user interface (UI) design is a distinct niche in the UX field.

UI design takes the principles of UX and applies them specifically to a product’s interface (a website’s menu, layout on the screen, sitemap, form placement, etc). Because of this focus on the user interface, UI design is more similar to traditional web or graphic design jobs.

UI designer duties include:

Designing and user testing a product’s screens or pages

Coordinating a product’s interface and layout with an overall UX strategy

Creating interface prototypes and product style guides

UI designer average base pay: $80,450/yr

(back to top)

Interaction Designer

Interaction design is a UX job title you’ll find on larger UX teams, where each member has a particular focus. Interaction designers work with a product’s interface, but from a different angle than UI designers. While UI designers create the look and arrangement of an interface, interaction designers focus on the user’s interaction with the interface—how do the menus slide on or off the screen, what kind of transition happens when a window opens or closes, what is the response time when a user takes an action, etc.

Interaction designer duties include:

Designing and user testing a product’s interaction elements

Ensuring interactions are consistent with results from user research

Creating product interaction prototypes

Interaction designer average base pay: $88,124/yr

(back to top)

Motion Designer

Websites and applications are visual products, but those visuals aren’t static—there’s constant movement and animation happening as you scroll through a page or click through menus. That’s where motion design comes in. Motion designers are the movement and animation specialists on a UX team. All the subtle motion dynamics that take place when you use a digital product (the way a screen refreshes, the way menu options fade in and out, etc.) are the domain of motion designers.

Motion designer duties include:

Creating and testing moving product elements, motion graphics, and animations.

Coordinating motion designs with overall UX strategy and user research

Creating product motion prototypes

Motion designer average base pay: $63,373/yr

(back to top)

UX Researcher

Research is at the heart of UX—without researching how an audience feels about a product, there’s absolutely no way to identify and solve customer problems. Every UX role intersects with research, but UX researchers specialize and focus on the research phase. If you enjoy interviewing people, figuring out what makes them tick, and using that data to propose product solutions, UX research may be the perfect UX job title for you.

UX researcher duties include:

Overseeing and conducting user research, interviews, and product testing

Conducting competitive analyses and researching market data

Creating user personas, user journey maps, usability tests, and surveys/questionnaires

UX researcher average base pay: $93,152/yr

(back to top)

Information Architect

Information Architecture (IA) sounds intense, but the job description is actually pretty straightforward. It’s simply the process of arranging apps, websites, software, printed materials, and even physical spaces in ways that makes them understandable and easy to navigate.

Signs pointing to where you need to go in a parking lot, the arrangement of columns in a magazine, or the flow of a menu on a webpage are all examples of IA. Information architects then are the people who—based on the findings of UX researchers—decide how to arrange a product’s information in the most user-friendly way possible.

Information architecture is also a great example of how UX overlaps with other fields like digital marketing. IA isn’t too far removed from (and uses similar skills to) the content strategy phase of content marketing. Like a content strategist, an information architect organizes content (in this case user research and product features) to maximize their intended effect.

Information architect duties include:

Creating site maps, user journey maps, and product navigation schemes

Participating in user research and interviews

Managing data models based on user research

Information architect average base pay: $96,435/yr

(back to top)

UX Engineer

A UX engineer is really another name for a front end developer working on a UX team. The UX engineer job description includes using technical skills to make working product prototypes. These prototypes are based on concepts developed by UX researchers and UX designers. UX engineers are also able to advise their team whether or not the ideas they have are technically feasible.

UX Engineer duties include:

Using programming languages like HTML, CSS, and JavaScript to turn visual designs into working prototypes Implementing interaction and motion designs into product prototypes Providing technical advice and assistance to UX teams

UX engineer average base pay: $107,670/yr

(back to top)

UX Job Boards

Now that you know more about each of these UX jobs, where can you actually find them? Along with general job sites like Indeed and Glassdoor, here are 10 UX job boards you can keep an eye on to find the perfect UX job for you.

1. UXPA Job Bank

The User Experience Professionals Association Job Bank maintains an updated list of UX job listings.

2. UX Jobs Board

UX Jobs Board is a dedicated UX job site that also allows users to create a profile and connect with companies that are hiring.

3. Just UX Jobs

As the name suggests, nothing but UX jobs on the Just UX Jobs board. It’s free to post jobs and free to apply for them.

4. Smashing Magazine

Smashing Magazine maintains a UX jobs section on their site.

5. Dribbble

Dribbble’s jobs board caters to design roles of all types, and that includes plenty of listings for UX and UI designer jobs.

6. UX Design Jobs

If you’re looking for UX designer jobs, you could do worse than heading to a site called UX Design Jobs. All UX jobs here, all the time.

7. Authentic Jobs

Authentic Jobs is a tech-related job site with a healthy UX and UX designer jobs presence.

8. Coroflot

Coro-what? COROFLOT. Yes, this venerable design site has its own jobs section, including listings for UX and UI jobs.

9. Designer Hangout

Designer Hangout is a place where…well, designers hang out. But they also have a jobs board dedicated to UX designer jobs.

10. Krop

If you’re looking for creative jobs, Krop’s jobs board has you covered. And it doesn’t get more creative than UX designer jobs.

(back to top)

Ready to start your own user experience job search? Make sure to download our free UX Job Search Toolkit from the top or bottom of this page and take some of the most important facts about landing a UX job with you!

from Web Developers World https://skillcrush.com/2019/05/02/ux-job-titles/

[knights-hacks-cheat-blog]

SAO's Legend Hack Cheats

SAO's Legend Hack Cheats

Diamond Generator Cor and Bound Coro Hacks Coupon Creator Cheats VIP Adder Remove Ads Hello all bloggers. Today I want to present for you awesome tricks Saos legend cheat. SAO's legend generator online mod no survey. Look at new 2018 full legit saos legend cheated software. saos legend generated all items. sao's legend cheating software. Saos legend full legit cheat. Saos legend full no - survey guid. Sao's legend Sword Art Online Hack. Sword Art Online Hacking tool. Sword Art Online Cheat Engine. Sword Art Online Cheating. SAO Legend mod apk, Sao Legend modded apps. Sao legend tested generator full legit cheat online 2018 no survey mod application. Sao Legend Hack – Unlimited Diamonds & Cor and XP … Sao Legend Hack Tool 2017 100% Legit – Unlimited Free Diamonds & Cor and XP … Sao Legend Hack 2017 Free Glitch Unlimited Diamonds & Cor and XP! No Survey 100% Works … Sao Legend Hack: Android, iOS, Desktop – Instant Generate 100k Diamonds & Cor No Root … Sao Legend Hack Android & iOS 999999 Diamonds & Cor No Survey!! … (*Tested*)Sao Legend Hack Get Free Diamonds & Cor and XP On Sao Legend Ios/Android … Sao Legend Hack Glitch 100% Working For Free Unlimited Diamonds & Cor and XP … Sao Legend Hack For Android – Ios – Windows … Sao Legend Cheats – Generate 999999 Diamonds & Cor vs XP Instantly … Sao Legend Cheat Codes Get 999,999 Diamonds & Cor and XP! Android-iOS … get Bound Cor Read the full article

[rollinbrigittenv8]

Frequent Flyers Are Getting Happier With Most Airline Loyalty Programs

A JetBlue aircraft is shown at Los Angeles International Airport. The carrier's loyalty program was top-ranked in a J.D. Power survey for the second year in a row. Tomás Del Coro / Flickr

Skift Take: A new study shows frequent travelers are fairly pleased with their airline loyalty programs — but also don't entirely understand how those programs work. Would better understanding lead to more or less satisfaction?

— Hannah Sampson

Read the Complete Story On Skift

[jucks72]

Picco Rosso, la pizza n°1 in Giappone grazie alla ricerca di eccellenze italiane

New Post has been published on http://www.it-gourmet.it/2017/11/04/picco-rosso-la-pizza-n1-giappone-grazie-alla-ricerca-di-eccellenze-italiane/

Picco Rosso, la pizza n°1 in Giappone grazie alla ricerca di eccellenze italiane

Il patron di Picco Rosso, catena giapponese di pizza italiana, viaggia in Italia per reperire prodotti agroalimentari di eccellenza. Di pizza abbiamo di recente scritto a fronte di survey su pizzerie italiane nel mondo.

Si parla di piccolo pianeta, il villaggio globale in rete, i traduttori automatici che smontano il flagello della Babele linguistica, la sana curiosità, ed ecco un episodio occorsoci che raccontiamo volentieri.

Prologo: un pizzaiolo giapponese, dopo aver letto il summenzionato articolo, ci comunica che ha una grande esigenza, vuole approvvigionarsi di cibo italiano di alta qualità.

E questa è in breve la storia. E se è una storia, la affabuliamo e la facciamo cominciare così: “C’era una volta…”. Difatti, ahinoi, ci fu una volta un evento tragico e disastroso chiamato Seconda Guerra Mondiale. E c’era in Giappone un italiano di nome Giuseppe Donnaloia. Costui, alla fine del conflitto sul fronte nipponico, fu preso dagli americani e per sopravvivere disse, mentendo, che era pizzaiolo. Hic Rhodus, hic salta! Eh sì, a fronte di questa abilità sbandierata, si trattava di farle per davvero le pizze. E Donnaloia ci riuscì: estro, inventiva, la forza che interviene nelle situazioni disperate. I suoi meriti gli valsero anche l’onorificenza di Cavaliere della Repubblica Italiana.

Aprì la sua prima pizzeria a Kobe, e siamo negli anni ’50 in un Giappone distrutto che trova con la tenacia del suo popolo la forza di risollevarsi. Attività a gonfie vele e passaggio generazionale su sponda locale. Imprenditori giapponesi innamorati della pizza e del sotteso emergente business, subentrano e siamo oggi alla terza generazione con Takeshi Yumeji, patron della pizzeria Picco Rosso a Kobe.

Takeshi Yumeji e Toshio Demizu

Ed è Takeshi Yumeji che volentieri si racconta. Lo incontriamo a Napoli durante uno dei suoi viaggi resi necessari dall’esigenza che ha cagionato il contatto tra noi. La sua, chiariamo subito lo scenario, non è una pizzeria intesa come locale aperto al pubblico. Vorremmo dire, ci sia consentita la facezia terminologica, che la sua è una “fabbrica della pizza”, la più grande del Giappone.

È la pizza italiana più venduta nella Gdo giapponese. E gli ingredienti, ci piace ribadirlo, sono tutti italiani. Le dimensioni del disco di pizza sono inferiori a quelle nostre. Perché? Perché in Giappone è tutto più piccolo: le case, le stanze delle case, gli elettrodomestici nella piccola cucina. La pizza che produce Picco Rosso la si acquista nella Gdo e poi, una volta a casa è necessario il passaggio nel forno a microonde; ecco, ed anche il forno a microonde è piccolo! Tutto chiaro.

Affiancato dal suo direttore di produzione Toshio Demizu, Takeshi palesa le sue difficoltà in anello a monte della filiera di produzione, ovvero l’acquisto e gli approvvigionamenti di food davvero made in Italy e non Italian sounding.

Nel suo viaggio in Italia si pone alla ricerca di eccellenze. Nella tappa campana si è posto alla ricerca delle acciughe di Cetara e della colatura di alici. Si è poi recato nell’agro sarnese nocerino per individuare fornitore di Pomodoro San Marzano Dop. Meticoloso il suo scouting anche per la Mozzarella di Bufala Campana Dop. Chicca tra le chicche, addirittura ha voluto assaggiare il Conciato Romano, formaggio sconosciuto ai più che viene prodotto in piccole quantità. L’anelito di Takeshi, ed è questo l’aspetto che auspichiamo solleciti attenzione da parte dei produttori del nostro agroalimentare di qualità, è quello di essere messo in condizioni facilitate per conoscere i produttori e che siano non insormontabili le problematiche connesse allo shipping ed alla logistica, con annesse le operazioni di saldo delle fatture di acquisto.

Ipotesi di scenario: website di e-business, insomma sorta di e-commerce b2b, dove siano presenti, prima ed innanzitutto per raccontarsi e poi eventualmente per lasciarsi comprare, le produzioni di eccellenza dell’agroalimentare. Non può essere vincente il website del singolo produttore, deve esserci un offering articolato dove l’assenza di overlapping è scaturimento naturale di agreement tra i soggetti fornitori. Acquisto in ottica “one shop” da parte dell’acquirente con un autentico “easy to buy”. Soluzioni di e-logistics e di shipping groupage e garanzia di avvenuti pagamenti.

Grazie alla tecnologia abilitante, lo scenario appena tratteggiato non è di difficoltosa attuazione. Si tratta di mettere insieme le giuste competenze. Ma si tratta anche di fare un’altra cosa, essa sì davvero difficile nel nostro contesto: attuare la trust economy, l’economia della fiducia.

Il caso Picco Rosso, ovvero il colosso giapponese messo in piedi da Takeshi Yumeji, è vivo, attuale, concreto, insomma esiste e grazie alla sensibilità di Takeshi Yumeji se ne viene a conoscenza. Ma riusciamo ad immaginare worldwide quante altre situazioni simili esistono nel mondo? Quanti potenziali clienti non si riescono a raggiungere perché a costoro non ci si rende sufficientemente visibili. Per quanti potenziali clienti ai quali ci si rende sufficientemente visibili, non si è sufficientemente attrattivi? E dove risiedono le cause dello scarso appealing atteso che è molto improbabile che esso sia nell’insufficiente qualità del prodotto? Un fattore è costituito dall’inadeguata capacità di sapersi raccontare, altro fattore può essere costituito da un costo complessivo cagionato non dal costo del prodotto in sé ma da sacche di inefficienza (le definiamo tali in epoca di tecnologia abilitante). Quali le inefficienze? Piuttosto che enumerarle, proviamo a ricondurle alla “madre di tutte le inefficienze” che è debolezza: ci piace essere solisti e non sappiamo cantare in coro. Insomma, il caso Picco Rosso, con il patron Takeshi Yumeji che viene a fare scouting in Italia, ci fa molto meditare.

[riniivanka-blog]

Kode Kopi Coro dalam Pembahasan APBD Kota Semarang Pernah Populer, Apakah Itu?

Rini Ivanka Kode Kopi Coro dalam Pembahasan APBD Kota Semarang Pernah Populer, Apakah Itu? Artikel Baru Nih Artikel Tentang Kode Kopi Coro dalam Pembahasan APBD Kota Semarang Pernah Populer, Apakah Itu? Pencarian Artikel Tentang Berita Kode Kopi Coro dalam Pembahasan APBD Kota Semarang Pernah Populer, Apakah Itu? Silahkan Cari Dalam Database Kami, Pada Kolom Pencarian Tersedia. Jika Tidak Menemukan Apa Yang Anda Cari, Kemungkinan Artikel Sudah Tidak Dalam Database Kami. Judul Informasi Artikel : Kode Kopi Coro dalam Pembahasan APBD Kota Semarang Pernah Populer, Apakah Itu? Hasil survei Indeks Persepsi Korupsi Indonesia menempatkan Kota Semarang di peringkat 3 terbaik pada 2015. http://www.unikbaca.com

[harianpublik-blog]

Kini HTI dan Ide Perjuangannya jadi Pembicaraan Dimana-mana

Kini HTI dan Ide Perjuangannya jadi Pembicaraan Dimana-mana

Dakwah Media – Salah satu tahapan keberhasilan dakwah adalah saat rakyat semakin banyak mendengar tentang Islam, semakin tertarik untuk membahasnya, semakin menjadi topik utama dalam obrolan-obrolan mereka di mana-mana.

sebagaimana dulu ketika menjelang kemenangan Rasulullah di Yastrib dakwah Islam di kota itu sudah masuk ke seluruh rumah-rumah penduduk, sampai dikatakan tidak ada 1 pintu rumahpun yang tidak dimasuki Islam, terlepas masyarakat berbeda-beda menyikapi dakwah islam namun penerimaan masyarakat terhadap dakwah semakin membesar.

Hari ini sama terjadi pada HTI dan apa yang mereka perjuangkan, tahapannya sudah mendekati tahapan akhir menjelang tegaknya Daulah Madinah di zaman Rasulullah. dari berbagai survei umat Islam sangat antusias membela HTI, media-media semua memberitakan, baik media cetak, elektronik maupun daring semua menjadikan HTI sebagai bahan pembicaraaan.

Hampir semua orang mengenal apa yang HTI perjuangkan, mereka sudah sangat akrab dengan istilah Khilafah, mereka mulai membanding-bandingkan antara demokrasi dengan Khilafah, antara Islam dengan sekuler, kerinduan untuk bersatu dibawah naungan 1 bendera Rasulullah semakin membuncah dalam jiwa dan raga mereka.

Salah satu scene kehidupan rakyat terekam dengan sangat baik oleh pemilik akun facebook Adinda Pertiwi, ia menuliskan sebagai berikut: Diujung kampung ada pak becak dan tukang jual mie pangsit lg ngobrol tak nguping sbtr trnyta baca koran,

tukang pangsit blg: eh cak “HTI jarene sesat lho katene dibubarno “, pak becaknya jwb: iku ngono goro goro jokowi kabeh2 wong islam arepe dientekno, untung aku biyen gak milih masio oleh kaos karo duwite, podoae masio aku milih engko yo bakal disikso pemerintah maneh, tukang mie: lho kok iso disikso cak? pak becak: lha iyo saben ganti presiden tetep nelongso sembarang mundak, soale coro ngatur negarane nggawe kapitalis, tukang mie tnya lg: ???? opo kuwi pak becak: aku yo ora ngerti kapitalis iku opo 😅 tapi aku tau ngrungokne khutbah jumat ndek mesjid jarene kapitalis itu guduk hukume gusti Allah dadi smbarang rusak, lek nggawe hukume gusti Allah yo dadine penak pnjual mie: sak jane yo bener HTI yo tapi kok arepe dibubarno yo pak becak: wis emboh mas wong jarene iku jokowi PKI gk seneng wong islam, pjual mie: lak medeni cak….iso mbalek jaman biyen PKI iku brutal, pak becak: yo mulo didungakne bareng2 ben wong islam kuat dadi siji gk kocar kacir ben iso nglawan PKI pnjual mie: yo cak mugo2 ae

percakapan itu kudapat dr hasil nguping didpn gang dpan tmpat smpy lewat krmhku tadi dinda,.., pak becakny cocok jd org LI krn stiap aq brgkt skolah dia baca koran surya n jawapos, kita gk pernah langganan, trnyta bapakny pinjem koran dr pnjual koran didepan, meski gk pny uang slalu update berita, jd iri n malu

sumber: fb

Sumber : Source link

[cubaverdad]

Birthrate Is Not Just a Matter of Resources

Birthrate Is Not Just a Matter of Resources / 14ymedio, Marcelo Hernandez 14ymedio, Marcelo Hernandez, Havana, 15 February 2017 — Concerned about low birthrates, this month the Government has launched a campaign focused on fertility and a package of measures to stimulate births of two or more children per woman. Since 1978 fertility rates have declined throughout the Island, dropping below population replacement levels. By 2050, the country will rank 9th in the world for elderly population. The aging demographics will exacerbate the lack of economically active people. The new regulations to stimulate birth, made widely known by the paper Gaceta Oficial (Offical Gazzette), are composed of two decrees and four resolutions. These measures include the paid participation of family members in the childrearing process. "Now my mother will be able to stay home with my daughter while I go to work," says Sahily Cuevas, mother of a four-month-old baby and an employee of a Cooperative of Credits and Services in the municipality of Güira, Artemisa. The grandmother, employed in the State Gastronomic Network, will receive 60% of her salary as a social benefit, a benefit that up until February was only available to the father of the child. It is true, however, that this payment is equivalent to $11, the price of three packs of disposable diapers. The majority of women surveyed point to lack of resources as the main cause for postponement or interruption of a pregnancy. In the period between 2006-2013, birth rates rose from 1.39 children per woman to 1.71, but that figure should reach a minimum of 2.1 to get out of the red zone. "I would not dare have a second child," exclaims Tahimí, 27, resident of Aguada de Pasajeros. "The list of necessities to have a baby is so long that the extra money will be like a drop in the ocean, it will serve very little use." The women believes that the 50% discount on subsidized childcare rates for parents of two or more children can help "the poorest families," especially in rural areas. With the third child the family will become exempt from payment, a benefit extending to couples that have multiple deliveries at once. Returning to work after giving birth has also received new stimuli. Mothers who return to work after 18 weeks of maternity leave will receive, in addition to 100% of their salary, an extra provision of 60% of their pay, from three months to one year after giving birth. The private sector, with more than half a million employees in the country, has also received a reduction in monthly taxes for self-employed workers with two or more children under 17 years old. But the labor demands in private businesses leave little room for women to take a more extended family leave. "I would not leave from here because they would replace me and this is my family's livelihood," comments an employee of La Mimosa, a restaurant in Chinatown in Havana. "There is a lot of competition and getting pregnant is the same as being left out," adds the employee, who chose to remain anonymous. Maipú, 21, has had four abortions. The first two with the technique of menstrual regulation performed on an outpatient basis that does not require anesthesia. For the last two she entered an operating room where they used the technique of scraping, known as curettage. The young woman refuses to have children at the moment. "I live with my parents and my grandparents, as well as my two brothers," she says to 14ymedio. Housing problems are the main cause for postponing motherhood, but she also has her eyes set on emigrating. In recent years, without publicly announcing it, the Ministry of Public Health has restricted abortions. "Now the requirements to receive an abortion are stricter," says a nurse of the Obstetrical Gynecological Hospital, Ramón González Coro. The employee believes that "it is difficult to complete all the paperwork in time for a menstrual regulation technique or an abortion." However, the informal market has also flourished in that field. Maipú paid 50 CUC for her last abortion. "I did not have much time because I was already at 12 weeks," she recounts. She spent the equivalent of a doctor's monthly salary. There was no record of her procedure on her medical record. The director of the Center of Population and Development Studies, Juan Carlos Alfonso, has tempered the weight of the economic crisis and immigration in the rejection of pregnancies maintained by Cuban women. For the specialist, "social processes like female emancipation "also influence in the decision to push back maternity. A 2009 fertility survey by the National Bureau of Statistics (ONEI) found that 21% of women aged 15-54 had experienced at least one pregnancy that ended in intentional abortions. Eighty percent of the population reported having used contraception. "Obtaining one visa is not the same as obtaining two," affirms Maipú in a pragmatic tone. However, she acknowledges that she has always wanted to "be a mother and have many children running around the house." Translated by Chavely Garcia. Source: Birthrate Is Not Just a Matter of Resources / 14ymedio, Marcelo Hernandez – Translating Cuba - http://ift.tt/2kUgPhJ via Blogger http://ift.tt/2lQVfJp

[dmartin-blog]

LONDON, LONDRES / ROYAL ALBERT HALL I (28/12/2016)

© Saúl Tuñón Loureda

twitter.com/Woody_Twitt www.facebook.com/stloureda www.instagram.com/fotosaul/

El Royal Albert Hall es una sala de conciertos en Londres. Inaugurado el 29 de marzo de 1871, es uno de los teatros más emblemáticos del mundo y una de las construcciones más distintivas del Reino Unido. Está ubicado en Albertopolis, en el extremo norte del área de South Kensington, en la ciudad de Westminster.

El Royal Albert Hall fue construido para cumplir la visión del príncipe Alberto, consorte de la reina Victoria, de un "Salón Central" que fuera utilizado para promover las artes y las ciencias en South Kensington, rodeado de museos y centros de aprendizaje.1

Iba a llamarse The Central Hall of Arts and Sciences, pero se lo renombró Royal Albert Hall of Arts and Sciences por decisión de Victoria, en memoria de su esposo.

En 1851, con motivo de la Gran Exposición en Hyde Park (Londres), se construyó el The Crystal Palace. La exposición tuvo un gran éxito y esto hizo que el príncipe Alberto propusiera la construcción de una serie de instalaciones permanentes para la cultura y educación de la gente.

La propuesta fue aprobada y el sitio fue comprado con una parte de los beneficios recaudados en la exposición. En abril de 1867 la reina Victoria firmó la «Royal Charter of the Corporation of the Hall of Arts and Sciences» para poder iniciar la construcción y operación del teatro y el 20 de mayo se colocó la primera piedra. Sin embargo, el progreso del proyecto fue muy lento y, en 1861, Alberto murió sin poder ver realizadas sus ideas. No obstante, se propuso la construcción de un monumento en su memoria, el Albert Memorial, orientado hacia el Royal Albert Hall.

La ceremonia oficial de inauguración fue el 29 de marzo de 1871. El discurso de bienvenida estuvo a cargo de Eduardo, Príncipe de Gales. Aunque Victoria no dio un discurso, sí comentó que el edificio le recordaba a la Constitución Británica.

El Royal Albert Hall, monumento clasificado de Grado 1, fue diseñado por los ingenieros civiles Francis Fowke y Henry Young Darracott Scott, de la Royal Engineers, y construido por los hermanos contratistas Thomas y Charles Lucas.3 Los diseñadores estuvieron fuertemente influenciados por la forma de los antiguos anfiteatros, así como también por las ideas de Gottfried Semper, mientras él trabajaba en el South Kensington Museum.

Para su construcción se emplearon ladrillos rojos de Fareham, con bloques de decoración hechos de terracota, fabricados por Gibbs and Canning Limited. Tiene un tamaño de 83 metros (eje mayor) por 72 metros (eje menor) y una forma elíptica. El domo, diseñado por el ingeniero Rowland Mason Ordish, está hecho de cristal y acero forjado, se encuentra a 41 metros de altura en el techo. Originalmente, el teatro fue diseñado para poder albergar 8000 personas, capacidad que ha sido aumentada hasta 9000, aunque las medidas de seguridad actuales han restringido la capacidad máxima permitida, lo que permite un cupo de 5544, incluyendo gente de pie en la Galería.

Desde su inauguración, han pasado por su escenario artistas reconocidos internacionalmente, de música clásica hasta bandas de rock. Ha sido sede de galas benéficas, entregas de premios, banquetes, conferencias, eventos públicos y torneos de tenis. Se llevaron a cabo las graduaciones del Imperial College, acogió el Festival de Eurovisión 1968, el primero transmitido en color, y albergó a celebridades como Creedence Clearwater Revival, John Fogerty, Lady Gaga, Cream, Tony Bennett, Glen Hansard, Laura Pausini, Paul McCartney, Elton John, Slash, B.B. King, David Bisbal, Yanni, bond, Eric Clapton, Mark Knopfler, George Harrison, David Gilmour, Deep Purple, Bob Dylan, Led Zeppelin, Rod Stewart, Camel, Sting, Eric Idle, Michael Palin, Terry Jones, Terry Gilliam, Umberto Tozzi, Jack Bruce, Jimmy Page, Robert Plant, Sarah Brightman, Julio Iglesias, Mick Jagger, Muse, Frank Sinatra, Phil Collins, Pete Townshend, The Corrs, Robbie Williams, The Last Shadow Puppets, Arctic Monkeys, Enrique Iglesias, Noel Gallagher, Depeche Mode, Snow Patrol, The Stranglers, The Killers, Jake Bugg, Porcupine Tree, Coldplay y, recientemente Steven Wilson, Opeth, Emeli Sandé, Adele, Florence and the Machine, Mystery Jets, Foals, Bring Me The Horizon , McFly y Juan Luis Guerra.

El Royal Albert Hall es la sede de The BBC Proms, el mayor festival mundial de música clásica que se realiza anualmente durante el verano, con una duración de ocho semanas y con un maratón de solistas, coros y orquestas transmitido a todo el mundo por la BBC.6 Por los Proms han pasado importantes figuras de la música clásica como Adrian Boult, Malcom Sargent, Colin Davis, Georg Solti, Evgeny Kissin, Joshua Bell, John Williams (guitarrista), Luciano Pavarotti, Jessye Norman, Plácido Domingo, Sarah Brightman, Renée Fleming, Bryn Terfel y Simon Rattle, entre otros.

La tradicional última noche de los Proms es uno de los hitos del verano londinense. Es un show que reúne multitudes dentro del hall y en Hyde Park y otros parques en otros lugares del Reino Unido. El último concierto del festival (a menudo la Novena Sinfonía de Beethoven) finaliza con bises de clásicos la cultura victoriana como Pompa y circunstancia de Sir Edward Elgar, Land of Hope and Glory, Rule Britannia, Jerusalem y God Save the Queen.

El Cirque du Soleil ha realizado numerosas presentaciones en este teatro desde 1996, con el espectáculo Saltimbanco, que se presentó hasta 1997. En 1998 y 1999, presentaron Alegría. En 2003 se presentan nuevamente con Saltimbanco. En 2004 y 2005 montaron el espectáculo Dralion. En 2006 y 2007 se dio el regreso de Alegría, mientras que en el 2008, realizaron la premiere de Varekai, espectáculo con el que regresaron en 2010, con motivo de la celebración de los 25 años de la compañía. En 2011 y 2012 se presentaron con Totem. En 2013 estarán presentando Kooza.

Desde 1998, el English National Ballet se ha presentado en numerosas temporadas en sociedad con el teatro y Raymond Gubbay con, entre otros, La bella durmiente (2000), Romeo y Julieta (2001 y 2005), El lago de los cisnes (2002, 2004, 2007 y 2010) y Strictly Gershwin (2008 y 2011).

The Festival of Remembrance de la Royal British Legion se celebra anualmente, un día antes del Rembrance Sunday, fecha en la que se recuerda a todos aquellos que han perdido la vida en conflictos bélicos.7 Teenage Cancer Trust

Desde el año 2000, el Teenage Cancer Trust ha celebrado anualmente conciertos de caridad. Iniciaron como un evento sencillo, pero a través de los años se han ido expandiendo hasta presentar una semana o más de presentaciones.

Roger Daltrey, vocalista de The Who, ha estado profundamente envuelto en la realización de los conciertos para este evento.8 Ceremonias de graduación

El teatro es usado anualmente por el Royal College of Art y el Imperial College London para sus ceremonias de graduación.

La Kingston University celebró también sus ceremonias de graduación hasta 2008, año en que cambió de sede al nuevo Rose Theatre, Kingston.

es.wikipedia.org/wiki/Royal_Albert_Hall

The Royal Albert Hall is a concert hall on the northern edge of South Kensington, London, which holds the Proms concerts annually each summer since 1941. It has a capacity of up to 5,272 seats. The Hall is a registered charity held in trust for the nation and receives no public or government funding.[1]

Since its opening by Queen Victoria in 1871, the world’s leading artists from many performance genres have appeared on its stage and it has become one of the UK’s most treasured and distinctive buildings. The location of some of the most notable events in British culture, each year it hosts more than 390 shows in the main auditorium, including classical, rock and pop concerts, ballet, opera, film screenings with live orchestra, sports, award ceremonies, school and community events, charity performances and banquets. A further 400 events are held each year in the non-auditorium spaces.

The Hall was originally supposed to have been called the Central Hall of Arts and Sciences, but the name was changed to the Royal Albert Hall of Arts and Sciences by Queen Victoria upon laying the Hall’s foundation stone in 1867, in memory of her husband consort, Prince Albert who had died six years earlier. It forms the practical part of a memorial to the Prince Consort – the decorative part is the Albert Memorial directly to the north in Kensington Gardens, now separated from the Hall by Kensington Gore.

he Hall, a Grade I listed building,[22] is an ellipse in plan, with major and minor axes of 83 m (272 ft) and 72 m (236 ft). The great glass and wrought-iron dome roofing the Hall is 41 m (135 ft) high. It was originally designed with a capacity for 8,000 people and has accommodated as many as 9,000 (although modern safety restrictions mean that the maximum permitted capacity is now 5,544 including standing in the Gallery).

Around the outside of the building is a great mosaic frieze, depicting "The Triumph of Arts and Sciences", in reference to the Hall’s dedication. Proceeding anti-clockwise from the north side the sixteen subjects of the frieze are: (1) Various Countries of the World bringing in their Offerings to the Exhibition of 1851; (2) Music; (3) Sculpture; (4) Painting; (5) Princes, Art Patrons and Artists; (6) Workers in Stone; (7) Workers in Wood and Brick; (8) Architecture; (9) The Infancy of the Arts and Sciences; (10) Agriculture; (11) Horticulture and Land Surveying; (12) Astronomy and Navigation; (13) A Group of Philosophers, Sages and Students; (14) Engineering; (15) The Mechanical Powers; and (16) Pottery and Glassmaking.

Above the frieze is an inscription in 12-inch-high (300 mm) terracotta letters that combines historical fact and Biblical quotations: "This hall was erected for the advancement of the arts and sciences and works of industry of all nations in fulfilment of the intention of Albert Prince Consort. The site was purchased with the proceeds of the Great Exhibition of the year MDCCCLI. The first stone of the Hall was laid by Her Majesty Queen Victoria on the twentieth day of May MDCCCLXVII and it was opened by Her Majesty the Twenty Ninth of March in the year MDCCCLXXI. Thine O Lord is the greatness and the power and the glory and the victory and the majesty. For all that is in the heaven and in the earth is Thine. The wise and their works are in the hand of God. Glory be to God on high and on earth peace."

Below the Arena floor there are two 4000 gallon water tanks, which are used for shows that flood the arena like Madam Butterfly.

The Hall has been affectionately titled "The Nation’s Village Hall".[24] The first concert was Arthur Sullivan’s cantata On Shore and Sea, performed on 1 May 1871.[25][26]

Many events are promoted by the Hall, whilst since the early 1970s promoter Raymond Gubbay has brought a range of events to the Hall including opera, ballet and classical music. Some events include classical and rock concerts, conferences, banquets, ballroom dancing, poetry recitals, educational talks, motor shows, ballet, opera, film screenings and circus shows. It has hosted many sporting events, including boxing, squash, table tennis, basketball, wrestling including the first Sumo wrestling tournament to be held in London as well as UFC 38 (the first UFC event to be held in the UK), tennis and even a marathon.[27][28]

On 6 April 1968, the Hall was the host venue for the Eurovision Song Contest which was broadcast in colour for the first time.[29] One notable event was a Pink Floyd concert held 26 June 1969, the night they were banned from ever playing at the Hall again after shooting cannons, nailing things to the stage, and having a man in a gorilla suit roam the audience. At one point Rick Wright went to the pipe organ and began to play "The End Of The Beginning", the final part of "Saucerful Of Secrets", joined by the brass section of the Royal Philharmonic Orchestra (led by the conductor, Norman Smith) and the ladies of the Ealing Central Amateur Choir.[30] A portion of the pipe organ recording is included on Pink Floyd’s album The Endless River.[31]

On 30 June 2 and 3 July 2011, Janet Jackson brought her Number Ones, Up Close and Personal Tour here, These were her first headlining UK shows in 13 years.

Kylie Minogue performed a show here on 11 December 2015, to promote Kylie Christmas, her first Christmas album and thirteenth studio album. She will return with two more shows on 9 & 10 December 2016.

Benefit concerts in include the 1997 Music for Montserrat concert, arranged and produced by George Martin, an event which featured artists such as Phil Collins, Mark Knopfler, Sting, Elton John, Eric Clapton and Paul McCartney,[32] and 2012 Sunflower Jam charity concert with Queen guitarist Brian May performing alongside bassist John Paul Jones of Led Zeppelin, drummer Ian Paice of Deep Purple, and vocalists Bruce Dickinson of Iron Maiden and Alice Cooper.[33]

On 2 October 2011, the Hall staged the 25th anniversary performance of Andrew Lloyd Webber’s The Phantom of the Opera, which was broadcast live to cinemas across the world and filmed for DVD.[34] Lloyd Webber, the original London cast including Sarah Brightman and Michael Crawford, and four previous actors of the titular character, among others, were in attendance – Brightman and the previous Phantoms (aside from Crawford) performed an encore.

On 24 September 2012, Classic FM celebrated the 20th anniversary of their launch with a concert at the Hall. The programme featured live performances of works by Handel, Puccini, Rachmaninoff, Parry, Vaughan Williams, Tchaikovsky and Karl Jenkins who conducted his piece The Benedictus from The Armed Man in person.[35]

On 19 November 2012, the Hall hosted the 100th anniversary performance of the Royal Variety Performance, attended by the Queen and Prince Philip, with boyband One Direction among the performers.[36]

Between 1996 and 2008, the Hall hosted the annual National Television Awards all of which were hosted by Sir Trevor McDonald. Regular events Royal Choral Society The Royal Choral Society is the longest running regular performance at the Hall, having given its first performance as the Royal Albert Hall Choral Society on 8 May 1872. From 1878 it established the annual Good Friday performance of Handel’s Messiah.

The BBC Promenade Concerts, known as "The Proms", is a popular annual eight-week summer season of daily classical music concerts and other events at the Hall. In 1942, following the destruction of the Queen’s Hall in an air raid, the Hall was chosen as the new venue for the proms.[37] In 1944 with increased danger to the Hall, part of the proms were held in the Bedford Corn Exchange. Following the end of World War II the proms continued in the Hall and have done so annually every summer since. The event was founded in 1895, and now each season consists of over 70 concerts, in addition to a series of events at other venues across the United Kingdom on the last night. In 2009, the total number of concerts reached 100 for the first time. Jiří Bělohlávek described The Proms as "the world’s largest and most democratic musical festival" of all such events in the world of classical music festivals.[38]

Proms (short for promenade concerts) is a term which arose from the original practice of the audience promenading, or strolling, in some areas during the concert. Proms concert-goers, particularly those who stand, are sometimes described as "Promenaders", but are most commonly referred to as "Prommers".[39] Tennis

Tennis was first played at the Hall in March 1970 and the ATP Champions Tour Masters has been played annually every December since 1997. Classical Spectacular

Classical Spectacular, a Raymond Gubbay production, has been coming to the Hall since 1988. It combines classical music, lights and special effects. Cirque du Soleil

Cirque du Soleil has performed several of its shows at the Hall beginning in 1996 with Saltimbanco, a show which returned in 1997. In 1998 they had their UK première of Alegría and returned in 1999. After a few years away they returned in 2003 with Saltimbanco. Their European première of Dralion was held at the Hall in 2004 and returned in 2005. 2006 and 2007 saw the return of Alegría whilst 2008 saw the UK première of Varekai, which returned in 2010 marking 25 years of Cirque du Soleil. Quidam returned to London (but a first for this show at the Hall) in 2009 and again in January 2014. In January and February 2011 and again in 2012 they presented Totem. From January–February 2013 and again from January–February 2015, the hall held performances of Koozå. Classic Brit Awards

Since 2000, the Classic Brit Awards has been hosted annually in May at the Hall. It is organised by the British Phonographic Industry. Festival of Remembrance

The Royal British Legion Festival of Remembrance is held annually the day before Remembrance Sunday.[40] Institute of Directors

For 60 years the Institute of Directors’ Annual Convention has been synonymous with the Hall, although in 2011 and 2012 it was held at indigO2. English National Ballet

Since 1998 the English National Ballet has had several specially staged arena summer seasons in partnership with the Hall and Raymond Gubbay. These include Strictly Gershwin, June 2008 and 2011, Swan Lake, June 2002, 2004, 2007, 2010 and 2013, Romeo & Juliet (Deane), June 2001 and 2005 and The Sleeping Beauty, April – June 2000.[41] Teenage Cancer Trust

Starting in the year 2000 the Teenage Cancer Trust has held annual charity concerts (with the exception of 2001). They started as a one off event but have expanded over the years to a week or more of evenings events. Roger Daltrey of the Who has been intimately involved with the planning of the events.[42] Graduation Ceremonies

The Hall is used annually by the neighbouring Imperial College London and the Royal College of Art for graduation ceremonies. Kingston University also held its graduation ceremonies at the Hall until 2008. Films, premières and live orchestra screenings

The venue has screened several films since the early silent days. It was the only London venue to show William Fox’s The Queen of Sheba in the 1920s.

The Hall has hosted many premières, including the UK première of Fritz Lang’s Die Nibelungen, 101 Dalmatians on 4 December 1996, the European première of Spandau Ballet’s Soul Boys of the Western World[43] and three James Bond royal world premières; Die Another Day on 18 November 2002 (attended by Queen Elizabeth II and Prince Philip), Skyfall on 23 October 2012 (attended by Charles, Prince of Wales and Camilla, Duchess of Cornwall)[44] and SPECTRE on 26 October 2015 (attended by Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge).[45]

The Hall held its first 3D world première of Titanic 3D, on 27 March 2012, with James Cameron and Kate Winslet in attendance.[46]

The Hall has curated regular seasons of film-and-live-orchestra screenings since 2009, including the Lord of the Rings trilogy, Gladiator, Star Trek, Star Trek Into Darkness, Interstellar, The Matrix, West Side Story, Breakfast at Tiffany’s, Back to the Future and the world première of Titanic Live in Concert. Beyond the main stage

The Hall hosts hundreds of events and activities beyond its main auditorium. There are regular free art exhibitions in the ground floor amphi corridor, which can be viewed when attending events or on dedicated viewing dates. You can take a guided tour of the Hall on most days. The most common is the one-hour Grand Tour which includes most front-of-house areas, the auditorium, the gallery and the Royal Retiring Room. Other tours include Story of the Proms, Behind the Scenes, Inside Out and School tours. Children’s events include Storytelling and Music Sessions for 0 – 4 year olds which take place in the Door 9 Porch and Albert’s Band sessions in the Elgar Room during school holidays. "Live Music in Verdi" takes place in the Italian restaurant on a Friday night featuring different artists each week. "Late Night Jazz" events in the Elgar Room, generally on a Thursday night, feature cabaret style seating and a relaxed atmosphere with drinks available. "Classical Coffee Mornings" are held on Sundays in the Elgar Room with musicians from the Royal College of Music accompanied with drinks and pastries. Sunday brunch events take place in Verdi Italian restaurant and features different genres of music.[47] Regular performers

Eric Clapton is a regular performer at the Hall, it having played host to his concerts almost annually for over 20 years. In December 1964, Clapton made his first appearance at the Hall with the Yardbirds. It was also the venue for his band Cream’s farewell concerts in 1968 and reunion shows in 2005. He also instigated the Concert for George, which was held at the Hall on 29 November 2002 to pay tribute to Clapton’s lifelong friend, former Beatle George Harrison. Since 1964, Clapton has performed at the Hall almost 200 times, and has stated that performing at the venue is like "playing in my front room".[48][49]

David Gilmour played at the Hall in support of two solo albums, while also releasing a live concert on September 2006 entitled Remember That Night which was recorded during his three nights playing at the Hall for his 2006 On an Island tour. Notable guests were Robert Wyatt and David Bowie (who sang lead for "Arnold Layne" and "Comfortably Numb"). The live concert was televised by BBC One on 9 September 2007 and again on 25 May. Gilmour is set to return to the Hall; having previously played five nights in September 2015, to end his 34-day Rattle That Lock Tour on September 2016 by playing another four nights at the Hall. He will also make an appearance on 24 April 2016 as part of the Teenage Cancer Trust event.

Shirley Bassey has appeared many times at the Hall, usually as a special guest. In 2001, she sang "Happy Birthday" for the Duke of Edinburgh’s 80th birthday concert. In 2007, she sang at Fashion Rocks in aid of the Prince’s Trust. On 30 March 2011, she sang at a gala celebrating the 80th birthday of Mikhail Gorbachev.[50] In May 2011, she performed at the Classic Brit Awards, singing "Goldfinger" in tribute to the recently deceased composer John Barry.[51] On 20 June 2011, she returned and sang "Diamonds Are Forever" and "Goldfinger", accompanied by the Royal Philharmonic Orchestra, as the climax to the memorial concert for Barry.

James Last appeared 90 times at the Hall between 1973 and 2015, making him the most frequent non–British performer to have played the venue.[52] Education & Outreach

The Hall’s Education & Outreach programme engages 100,000 people a year. It includes workshops for local teenagers led by musicians such as Foals, Jake Bugg, Emeli Sandé, Nicola Benedetti, Alison Balsom and First Aid Kit, innovative science and maths lessons in partnership with Samsung, visits to local residential homes from the venue’s in-house group, Albert’s Band, under the ‘Songbook’ banner, and the Friendship Matinee: an orchestral concert for community groups, with £5 admission. Management The Hall is managed day to day by the chief executive Chris Cotton and five senior executives: the chief operating & financial officer, director of operations, director of business development, director of events and director of external affairs. They are accountable to the Council of the Corporation, which is the Trustee body of the charity. The Council is composed of the annually elected president, currently Mr Jon Moynihan OBE, 18 elected Members (either corporate or individual seat owners) and five Appointed Members, one each from Imperial College London, Royal Commission for the Exhibition of 1851, Department for Culture, Media and Sport, British Museum of Natural History and the Royal College of Music.

Pop culture references

A large mural by Sir Peter Blake is displayed in the amphi corridor of Door 12 at the Hall. Unveiled in April 2014, it shows more than 400 famous figures who have appeared on the stage.

In 1955, English film director Alfred Hitchcock filmed the climax of The Man Who Knew Too Much at the Hall.[63] The 15-minute sequence featured James Stewart, Doris Day and composer Bernard Herrmann, and was filmed partly in the Queen’s Box. Hitchcock was a long-time patron of the Hall and has already set the finale of his 1927 film, The Ring at the venue, as well as his initial version of The Man Who Knew Too Much, starring Leslie Banks, Edna Best and Peter Lorre.[64]

Other notable films shot at the Hall include Major Barbara, Love Story, The Seventh Veil, The Ipcress File, A Touch of Class, Shine and Spice World.

In the song "A Day in the Life" by the Beatles, the Albert Hall is mentioned. The verse goes as follows:

I read the news today, oh boy four thousand holes in Blackburn, Lancashire and though the holes were rather small they had to count them all now they know how many holes it takes to fill the Albert Hall I’d love to turn you on.

The song "Session Man" by the Kinks references the Hall:

He never will forget at all The day he played at Albert Hall.

In the song "Shame" by Robbie Williams and Gary Barlow, Gary mentions the Hall in his verse:

I read your mind and tried to call, my tears could fill the Albert Hall.

In some variants of "Hitler Has Only Got One Ball", Hitler’s second testicle is mentioned to be in the Hall.

en.wikipedia.org/wiki/Royal_Albert_Hall

Posted by Saúl Tuñon Loureda on 2016-12-29 11:37:45

Tagged: , royal , albert , hall , london , londres , concert , nikon

The post LONDON, LONDRES / ROYAL ALBERT HALL I (28/12/2016) appeared first on Good Info.