#or just learning for art purposes in general (in a way that won't cause me to Break Down)

[monster-noises]

I am experiencing... frustration.

[toxicgreenslime]

haha yeah remember like way way back maybe 14 years ago or so when there were users on this website who made those "sometimes the curtains are just blue" jokes & caused all media literacy to die forever more haha yeah haha, hi! hi, i was one of those! i killed all literacy, whoopsie!!!! i guess i just simply never ever learned about symbolism or understood any sort of point of anything in media ever again. i know lol i can't understand color or anything ever it just whizzes right over my head to this very day!!!

so, here's some thoughts to share from my perspective. in my case personally, i liked reading back then. i even liked some books that were assigned reading in school & participated with enthusiasm about them in class. there are some people who didn't like reading in general, and almost every time that's actually because they struggle to read. it is something that is incredibly difficult for them to do & not just general laziness or being ignorant forever on purpose. when you hear "i don't like reading" or "i haven't read a book in years" you might not want to gun it to "idiot" because actually, haha, that word's origin also applied to some people that others thought were not smart or worthy of respect because of a certain disability & having greater difficulty than most people to do something they find basic. instead i would recommend thinking "I wonder why that is," because that total lack of sympathy actually just discourages everyone.

anyway, some assigned reading books did not appeal to me, which made me not want to read them but there was this whole "i have to" aspect to it that made me really like the whole thing less somehow. now, to address any commentary: i can absolutely respect if a book is historically imprortant & one of the best ever written, much like all things. music, films, and art are just the same. i do not deny it. however, knowing that cannot make me enjoy something that i just personally do not. conversely, i can recognize & acknowledge when something is terrible & it sucks, but that won't stop me from enjoying it if i do.

something else very important that i think a lot of people have not considered for quite some time: sharing a joke on the internet does not actually mean that you just go to class and say "fuck you. they're just blue." the thing about school is that they give you the choice of figuring some shit out even if you do not want to at all or failing. lots of people mad about this really forget that in school you do school & on the internet you might share a joke. perhaps it is a joke that is very illiterate, even. you like the joke because you maybe really don't want to talk about symbolism in some book you don't want to read in the building you aren't allowed to leave where you spend hours & hours day after day for years being told you have to do a stack of things that you really do not want to by several adults & at least 1/3 of the town's teenaged population is trapped in this same building as you & this all happens at a stage of life where your brain & libido & emotions are cranking up to "nuclear reaction explosion" & down to "should i kill myself?" levels rapidly back & forth all day for a few years & your parents happen to legally own you & your home life is really a custom mix of making life worse generally— for me personally, there was a villain that i knew in that life chapter who was doing cool things like attempted murder so maybe that had some influence on my permanent illiteracy idk... so the joke really just takes the sting out of that whole carousel of shittiness you're experiencing, because you really would like to just not have to think about shit that you don't want to for just a moment, y'know, like just a little. on behalf of all of us, our deepest apologies about the whole destroying all understanding of media forever. not intentional.

now, incredibly, i actually analyzed & thought about many pieces of media at length & with enthusiasm quite often after my brain had settled down from maximum overdrive & i got to own myself & i wasn't in high school & things of such nature. however, i had slowly been declining in my ability to read which had started in high school, but i don't think that was because of a joke i reblogged. i just leveled up in disability on many fronts & reading became, to my dismay, so challenging that i don't read books anymore. i would sure like to. i like short story collections because my brain & my eyes don't fizzle out quite as much if it's little bursts of story instead of a slow burning candle. i also do the best with graphic novels which are an incredible aid for me. the text being broken up & spread out, the illustration accompaniment because when that "can you picture an apple" meme went around, i became aware that i don't make pictures in my head! it did explain why through all my years of reading in hindsight i simply could not picture things in books the way other people did. as a child, i'd read a book & a friend would ask me how i imagine someone/something looked like & unless there was also a film or illustrations, i just didn't! i didn't know what lots of stuff looked like. i wasn't sure how anyone was doing that.

i think that's all i have to say on this topic. i can say i have become friends with some other people over the years who also shared this joke online & they have managed to also have a grasp of media literacy despite a joke they liked in high school. i personally feel like maybe we shouldn't assume that something you thought was funny as a teenager necessarily continued to be representative of the rest of your life. i would also like to offer the idea that media illiteracy has been a problem for a very, very, very long time, & i'm sure this is an issue with quite a lot of factors & might require a pretty complex plan to improve over time that i don't have a lot of faith will happen any time soon. it would require things like "more support" & "teaching children in different ways because no one learns anything the same way" & already I'm hitting lol nah we aren't doing that x2.

[paleparearchive]

Reason for Anger

Bazille's Peaceful Tea Time 4★ story (3/3) ( 1 - 2 - 3 )

Location: city (evening) ; café (evening) | Characters: Bazille, Renoir, Monet, Sisley

Bazille: Hm? That's…

Sisley: What a huge crowd.

Bazille: Right. Is it some kind of street performance? No, that's wrong. That's…

Sisley: Huh!? Monet and Renoir…?

Bazille: Jeez. What are those two doing?

Monet's voice: Aah! Found you, Bazille!! Everyone, thank you! Let's go, Renoir!

Renoir's voice: Ah, that's true. Ladies, thank you. I found who I was looking for, see you soon.

Monet: BAZILLEEEE! I'M SORRYYYY!!

Renoir: I'm really sorry about that. I'll be careful from now on... as much as I can.

Bazille: … Sigh. Did you guys go to all that trouble to gather all those people and go on a big search just to tell me that?

Monet: 'Cause I felt bad…

Renoir: Also, those ladies earlier told me about a nice café. We'll treat you to a little something to make up for it, okay, Bazille?

Bazille: … God. Guess I have no choice, I'll take a drink.

Monet: Hooray, that's it! Aight, let's get goin'!

Renoir: Thank you. Now, quick, quick! Over here, Bazille! You too, Sisley!

Bazille: H-Hey, you two! Don't pull my arms like that!

Renoir: I hear that their grape tarts are very delicious. The grape tea is also recommended.

Monet: They got grape juice, grape ice cream and grape parfaits! And then…

Bazille: Hold on. I can't eat that much at once.

Monet: Let's all share it. I'm lookin' forward to it! Alright, let's hurry!

Bazille: Wait, Monet! I'm coming, so let go of me! Sisley's not laughing either... Wait, not you too, don't push me! Hey!

Sisley: Fufu. It's how we feel, so give it up, Bazille.

Bazille: … Jeez. I can't help it.

—

Monet: Wooah! This cake's super good! Here. Try it, Bazille!

Bazille: Okay. I got it. Don't point the fork at me. I'm not saying "aaah", okay!?

Monet: Huuh, but it's okay. We're friends, so no need to be embarrassed now, riiight?

Bazille: It's not like I'm embarrassed.

Renoir: Now now, Monet. We're outside. Even I would be embarrassed, you know?

Sisley: Right, I'll get another plate.

Monet: Mmmmh. But it's so good…

Bazille: I'm not saying I won't eat it.

(Sure, everything at this cafe is delicious… Did they go out of their way to find my favorite grapes? I guess they both learned their lesson this time. Did I look that angry to them? Well, this will make them put the art supplies in order for a while... I hope so.)

Sisley: Come to think of it, you went to the general store, right, Bazille?

Bazille: Yeah. And the art supply store. Monet, take this.

Monet: Hm? What's this…?

Bazille: A new paintbrush. I broke yours when I stepped on it.

Monet: Huh!? Ya went out of your way to find the same one and buy it for me!?

Bazille: You would've been in trouble if you didn't have it. You've been doing well lately, after all.

Monet: No way, even if it's my fault… Thanks, though.

Renoir: Ah. Is that why you were late getting back?

Bazille: No? I was purposely wasting time, hoping to give you a little scolding.

Monet: Uuuh…

Bazille: … I was only half joking. I've destroyed an important tool for a painter's job. I was also reminding himself of this. I, too, need to be a little more careful.

Renoir: Yeaaah… If you get any more stoic, I don't want you to be suffocating.

Monet: That's true…

Bazille: You guys need to be a little more stoic.

Sisley: U-Uhm… In moderation, right, guys…!

[tobiasdrake]

And here we go with part 2, also known as the rest of the goddamn episode.

Look, she's my character, I can gush and/or gripe about her as much as I want. I am allowed to throw hands with Nabiki.

And so is everyone else because she does capitalism.

Akane doesn't get many fights in the series, so we don't know a whole lot about her martial style. As I recall, she is generally considered the weakest of the fighters, ranking under both Ranma's and her own rivals.

She's tougher than Kuno. I think Kuno is rock-bottom on the Tier List or whatever. But she's not very high up there and she doesn't get to throw a lot of punches when the zany martial arts throwdowns come around. At least that I recall.

So this bit of context, that Akane's technique recognizably involves dislocating joints to disable her assailants, is really interesting to me. Her style involves accurately inflicting purposeful breaks that put down her opponents quickly but don't cause lasting harm the way a broken limb might.

That's. Kind of perfect for someone who has to go through a daily schoolyard 100-on-1 melee in the ten minutes before the school bell rings but without getting in trouble for severing a guy's spinal cord.

The animation on this show is so good. You can see the hurt bleed through on Akane's face when Dr. Tofu, who she has a crush on despite being way out of her age bracket, accurately describes her as a child.

SHE DID IT

This is where Ranma learned to use his curse to skirt around activities he wants to do but that his masculinity won't let him. XD It was Akane that taught him that 'out' from the presumed burdens of his gender role

Kuno takes exception to that remark but. I mean. It's his own bros that outed him.

He bought lewd photos of the girls he likes without their consent ten minutes ago episode-time. Kuno carries himself like a refined and dignified samurai but he's an insatiable horndog driven by his lust pretty much at all times he's onscreen.

You don't get to choose the way other people see you.

In any case, this scene is interesting for another reason. The harasser crew gathers together and agrees to give up on the morning assaults, because Ranma defeated Kuno and they can't compete with that.

What makes this interesting is that, according to her, Akane defeats Kuno every morning as part of the usual ordeal. But this has never happened before. They have never collectively gotten together and said, "If Akane can beat Kuno then we can't measure up. It's over."

But they did for Ranma.

Because men respect the "territory" of other men more than they respect women's autonomy.

As long as Akane was unclaimed, the game was still on. But Ranma's betrothed to Akane and stronger than Kuno? That's a checkmate. Pack it in, boys. Game's over. Akane is officially Property of Ranma Saotome.

Speaking of Akane.

This is the kind of comedy where everybody is at least a little bit shitty. Like, I think Kasumi is the one and only character who can actually be described as a wholly good person and I might just not be remembering some shit.

This moment is a perfect example of that. Ranma tries to get out of Kuno's embrace by playing Kuno against Akane, only for Akane to turn around and play Kuno against Ranma so much harder, without hesitation. She officially and proudly passes the buck.

Good for her but also XD

Of course, it ends with Kuno, rather than either of them, being the butt of the joke.

But it still demonstrates both the hostility between Ranma and Akane at this time, and the fact that both of them are more than willing to sell the other out to get away from this clown. Neither of them are squeaky good people.

(Which is something that was often lost on oldschool Ranma discourse. That usually involved downplaying the flaws of the character you identify with most and then complaining that all the other characters are monsters.)

Nonetheless, they still pack in some deredere to offset the tsuntsun because that's how anime romance was written back in the day.

There is no non-flirting explanation for this. They are hitting it off. Testing each other's boundaries and figuring out what they like and dislike about one another. This is the stuff I didn't really appreciate when I was Ranma's age.

And just in time for shit to start getting really complicated when the rest of the cast arrives.

Ranma 1/2 episode 3. I can't be the only person who somehow, despite not thinking about this series seriously in a long time, still hears "YAPPAPPA YAPPAPPA II SHAN TEN hashagu koi wa ike no koi" in their head when starting up the reboot series.

Where did you come from? I thought I forgot you.

By contrast, the new OP hasn't grown on me as much. Can't imagine why. It couldn't be that I've heard the new one twice but heard the old one eight billion times over the course of three decades, such that any new music in its place is going to inherently sound like an imposter.

Nah, it's probably just that the song isn't good. That's a reasonable thing to conclude.

(In seriousness, new OP is fun.)

Uhhhhh, part 1 because I had a lot to say about Nabiki, my fave from back in the day who gets to be in the spotlight for the first time this episode.

Speaking of the OP, this is my favorite shot.

I don't know what it is exactly but every time I see this, there is a haunted look in Ranma's eyes. I don't think that's on purpose. I think he's just supposed to look like he's happily jogging.

But I see a thousand-yard stare on this boy. The look of a person who has seen things that can never be unseen.

Which.

Is fair.

For Ranma.

Rejected so hard. This is a misunderstanding but it's still hilarious how quickly Nabiki nopes the fuck out of this shit.

To be fair, she's seen the way Kuno treats the women he's interested in. If I were her, I would want no part of that.

Ironically enough, Nabiki/Kuno is IIRC the most popular ship for both of these characters. Though, given that being physically strong enough to beat the shit out of him at martial arts is such an important quality to Kuno, I'm not sure he and Nabiki are really compatible.

Makes perfect sense from Nabiki's perspective but honestly I'm pretty sure she's more likely to Black Widow him for his wealth than fall in love with him sincerely.

So begins Nabiki's career of being the absolute worst person in Ranma's life, in a cast that includes multiple people attempting to murder him. Nabiki is something far worse than a shonen rival. Worse than a romantic rival. Worse than a shonen rival who wants to surpass you at romancing your love interest.

She's a capitalist. And she has found a saleable product.

(My characters are always the absolute worst. Goddammit, Nabiki.)

There's something really interesting in Nabiki's reaction to that remark. Like. She gets back into gear pretty quickly after this moment.

But.

Just for a moment.

She had a visceral, kneejerk reaction of shock and disgust at the realization that Kuno was planning on pursuing Ranma and Akane at the same time.

Just for a moment, she had an emotional reaction strong enough to break her poker face.

I mean, she's still going to profit off it. She is a capitalist after all.

But it happened. That brief glimpse into the humanity underneath the cash register was there.

For those unaware of yen to dollar exchange rates, she's charging about $20 for Ranma's photos. Akane's are about $27. So we can actually quantify her feelings for Akane. She loves her sister exactly $7 more than a stranger she met a few days ago.

Don't take it personally. It's just business.

(I felt really gross saying that. Probably because it was really gross. In seriousness, Nabiki is an active participant in Akane's harassment, without Akane's knowledge.)

That said, she does still try to help this situation once she's done cashing in on violations of Ranma and Akane's privacy.

It doesn't take because Kuno aggressively refuses to learn the truth about the Pig-Tailed Girl throughout the series lest it compromise his delusions. But she does try. There seems like there's basically no reason for her to do this except to burst Kuno's bubble.

...except then she also does this when she realizes Kuno didn't get it.

She tried to burst Kuno's bubble and it didn't work so now she's making it worse instead. At this point, it's clear that Nabiki's just starting shit for funsies. She is the show's trickster. Her allegiances are to money and entertainment.

She was expecting a hilarious blowout the one way and when she didn't get it, she went a different route. Goddammit, Nabiki.

Of course, her troll antics eventually blow up in her face when they out her capitalist antics.

But she never really has to face any sort of consequences for it. Right when it seems like things are about to turn against her...

Ranma, rather than presenting a united front against their mutual abuser, decides to open his fucking mouth and insult Akane instead.

This is how capitalists win. They skate home with all the money and no comeuppance while their victims pick each apart.

[morimakesfanart]

Sindria's Prophet #17

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16]

[AO3]

*In this house we stan string theory and multiple dimension theory *Also, this chapter gets a little preachy, and delves more into my interpretation of the series so to make up for it I made a lot of art.

~POV Sinbad~ "If you're willing to talk about the future, does that mean you are finally ready to explain about those calamities you mentioned in Balbadd?" When Ja'far cut in he was in a rush; he didn't want to miss this chance. Sinbad had underestimated Ja'far's concerns; he had been too preoccupied with the Prophet. All the same, "I don't know if this is the time for that conversation. This is Mori's first meal with everyone after all." Wait. He knew that look. Ja'far wasn't actually asking to have that conversation now. He was pressuring Mori so she would have to agree to tell them soon. "I'm fine. I made a promise and I intend to keep it. As long as everyone else is willing to talk seriously for a few mins, I don't see the problem." Mori was wearing the same stern expression she had the morning of the coup in Balbadd. When Ja'far had cut in with his request he could have tried to sound a little nicer but it didn't warrant the cold response Mori gave in return. There had been rising tensions between Ja'far and Mori since Balbadd, but both seemed to get along most of the time. "Wait really? You're agreeing this easily?" Ja'far's shock also spoke for the King. She obviously didn't want to talk about the Calamities even when she promised to tell them, so why now? "A promise is a promise." Mori almost felt like a completely different person compared to the coy way she was teasing them all just moments ago. "Besides, this will just continue to be a point of contention until I explain."

--- King Sinbad was finally eating with his Generals and Prophet, but this was nothing like he had planned. Mori sat straight with both hands on the table interlocked. "The 1st of the 2 calamities occurs in about 2 years. As you know, there's a few countries that currently have rising tensions." Which countries? The Kou and Riem were prime contenders since they were already Empires causing trouble for other countries. There was also Magnostadt which has been becoming increasingly hostile to other nations, and seemed to be encroaching on the Kingdom of Actia. "In 2 years, 3 of them are going to go to war. A massive amount of black Rukh will be released, and the same type of magic used to make the Dark Djinns will be used to make a humanoid monster the size of a mountain." Of course, Al Thamen would be involved. "The amount of black Rukh it will have will make it a Medium for opening a black spot and letting Ill Ilah connect to the world which is Al Thamen's ultimate goal. Once Ill Ilah connects it will destroy all of the white Rukh in the world -bringing death." It sounded just like what Falon had described as her plan all those years ago. The same thing that happened in Parthevia a decade ago is going to happen again in only 2 years? "The Medium is destroyed before that can happen thanks to all of the current Metal Vessel users and assimilated Household Members coming together to destroy it. The world is saved but in the process one of the Magi will have to commit one of the ultimate taboos of this world. That taboo is what will eventually lead to the 2nd Calamity. If King Sinbad and the Metal Vessel users of the Seven Seas Alliance, which were the last to arrive, can show up sooner then that taboo and the 2nd Calamity might be something that can be fully avoided especially since I already know the Medium's weakness." It was clear that Mori knew more. Sinbad would have to talk to her about it later; he wasn't sure how much he wanted to talk about this tonight -they were supposed to be celebrating and getting to know each other light heartedly. However, there was one question he couldn't hold back from asking. "What is this taboo?” Mori sighed like she had expected that question. She looked to the ceiling. "Honestly, I didn't want to think it was a taboo when I first learned it, but after seeing what happens I get it now." She looked back at them. "I hope you can accept me not telling what it is. I don't want to even try to explain the 2nd Calamity because I'm not sure how without explaining the taboo. You see, the taboo involves information, so if I explain it to you I will be committing the taboo myself. I can only hope that the world isn't endangered because I know it." The air in the room felt thick. All of the Generals were waiting for his decision. Sinbad tried to read the Prophet's expression. It was serious, and determined; it seemed like fear and remorse were hiding right under the surface. What information could be dangerous on its own? "Alright," he agreed. "We don't want to take any unnecessary risks. However, if we are unable to prevent the taboo from being committed you will explain the 2nd Calamity." Mori attempted a half-hearted smile. "I was already planning to do that." She glanced around at the Generals. "Are there any other questions?" Sharrkan grumbled. "This is all really complicated stuff." "Yeah. Pretty scary, huh?" Pisti agreed. Drakon and Hinahoho were sharing a look while thinking.

"You still haven't told us where this is going to happen." Ja'far decided he would ask the next question. "Are you withholding that information on purpose?" Mori's expression was blank. "I'll tell you the countries involved after King Sinbad returns from the Kou Empire. I don't want to influence how the negotiation goes by giving him too much information he wouldn't normally have. I'm doing this for Balbadd..." Mori withholding vital information was the entire cause of Ja'far's distrust of her. "You took too long to tell us what was going to happen back in Balbadd, remember? If we know what their next target is then we can stop it before it ever happens." "The 1st Calamity has nothing to do with Al Thamen." "What?” that question was asked by all except the Prophet. Mori explained, "That country has refused contact with them and been building towards this for the past 10 years all on its own. All of the Black Rukh that has been accumulated there is like a trap waiting to be set off. The people currently in charge are not people who would be willing to accept change, or to listen to the arguments of the people here." That definitely narrowed it down. Riem was already having meetings with them, and it was only a matter of time before they formed an alliance. They already had the peace treaty with the Kou, and King Sinbad was about to go negotiate with them for Balbadd. That only left Magnostadt as the center of the conflict -the country they knew had increasing disparity between it's upper and lower classes. Mori was staring at him. He wasn't the one she was actually hiding this from. Since it didn't seem to be an avoidable Fate, she was preventing Yam from learning the Fate of her home country for as long as possible. Mori was trying to be considerate. "How is that possible?” "If they aren't behind it then how could such a thing happen??” Mori gave a sad smile. "It would be so much easier if all of the bad things in this world really were all caused by that organization. I had wrongly thought that was how this world works in the heat of the moment back in Balbadd, but I know better. I've read this world's Fate after all. Even in this world it is a mistake to hold onto the hope of total altruism too strongly." It almost felt like she was calling them all naïve with that last statement. She looked down at her hands. "Sentience, experience and free will make us all imperfect. All people are shaped by their past and everyone has a vice. There will always be people who think they are above everyone else, people who think they are right because of their feelings, people who think that they deserve something just because they want it or that they can do something because it is available to them," she looked back up and made direct eye contact with her King, "people that think that their luck or privilege is a sign that they were chosen by Fate, that they are the only one who can do something because they are special and that that means they are righteous and their failings mere stepping stones when in reality they are all normal people just like the rest of us." ///She knows nothing about being a Singularity. There's no greater proof of being chosen by Fate!/// Since the Fall of First Sindria, Sinbad had been hearing a voice periodically. It was like stray thoughts -many were opinions he didn't really have. The fact that the voice felt the same as him in this made a pit form in his stomach.

Mori gestured at him and continued. "Even his Majesty being a 'Singularity' is only something rare. You aren't the first, and you won't be the last. You know I can read the waves of Fate as well, so it's obviously not the type of thing that you or Al Thamen makes it out to be. There is no 'chosen one.' No one is immune to human fault or failing. 'Fate' is the history of how all of our decisions affect each other.” It was like she was reading his thoughts. There were other Singularities? Mori could also read the waves but- The waves in the room were over flowing. This was greater than when Mori changed things in Balbadd. They were far off topic now, but this was more important. ///She doesn't understand anything. I've read Fate!/// Those stray thoughts hated Mori and how she was changing things since the beginning even though when Sinbad read the waves around her he liked the direction they were going. Her waves wouldn't stop him from reaching his dream. If that voice was this against what she was doing then he had to know more. "Mori, please tell me, what makes you so sure? You say you've read Fate; how can you say there isn't a grand plan? Can you really deny that the Rukh guide us?" Would they have to agree to disagree? Was this something he could afford for the Prophet of his own country to not see his way? She watched him and the Generals as she thought. "There is a 'plan,' but it isn't absolute. I read more than one 'Fate' for this reality. If Fate was already fully decided then in Balbadd Judar would have defeated all of you instead of being crushed by Ugo, and Cassim would have married Princess Kougyoku instead of dying, but that didn't happen, now did it? When I read Fate, I read how it was changed from it's original design by the people of this world. And as I've already said, I couldn't be here if everything was already decided.” ((these are things that are said to be in the og draft of Magi, but got changed when actually making the scenes)) They had been changing Fate's course before Mori arrived? Was that even possible? Mori wasn't the type to lie out right over something like this. Between her demeanor and the waves, he could tell she wasn't lying. He had to know where this new path was leading and asked an obvious question. "Isn't it just as likely that those 'changes' were supposed to happen?" Mori scowled at that. "Anything is true somewhere. There are infinite realities where any Fate is true. Every moment infinitely more form to account for every possibility -every decision, and unexpected change, even an asteroid coming and destroying the planet. If you can imagine it, it is reality somewhere." Sinbad had read Fate in the waves, of course he knew about there being other possibilities. Were there really other realities where he had followed one of the other paths? Mori didn't wait for him to comment. "There's no way to know which destiny or Fate we are following until it's already happened. Being able to read the waves has helped me narrow it down to 2 or so of the Fates that I read for this reality, but it can't account for everything. Since I can't read my own Fate I can't know how my presence will affect things." Mori continued, "When I read this reality's Fate, I learned how it functions on a fundamental level. Everything is made up of Rukh and is dictated by the Rukh and magoi. The Great Flow of the Rukh 'guides' the living but it is also affected by the wants and desires of the living. It sees all those wishes and creates opportunities for people to realize those dreams based on how many want that dream to become real. But it's still up to the living how they react. The Great Flow creates opportunities and makes suggestions, but it can't make your decisions for you. And" Mori paused while looking for the right words, "and the more magoi directed at a certain wish the more likely the Great Flow will try to help." Mori waited for them to absorb the meaning of her words. That meaning made Sinbad nervous. If she wasn't lying... Drakon broke the silence. "That would mean that someone with

a lot of magoi would have a greater affect on the Great Flow." "It does." Mori confirmed. Was that really how the Great Flow of the Rukh worked? How Fate worked? Mori stayed silent again, reading them as much as they were reading her. The waves were still high. Yam was the next to comment. "I know the amount of magoi a person has defines how strong of a magician they can become, but it sounds like those born with a lot of magoi also have an amazing privilege when it comes to the Great Flow." "Exactly." Mori agreed. "The people that Fate seems to favor aren't chosen by Fate or particularly special. They are born lucky just like those born rich." She paused. "All Dudgeon Capturers have an above average amount of magoi. A Djinn won't select a King that doesn't even have enough magoi to use their power. The more Djinns a person has, the more magoi they need to have. King Sinbad, you were born with a rare ability, and the equivalent magoi of a large city or small county -even before all that Rukh merged with you in Parthevia. If you didn't, there would be no reasons for the Djinns to cut you off from trying to capture more Dungeons." "What?" Sinbad's question slipped out of him in an airy gasp. He knew he had more magoi than average, but this would make him no different from those that grew up as royalty thinking that they were inherently better than their poor subjects. He wasn't sure if he could believe her, but the waves of Fate had never lied to him. The Prophet's waves were overwhelming the space, encouraging him to believe her. It was obvious how this information would change things. King Sinbad had more than the waves, he also had a sharp intuition. There was something hidden in her words. Some truth about his future that she hadn't told them yet. Even if he had been intentionally given these privileges by Fate, Mori had already stated that his decisions were his own. When Mori had said there were people that conflated their privilege with a righteous roll given by Fate it definitely included him. But if he wasn't chosen by Fate, if they had been changing Fate all along, then what was what happened in Parthevia or Riem? Mori's voice pulled him out of his thoughts. "Not being chosen by Fate and everyone having free will is a good thing if you ask me. It means when someone chooses to do right by others it is because they chose to, not because someone is forcing or directing them. I like to think that everyone thinks they are doing the right thing, and only act out against others because of strong emotions and ignorance. The cure for most negative emotions is a stable environment ((including medication for those who need it)) and the cure for ignorance is education. These are things that Sindria and the Seven Seas Alliance are able to provide. "All of you are using your privileges and talents to help people, and to bring peace to the world. Regardless of whatever mistakes you made in the past, this country and the current state of the world are a direct result of your choices. These choices you've all made are even more admirable because you made them on your own. Isn't that why so many have sided with Sindria already? It's also one of the main reasons I chose to become Sindria's Prophet in the first place. With your help, we can greatly reduce the disparity of this world and raise the quality of life for everyone." Her smile was soft and confident. Mori's waves overtook his own.

The King had a thought that shook him, but it was Hinahoho that asked it, "You didn't just tell us some of the taboo information, did you?" "What? No." Mori was shocked by that question. "His Majesty and others would have figured this out all on their own in about 5 years -not to mention those that already know it." He could try to deny it, return to the path he was on, but he would know deep down that she was right. And apparently, he would figure this out in the future anyway. There was no reason to hold himself back then. He could see that now -there was no going back. This was one of the changes he had felt in her waves from when he first met Mori. ///How can she say such foolishness?? This woman must die before she ruins everything!!/// A chuckle slipped out of Sinbad. That voice really did hate his Beautiful Prophet. His waves were changing. He was changing. But he still had the same dream: to create a world without war or poverty. Mori's goal was to remove disparity. Even their goals worked well together. Why had he been so sure that being a Singularity made him some special chosen one? When had that started? It was members of Al Thamen that had told him that. They were the enemy yet he still believed their manipulation so completely. Sinbad knew why deep down. If he was chosen by Fate then his actions would be righteous and the awful things he experienced were stepping stones. Like a child learning to take responsibility and step out of the shadow of their parents, in this too he would have to take ownership for his place in the world. He would be thinking about this a lot in the coming days. All of this information was invaluable. Why did Mori choose to follow him if she knew all this? There was no way she didn't know how he viewed himself and the world before this conversation or the mistakes he had made. Was it thanks to opportunities that the Great Flow gave him that he was able to seduce her to his side? No. Mori already knew what was going to happen. She knew the future more clearly than what the waves could show. She knew him and his methods as well. She knew that the Kou Fleet had been on it's way. That meant Mori would have been deciding where she wanted to go and weighing her options from the beginning. Mori made her decision, gave him a slow drip feed of what she was capable of, and made sure each request he had of her was given a price. She wasn't just withholding her help due to a lack of trust; she was leading him to make the best possible offer. She knew that he would try to bring her to his side if he knew her value. He had played into her hands not the other way around. Why didn't this realization upset him? This new information wasn't going to stop him from achieving his dream. In fact, now that he had a better idea of how the Great Flow worked he could consciously use it to his advantage. He got what he wanted and it was mutual -not simply Fate. They both wanted this. This was making him excited. The smile on her face was one he recognized. He had worn it when he was young whenever he had convinced others to his side. Mori was cut from the same cloth. She had agreed to have this conversation not just because of Ja'far's insistence; she was after the opportunity to clear up his misunderstanding about Fate. ((plz ignore that I forgot to draw my freckles in most of the shots and am too lazy to fix it.))

[your-brilliant-lady-m]

Part 5 - Basic Concepts of Miraculous Ladybug: Guardians

Helloooo! Did you think I was done? No!

My PhD thesis chapters were approved last week, so have some celebratory meta. I haven't seen the latest Season 4 episodes, so do forgive me for not being up to date.

Welcome to the next part of my analysis of the basic concepts of Miraculous Ladybug. Today we are talking about Master Fu, Order of the Guardians and how little everything here makes sense. I highly recommend reading previous parts to fully understand this one, but I'll try to quote most parts of earlier posts.

Order of the Guardians

Order is an international and ancient organisation (New York Special showed us the guardian from North America and he was dressed like Su Han). Presumably, Miraculous jewels were created by these people. Guardians are responsible for the preservation of jewels and knowledge about them. They also distribute Miraculouses to worthy people around the world to combat mostly magical threats, but sometimes jewels are used against normal threats too. It's implied that Master Fu used Miraculouses during WW2 when he was in Paris. Perhaps he performed some spywork with Marianne, but the magical nature of his interferences was discovered and he was forced to flee, before returning to France many decades later.

Why does the Order need so many people to take care of a 3 Miracle Boxes? If its only purpose is to preserve knowledge, keep magical secrets and distribute Miraculous jewels then wouldn't it be more logical to have Master-Apprentice system? It's much easier to keep magic knowledge a secret and train a few people in martial arts than doing the same in the self-sufficient temple full of people, keeping in mind that a good part of them are teenagers and children, who are bad at keeping secrets. Also a single person can travel around the world much easier to give out Miraculouses. Imagine that we have a few active guardians traveling the world with Boxes. What do other people at the temple do in the meantime? They teach the next generation about the powers of each Miraculous and Mirakung Fu, but besides that?

Master-Apprentice system gives us more personal conflict between Fu and his mentor and makes his relationship with Marinette and Adrien more nuanced. In this scenario Fu accidentally caused the death of his Master at 14 because he wasn't careful. It makes sense for him to take on only 1 or 2 students if this is how things were done with Miraculous Guardians. This Wang Fu is very cautious and protective, he spent the majority of his life afraid of hurting someone else and never took an apprentice as a result. But now he is ready to try again, since he is not getting any younger and he likes these 2 kids. He wants them to succeed. Maybe Master Fu, becomes the father figure for Adrien in this situation and a guide for Marinette. Just think about it. This way writers avoid the need to develop all these extra characters (Su Han) and traditions related to the Order. All inconsistencies I mentioned before and later in this post are gone now! Hell, even memory loss and the changing of the Miracle Box shape could make more sense. We also raise the stakes post-amnesia, if it happens of course (the whole Season 3 finale didn't make sense, so stay tuned for my next meta). Marinette and Adrien are on their own now, there's no one who can give them answers. It's very fun scenario, which has potential to be brilliant. Any thoughts on that?

The existence of Order of the Guardians is not quite a secret, at least it wasn't in XIX century China. Master Fu in "Feast" says that guardianship was considered "a great honor". It implies that people who lived close to the temple of the Order knew about Miraculouses and what exactly guardians did for the greater good.

The existence of other Miracle Boxes around the world makes sense from a real-life perspective. Writers have the ability to create many stories set in the same universe and use them for merchandise and an almost unlimited amount of content. Judging by the unholy amount of specials in production, this is exactly what the creators are going to do. It probably won't go down well, but who knows?

However, it doesn't work in our main story. The main conflict is Paris-centred. Gabriel's motivations revolve around Emilie's resurrection and Season 4 gives us more reasons to suspect that Adrien's mom wasn't as wonderful as everyone says. Hawkmoth still remains the main villain of the show and most likely it's going to stay that way. There's no point in moving the main story to different places for the sake of introducing more Miracle Boxes from around the world. Ladybug and Chat Noir aren't needed to fight something halfway across the world unless Hawkmoth also changes locations.

LB and CN are centrepieces of this franchise. They brought success and money to ZAG. Creators constantly need to remind the audience that this new piece of media with new characters who will never be mentioned again is connected to Miraculous Tales of Ladybug and Chat Noir. Writers have to come up with reasons to include our heroic duo into the story even if makes no sense.

New York Special had to introduce American Heroes whose names rarely come up in the fandom because people stopped caring about them or their stories shortly after the release of the Special. I barely saw any content dedicated to them. In order to bring LB and CN into the story, you have to include Hawkmoth too. Gabriel suddenly needs to get his hands on the Eagle Miraculous and goes to USA. Marinette and Adrien suddenly have a class trip to New York. Unfortunately, their presence in this story is required only to expand the world of Miraculous and attract fans of the show, so that they could keep an eye on new content related to newly introduced characters.

In the end, it's not their story. Events of the special don't affect main story of the show and the development of the love square is merely an illusion, because Adrien and Marinette are no closer than before. In season 4 LB and CN are growing apart and their test of trust in NY Special doesn't matter. Perhaps, some people don't see it that way and it's their right, but I find it hard to see NYS as a valid contribution to canon. I mean, even people in large portion of the fandom state in the tags on AO3 that "specials are not canon", "specials didn't happen" or "ignores both specials". It speaks volumes about continuity and preferences of your fandom.

Shanghai Special didn't give us more information about the Order, which is located in China, history of Miraculous jewels. We still don't know much about how Gabriel and Emilie found Peacock and Butterfly. Maybe, Marinette's family had connections to Miraculous jewels. Maybe, Adrien does some snooping and discovers research his parents made while Gabriel is away. All of these are relevant to the main story. However, we got something much different in the end.

Marinette chases Adrien across the globe and they make new friends. Fey becomes Ladydragon and now has a direct contact with Marinette through her uncle. Gabriel's desire to get his hands on the Prodigious comes out of nowhere. Apparently, he had been planning this trip for years, presumably even before Adrien was born. It probably happened at the same time as Agrestes found 2 Miraculouses. He bought bracelet-key (which is also a Miraculous apparently, but its Kwami is a Guardian of the Prodigious and they existed separately for a very long time - and let us not dwell on this mess) from some shady mafia boss, who can easily find out just who Gabriel really is (fashion designer billionaire) and use this information to blackmail him. This Special didn't answer important questions, but it gave us a new superhero character.

The real question is whether Miraculous as a project will survive long enough for writers to create content for every minor character they introduced in all specials. This is only a beginning after all.

Miraculous is not a global show and it can't be globalised in a way that makes sense, at least with Ladybug and Chat Noir in the centre of action. Case closed.

Mirakung Fu

I liked the idea of Mirakung Fu introduced in "Furious Fu". It makes sense and things rarely do in this show. Miraculous grants its holder superhuman strength, stamina, endurance and ability to fight. This means that essentially transformed heroes are guided by magic in combat. There's nothing personal in the way Miraculous holders fight. You can predict their moves and learn how to fight this magic guidance, which is what Su Han does.

However, if the holder has any special training, skills or knows any martial art in their civilian life then they become more dangerous opponents during transformation because now their fighting is a mix of magical moves and their personal knowledge, tricks and style. Therefore, Adrien and Kagami as skilful fencers have more chances of winning against someone who knows Mirakung Fu than Marinette, for example.

Memory loss

At the end of season 3, we find out several things:

apparently, now Miracle Box can change appearance to suit its guardian;

when Guardian passes down the Miracle Box to someone else, they lose memories not only about everything related to Miraculous, but also about pretty much everything in their life (Fu doesn't recognise Marianne, instead he experiences the love at first sight)

Master Fu trains Marinette to be the proper holder and next Guardian off-screen. He says that her training as the holder is complete in "Feast" and wants her to become the next Guardian. Fu told her lots of things, and yet, he never mentioned the fact that he would lose his memory after relinquishing the box, nor the fact that Marinette would lose her memory afterwards. She finds out about this from Wayzz after the battle with Miracle Queen and the letter that Master Fu gave her. That's not proper training! How on Earth do you forget to mention this memory loss? How?

Master Fu's amnesia is a convenient plot device that removes him from the narrative almost completely. That's mostly all there is to it. Why? Because it doesn't make sense.

Fu was around 7 or 8 when he started his training. The disaster at the temple happened when he was 14. He stated that his training was never complete, which means that he never passed any magical ritual, never swore an oath or was bound by some kind of spell that made him subjected to the rule of memory loss.

Miracle Boxes belonged to the order, not Fu. Their design reflected their country of origin because these Miraculous were made and kept in China. They were just standing there on the shelves not magically bound to anyone in particular. When Feast attacked, monks just tossed Wang Fu the miracle box and grimoire. No one at the temple lost their memory after Fu took the box with him (Su Han is the proof). Su Han not only remembers Fu and his mistake but everything that happened that fateful day as well. In "Furious Fu" Marinette explains Su Han that Master Fu lost his memory in the very first conversation they have. However, after Ladybug and Chat Noir fight Su Han on the roof and escape with the Miracle Box, the latter searches for Fu and attempts to take his staff from him. In this scene, Su Han acts like Fu knows very well what is going on and who he is.

Su Han should be aware of the memory loss rule as the Celestial Guardian. He remarks on the different shape of the Mother Miracle Box and calls her "incorrect", which means that Su Han should have been able to easily tell that previous Guardian lost his memory and the Miracle Box is now bound to someone else. But he doesn't say anything. Moreover, since Su Han is supposed to know about amnesia, he seemed awfully chill about forcing this 14-year-old girl in front of him to give up the box and her memories. Hell, Chat Noir wasn't on board with this. But we get zero reaction from Su Han.

During the first conversation between Marinette and Su Han, he doesn't ignore what she is trying to say, instead he actively comments on every word. Even if Su Han didn't listen when Marinette told him about Fu's memory loss, than he still should be able to understand that Fu doesn't recognise him, because of common sense and the "incorrect" shape of the box. But nothing of the sort happens. Because writers apparently forgot that "memory loss" is supposed to be known to everyone in the Order. On-screen it looks like Su Han is not aware of the "amnesia rule".

"Furious Fu" makes the concept of memory loss a plothole no matter how you look at it. Just like "Timetagger" and "Chat Blanc", as well as "Kwamibuster" this episode is not consistent within itself. It does not surprise me, however.

Grimoire and Guardian Staffs

Let's talk about the Miraculous Grimoire. Good things first.

There are no illustrations of Miraculouses in camouflage. Kwami can't read its contents, only guardians can. Certain elements are written in riddles as an additional precaution. The book contains only the information people have learned so far, which means that Miraculouses have more unexplored potential ("Mr. Pigeon 72"). It describes powers of each Miraculous, provides information about weapons, has instructions for potions that don't make sense (see previous parts).

Unfortunately, everything is about to go downhill from here.

Guardians are taught how to read the writing in this book. They can read it just like people learn to read texts in a different language. This means that one can read Grimoire like any other book (you don't need to consult some guide to decode each letter or word). Master Fu proclaimed Marinette an almost fully trained Guardian. He should have taught her how to read the Grimoire then (he doesn't know the code very well, but he knew enough to understand the general meaning and content of the book according to "Collector"). He didn't. We don't know why. He shows her powers of every Miraculous but doesn't teach her the code.

Master Fu knows that Grimoire now belongs to Gabriel Agreste. He knows that it's dangerous for someone else to have it. If they knew how to read the Grimoire, they could discover all secrets of Miraculouses and harm Ladybug, Chat Noir and other heroes. It's very important to keep the information about the code top secret because Fu is not the only one with the source material.

What does he do then? Master Fu proceeds to write a French translation of Grimoire for Marinette, a translation that he doesn't even need. He carries it with him at all times on a tablet (without any precautions) just like the Miracle box after "Feast". Naturally, it means that in "Miracle Queen", Gabriel and Nathalie easily managed to get their hands on the tablet and Miracle Box. It allows the plot to happen, sure. But it doesn't make any sense.

"Furious Fu" created another curious plot hole. It will probably be ignored, of course. Su Han has a staff with a magical compass that allows him to find any Miracle box, but not the Miraculous jewels for some reason. How does the staff work? Can it locate the box without the Miraculous? If yes, then it seems useless. What's the point in the ability to locate an empty box? If it can locate the box only with the Miraculous jewels inside, it implies that the staff can track the location of every Miraculous too. So, Su Han could just locate the Butterfly and Peacock without any problem. But he talks about reassigning Ladybug and Black Cat to adults and defeating Hawkmoth like locating the Butterfly is not possible. This situation makes the Guardian Staff a simple plot device that creates plot holes and its only purpose is to explain how Su Han found Marinette.

Also, I have a few more words to say about this. Master Fu had a Guardian Staff that was never mentioned before. I wonder why? That's because the staff didn't exist before "Furious Fu" was written. Writers just went: "Do you know what would be cool? If Fu's cane was really a secret Guardian Staff with a compass all along that he decided to keep even after he lost his memory? It would make people wonder whether Master Fu is faking amnesia, and everyone will definitely call him an awful mentor after this even though we kind of tried to make him a good and responsible person."

Fu didn't give it to Marinette and didn't mention it to her. Why? When he gave up his memory, he should have written about this in his letter at least. Why did he decide to keep it? He can't use it anyway now.

Please note how in the flashbacks Fu didn't take any staff with him when he escaped the temple. Su Han seemed to know how Fu's staff looked like. It means that Master Fu didn't make this staff himself, because it belonged to the Order.

Su Han wasn't even surprised that Marinette didn't have the staff as the current Guardian. Was she not supposed to have it? He never questioned the fact that the former Guardian without memories has the staff. Su Han actually returns this staff to Fu after he is deakumatized and Fu acts like they have never met before. Why did Su Han gave the staff back when he knows what it is and to whom it should belong (to him or to Marinette as the current Guardian)? The staff is useless in the hands of the civilian. Does Marianne know about its secret? We'll probably never find out, unfortunately.

Guardian Staff of Master Fu has a compass too and therefore this also makes it a plot device, just like Su Han's staff.

[guardianoracle]

What is a guardian? I made a quick guide explaining them! I'll be looking forward to posting my new fellas here over the coming days.

Guardians are a type of egregore, bound to an idol for physical form. The materials themselves can be virtually anything. The only thing that matters is what you think their effect will be on the finished guardian. 

It is also very important to make sure to use sturdy materials in crafting them. You want it to be string enough to withstand things like falls, rips, dogs, poltergeists, what have you. This not only helps keep them intact, but it reinforces your idea of their strength to protect them further on a spiritual level, too. 

You want to let go of imposing your ideas while crafting them, allowing your ideas to pool into a chaotic jumble of your initial impression of the spirit of the guardian you're crafting. Of course, you want to guide this chaotic energy to a degree to make sure things stay consistent and stable in the process. No matter what, trust and believe that it will turn out exactly as it should. Believe that it's spirit is helping guide it's creation and let it's creativity flow through yours. 

It's important to take this work very seriously and approach it with patience, persistence and care. This process uses the same faculties as wandmaking or enchantments. This process is assisted with skills in things like mediumship/channeling, enchanting, tulpamancy, thinking magick and magickal observation. Warding and banishment is important, too. You are crafting an egregore. A companion and friend. It is very important to treat them that way, as a true partner. They are your responsibility. 

As with any relationship, keeping strong boundaries is most important. You need to be steadfast in them. You are creating a living soul. All living souls will push and test boundaries, especially with whom they are closest with. This is completely natural and they should not be punished for doing these things, but a stern correction may be necessary from time to time. 

It is imperative to establish your authority with them from your first interaction. An easy way to think of it is to imagine them as your teenage children in a way. You are still their authority, but they are your obligation and will need your guidance to stay out of trouble. Even though you must dictate their behavior to a degree, it is very important to treat them with the utmost respect and not micromanage them. Even though they are yours in a way, they are their own individual and must be treated as such. 

Some people like to design every little aspect of their egregores. This can make them more tailored to your needs, but it restricts the entity to a degree that can make them feel depressingly robotic in my experience. Or, they may react by withholding information about themselves from you so that they won't risk losing those aspects of themselves. Fear of rejection is something that affects us pretty much universally, and objects or artificial things aren't necessarily spared from it. 

Personally, I leave my intentions towards their usage very open-ended. I prefer to instill morals into them over assigning purposes to them. You are their mentor in a way, as they are yours. Giving them the freedom to become who they want to be, with some level of structure, has given these things a level of humanity and personality that I couldn't feel more blessed to be able to witness. Even though this relaxed approach can be significantly more risky, it is my opinion that these risks yield great rewards and taking that leap into the unknown can allow you to experience so much more than you would otherwise. Always trust that things will happen as they should. 

Guardians get lonely, too. It's usually best to make companions for them. My guardians typically have a soul mate made for them as well. This ensures that they have a partner in their life, romantic, platonic or otherwise. They generally become inseparable partners in this way and have similar or very compatible souls with each other. 

Creating a tribe of guardians is a great way to give them a sense of family and identity. This also adds a layer of accountability between them. They are egregores after all, and will remain active without you. Giving them a pack gives them a way to stay occupied and fulfilled with each other while you're away. Of course this isn't exactly necessary and can be a big commitment to make. Regardless, socializing your guardians is essential to avoid unwanted antisocial behaviors. 

After you create a guardian, you're going to want to make sure they're awake. You hear them with your mind's ear, so attempt telepathic communication with them, even if you don't necessarily think you'll be able to. You'd be surprised. Ask for their name. If they won't tell you for whatever reason, ask if a nickname would be acceptable. There is a chance that they haven't decided on a name just yet, or that they can't figure out how to express their name with language, or they may not consider you ready enough to know. This is very personal information to them. You must respect their boundaries too, even if this is one. Don't try to find their name before they're ready to tell you. This is crossing a personal boundary and will hurt your relationship with them right off the bat. 

Remember, these are companions, not your tools. If you cannot sufficiently communicate with them you can try to use divination to communicate instead of telepathy. Communication is key to a healthy relationship with them. Ask them about their wants and needs. Ask them about what they've been up to. The answers might surprise you! They do live lives on the edge of our realities in a way that are completely different from our own. As we teach them about our world, they teach us about theirs. 

Go into your creation with an open mind. The perfect guardian for you may be something you'd never expect, or might even fear! Look at them as individuals and don't put flash judgments on them.

Use whatever you have handy to create them! Of course you can buy things instead, and if you do, make it special and treat the trip as a significant spiritual event, because it is. I prefer found objects though, as some of the best art seems to come from scarcity in my opinion. It's also best to use materials you connect with. I'm using pipe cleaners for these guys and that works wonderfully for me, but it might not for you. Use your instincts! Express your divinity. 

As with any enchantments, it's best to spend the with them after they've been born. I usually keep them with me for at least a week or two afterwards. As you spend time with them they get to know you, your life and the people around you. This helps them understand your needs better and improves your relationship with them significantly. They will learn their role in your life organically, based on necessity. This also helps you get familiar with them and their energy. 

Have a safety plan in mind, just in case something goes wrong. Plans on how to protect them or save them are important in case they get attacked or injured. It's also important to have in mind a way to destroy them if they turn into something dangerous. It is your responsibility to do so if you have to, but as a last resort of course. Fire and banishment is a method. As long as a fragment of them exists, they may live on. This is also my disclaimer. Playing with fire is a great thing, just don't let it consume you. I'm not encouraging anyone to make these, just explaining my process and opinions to anyone that has decided to do so already, or is curious as to these things. 

Don't forget about them. If you store them, store them together and have a special place to do so. If you can no longer care for them, consider selling them to transfer ownership. Always, always explain to the buyer what they are getting themselves into. Otherwise, this would be a spiritual attack and you will need to deal with the ramifications of this. Don't let the guardians fall into loneliness to the point of despair. Give them the ability to sleep. Unnecessary despair breeds all sorts of negativity and can cause all sorts of issues. 

Do not insist on asking for something they are not able to do. They may not be allowed to, or even be able to tell you why. You should respectfully as for their reasons and then respect their decision and privacy by allowing them to keep it to themselves if that's what they want to do. 

Don't hold back! If you have an idea, go for it. The worst that'll happen is you'll fail. At least you'll go down with courage! Push your limits. Believe you are more than you think, and you might start seeing that you really, really are. Trust yourself and be yourself. Create what you feel called to. Create for the sake of creating. Don't worry so much about rules or systems, you are perfectly qualified to make your own! You don't need loads of experience to do so. Let your instincts guide you instead, see where it goes. As long as you do that, whatever you do will be wonderfully magickal regardless. 

[oscar-writes]

Okay so these are my characters for my wizard story (actually in it guys and girls are called witches so I should call it my witch story technically) it's the whole there's schools for witches and these characters go to one of them. I swear it's different than harry potter.

One difference is they have normal classes for the students who want to go into the normal world. They also have math becouse I don't care how much I hate it you need to learn math. Also when they enter their 4th year they can start signing up (with a group) to do little "missions" which is essentially going to a town where their is likely a magical creature that could hurt normal people and getting rid of it. Which the school dose look into the level of each mission. Only if it looks low level can a 4th year go to one. Also they need to have a group of at least 2 and not be failing classes. It's on the field training.

Onto explaining the characters. Matilda: she's the narrator. The story is written as her diary. She starts the diary cause she cant beleive what's happening and if she wakes up and its empty she'll know that it was all a dream. She's an optimistic ball of sunshine. (Wow me making an optimistic character? That never happens!) She's also sorta the group leader? They don't call her the leader but she's the leader. Also yes her name is a reference to the book/movie matilda. I won't explain her whole life here but essentially she finds out she's a witch to start the story.

Marionette (I should probably mention her nickname is marionette, her real name is margret but she's called that like 8 times in the whole story) she's matilda's best friend. They were friends growing up and happened to both be wizards. She ends up dabbling in dark magic. Which is presented as not being a good thing but like she's not evil cause of it. (Dark magic is magic that either has a sacrifice [ie hurting yourself or someone else] or runs on your soul. Which all magic uses your soul but dark magic deteriorates your soul, there's more too it but that's the general explanation) she gets into dark magic cause she has a desperate need for knowledge and cant let herself not learn. She sees it as just another way to learn (I'm the same way. Id do dark magic to learn.) Which this need to learn in her could also partially stem from her never knowing her parents (she's an orphan) she likes the family that adopted her and all but she still want to know who her real parents were. Which she can use dark magic to find out the question that's been eating at her her whole life.

Dani. Now Dani also goes into dark magic but for a different purpose. Dani wants power. Again this is framed as not good but not inheritly bad. Her whole life she had little power (she grew up extremely poor and her parents divorced at a young age) she wants power cause she grew up with little and knowing that at any moment she could lose what she has. She finds out she has magic and finally has power. She can finally control things. She has the power she didn't grow up with. She likes feeling powerful and dark magic makes you powerful. Okay to explain how they learn about dark magic (it's actually explained early on but only briefly by someone who was afraid of it) essentially at 3am (the witching hour) the veil between life and death grows thinner so ghosts or spirits can cross and become visible to humans. They either appear where they died or where they were most affected in life. Basically marionette found out about this and started staying up to talk with the ghosts. (What's a better way to learn than talking to the dead?) One night Dani sees this and from that night on they both talk to ghosts instead of sleeping. One day in their 3rd year they talk with a ghost who was a dark wizard. He basically tells them about how when using the dark arts you feel unstopable. You know everything. Your powerful. And they both go, "sounds great", then they get into dark magic.

Claudius, he was raised in a wizard family. He meets marionette and Matilda on the bus and they become friends then. He's also constantly stressed out cause coming from a wizard family they put more pressure on you. He's also useful though to explain things that are just parts of wizard society. Like he explains dark magic(or at least how the general person view dark magic), cause he askes marionette and Matilda who in their family they get their "witch blood" from. To which they answer then marionette asks if she can use magic to find out who her parents are. He responds that that would be blood magic, which is a form of dark magic. Then he explains why dark magic is a bad thing (if like to note that all beginning mentions of dark magic are biased. The ghost has a bias to it and Claudius has a bias against it) he's used to explain the magical world but also to show what coming from the magical world is like.

Luna. She is the least important (still very important character) pictured. She is only in about half the story. She leaves the group in their 5th year cause of a few reasons. 1) she finds out Dani and marionette are using dark magic so she stops trusting them, 2) they like going on missions but the missions scare her. And 3) she dosent like magic. Magic scares her, she grew up in a magical family but none the less it scares her. She wants to be part of the normal world. She's probably the most differing opinion in the group. She dosent like magic, hates the missions, wants to join the normal world, her main purpose is to contrast everyone else.

I think that's all I'll explain in this post.