#or like shinhwa all together and founding their own label

[blessyouhawkeye]

bestie taem and minho are rumored to be tryna leave sm shit got realer

okay i do not entirely believe that rumour because while i think it's very possible they'd want to leave sm (taem gets overworked and minho is unappreciated i can definitely see why those two in particular would want to leave the company) i really think shinee would only do it as a group. shinee are a family in a way a lot of groups simply aren't, like i love exo down but they're more coworkers than they are family. it's also a little more complicated with shinee because they don't just have to worry about trying to retain rights to the group's music and their individual music, i think they'd also want to get the rights to jonghyun's music. so it's way more complicated for shinee than it is for cbx because if they left they'd be leaving as five.

[kpoppernov-10]

Battle of the Groups: East vs. West

Although many Kpop fans only focus on groups from South Korea, there have been quite a number of successful boy and girl groups from other parts of the world as well. I actually liked some of them way before I found Kpop, and I even found one that I like after becoming a Kpop fan. All of these groups share some similarities because there seems to be some kind of group-making formula that many music industries use; but there are also some differences that I find interesting. Anyway, here’s what I think.

Companies 

The level of company visibility for pop groups in the west is much lower than it is in Kpop. In Korea, many music companies are based heavily (or only) on making groups -- constantly training, debuting, and managing young people in hopes of having successful groups that make them tons of money*. But in the west the group market is much smaller and many record labels focus on acts other than boy or girl groups. Even though the most successful pop groups in history are from the west, most people have no idea which companies they’re from. Similarly, even though people like Simon Cowell and Lou Pearlman are associated with some groups, their connections to a company/label are not as visible as the ones between Lee Soo Man, Park Jin Young, etc. and their Kpop empires. In general, the “Big Three” and a few other companies dominate an important part of South Korea’s music industry and are so well known that SM, YG, etc. stans exist and company leaders can be as famous as the groups they helped create.

Group Formation

Just like in Kpop, many groups are formed either by someone directly from the music industry or from a reality TV show. There are some cases where group members were childhood friends before their careers began together (e.g. Destiny’s Child and New Edition), but oftentimes members meet through other parts of the industry (e.g. Justin Timberlake and JC Chasez were on the Mickey Mouse Club) or meet separately through music competitions (e.g. X Factor). There aren’t that many cases of childhood friends in Kpop (e.g. Block B’s Zico and Kyung), but many idols know each other because they’re around the same age and met by being trainees in different companies before debut. Also, Kpop groups formed by reality shows are usually meant to be temporary since most of the members are already part of groups before they go on the show. 

One of the most notable differences between eastern and western groups is the number of members and the fact that there can be unit groups within one group. Most western groups have about five members maximum, yet that could be considered a small group by Kpop standards. Groups often have 7-13 members, and in the case of NCT their number of members is supposedly unlimited! It’s also common to have subunits and soloists promote while the group is still active, but in the west a group member usually goes solo after the group disbands and subunits are pretty nonexistent altogether.

Music

Nearly all groups make upbeat, public-friendly songs about love or having fun. Western groups usually make either pop or R&B music, but Kpop groups often release a variety of music using/blending different genres. Western groups usually don’t have a member that makes their group’s music, but this is now somewhat common in Kpop considering people like GD, Zico, Woozi, B.I, Jinyoung, etc. I think that’s because some Kpop fans demand that idols have a chance to make their own music while fans of western groups don’t really care who makes the music. Although groups are expected to have at least a basic level of vocal ability, strong vocal skills are required for R&B pop and Kpop ballad groups with most or even all members having impressive vocals (2AM, Boyz II Men, En Vogue, etc.). Pop groups don’t necessarily need to have great singers, but vocal talent is still a valuable skill to have in any music industry. 

Dance

Kpop clearly outshines western groups in terms of dance due to the level of difficulty and creativity in their choreography. Although there are some western solo artists who are/were exceptional dancers (Michael and Janet Jackson, Usher, etc.), western groups usually don’t dance anywhere near as much as Kpop groups. Some western groups had full dance routines and even memorable dance moves (e.g. in NSYNC’s Bye Bye Bye and NKOTB’s The Right Stuff), but nearly all Kpop groups dance nonstop and it’s more common for dances to become popular with the public (e.g. Wonder Girl’s Tell Me and Super Junior’s Sorry Sorry). Dancing for western groups has become less important over the years, but dancing continues to be essential in Kpop.

Longevity

Unfortunately, one thing all of these groups have in common is that they don’t last very long. Groups going on haitus or simply disbanding is pretty common for Kpop and western groups, but the difference is that Kpop companies are constantly making new groups to replace other groups. There aren’t many western groups around at any given time, so it could be years before another one becomes popular after a previous one fades away. Kpop has longevity in the sense that there’s always a group that can become super popular overnight, but  Kpop groups (except for Shinhwa) have about the same lifespan as most western groups. One thing that is great though is the fact that many western groups from the past are reuniting and going on tour (Spice Girls, Backstreet Boys, etc.), so I hope more Kpop groups do that in the future.

*Although this is similar to groups from the Motown era, this post mainly focuses on groups from the 80′s to now.

[shcjfrance]

THE SHINHWA STORY: 20 YEARS YOUNG & STILL GOING STRONG

by Lavanya Singh

If you think about how long Shinhwa has been around, you don’t need to look past their 14th anniversary press conference, where member Jun Jin put things into perspective for everyone: “The members of Girls’ Generation were in elementary school when we were in SM Entertainment. Jessica and Hyoyeon wrote us letters back in the day.”

That was six years ago.

On March 24th, Shinhwa celebrated their 20th anniversary. Rightly, the band is listed in the Guinness Book of World Records as the longest-running boy group in the world that hasn’t disbanded or had a member leave in 19—well, 20 now—years. A closer look at the band and its popularity, however, pegs Shinhwa as artists who transcend numbers and charts, and who have found permanence in an otherwise transient industry.

THE START

The six members of Shinhwa debuted on March 24, 1998 under SM Entertainment, performing the single “Resolver” on KM Music Tank. To say that the band had a rocky start would have been an understatement—accusations of being a copy of label-mates H.O.T and the controversy following the Sokcho water accident that overshadowed the promotions of their song “Eusha Eusha” soon sparked rumours of disbandment. With the exception of some songs, the group’s debut album did not chart well, leading people to speculate that the band may have been a bad investment for SM.

With their second album “T.O.P,” however, came an edgier concept and mainstream success. “T.O.P.” won Shinhwa their first major music award for “Best Music Video”, and the trajectory only went upwards after that.

A LONG LINE OF FIRSTS

As both fans and writers, we know how much modern K-pop owes to the so-called first wave of Korean music. Not only was the era a fantastic prelude to the all-encompassing force of nature that K-pop would eventually become, but the artists who defined that wave also left behind a legacy that would inspire and drive the future generations. Seo Taiji and the Boys, for example, gave Korea quite possibly its first tryst with R&B, and member Yang Hyun Suk later established one of South Korea’s premier entertainment companies, YG Entertainment. S.E.S, one of K-pop’s early girl group successes and the first girl group from SM, would later go on to inspire numerous other girl groups.

For as long as they’ve been around, therefore, it’s only inevitable that Shinhwa’s legacy be an ode to their popularity. What’s surprising, though, is knowing just how much contemporary idol and fan culture owes to the band and their fandom, “Shinhwa Changjo”. (The name means “making a legend”, aptly complementing the band’s own name meaning ‘myth’ or ‘legend’.)

In 2002, while still under SM, the band released their sixth studio album, thus officially becoming the longest-running act in K-pop. A year later, while reviewing their contracts, SM offered to renew contracts with all members except vocalist Dong Wan. Rather than splitting up, Shinhwa decided not to renew their contracts with SM, and departed from the company as one unit, signing later with Good Entertainment. As somewhat of an unspoken trend in K-pop, artists who leave one company for another often experience a wane in popularity. Shinhwa, however, is one of the only bands in K-pop whose members went on to have incredibly successful careers despite a company change and the mandatory military enlistments. In fact, their first Daesang(or Grand Prize), for the seventh studio album Brand New, came in 2004, almost a year after leaving SM.

But just because they left the label that formed them didn’t mean Shinhwa broke away from SM entirely. In 2013, member Min Woo looked fondly upon his time at SM, saying: “[Founder] Lee Soo Man is truly an amazing person. From each member’s hairstyles to everything we did on stage, he took care of us meticulously. He used to talk to all of us about every little thing.”

Following their mandatory military enlistments, Shinhwa became the first K-pop group to establish their own entertainment company in 2011. For a while, the band was locked in a legal battle with SM Entertainment and Joon Media (formerly Open World Entertainment) for profits and use of the name ‘Shinhwa’. The case was, however, settled in 2015, and Shinhwa Company (which had been dubbed ShinCom for the duration of the case) came into existence.

Shinhwa was also one of the early trendsetters in the industry in terms of musical control. While their creative license was limited under SM, the members participated actively in the production of their albums after leaving. By that time, most members had released solo music and found their personal styles. The result was an eclectic combination of sounds on future albums, making the band a truly versatile act.

It’s not just their music and their exceptional team spirit that set Shinhwa apart, though: the band was the first in the industry to break away from the mainstream style of the time. When much of K-pop focused on trendy skinny jeans and bright colors (think SHINee’s “Replay” era), Shinhwa adopted a much more sophisticated style with clean-cut suits and cropped hair—quite uncommon for popular acts at the time.

Also uncommon was Shinhwa’s dedicated fandom, Shinhwa Changjo, who, honestly, were fandom goals before the term went mainstream. Shinhwa Changjo are credited with starting the popular rice wreath trend—it was member Hye Sung’s fandom who first sent rice wreaths to support his solo concert in 2007. Shinhwa’s fandom was also the first to have planted forests in support of their idols.

THE MAKING OF LEGENDS

Part of the reason why Shinhwa remains a groundbreaking act in K-pop is, as

The Atlantic

put it, their “smart self-awareness.” In an industry that’s sometimes too full to the brim with new acts, Shinhwa chose to evolve and mature in their own timeline, striking an attractive balance between age and trends. The result? Hilarious variety shows and appearances where the members didn’t, and continue to not, hesitate in poking fun at themselves, all topped off by the very refreshing devil-may-care attitude that came with spending years in the industry (I will never be able to hear the words “Do you smell something burning?” without laughing.)

In fact, despite their seniority in the industry, age hasn’t ever been something that’s held Shinhwa back: the band has embraced their late 30s with fervour and humour, even going so far as to admitting that having a “battle of stamina with younger groups” is pointless. Now that they don’t have the “weapon of youth”, they’ve turned their focus on charms that suit their age. There’s the cheeky SNL Korea broadcast where the members dress up as exhibits in a museum—only the exhibits are their younger selves from a decade ago—with visitors standing around, confused about who they’re supposed to be. There’s the sarcastic “Idol Retirement Insurance Plan” skit, where the members sold insurance plans to idols in the climax of their careers that included obsessive fans to stalk them and make them feel young. Or, if you need something else, there’s the infamous “Farting chorus” broadcast—which is exactly what it sounds like.

That’s probably the most endearing part about Shinhwa—with the passage of time, they made their own interpretations of what they were supposed to be, both as individuals and as a group, and molded the expectations to fit them than the other way round. As a unit, it makes them relatable. They never shy away from sharing both their successes and their struggles—the members have always been vocal about arguments among themselves, but have also been quick to admit how their long bonds have made working together easier. In a recent interview about their 13th studio album, member Jun Jin put the feeling into words: “If it weren’t for Shinhwa, Jun Jin wouldn’t exist.”

It isn’t just the marvelous teamwork; it’s also the fact that Shinhwa has never been a group that downplays their concerns, both as artists and businessmen. Group leader Eric expressed his anxiety about working in an industry where Shinhwa is one of the only groups left from the first generation: “We have no role models, nowhere to get advice. I think we have to grasp our future direction ourselves as we continue to work.”

They’ve also never had qualms about admitting to concerns about their company—Eric once talked about how Shinhwa realized that running a company was different than being an idol when they had to monitor how much money they spent on meals. Somewhere down the line, Shinhwa shed the skin of idols and became human, which brought them to closer to their fans.

Speaking of which, part of the reason why they remain popular favorites is also their relationships with their fans, which has always been more like that of bickering best friends and less like the typical fan-idol interactions. In fact, the group has never been hesitant to call out fans on their behavior. As a story about their first fan-sign goes, member Dong Wan told the fans that “Shinhwa is definitely not responsible for your lives.” He received some flak for that, but Dong Wan defended himself, saying that the “fans’ love could sometimes be over the top.” It was an example of how Shinhwa were mature since their early days, not caring about gratuitous fanservice and establishing a relationship of mutual trust with their fans.

K-pop is an ephemeral industry: every burst of fame and omnipresence is followed by a plateau where new groups come in and take over, and fandoms are inherited down the generations. Yet, Shinhwa is one of the only groups from the first generation of K-pop to not only continue making music, but to be loved by fans and the industry alike. They remain among the groups for which the word “groundbreaking” rings utterly true—because of their acceptance of the changing times; because of their self-deprecating and brilliant humor; and, most importantly, because of their steely resolve to always be one unit for themselves and their fans. They never take themselves very seriously, and that’s what makes them so endearing. If you’re just starting out with Shinhwa, check out the remake of their music video, “All Your Dreams,” which was released on the 20th anniversary of their debut.

What’s your favorite Shinhwa song? Let us know in the comment section below. Be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Cr: KULTSCENE

L'HISTOIRE DE SHINHWA: 20 ANS, JEUNES ET TOUJOURS FORTS

Si vous pensez à depuis combien de temps Shinhwa est présent, vous n'avez pas besoin de regarder après leur conférence de presse du 14e anniversaire, où le membre Jun Jin a mis les choses en perspective pour tout le monde: “Les membres de Girls' Generation étaient à l'école primaire quand nous étions à SM Entertainment. Jessica et Hyoyeon nous ont écrit des lettres dans le passé.”

C'était il y a six ans.

Le 24 mars, Shinhwa a célébré son 20ème anniversaire. À juste titre, le groupe figure dans le Livre Guinness des records comme étant le groupe de garçons le plus ancien au monde qui n'a pas été dissous ou dont un membre n'a quitté le groupe pendant 19 maintenant 20 ans. Cependant, un examen plus attentif du groupe et de sa popularité place Shinhwa en tant qu'artiste qui transcende les chiffres et les classements, et qui a trouvé sa permanence dans une industrie par ailleurs passagère.

LE DÉBUT

Les six membres de Shinhwa ont débuté le 24 mars 1998 sous SM Entertainment, interprétant le single "Resolver" dans l'émission KM Music Tank. Dire que le groupe a eu un début difficile aurait été un euphémisme - les accusations d'être une copie de ses coéquipiers H.O.T et la controverse suite à l'accident de Sokcho qui a éclipsé les promotions de leur chanson "Eusha Eusha" ont bientôt suscité des rumeurs de licenciements. À l'exception de certaines chansons, le premier album du groupe ne s'est pas bien placé, ce qui a amené les gens à spéculer sur le fait que le groupe aurait pu être un mauvais investissement par SM.

Avec leur deuxième album "T.O.P", cependant, est venu un concept plus incisif à la tendance et un grand succès. "T.O.P." a donné à Shinhwa leur premier prix majeur de musique pour "Meilleure Clip Video", et la trajectoire n'a augmenté qu'après cela.

UNE LONGUE LIGNE DE PREMIERS

En tant que fans et écrivains, nous savons ô combien la K-pop moderne doit à la soi-disant première vague de la musique coréenne. L'ère était non seulement un prélude fantastique à la force omniprésente de la nature de ce que la K-pop deviendrait finalement, mais les artistes qui ont défini cette vague ont également laissé un héritage qui inspirerait et guiderait les générations futures. Seo Taiji et les Boys, par exemple, ont probablement donné à la Corée son premier rendez-vous avec le  R & B, et le membre Yang Hyun Suk a ensuite fondé l'une des premières compagnies de divertissement de Corée du Sud, YG Entertainment. S.E.S., l'un des premiers groupes de filles de K-pop et le premier groupe de filles de SM, inspira plus tard de nombreux autres groupes de filles.

Aussi longtemps qu'ils ont été présent dans la scène musicale, il est inévitable que l'héritage de Shinhwa soit une ode à leur popularité. Ce qui est surprenant, cependant, c'est de savoir à quel point l'idole contemporaine et la culture du fan doivent au groupe et à leur fandom, "Shinhwa Changjo". (Le nom signifie "faire une légende", complétant avec justesse le propre nom du groupe signifiant "mythe" ou "légende".)

En 2002, alors qu'il était encore sous la direction de SM, le groupe sortit son sixième album studio, devenant ainsi officiellement l'acteur le plus ancien de la K-pop. Un an plus tard, lors de l'examen de leurs contrats, SM a proposé de renouveler les contrats avec tous les membres, à l'exception du chanteur DongWan. Plutôt que se diviser, Shinhwa a décidé de ne pas renouveler leurs contrats avec SM, et a quitté la compagnie comme une unité, en signant plus tard avec Good Entertainment. Les artistes qui quittent une entreprise pour une autre connaissent souvent une baisse de popularité en tant que tendance tacite de la K-pop. Shinhwa, cependant, est l'un des seuls groupes de K-pop dont les membres ont connu des carrières incroyablement réussies en dépit d'un changement d'entreprise et des enrôlements militaires obligatoires. En fait, leur premier Daesang (ou grand prix), pour le septième album studio Brand New, est arrivé en 2004, presque un an après avoir quitté SM.

Mais ce n'est pas parce qu'ils ont quitté le label qui les a formés que Shinhwa s'est complètement détachée de SM. En 2013, le membre Min Woo regardait affectueusement son temps à SM, en disant: "[Fondateur] Lee Soo Man est vraiment une personne incroyable. Des coiffures de chaque membre à tout ce que nous avons fait sur scène, il a pris soin de nous méticuleusement. Il avait l'habitude de nous parler de tout et de rien. "

Suite à leurs engagements militaires obligatoires, Shinhwa est devenu le premier groupe K-pop à établir sa propre compagnie en 2011. Pendant un certain temps, le groupe a été engagé dans une bataille juridique avec SM Entertainment et Joon Media (anciennement Open World Entertainment) pour l'utilisation du nom 'Shinhwa'. L'affaire a toutefois été réglée en 2015, et Shinhwa Company (qui avait été surnommée ShinCom pour la durée de l'affaire) a revu le jour.

Shinhwa était aussi l'un des premiers faiseurs de tendances dans l'industrie en termes de contrôle musical. Alors que leur licence créative était limitée sous SM, les membres ont activement participé à la production de leurs albums après leur départ. À ce moment-là, la plupart des membres avaient sorti de la musique en solo et trouvé leur style personnel. Le résultat a été une combinaison éclectique de sons sur les futurs albums, faisant d'eux un groupe vraiment polyvalent.

Ce n'est pas seulement leur musique et leur esprit d'équipe exceptionnel qui distinguent Shinhwa: le groupe est le premier dans l'industrie à sortir du style traditionnel de l'époque. Quand une grande partie de K-pop se concentrait sur des jeans skinny à la mode et des couleurs vives (Shinee "replay" era), Shinhwa adoptait un style beaucoup plus sophistiqué avec des costards et des cheveux coupés courts.

Shinhwa Changjo, le fandom dévoué de Shinhwa, était également inhabituel et, honnêtement, qui était le fandom modèle avant même que le terme ne devienne courant. Shinhwa Changjo est connu pour avoir lancé la populaire tendance des couronnes de riz - c'était le fandom du membre Hye Sung qui avait envoyé des couronnes de riz pour soutenir son concert solo en 2007. Le fandom de Shinhwa était aussi le premier à avoir planté des forêts pour soutenir leurs idoles.

LA FABRICATION DE LÉGENDES

Une partie de la raison pour laquelle Shinhwa reste un acteur révolutionnaire de la K-pop est, comme l'atteste The Atlantic, leur «conscience de soi intelligente». Dans une industrie parfois trop pleine pour de nouveaux actes, Shinhwa a choisi d'évoluer et de mûrir dans leur propre ligne de temps, de trouver un équilibre attrayant entre l'âge et les tendances. Le résultat ? Spectacles de variétés hilarants et apparences où les membres n'ont pas hésité à se moquer d'eux-mêmes, tout cela étant surmonté par l'attitude très diabolique et rafraîchissante des années passées dans l'industrie (je ne serai jamais capable d'entendre les mots "Est-ce que tu sens quelque chose qui brûle ?" sans rire.)

En fait, en dépit de leur ancienneté dans l'industrie, Shinhwa n'a jamais connu de retenu avec l'âge: le groupe a embrassé la fin de la trentaine avec ferveur et humour, allant même jusqu'à admettre qu'avoir une “bataille d'endurance avec des jeunes groupes” est inutile. Maintenant qu'ils n'ont pas «l'arme de la jeunesse», ils se sont concentrés sur des charmes qui correspondent à leur âge. Il y a l'émission insolente de SNL Korea où les membres s'habillent comme des expositions dans un musée - seulement les expositions sont eux-mêmes plus jeunes d'il y a dix ans - avec des visiteurs qui se tiennent debout, confus au sujet de qui ils sont supposés être. Il y a le sketch sarcastique "Idol Retirement Insurance Plan", où les membres ont vendu des plans d'assurance à des idoles dans le climax de leur carrière qui incluaient des fans obsessionnels pour les traquer et les faire se sentir jeunes. Ou, si vous avez besoin d'autre chose, voici la tristement célèbre émission "Farting Chorus" - c'est exactement ce que ça donne.

C'est probablement la partie la plus attachante de Shinhwa - avec le passage du temps, ils ont fait leurs propres interprétations de ce qu'ils étaient censés être, en tant qu'individus et en tant que groupe, et ont modelé les attentes pour les adapter à eux même et non à l'inverse s'adapter aux attentes. En tant que groupe, cela fait que les gens arrivent à s'identifier Ils n'hésitent jamais à partager à la fois leurs réussites et leurs luttes - les membres ont toujours parlé ouvertement des arguments entre eux, mais ils ont aussi été prompts à admettre que leurs longs liens ont facilité le travail en équipe. Dans une récente interview au sujet de leur 13ème album studio, le membre Jun Jin a mis le sentiment en mots: "Si ce n'était pas pour Shinhwa, Jun Jin n'existerait pas."

Ce n'est pas seulement le merveilleux travail d'équipe; c'est aussi le fait que Shinhwa n'a jamais été un groupe qui minimise leurs préoccupations, à la fois en tant qu'artistes et hommes d'affaires. Le chef de groupe Eric a exprimé son inquiétude de travailler dans une industrie où Shinhwa est l'un des seuls groupes de la première génération: «Nous n'avons pas de modèles, nulle part pour obtenir des conseils. Je pense que nous devons nous saisir de notre orientation future alors que nous continuons à travailler. »

Ils n'ont jamais hésité à accepter les inquiétudes concernant leur entreprise - Eric a dit un jour comment Shinhwa s'était rendu compte que diriger une entreprise était différent d'être une idole quand ils devaient surveiller combien d'argent ils dépensaient pour les repas. Quelque part sur la ligne, Shinhwa a laissé la peau des idoles et est devenu humain, ce qui les a rapprochés de leurs fans.

En parlant de cela, une partie de la raison pour laquelle ils restent des favoris populaires est aussi leur relation avec leurs fans, qui a toujours été plus comme celle des meilleurs amis se chamaillant et moins comme les interactions typiques de fan-idole. En fait, le groupe n'a jamais hésité à appeler les fans sur leur comportement. Comme une histoire sur leur premier session d'autographe, Dong Wan a dit aux fans que "Shinhwa n'est certainement pas responsable de votre vie." Il a reçu des critiques pour cela, mais Dong Wan s'est défendu, disant que « l'amour des fans est parfois hors des limites du raisonnable ». C'était un exemple de la maturité de Shinhwa depuis ses débuts, ne se souciant pas de fanservice gratuit et d'établir une relation de confiance mutuelle avec leurs fans.

La K-pop est une industrie éphémère: chaque éclat de gloire et d'omniprésence est suivi d'un plateau où de nouveaux groupes entrent et prennent le relais, et les fandoms sont hérités à travers les générations. Pourtant, Shinhwa est l'un des seuls groupes de la première génération de K-pop à non seulement continuer à faire de la musique, mais à être aimé par les fans et l'industrie. Ils restent parmi les groupes pour lesquels le mot «révolutionnaire» sonne tout à fait vrai en raison de leur acceptation des temps changeants; à cause de leur humour désapprobateur et brillant; et, plus important encore, en raison de leur détermination à toujours être un groupe pour eux-mêmes et leurs fans. Ils ne se prennent jamais très au sérieux, et c'est ce qui les rend si attachants. Si vous débutez avec Shinhwa, regardez le remake de leur clip, "All Your Dreams", qui a été publié à l'occasion du 20ème anniversaire de leur premier album.

SHINHWA ALL YOUR DREAMS (2018) MV